#build up a good plot and good characters

[apostaterevolutionary]

I am so sorry, apparently it’s 2024 and I’m arguing about dragon age again lmao. How did I get here! Why is this happening!! Time is a flat circle!!!

Anyway. People can feel how they want about the past games not mattering in this game. If you’re cool with it, I’m happy for you. But there’s one particular argument in defence of this choice that is really, really bothering me and I have to rant

The thing I keep seeing is “well all this other stuff has nothing to do with the main plot or Rook, so it should be cut” and that’s. Not a good way to tell stories in my opinion. Because here’s the thing: it’s not about the Big Overall Plot. It’s about the characters that live in this world, big and small

I’m going to use the example of Varric and Hawke cause I think it’s the easiest to explain quickly. Varric is a storyteller. That’s the defining trait of his character. He tells stories, and sometimes they’re true and sometimes they’re not and sometimes it’s something in between. In DA2 he tells you about his brother. In inquisition, he talks about hawke and there’s banter about several of the companions. Most of these are just little one liners that don’t “serve the overall plot” but they serve Varric’s character

And that matters

So if we take this character known for telling stories about people that have been in his life, well, he largely can’t do that now. How can he talk about Hawke, someone who can be a very close friend of his, without even their gender being a choice you can select? Or whether Varric should be saying ‘is’ or ‘was’ about them? How can he talk about the companions in DA2 or inquisition when a lot of them don’t have to be recruited or can die? Will he limit himself to only characters that are guaranteed to be a part of it and alive? Or is it that he and Rook will have such a shallow relationship that Varric, of all characters, never talks about his life and past exploits?

Or has Varric as a character changed so much that he doesn’t even want to tell stories anymore? That Hawke living or dying means nothing to him? That the friendships he built with people in 2 games mean nothing to him? That he’s become literally unrecognizable?

This is where the problem is. Sure, Rook maybe doesn’t care about these people they’ve never met. But do they care about Varric? What about if a companion mentions an old friend of theirs, talks about an experience they had that made them who they are - is that only okay if that experience isn’t from a previous game? Or are all the characters so flat that we never learn anything about their connections to others outside of Rook? Is this story SO focused on this player character and this plot that NOTHING else matters, even within the world, and there’s no depth to be found in any of the characters that feature in it?

Writing characters so that they only ever talk about things that “directly serve the plot” is how you get flat, unremarkable, boring, forgettable characters. And that’s not something I would have accused bioware of doing even if some instalments are stronger in this area than others. But it sounds like that’s what they’re doing here, at least with the past characters. Cause sure, maybe Morrigan is so closed off she’ll never mention her son and partner. That’s believable, even if iffy given that they’ve said she’s going to be more involved than we think. But Varric? VARRIC??? Never mentioning ANY of the people he used to spend time with and care about except Solas and maybe some of the inquisition characters that can’t die or not be recruited but also carefully skirting around what happened to them in the game? That’s literally not the same character

And I would expand this to like. A letter mentioning this or a codex mentioning that, or ambient dialogue about so and so - that makes the world feel deep and those random, unimportant NPCs feel richer by connecting them to the larger world. It’s not about “serving the plot”, it’s about making your world and characters deep enough that they feel real, lived in, and like something we can actually care about

[lyss-sketchbox]

God I really hope they change the designs. We don't even need a lore reason, they aren't officially in the game yet. Just fuckin give the characters some melanin. And even if it wasn't just the cultural disrespect isn't everyone tired of the same pale character design at this point. And also you're definitely right about the character design in general. Some of the outfits and characters look like bad genshin ocs they shoved into the game.

I'm not even talking about the skin color at this point. I've accepted that hyv is a chinese company and wont do shit unless the CN community riots.

CASE in point. Spin-to-win Neuvi nerf was mass reported by the CN community as consumer fraud and I bet they're gonna fix that immediately.

It's just... idk common sense??? It may be a fictional world but it does take inspirations from Latin America / African that has... idk hot climates!! Therefore darker skin!! And for some reason you drop this pasty ass vampire cowboy lady???? In NATLAN???? Like they wouldn't get this much of a backlash if most of these characters we as black as Iansan atleast.

