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fill-me-with-your-memes-daddy · 3 years ago

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Watching the Rise of the Titans movie and I'll be documenting all of my thoughts/reactions here. [Spoiler Warning]

So instead of reblogging every new update, I'm just going to have this post up on my phone as I watch and type my reactions in a bullet list format.

Nari's human disguise is so cute. As someone who does have a cottagecore aesthetic, I want to cosplay her so bad

Are Skrael and/or Belroc non-binary coded? Regardless, I'm also obsessed and I want to fuck Skrael and be Belroc.

STEVE CARING ABOUT JIM BEING HURT YESSSS!!! My god his redemption has probably been one of the greatest there is because he doesn't just suddenly go from being a bully to a completely good person. You can see the gradual shift in learning better throughout the shows which is awesome.

IN NEW YOOOOOOORRRRRRRK!!!!!! CONCRETE JUNGLE WHERE DREAMS ARE MADE OFFFFFFFFFFFFF!!!!!

The mugshot montage reminded me of season 1 of trollhunters when toby and Jim were arrested at the museum.

STRICKLER PUT A RING ON IT??? HE'S THE ONLY DILF IVE EVER ACTUALLY AGREED WAS HOT WYM I CAN'T HAVE HIM??? well I'm still really happy about his arc over the series probably one of my favorite character growths.

Eli my guy got his growth spurt!!! As an 18 year old who is still 5'0", I'm happy but envious for him

So I went into this movie without watching any trailers or promo, but I doubt anything could have prepared me for the existence of mpreg. In fact, I wasn't going to document my reactions until I saw that.

NAMURA!!!!!!!!! MY BELOVED!!!!!! I CAN STILL THIRST FOR YOU WITHOUT GUILT

The coach teacher just called the kids zoomers so I have to dock one point from my final rating just because of that. Unforgivable

Those husky animation models suck lmao

Oh fuck the titans got power ranger zords!!

God why did they include the mpreg??? This movie would have been perfect without it.... After that plot point being revisited only one time I'm already beyond done with it

Like it's bringing me back to the v*ltron days where they're was a suspiciously high amount of klance omegaverse and mpreg fics and art created and it physically hurts because Steve and Keith's voice actor is the same person meaning this is especially cursed to me since I was unfortunately in the v*ltron fandom and remember all of that

But like on another note, how old are these characters again??? I haven't checked any wikis because of spoilers but is Steve an adult??? I know aja might be technically a lot older than 18 because alien but is whatever age she is equivalent to an adult as far as emotionally and physically in Akaridion development??? IS THIS A TEEN (M)PREGNANCY IN A KIDS SHOW????

Like bruh I saw a singular post on here before going into the movie that was like "rott spoilers without context" and there was a pregnant belly but I was absolutely not expecting the actual context of it. I'll find the post after I finish and edit this post to tag the creator right here: @makoden

This entire post is just gonna be me ranting about mpreg huh

Anyway I love the whole roundtable allusion to the legends of king arthur (not the toa version but the one he's based off)

THERE'S 3 TO 5 BABIES????? I need to take a break bruh this is just too much

Alright I've taken a 30 minute break got some food and did some things i love (decompressed by tactile stimming with some owl plushies and watched some videos on my favorite owl, Garu. He lives in Japan with his owner and is a domesticated eagle owl who basically just acts like a sky cat. If anyone else needs some eye bleach, here is their YouTube channel)

Blinky and ARRRGHHH!!! saying their "if one of us doesn't make it" talk my god one of them is going to die I can see it and I will be utterly crushed. Jim can't lose another father figure and Toby can't lose his wingman again I will riot if this happens

On a similar but unrelated to the movie note, can we just talk about how toa started with Jim having 0 dads and (if strickler and blinky live to the end) will end with 2 dads? Like I just really feel happy for him that he has two dads who actually figured out how to put the past behind them to not have any infighting between them so that both of them are healthy father figures. Jim has already been through literal hell and back losing his actual humanity in the process so if he loses one of them, I'm going to be really pissed because at this point, this is just Jim torture porn. Y'all know how as SpongeBob SquarePants went on, the show just became Squidward torture porn? It's starting to feel that way for toa and I really hope they cut the shit by the ending

Jlaire is such a good ship but like I feel like it's too perfect they never disagree with each other

YESSSSSSS Someone finally doesn't treat toby like a fat waste of space who messes stuff up!!! I think out of all the characters that would have been most deserving of a rewrite, it's Toby. Sometimes I just feel he's only comic relief and any heartfelt moments he's had in the series was also born of stupidity (ie his flour baby project being unharmed was seen by him as divine intervention from his parents but was actually just Eli and Steve behind the scenes).

Ohhhhh yesssssss Archie's father!!! I was hoping I'd see him again because we got so little of him last

Ooooooooooh Asian trollmarket!!!!!

Oh never mind slavery trollmarket

Bruh titanic camelot

I feel like we're not seeing enough of the villains because I completely forgot about the power ranger zord things

NAMORA NOOOOOOOOOOOOOO MY LAST CRUSHHHH

STRICKLER NO NOT YOU TOO PLEASE

WHAT THE FUCK!!!!!!!!!!!!!!!!!!!!!!!!!

THE ONLY TWO CHARACTERS I SIMP FOR ON THIS SHOW DIED WITHIN FIVE MINUTES OF EACH OTHER

THAT WHOLE ASS RANT I WROTE IS COMING TRUE FUCK THIS MOVIE THIS SERIES IS JUST JIM TORTURE PORN

WAIT JIM'S SPERM DONOR INFO?

Oh thank God I don't want to know anything about that person

For the record, I call that man Jim's sperm donor because he has no business being called a father to him. All he did was donate some swimmers to the creation of him and give him abandonment issues

Oh another blind troll elder???? This fucker is just if vendel was a bad guy

Bruh I was grieving

PACIFIC RIM WITH GUN ROBOT VEX AND THE BELROCZORD? I've never seen that movie but I know the reference

Bruh Blinky doesn't read horoscopes? Does he realize conspiracy theories are just the manly version of horoscopes?

NO DON'T KILL VEX STOP KO-ING FOUND FAMILY MEMBERS

Oh thank God he's okay

NO NOT ARCHIE AND CHARLEMAGNE OH MY GOD

oh never mind they're just gonna coup de tat I believe in them :))

But I want to see him again

But I'm glad to see vex

Yay they're in arcadia!

But yeah I wondered why the trolls and Merlin didn't keep the whole "daylight doesn't hurt trolls" feature from the eternal night but now Guillermo del Toro I see you were playing the long con in that just to kill my girl Namora :(((

Oooooh I love the animation of the Narizord over Chihuahua!! It looks very good and realistic (if only they could have put some of that into those huskies from before smh)

Bruh the character designs of the arcane order are so good I want to be them

Nari making sure the Skraelzord doesn't crush the bus

DAMN DOUBLE HOMICIDE

Bruh I'm just glad we finally have an answer on why arcadia had everything going on as opposed to literally anywhere else!! I always found that as a weird coincidence for plot convince.

BRUH WERE BACK TO THE MPREG IM SO JEALOUS I FORGOT ABOUT THAT EVEN THOUGH IT WAS BECAUSE I WAS GRIEVING THE LOSS OF MY LOVELIES.

Oh that's real convenient that the ninth configuration meant all of them. Way to not decide which character gets more attention. Though it probably was a smart way to not have any infighting in the fandom between each character's stan group.

Bruh I just realized where is Barbera did they just ditch her on the Camelot ship???

And where are the other trolls that migrated at the end of trollhunters s3? They said something about new jersey but obviously Jim and the other main characters got on Camelot instead.... This feels like a plot hole

And we never learned the process of how changelings are made and bonded to humans and stuff. We just know it's super painful but I'm curious ffs!!!!

THE DONT THINK BECOME HERO SPEECH ALL SAID TOGETHER!!!

BRUH THEY REALLY HAD TO SHOW HIM GIVING BIRTH??????? WAS THAT AN ABSOLUTE MUST??????

Plus the main audience for this series is little children (the rating for the movie is literally TV-Y7) so even though my adult ass is not in the target audience, I STILL DONT UNDERSTAND WHY WOULD MPREG AND ANAL BIRTH WOULD BE AN IMPORTANT THING TO 7 YEAR OLDS???? THIS IS A LITERAL FETISH HIDDEN IN KIDS CONTENT ITS ELSAGATE ALL OVER AGAIN Y'ALL 😭😭😭😭😭

Though it's probably hypocritical of me to think fetishes don't belong in kids tv when I've openly admitted to thirsting for strickler and namora

HUZZAH

NEW AMULET WAZ GOOD????

STAB THAT BITCH JIM

WAIT NO I SAID STAB NOT GET STABBED

Alright good job just missed the directions at first but you fixed it

SEVEN KIDS?????????

T O B Y ????????????

W A I T NO

N O

IS HE ACTUALLY

OH MY GOD THERE'S HOPE

NO THERE ISN'T

F U C K THIS SHIT THEY REALLY JUST HAD HIM TO BE BULLIED THEN KILLED

Y'ALL IM ACTUALLY CRYING THIS NEVER HAPPENS

I NEVER ACTUALLY GET SO EMOTIONAL OVER MEDIA THAT I CRY IT ONLY HAPPENED ONCE AT THE END OF VOLTRON BUT AHHHHHHHH

W A I T

HE'S GONNA BE BROUGHT BACK?????

HOLD UP THEY'RE JUST GONNA BRING ALL THOSE DEAD PEOPLE BACK??????

WAIT IS HE

BLINKY CALLED HIM A SON

HOLD ON IS THIS GOING TO BE A CLIFFHANGER???????????

BRUH THEY REALLY JUST CAN'T END THE SERIES WITHOUT CLIFFHANGERS like there's always an open ending

TROLLHUNTER TOBY????? You know what forget the whole rants I had on how toby was written they just redeemed it all

And that's all! I'd rate it a 6.5/10 because it's definitely the weakest of all the sequels but still had amazing animation and some good plot points. It's just really hard to look over the bad stuff enough to rate it any higher.

#tales of arcadia #rise of the titans #trollhunters #rott #rise of the titans spoilers #rott spoilers #toa #3 below #athena's own original post!#jim lake jr #claire nuñez #toby domzalski

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marigoldispeculiar · 2 years ago

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I outlined my story 4 times with 4 different methods over 2 years

I hope someone might find this useful when considering what approaches to try.

I had three goals in outlining my story:

do something creative

create a memorandum that I could pick up and add to weeks/months/years later

complete a list of scenes with what each needed to accomplish for the story

Outline 0: A one-sentence summary of the idea, followed by a long series of bullet points on everything that excited me about it. Lives in my notes app.

Pros:

fast

low effort

flexible

vibes-based

Cons:

disorganized

provided no structure for the story

Outline 1: A word document with headers for premise, setting, main characters, side characters, act 1/beginning, act 2/middle, act 3/end, and other.

Pros:

forced me to cover my bases re: world-building

provided a good overview

I still go back to this periodically, because it has info that I didn’t put anywhere else

Cons:

too easy to work on miscellaneous details while avoiding the actual plot

used a plot structure that didn’t suit the story

Recorded general concepts, but kinda lost the vibes

Outline 2: A collection of cue cards on a caribeaner

Pros:

let me add scenes and beats without committing to a particular order

Could distinguish between big and small moments by using differently sized cards

broke me out of the rigid thinking of outline 1

gave me something to lovingly stare at during the months I didn’t actually work on it

Cons:

lot of extra work for very little payout

didn’t actually have room to look at cards all laid out

had to look at own handwriting

Outline 3: wrote out all the cue cards in OneNote so that I could rearrange and group them on a smaller scale. Had room on the sides to add notes and scribbles

Pros:

Immediately showed me how unbalanced my plot would be

Easier than doing stuff by hand; could both type and freehand notes

Could easily show to friends while begging for help

Cons:

Felt pretty redundant

Didn’t help much in fixing the problems it showed me

found the interface awkward

Outline 4: Tried to follow @thebibliosphere’s method for outlining, using my notes app. Mostly just a section at the top for ideas that didn’t have a home, and then a list of scenes with what needed to happen in each one underneath.

Pros:

easy, can be done on phone

adjustable

detailed

converts to an actual checklist; I can literally check stuff off as I write it

Cons:

caused the shattering realization that I had been vastly over-complicating things for the past 2 years

doesn’t have character or setting info

In summary:

Re-writing the outline every few months was definitely inefficient, but doing it forced me to question and fix mistakes I was making

Being able to see all the events and scenes at once really helped me visualize the pacing

Sometimes I need someone else to spoon-feed me the obvious

There’s a certain magic to coming back to an outline after a few weeks or months and realizing that I had actually made a bunch of decisions and progress while I literally wasn’t paying attention

Decoupling thinking from writing really works for me!! Now that the outlining is done, I’m finding the actual writing almost frictionless

#writeblr #outlining #plotting #writers on tumblr #writing tips #queued

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sickofthistoxicshit · 4 years ago

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Buddie 4x14 review - if you haven’t watched it yet don’t read.

The episode starts where we left it, once Buck was on the ground, it seems like he was thrust back into reality. I noticed two things here (connected with 4x13) Eddie didn’t close his eyes until Buck was safe behind the truck on the ground. And the second thing is that Buck was spurred into action the moment Eddie’s eyes closed.

