#but also sometimes i look at all the ideas i have and the writing i'm doing and i worry. when will it go away? is it just a phase?

[okdeannawrites]

Want to prompt me?

Give me a number and a ship

(I mostly write Sterek from Teen Wolf right now, but I have written in Angel, Buffy, Bones, Harry Potter, Castle, NBC Passions fandoms too).

"maybe you'll feel it, too" -best friends to lovers prompts

a prompt list by @novelbear ᵔᴥᵔ

lingering hugs and stares

"you know i'm always going to be there for you, right? always."

compliments that are borderline (sometimes just blatant) flirting but they cover it up as just being a really supportive friend

^ "you sure this looks fine?" "trust me, you look fine as hell..."

being overly protective of the other (especially when it comes to relationships)

showing displays of affection that might seem questionable to others around them (ex. kissing each other on the cheek/ hands)

hand placement when hugging or guiding them also being a little more on the questionable side

"i'm always thinking about you."

being unable to tear their eyes off of them, especially when watching them excel at something they're best at

sharing clothes

"why are you looking at me like that?"

unconsciously including them in conversation when they're not even around (prompted by @millinerswings | Posting on Ao3)

"there's no one else that makes me laugh the way you do."

noticing them blushing coincidentally after making a comment. but they can't be blushing because of what they said. they wouldn't. would they? no, of course not...right?

holding hands and neither of them knowing when (or wanting to) let go

when that realization hits that they really wouldn't rather spend their time with anyone else the way they do with their "best friend"

rambling on and on and on and wait are they looking at my eyes or my lips?

"if we were dating i'd take you to all the best places.." "what's stopping you?" "excuse me."

"can i kiss you?" "you have no idea how long i've waited to hear you ask that."

the relief that washes over both of them when the feelings are finally out there

"why didn't you tell me?" "the same reason you didn't tell me. i didn't want to lose you."

"maybe you'll feel it, too" -best friends to lovers prompts

a prompt list by @novelbear ᵔᴥᵔ

lingering hugs and stares

"you know i'm always going to be there for you, right? always."

compliments that are borderline (sometimes just blatant) flirting but they cover it up as just being a really supportive friend

^ "you sure this looks fine?" "trust me, you look fine as hell..."

being overly protective of the other (especially when it comes to relationships)

showing displays of affection that might seem questionable to others around them (ex. kissing each other on the cheek/ hands)

hand placement when hugging or guiding them also being a little more on the questionable side

"i'm always thinking about you."

being unable to tear their eyes off of them, especially when watching them excel at something they're best at

sharing clothes

"why are you looking at me like that?"

unconsciously including them in conversation when they're not even around

"there's no one else that makes me laugh the way you do."

noticing them blushing coincidentally after making a comment. but they can't be blushing because of what they said. they wouldn't. would they? no, of course not...right?

holding hands and neither of them knowing when (or wanting to) let go

when that realization hits that they really wouldn't rather spend their time with anyone else the way they do with their "best friend"

rambling on and on and on and wait are they looking at my eyes or my lips?

"if we were dating i'd take you to all the best places.." "what's stopping you?" "excuse me."

"can i kiss you?" "you have no idea how long i've waited to hear you ask that."

the relief that washes over both of them when the feelings are finally out there

"why didn't you tell me?" "the same reason you didn't tell me. i didn't want to lose you."

[witherby]

hello! great work so far :-) im getting into batfam myself and been loving the platonic/familial works you do w littlest wayne! was wondering if you'd ever do an teen y/n or just an older one? I'd love to see you tackle the idea of a robin y/n or jaybe just some angsty kid stuff,,,,,, hope you had a good new years!

-- :33Anon

I love angst with my whole heart and soul, and I'm happy to write it with a slightly older Reader. Hope you don't mind I've commandeered your prompt to showcase the ability you guys voted on.

This one's a long read so I'm splitting it up. This part is roughly 2400+ words.

The Littlest Wayne: Uncertain Home

(Part 1/2)

Masterlist is Here!

Uncle J'onn is looking at you curiously.

He's been doing that a lot, lately. When Daddy brings you to the Watchtower to be babysat so he can go save the world, one of his co-workers that they can afford to spare gets put in charge of keeping an eye on you. Usually it's Uncle Hal, but this time it's J'onn and he's in his natural form, which you don't mind. Green is your favorite color, and his whole body is green! He's nice and calm, and tells you lots of stories and plays any game you want, even if it's hard for him not to cheat and read your mind. He says it's instinct. You don't hold it against him because you still have fun.

Lately, though, when he talks to you, he tilts his head a bit. He usually does that when he can't understand something.

You wipe your face, checking for cookie crumbs. All clean. You search your shirt for any weird marks or stains. All clean. You scrunch your nose and puff out your cheeks, pouting.

"What's wrong, uncle J'onny?" You ask him. Daddy says the way to get honest answers from someone is just to be forthcoming (Dicky told you what forthcoming meant when you asked him later), so you are. "Did I do something wrong?"

That seems to snap his train of thought. J'onn shakes his head and goes back to sorting out the jigsaw puzzle pieces for you. You're good enough at this to do 100-piece puzzles, now, and when you get really stuck you don't even cry anymore!

"Nothing is wrong, Flittermouse," he says, watching you start putting the edges together first like Dami taught you. "You are simply...changing. Differences are not inherently wrong."

"What's inherably mean?"

"Inherently. It means instinctively, or something that is "set in stone." A rule that does not change. I am stating that change is not something that is always wrong. It's not a firm rule."

You pout and try to process all of that in your brain. It was a partial answer. Daddy says that means people might want to hide something from you.

"What's changing?" You ask him. "I got older a week ago. Is that what you mean? I'm four, now. Grandpappy says I'm getting so big and growed up. He says to not do that so fast. I dunno how, though. He's silly."

J'onn hums. His eyes look away from you as he considers what to say. You put one whole edge together before he speaks again.

"You know that I am not a human, correct?"

"Yeah, I know," you say. "I don't care. I love you. And auntie Diana. And uncle Clark. And uncle Barry. And —"

"Thank you," J'onn gently interrupts. "Do you also know that, sometimes, humans are born not entirely human? That sometimes they get special abilities?"

"Yeah, I know that," you repeat.

"I suspect that —" he cuts himself off, hesitates, then starts again. "Little one. You are showing signs of being one of those humans with special abilities."

"I am?" You ask. You perk up. "Can I fly?!"

You immediately abandon the puzzle and climb onto your chair, about to jump off of it to try and fly around, but J'onn catches you by the back of your shirt before you can hit the ground.

"You cannot."

"Aww...then I don't wanna be a megahuman," you complain, stomping your foot.

"Metahuman."