My gripe now is just the designs itself. The first 3 characters don't look that bad, i can get behind that. They're cute and colorwise very complimentary. Even the pyro archon(?) even though she looks like she doesn't even belong in Natlan, red black and yellow goes well together.

The cowboy and leopard lady tho...

ESPECIALLY the vampire cowboy goth lady. She literally is just beta clorinde they lazily put in Natlan for a bigger roster. I just hate how messy and out of place she looks even by Natlan's messy standards.

Feathery (?) strandy hat, very convoluted shirt (?), the long coat tails attacked to the short revealing shirt gimmick, pants that only has one leggings (????)

What is this? Genuinely. It's asymetry for the sake of asymetry. I hate it. Theres no purpose in this, this outfit highlights nothing. I see her and its just a blotch of black-purple-red with super contasting pasty pale skin. Worst of all she doesn't even look like she's from Natlan, she looks like a messy ruffed up travelling cowboy with none of those Natlan symbols or tattoos or patterns or anything. Just normal leather and straps.

It is ugly. It doesnt work. Its not nice to look at. I hope she doesnt play a role where she shows up on screen alot. Im sorry.

Same point for the leopard lady. Doesn't look Natlan at all. Just a leopard lady with revealing clothes. SHORT JEANS TOO MIGHT I ADD. Something you probably don't see in Natlan. She is less hated by me because atleast her color palette works.

Its facking Acheron again but I can excuse Archeron because ITS SPACE.

[silentsockfeet]

with the obvious addendum that act 3 isn’t out yet and we can’t form true opinions until the show’s officially done, i’m still really feeling like it could have maybe benefited from a third season. they’re hitting all the right plot points and those moments are full of really intense emotion, but everything in the middle feels so underwhelming in comparison and so much of it still feels rushed to me. idk

[cluescorner]

Arlecchino's whole deal is unbelievable

Arlecchino: Huh I wonder what's causing my weird powers? I can't really worry about that right now tho, I've gotta become King and then kill my "Mother".

*Kills Clervie and "Mother"*

Arlecchino: Huh I wonder why I was able to defeat a Fatui Harbinger when I'm like 17 or so? I can't really worry about that right now tho, I've gotta be in jail and become a Harbinger.

*Is in jail for a while and becomes a Harbinger*

Arlecchino: Huh I wonder why I am-

Pierro: Hey what's up hello, anyways you're descended from the Crimson Moon Dynasty of Khaenri'ah. I'm sure that this is a lot for you to take in so-

Arlecchino: Ok.

Pierro: ...You're just cool with that?

Arlecchino: IDK maybe? I can't really worry about that at the moment, I'm a father now. This orphanage full of children I love (who also are child soldiers and are not allowed to leave or else I'll execute them except maybe now I'm just gonna wipe their memories IDK I'm morally complex) isn't gonna run itself.

*Runs the orphanage/spy recruitment initiative*

Me, the fucking player: WHAT DO YOU MEAN YOU ARE KHAENRI'AN? WHY WASN'T THIS BROUGHT UP IN YOUR FUCKING QUEST?? OR ANYTHING ELSE????

Arlecchino, talking to me through my phone: I honestly don't know why you care, I'm too busy to give a shit. Anyways, I'm gonna go fight fate itself I guess. I'm sure that I don't share any thematic parallels with any other Khaenri'an characters (particularly as it relates to acting and family angst) and that I haven't made the idea of 'curses' on Khaenri'ans and what they entail even more complicated than they already were. See ya.

[aerophone-amphibians]

Goddamn, MTMTE goes hard on the third readthrough

[deoidesign]

Can you make a tutorial on how you world build and make ocs? I can't seem to make any people in my brain, but then when I try to come up with environments jobs, beliefs and little details to slowly come up with someone, I think: well I don't really know how people have influenced the world- it's a weird loop

To be honest, I don't think I can! Writing is an extremely personal process. The way I write is directly related to how I process things, what I find important in stories, years of my own analysis of my and other's writing, etc... The way you write will be unique to you, as well. But I can explain how I personally think of it.

The short answer:

Write. Write anything and everything, it's a tool to explore your ideas. Analyze your own writing, and write more. Then, as you discover which ideas you want to develop, write more to explore them more. You won't know what you want otherwise!