And I mean this was some BAMF Buckley right there, that was SEALS trained Evan Buckley! 😱🤩 It’s like training and instinct kicked in and all that mattered was to get to Eddie and get him help as soon as possible, sniper’s bullets be damned. I gotta say it was executed to perfection❣

Big kudos to both Oliver and Ryan for delivering this whole sequence in a heart-wrenching, beautiful manner.

The shooting doesn’t stop and they get Eddie out of there under fire, I really like the 133 captain and crew, they worked so well with the members of the 118, it seemed effortless. (I’m not touching that subject, but let’s picture Buck lifting Eddie bodily up into his arms and in to the truck for just a second here. - I mean we wanted it but not under these circumstances)

Buck taking the role of medic when finally getting Eddie into the truck, is so amazing, he’s usually the one either in need for treatment or the one who stands back and let’s Hen, Chim and Eddie do the medic stuff, it is their jobs after all, but he doesn’t sit back and let the medics of the 133 to take over, he does it himself.

He tore Eddie’s uniform’s buttons open (again, that’s not how any of us wished for this to happen), tore the pressure bandage wrap open and pressed it down on the wound, he did not step back from Eddie, until he absolutely has to, at the hospital. 😭

Eddie, my poor baby, was lying on the ground of the truck, bleeding and half conscious and the one thing he focused on was the blood on Buck’s shirt and he asked him if he’s hurt. I mean I could totally cry, because that’s Eddie. Best friend, combat medic, protective and caring, that never goes away even as he’s lying there bleeding. 🥺🥺

Eddie was legit ready to forget his injuries and try to get up and take care of Buck if he was hurt too. He loses consciousness only when Buck assures him that he’s not hurt.

Buck’s frantic litany of “Just hang on, we’re almost there.” and “I need you to hang on” (“I need you”, not we, not Christopher, “I need you”) was really hard to watch, because even though we all read and wrote it in fanfics thousands of times, watching it actually play out was heartbreaking, I totally teared up with Buck there.🥺🥺

For firefighters the job ends at the hospital doors, so Buck naturally, out of instinct stops from following. But that’s Eddie taken away from him and he looks frozen, at that moment he must have thousands of thoughts running around his head.

“You ok Buckley?”

Buck’s broken “No.” was maybe expected, but it was also earth shattering of sorts. This is Buck standing there, knowing (especially after the well incident) that when Eddie is not okay, he’s not either. 😭❤

I want to point out that I loved the fact that the 133 didn’t just drive away or waited outside for the cops, they went in after Eddie. And after trying to check in on Buck, the Captain of the 133 went in too.

I’m going to point out a parallel here between S3 Finale and S4 finale, in 3x18 Eddie asks Buck if he’s ok as his ex-girlfriend was taken in the ambulance with her new fiancé, Buck’s response was “What’s next?” and going back to work. He was okay, because Eddie was with him, and there was still work to be done.

Here in 4x14, Eddie is taken from him to the hospital, and Buck doesn’t know if he’ll live, so Buck’s obvious answer here is ‘No’.

Later we see Buck exiting the hospital, in his firefighter uniform. I’m a little disappointed we don’t see him cleaning up, I know that could have made for a hell of a scene, Oliver would have killed it, and us in my opinion.

Taylor is coming to the hospital, not as a reporter but as a friend. She was worried. I like that side of her, when she knows to put away the reporter and to make sure her friend is in one piece. Her character development is shown beautifully in this scene.

Buck, in no condition to pretend and speak to the press, turns away from her, he doesn’t trust her at that moment and he doesn’t trust himself not to break down there. He’s teary, still in shock and his hands are shaking like crazy. (in complete contrast to the usual Buck, where he can be in danger or wrap up a crazy rescue and he is normally completely steady.)

Taylor, offered to take Buck to Eddie’s house to see Christopher, telling him he can’t go see Chris looking like he does now. “You can’t got see his son like that.” - At first hear and several others it sounded like “Your son.” - of course it’s not but either way it would have been true too, because in a way Buck has been co-parenting Christopher for a very long time now. And indeed later when Buck gets to Eddie’s house he is washed and dressed in civilian clothes.

The scene with Oli and Gavin killed me! I thought for sure the breaking down will be done in private, but Buck couldn’t hold it together in front of Christopher once he found out Eddie is going to be ok, and Christopher comforting Buck was so so sweet.

Christopher’s “like the ones who fixed you?” Kind of gives us a certain idea as to the conversation Eddie had to have with Christopher when Buck was hurt. His sweet “Then he’s going to be ok,” he says it with such conviction, only adding “right?” only as an afterthought.

And as if he manifested it himself Buck then gets a text from Bobby that tells him that Eddie pulled through surgery and it looks good.

Buck actually dropped the phone from the relief and he started to cry, and sweet, adorable, national treasure Christopher puts an arm around him and tells him that Eddie is going to be okay. I definitely cried with Buck here. It was such a powerful scene and it was portrayed so well by Oliver and Gavin.

The “it’s going to be okay Buck” was kind of a call back to 3x01 - when Christopher reassures Buck and tells him “You’re going to be okay kid.” - I love these two together so much! ❤❤

When Bobby gives them the talk in the firehouse about how they proceed from there, Buck is standing with his arms crossed, looking completely dejected. And when Hen asks about the safety of their families, Bobby says there's no reason to believe they are in danger, Buck pipes in with “We didn’t have a reason to believe Eddie will get shot helping a kid either.” Buck is traumatized, and worried, he sleeps at Eddie’s house looking after Christopher.

I loved Christopher waking Buck up, and them having cereal breakfast together, a call back to Eddie and Christopher having breakfast together in 2x04. Buck doesn’t sit next to Chris, but across from him - to me it says that the seat between them is usually reserved to Eddie when they’re together at the house.

I love how Christopher’s teasing Buck about him snoring. And Buck is later confused because he’s unsure of whether or not Chris really understands what’s happening, but Carla assures him that he already lost his mother, unfortunately he understands better than he or she thinks. Which again should give people a new appreciation for Christopher’s sunshine child attitude.🥺❤

Carla showing up to take Christopher to school, is showing relief that Buck could finally sleep, which means that he didn’t for at least a couple of nights. She’s also asking him how it feels to go to work, Buck doesn’t even think about the sniper, for him all that matters is that Eddie is not out there with him and it feels off. (call back to 2x18 when Eddie seemed pensive about being back at work but Buck was not with them.)

Carla, bless her, retorts that that is not what she was asking - obviously she meant, she was worried about the sniper, but that is not Buck’s main worry, his head and his heart are somewhere else.

The crane scene was insane! I laughed when Chimney looked to Bobby and asked him “Can you blame him cap?” and Bobby flat out responded “Yeah!” 😂

The rescue was really impressive. However if Eddie ever found out about this he would probably hit Buck over the head with something heavy. It just goes to show that Eddie is Buck’s impulse control and vice-versa.

Bobby and Buck’s interaction wasn’t one of anger, Bobby was terrified and Buck was guilty but unapologetic, because he couldn’t protect Eddie but he could protect the rest of his family, so he did just that. Bobby didn’t have anything to say other than give him the same response Eddie did in Monsters - “Don’t do it again.” - Because for one, in my opinion, Bobby knows where Buck is coming from and also Bobby knows, he knows Eddie is Buck’s impulse control, knows he’s his anchor, he knows that Buck will only be his relatively normal self when Eddie comes back.

I’m not even going to touch the Taylor scene, yes she was worried, and yes she scolded him in a friendly way, but that kiss felt so out of left field for me, especially since Buck was just packing a bag to go stay with Christopher and Eddie was still unconscious at the hospital.

Also she freaking friendzoned him last episode, how fickle do male writers think women are? She gets a little scared and kisses the guy? Lucky they didn’t write in a sex scene! That was an insult to women everywhere in my opinion. It could have been set in so many better opportunities, why now? And if she’s scared now what’s to say that won’t make her leave like Ali did? I have a whole tirade about it but I will let it go for now.

Now I know ya’ll are like - Eddie woke up because his spidey senses told him someone was kissing his Buck (and I do not negate that point lol), but he just woke up and he asked for Buck. I find it so deliriously endearing that I need a moment even as I’m writing this.🤗🤗

I have to point out that there is no scene of Buck, Eddie and she who will not be name together other than the second when Buck walks in (read ran through the hospital corridors) and Eddie has only eyes for his partner. 👀❤

Afterwards it just the two of them, with a brief facetime to Christopher. I love that Eddie thanks Buck for staying with Chris, and Buck pretty much breaks down the logic behind the decision, like a true parent. - Christopher’s comfort came first in Buck’s eyes, and really that just demanded a hug right there.

“Is he doing ok?”

Buck’s response here, was very honest, a lot more honest than I expected, “better than me.” He said. Buck openly admits to Eddie, “I kinda lost it when I told him you got shot. I’m sorry I should have held it together.” To be honest, I’m very curious as to the ins and outs of Buck and Eddie’s friendship, especially during quarantine, they seem so much closer, a lot more open. More honest than you'd expect two male, straight, lead characters to be with their friends.

Buck would have played it down and shared only the essentials when it’s anybody else. With Eddie he openly saying here, in his own way, ‘I was terrified, and heartbroken, and ‘couldn’t imagine my world without you.’ - ‘I couldn’t function with a clear head.’ - ‘all my masks were shattered.’

“You were there for him when I couldn’t be, that’s what matters.” Eddie knows, buck, he understands him better than anyone, he’s telling him here in his own way that it’s okay, and he loves him just the way he is - it was his way to reassure Buck that he was doing just fine.

But Buck’s “Still I think it might have been better for him if I was the one who got shot.” - Eddie looked like he was ready to get up and smack some sense into Buck.

I want to point out that Buck’s response to Eddie being hurt or in danger is nowhere near the same as his response to anyone else in danger. Case in point in 4x14 is Bobby, he is inside, probably injured, in a fire with a gunman - if it was Eddie, Buck would have waited 0.1 seconds before he disappeared back into the flames to help Eddie.

With Bobby, he was calm, cool, calculated, he knew what Athena would do because that’s exactly what he would have done if it had been Eddie and he is ready with helpful details and a plan. He wants to go with her, but doesn’t argue when she says no.

Eddie is Buck’s Bobby, and it reflects all throughout this episode, and I think I had some parallels pointed out in 4x13 too. So I don’t know what scripts Tim reads or if we’re all watching the same show but buddie exists and thriving as far as I’m concerned.

Buck is also the one to pick Eddie up at the hospital - he tells him that the nurse is getting his meds and discharge papers ready, which means that Buck did all that process, he was busy getting Eddie discharged. (Take a moment to soak it in.)😌

Eddie sits Buck down to talk, to be honest this talk went pretty much the way I expected it.

Eddie explains why he had his will updated, and that Buck is Christopher’s legal guardian if anything happens to Eddie. - I love that after all this time, sweet Buck is still surprised.

He asks if Eddie didn’t need his consent for this and Eddie’s reply is: “My attorney said you could refuse.”

I also love, that even shell-shocked, Buck knows that Eddie knows him “You know I wouldn’t.”

And Eddie assures him that he does in fact know Buck, and he knows that Buck loves Christopher as much as Eddie does “I know you wouldn’t.”

(”I had to do it.” - “Yeah, I know you did.” this was a call back to 4x05 where Eddie understood why Buck did what he did. And knowing what we know now, I can assume that even though Eddie understood and forgave Buck, he didn’t have to like it.)

“No one will ever fight for my son as hard as you.” - call back to 3x03 anyone?

“There’s no one I trust with my son more than you.” - and Eddie proves it time and again.

And here he is basically giving Buck permission to give hell to his parents or anyone who tries to take Christopher away from His Buck. - And I love it!! 🤗❤

Buck, smart, handsome guy that he is, asks the right question again - “Why are you just telling me now?”

“Because Evan.” That first name that even took Buck by surprise, because Eddie only ever called him Buck, to our knowledge anyway. - Eddie was talking to Evan Buckley, not Buck, and yes they are two separate entities living inside one hunky firefighter. - This is Eddie saying, I know you’re frayed around the edges, I know I’m asking for a lot right now but I need you to hear me.

“You came in here the other day and you said it would have been better if you who were the one who was shot,” and I think for Eddie, who was lying on that firetruck floor bleeding out, and his only concern was that Buck may have been hurt, that was the worst thing Buck could have said.

“you act like you’re expandable but you’re wrong.”

Eddie has been where Buck is at that moment, losing his wife, watching his best friend nearly die time and again. - Really at this point Eddie just wants him safe, and if telling him about Christopher is what will do the trick, then he is not above playing dirty.

Eddie is telling Buck, you are my partner, you are Christopher's second parent, I love you, Christopher loves you, I don’t know what I’d do without you. - Because Eddie has been without Buck before and he was completely lost. - And that’s before they became even more intertwined as they are now.

I love the second before Buck and Eddie enter, Eddie’s house, before Buck opens the door, Eddie looks like he’s steeling himself to get in and Buck has a knowing grin on his face, somewhere between ‘ready?’ and ‘they’re happy you’re back be nice.’ 👀😂

I hated the jump forward, but everyone standing on the roof looking good and Eddie with those sunglasses? wow!! 🥵🤩

This was an all out buddie episode, and I was totally there for it!! I really hope for many more, because these two give me life!!

