#anti endgame
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levelofyoureye · 1 year ago
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lmao so i was just going through my camera roll and clearing some photos out, when i stumbled across this screenshot i took in january of 2020 and…
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i’m in shock. i literally don’t know how i forgot this happened, like i was actually astounded when i found this. NEVER forget when steve rogers’ ending was so horrifically out-of character that SEBASTIAN STAN HIMSELF posted a screenshot to instagram of a tweet dogging on his ending. it’s been years and i still haven’t forgiven marvel. i don’t think i ever will.
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morgangalaxy43 · 23 days ago
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I feel like the main 6 Avengers actually had really bad character development in Avengers Endgame because Clint didn’t really do anything, Bruce’s arc was skipped over, Natasha was killed off, Tony died even though it wasn’t necessary, Thor’s struggles where made into a joke and Steve left Bucky and all of his teammates to be with Peggy in past
A lot things that happened in Avengers Endgame felt more like character regressions instead of going forward
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imposterogers · 1 year ago
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endgame is so funny bc they said “instead of respecting the og avengers what if we gave them endings that were equivalent to their own personal hells”
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lavenderpanic · 1 year ago
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There is no universe in which Steve went back in time and, instead of freeing Bucky or Isaiah or exposing HYDRA, he chose to marry Peggy and live a quiet life and ignore everything he found out about in the 21st century
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fizz-pop-thwip · 7 months ago
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I like to imagine that the super soldier serum enhances dreams too like it gives the affected really vivid and realistic dreams.
In Steve's case this was just overwhelming because not only was he having crazy intense dreams but in a fresh new array of colour that he'd never experienced previous. And it's extra traumatic on top of all of that when he started having nightmares about his experiences on the field.
Imagine it in Bucky's case too like, Jesus. He would wake up screaming and not even remember why due to the shock therapy he'd been receiving stunting his memory so badly. And when he's finally escaped Hydra and his mind starts healing is when these dreams would affect him the worst. Because now he actually remembers them and how horrible they are and his waking up to screaming finally starts to make sense.
But there would be a nice side to it too.
Steve will always know when Bucky's had a dream about the 30s because Bucky will be stuck to his back, hugging him from behind like they used to back then. And Bucky will know Steve has had one when he wakes up and stretches his back in an arch with a groan as if he still has scoliosis.
All it takes is for Steve to take his first deep breath of the morning, in those big lungs that he never used to have, for him to realise where he is again. Bucky just had to feel the big body in his arms.
They'll both just sit in the moment whenever it occurs because of course they miss it, before the fighting, before the war and the hell they now know. But they still have each other, so they never really lost home. They have each other so they're okay.
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luna-rainbow · 1 year ago
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On Steve Rogers, loss, and loneliness
Unlike some of the other characters, Steve's hurt isn't as plain to the eye. His demeanour is usually one of stoicism and optimism, and it is easy to forget that his story is steeped in loss and loneliness.
Steve's introduction highlighted how alone he was - an orphan, armed with a list of ailments, and hiding behind a newspaper to avoid small chat with other recruits. When rejected by the recruitment centre, Steve shrugs and heads to watch a movie - alone.
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Steve is a loner, we are shown, and then just as abruptly - perhaps just like the way it had happened many years ago - Bucky crashes into Steve's world and hooks an arm around his shoulders and noisily talks about an expo and dispels all of Steve's melancholic air. Steve is a loner, except for Bucky.
But Bucky is now leaving to go to war.
Steve is used to being stoic, because there were no adults around him to spoil him. He is used to being buoyant, because Sarah taught him how to pick himself up and carry on. Steve is used facing the empty house and lonely silence -- except for Bucky, who filled his room with chatter, "We can put the couch cushions on the floor, like when we were kids."
So when we hear the anxious strain in his voice as he is informed by Bucky that he is leaving -- it also becomes plain that Steve is also used to loss, or the threat of loss shadowing him, everyday.
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In his short life, he has already lost so much. He has lost his health (my thought is he was probably healthier in his early childhood until he caught scarlet fever, and then his health got a lot worse after that). He has lost his father, and all the security of having a family breadwinner. He has lost his mother - to long hours of work and eventually to the disease she was battling against.
What he dreads would happen, does happen. Life seems to have a way of chasing him down like that. Sarah gets sick, and his fear of coming home to find her gone...one day inevitably comes true.
At his darkest moment, Bucky squeezes his shoulder and promises, "You don't have to do it (alone). I'm with you to the end of the line."