"Whatever."

"I am sorry," J'onn says, "I did not mean to upset you. I do think you are developing powers, however."

"Not fly powers?" You frown.

"No, not flight powers."

"Boring," you say, blowing raspberries. J'onn cracks a smile at your antics and you giggle. "Help me do the puzzle, please!"

"Alright," he relents, sorting more pieces for you. You're both quiet for a while, and you get the whole frame done before he speaks again.

"Little one. Do you know your father's rule about metahumans?"

"Yeah," you say, grinning, because you're a great listener. You pitch your voice down and make it scratchy. It's adorable in your four-year-old tone. "No metas in Gotham. I am Nighttime. Raaahhh."

J'onn huffs in amusement. "Right. He usually means what he says, does he not?"

"Yeah," you agree, "daddy is a bad liar. He lied and said he didn't eated the last cookie once, but he did eated it. Alfie was mad, 'cause it was for Dami, but Dami didn't care. He likes brownies more than cookies. I like brownies, too."

"I figured," J'onn says. He's not looking at you again. This time he's frowning.

"Do you want brownies?" You ask, figuring that was the issue. "I don't have any. I can ask for some when Daddy comes back. I'm good at sharing, 'cause I'm a good noodle, like Jay says."

"No, but thank you for offering to share. Jason is right, you are a good noodle."

You preen. "I know!"

J'onn drops the subject again and helps you complete the puzzle. You squint at every piece in concentration and politely ask him if he can dim the lights so you can work better. He complies, and after another hour and a half, you have a completed image on the table.

"Yay! We did it!"

The sounds of chatter and footsteps appear down the hall moments later, and you spring to your feet in delight.

"Hello!!!" You shout.

A chorus of "hello!" greets you in return from multiple heroes, and the rest of the Justice League files into the room one by one. They don't look too roughed up, so the mission wasn't very dangerous. That's good. You stand by the door and offer them hugs. Everyone complies, to your endless delight.

"Daddy!" You cheer when you see him, running and hugging Batman's legs. He scoops you into his arms and you grin and point at the table. "Uncle J'onny and I dided a whole puzzle! I didn't give up!"

"Good job, Mouse," Bruce says, reaching out to adjust the light. "You did it in the dark?"

"Yeah," you grin, kicking your feet. "Did you punch bad guys?"

"I did."

"Did you win?"

"Yes."

"Can we have ice cream?"

"Maybe after dinner." He carries you down the hall and towards his temporary quarters, the place he'll stay after a particularly tough mission when he can't make it home right away, and deposits you gently on the bed. "I have to debrief with everyone, and then we can pack up and go home."

"Okay, daddy," you say, already digging through the nightstand for a toy to play with. "I stay right here!"

"Good job," he says again, kissing the top of your head, and leaves you alone with a small wave.

--

The next time you need to be at the Watchtower, it's with Uncle Clark and Auntie Diana. The mission wasn't a super dangerous one, so they both got to stay behind and entertain you.

Today, you're a cashier at your world-famous grocery store. You have the best ingredients all over the world.

"Welcome to the groshy store, what do you want stranger?" You demand, getting into character. Clark looks mildly offended.

"Whoa, hello. That's a lot of 'tude for a paying customer," he says.

"You didn't buy nothing yet! Whataya want!"

"Uh. Some carrots please."

"All out."

Clark narrows his eyes at you. "Can you check in the back?"

You turn around. You turn back.

"All out. Whataya want!"

"You barely looked!" He insists.

"FRESH OUTTA CARROTS, BUB. WHATAYA WANT."

"Oh my goodness, now there's yelling. I think I need to speak to a manager."

"Okay!" You shuffle across the room and grab Diana's hand, leading her back to Clark. "This is the manager. Auntie, tell him all the carrots are gone. He can't have any."

Diana covers her mouth to stifle her laughter. "You heard them, stranger. There are no carrots here."

"Well, aside from the blatant nepotism, auntie, I think you're hiding the carrots from me," Clark huffs, crossing his arms. "I need them for my soup. Guess I'll go to the grocery store across town. I hear they're nicer."

"No," you gasp, "wait. Okay maybe I have one secret carrot. I go get it."

You leave their giggling forms and run over to the toy box that was set up for you on the watch tower, thrusting your hands inside to dig around. You squint your eyes, but all the bright colors are hard to distinguish properly. In the dark spaces, deeper into the box, is where you cast your focus. Instinctively, you follow the trail and close your hand around a plastic carrot. You lift your hand triumphantly.

"Okay, got it!" You cry, only to startle when you find both Clark and Diana kneeling beside your toy chest. Diana picks you up around the waist and takes several steps back, and Clark's eyes turn that funny shade of blue they do when he's using x-ray vision. "Umm, I gotted the carrot already. It's in my hand."

"Are you injured?" Diana asks you, expression deadly serious. You frown and shake your head. "You're certain? I could sense something in that box with you."

"No, I'm fine," you promise. Clark stands up and his eyes go back to normal. He shrugs, brows furrowed.

"There's nothing in there but toys."

"Yeah," you nod, "toys and dark spots."

Both heroes look at you. You squirm in Diana's hold shyly.

"Um, want to pay for the carrot?" You ask, holding it up. "It's only ten dollars. Orrr one lollipop." You whisper conspiratorially. "I can be bribed."

Diana and Clark exchange glances. Clark gingerly takes the carrot from you and puts it back in the toy box.

"Sold. Let's go to the kitchen and pick out which flavor you want."

You grin, forgetting about the game, and Diana puts you on the ground so you can follow excitedly after them. With a couple "pretty please's" and your lethal puppy dog eyes, you even manage to get two lollipops. You ask to be hoisted onto the counter so you can swing your feet as you enjoy the candy, and both heroes perch on either side of you.

It's quiet for a while. It feels like that weird, anticipatory quiet you felt with Uncle J'onny, but you don't know what for, so you wait for one of them to speak. You finish off one whole sucker and open the second one when it happens.

"Mouse?" Clark eventually asks, "can you explain what you meant about your toys? That there are dark spots in there?"

"Yeah," you say, "shadows. Dark spots. Light not touching."

"And you can...feel shadows?"

You hum, thinking it over. "Um...yes. Kind of."

Clark and Diana look at each other again. They're frowning. You frown.

"Can you tell us what you mean by that?" She asks.

"Um. I wanted the carrot, for uncle Clark," you say, "so he can buy it at my groshy store. And the dark spots showed me where it was, and I grabbed it."

"Did they also help you complete the jigsaw puzzle, when you were with J'onn?" Diana asks. "It was quite dark when we got back." You nod.

"Yeah. Easier to do in the dark. It's not cheating!" You blurt. "I didn't cheated!"

