#brother brother relationship

[noelledeltarune]

EVERY SINGLE DAY there are MILLIONS of characters in their late 20s who get falsely accused of being father figures to teenagers when in reality the description of "weird older cousin" or "step-sibling that moved out before you were born" is 1000000x more apt

[ulkaralakbarova]

The lives of two struggling musicians, who happen to be brothers, inevitably change when they team up with a beautiful, up-and-coming singer. Credits: TheMovieDb. Film Cast: Susie Diamond: Michelle Pfeiffer Jack Baker: Jeff Bridges Frank Baker: Beau Bridges Monica Moran: Jennifer Tilly Girl in Bed: Terri Treas Nina: Ellie Raab Lloyd: Xander Berkeley Charlie: Dakin Matthews Ray: Ken Lerner Henry: Albert Hall Vince Nancy: Gregory Itzin Earl: Bradford English Kid at Vet: David Coburn Theo: Todd Jeffries Man with Cleaver: Del Zamora Bathroom Attendant: Howard Matthew Johnson Veterinarian: Stuart Nisbet Laughing Bar Patron: Nancy Fish Waitress: Beege Barkette Bad Singer: Martina Finch Bad Singer: Wendy Goldman Bad Singer: Lisa Raggio Bad Singer: Vickilyn Reynolds Background Voice (voice): Tina Lifford Background Voice (voice): John Lafayette Hotel Masseuse: Gregory James Doorman: Robert Henry Eddie: Drake Film Crew: Producer: Mark Rosenberg Original Music Composer: Dave Grusin Writer: Steve Kloves Director of Photography: Michael Ballhaus Editor: William Steinkamp Producer: Paula Weinstein Production Design: Jeffrey Townsend Stunt Coordinator: Jon Conrad Pochron Executive Producer: Sydney Pollack Associate Producer: Robin Forman Unit Production Manager: Bill Finnegan Associate Producer: Julie Bergman Sender Casting Director: Wallis Nicita Costume Design: Lisa Jensen Executive Music Producer: Joel Sill Location Manager: Robin Citrin First Assistant Director: Charles Myers Second Assistant Director: Tracy Rosenthal-Newsom Key Grip: Steve Smith Set Decoration: Anne H. Ahrens Assistant Art Director: Michael Perry Hairdresser: Jeanne Van Phue Makeup Artist: Ronnie Specter Assistant Makeup Artist: Tammy Kusian Special Effects: Robert E. Worthington Sound Mixer: Stephan von Hase Supervising Sound Editor: J. Paul Huntsman Music Editor: Bunny Andrews Sound Effects Editor: John Haeny Stunts: Paul E. Short Movie Reviews:

[borealiszero]

People should make more doomed by narratives siblings relationship.

Like with lovers you can just sever it and not have it related to you ever again but with siblings how could you?

You grow up with them you raise them or they raised you you both know how unforgiving the world is to both of you? You would die for them but will hate them for doing the same and yet none of you would regret it and both of you know it. They could be the person you loath the most and miss the most cause you still remember how they sneaked a candy into your hands. You can sever the tie but you can never look away at what you've lost, at whom you've lost because fate doesn't allow you to be together, eating dinners in quiet peace, if only there's another life, another time, where i can make you another plate of pancakes i would im sorry im sorry im sorry —

[nibbelraz]

OG Shang Qinghua loves his brother even if he says nonsense most of the time

[farshootergotme]

Occasionally I picture Nightwing calling Red Hood "little wing" in front of others and people looking between this huge, 6'0 feet tall man with growing white hair, and then Nightwing, a shorter man who has flawless skin, probably around his 20's, and a fit but not too buff build and they just- don't know what's happening. Is it some kind of inside joke they aren't aware of? Why is Nightwing acting as if he's years older than Red-fucking jacked-Hood?

Nightwing: Little wing, you actually were decent in that fight! I'm impressed.

Hero, who was helping during this fight as well, listening in to the conversation: little...?

Red Hood: Wow, feeling very appreciated right now. Got any other backhanded compliments in there?

Hero: Wait, excuse me-

Nightwing: As a matter of fact-

Red Hood: Nope! I'm outta here. Screw you!

Nightwing: You know you love me!

Red Hood: In your dreams, dickhead!

Nightwing: Hey! We don't use that-

Red Hood: Not listening!

Nightwing: Jeez, kids these days...

Red Hood: I'm an adult and fuck you too!

Nightwing: What? Thought you weren't-

Red Hood: See you never, I'm out.

Hero: ...

Hero: what the actual fuck?

[two-bees-poetry]

antigone was right

[varpusvaras]

Can you imagine how the clones' speech patterns change once they are out of Kamino? Not just the slang they use, but in general how they speak. At some point you can start to differ the different battalions based on their speech. This is even more notable when it comes to the Commanders or other clones who deal more closely with their generals. Rex is distraught when he realises that he sounds like a teenager. Cody just proceeds to sound even more like a wisened old Commander despite being the middle child. Fox sounds like a tired retail manager trying to calm down a Karen.

[lilislegacy]

percy: hey thalia!

thalia: hey little loser!

percy: little? i tower over you. and i’m like 3 times as muscuar. and im physically older

thalia: …i like how that’s the part you defended

percy: yeah well i know im not a loser. do losers have college degrees?

thalia:

percy: don’t answer that

[aroaceleovaldez]

i have suddenly become obsessed with a theme that HoO established but never proceeded to extrapolate on, which is:

You are Percy Jackson, and you have been swapped with a boy who was allegedly everyone's favorite person, but they have decided to replace him with you. They just met you. You stand next to his best friend and the people he's known his entire life. In his home. In his cloak. In his place. They stopped looking for him.