It's just enough for Steve to square his shoulders and push on, as Sarah had always taught him to do. Deep inside - possibly buried so deep that he can barely put it into words, he knows that he pulled through because "Even when I had nothing, I had Bucky."
I'm going to pause here and emphasise how deeply lonely (and young) Steve was, and how, naturally, the only stable presence — ie Bucky — in his life, through periods of terrible grief and uncertainty, is going to be such a deep-rooted emotional foundation for him (regardless of how you ship).
When the draft does come for Bucky, it's not just Bucky who's unhappy, it's Steve who's also aghast. Suddenly, the possibility of losing his last bastion looms over him, and he remembers the fear and anxiety and the devastating grief of losing Sarah. But it is also a war that needs fighting - so he comes up with a solution: sign himself up. He can't keep Bucky from the war, but he wants to fight alongside him. Besides Bucky, what else does he have to lose?
"Men are laying down their lives, I have no right to do any less. That's what you don't understand, Bucky."
He says this angrily, because the words he can't say aloud are, "You are laying down your life, Bucky, and I might never see you again, and I can't go through all that again, not by myself."
When he hears about the 107th being captured, he has to go. He is saving Bucky, sure, but he is also saving himself, because the pillar, the lifebuoy, the harness that has kept him afloat all those years is Bucky, and he's terrified of sinking.
The serum makes him taller and more women pause to smile at him, but he is still incredibly alone. He sits alone during break, he draws alone in his book, he runs off alone and none of the USO girls even notices until it's his turn on stage.
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But Bucky notices him immediately, and says, "I thought you were smaller," and, "Did it hurt?"
Steve doesn't really believe in miracles. His whole life feels like one bad luck after another, even if he forces one foot in front of another and keeps marching on. But maybe at that moment, he feels like Bucky is his miracle. Bucky, who always seems to notice when he's alone and pulls him into his social circle. Bucky, who had seen him lose his dad and Sarah and promised him the end of the line. Bucky, who he - and all the commanders - thought was dead, pulls through and gives him another promise - that he would follow the little guy back into war.
When Steve is finally thrust into the frontline, the losses keeps mounting, man after man are falling, condolence letter after letter is being written. And then towards the end of 1944, the tides seem to finally turn. German forces are waning, the Allied forces are advancing, and quietly, secretly, Steve dreams of home.
And that dream dies with Bucky.
"Honour the dignity of his choice," he is told, but he can't shake off the guilt.
He pushes himself forward, step by dragging step. Nazi Germany is falling. He is taking down Hydra with his own hands…and at the end, he buries them all in the ocean with himself.
His is sinking, but he isn’t afraid, because he is going where all the people who mattered are waiting.
And he is denied even that.
He opens his eyes to a world he doesn’t recognise. They tell him they had won the war.
But no one wants to speak with him about what was lost.
A folder of old photos, the museum of unmoving murals, the silent movies of a smile he would never see again.
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He thought he had lost all there was to lose, but somehow life always seem to find something else to take.
What we see of off-duty Steve in the modern world is once again a figure of loneliness. He goes to the gym alone, he goes for a ride on the train alone, he sits at the cafe alone, he goes for runs alone, he goes to the museum alone.
Only during those solitary moments he could truly be Steve Rogers, instead of trying to meet everyone's expectations of Captain America. He is just shy of 27 years old, but suddenly, he can no longer lay claim to youth. Only a dream ago he was "just a kid from Brooklyn", and now he's an "old-fashioned" (as per Coulson) "older fellow" (as per Tony).
He's in the history books, he's on the television, he's in the classrooms; everyone knows of Captain America, but Steve Rogers is lost.
He had been willing to lose his life on the Valkyrie, but what he lost was every living connection and his own identity.
"Must have freaked you out, coming home after the whole defrosting thing," the friendly man says to him on their first meeting, but Sam only knows half of it.
The too soft bed and the too quiet room is one thing, the unshakeable nightmares another, but the worst of it is -- this isn't home.
He is marooned in a place that bears eerie resemblance to the world he knew, without being familiar.
Until the moment Bucky's mask comes off.
It's like the anchor dropping. He's now got a connection tethering him to this strange place, someone with "shared experience" that means he is no longer alone, and he is no longer a ghost forgotten by the seventy years of lost time.
"He doesn't know you."
"He will."
He has to believe that Bucky will, because Bucky is proof that Steve Rogers exists.
And once again, Bucky is his miracle. On the brink of killing them both, Bucky reels back from his brainwashing and hauls them both to safety.