"Okay, ya' didn't cheat," Clark agrees, gently patting your back. There's a slight drawl in his words which usually shows up when he's stressed out. "We're just curious, is all, darlin'. Seems you've got a... A special talent, we can call it."

"It's a power. They're a metahuman, Kal," Diana says simply, "and you know Bruce's rule."

The rule? Which one? Always brushing your teeth before bedtime? Or maybe no sweets until you finish your dinner? Hmm, but you haven't had dinner yet. That doesn't make sense.

"No metas in Gotham. I'm very aware, Diana."

"Then you see the problem."

Oh. Now you think you know why uncle J'onny was upset that day.

"Now wait a minute," Clark says. He looks genuinely angry, which confuses you. Did they not like that you could ask the dark for help? They had superpowers, too. You figured they would be happy. "They're his kid."

You are. You're Daddy's little Flittermouse, scampering around and bringing joy. That's what everyone tells you. They love you.

"You've seen how hard he works to keep us out of Gotham," Diana says. "We can be trusted to babysit, but we can't enter the city? What does that tell you?"

"That's different. He's territorial, we all know that. He's not a monster, Diana. He would never hurt them —"

"I'm not saying he is. I'm not saying he would. But I am saying that he doesn't bend his own rules. He does not make exceptions."

Oh.

You sit almost numbly on the counter and watch Clark and Diana start to argue over your place in Gotham. Over your place at home.

You think about Daddy's rule about no metas in Gotham. You think about your new ability to interact with shadows.

Oh.

The lollipop tastes like ash on your tongue and the tips of your fingers feel like tv static. When you blink, your eyes sting as they well up with tears. You've been so good about not throwing fits, about not being a crybaby, about being as strong as your super cool daddy and brothers and grandpa.

But you can't call them that anymore, can you? They don't want metas in Gotham, and that's what you are, now. You can't live with your family anymore.

Large, fat tears roll down your cheeks and your bottom lip wobbles. You whimper and both Diana and Clark whip their heads around to look at you in shock.

"No, oh no, don't cry," Diana coos, "you don't need to worry. Your father isn't —"

You bat her hands away when she reaches for you and jump off the counter, running underneath Clark's cape. They don't catch on to what you're doing in time.

Clark practically rips it off and fans it on the floor, floating above it with wide eyes. Diana kneels next to the fabric and frantically pats it, searching for you.

But there's nothing. You've fled into the shadow Clark's body cast and allowed the darkness to swallow you.

[ssentimentals]

Hi, are you only take requests from the prompt? I’m gonna leave my request and if you want to write it I’ll be really happy…🙏🏼

So the reader is also a singer but her brother is one of the f1 drivers can be Sainz or Leclerc, and she is dating (can be S.Coups, Joshua or Wonu) and they meet for the first time at the GP and get along really well .

Thanks 🤍🤍🤍

oh my god. my dear anonie. i have no hope left that you are still here, but in case you are - i am so, so sorry for catching up so late with this wonderful message. i was focused on prompts and my inbox was floored. but i got to it now and i am hoping that you'll like it!! sorry again :((

seungcheol + singer!reader (carlos sainz's sister)

seungcheol had many nerve-wracking moments in his life. his first ever performance, first tour abroad, performance on international festival, performance in front of a president for god's sake. but nothing really made him as nervous as he is now, entering the race venue. for all his bravado on being the fearless leader, seungcheol feels fear gripping his heart at the thought of meeting your brother. he tries to tell himself that it's all good - it's not like cheol has anything to hide and it's not like your brother is some kind of-

'is that carlos? oh my god, it is! carlos! carlos, carlos sainz!'

right. no biggie. seungcheol follows the direction of running and screaming girls and instantly clocks familiar red posters and dozens people with cameras around. he pauses and pulls his cap even lower, taking a deep breath. you can do this, he pep talks himself, slowly coming closer. so what that he's a famous f1 driver? so what that he looks like one punch from him will send me flying to the next wall? it's all good, all good. seungcheol notices you too when he comes as close as fans allow him to; you're standing not far from your brother, looking beautiful in red ferrari merch, smiling happily at the sight of people swooning over carlos. seungcheol lets himself enjoy these few moments of just looking at you without you noticing, just taking you in. he saw thousand photos of you from your concerts and red carpets, even more from your ads and magazines, but nothing beats just looking at you up close. your beauty never fails to amaze him; he still has no idea how he managed to make you his. sometimes it all does feel like fever induced dream from his part.

'sorry, excuse me,' seungcheol makes his way through the fangirls and photographers, waving a little when you notice him. your face lights up at the sight of him and his heart skips a beat - how did he get so lucky? waving him over, you giggle loudly when he hugs you tight. 'hello, gorgeous.'

'you made it!' you squeal, hugging him even tighter before pulling back. 'you weren't replying, i thought maybe something else came up.'

'sorry babe, just wanted to surprise you.' seungcheol is relieved that for once cameras are not pointing at you two; he confidently wraps his arm around your waist. 'everything's okay?'

you nod, smiling. 'i'm so excited! it's been a while since i came to the race.' your eyes drift to your brother's tall figure before looking back at your boyfriend. 'are you ready to meet my brother?'

seungcheol hopes his smile is convincing. 'of course i am. i'd love to.'

you see through his acting and squeeze his shoulder reassuringly. 'you have nothing to worry about, cheollie. he's amazing and he already knows so much about you!'

seungcheol gulps. he knows exactly what? does he know that he made you cry one month agoo during your fight? does he know that he gets weirdly possessive over you? does he know this or does he also know that seungcheol makes sure you have a bouquet waiting for you in every single hotel you stay whenever you're touring or that since you came into his life he never had eyes for anyone else? what exactly does carlos sainz know?

'come meet cheollie, carlos!' you wave at your brother, who walks over to your side, eyes trained on seungcheol.

seungcheol does not tremble. he does not shiver. he's a world class performer and he puts on his best smile and shakes carlos's hand with what he hopes is an adequate amount of strength. carlos's raised eyebrow tells him that he fucked up that one. 'nice to finally meet you,' carlos says, voice rather friendly even if his face remains impassive.

'likewise,' seungcheol says and tries to come up with something else, hating his own short answer: 'uh- happy to be here! on the race, i mean. good luck today, beat everyone.'

carlos tilts his head and chuckles. 'it's just a free practice today, race is on sunday.'

next to him, you snicker and seungcheol feels how tip of his ears burn in shame. god, what a way to go. right when he's scrambling for words to say, carlos saves him with a friendly pat on the shoulder: 'it's okay. you know nothing about racing, right?'

