#book creator
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blogtey45 · 11 months ago
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Learn the Art of Being Unflappable with Dr. Bridget Cooper | Summit Press Publishers
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ranjith11 · 1 year ago
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Oonagh and her gutter mouth | SummitPressPublishers
Oonagh Duncan and I worked on her book proposal for Healthy as F*ck. If you find the word f*ck too hard to handle, you're not her reading audience, nor will you like this interview. But that word got Oonagh a book deal, complete with bidding war, and it spoke to the very people who would want the other products and services she offers. That word was part of the design.
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bibliosims · 8 months ago
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titania | an upper body tattoo. ⊹₊ ⋆
download | sfs (free, no ads)
TOU: do not reupload and never put this behind a paywall !
previews and more under the cut !
meet titania, my first tattoo (and ts4 cc) ever ! i’ve so enjoyed working on this little project and am already planning out the next one ! enjoy :)
psa the back tattoo warps kind of weirdly on certain masc frames, sorry ! also, there are 10 individual swatches per 3 opacity options, so technically it's 30 swatches overall
also feel free to tag me if u use these ! it’d be cool to see these in the wild 🫶🏻
thumbnail previews:
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unedited previews:
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•☽────✧˖°˖ art by william heath robinson for shakespeare's a midsummer night's dream ˖°˖✧────☾•
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monicascot · 1 year ago
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Oonagh and her gutter mouth | SummitPressPublishers
🌟Oonagh Duncan and I worked on her book proposal for Healthy as F*ck. If you find the word f*ck too hard to handle, you're not her reading audience, nor will you like this interview. But that word got Oonagh a book deal, complete with bidding war, and it spoke to the very people who would want the other products and services she offers. That word was part of the design.
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videogamelover99 · 4 months ago
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Alex Hirsch going "I'd be interested in exploring Bill confronting all of his lies" during the Seattle book signing and him going "This is my child. Please be kind to him. He doesn't deserve it though." during the San Diego book signing...
It makes me incredibly happy that he's just as obsessed with this problem triangle as we are.
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emmasternerradley · 6 months ago
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I shouldn’t do this here because this is the “no marketing” website and I want it to stay that way but… I have just snuck into the realm of traditional publishing and my weird book about assassins (aka The Murder Siblings TM) focusing on stupid jokes, sword fights, masked balls, 🏳️‍🌈gay sex🏳️‍🌈, mental health issues, and rebelling against the rich isn’t being seen in the jungle of hetero TikTok picks and Sarah J Maas books. (Even tho it’s been sold as Six of Crows meets The Princess Bride.)
If Snowblooded doesn’t start getting noticed by people, I think my career in trad pub might be over just as it started. So during this our pride month could I perchance ask you to signal boost this post to support a lesbian and poly author trying to break in to the trad pub jungle? (Also, the book can be bought HERE )
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Blurb:
Valour and Petrichor are esteemed members of the Order of Axsten, an assassin’s guild tasked with keeping order in the rough city of Vinterstock. Plucked from the streets as children and raised to compete for their guild’s approval, Valour uses her brawn to survive, while Petrichor strives to be a gentleman assassin. When they’re given their biggest job yet—to kill Brandquist, the mysterious leader of the city's illegal magic trade—it’s a recipe for disaster. If they can quell their rivalry long enough, the reward will be enough to settle their debts with the Order and start new lives.
If this job wasn’t dangerous enough, Valour is saddled with looking after a famed hotelier, Ingrid Rytterdahl. Valour finds her dangerously attractive, but the aspec Petrichor can’t wait to be rid of them both. He begrudgingly accepts Ingrid’s knowledge and connections as they navigate the city’s criminal underbelly in pursuit of Brandquist.
As secrets bubble to the surface, the duo must outwit the thugs on their tail, keep Ingrid alive, and—hardest of all—work together without murdering each other.
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therobotmonster · 1 year ago
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On the subject of comic books and emphasis.
Getting some use out of my Tyrannomax extras.