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Even if Bucky leaves after that, he's left behind something Steve hasn't had for a long time -- hope, and belonging.
"Family, stability. The guy who wanted all that went in the ice seventy-five years ago," he says to Tony as he prepares to meet the ragged team of enhanced people that is to become the Avengers. "I'm home."
Stoic and buoyant as he has always been, Steve sets to work building that home for himself. Gradually, we see Steve open up. He forms new connections and new friendships, he talks about his vulnerabilities with people he trusts, and he reclaims his own identity. He looks for Bucky, and waits until Bucky is ready to build that home for himself.
Until it is once again blown apart by the end of Infinity War - he loses not just Bucky, the anchor to his past, but the new family he has made apart from Natasha.
That's why it makes sense that Steve, not Tony, is the one working so hard to reverse the Snap. His family was 5 years ago, Tony's family is now. The people who rallied behind Steve and not Captain America, the people who followed him after he dropped the shield, the people with whom he no longer needed to be endlessly lonely and tirelessly stoic and who loved him for who Steve Rogers was, they all vanished in the Snap.
So even if there was only a small hope, Steve wants them back.
And that's why his decision to leave everything he had built, the sacrifices he had made to bring them back, in order to go into a life of incredibly loneliness and deception is still the dumbest narrative faux pas in the MCU.
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stuffedanimalsgalore · 8 months ago
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I can not stand when people get mad at Steve for leaving Bucky bc no that was not Steve!!! He would never!!! That was the bad-writing man!!! Steve actually stayed ❤️
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ivysos2001 · 1 month ago
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Anyone else find it weird/unrealistic that (in endgame) Peggy kept pre-serum Steve’s photo on her desk for DECADES after his ‘death’
Like in Agent Carter we saw her find and hold onto that photo which I think makes a lot of sense (his ‘death’ is still pretty recent and obviously she’s still grieving him) so ofc she might want to keep that photo in her possession etc (even her holding onto the photo permanently makes sense bc of how important he was to her) but I seriously can’t see Peggy deciding to put that photo on her desk let alone keeping it there for 25 years after she lost him
And I could give you a whole list of similarly weird Peggy-centric Steve examples from endgame (randomly bringing her up as ‘the love of his life’ and staring at her photo in that compass all of the sudden after like a decade long moving-on-in-the-present arc) but I find it kinda ridiculous (and honestly semi-character assassinating) for both of them that marvel (specifically in endgame) was so committed to preventing either of them from moving on (or even rewriting/discrediting their individual moving on arcs) in the years after they lost each other
Their love story in catfa is such a beautiful one in a tragic kind of way with both of them ultimately losing each other and having to move on without each other and I feel like their mutually being forced back together in endgame kind of corrupts the beautiful tragedy that their relationship was in the first place and hurts both characters’ overall development
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buckymilf · 1 year ago
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friendly reminder that steve rogers was a victim of bad writing and weird self insert coming from creepy writers, he would never chose to abandon bucky and his found family, he would never chose to live in the past for no woman.
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srdonix · 10 months ago
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“So godly weapons, huh?”
“Guess so..”
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musette22 · 3 months ago
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I had a conversation with my friend the other day about our mutual hatred for Steve's arc in Endgame and we came up with the idea that if Steve had to go to the past to see someone, he would have gone to see his mother. He wouldn't have been allowed in a TB ward when she was sick so he goes now to see her and to reassure her that somewhere in the future her son is safe, healthy and happy. He's able to properly say goodbye to his mother this time and he comes back to the future to be with Bucky
Oh my god, I legitimately LOVE this. Yes 🥺 This would have been so incredibly beautiful and perfect and satisfying, and such a fantastic way to circle back to Steve's past in his last movie. I can't believe they had Tony go back to visit his folks twice, sort of, and they didn't even bring Sarah into the MCU at all, even though she's the single most important influence in Steve's life and one of the main reasons Captain America even exists in the first place. I will forever be bitter about that, especially now that you've suggested this alternative EG plotline and I have to live with the knowledge of what we could have had 💔 I would have given anything so see Steve and Sarah interact in the MCU 🥺 Ahhh well, good thing I don't accept EG as canon anyway, so I guess this new and improved arc for Steve is basically as real as EG if (if not more, seeing as it makes about a 1000% more sense!)