'i'll teach him everything!' you volunteer, snuggling closer to his side. seungcheol is thankful for your support and he's also happy that carlos doesn't point out anything about your pda. 'by sunday he'll be your main fan, carlito.'

'i already am!' seungcheol rushes to say. 'a fan, big fan, i mean.'

carlos is nice enough to let his awkwardness slide. his eyes linger on the way seungcheol's arm is wrapped around his sister's waist, but he says nothing. 'let's go to the paddock, you'll meet my team.'

seungcheol has a running suspicion that he fucked everything up, but the way you glow happily makes him think otherwise. he leans in, kissing your cheek and smiling at the way you lean more towards him; it feels so good to be able to do this without worrying. 'are you happy?' seungcheol asks, not being to look away from your shining face.

'i am,' you confirm, turning to him. 'you are here, my brother is here, it's a race weekend! everything is great.' you reach out, caressing his cheek. 'he likes you. i can tell, don't worry.'

'i am making a fool of myself in front of him,' seungcheol whispers, very close to whining. 'tell him that i am not like that usually.'

'i know how you are usually,' carlos suddenly says, turning to him with a wide smile. 'she tells me everything. always gushes about you.' carlos pauses, letting them catch up with him. he jokingly slaps seungcheol's shoulder. 'you're putting that bar very high, my friend.'

seungcheol rarely blushes but he is sure that his face is all red now. it feels undeserving to have carlos praise him like this, for some reason.

'he makes me happy!' you proclaim, making seungcheol's heart squeeze in his chest.

carlos's gaze softens and he reaches out, gently ruffling your hair. 'i know he does, bebe. it's good.' he then turns to seungcheol: 'you better keep it that way.'

seungcheol clears his throat. 'planning on it.'

carlos nods, satisfied. 'good. now let's go and turn you into tifosi.'

a/n: what a crossover this is :D hopefully you liked it, let me know! - nini

find more seventeen works HERE

find more formula 1 works HERE

[duskdog]

Very good thoughts here on Steph's conservatism, esp re: punitive justice. She's been on the "losing" side of that of the revolving prison door for her whole life. Dad was in and out, and rather than make her life better, it only made it worse. Not only did Dad never reform, but the stress of having a parent who's in and out can't be denied. Visiting Arthur in prison and listening to him rant about Batman rather than just be with his family (can you imagine him spending that short, precious time expressing how much he misses his little girl? of course not), dealing with Arthur's lawyers and showing up to support him at his court appearances and helping gather paperwork and maybe even having to testify sometimes, having to adjust to shifting dynamics within the house and the daily routine when he's gone and then having to shift again once he's out... it's all exhausting. There's no actual relief there, just an endless cycle of bad and worse and bad and worse. At least he can't hit mom or lock Steph in the closet, yes, but his shadow is always there (probably calling every chance he gets to complain and/or demand money for his commissary). And given how he's shown to react to being put away in the first place, I don't think it's a stretch to say he probably takes out his anger at Batman and authority in general on his family. It's like they're unwitting secondary antagonists in Steph's life -- constantly poking the dragon, but never actually slaying it. It's no wonder she'd be in favor of locking criminals away forever and throwing away the key... or just ending them straight-up, because they always break out in Gotham anyway, don't they? I think it's a little more ambiguous regarding her feelings on reproductive rights. As far as I recall, we're never actually shown how she feels about abortion in general. We see her lash out angrily at the very idea of termination when it comes to her own pregnancy at least twice, yes... but that's also, from my experience, a pretty common reaction, even among some people who whole-heartedly believe in a woman's right to choose. Some women can't bear the thought of going through with that themselves -- just like some women can't bear the thought of carrying a baby to term, even though they have no problem with other people making that choice. We also see her lash out at some friends at school for acting like her having a baby is cool because she gets to miss school and gets a lot of attention... which is fair, because that's a childish way of looking at it. It's completely dismissing the actual stress of being a 15-year-old who's visibly pregnant and obviously going through a difficult time. She expresses that she thinks her classmate who kept a baby was stupid, which is in line with the rest of her conversation with these girls. Unfortunately, that doesn't really tell us much about what she actually thinks her friend should have done. Put the baby up for adoption, like Steph does? Or terminate the pregnancy? What does Steph think about the choices of other women? We just don't know, other than that she obviously doesn't think being a teen mom is cool at all (though she will waver on that a few times, as she struggles with her own desire to keep her baby -- once again, absolutely understandable).

Obviously, we can't really divorce the writing from the writer entirely. But, from an IC perspective, even if Steph is actually anti-choice, I suspect her feelings on the matter are rather complex. As far as I'm aware, we've never seen any sign that the Browns are religious in any way. That doesn't mean they're not, because quite a lot of people hang onto religious sentiment passed down through generations while not actively worshipping, but we have no reason to believe Steph would have a religious motivation for her conservatism. However, I think it would be fair to speculate that her own experiences may give her strong feelings in that direction. Her father was outright abusive, and her mother was detached -- unreachable and unsupportive -- for much of her childhood. How often must Steph have felt like an unwanted child?? Locked in a closet by Arthur because he didn't want to see/deal with her, and not let out for god-knows-how-long by her mother because Crystal was too stoned to notice she was gone? Invisible. Unwanted. Unloved. Did she wonder if her parents wished they had aborted her? Did she wonder if she would have been better off if they had?

Some people do have that reaction to their childhood abuse experience. Some people come to the conclusion that it's kinder, better, not to bring a child into the world if it's only destined to suffer. But other people may feel differently about their experience, and I think Steph is one of those. She's always been one to rage against the dying of the light. Though the question may have occurred to her, I don't think she would have concluded that "yes" was the answer to "would I have been better off if I had never been born". We've seen that part of her reaction to her own abuse has been to become protective over other children. To Steph, the idea of a child being unwanted, like she may have felt, may be horrifying, yes. But I suspect that the solution, to her, is to give that child a life where it is wanted. Even if it can't be with her. And aborting that fetus would be the ultimate gesture of abuse and neglect and rejection -- something Stephanie Brown just cannot abide from herself, at the very least. And I wouldn't be surprised if she felt that way about other potential mothers, as well.

People who want to argue that Steph isn’t or shouldn’t be written as being innately conservative and committed to imprisonment as a punishment and source of retributive justice confuse me.

Steph. The character who has multiple storylines revolving around her frustration that people don’t get the punishment they deserve. Who has a written history of being failed over time and hurt because people didn’t punish people who committed crimes around and to her.

Who has a repeated tendency to punch male characters for upsetting her (Arthur Brown, Tim, Tito, Dean).

Who has writers as diverse as Chuck Dixon, Jon Lewis, Mariko Tamaki and James Tynion exploring this in their writing of her?