#evan buckley #eddie diaz #buddie #LIs who?#christopher diaz #buck is christopher’s second dad #it's pretty much canon now #buddie and bathena parallels #call back #9-1-1 4x14 #9 1 1 on fox #9-1-1 on fox #9 1 1 spoilers #❤❤❤

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traincat · 4 years ago

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I feel like I've read a ton, but I'm honestly still pretty new to comics rn. That being said... What is one more day? Ik we don't like it and it happened a while ago, but that's about it [,=

Time for Spider-Man History With Traincat: Highly Controversial Storylines! And that feeling is totally normal with comics with huge canons -- you can read a ton and still have some fairly big blindspots in your understanding of the total picture. That being said, this is kind of a big one, both in terms of Spider-Man history/canon and in terms of how Spider-Man fandom functions. I would say probably no other storyline has had quite as much impact on how the fandom views and interacts with the source material as One More Day/Brand New Day. It's been the Wild West out here ever since it happened. (Which was in 2007, so like, yes, fairly long ago, especially when you look at how Spider-Man canon has evolved since, but in the grand scheme of things, also kind of recent. One More Day is not old enough to rent a car.)

So when people talk about Spider-Man's One More Day, they're usually actually talking about two related arcs: One More Day and Brand New Day. For the sake of simplicity, I'm going to be covering both. For the sake of transparency, I am going to admit that I think One More Day, as a self-contained story, is good, actually. This is controversial! I admit that! But I stand by my stupid opinions on this blog, for some reason. I think One More Day when you examine it on its own, by which I mean you ignore the decade and a half worth of canon that came after it, as a Spider-Man story and as a PeterMJ-centric story holds up under scrutiny and that people who don't like it don't like complicated love stories and might actually throw their own mothers under buses. No offense to the OMD haters. Little bit of offense to the OMD haters. Brand New Day, which is the continuation of One More Day, on the other hand -- largely bad. Very largely bad.

But let's backtrack. One More Day is a four issue crossover storyline that takes place directly after Civil War, during which Iron Man and Captain America got divorced and divvied up the superhero community and Spider-Man made some startlingly bad decisions and made a fugitive out of himself and his family in a manner that got Aunt May shot, and Spider-Man: Back in Black (Amazing Spider-Man #539–543) which examines Peter's actions immediately after Aunt May is shot and ends with him humiliating the Kingpin in front of an entire prison. One More Day consists of Amazing Spider-Man #544 -> Friendly Neighborhood Spider-Man #24 -> Sensational Spider-Man v2 #41 -> Amazing Spider-Man #545. In One More Day, Aunt May is dying, all of Peter's efforts to save her have thus far failed, and, consumed by guilt, he is rapidly running out of time. Approached by Mephisto, a literal demon from hell, Peter is offered a deal: Aunt May will live -- and Peter's identity, which was previously revealed to the world at large during Civil War, will once again be hidden from the memories of all but a select few -- if Peter trades him his marriage to Mary Jane. Peter and Mary Jane struggle with this, but eventually both agree to the deal. The clock strikes twelve, the deal is done, and Peter and Mary Jane's marriage fades into history.

(ASM #545) A reasonably simple premise for a story that caused so many problems -- most, I would argue, not actually the original story's fault. So obviously, this was an unpopular move -- Peter and Mary Jane had for a long time been a fan favorite Marvel couple, and in a fictional universe where most relationships are doomed as soon as they begin, the enduring Spider-Marriage was sacred ground. And then, with a snap of its fingers, it was gone: Peter wakes up in Aunt May's house, no longer married, with Mary Jane out of the picture. (She would not return to the book on any sort of consistent basis for over 50 issues.) In the wake of One More Day began Brand New Day, which is basically what it sounds like: a promised "brand new day" of "exciting" Spider-Man content and a publishing schedule where Amazing Spider-Man came out three times a month. (Which sounds good on paper but I think in practice caused more problems than it created good storylines.) Peter, newly single again, had new love interests! And also Harry Osborn was alive again for some reason! I generally like Harry's post-BND stories so that part's fine with me.

But overall? Brand New Day is a mess. It knows it wants to tread new and exciting ground with Peter -- tell new stories! ensnare new readers! make them fork out for a book three times a month. -- but it doesn't know what those stories should be. Readers who were invested in Peter and Mary Jane's relationship -- a major facet of Spider-Man comics for decades at that point -- felt rightfully betrayed that the marriage could be so easily traded in and that Mary Jane herself, perhaps the second most important figure in Spider-Man comics after Peter, could be tossed aside. From a personal point of view, I think Brand New Day fails in large part because it abandons what has always made Spider-Man such a compelling series, and that's the mix of Peter's personal life with his vigilante life. BND sees Peter with new friends, new jobs, new love interests, etc -- it is very much a brand new day! But it isn't a better day compared to the stories that came before it. I do like some post-BND stories, especially American Son (ASM #595-599) and Grim Hunt (ASM #634-637), but compared to pre-BND where I think the majority of canon is good, it's a very lacking body of work that is hurt by the way it divorced itself from the PeterMJ marriage as Spider-Man's central relationship.

"But Traincat, I thought you said you liked One More Day?" Yeaaaaah. I do. This is why I keep saying I like One More Day on its own merits, and not on the merits of the stories it opened the doors for. I like a good romantic tragedy in fiction, and the way Peter and Mary Jane's final scene in One More Day plays out is beautiful. I like the idea of Peter caught in this impossible situation, being asked to choose between two women he loves more than his own life. A really common criticism I see leveled against One More Day is that Peter should have chosen his relationship with Mary Jane over May's life, which is -- okay, I think it's weird that people keep insisting on this, not in the least because by asking Peter to sacrifice his aunt's life they're essentially demanding he commit a callous, out of character act in order to further his own interests. It's also weird because the thing is, Peter already chose Mary Jane over May -- that's what gets them into this situation. It's literally in the scene where May is shot:

(ASM #538) When the gun goes off, Peter's spider-sense kicks in, and he covers Mary Jane, leaving May in the path of the bullet. He does choose Mary Jane over May, regardless of whether he realized what he was doing. And that's why he can't make that choice a second time. His actions in One More Day do make sense for him as a character, whether or not any individual reader likes them, and Mary Jane's actions make sense, too -- after all, she's the one who ultimately tells Mephisto that they agree to the deal when Peter can't bring himself to voice it.

A lot of people also like to nitpick One More Day by going, well, why could (x) or (y) with life saving powers save Aunt May which is like -- yeah, I guess, but if we're going to ask that about this specific comic book near death setup, you kind of have to do it with every single one, and I'm not going to stake every single moment of comic book drama on whether or not that gold kid from the X-Men was busy at the time. Comics are soap operas in flimsy paper form: serialized longform storytelling that relies heavily on melodrama. Sometimes you have to go with things. Sometimes you sell your marriage to the devil. Stuff happens. That in and of itself doesn't make One More Day a bad story -- and while some people blame the Spider-Marriage's dissolution entirely on One More Day, I think that's a little shortsighted when you look at the history of Spider-Man since the turn of the century. It's clear -- and Marvel themselves have been perhaps a little too open about this -- that Marvel in the past few decades has had trouble with the direction they want to take Spider-Man. They WANTED Spider-Man to appeal to a distinctly youthful audience that they didn't think they were actually reaching -- understandable, considering that Marvel nearly went bankrupt around 2000 and was saved by Ultimate Spider-Man, an out of main continuity series which retold Spider-Man from the beginning and focused heavily on Peter as a teen -- but the problem was Spider-Man in the main continuity was at that point in canon a happily married man who was pushing the dreaded 30 whether or not they wanted to admit that. This is also why Marvel has continually pivoted away from Spider-Man having kids, because they feared that making him a dad would age him too much and make him unrelatable to their coveted audience of Teens. (This is also why almost every new Spider-Man property, especially the live action movies, perpetually stick him back into high school, despite that occupying a very small slice of 616 canon.) So around the year 2000, they started trying things in relation to the Spider-Marriage, which was viewed as a major problem -- after all, what's more adult than being married and liking your wife. First, they had Mary Jane presumed dead. Then, they had Mary Jane and Peter separate. Then, when Mary Jane and Peter had only recently gotten back together, One More Day struck. If One More Day specifically hadn't gone the way it had, it's pretty clear that the Spider-Marriage was going to go one way or another -- it's a little bit of a shame it happened when it did, because OMD is the end of J Michael Straczynski's run, and JMS wrote a really beautiful Peter and MJ relationship. But Marvel as a company and especially editor in chief at the time Joe Quesada viewed Peter and Mary Jane's relationship as a major problem in how they wanted to portray Spider-Man and thought that striking the relationship from the books would allow them more freedom in their portrayal of him as younger and more relatable to their Desired Audience of people who I guess really wanted to see Peter sleep with characters who weren't Mary Jane.

(ASM #546. Younger! Fresher! Less attached! Kissing random women in the club!)

The problem with One More Day has always been in the follow through -- from the content of Brand New Day to the pacing of events to the fact that Marvel withheld key information for such a long time that it allowed misinformation to thrive. After all, what does it MEAN to trade Peter and Mary Jane's marriage to the devil? It altered the events of canon in Peter and the majority of other characters' memories so that the marriage didn't exist, but it left people wondering -- did the relationship as they remembered it existed? How much of Spider-Man canon was altered? And the answers didn't come for over 100 issues of Amazing Spider-Man. One Moment In Time or OMIT (Amazing Spider-Man #638-641), which revealed that while Peter and Mary Jane never got married in the altered canon they did continue their long committed relationship up until just after Civil War, was published in 2010, so essentially readers were hung out to dry without answers for three years. That's a long time to string people along, but not as long as it took Marvel to confirm that the popular fan theory that Mary Jane retained her memories of the original timeline as part of her own deal with Mephisto was also true, which happened this year. I would say, at least from my perspective, a lot of the frustration doesn't come from the individual One More Day storyline so much as how Marvel has continually dragged out the aftermath, using the promise of a Spider-Marriage return to keep fans on the hook. Which is why One More Day continually comes up in discussion of current Spider-Man, because Spencer's run has relied very heavily on imagery from that period with a serious question of whether or not there actually was going to be payoff, something which is still up in the air.

This has been Spider-Man History With Traincat, brought to you by anonymice like you.

#traincat talks comics #long post #*replies

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mythiccheroacademia · 5 years ago

Text

Forgive Me

Summary: It only seemed more prevalent, now more than ever, that people like him didn’t deserve people like you.

Word Count: 4.8k+ Words

Pairing: Natsuo x Reader (21+)

Warnings: blood, death, gang organization involvement, gun use, sexual content, explicit language, and angst

A/N: First, HAPPY BIRTHDAY TO MY MAIN MAN NATSUO TODOROKI!! And I also want to say thank y’all so much for 2k followers! You make my heart ache. To celebrate, I wrote this self-indulgent mafia au fanfic that nobody asked for. I honestly just wanted to write Todorokis involved in organized crime.

All the Japanese in here is from Google Translate. It most likely butchered it, so I’m sorry about that. I tried.

Some things to mention: *Yakuza: Basically, the Japanese mafia *Oyabun: The leader of the organization *Onna-Oyabun: The spouse of the leader. It really translates to the “wife.” I tried to keep things gender neutral, however, I couldn’t find a gender neutral term for this. Please forgive me!

Thank you for ridin with me, y’all! Enjoy this one, hotties ❤️

Forgive Me

All Natsuo had ever wanted for you was normalcy. Call it wishful thinking—his siblings called it naivety. However, there was nothing more the young successor wished for than for you to have the life you deserved. One filled with love, laughter, and smiles. Not tears, blood, and bullets.

He wanted you to be able to come from work or class with a head full of things for the two of you to gossip about over dinner and ice cream. He wanted to be able to cancel his day and take you to that one amusement park you always talked about. He wanted the petty arguments about whose turn it was to do the dishes and whose brownie recipe was better.

Natsuo wanted that for you. Not this.

Your shared room suddenly felt cold and rigid as he stood by the doorway. The sight of your body curled into the sheets, hoping the mattress would swallow you up, made his heart ache. There was no movement except for the slow rise of your breathing as you stared at the wall next to the bed.

Natsuo’s grey eyes focused on the bandage patched to your ear and was brought back to the events prior. An event that had been the reason why he couldn’t have spent the evening in your arms.

[Earlier]

Since having been introduced into the Todoroki lifestyle, life had been hectic. You had been ripped away from your normalcy and propelled into the yakuza* game. It was seeped in cruelty, darkness, and evil that would make you spend nights shivering.

Ever since you had been engaged to Natsuo, your exposure only grew worse. Your fiancé would spend nights apologizing, but you’d only quiet him with a kiss and a small joke.

It wasn’t his fault. His older brother, Touya, was “deceased”. It was against tradition for Fuyumi to have it, and Shouto was too young. He would have to be the next Oyabun* and, despite his unwillingness, there was nothing anyone could do about it.

But that wasn’t something to dwell on. Especially today. Today, you had plans to go shopping with Fuyumi and Shouto and end the night with some well-deserved quality time with your husband-to-be. You had rarely seen anyone due to yakuza activity, so this was something you were looking forward to.

You smoothed down your outfit, adjusting your watch in the mirror. You gave yourself a nod, liking what you saw.

Natsuo came from around the corner, eyeing you with a glint you knew all too well. He apparently liked what he saw too.

“Hi,” he said, smiling into your kiss.

“Hey,” you grinned. You flattened the collar of his shirt where his tattoo peeked from his neck. “You look good.”

He was quick to respond. “You look better.”

“You flatter me,” you chuckled. “Did you pick where we’re eating for dinner later?”

“I made reservations for the seafood restaurant you like so much. The one with the lights by the ocean.”

“Oooo with the parmesan crusted flounder and the stuffed oysters?”

He hummed a yes and laughed as you did a little dance expressing your excitement. You couldn’t wait to stuff your face. While being classy of course.