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cy-cyborg · 7 months ago
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Forgetting your character is disabled isn't a "good representation" flex: Writing Disability Quick Tips
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[ID: An image with “Writing Disability quick tips: Forgetting your character is disabled isn't a good representation flex” written in chalk the colour of the disability pride flag, from left to right, red, yellow, white, blue and green. Beside the text is a poorly drawn man in red chalk looking down confused at his leg, one is drawn normally, the other is drawn to resemble a basic prosthetic. He has question marks above his head. /End ID]
For a while, I was involved in the booktok and Tik Tok writing communities, specifically parts of the community focused on more diverse books and authors. During this time, I noticed a reoccurring pattern when people were highlighting stories featuring disabled characters, or even promoting their own books, and that was how often people would say "I kind of forget they have [insert disability here] because they're such a badass."
The intention behind this statement is (usually) good, with people trying to show that their disabled characters are self-sufficient and don't fall into the tired old sad/helpless disabled person trope, however, you can - and very much should - do that without erasing your character's disability. If you find yourself forgetting your character is disabled, or your beta and pre-release readers are commenting about forgetting it, then there's a good chance that's exactly what you've done - and as a disabled person myself, if I see that statement being used in your marketing in particular, it's a giant red flag and a sure fire way to make sure I give the book in question a skip.
Remember, disabilities (especially major ones) are a part of your character's identity, and they're important regardless of the character's personal relationship with it. Even if your character doesn't specifically identify with the label of disabled or doesn't really care that much, it's should still be impacting their daily life, even in small ways. If you're finding yourself forgetting about a major part of your character's identity, it might be a good idea to check and make sure their disability is having an impact on the character.
I see this comment most often with amputee characters, and to me, it's a pretty consistently good indication that the author has treated their character's prosthetic as a cure rather than the mobility aid it is. It's far from unique to amputees, mind you (I talked about this a lot when I was discussing the character of Toph from Avatar), but it's when I tend to see it the most. Remember that mobility aids and other forms of assistive technology and assistive magic (if it's a fantasy story) are just that: they're aids, they assist, they shouldn't be cures.
Of course, this wasn't unique to Booktok, I've seen it on nearly every other social media site with a writing and book-focused community at some point, but Tik Tok was just where I spent the most time and it seems to be where I see the most people specifically gloating about it.
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space-owl · 3 months ago
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Tumblr, I’m actually very proud of that we achieved this!
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gothra · 5 months ago
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I’ll never forget when I was arguing with a person in favor of total prison abolition and I asked them “what about violent offenders?” And they said “Well, in a world where prisons have been abolished, we’ll have leveled the playing field and everyone will have their basic needs met, and crime won’t be as much of an issue.” And then I was like “okay. But…no. Because rich people also rape and murder, so it isn’t just a poor person thing. So what will we do about that?” And I don’t think they answered me after that. I’m ashamed to say I continued to think that the problem was that I simply didn’t understand prison abolitionists enough and that their point was right in front of me, and it would click once I finally let myself understand it. It took me a long time to realize that if something is going to make sense, it needs to make sense. If you want to turn theory into Praxis (I’m using that word right don’t correct me I’ll vomit) everyone needs to be on board, which mean it all needs to click and it needs to click fast and fucking clear. You need to turn a complex idea into something both digestible and flexible enough to be expanded upon. Every time I ask a prison abolitionist what they actually intend to do about violent crime, I get directed to a summer reading list and a BreadTuber. It’s like a sleight-of-hand trick. Where’s the answer to my question. There it is. No wait, there it is. It’s under this cup. No it isn’t. “There’s theory that can explain this better than I can.” As if most theory isn’t just a collection of essays meant to be absorbed and discussed by academics, not the average skeptic. “Read this book.” And the book won’t even answer the question. The book tells you to go ask someone else. “Oh, watch this so-and-so, she totally explains it better than me.” Why can’t you explain it at all? Why did you even bring it up if you were going to point me to someone else to give me the basics that you should probably already know? Maybe I’m just one of those crazy people who thinks that some people need to be kept away from the public for everyone’s good. Maybe that just makes me insane. Maybe not believing that pervasive systemic misogyny could be solved with a UBI and a prayer circle makes me a bad guy. But it’s not like women’s safety is a priority anyway. It’s not like there is an objective claim to be made that re-releasing violent offenders or simply not locking them up is deadly.
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hualianschild · 8 months ago
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absolutely love it when they put details like this
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foldingfittedsheets · 8 days ago
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I wrote a novella! Now you can buy it! I have it set at $7 or pay what you want. Or you can get it for free if you’re a Kofi member! It's a queer urban fantasy romance and I hope you love it! Makes a great gift for the holidays! In the future I'll have printed copies going up on sale, but for now you can get this awesome 60 page PDF.