Steph mentally sides with victims and seeks to give criminals what she thinks they deserve. She puts herself in those shoes pretty often in her perspective: she originally went after her father because she was mad he was getting away with committing crimes; she sided with and was completely derailed from hero work by the question of whether her work as a vigilante had value – because it caused problems punishing criminals – by the Victim Syndicate; who gets mad over the concept of criminals getting extra chances to reform when they’ve proven themselves to be recidivists in opposition to other Bats like Bruce’s optimism that people can change (Arthur, frequently; also Harvey Dent in One Bad Day).

This is a beat that gets used often, for Steph. It’s imbued in a lot of her characterisation. Just because you like a character does not and should not mean that you have to agree 100% with their perspectives and politics, and vice versa.

[scintillyyy]

Hi. I love every second of your blog going "Fuck Chuck Dixon. All my homies hate Chuck Dixon." concurrent with "Dixon could often be remarkably competent as a writer with legit interesting ideas." Please never stop writing metas.

listennnnnn i hate dixon he's awful. he's also written stuff i really enjoy despite the many glaring faults.

the thing with dixon that i'm always trying to suss out tho. like, i think because current day dixon has been radicalized in a truly awful and horrendous way, there's a lot of desire to place his current day radical beliefs onto every aspect of his past works and blame everything on him and him alone as this one terrible writer who ruined all characters for ever and ever just because he's a conservative. but like. i think that because he's an awful person it's easy to place blame on him retroactively for some things that weren't necessarily solely a product of his conservatism or his fault alone.

and mmm. i never ever deny the conservatism present in his works. it's present in his robin book with tim, it's present in his nightwing book with dick, and it's present in his batman books with bruce. but people sometimes act as if he was working in a batoffice that had the current day issues it does where writers are given a carte blance to do whatever they want with all characters with little regards to continuity or character growth. that did not happen during his tim under denny in the 90s--denny o'neil was known for running a fairly tight ship (i can't find the interview but there's an interesting retrospective interview he does wrt jason where he talks about his failures as an editor and how he was too hands off and not firm enough allowing writers to do what they pleased which led him to become a much stricter and firm editor following jason's death because he learned from the experience). dixon in that interview i posted made it clear that o'neil wouldn't even let dixon touch the joker until dixon had demonstrated to o'neil he had a grasp on the character that o'neil approved of. dixon would not have been allowed to do whatever he wanted with characters like robin/tim. without o'neil putting a stop to it if he had gone too far. and for the record, o'neil was a big old bleeding heart liberal that, at the time at least, dixon is noted to have gotten along with very well despite their political opinion differences even at that time. dixon says he was an avid read of grant's work on batman. he's awful now, but at one point he was probably younger and a bit more willing to entertain ideas that weren't his own too.

so when i look back on his work as a historical work, i'm always trying to tease out the following - is this representive of dixon's brand of conservative views in particular or is it representative of a different, overall more conservative time era. and there's a lot of things that fall under the second umbrella that get attributed to the first tbh. listen i love no man's land and understand that despite my love it is full of copaganda and downright conservative ideals by today's standards. but NML wasn't written solely by dixon to push a uniquely conservative pro-cop view--o'neil approved of the story and was the editor of the office at the time. rucka was a huge player in helping tell this super pro-cop story (he even wrote the novelization!!) and nobody ever really puts blame on him for these things the way they do dixon afaik. NML being written in a 'democrats trying to be tough on crime' era absolutely means it's not solely the fault of dixon and his evil conservatism, but he often gets the flack as if it were despite the fact that he was getting these stories okayed by people on different ends of the political spectrum than him + these stories were not his evil conservative brainchild alone.

so these are the things i'm thinking when i read through his works. and maybe that gives me a rosier view than it should, but a lot of my thoughts come from "what can reasonably actually be attributed to showcasing what dixon's views actually are" vs "what might actually not be his fault and his fault alone".

and when i say that tim generally isn't the one who showcases his personal views, i'm not trying to minimize the fact that there is inherent conservatism baked in to his character along with everyone else written by dixon, i'm saying that we need to be realistic and realize that dixon did not have as much freedom to do with tim what he had freedom to do with tim's side characters. tim, after all, had to ultimately fit in o'neil's batbible framework of what he was supposed to be because tim was ultimately an IP character who was part of a batman and robin mythos that o'neil was very, very protective of in the 90s given his previous failures to maintain control of the ship. so when you consider dixon's particular conservatism in tim's books you need to consider that the vast majority of it came from the characters surrounding tim (such as his dad, dana, steph, etc) because dixon had more freedom with those sorts of characters, rather than tim himself who often doesn't have any particular opionion of his own--he's just reacting to all the different opinions being presented to him. and that's not to say that those character should be evil conservatives forever and ever--in fact, i personally think they shouldn't. but take the racist and classist inner city kids are bringing guns to school storyline in robin #25-26. as a whole it's a conservative story. o'neil allowed dixon to do the story in the first place when he could have said no. in the story tim wanders around not knowing what to do about karl bringing a gun to school--which is why he has to go to his dad and dana, who represent "go to the cops/don't be a narc options"--his dad is the one who tries to talk to karl's dad--karl is the conservative one who thinks that they need to protect themselves from inner city kids compared to tim who thinks that guns shouldn't be in school. but tim also thinks that they shouldn't go to the cops and wants his dad to handle it by himself, but eventually comes to the realization that he should have gone to school administration to begin with. in these issues, steph is also the one who dixon uses to link karl's shooting to the inner city kids who are getting bused in to the suburban schools--we talk about that panel of steph declaring herself the protector of the suburbs, but also that panel in context is within the confines of the story--steph is essentially saying "maybe the suburbs need a spoiler (to protect themselves from the inner city people coming to bring crime out to them)" which absolutely is a conservative dixonism that you can pinpoint to his particular kind politics in comparison to the milquetoast of tim's "i don't know what to do/talk to a trusted adult to get help before tragedy happens PSA/overall conservativeness" that happens. that the story itself that exists in tim's book is conservative, yes, and i won't deny that tim also has a few conservative dialogue here but to me the difference is that o'neil would not let dixon use tim drake to go on any overtly political rants or represent any specific ideology *himself* that could make him controversial with readers of the time given how protective o'neil was of not repeating his previous mistakes. you're generally going to find the more egregious dixonisms outside of tim. like "robin 1993 is a conservative book that has a pro-life storyline" (true) =/= "tim goes on an anti-abortion rant" (not true, literally never happened). tim shares blame because ultimately it is his book that presents a conservative worldview but tim as a character tends to exist as a more moderate (not completely, but more) character to have other characters present options and opinions to him rather than he himself saying he has those opinions. robin cannot take sides like that. o'neil wouldn't have let that happen.

and like. when discussing dixon my goal is never to completely absolve tim of dixon's writing. i just don't often see a need to completely rehash the tim-conservatism points because it's been discussed already over and over again to the point there's a pretty widespread misconception that tim is the ultimate dixon conservative mouthpiece who is solely at fault for all of robin 93's conservatism when actually there's a lot of other interesting places dixon's conservatism presents that are almost never discussed in comparison. my goal is not to be "tim's not at fault" or anything but it is to seriously consider and think about where i see dixon's personal opinions shining through more overtly based on what i know of the conservative mindset (as much as i don't agree with it). dissecting dixon and how he writes in consideration of his beliefs is fascinating and fun to me.

anyways he's awful.