“What time?”

“6:30. Is that okay?”

“Yeah, that should give ‘Yumi, ShoSho, and I enough time to shop around.” You turned to the mirror to put some last-minute touches to your hair. “We still have to find an outfit for your mother’s event Friday. You know your brother’s a lowkey diva about that stuff so it’s gonna take hours.”

A sudden slap on your ass made you yelp and just as you were about to cuss him out, Natsuo captured your lips in a kiss that made your knees buckle. He slowly explored your mouth, committing every taste to memory. Your hands massaged the nape of his neck and it had him growling in your ear.

“Why don’t you skip the shopping today and we can start on dinner now?” he suggested, loving the moan he got from you as he sucked on your neck.

As much as you adored the offer, you weren’t going to pass up the chance to get out of the house. You’d been cooped up in there for too long. Not even his dick could get you out of this.

You pushed him off of you, laughing as he bit the air between you, trying to put his lips back on you.

“Nat—Natsuo. Stop it. I promised them I’d go shopping today, so no. Besides, I’m already running late. I was supposed to meet them at 1 and it’s 1:30.”

“But you just look so good, baby.” He managed to pull you flush against his chest, mischief in his eyes. You gave him a look when his hands went to go grab a handful of your ass. “I’m sure they won’t mind if you're just an hour more late,” he said, going back to lay claim to your lips.

If last night’s sex was a testament to anything, you’d be here for much longer than an hour. If you didn’t get your ass to the car, you’d be stuck at home and his siblings would have your head.

“Boy, if you don’t get off me, I’ll tell Fuyumi you’re keeping me hostage again. She’ll sick Shouto on you,” you threatened.

At the thought of his sister and brother’s nagging, he rolled his eyes and backed off. “Ugh, you’re such a killjoy. Fine, whatever.” You hummed in triumph and turned to walk away. Natsuo gave another hard slap to your backside again and you sent him back a glare that made him smirk.

“Natsu,” you warned.

“You better get in the car quick before I really decide to keep you here.”

“Keep it in your pants, horndog,” you bit.

“Keep that ass away and we won’t have problems,” he playfully retorted.

You smacked your teeth but hid the growing smile on your lips. That man would be the death of you.

…

Despite your wishes, you ended up being an hour late. Natsuo tried to play innocent underneath his siblings’ threats but stopped the act once they pointed out the growing hickey on your neck.

He was waved off, much to his chagrin, when he told the three of you to be wary of your surroundings and reminded you of the security guards that would be following close by. He finally left for his meeting with few choice words and a kiss promising his return.

Fuyumi grabbed your arm and gave you a smile that was contagious. “Now that Natsu stopped hogging you, we can finally hang out!” she cheered. “The outlet just opened up a few new stores we’ve been eyeing for a while now!”

Shouto nodded in agreement. “I’ve been waiting all week to use my father’s credit card.”

“Didn’t you buy a fur coat yesterday—”

“That’s besides the point.”

Once Shouto took your other arm, the three of you spent your time going from store to store. At first, the objective was to find outfits for the party Friday, however you three had become easily distracted with the sight of a smoothie stand.

A couple hours had gone by, and not much was done. Although you might have wasted time (and money) shopping at miscellaneous stores, neither one of you cared.

It had been so long since you laughed so freely. With Endeavor across the ocean, things were steadily heating up. Enemies took his leave as an open shot and the Todoroki siblings were obliged to reinforce why their family reigned supreme. Due to that, it seemed no one could go a day without stressing over something.

Between that and Natsuo’s near-obsessive mission to keep you safe and away from the details of the yakuza, you were forced to stay in the house twiddling your thumbs with constant security around you.

Feeling so useless drove you crazy. No matter how many times you tried to get your fiancé to let you help, he would always give you a firm no. Fuyumi and Shouto tried their best to keep you out of it as well. Even Dabi warned you about wanting something so dangerous.

It was frustrating, but you tried to understand. Regardless, having the chance to hang out with your friends like old times was a saving grace and you’d enjoy it to its fullest.

Eventually, you three made it to the boutiques and clothing departments. Shouto had already gotten a suit tailored so it was left with you and Fuyumi.

Your soon-to-be sister-in-law found an extravagant gown that stole your breath. The crimson dress hugged her body in all the right places, accentuating the softness of her feminine figure and the coolness of her kind eyes. It was beautifully bold statement speaking to the fire within Fuyumi many seemed to miss. But no one would overlook that spirit with a dress like that. Her measurements were taken, and the dress was quickly swiped off the rack and sent to the tailor.

Your clothing didn’t come easy. Fuyumi was indecisive and Shouto was a harsh critic.

“Hmm, that one’s too much.”

“Nope, not enough.”

“Too loose.”

“Too tight.”

“No.”

“Hell no.”

“I’m pretty sure someone from the Nanu family wore that in 2016. Next.”

It had taken nearly an entire hour before the three of you found your outfit. Something that had caught your eye was soon being shimmied over your body. When you stepped out of the dressing room, you were relieved when Fuyumi nearly cried and Shouto’s bi-colored eyes twinkled with satisfaction. The material was comfortable on your body and the pigment made your skin color brilliantly glow. It moved and swayed like it was meant for you. It just felt right.

“That’s the one,” Shouto smiled.

“You think so?” you asked, checking over the detailing.

“You’re going to steal the show, as always, Y/N,” Fuyumi gushed. “The most beautiful Onna-Oyabun* the yakuza have seen this generation.”

At the mention of the word, you casted your eyes downward. “Right. I’m going to be the new Onna-Oyabun,” you sighed.

The two Todorokis caught the heaviness of your tone and looked at one another in sadness. They were privy to the burdens of this family and the titles that came along with it. Your reaction wasn’t abnormal, but the despondent gleam in your eyes was still hard to sit with.

“Y/N—”

The sound of Shouto’s phone cut off his words. As he listened to the quiet words from the other line, his eyes began to harden. The store clerk kept you busy, but Fuyumi noticed his sudden rigidness.

Her brother’s eyes flicked towards the door and she caught the sight of more their bodyguards surrounding the boutique, hands on their weapons.

There were a few more words said before Shouto spoke.

“Anata wa mōru o torikakonde imasu. Natsuo wa 5-bu de soto de aimasu.” (Keep the mall surrounded. Natsuo will meet us outside in five minutes.)

Fuyumi met her brother’s eyes once more and understood the situation.

“So, the seamstress said she’ll tighten around the waist and add more fabric to the end. It’ll be ready by tomorrow evening,” you said to them.

Shouto excused himself while Fuyumi walked towards you, a practiced smile on her lips.

“Perfect. Now let’s get you changed and out for your date. Natsuo will be here any minute.”

…

The car ride to the restaurant was filled with your rambling about the day and Natsuo’s usual teasing. When he got into the car after speaking with his siblings, he seemed very tense. So you were happy you were able to get him to relax. Work must’ve put him on edge, and you were determined to let the rest of your night come stress free.

When you got there, he helped you out of the car and you made your way to the door. You were surprised to see who was standing by the entrance.

“Dabi?”

“Hey there, doll,” he said behind an easy smirk. He kissed the back of your hand. “Still see you’re with this punk. Tragic.”

You tried to hide your giggle as Natsuo punched his brother’s shoulder.

“Back off, brick-face. Lookin’ like a burnt raisin.”

“You wound me,” Dabi faux gasped.

“What are you doing here?” you asked.

Although Dabi kept his eyes on you, he felt his brother’s stare on his face.

“Just doing some patrol. Heard you were coming around and couldn’t pass up the opportunity to say hi to my new favorite Todoroki,” he responded coolly.

You quirked your brow at that. “Did something happen?”

Dabi opened the door. “Nah, nothing you need to worry about. You just enjoy your dinner for me, yeah?”

Before you could say anything more, you felt the man behind you place his hand on your lower back and guide you into the restaurant. You didn’t miss the order he hissed to his brother before closing the door behind him.

You had to learn Japanese one of these days, damn it.

As you stood in line to be seated, you eyed your fiancé.

“I know something’s going on,” you spoke.

Natsuo didn’t even flinch. “What do you mean?”

“Why’s Dabi here?”

“You heard what he said. For patrol.”

“Patrol for what? He doesn’t just police the area for no reason.”

“It was just on some small case we’ve been working on. No biggie,” he shrugged.

You frowned at his play of innocence. You were getting kind of tired of this. “You know how much I hate being kept in the dark…”

“It’s nothing you have to concern yourself with, babe. I’ve got it handled.”

“Natsuo—”

“Y/N, please.”

You watched his shoulders sag a bit from the heavy sigh that left his mouth. If you hadn’t been watching, you would’ve missed the fatigue that flashed across his face. To see someone usually so upbeat look so tired made your chest ache.

You knew you were being pushy, but all the secrets were piling up and your curiosity was starting to become insatiable.

“I…I just want to help,” you softly admitted. “I don’t mean to be annoying.”

“You’re not being annoying,” he answered in a heartbeat. Natsuo pulled you close and kissed your temple, feeling comforted by your smell. “I know all these secrets drive you crazy, but I’m trying to protect you.”

You placed a hand on his cheek to which he placed a kiss to your palm. “And I want to lessen your burden. We’re in this together, baby. You don’t have to handle all of this alone anymore.”

“I know, sweetheart,” he whispered. He stared into your eyes for a moment before gently smiling down at your hopeful gaze. “How ‘bout this? We forget about all this yakuza stuff whiles we’re here, and as soon as we get home, I’ll fill you in on my meeting today. Sound fair?”

It wasn’t exactly what you wanted, but it was a step in the right direction. Besides, you could see how eager he was to forget about the topic. The focus of this night was about having fun, so you would drop it for now.

You pecked his lips and nodded in agreement. “Deal.”

“Bet.”

The hostess met you two just as you pulled away from one another. She led you to your table where you had a clear view of the beach behind the crystal glass. Your waitress, an older woman with a smile that felt safe, got you settled in.

“My name is Jane and I’ll be serving you today. May I get your drinks?”

Natsuo looked to you. “Wine?”

You made a thoughtful face. “Yeah. Sure. Something on the sweeter side.”

“Bring us Moet Chandon Dom Perignon. 2008.”

“Yes, sir,” she bowed before going to retrieve the drinks.

You frowned in confusion, the bran unknown to you. That was before your eyes scanned over the wine listing. You choked on your spit.

That bottle could pay rent.

Rich people were crazy.

“Everything okay?”

“Yeah, sorry. Something in my throat,” you coughed.

After the waitress brought your drinks and you placed your orders (you both ordered enough for eight but what’s new?), you and Natsuo spent your time talking and laughing.

It was like old times. He was the jokester, throwing out horrible pick-up lines with a terrible pun to match. You’d tease him, snickering when he’d whine about how sensitive he was.

You missed this. A lot.

Your previous grievances left your mind. Like he said, for now, you’d forget about the yakuza. The carefree smile on your fiancé’s face, the one that reminded of you of just how young he really was, was beautiful. He was only 23 and dealing with so much. You wanted this expression of freedom to remain for as long as possible.

“The ‘Saw’ series wasn’t even that scary. It was just really gross,” you said.

“Fair. But the one with the teeth was kinda scary. Saw 3 I think? I couldn’t sleep for like, five days,” Natsuo shivered.

“Okay, yeah. That one was…ew,” you agreed. “But remember ‘The Human Centipede’? Now that was some creepy shit. I couldn’t eat cereal for a month.”

Natsuo visibly paled, sticking his tongue out in disgust. “Nah for real, bro. I’ll never watch that shit again. I feel like it was some big, grotesque, sexual innuendo.”

You gave him a flat look.

“What the fuck, Natsu.”

“No, listen! Remember the part where they took the hammer and—"

“Your food, Mr. Todoroki and Mr/s. L/N,” Jane interrupted. A questioning look flashed across her face but you two just stifled your laughs.

The other waiters laughed as they stood behind her with the food in their hands.

You were eyeing the hell out of those oysters.

“Here we have the lobster bisque, the shrimp tacos, the stuffed oysters—”

“I’ll take that one, please!” you excitedly clapped.

“Excellent choice.”

“And you say I’m a child,” Natsuo snorted.

You threw a glare his way. “Little boy, if you don’t—”

And just as your day had been filled with laughter, the sound of one bullet tore through that illusion.

It was as if the world had stilled for a moment. Then, there was screaming and the onslaught of gunpower. There were so many men in dignified suits running in and out of the restaurant. You hadn’t even blinked before two waiters dropped to the ground, piled beneath the food they were holding.

Two shots rang near your table, and you felt a string of fresh blood paint the sides of your face and a burning sensation on your left ear. Two hands held the table and the back of your chair, body a shield from the bullets.

You slowly looked up and saw Jane’s bright blue eyes wide with surprise. There was a moment of silence as her bottom lip wavered, wanting to say something.

However, her last breath slipped through her lips as you watched the life dull in her cerulean irises.

That bullet was meant for you. That bullet was meant to kill you and instead…instead…

When she fell onto you, dead, that’s when you screamed.

At some point, Natsuo had gotten you into his arms. His body was ice cold as he used his quirk to protect you and carry you out. He was shouting orders and curses while trying to coax you out of your numbness. However, you couldn’t hear anything.

The stench of blood was strong. You saw how the bodies of innocent men, women, and children laid piled on the floor. They bled out; their lives taken from them before they even had the chance to think about it.

You closed your eyes when you saw blue and red flames lick the ground. You had seen enough.