The long answer:

I think this kind of loop is common. It's easy to feel like everything needs to be done "at once," because our job as writers is to make elements logically fit with each other for our readers. But as you've discovered, developing multiple elements simultaneously isn't really possible, or at least is extremely difficult.

Personally, when I think of writing, I break it into three major elements; characters, world, and plot. As much as possible every scene explores one or more of these, and as much as possible these three things tie back into what I personally consider most important: theme.

Everything I do is in service of the themes I want to present. Without them my events feel aimless. It can take a while to discover them, but they're the core of my work. You will have to discover what you feel is the core of yours. Analyzing other media helps with this too.

Concepts in your brain exist in a state of infinite potential. But when you start writing you have to start making choices, which removes potential as you move forward... But you have to move forward anyways. If there's ideas you want to explore later, you can always explore them later.

What this ends up meaning, to answer your question, is that I don't think of my characters as "people in my brain" or my worlds as something people have influenced... Not at their core, at least. They are tools that I use to represent specific ideas. Obviously they're also my blorbos, but mostly they're serving a specific narrative purpose.

So above all else... Write. Write, and discover what you're writing about, and then start over and write with that in mind. Keep doing this. But you have to write!

[ask-indigo-park-swapped]

Does anyone know what the sea serpent's motivations and goals are for well.. villainy? If so, please tell me!

Now that you mention it, I'm not so chicken sure why he does the things that he does. I had just chalked it up to... greed, or something. All he ever does is steal stuff...

Either way, we haven't seen him in a while, so it's not like I can just bird up and ask.

[sskk-manifesto]

┐(￣ヘ￣)┌

[yume-fanfare]

im honestly really excited abt knowing more about this green boy i feel like it's a slowburn in getting to know him

[downtherabbitholethatisanime]

Ok so I know ascendance of a bookworm is on a completely different level than other isaki when it comes to world building. But does anyone have any recommendations for a good story with good lore and world building like AoaB??? It doesn't have to be an isaki

I'm just desperate for something with detail and good payoff. I wanna question how the worlds works or question why the author bothered mentioning this random detail and have it matter much later down the line.

Manga, comic, novels, light novels, literally any kind of fantasy I can read

[pumpkinrootbeer]

Aang being a shitty dad is fine, but it's the way tlok makes Aang a shitty I have a problem with. You're telling me a guy who's entire culture was whipped out and whole family was massacred wasn't overjoyed at the possibility of sharing his culture with his entire family?

Would Aang have given more attention to Tenzin? Probably, them being the only airbenders would have almost certainly fostered a complex dynamic between the two— even to the extent that it would damage the father/son relationship. I think it's also worth pointing out that Aang was raised in a culture without the nuclear family dynamic we see him participarting in with Katara and their kids, and it's not out of the realm of possibility that Aang would fall short of the expectations and responibilities being a typical father figure brings especially when he himself never experienced that dynamic. Especially, especially compounded with the task of rebuilding a struggling world and maintaining peace.

However, do I think he would neglect to show his kids his culture? Their culture? No. Certainly not the extent he did, and especially not when we see how excited he is to share it with his friends in the show. Why wouldn't he be excited to share it with his kids? With all his kids? How the writers of The Legend of Korra make him a bad dad is a complex series of failures not the least of which stem from racism, the unwillingness to even attempt an understanding of multicultural families, TLOK originally being a 12 episode miniseries that then got greenlit for another season and was suddenly taxed with building upon a world that was never intended to exist beyond its original scope, and a fundamental misunderstanding of Aang as a character.

tldr:

[jeremiahthefroge]

Every appearance of the red-haired menace that is early Laurence forces me to sit here and stew upon how I will fix his introduction in the rewrite. As a coping mechanism. Unfortunately since I can't remember the parts where his character isn't just harassment so I can't cook with the themes the way I'd like to. Like the way he calls Aph "my love" after she very explicitly in the text of the game tells him not to do that... bad vibes. I think I could rock with his character if he'd done the same sort of approach in hitting on Aphmau as heavily, but the moment she lays down an actual boundary, he backs way the hell off. I could even fuck with her trying to be subtle about the boundary and him not getting it and continuing to make her uncomfortable before she snaps at him and he apologizes, saying that he truly didn't mean anything by it, and he respects the boundary she lays like his life depends on it from then on out. It would create some immediate complexity in his need for explicit communication, and backs up the sort of deeper character hinting they seem to try to do when he's talking about Castor and Cadenza, this idea that he deeply cares, if being a bit pushy on accident. It would also make a good detail fueling the conflicts later on with the love triangle that can sort of prevent Laurence from looking like TOO much of a dickhead (him being unaware or misinterpreting situations, and the delicate nature of it making him uncomfortable asking questions, is a compelling reason to see somebody hurting his friends' feelings, and makes him significantly more sympathetic, opening him up for feelings of remorse and guilt).