[buttercupshands]

my friendship with canon ended now fanon is my new best friend

but first a cute bird

basically my mind decided that it's now free to draw whatever AUs and stuff that I want including random stuff like this

and this!

I think my way of coping with 423 is just... ignoring it ever existed so now it's just this and an occasional canon stuff

but good for him he deserves to have all the fun fanon can offer

fun fact: this was the first sketch out of all of them in this post!

[fionnaskyborn]

People like this have made me terrified that I am mischaracterizing my favorite character by playing into his strengths and emphasizing them so much... That I'm making things "too anime", "too over-the-top", and by doing that straying away from the groundedness that made the character compelling in the first place... But I think it's better to be a fan who loves someone so much they're willing to step into goofy over-the-top showcases of strength and morals out of love than being a fake fan who only ever rags on what they proclaim is so dear to them. I dunno. I don't think I'm wrong in saying that. I'm hella insecure when it comes to my own writing, especially with this guy because I want to do him as much justice as I possibly can as a writer. But I have to convince myself that it's not too much.

[specialgradefckr]

i dunno man. i'm writing this stuff and i look at it and go "i feel like i'm repeating sentiments here. like all these sentences shouldn't be the same place. i'm packing too much detail or action between dialogue and it just shouldn't be like this."

but then i ask my brain, what's the alternative? what other way can this work look like? and it just doesn't turn out anything better. i don't like taking things out.

i do think i can get better at like. not breaking up dialogue with tags CONSTANTLY and not putting actions between dialogue. god i wish i could write dialogue that flowed more.

but maybe sometimes i have to admit. i'm not that good a writer. or, i dunno, maybe that's just not my style. but like idk sometimes i feel like i just don't have a style at all. like i have plots, i have ideas, i have the same five words i re-use over and over sfjlhdgffg but style, who knows

anyways i'm just rambling now when really i should be writing. i've had this gripe with my own writing for a long time now but i still enjoy it so don't feel too bad for me jksdghdfg every writer has one

[moe-broey]

Alfonse voice (having yhe worst stress migraine about it) PLEASE stop trying to have sex with my corpse. Sentences I should never have to say. But more importantly it always goes So Poorly for you it's so fucking hard to watch and I just feel really bad for you

[neon-wool]

Short answer: Buy them yourself or ask your dad, either should be fine. Asking your mum to buy something for your dad’s house sounds more likely to cause drama in an already tense situation.

Long answer: Anon, it sounds like you’ve had a difficult upbringing, and I feel for you. Obviously I don’t know you, so take everything I'm about to write with a big pinch of salt... take anything that resonates and ignore the rest.

It sounds like you’ve formed some pretty intense anxiety around relationships that's affecting your daily life. For most people, buying posters for their room would be a very simple issue that requires almost no thought. They'd never think to ask permission for something they were paying for, and there would be no pressure to open up about liking the tv show in advance, just in case a parent's feelings were hurt. They'd talk about the show if they happened to feel like it, or not, without thinking much of it.

However for you it sounds like there's a strong fear of judgement from your dad if you admit to liking the show, but on the flipside you worry not telling him in advance could somehow hurt him, make him feel betrayed, or undermine your relationship. Most people wouldn't have these worries at all. Has he given you a reason to think he's that judgemental or fragile? Or is it possible you're catastrophising?

Looking at the level of intensity you’re applying to the situation, it seems to me this isn’t really about the tv show or the poster at all. Perhaps the strong emotions are about how you’d like to connect more with your dad and feel closer to him. There may also be some amount of underlying trauma from your upbringing, which sounds like it had some significant issues.

My advice is: be kind to yourself, and try to take the pressure off for now. Your dad is very unlikely to be hurt by you buying a poster. What’s important is finding ways to connect to your loved-ones and feel cared for, and exploring complicated emotions about your childhood. That takes time.

From what you wrote, it sounds like your dad does actually take an interest in your hobbies when you bring them up, and you generally do feel he’s quite supportive. That’s a good thing, and more than some people have with their parents. The main problem you have right now is that he doesn’t approach you first, and he doesn’t open up about himself much either. You also feel he has an outdated view of you and still sees you as a child.

Sometimes it takes active communication to shift your relationships forward in the direction you want them to go. Sometimes parents have their own issues, or just lack social skills, so they may not realise how their words and actions are affecting you. If you think his view of you is stuck in the past, and you want him to see you as who you are now, then you're going to need to have the courage to assert yourself as who you are now.

If talking to him about this show is causing a lot of anxiety I won't push you to do that immediately. But I would suggest you look again at that fear. You said in the past he's been supportive when you talked about your interests, and you know the idea of him thinking the show is too weird/violent is unlikely since he already enjoys that kind of show himself. Putting that together it's hard to see why you're so afraid of mentioning this to him, perhaps this fear is a result of the chronic overthinking you mentioned.

Let's play out the worst-case scenario: you tell him, and he says "oh that's a pretty violent show, it's not for me" or he just doesn't understand why you like it... why is that such a problem? It's ok for him to see that you are an adult with your own taste, which might not always match his. Doesn't sound like there's anything seriously problematic about the show. How would it feel to just sit with the fact that you like it, and he might not like it, and that's ok? Having different taste in tv shows isn't going to mean he stops liking you as a person.

If this whole subject causes you intense stress, and you have anxiety about the relationship being damaged by small things like this, I think that's something you need to take note of, and perhaps get some outside support for.

However if you feel able to, I’d recommend taking a deep breath and just telling him about the show, in a casual way, just for the sake of opening up. It sounds like the odds of him enjoying it too are pretty decent! And if he isn't into it, maybe you could be ok with that. I'd also recommend the idea (when you feel ready) of just telling him, in a positive way, that you enjoy talking to him about your interests, you want to learn more about his interests too, and you’d like to have a good friendship and get to know him more as you become an adult.