Somehow, you had gotten outside and away from the warzone. Natsuo carried you into the car.

“Doraibu!” he thundered. (Drive!)

The driver took off with speed that made our backs hit the seats. Once he hit the main streets, miles away from the scene, Natsuo took his hand off the gun and quelled his quirk.

His phone lit up and it wasn’t long before he blew up at whoever was on the other end. You don’t think you’ve ever heard him use a tone so mean and angry. He roared into the phone, his words foreign to your ears. However, you couldn’t concentrate on that.

The shock of what just occurred struck your body numb. The ringing in your ears hadn’t stopped since the first bullet. You could still smell the blood and the bodies. Jane’s lifeless eyes would haunt you forever.

The same bullet that tore into her heart was meant for you. Whoever shot that, was aiming to kill. Kill you. But instead, Jane had taken that place. For what reason, you didn’t know. But she did.

You didn’t know which one was worse.

Bile rose in the back of your throat and you let out a shaky breath.

You could do nothing else but hold your head.

Natsuo had gotten off the phone and looked over at you in silence. His grey eyes stormed with pain from the way your shoulders hunched over in grief.

He reached for you. “Y/N, sweetheart—”

You flinched away as his fingertips ghosted your skin.

“Don’t fucking touch me,” you seethed.

He quickly withdrew his hands.

“Are…are you okay?” he slowly spoke.

The glare you gave him made him avert his eyes in anguish.

“Am I okay? You’re asking me if I’m okay!?”

“I just want to make sure you’re not hurt,” he thickly swallowed.

“Are you serious, Natsuo!? I just saw twenty people die in front of me and you’re asking if I’m okay!??”

Guilt drowned him, but you just couldn’t seem to care at the moment as rage took over your body.

“I asked you to tell me what was going on. I’ve been fucking begging you to keep me up to date so I can just be prepared for when things like this happen!”

“I know.”

“If I had just known someone was trying to take me out, I would’ve stayed the fuck home, but you wouldn’t tell me and now there’s people DEAD!!”

“I know. I’m sorry, Y/N.”

“Fuck your sorry!” you roared. “Fuck you, Natsuo! Sorry won’t bring those people back!”

Your voice was beginning to grow hoarse but screaming felt good. It was the only thing that felt real even as it took you to hysteria.

“I know those bullets were meant for me! They wanted to—to—oh my God!” Your breathig grew erratic as it all dawned on you. “I’m supposed to be dead! They wanted to kill me! I can’t! I can’t do this!”

Natsuo felt his heart break with every sob that ripped from your mouth. He wanted so badly to hold you and take you away from all of this. However, he knew better.

For the entire car ride and throughout the time it took for the nurses to patch you up, you hadn’t allowed him to touch you. You even ignored him until he was forced to leave you to rest.

When he told you he loved you, it hurt like hell to see you wordlessly disappear behind the bedroom door. That pain was what later fueled him back to the scene of the crime and into doing things to the captured enemies he would never utter to anyone that wasn’t there.

Fuyumi and Shouto couldn’t look him in his eyes for the rest of the day. It was Dabi, as heartless as he was, that told him it was enough.

He would give anything to give you what you deserved, a life without pain and death. But that’s not how it worked. Not in this life.

He knew that, yet, he had been selfish and took you for himself. Now, this was the result. Your life in unremitting danger because of who he was.

The agonized screams of dry ice burning away flesh constantly played in his head. It only seemed more prevalent, now more than ever, that people like him didn’t deserve people like you.

[Present]

Natsuo’s heavy stare caused you to shift. As he changed into pajamas, you looked at the clock. It was 2am.

You hadn’t realized it was so late.

You felt a heavy dip in the bed and watched your fiancé carefully settle into the sheets. His face was clean of blood and dirt, so he must've showered before coming back home.

A pregnant pause filtered between you two. As you continued to stare at one another, you could see his façade slip with each passing second. The blank front he was so skilled at putting up melted as his eyes continued to pass over the bandages. His eyes sunk and the skin around them was dark with wear. He looked exhausted.

The anger that had once bristled inside of you had given way to melancholy a long time ago. You felt so empty and lonely with the dark thoughts that circled in your head. Sleep wasn’t an option if you wanted to avoid the nightmares that would plague you.

The two of you scooted closer to one another. Natsuo was the first to speak. He spoke in a voice so small, you almost missed it.

“Can I touch you?”

“Please,” you whispered.

Soon enough, you were in his arms, chin on his shoulder as he peppered the junction between your neck and collarbone with kisses. You relished in his hands exploring your body, missing how he just seemed to swallow you up.

“I love you, Y/N,” he breathed.

“I love you too, Natsuo.”

Much of the night was spent reminding yourselves of the other’s touch. Natsuo drew your lips captive, his tongue overtaking you with dizzying pleasure. You couldn’t keep track of where his mouth was. Whether it was on your lips, on your stomach, or in between your legs, you savored how good it felt.

Soon, his low growls and moans were hot against your ears. Your nails ran down Natsuo’s back as his hips swam into you, taking his time to rememorize how you felt around him. The bed creaked along with your moans. You threw your head back and gripped whatever you could hold of him during your lovemaking.

It seemed you’d reach your high over and over again. You could never get enough of each other. There was something intoxicating about how his tongue would roll over yours as he pounded into you, staking claim over your body as he gave himself to you until he couldn’t.

When your bodies couldn’t go any longer, you just lied underneath the sheets. Natsuo lied on top of you, head on your chest and listened to your heartbeat. You pushed back his sweaty bangs, staring down at him.

You hadn’t even realized you were crying until his thumbs went to swipe past your cheeks.

“Damn it,” you hiccupped.

Natsuo let his vulnerability slip. “I know they’re just words, but I’m so sorry, Y/N,” he said. His voice cracked and it was your turn to catch the tears that fell from his eyes.

“I know. I’m sorry too.”

“You have nothing to apologize for.”

“No, I shouldn’t have yelled at you like that. I was just…”

“Just what?”

A fresh wave of images from today filled the forefront of your mind. Those pictures did something to you. A switch was flicked.

Your voice caught in your throat and your eyes pinched as more tears filled them. However, these were not tears of fright, rather tears of animosity. The anger you thought had left you had turned into something worse. Something much darker.

Natsuo saw that look many times before in his own reflection. Vengeance. Pure, unadulterated, vengeance. And as much as he hated it, it was the gas that incited his own flame.

“Natsuo,” you spoke like you were about to tell a secret. You slowly swallowed the ball in your throat.

“What is it, baby? Tell me what it is you want.”

The words that left your mouth felt different, but you would never regret them.

“Whoever it was, whoever was behind this, I want them gone,” you instructed, voice stone cold. “For every child lost, I want ten of their heads. For all our men they took, I want their bodies burned. For the life they took from Jane, I want their blood on the street. Today, they took their stance when they tried to kill me.”

You held his face and fell into his gaze with hard eyes. In those grey irises, you saw a man that would stand against an army for you. It gave you the courage to say your order.

“And for that, I want the entire yakuza dead.”

The glint in his eye matched your own and you knew there was no turning back. Natsuo nodded without a second thought. There was nothing to think about. He’d give you the entire world or burn it down at the flick of your hand.

“Yes, my Onna-Oyabun. Your wish is my command.”

He sealed the deal with a kiss.

“This is war.”

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julieandthefandoms · 3 years ago

Text

Housefull 2 MDZS/The Untamed AU

HELLO THERE MY LOVELIES! I’M MAKING A WILD TUMBLR REAPPEARANCE AND I BRING WITH ME SHINY NEW SHOWS I’VE WATCHED AND PERHAPS THE GREATEST AU I’VE EVER WRITTEN DOWN!

Okay, so, I’m going to preface this by saying that I finally watched the Untamed over the past summer and now am slightly obsessed. I am also in the middle of reading the novel and watching the animation, so... that’s something.

Anyway, today, I decided that it would be a good idea to rewatch my favorite childhood film, a little Bollywood comedy titled Housefull 2. Upon rewatching this, I realized that the MDZS characters would fit really well into the convoluted mess of this plot and so I wrote a little bullet pointed AU idea thing.

(I don’t think I’ll have the time to write this, so if anyone wants to use this concept, pleaseeee tag me/tell me about it. Also, if anything like this is already written, pleaseee tell me too, I need the crack content.) (I’m also desi, by the way, so I don’t know much about Chinese culture, so please tell me if anything is offensive or just plain inaccurate.)

So, without further ado, I’ll be presenting this Housefull 2 MDZS/The Untamed AU!

-As per canon, JZX is emotionally constipated and couldn’t communicate until after his engagement with JYL got split up. Having made their sister cry, JC, WWX, and NHS (who gets roped into it) plan to crush JZX for hurting JYL.

-They send WQ to crush JZX by breaking his heart but give her such vague instructions that she accidentally falls for Mianmain.

NHS: “So... who’re we supposed to use to crush this Peacock. I mean, it can’t be any of us.”

WWX: “I don’t know about y’all, but I’d be great at this mission.” *wiggles eyebrows*

JC *rolls eyebrows*: “I think you forgot that mom will have your head if you do something like this.”

JC: “Hey, you remember her from university?”

WWX: “Who?”

JC: “You know, *her*, the one with the needles who could murder anyone and get away with it”

WWX: *laughing* “Holy hell, the Peacock doesn’t know what’s coming for him!”

NHS: “And who might this mystery lady be?” He says, knowing exactly who this mystery lady is.

JC and WWX: “Wen Qing.”

-All the while, JGS thinks that WQ and JZX are engaged because the Idiot Trio sent an envoy ahead that claimed WQ was a head disciple of Jiang and is a replacement for JYL. JGS has now set the engagement of WQ and JZX in August.

-They find out about Mianmian/LQY and WQ too late, and now JC, WWX, and NHS send someone else, LWJ, to crush JZX’s heart.

JC: “You can’t continue to do this, what happened to our deal?!”

WQ: *death glares* “What our deal said was that I needed to woo someone vaguely in relation to the nickname “Peacock” and happened to be in Lanling as payback for JZX breaking your sister’s heart, I don’t think I’m the one who forgot our deal here.”

JC: “And your first thought was that Mianmian/LQY was Peacock?!”

WQ: “She’s pretty and a Jin, so…”

Before there would be a throw down in this place, WWX interrupted: “Okay, WQ it’s alright that you feel for Mianmian/LQY, but who is supposed to help us teach JZX a lesson now?”

NHS: “I don’t know, but it could maybe be someone who’s already close to JZX.”

JC: “That sounds like a horrible ide- Wait, that’s lowkey kinda genius. Do you remember him from university?”

WWX: “Him?”

JC: “Yeah, you know, him, the one who’s entire vocabulary was the syllable “Mn” and whom you pined after for years.”

WWX *blushing like there’s no tomorrow*: “We can’t send him, he’ll probably send me off to do 50 handstands”

JC: “Please, he’s do anything you ask him to”

NHS: *flutters his fan while knowing to an extreme degree what’s going to happen*

-They send WWX as LWJ’s ‘driver’ for him to make sure the plan is on track, but it just ends in LZ/WY pining. JC is also sent there as a businessman since he needs to make sure JGS doesn’t suspect anything too suspicious. At the same time though, because JGS thinks WQ and JZX are engaged and since LWJ spends most of his free time talking to Mianmian/LQY about his hopeless pining, JGS starts to think that Mianmian/LQY and LWJ are to be engaged and plans another engagement. JGS is quick to inform LQR about this and now LQR thinks that his nephew is married to Mianmian/LQY and that they’re getting married in August.

-At some point here, LXC is in Lanling to visit his bud Meng Yao and that’s when JC and LXC begin talking and stuff. (This can be platonic or romantic, I don’t have a personal preference).

-Additionally, this is also when WWX and LWJ begin investigating the happenings of Lanling and discover the extent of an asshole JGS is. They'd probably be reported sporadically and NHS definitely sent this evidence to detectives XXC and Song Lan.

-So far, no one has gotten to properly executing this plan, and JC & WWX are beginning to question things. Because things couldn’t possibly get worse, this is the moment when Madam Yu decides that it’d be a good idea to visit the Jins in order to remind them of their arranged marriage between JYL and JZX. So now, JC and WWX have to drag both LXC and JYL into this convoluted plot because otherwise everything would go horribly wrong. JC, WWX, NHS, JYL, LXC, WQ, LWJ, and Mianmian/LQY (WQ directly told the boys that if they don’t let Mianmian/LQY in on this, she’ll personally shove a needle where it hurts) are in this room together, attempting to processes the absolute mess that has occurred. (Poor JZX is still living obliviously, his father didn’t even tell him that he’s technically engaged to WQ now. JZX is just vibing in confusion and thinks he’s just being buds with LWJ because LWJ is horrible at flirting with anyone that’s not WWX so his job of breaking JZX is... not going well.) In the end, after being on the receiving end of many of JYL’s disappointed looks, JC and WWX convince her to help them with their plot just this once. (She wouldn’t tell anyone that she was secretly pleased, but hey, JYL kept her vengeance deep, deep down low and deserved to exercise it just this once.)