Thanks for sharing these thoughts with us, lovely ❤️
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biwoop · 1 month ago
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booksandabeer · 1 year ago
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Ramblings on Fandom: Peggy Carter, Steve Rogers, Delusional Shippers, and Alleged Misogyny
So with the release of Season 2 of What If…? emotions are once again running high, the outrage is outraging, and people are up in arms about the whole Captain Carter situation. While I do think that some reactions are a little overblown, even needlessly aggressive in tone to the unfortunate detriment of their otherwise convincing arguments, I share the confusion and frustration about the sudden centering of a long-dead & never excessively popular character, the sidelining of the Steve-Bucky friendship, and the as-inexplicable-as-it-is-total exclusion of Sam Wilson as Captain America. However, I’m not here to talk about the show because (1) I haven’t watched this season and have no plans to (why waste time torturing myself with something I know I’ll hate?) and (2) other people have already written dozens of metas about it, so what could I possibly add at this point.
What I do want need to talk about (lest I explode) is something that has irritated me for a long time and that is now happening again: Every time someone even mildly criticizes Peggy Carter, expresses doubts about her suitability as a heroine, or even just questions her disproportionate importance to the franchise post-EG, inevitably a certain section of fans will come out of the woodwork to immediately throw around accusations of misogyny and yell about how we’re all just a bunch of delusional Stuckies who are mad that she got "in the way" of our ship. Sigh.
This is gonna be a long one, so I’ll put it under a cut. Rant incoming. You've been warned. If you don't want to read, simply keep scrolling.
First of all, let me state very clearly that I’m not debating the existence of misogyny and sexism in fandom spaces—or in the media from which these fandoms originate. At all. It exists, it’s a thing, I’m not denying that. Which is exactly why it frustrates me endlessly to see these accusations thrown around as a gotcha! argument to shut down any and all critical debate around a female character. All it does in the end is escalate rhetoric and radicalize attitudes.  
In the case of Peggy Carter, specifically her treatment by Stucky shippers, I’ve always found 'misogyny as a motive' to be a largely unsubstantiated accusation.¹ Now, I neither presume nor do I want to speak for the entirety of Stuckynation, so I will not claim that there aren't corners of the fandom where people discuss her in ways that I find off-putting and deeply unserious, but I will say this: If you genuinely believe that disliking one (1) fictional female character equals “hating all women” and wanting to suppress and marginalize their presence in fiction and real life alike—then I think we need to take that word away from you until you’ve learned its true meaning.
You might also want to ask yourself how exactly reducing a female character to a mute trophy wife or a heroine who has to act out her love interest’s recycled storylines helps your feminist fight.
As for the “getting in the way of your ship” part of the argument. Very simply put: No character can get in the way of something if there never ever was “a way” to that something to begin with. “Being mad” implies that there was a reasonable expectation that wasn’t met, a substantive hope that was crushed. Now, I’ve said this before and I’ll gladly say it again a million more times: No Stucky shipper in their right mind ever truly thought that there was even the slightest chance that Marvel Studios owned by the Walt Disney Company would allow Steve “Captain America” Rogers and Bucky “Winter Soldier” Barnes to be canonized as an explicitly romantic pairing in their billion dollar franchise. Be serious. That was never in the cards. I wish we all lived in a world where it was, but we don’t, and it wasn’t. The best we could ever hope for was for Steve and Bucky to get a good, satisfying, in-character ending. And if, in Steve’s case, that would’ve included hints (or more) about a possible rekindling of his, uh, aborted romance with Sharon—then so be it. But we never got any of that. The characters never got any of that. Instead they sent Steve into 1950s suburban hell, literally trapped him behind a white picket fence, and condemned him to a life of passivity and lies, all so he could be married to a woman he barely knew a long time ago in a completely different world; who built and ran a top-to-bottom Hydra-infested organization, but apparently never noticed that there was anything wrong with her life's work. For decades. Great. As for Bucky—well, we’ve all seen the devastatingly grim-faced, utterly lonely, and deeply sad version of him that was presented to us in TFATWS. Happy endings all around, I guess.
So. Am I mad that Steve didn’t get to ride into the rainbow-colored sunset with Bucky at the end of EG? No. Because that was never going to happen anyway. Would I have been mad had he ended up with Sharon or another female character in the 21st century? Also no. Granted, I wouldn’t have been ecstatic about it, but mad? No. But am I mad that Steve ended up with this specific female character under these specific circumstances as presented in canon? Fuck yeah, I am.