Eventually, if you feel closer to him over time, you might feel able to open up about the distance and ‘privacy’ your parents kept in childhood, and how this has affected you. There might be some difficult emotions to process there. Parents have their own baggage, and can be very stuck in their own perspective. If you continue building on the relationship and trust you have with him now, there might be more space for him to reflect on those issues in the future, in a way that would be healing for both of you.

Navigating family relationships can be very complicated. Sometimes you feel someone has hurt you, but it wasn’t intentional, so what do you do with that hurt? Do they even realise they hurt you? Perhaps they do love you and do make an effort, but is that enough? Could they have done more? Will they ever see or acknowledge or make amends for the hurt they caused? Perhaps you wish you could be closer, and perhaps you really wish they would be the one to reach out first, you really wish they would just ‘get it’ and grow of their own accord… but wishing won’t change the situation. Maybe you'll be the one who has to set things in motion and push for growth, even though you didn't cause the situation. Life is messy. Growth is messy. It can be hard to know exactly what you want, or how to achieve it. But there's time, it doesn't all need to happen straight away.

I can’t answer any of these questions, or even know if they're the right questions for you. Finding a healthy balance can be hard. It’s up to each individual to judge their own situation, their own sense of fairness and hurt, and how much effort is worth putting into a relationship. Of course, parents hold the responsibility of forming healthy relationships with their children as they grow up, not the other way round. Sometimes they really fail at that job. Other times it’s a complex mixture of good and bad. Even with genuine effort there are many things which hold people back, people have their own traumas, everyone has their own narrow perspective. You can have sympathy for your parents’ limitations, and be willing to work with them and have patience, but simultaneously accept that you've always deserved to feel loved and safe and supported, and maybe you didn't always get that. The sacrifices and effort shouldn’t all be on your side.

As you become an adult, you have more choices about how you interact with your parents, and more agency in how you handle the relationship. Again, without knowing your situation I can’t say for sure, but just from what you’ve written here… my advice would be to take it slow, and try not to over-analyse every little thing. Don't try to come up with all the answers straight away. Instead, step back and look at the big picture of your upbringing and parental relationships, both the good and the bad.

Maybe start writing a journal about it, just noting down any thoughts that come up and letting yourself vent. A well-hidden private journal is great because it gives you space to try out lots of random thoughts and ideas, and see what actually makes sense. You don’t have to judge what you write, or draw any conclusions. You can write whatever pops into your head, and then ask “is this really what I feel? Does this make sense to me?” Then you can re-read it months later, suddenly see something you didn’t before, and a new piece clicks into place.

Good luck anon, I hope you find a way forward over time, and I hope you enjoy the posters!

This is not a yes/no poll but I don’t know who else to consult.

My parents and I are not close. I'm closer with my dad, but he doesn't know about any of my interests due to the way me and my sister were taught about 'privacy' growing up. I am not close with my mum at all and I only talk to her when I have to.

When me and my sister were growing up, we were not told any of our parents' interests/hobbies, and were always told not to look at what people were doing. I think this is what led us to both be so hidden(?) from our parents, and is why this problem exists in the first place.

My dad doesn’t really buy anything for me, nor does he try to learn about my interests (but he will listen when he does learn about them. He likes that I like stuff, he just doesn’t actively seek that information out). My mum is the one who will buy me things, but it’s gotten to the point where she is just buying me junk for the sake of trying to keep a relationship with me and then holding that fact over my head (I have told her to stop, she hasn’t).

I want to buy a few posters for my favourite show for my bedroom at my dads house (my parents are divorced). I currently do not have a credit/debit card as I lost it a few months ago, however I am going to go get a new one on the 18th of this month, but I would preferably like to place the order before school starts again (for reference, all these options are online orders).

I have a few options on how to acquire the posters, and I’m not sure how to go about it.

Ask my mum to buy them for me.

She will buy me things I don’t want related to this show for the next 10 years, even after I inevitably lose interest in it. She’ll also be extremely upset that I’m putting them up at my dad’s house, and not hers. However I don’t care about her opinion on my interests as much.

Ask my dad to buy them for me.

I do not want to do this one, purely because of the completely irrational fear I have that he’ll think the show is weird, or violent (again, completely irrational. He is the biggest nerd you’ll meet, he’s probably even watched the show before and enjoyed it. It’ll just be awkward and I’m an overthinker). His opinion means a lot to me, and although he’s supportive of me in every sense, I think he still views me as a little kid (I’m 18), hence why I’m worried to tell him about my interests. I do want him to know about my interests in the long term though, and I want to be able to tell him things about me and not be scared about it, but I’m not sure if diving headfirst into this is the right way to go about it (for my own sake).

Wait until the 18th and buy them myself.

This one would be fine, but I’m a little worried that my dad will be confused when they show up for me. He would also have to find out about the posters/my interests in a surprise! Kind of way, which is a little awkward and it might hurt his feelings that he wasn’t asked. This will also be after school starts again, which I would prefer to get them before then. However I think this is the option that’ll give me the least anxiety in the short-term, but probably more as I wait for them to arrive.

I have consulted my sister and she is no help whatsoever.

Thank you for reading this behemoth of an ask, and thank you for any advice you might have (and I understand if this is not submitted to the public as it's not a yes/no question).

[pastafossa]

hey pasta! I don’t know if someone has asked this already but is TRT gonna go into Born Again or end at season 3?

So that's where I'm not sure! The current outline is as such:

All Major Arcs (including Cyrus James/Project Beagle fallout arc and psychic abilities arcs): scheduled to wrap up a bit after the end of S3 so that Matt and Jane's arcs/development neatly dovetail together. This will mark the official end of TRT's main fic.

Special Additional Arcs (chaptered fics not attached to main fic but still TRT canon, taking place after end of main fic) in no particular order: Endgame/The Snap arc, Spider-Man: NWH arc, Spoiler Removed arc, tentative She Hulk Shenanigans arc.

Oneshot Arcs: various domestic fluff arcs, interactions with major MCU events, a 'What Their Life Is Like When Old Cause GD It They're Going To Live To Old Age And Will Have Rocking Chairs' arc, a SINGLE take it or leave it 'What If?' fic of something funny with a possible daughter cause damn I had this idea for a hilarious scene and it won't leave me alone

Now, those are what are planned in the outline, and the main event with Project Beagle tie-ins and plotlines and all of that is something I'm still planning to end just after S3 because I really do want to have a finish line for that, and I feel like dragging that all out for Born Again wouldn't work for the... events that are going to happen, without saying too much. Once that's wrapped up, that's when you're going to see TRT finally marked as 'complete' on AO3, though there'll be more fics set in that universe (see special additional arcs and oneshot arcs) that I'll mark as in the Devil and Hound series along with drabbles on tumblr.