You are Jason Grace, and you have just found out you have a long lost sister who completely replaced you in her life with this girl you just met. Your lives and personalities are mirrors. She is you, living the life you were robbed of.

You are Annabeth Chase, and you have just become starkly aware that you have been inhabiting the void left behind by your best friend's long lost brother. You and Luke were just replacements for him. Now you have to look him in the eyes when he has nothing and know you took that life from him.

You are Piper McLean, and you have just found out your relationship is fake and built entirely on the memories of Annabeth Chase. You have been given a boyfriend when hers has been taken away. You have no idea how much of it is real or not but regardless you feel like if your relationship isn't exactly in their image that you have failed.

You are Leo Valdez, and you have just learned that you are the echo of your great-grandfather. You are not your own person. You just exist to be a mirror of him. A doppelganger. An actor and stunt double facing all the danger he never had to but wearing his face. To be there for his best friend decades later simply because he couldn't. You are playing a role. A seventh wheel and a pawn for a goddess who carefully sculpted your entire life for her own purposes.

You are Hazel Levesque, and the only reason you are alive is because your brother couldn't save your his sister. You are a consolation prize. An apology. Your existence here is misplaced in every way but you inhabit it anyways.

You are Frank Zhang, and you are a shapeshifter. Inhabiting your own body feels strange and clumsy when you could be literally anything at any time. You are anything and everything and live your life with the simple certainty of knowing exactly how you will die.

[duckysprouts]

big brother part 1

[paintedcrows]

they make me feel unwell

(continued: Stan & Young Ford)

[bloodbruise]

college barista james falling in love with college radio host regulus through song.

james tunes into the campus radio every tuesday night—not because he’s really into finding new music, but because regulus is the voice behind it. regulus’ show is all late-night jazz, obscure indie tracks, and that smooth, low commentary that james could listen to for hours. the first time james hears it live, in person at the café, he nearly spills the iced latte he’s making all over himself.

he isn’t completely pathetic, though—he flirts a little, drops hints here and there. memorizes regulus’ favorite drink so it’s always waiting for him when he walks in. asks about why his favorite songs are his favorite. still listens every tuesday as he falls for him more and more.

james has never called into the show—he wouldn’t know what to say—but regulus’ voice still fills his dorm every week.

one night, regulus runs a quiet segment where listeners can request songs and share a few words. james, maybe a little tipsy from the cheap wine he and sirius scored by charming the lady at the corner store, finally decides to call in. he keeps it simple, asking for a song he knows regulus loves—"the only love song he can tolerate," as he once told james. when “the boy” by the smashing pumpkins starts playing, james hears regulus laugh softly into the mic, a sound warmer than any wine. “someone out there has good taste,” regulus says, and james feels his heart skip.

on air, regulus doesn’t let on if he knows it’s james, but the next day, as james makes his usual coffee, regulus gives him a small, knowing smile—like he just might.

[justa-smalltown-gargoyle]

This is not meant to be a dig more just an observation at why opinions differ, but I feel like the people who view Dick as being a fatherly figure to Damian/them having a Parent-Child dynamic vs a Older Sibling-Little Sibling dynamic don’t know what it’s like to have siblings that are waaaaaaaay older than you in a big family! They may take on a more guardian role but it’s still a different dynamic idk

[tornado1992]

He’s the best friend, brother, mom, dad, and picket fence!

[morganbritton132]

Want to make a minor adjustment to my Steve With Much Older Siblings post from yesterday. I think it’d be a much more interesting dynamic if he’s actually their half sibling from an affair.

Their father had an affair with his secretary and then married her when she got pregnant. It broke up their family and they blamed Steve for it for years.

When they stayed over for their weekend with Dad, they were either outright cruel to him or pretended he didn’t exist. When they were old enough to stop coming over, they did. It’s only after growing up and maturing that (most of) his siblings were able to acknowledge that Steve was never at fault for their family breaking up.

They tried to mend their relationship with him, especially after realizing how absent his parents are, but by then Steve was old enough to build up his own resentment. It’s an uphill battle.

It’s a lot of actually coming around for holidays and a lot of teasing when they do. It’s actually picking the phone when the hospital calls, something that’s happening with increasing frequency.

Steve has never asked any of them for anything until one day, he shows up on Richie’s front porch smelling like death and gasoline. He’s got blood drying all over him and is visibly shaking, and Richie thinks that he’s been hurt in the earthquake but Steve barely acknowledges the concern, “I need you to represent my friend.”

“What?”

“You’re the only lawyer I know, and -“ Steve takes a big shuttering breath. “They’ll kill him, Rich. He never hurt anybody but no one will listen. They’ll lock him up and it won’t be fair, and Dustin can’t… I never ask you for anything but. But I need…”

“Eddie Munson?” He asks incredulous. “You’re friends with Eddie Munson?”

[rolanslide]

Losing my fucking mind over this passage. you're telling me, after physically and emotionally torturing him, tricking him into building a doomsday device, emotionally manipulating him for YEARS, and ruining his relationship with his only remaining friend, this is what Ford counts as "crossing a line"? This is Fords breaking point? After everything? It's been over a decade since he's seen Stanley. He has no reason or intention to contact him. After all this time, he's still angry at him. And yet, Bill using his body, his voice, to tell Stanley that he hates him and never loved him is too much, too horrible even for Bill. THIS is what forces Ford to take action. AFTER EVERYTHING. Stanford Pines the man that you are. aa. aaaaaa