The thing is: I personally believe Steve and Peggy to be fundamentally incompatible when it comes to the way they view the world and their respective places in it; their morals and values; their capacity for compassion and empathy; their ability and willingness to compartmentalize, compromise, and collaborate with people and institutions whose ethics and/or politics do not align with their own. I have a real hard time believing that a relationship between these two (or worse, a hasty marriage) could be either happy or long-lasting.
I don’t believe Peggy to be inherently evil, I don’t hate her, I simply think she operates within a different moral framework than Steve (and even genuinely believes it to be a righteous one).² Your mileage may vary, but I personally happen to find that framework reprehensible, even indecent, and ultimately dangerous. After all, over the course of the 20th century, we have seen exactly where that kind of “the ends justify the means” brand of pragmatism leads—over and over again. Not to mention that the people who use this line of argument to defend characters like Peggy (or real-life politicians for that matter) never seem to want to look too closely at who gets to define what "the ends" are in the first place and who decides when they've finally been met.
(Never. The answer is never.)
And to be clear, there is absolutely nothing wrong with depicting, and even centering a narrative around a morally (dark)gray character—oftentimes it’s actually the more interesting option—but you cannot at the same time claim that they are purely good and should be only admired as such when their actions literally tell an entirely different story.
So, no. I will not accept Peggy Carter as the shining aspirational heroine that the MCU so badly wants to sell her to me as—while simultaneously continuing to reveal things that paint an increasingly darker picture of her character. And I will certainly not celebrate seeing one of my favorite characters of all time—whose defining trait was that he couldn't ignore "a situation pointed south"; who used to fight for the little guy and against the establishment; who once said about the very organization that Peggy Carter helped build that it was so corrupt, it all needed to go—rendered morally inert for some hollow happy ending that may as well be a conservative’s wet dream full of false nostalgia for an America that never really existed. I cannot find it in me to be anything less but mad about that.
But that does not make me a misogynist. It does not make me a delusional shipper. It makes me someone who looks at what the MCU has been telling me about Peggy Carter for years now—over and over again—and takes it at its own word.
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¹ If you’ve actually read a a fair number of Stucky(!) fanfics you will have noticed that the reverence afforded to and "page time" devoted to her character and her relationship with Steve is somewhat disproportionate to anything that's backed up by canon—well, up until EG, where she was suddenly reanimated as The Great Love of Steve’s Life—and in my experience, it's highly unusual for any fandom to put so much (mostly) positive attention on another character, let alone a potential love interest that is not part of the endgame ship.
² I also want to emphasize that if you love Peggy and she's your fave: good for you! I genuinely have no beef with you. People can agree to disagree. All I ask for is that we maybe stop willfully ignoring the less savory aspects of her character. You don't need to pretend she's perfect to justify your affection for her. I LOVE Steve, and yet I have no problem conceding that he is FAR from perfect.
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imposterogers · 1 year ago
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I know I said I was going to stop thinking about endgame steve bucky (like a liar) but its just so infuriating when people try and say that bucky was happy for steve. that if he wasn't, "why wouldn't he have tried to stop him?" when based on CANON bucky's self-worth was already abysmal, and one of the few people who had convinced him otherwise was his best friend. steve had almost died to jog bucky's memory, had went against the world govt to protect bucky, had told him 1000 times "til the end of the line" and bucky STILL had trouble trusting him. and endgame proved him right. because he woke up expecting his best friend since he was six years old to be there waiting for him, that they could finally get on with their lives together, just for steve to tell him "my happy ending doesn't include you". of course bucky wouldn't try to stop him. if someone essentially implied that you weren't worth it after all, would you? not to mention bucky has always put his feelings second to steve. steve has been his priority from day one. he wouldn't put himself between steve and his "happiness" no matter how much it hurt him. literally suffering in silence!!!!!!!!!
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lavenderpanic · 1 year ago
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Steve "I won't stop until all of HYDRA is dead or captured" Rogers skipping off into the sunset to marry the woman who knowingly held open the door for Nazis to infiltrate SHIELD is like. Possibly one of the worst decisions ever made ever.
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fizz-pop-thwip · 1 month ago
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Is SamBucky an adorable and great ship? Yes. Does it only ever remind me of Steve's abhorrent ending because it's only able to exist and thrive due to that? Also yes.
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Based on my love for stucky and HATE for marvels writing team and their OOC, FUCKED UP, CHARACTER ASSASSINATION OF AN ENDING FOR STEVE, I simply can't get behind SamBucky. SamBucky truthers, I wish you no misery in this holiday season. I wish you all the SamBucky truth, just not on my feed. 🙏 God speed.
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