Once we're past that official endpoint and those special arcs, though, things get fluid and murky since when I was outlining all the major plotlines, there was no Daredevil: Born Again, nor was Matt even in the MCU officially (which is why Spider-Man pops in way sooner in TRT than he meets Matt in the MCU) and I specifically set up Jane's plotline to bookend with Matt's so their growth twined together and they both finally found peace around the same time. Outside that, I'd planned some shorter chaptered stories in the series post-mainline TRT like the Snap arc that I may now adjust (since it sure is looking like Matt was left behind for the snap) but nothing on the level of TRT's main plotline which is absolutely massive and took me years to fully outline and construct before coming back from hiatus in 2021 and pumping out chapters (Happy six year anniversary to TRT on Sept 15!).

ALL THAT BEING SAID.

I do have plans to write stuff for TRT's take on Born Again because I'm 100% married to writing for Matt at this point and there's no possible way I won't want to do something once I'm being fed Charlie!Matt scenes again. I'm not sure what those plans are just yet - I kinda wanna wait and see what happens in Born Again in case it sparks something. But I also want to make sure that no matter what I do, there's some sort of strong original plotline so that, much like mainline TRT, we'll be able to weave in and out of canonical events (especially since things like the Snap or a wedding or Jane and Matt's friendship with Peter will alter canon). I don't think I'm going to do something quite as huge as TRT's main plotline again, mostly because it takes a TON of time and work, and I'm planning to take the original TRT elements and morph them into an original series fit for publishing (different enough that I can leave TRT up for everyone to read, cause at this point the fic's part of DD fandom culture and I have no plans to take that away) which will also take a ton of time. But I'm definitely rattling my brain around, looking at different plotlines I could do knowing what I know about the ending, hunting for loose ends or canonical threads that I can weave in with TRT's world and create something new!

Then again, I never would have said I'd make something as massive as TRT before I started, either, so who knows.

So in short: YES, there will be TRT events for Born Again even if it's not as elaborate as TRT! I just have no idea what those will be yet. Fortunately, TRT mainline's only a little over halfway done so I've got time to plan!

[sophiethewitch1]

no i will NOT acknowledge the early warning signs for schizophrenia warning list what do i look like I'm someone who deals with their problems?? absolutely not

[anyoldfandom]

wait hol' up i gotta hear those Bobo Thoughts. hes such a fascinating character and the way he was used was so all over the place (like straight up vanishing when it was Serious Episode Time lmao) but,, thats Rex's friend! weird uncle? Moral compass but pointing the wrong way?? Always had such mixed feelings about his writing

Bobo is like. The thing about Bobo is he's such a good fucking character potential. I said most of my thoughts in this reply so I don't really have much more to say besides Wow they really did just make the potential for a really interesting character and blew it for jokes about harassing women. There was so much THERE where he COULD be funny while still being a serious character - plenty of the time Rex is silly and goofy while still being a serious character.

Exposed imo is one of, if not the best Bobo episode for the simple fact that he was actually a funny comedy relief character while still being Bobo, actually. It didn't really dive into him as a character, but he did have some pretty good lines ("That cage was electromagnetically sealed" "I didn't say it was easy" got a chuckle out of me, as well as "Are you going to just stand there and talk or help me?" "Talk.")

But also in my rewrite of Bobo, he's...well, he trusts in Rex's abilities, and he knows at the end of the day he doesn't really have superpowers or healing like the kid, but he's way more concerned for him. He notices how Rex makes jokes when he's stressed and makes jokes with him, to help ease tensions and get Rex to crack a smile when things are tough. He sits with the kid and talks because he knows he's also an adult, but he knows he's easier for Rex to relate to than other soldiers at base. Even with as much as Holiday and Six love Rex and are there for them, they're still in positions of authority over him - Bobo, meanwhile, is another EVO, who knows he can talk to Rex about how much it sucks not to have people like them. I don't have the link on hand but I remember in @bambeptin's interview where the show creators mentioned how Bobo was like a weird uncle, and I think they should've played into that dynamic more. Bobo encouraging Rex to be reckless and sneak out and see what he can get away with when his parents and Providence aren't looking.

Also, the show just kind of...forgets that Bobo made Robobobo and I think that'd be fun to play with. Bobo surprising everyone with how smart he is, all the skills he picked up over his time doing crime on the streets that Rex doesn't remember/know about. He could've contributed to the team so much in S3 by being the guy who knows how to break into places without hurting or killing people (like Six and WK know), occasionally peeking at Holiday's work and pointing something out bc she's an overthinker (all the adults in the Providence Fam in S3 kind of are in their own ways) and he goes at things to try to find the easiest solution. Hell, even have jokes about him being surprisingly smart - have characters talk about something super complex and Bobo surprises everyone by understanding it. Have everyone getting ready to kick down a door and have Bobo say "And here I thought I was the animal" or some joke like that and pick the lock. Hell, have him try to open a door and see that it's unlocked while everyone's prepping to kick it in.

Have Bobo be just...a smart and logical guy and have that be the joke. He looks ridiculous, constantly makes jokes and acts dumb, but reminders that he IS smart can be funny, and him being cheeky can be funny! Hell, the show kind of hinted at potential but never went through but Bobo and Six having a rivalry bc they both think the other is bad for Rex at first (and have a history of clashing that we see in Promises Promises) could be VERY funny! Especially because it would pair Six's very blunt personality with Bobo's ridiculousness and refusal to act seriously. There's potential there but they just...went for easy jokes and it's a shame, because Bobo had so much potential to be great.

[icewindandboringhorror]

Recent things.. mostly just writing screenshots lol

[radioisntdead]

Accidentally stumbled onto the dark side of Tumblr again, DEAR GRACE SOME FOLKS NEED INTENSE THERAPY, or need to stop doing drugs, maybe both, my eyes, my poor, poor eyes, I need a holy water and bleach combo

Also I should watch gravity falls again

[araneitela]

My apologies for being absent!

/cracks knuckles, but I'm in the midst of typing about fear and with it, hope to make it up to you guys a little. I don't remember the last time that I've been so motivated to write meta of any kind, but Kafka makes me never want to shut up, and honestly— I feel bad when I'm sitting in Discord, with someone's DMs open and I'm sitting on my hands to prevent myself from hypothesizing, because when I don't, it's twelve paragraphs at least. So here we go, let's take my hypothesizing to the dashboard.

Can I also just... say how much two instrumental tracks scream Kafka to me and I lose my mind? I need to stop losing my mind. But this character is just everything I've craved to write for much too long, her premise, dynamics, her goal, the references and symbolism, it's so delightful and thrilling and absolute chef's kiss. Any way, in case anyone may want to know what's playing over and over and over again without stop. The romanticism of Kafka: — Table for Two — The Field