-(it is important to note here that in this AU, Madame Yu doesn’t know what JZX looks like)

-The plan would be that LXC would (reluctantly) pretend to be JZX in front of Madam Yu. Additionally, Madame Yu thinks the actual JZX is NHS (because JC panicked and that’s the first name he could come up with when Madam Yu asked who was that kid if LXC was JZX). This was to drive JGS off their tails as he still believed that WQ is engaged to JZX now. (He did email LQR about this as well who now thinks his nephews are now engaged to JYL and Mianmian/LQY, respectively, and are going to be married that August.) This is the part where WWX and LWJ finally start realizing that their feelings are mutual after a pep talk from Mianmian/LQY, LXC, and WQ (who’s pep talk sounded more like a shovel talk) for LWJ and from JC, NHS, and JYL for WWX. This is also when Mianmian/LQY and WQ grow closer and also decide that the rest of the group is useless and team up with NHS to knock some sense into JZX. Finally, JZX becomes less emotionally constipated and confesses to JYL, and because WWX, JYL, and JC think that an intervention from the scariest trio (WQ, Mianmian/LQY, NHS) is apt punishment, they call an end to their payback. (Also partially due to JZX having character growth as different characters grilled him throughout this AU). While this is great for our mains, it can only cause a bunch of shenanigans because of the way the parental figures interpret this situation.

-JGS and Madame Jin think the pairings are: WQ/JZX, LQY/LWJ, LXC/JYL, WWX/NHS

-Madame Yu thinks the pairings are: JZX (except it’s LXC’s version of JZX)/JYL, LWJ/WWX, LQY/WQ, and (maybe?) JC/NHS (except it’s JZX who got confused for NHS)

-LQR thinks the pairings are: WQ/JZX, LQY/LWJ, and LXC/JYL

-Meanwhile, the pairings actually are: JZX/JYL, LWJ/WWX, LQY/WQ, and (maybe?) JC/LXC

-In conclusion, they’re all utterly fucked. Therefore, they have to bring everyone into this convoluted plot now, and finally JZX’s experiences over the past months make a little more sense to him. While discussing this mess they’ve created, WWX has an idea.

WWX: “Okay, so, looking at the actual chart of who everyone thinks is who, the biggest disparity is between Madam Yu and JGS’s viewpoints, right? What if we just removed Madam Yu from the equation, make Madam Jin and Madam Yu have a falling out so that Madam Yu won’t be invited to the wedding so that we can focus on one of the false interpretations of all the relationships happening.”

JC: “Madam Jin and Madam Yu have been the best of friends, how are we supposed to make them hate each other?”

JYL: “I mean, we could stage something, a betrayal of some sort.”

NHS: “I’m liking the way you think.”

-So through this plot and NHS’s concerning amount of connections, our group succeeds in breaking apart Madam Yu and Madam Jin’s friendship. JC and WWX also manage to worm their way into convincing the Jins to let JYL marry LXC to “spite Madam Yu’s wish of combining the Jiang and Jin families.” Because of JGS arranging and emailing parents throughout this fic, JYL, JZX, LXC, Mianmian/LQY, WQ, NHS, WWX, and LWJ are basically set to be married in August, except it’s to the wrong person! Soon enough, the wedding day arrives and the gang has a plan: they’ll dress the exact same and have the most elaborate and disruptive headpieces so that their faces are covered.

(Note: Instead of NHS being part of the people getting married as it should be, JC is replaces him for the actual ceremony. Since the our marrige folks have their faces covered, nobody really notices that JC replaced NHS and is marrying LXC. This can be either because of a marriage of convenience to combine companies, or out of actual feelings. I’m cool with either interpretation in my head. Meanwhile, NHS is out in the crowd and People didn’t him because of his surprisingly useful camouflage fan.)

-And so, the group sets NHS as their distraction while JC pretends to be NHS for the wedding ceremony. NHS basically knocks into the most expensive vase he can find so that most of the parental figures turn around, giving the group getting married the opportunity to switch places with one another until they’re in the right spot. So, a bunch of stuff happens, Madam Yu barges in to yell about how disgraceful it is for the Jins to go on with this marriage even though they broke the engagement in the first place and betrayed the trust of the Jiang corporation. Madam Yu also just, airs out JGS’s dirty laundry in a real badass way.

-It’s all chaotic. Hell breaks loose. JGS goes batshit crazy and starts bringing our firearms. And so, basically, everyone ends up hiding behind pillars and stuff, though, eventually, after everyone has to run out of their hiding spot’s because Su She cannot shut the fuck up and keeps getting the other’s exposed, they all pile behind JGS in the world’s worst game combined game of Hide & Seek and Slither.io. It all finally ends when JGS gets arrested for a shit ton of crimes, and everything finally ends with a joint wedding between 8 people, except this time it’s with the right partners.

So, yeah, that’s the AU that I wrote in a dazed craze in the past 2 hours. I hope it was at least partially understandable. I hope y’all have fun with it! Again, if you know of a fanfic that’s got a similar energy or want to write something similar, please tell me, I need more fanfiction. Also, that last scene is basically a direct copy of this scene from the movie Housefull 2. (I’m sorry though, I can’t find an english subbed version of the scene. :(

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sevensided · 4 years ago

Note

how did you get into writing fic? i'd love to start but idk even where to begin! I loved adats so I was wondering do you have any advice?

Oh my goodness! I am so flattered you’ve asked me this. Yes, I can absolutely help. I’ll throw a bunch of rambling under the cut.

I started writing fic probably when I was... sixteen years old? A lot of my early works were oneshots. I couldn’t figure out how to do anything plot heavy for the life of me, so I just stuck to AUs or whatever I felt like. I wasn’t in any particular fandom -- I really wrote whatever I had ideas for. I remember I tried once to do a plot-heavy story and I received a review absolutely ripping it to shreds. Like, it was so cruel I cried lol. I ended up deleting the fic. Years later, I get what they were trying to say (basically, more substance, less style), but at the time it cut to the quick. Really, it was only when I was in my twenties that I started writing work that was longer and/or better.

The fandom that helped me actually write plot heavy work was a historical-based fandom. As I’m a historian, it was perfect. I got to use my research skills and knowledge to create works that, above all, aimed to feel authentic. I mainly read historical fiction, so I was familiar with how that genre worked. Miraculously, people loved my work. I think I wrote about ~200k in the period of a year? These were several short stories (20-40k) and a few oneshot filler fics. While I was part of this fandom I also helped organise a Big Bang which was a lot of hard work but was extremely rewarding. Along with that, I interacted mainly with other fic writers, so I spent a lot of time chatting to people about ideas and encouraging other writers, and it just created a lovely medley where no concept was impossible or any line of dialogue too difficult. We supported each other and it was truly like a little commune. I gradually stepped away from the fandom mainly because it was just a part of my life at a very specific time, and almost as soon as that time was over, my love for that story/ship faded, but I firmly believe I figured out a lot of how/what I do now purely through that experience.

Regarding ADATS

With ADATS, it stemmed entirely from wanting to “explain” three months in canon (at the end of season three). I was interested in the idea of season four setting up Will/Mike in canon, and I wanted to test the source material to see if I could draw from what already existed to create something authentic. I began with that simple idea: what happened from July to October in 1985? Then I thought about the major themes I wanted to hit -- family, friendship, coming of age, sexuality -- and I nested them around the bigger concept: how do I get Mike from being ostensibly straight to realising he is gay? That meant thinking of two steps: Mike discovering his attraction to guys; Mike discovering his attraction to Will. Those two concepts were separate “arcs” that needed addressing in different ways. Balance was key to weaving them together and making the reader feel like they knew what was coming (and that they felt smart for putting the pieces together) without just rushing through and going “now kiss!” That’s partly why ADATS needs a sequel, lol: because it’s not finished!

Writing process

The first thing I do when I start to get an idea is I write it down. Sounds obvious. But when you have a killer line of dialogue come to you in the shower and you think “I’ll remember that” -- reader, you will not remember it. You gotta get it down ASAP! I do that the whole way through, as generally I’ll be thinking of scenes I’m stuck on and then it’ll just come to me and I’ll quickly jot it down.

The next thing -- or what I do in the meantime -- is start structuring. I plan. I try to plan a lot. Sometimes it’s okay to write “and something happens here to get them here”, because you’ll figure it out later, but for the most part I’ve discovered that planning is like gold and you can’t get enough of it. I break my work up into generally 3-4 parts/sections, and I treat each section like a mini story. So each part needs a conflict and resolution, and it needs to flow into the next section. You need to have a feeling of things evolving and maturing. Once I’ve planned those little bits, I start thinking about the bigger plot arc and how I can drop in hints along the way. I’m probably not a subtle or skilled enough writer to yet pull off that sort of gasping twist you get in really excellent books, but I’m trying to get there. It’s hard, is what I’m trying to say, but that’s okay, because we’re all learning.

Then I generally do aesthetic stuff. Sounds stupid, probably. But nothing helps me get more into a mood than doing a Pinterest board or -- most of all -- making a Spotify mix. I start thinking about the vibe and the general atmosphere, and then I almost exclusively listen to that mix when I’m working. Sort of like muscle memory? Just to get the creative juices associated with that particular selection of songs.

Another thing I’ll do along with plot structure is character structure. This is a biggie. I mean, a story is nothing without characters. So I’ll just jot down a bunch of bullet points of characters and particular aspects that I want to highlight or remember. I hate continuity errors in fiction. Like, if someone says they work on Maple Street but later in the fic they’re working on Pine Street. I hate that. So I keep note of specific things that my main character might notice at repeated points in the story (colours, places, smells, names, sounds -- so they’re all consistent even as the narrative evolves). That’s another thing -- your characters’ motivations. Not everyone is going to be a huge player, but they all do serve a purpose. The most important character is obviously your main character. I personally think it’s important to let your M.C. be an arse at times. They’re going to be mean, they’re going to misinterpret things or fly off the handle... just let ‘em. Let them be wretched humans, and then bring them back and make them realise what they’ve done. Let them learn! I love consequences in fiction, lol.

At the same time, I’ll probably start writing. We’ve already written down some snippets of neat dialogue or descriptions, but now we should start the actual process. For me, I used to start at the beginning. Usually this was the most fleshed out anyway: I’ll have a clear idea of the beginning and the end, but nothing in the middle. These days, if I have a scene in mind that I can’t forget, I’ll just write it. It will possibly get scrapped or rewritten, but that’s okay, because at least you’ve got it down and now you can devote your brain power to something useful (like figuring out what the middle is supposed to be). I’ll have half a dozen of totally out of context scenes just littered in my Word document that I’ll add to as I go along. Eventually, though, you’re going to start writing properly, and that’s when you write your opening scene.

Opening scenes: super important. Every time I write a scene I think: what is the point of this? What do I want the reader to learn or takeaway? Sometimes you do have filler scenes, but they also serve a different purpose (perhaps to establish a group dynamic or to explore/describe a character’s surroundings). Mainly, though, every scene should push something forward in some way, whether it’s character development or a plot point. So, with an opening scene, I always think you have to establish: where you are; who you are; what they are doing; where they’ve come from (in a philosophical and practical sense); and where they’re going (ditto). That doesn’t have to happen in the first paragraph -- that would be silly. But if you sprinkle that information in over time it’ll gradually build up a picture of your character and that way the reader can get an idea of who they are. You basically need to give a snapshot of what your story is about. This also goes back to the character creator stuff: where they are at the start should be different to where they end up. How that happens is, of course, because of plot, and because you’ve structured everything to the nth degree, we’ve got a very clear progression of that character’s growth (/s easier said than done lol).

General advice

Write down everything: every idea, a bit of dialogue, a description, whatever. Write it down. Doesn’t have to be neat. Just has to be on paper. You can’t remember everything, so if you’re spending time trying to hold those things in your head, it’s taking up space for new ideas to come along.

Structure, plan, structure, plan. Sometimes it’s boring and I hate it. Other times, when I’ve not written in a few days and I open the Word doc and think wtf is this supposed to be, I am very grateful for Past Me for leaving such detailed notes. Seriously, it helps so much. Oneshots don’t really need planning, in my experience. You just get those out there. But multi-chaptered stories really do, even ones that “just” focus on a relationship.

Whatever you want to write, commit to it. Space goblins invade Hawkins? Do it. Eleven and Max find themselves in a cult akin to Midsommar (2019) and must escape? Yes. Just... whatever you want to do, remember that you’re writing it for you. Write what most interests you, what makes you when you reread it go AHHHHH I LOVE THIS!! Because that makes it a thousand times easier to actually get on with the writing when you enjoy what you’re doing.

Write a lot. Every day, if you can, or at least at designated times. Occasionally I have a very specific headspace/vibe I have to be in, but sometimes it just hits me and I’ll say to my partner “I need to write now” and just disappear, lol. The more you write the more you write. It’s so, so, so true. Cannot emphasise this enough. When I wrote that ~200k in twelve months? It was because I literally wrote every. day. Or near enough. Remember that some days you’ll write 200 words, and other days you’ll write 20k (this happened to me with ADATS -- part of the reason I finished it so quickly was because I had sprints of writing 10k+ at a time that only happened because I was in the rhythm of it). Write, write, write. Who cares if it’s crap! No one will see it until you are ready. In the meantime, just write!

Probably last of all (although I could go on and on) is connect with other writers. If you’re struggling to start, sometimes just talking about it can help a huge amount. I hope it goes without saying that you can message me whenever you want, anon or not, and I will talk to you. We can talk about ideas or I can beta stuff, whatever you want! Find like-minded people and talk to them about what you want to do. Another thing this helps is in advertising your work when you do publish. I see a lot of first time fic writers get super down because they publish their magnum opus on AO3 but no one comments. Honestly, it’s because no one knows you’ve published! You don’t have to be tooting your own horn every which way, but just actively talking about your work and even collaborating with other content creators with get you hyped and other people too (and the input and encouragement other fandom members give is just... out of this world. Anon messages helped me finish ADATS when I was really worried I wouldn’t [that’s the truth]. Seriously, support is everything). When you have people excited about your work, you get excited. It’s really as simple as that.