This is a story that started as a note on my phone and grew over years into this. This is the story of Astrid, a lonely painter who is on vacation looking for inspiration. The island is beautiful but the only thing she wants to paint is the local girl she meets, Aoife.
As they grow closer the inevitable separation starts to loom between them. Astrid’s time draws to a close and she must think of heading home she starts to delve into the mystery of Aoife and wonders if she can take the heartbreak of leaving her behind.
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lemonavocado · 4 months ago
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"oh i love frankenstein! my favorite quote from the novel is i have love in me the likes of which you can scarcely imagine-" grabs you by the throat and chokes you violently
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lovl3igh · 19 days ago
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"rhaenyra should have legitimized jace if she wanted him to be heir" baby, he was her heir. and she didn't have to legitimize him because according to law he was trueborn child of laenor. laenor claimed so and so did rhaenyra. as long as these two or harwin didn't say anything velaryon boys ARE actual velaryon boys and the rest is just rumors. what more, the only people that should be concerned with jace and luke's parentage - so viserys and corlys - didn't give a fuck about whom rhaenyra fucked to give them heirs. they just didn't. so i'm sorry, random jenny from storybrooke, but you can shove "they don't have silver hair" paternity test in your ass
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sevenines · 2 months ago
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i saw this tweet and found it interesting for two reasons. one is that some people base how good cartoon network would be to toh by how it treated su, and despite the fact that su’s treatment by the network was considered poor at the time, now its thought to be exceptionally good in comparison to modern shows.
two is how exactly su got impacted by a limited budget. a common criticism is how characters like connie, peridot, and lapis are left out of missions. but balancing a lot of characters is not only hard but also costly (extra animation, extra voices—it’s been revealed that the show is limited to a set number of characters per episode otherwise they’re over budget). animation mistakes are not uncommon since retakes cost extra. the entire reason the original show got cut short was due to loss of funding!
#i don’t know if pay rates differ per networks#but a.ivi and s.urrashu have said that they needed to work outside of su in order to make sufficient funds#it only makes me wonder what other ways su suffered from a lower budget#that we as the audience never got to see#in the vein of the too-little characters complaint#another part of that is that low-stakes episodes should’ve been abt the main cast instead of the townies#like last one out of beach city and too short to ride vs restaurant wars and kiki’s pizza delivery service#i definitely see that especially since that isn’t budget related#nor would it seem to be network related (even if cn had an ‘episodic episodes’ quota it could still be abt the gems#(another side note: /would/ cn even have a requirement that the show make episodes that can be watched standalone?#this is a question for the people who were around when su was airing#what episodes often got rerun?#was it the townie eps or the lore eps?#for example i heard that su once did a ‘peridot event’ where they just reran peridot episodes#which had eps that skip around in the show#did they even care about airing the story so that it made sense anyways?#id get it if the low stakes townie episodes were the ones getting rerun))#but i have such a boring view on that which is i think it’s simply because the creators like townie eps#like in interviews r.ebecca s.ugar has said she’s the type to be really invested in background characters#answers in interviews have been crafted in ways to hide what’s really going on though tbf#prime example of this is rebecca and ian saying the wedding being interrupted was meant to follow the common trope#when later in the art book they said that it was bc cn rejected the ep bc it ‘wasn’t interesting enough’#both could simultaneously be true! it’s a psychology thing though where people make up nice-sounding explanations behind what they create#in retrospect because they want it to be thought out in such a nice way they believe in it#the bigger problem is that not matter how many episodes there are of them#it can be hard for ppl to be invested in the townies the same way they are invested in the main cast#i’m sure that a million writers have made surefire advice on how to get an audience to care about characters#but off the top of my head i think it’s because 1. most don’t have strong motivations to get truly invested in#(exception is ronaldo but people find him too annoying to care about him)#okay i had more points and explanations but i hit the tag limit and idk if anyone is actually reading this so bye
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jeremywhitley · 1 month ago
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Hey Tumblrinos!
Lifeline Comics, who you may know from hit Kickstarter anthologies like Bi-Visibility and Transphoria is striking out on a new endeavor! They're making an anthology full of Ace stories and ace creators and, here's a cool thing, they asked me to co-edit the book with them! So, if you work on this book, you get to work with me too!
The submissions are open right now! We're looking for writers, artists, colorists, and letterers! Click the link and let's make some comics!
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