[waywardsalt]

ive been rereading tnp and it’s bothering me so much i need to mention it here; it’s kind of insane how much the erins bend over backwards to make brambleclaw deputy, it’s kind of just nonsensical.

not even him not having an apprentice when he’s picked, though that is kind of wild, he just… there’s basically no good reason other than him being a main pov character and tigerstar’s son. literally any other thunderclan warrior who’s had an apprentice (barring maybe ashfur) would have been a better choice. thornclaw dustpelt sandstorm cloudtail brackenfur- brackenfur is one that firestar explicitly considers and the reasoning why he decides not to is so incredibly weak ‘oh i dont think he’d be right for leader’ number one what are you talking about number 2 then use him being deputy as an opportunity to help him become right for leader are you telling me firestar thinks the cat he once considered letting die in a fire is a better fit for leader than the cat he half mentored. dustpelt is clearly an experienced warrior, sandstorm is someone firestar obviously has faith in, thornclaw is experienced and i’m pretty sure you even see firestar consult him a few times (cloudtail is iffy bc thats cloudtail but he’d really be a better choice, just how he treats daisy and her kits would be an interesting justification for firestar making him second-in-command) but honestly besides the narrative jumping through hoops to act like the other very viable options are either secretly bad choices or otherwise ignore them (why is bramble the only cat we ever see jump to help firestar with stuff they just wrote everyone else to be silent or w/e) but in twilight where he arguably acts the most like de-facto deputy in leaf and squirrel’s pov he’s framed as a jackass half the book??? why would you do that if you intend to make him actual leader?? in his trial run of being kinda-not-deputy you just make him use his semi-authority to be cold and fucking mean to his friend and her buddy??? like i see him being qualified due to having experience being the travel group’s leader and whatnot, but barely anything else is done to make him realistically more qualified than anyone else- he just angsts about his ambitions and gets handed the position because starclan vouched for him for some damn reason even though by his society’s laws he should not be in that position

[optimal-spark]

Finally continuing ES with season 2 after holding off so long and I’ve spent most of the initial episode just

Animation quality seems lowered in some aspects(mainly with Starscream and others’ faces I can’t put my finger on. It)? Some of the characterization changed is… infuriating. Some of it seems hopeful, but the bulk is just irksome

Starscream’s biggest issue with Megs is suddenly just that he’s a traitor, BD is dumbed down mainly capable of saying “smash”, the bots have no issues fighting on a public highway around people, the Chaos Terran is… just thrashing around punching and kicking and head butting stuff prompting the most outlandish dialogue from BD. “Not all the cons are bad guys, right mom?” To “Decepticons are all evil! It’s even in the name!” Is something I’d heard about but good lord

From the get go the scenes cut abruptly into a new one. Which is so insanely jarring. And it’s really hard to track any of it. It just immediately feels rushed. If it keeps up this way I may just have to drop it and glean vital plot info from others’ summaries. I mainly just wanted to see Prowl, Megs and co 😭

Nightshade at least seems normal, as does Elita. And some of the others

Really hope this improves as it goes on but based on what I’ve heard I’m wary

[leori-the-unlearned]

the way digimon does conflict/drama between two characters who should be or are close: chef’s kiss <3

the way sonic idw handles creating conflict/drama between two characters who should be or are close: *wilting flower*

[seeminglyseph]

"Arrests require cause."

Bitch *you* let her instigate martial law! Through your power! What did you think that meant?!

That's literally the purpose of putting martial law in place. To be able to let the government do whatever police and military shit to its people without cause. It removes the rights of the civilians because it views those civilians as the enemy of The People.

You let hating Jinx make you forget what words mean, Caitlyn. I get it, grief does terrible things to a person, and Ambessa is a very compelling public speaker, but like. She said out loud: "Let's do Martial Law."