I could go on but this is already horrendously long. I hope even a bit of this helps! If you want to chat or have any more questions, just hit me up any time.

#writing tips #writing help #writing advice #answered #i really hope this helps/answers your question!#i can do something more structured if you want #otherwise here are just my initial thoughts #Anonymous

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ettawritesnstudies · 5 years ago

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How I outline!

Helllloooooo it’s been ages since I promised to do this and I’m SO sorry it’s so late but I finally got around to actually writing this post today so here it is :P @abalonetea and @inkwell-attitude, I think you both wanted to see this! (sorry to everyone else about the long post incoming!) DISCLAIMER: This is just my process, I’m not claiming it’s the best or that everyone should do this or that it works for every project. I don’t do this for short or simple stories, only for novel-length WIPs with complicated facets, but the process *can* be distilled for something less complex.

Step 1: Brain Dumping

At this point, I probably have some semblance of a premise and characters for this idea, and possibly also an endgame idea of where I want to take the story but not middle or clue of how to get from point A to point B. This is where you collect ALL the thoughts. Usually, I do this between phone notes and a document on my laptop for brainstorming, but you can use voice memos or whatever else works. I’ve drawn ideas on my hand in pen during a lifeguarding shift before and just taken pictures of my inked-over arm before I have to jump into the pool again. It happens. In any case, you have ideas.

Step 2: Put it in some semblance of order by using a map

[Image ID] a blurry picture of a whiteboard covered in ideas in various covered pens looking something like a conspiracy theory board. This is the outline I was working on last night for the first book in the Laoche chronicles but it’s so vague at this point that I don’t think spoilers really matter. [end image ID]

The next objective is to put the random ideas in a linear order. I collect all the thoughts into one spot and dump them on the board. I color code, so first I write down all the set plot-points in the approximate order in the black pen, start to finish, and leave space above and below for stuff has to happen in the middle.

Then the characters come in. I generally know backstories so those get dumped around the starting point in green. I figure out what characters are driving the plot and draw arrows between said plot points writing what the character does in the green pen. I include motivations, feelings, alliances, anything that might possibly be important to the plot too.

Then come logistics and filling in - that’s in red. You could also use conspiracy theory string. Where are they in the world? What needs to happen next? Where do I have plot holes? What makes the characters tick? What makes sense to happen next? What needs to happen to get to the end? What worldbuilding needs to get figured out to enable this plot point? Write it ALL down on a separate piece of paper and start brainstorming again. When you’ve got a good connection, add it. You’ll start to notice the board is starting to fill up. It won’t be linear anymore. That’s fine.

Step 3: Flesh it out

[image ID] a poorly lit photo of a board covered in sticky notes of different, some overlapping each other. This is only a corner of the board because it’s the outline for Storge and I only took a picture of the first few chapters [end ID]

This is where it starts getting real. I take everything I have on the whiteboard (which at this point is a disaster) and transfer every plot point, character interaction, motivation, worldbuilding thing, pacing notes, anything about unreliable characters, author notes about who knows what at certain points (both the characters and the reader), plot twists, and anything else from the notes that didn’t make it to the whiteboard and reconstruct the story on a board.

The reason I use sticky notes is because you can move them around, layer them, and space them to create a cohesive narrative. If I need to play with timing, I can do that easily. If I need to connect plot points to characterizations or anything else, I can do that with layering and spacing next to each other. I’m still color coding at this point. I can start slapping on stuff like “which day does this happen on? What kind of transitions do I need?”, chapter divisions, and thematic elements. You’ll notice there are more holes. Fill those in sooner rather than later.

Step 4: Outline Time

I obviously can’t take my carefully made board with me to school so now it’s time to put it into a document. At this point I should preface this with the fact that I really like the 3 act structure, so I start my outline with that before anything else, like so, using headings to make a document outline - that way I can jump around the outline using the outline quickly. Probably a bit extra but it saves a ton of time

[image ID] a Microsoft word document outline with a hierarchical structure that shows acts, plot points, chapters, and chapter titles. [end ID]

Once that’s been filled out, I start putting the information from the board into the outline structure, and I make sure to cover EVERYTHING something like this: (with color-coding)

Chapter #/Title

Day of the narrative: this helps me keep time and iron out the pacing

The objective of the chapter: what does the reader need to learn, what is the one big thing that happens plot-wise

Main Plot Happenings - this goes in red text and details what actually happens in the chapter. For Storge, this is the plotline that follows Luca and the Laine family (when they’re together)

If there are subplots, these go here too in other colors. Orange for villainous cutaways. Purple for anything with the avian city/war subplot

Character arcs: these are green. I bullet point a list and name every major character in this chapter. anything important to their arcs goes here, as well as how I’m writing them. What are the emotions involved? This is normally the longest part because I have a lot of characters

Worldbuilding: What does the reader need to learn about the world from this chapter? This helps me space out the exposition. Details come up on a “need to know” basis, so there’s new worldbuilding in every chapter but no page-long dumps anywhere.

Themes: WHY is this chapter important? How is it contributing to what I want to say with this story?

Any other author notes about unreliable narrators, plot twists, foreshadowing, and what the reader should know at this point in the story. The goal is that you don’t anticipate the twist, but rereading it there’s a “HOW DID I NOT SEE THAT BEFORE” reaction, so this is more for my sake as a storytelling-craft thing.

Any excerpts or dialogue or description that I pre-wrote in the brain-dump phase and liked and think would fit well in this chapter.

Repeat with every chapter until you’re done.

This takes a long time, and I’m always revisiting and reworking that final outline once I’ve finished it but it’s such a huge help to set me on the right path without detouring 565479851321 times because I realized there was a plot hole too late. It’s overly complicated and incredibly intense and in-depth so It’s not for everyone but I like my 30-page long outlines, so here I am :P

If you’re still reading this, then wow good job, and thank you! I hope this was somewhat informative and not too tedious to scroll through!

#long post #outlining #writing #writeblr #writeblr community #etta rambles #storgewip #the laoche chronicles #wow that got long #I tried to keep it brief #but my read more still isn't working on moble #which is stupid #so here I am #lol #hope you liked this!

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inlovewithfictionals · 5 years ago

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Just Like Us, In A Way. (Jason Todd x Reader)

A/N: Yep, i’m writing for Jaybird. So I got this prompt from my friend and I was going to write it about Dick, but then I remember that Jason loves to read. So I thought this would fit more with Jason. Oh and there’s a spoiler for “The House of Hades” book, so if you want to read it, might wanna skip. Unless you’re fine with spoilers. And there’s a Harry Potter reference in this, so I’ll just let you know that ‘Y/H/H’ means ‘Your Hogwarts House’. Ok bye! Enjoy, loves!

Prompt: “What if you wrote about person B on the house, reading. And they’re in the middle of the feels, and then person A enters the room and was like ‘What’re you doing?’ Then person B explains and person A’s just like ‘that sounds like us’.”

Warnings: Fluff (it feels weird to write a fluff for Jason), a couple of curse words, a small drop of angst (and I meant really small).

Word Count: 1580

It’s a calm night at Gotham. The night sky is pretty clear, a slight cold breeze in the air, not much noise outside nor inside Y/N’s and Jason’s apartment.

Y/N is sitting on the couch alone, reading a book called ‘The House of Hades’ while munching on some potato chips. She was supposed to go on a patrol with Jason and the rest of the Batfam tonight, but because of last week’s event, she had to stay at home and rest.

Basically, Bruce had told Dick, Jason, and Tim to go on a mission, while Damian and Y/N had to stay. Much to their dismay. Apparently, the mission was ‘dangerous’. Which is why Jason didn’t want her to come. “It’s too risky, Y/N.” he had said. As for Damian, he was sick but he still protested that his father didn’t allowed him to go. He finally gave up in the end, being too tired to argue.

But Y/N? She didn’t gave up. Like the stubborn girl she is, she decided that she’s a big girl and that she can handle this ‘dangerous’ mission. Besides, maybe they need an extra help. And how bad can it be?

Long story short, she ended up having a sprain on her left ankle, a bullet wound on her shoulder and a pissed off, overprotective boyfriend. Thus, she had to stay at home for a couple of weeks and rest.

Now, here she is. On the couch, alone, emotionally invested in a book. As usual.

Jason and Y/N both loves to read. Whether it’s about science, thriller, fantasy, or an old classical books, they’d read them. That’s kind of the reason why they clicked. It’s the similarities between them.

Sometimes, they would read together before bed. Y/N’s head on Jason’s shoulder and his’ on top of her head, reading along. He’ll complain out loud if one of the characters did something stupid or embarrassing and he’ll comfort Y/N when she’s crying over a characters death. Or he’ll laugh at her for crying over a characters death.

“He’s just a fictional character, doll.” Jason chuckled.

“He’s much more than that and you fucking know it.” She cried.

This time, she’s all alone. Therefore, no one can comment anything about her being emotional because of a book. Unfortunately for her, that didn’t last long.

Y/N was too deep into the story when Jason arrived. He enters through the bedroom window, expecting to see her curled up on their bed, asleep. But confused when he sees no one in the room. He checked the bathroom, but no one was there as well. Taking his helmet and domino mask off, Jason starts to worry.

I swear, if she goes on a patrol without me knowing-

His thoughts was stopped once he saw Y/N on the couch, with blanket covering her shoulders, slightly shaking, and whimpering softly while muttering “oh my god, I love them.”

Never mind, then.

He peeked from the back of the couch to see that she’s reading a book. He forgets about his previous worried feeling and almost giggled on the sight of his girlfriend in the middle of what she often called “feels”.

Jason takes off his gloves and shoes, and went closer to Y/N’s oblivious self. When he got closer, he looked at her from the behind the couch, right beside her left shoulder. “What are you reading?”

Y/N was jumped. She screamed and on instinct, she hits him with the book. Jason falls back, groaning in pain. As soon as she heard him groan, she immediately realizes that it’s just Jason.

“Jason! I’m so sorry, I didn’t mean to smack you!” She exclaimed, while giving Jason a hand.

“For a paperback, fuck, that kind of hurts.” He groaned, holding his forehead above his right eyebrow where she accidently hits him.

“Well, next time, announce your arrival first, Todd.” Y/N laughed.

Jason laughed, grabbing her hand and stands up. He jumps over and sitting beside Y/N that already has the blanket around her again.

“So, how was patrol?” Y/N asks him while flipping the page.

He shrugs, putting his head on her lap. “Not much happened. In fact,” he paused to laugh. “Your book-attack was the hardest hit I got tonight.”

“Must’ve been a slow night then?”

Jason hummed in agreement. “Hey, you haven’t answered my question. What’re you reading?” He asked again, looking at the cover.

“The House of Hades.”

“Rick Riordan?”

“Yeah.” Y/N answered shortly, eyes are still on the book.

“I thought the series was about demigod and stuff.” Jason said, his tone was a little confused but interested, in a way.

“It is. Why?” She asked, suspicious. Jason smirked, looking at the ceiling.

“Before you hit me, you were in the midst of ‘feels’. Emotionally attached to fictional characters again, Y/L/N?”

Y/N groaned in annoyance before putting her bookmark and shutting the book. She hugs her book tightly as if she’s defending it and herself. “I can’t help it, Jason! They’re so perfect and I love them so much!” She whisper-yelled at him.

“But what exactly happened, though? Cliché stuff and all that or…?” Jason chuckled.

Despite him acting like he was only making fun of her, he was actually curious to what happened. He loves listening to her rambling about the story on and on. Sure, sometimes she spoiled the story for him. But sometimes, he didn’t mind.

“Well, two of the main characters, which just so happens to be my OTP, falls into Tartarus. Also known by mortals as Hell. That happens because one of them didn’t want to let go when the other falls and in results, both of them falls.” Y/N stopped to take a deep breath as she placed the book on the coffee table.

“And now they’re suffering on this hellhole, surrounded by monsters. Each second there could kill them and they have to find a way out. While doing so, they fight through hell, literal hell, alongside of each other. No matter how tough things gets, they don’t leave each other and I just got so emotional by this. So, no, it’s technically not a cliché thing.”

Y/N’s eyes was glossy the moment she finished, but she managed to let out a small chuckle. She’s sad, angry at the author for putting these characters into this situation, and last but not least, she felt embarrassed. Even she herself thinks that it’s quite embarrassing to cry over a fictional story.

She covers her face with her hands as she cries softly. Jason who was now laughing, sat up and embrace her tightly. He’s careful not to hurt her ankle or her shoulder. When he calmed down, he removed her hands from her face, and wiped her tears away.

“Hey, it’s okay. They’re two of the main characters, after all. I’m sure they would be fine.” Though Jason, also being someone who loves to read, knows that not all main characters on any kind of story, survived. He of all people would know that.

“You’re just saying that to make me feel better.” She noted, her voice still shaking. However, her voice was laced with a hint of playfulness.

“You are correct, TEN POINTS FOR Y/H/H!” He playfully announced, still holding her on his arms. She started to cackle at him.

“You know, these people are just like us, in a way.”

“Really?” Y/N questioned him. She had calmed down from her emotional state.

“Yeah. I mean, we also suffered on a hellhole called ‘real world’ and we always fight together. No matter what.” Jason smiled, giving her a kiss on the temple.

“And we would, stupidly, hurt ourselves for each other.” He says while glancing at her and her injuries, back and forth.

“Oh you mean…” she lifts her ankle, wincing slightly. “…this?”

Jason sighed, his face full of concern and signs of protectiveness. “You shouldn’t have attacked that goon. Look where that put you.”

“The guy was about to attack you. I couldn’t let that happen.” She told him.

“I could handle him, that way you wouldn’t be the one getting hurt. It should’ve been me!” Jason argued.

“Jason, it’s just a sprain and a bullet wound. I’m fine. The point is that you and I are alive, and that’s what matters.” Y/N puts her hands on his cheek and gave him a reassuring smile. A smile that could calm anyone down. A smile that he absolutely adores.

Jason smiled back, giving her a quick peck on the lips before placing his nose on hers. “How did I find myself a girl that could be so reckless on a mission and yet cried over a book?”

“You’ve found yourself a treasure, babe. Don’t waste it.” Y/N smirked.

“Don’t worry, I won’t.” He placed a passionate kiss on her lips.

They stayed like that for a few more seconds before they pull apart. Y/N puts her head on top of his chest and sighed calmly. The room was filled with a comfortable silence, until Jason broke it.

“So, are we going to read that book tonight?” He says, referring to the book she was reading.

“It’s the fourth book on the series. You sure you won’t mind?”

Jason thought about it for a moment and then he just shrugs. “I don’t mind.”

Y/N tidy up the living room first before grabbing the book and her blanket and went to the bedroom, with Jason trailing behind.

“Jason, you might want to change your outfit first.”

#jason todd #jason todd x reader #jason todd x you #jason todd imagine #batfam x reader #dc #jason todd fluff #fanfic #x reader #red hood x reader #red hood imagine #red hood x you #red hood x y/n

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rupertgayesarchive · 4 years ago

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hey jenn...

so tell me about your plot planning process

oh chi i hate this question so much askfjajfakds

okay okay so i had to think about this because?? i don't do a lot of this consciously. have any of y'all looked at writing advice stuff and tried to make it work for you?? i keep trying and idk... i really tried to be the type of writer with like, outlines and bullet points, and usually i might have notes of some sort somewhere... it's all very much a 'trust the process' um. process. so here's stuff i do? in some semblance of order, but more like for your reading benefit than how it might actually happen.

first of all - i start with a concept (that fucks, obviously). considering the current spn fic i'm writing and the last longfic i wrote (marvel fandom) were both borne of that age old 'i read all the fics with this trope so now i have to write my own', i guess that's a pattern?

second, once i have the beginnings of like, a Thing I Want To Read Badly Enough That I Will Bite The Bullet And Write It Myself, how can i write it, considering like, who i am? for heard from your mother, a spn character getting sent back in time to fix things isn't a totally unique plot, but i am someone who 1. has not actually watched that much spn and 2. really enjoys the early seasons. so pretty quickly i started to think along the lines of 'writing a time travel fix it would require an in-depth knowledge of canon that i don't have past like, s3'. then my brain starts spinning off in all these other directions which leads to -

plot, i guess? by the time i put out the first chapter of heard from your mother i knew how cas got sent back in time, kinda sorta what would happen, and a rough idea of the ending, but no real sign posts. i think the main other thing i knew was that dean and cas end up together before the end of the fic, but even then, i didn't really know how. i also thought it would be a fun idea to give cas a cellphone that sends him anonymous messages as another draw/guide to the story. since pre-pilot was mostly focused on dean and cas meeting and getting together, a lot of energy was focused in trying to get them to be in the same place at the same time, bond, and eventually become an item. which also means -

what stories happen within the story? in any of my longer fics, there's usually an A/B plot going, which can shift and morph and intertwine as the story goes on. In heard from your mother, the A plot is probably dean and cas getting together, up until s1 starts, in which case it's the 'find dad' s1 plot, and the B plot throughout the fic is 'cas needs to figure out what he is and how he got where he is now'. there are shorter c plots (like offscreen stuff that happens with jess, bobby, pamela, etc.) but they're shorter lived.

another thing plot-wise that i don't consciously think of too much but is still important is payoff. these can be big or small, but this fic is SO goddamn long that it's good to idk, give the readers *something*. early in s0, this was dean and cas meeting up again after doing their own thing, like, yay! fun treat! good times! or another clue to what cas is (aka the RIBS chapter). some fun reveal, like seeing an old character pop up again, or maybe another emotional moment, like the resolution of the scarecrow episode rewrite, where dean finally comes out to sam. these are all moments that i personally really enjoyed writing, and if you're in this fic for the long haul, i imagine you're reading and going 'omg, finally!' or 'whoa, cool' - just something to make you pick your head up after however many words.

when i actually sit down to write a chapter, i kind of know where i want things to end up? like a lot of s0 was making sure certain characters met each other, s1 was more or less the same as the canon s1 with more focus on how the characters have grown/changed, and everything else is made up on the spot. like the hunts in s0 were made by me thinking: 'oh this monster got mentioned in an early season of spn, dean probably hunted that before. let's find a town for it to take place in, and maybe write it in a way that highlights one of his character flaws' very much an early monster of the week type of fic - creature story with an aesop somewhere inside that prompts dean (and usually cas) to confront something about themselves and hopefully push themselves closer together. we see this in the chapters dealing with the gillepsie family and the crocotta, probably the most obviously? i try not to beat anyone over the head with it. heard from your mother has a writing style that is sort of like 'here it is, you make sense of what people are thinking/feeling bc i'm not narrating that' which is very spn and male coded of me i think.

if i ever get stuck on how to approach something, i usually will put the fic down and listen to music or read something else, or i just talk out the ideas i have (to a lot of people on tumblr actually! thank you!!) a lot of my writing is latent and i just kind of let it happen. there are definitely deliberate choices for some things i do in this fic (i mentioned this with a previous ask about putting stuff in the plot that could help the characters from being backed into a corner later on), but heard from your mother is still something that to me is like 'this is a fun little story, watch me type away at my google doc and see what happens!'. like i take it seriously, i want people to enjoy it, but i want to enjoy writing it just as much.

i guess my writing is just: find what you want to read, figure out how you could write it taking into account your personal hangups, get it started, know kind of where you want to end up, and have fun figuring out the stuff in between (and leave some breadcrumbs in the middle there so if you end up way off base and you're already putting out chapters you can write your way out of it).

#also if it makes me laugh it's going in the fic :)#asks #writing #i really did start typin huh

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yume-fanfare · 4 years ago

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hi i am that anon from like 29th Dec (last dang year) who said i read ur tsuki no hime and loved it and that u understand Aizou. i have read more of ur stuff since then and now i NEED to ask you for writing advice, on both characterization and general writing tips since I didnt mention it before. Sorry about that! i just forgot i sent an ask and i do not get notifs at all (or does anon asks not get notifs?) Also, ART STUDENT! That's why the nice art and art leaning!! I feel smart for sensing it

oh yup, tumblr doesn't send notifs for anon asks! but i'm glad you did see the answer anyway

this post is hideously long, so answer under the cut!

so, on characterization: it is mostly a matter of what would they say, rather than what you want them to say. the joke about "the characters do what they want to" instead of what the writer wants is pretty much true if you want them to be in character lol (that's why sometimes a little bit of OoC isn't too bad)

checking the source material is the most important thing: look at prior similar interactions the characters have had and how they reacted

this is kind of hard with LIPxLIP, as there aren't that many translated texts about them but with honeyworks the most canon and reliable thing to use as reference are the mvs. the mvs are drawn in a way that can pretty much be understood even if you don't have the lyrics, and sometimes it's even better if you can't read them, to properly focus on the images better

look at their expressions closely: while aizou is always explosive in his anger, yuujirou often has a more indifferent expression. so, when they fight, aizou is probably the one to blow up first while yuujirou maintains his composure better. it's kind of the classic "this was only a brief passing panel but i am going to expand on it" www

but the thing about fanfiction is that it's always a bit of a character analysis in itself. you don't start writing having already a color-coded folder of possible situations and reactions a character would have for each setting. you just throw the characters in a scenario and then think from there onwards, and eventually you'll be able to have the folder of situations and what you think their reactions would be like. (though, this links back to the prior point, if the characters have gone through a similar situation in canon, use that as guide! plus, finding little references to canon when reading is always fun)

for general writing, i'm going to mostly talk about my own experiences and process! i'm in no way a professional though

the basic is reading a lot. not just books but also fanfic. in fact, since you're writing fanfic, i Encourage you to read fanfic. even if your story ends up novel length, the way of treating the story is different from that of an actual novel. for example, because you're working under the premise that everyone knows the characters already. the general style of fics is different as well.

in fact, the style is the main reason i'm saying this slfkslfkslkf

read a lot of stuff and find a style you like. think of it as sewing together pieces from here and there to make a frankenstein amalgamation: this person's metaphors, the comparisons from here, the descriptions from there

personally, i adore the "long one-shot with a long title formatted (like this)" fics that are mostly feelings and descriptions and as little dialogue as possible, and some that occasionally play with the "show don't tell" rule, and some months ago i read a book whose descriptions amazed me because you could feel what the character was focusing on the most, rather than being general descriptions of the situation (i actually have a lot of thoughts about descriptions but that's a post for another day). but also i really like dialogue and plot-driven stories, descriptions can get boring and before trying to break rules, you have to be really good at following them

but, let's go step by step: developing an idea

for this i'm going to mostly reference the multichap i finished a while ago as an example

i started with just a few vague concepts in mind: non-idol au with aizou who does some sport and likes music but is insecure about his singing and yuujirou who does some music related thing and encourages him to sing in a way that's somehow related to the hozier song to noisemaking (sing), because it's what inspired me to write in the first place

then, from then onwards i wrote down what would happen in the first chapter of the story bullet-point-list-style, including things like the roommates part or the clubs the boys were in (at first yuujirou was in the choir club lol the change was a last second decision that idk why i took) and then bits of dialogue here and there that would be The Turning Points. those first dialogues were for the fight at the end of ch 1, the apology-date in ch 3 and then some vaguely unused ones for the "yuujirou encourages aizou" part, as those were the first key moments i thought of

because, since it's enemies to friends to lovers, an important aspect was character development

not all fics have character development bc not all of them are long enough (if you're aiming for short and sweet then there's no need). but if they do, i recommend you write down how the character was at the beginning of the story and then how they were at the end and then fill in the middle later, think of what those key turning points that made the character change were (the more little things you add, the more gradual it'll be)

samishigariya illustrates this very nicely: the song starts and finishes with the same lines, but the ending ones feel more light-hearted. the beginning has pre-arisa ken and pre-getting-along-with-yuujirou aizou, when they were the lonely people the title mentioned, and the ending, when they're not lonely anymore. the in between can be seen in depth during the other songs: ken before arisa was a playboy who didn't take love seriously, but after meeting her he realized that games were not all there was to love; and aizou used to be quite cranky and high-key a loner, but then he "meets precious things and knows of love". i will not elaborate on that because this isn't an aiyuu post but Oh You Know

for the fic, aizou would go through that same process, more or less: someone who doesn't really form meaningful connections with people but who, in the end, would end up having quite a bunch of people who care about him as his relationship with yuujirou advances too

since the relationship was the main focus, i wrote a very simple outline for how it would develop throughout 5 hypothetical chapters that was just: 1. civil w each other but mostly bad > 2. bad > 3. half friends > 4. pining > 5. date

and then with that in mind and the bullet point list, the final basic outline ended up like this:

there were scraped ideas and ideas that made it in later, but i believe having a simple outline, a bare skeleton to add things to, is important. stories need continuity, development requires a prior buildup

it's especially important in multichapter fics where you post as you write, you need to have a more or less clear idea of what's going to happen because you can't ignore scenes you've already posted

shorter stories don't need it as much, you can think as you go, but it's still helpful to know where you're going with things to avoid getting stuck

and, on getting stuck: don't be afraid of deleting things. if you can't figure out how to continue things, then delete the situation and start again. it might feel like you'd be wasting time but in the end, it is so much better than being stuck on the same scene for weeks

in fact, you don't have to write in order. jump to the next scene and you'll figure it out later. you Can write the scene you want to write and then build everything else around it

it's normal to write a scene and then realize it would make more sense later in the story, or that it would be better if you added another scene earlier, or sometimes you just find it easier to jump from one part of the story to another. rely on your outline to keep track of what you've written, what you have left to write and what's the best way to arrange your story. make your story understandable

which bring us to editing

there's a lot of much better posts on editing stories, but yeah ctrl+f is your best friend: don't repeat yourself too much. and be sure to vary sentence and paragraph length, as well as sentence structure, to give dynamism to the writing

now, i've mentioned before the show, don't tell rule, but i'm going to talk a bit more about it because it's quite important

once again there's a lot of posts that explain more in depth what it is, so i'm not going to expand too much on that, but, very basically, try to avoid things like "then some time passed and they became friends". explain it: what happened exactly? how did they become friends? if it's important, show it to us, instead of summarizing

since things like these make the story longer, it also gives room for more development and proper explanation for things that happen

for example, the fic was originally going to start with them already in the room, and the whole situation would have been explained in a single paragraph somewhere, but by actually adding the scene where they first arrive to the dorms and argue with the lady at the main desk, the story flows better and it let me actually describe their first meeting

and uuuhhh i think that's all? this took super long to write i hope i didn't forget any super basic stuff lol

i want to add that for enemies to lovers i greatly recommend this post bc it's super good but yeah i think that's basically it, if you have any more specific questions just shoot me an ask

#god this is so long #how should i tag this #tutorials #i guess #anonymous #preguntas

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