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absolutebl · 10 months ago

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TOP 10 BL Trends of 2023

This is just me with my analysis hat on.

1. 2023 = the year EVERYONE went outside their lanes

Everything went topsy-turvy this year in BL.

For example, Korea gave us agonized yearning and outright queerness (The 8th Sense, The New Employee) while Japan served up soft office workers and tender family (Our Dining Table).

The BL world went askew for a while, especially in the spring of 2023.

Not that we still didn’t still get Korea’s soft angsty bubbles or Japan’s “what are you doing and why does it hurt?” kink-fests. But there were quite a few BLs that made us chronic watchers sit up in confusion and wonder if Korea was dabbling in Taiwan’s territory or Japan in Thailand’s. Then they fudged the kisses and we were like... okay, back in familiar territory.

In contrast, Thailand stayed course-correcting for the damage they’ve done in the past with tropes (2022) and self referential meta criticism (2021), but also almost aggressively returned to their BL roots after last year’s series of shockers. Certainly, they are reexamining those roots, transplanting some, aerating others. But they really went back to classic Thai university and high school BL and pulps in a big way in 2023.

Taiwan is always difficult to gage because they produce so few but they seem to have stuck with what they do best with no deviation while producing more this year than they have in ages. I’m happy for that, why change a good thing? But there is a tiny part of me that really wants them to hit it out of the part with a quality piece soon. For me, We Best Love still reigns supreme, but I would really like the HIStory franchise to give us that level but longer - like a happy version of Your Name Engraved Herein. I think Taiwan has the chops to give us something as good as The 8th Sense or Old Fashion Cupcake but in their style, and I would like to see them exercise their talent for good rather than just profit.

I know, what a very odd thing for me to say. But if any BL is going to break into the mainstream American market, I genuinely think it’s most likely come from Taiwan.

Vietnam and the Philippines are falling behind, in general. They just didn’t bring out very many shows in 2023, and what the brought out tended to fub the endings. This is forgivable in Japan (because of their style and quality) but not what watchers want in the lower production value propositions. In other words, if you do a pulp, you can’t mess up the ending (by romance standards). that doesn’t look to be changing anytime soon.

2. The Office Romance Dominated

After years of Thailand serving us an endless (and slightly bland) buffet of university (and a few high school) BLs, this year Korea was basically like...

Ofiice. We like the Office. It’s cheap to film we can use grown up actors, acting (mostly) their actual age.

And yeah... it totally worked.

To be fair, Japan has always given us office live action yaoi from the beginning (they had the source material) but this year everyone else, including Thailand, seriously started playing in this setting.

3. Boys Danced with Boys

The darling @heretherebedork was a big fan of this one, and I rather like it myself. Prior to this boys dancing together was very very rare in BL, but this year we got way more than our fair share. It was lovely.

Never Let me Go

My School President

Bed Friend

The Day I Loved You

Step by Step

Be Mine Superstar

Tie the Not

Dangerous Romance

I think there were a few more. These are the ones I remembered to write down.

4. Getting (even more) Meta With Tropes

BL has been getting more and more meta over the past few years but this year they really focused in on tropes specifically. Calling out their own biggest and most favorite tropes in a massive way, especially Thailand and especially GMMTV.

Like they tunneled in on damaging tropes with Bad Buddy and the like over the past 2 years, and now they are just having fun with us.

I mean they just started the dancing trope and already they are calling it out? That’s like rapid-fire regurgitated meta there, GMMTV.

5. Cameos are the norm now

Taiwan has always loved cameos but in the past the other countries have been show and steady with only one or two a year. (Unless Japan does a parody.)

This year Korea got in on the game.

Korea rarely starts trends but they do adopt smaller and lesser known existing ones and make them super popular.

This year they did that with cameo couple appearances, even borrowing a few of Thailand’s pairs (TutorYim and MaxNat traveled north). They did it so much I stopped tracking. Love Class 2, Why R U?, and Jun & Jun were the heaviest hitters.

Taiwan, of course, came back swinging. Kiseki was the gum-ball machine of pair cameos. (In Taiwan mafia = gay.)

6. We are entering the cross pollination age

The number of remakes picked up or started this year was startling, not just countries revisiting their own content (Thailand, Japan) but countries revisiting OTHER countries stuff.

Lemme explain...

Korea has started remaking Thai content (Why R U?) alongside cameo'ing Thai pairs.

Thailand is doing Korean IP (My Dear Gagster Oppa) and has 2 Chinese ones slated for next year.

GMMTV acquired a lot of Japanese IP (Cherry Magic, Ossen, and My Love Mix Up) - and then had problems distributing it.

This is probably the most surprising trend for me. Especially the Japanese stuff. I would have thought these properties well outside of Thailand's price range (even GMMTV's) not to mention Japan’s legendary IP issues (I swear I typed this pout before the pulled TayNew’s excellent Cherry Magic).

Also why not option some of the older popular manga instead? Bet that's much cheeper. (I did see a NEW Thai translation of Finder into Thai, which is 90s yaoi, so I have my fingers crossed on that front.)

I shouldn't be too surprised.

Thailand is running out of y-novel content. Their publication industry is just not robust enough (I was just talking to a friend about this at length recently). But I didn't think they had the funds to option, especially from Japan.

Perhaps the option deals are for peanuts?

7. Korea got cheeky

I’m not sure quite how else to put this.

After finally figuring out boys can kiss, Korea started to do not just higher heat but playful higher heat, with more aggressive word play and linguistic innuendo, like they are entering their racy rom-com teenage years (Why R U? Love Class 2 and Jun & Jun in particular.)

I guess: Welcome to your BL teens, Korea?

It’s cute of them. I am very much enjoying it.

And now that comedy is warming them up, we get to see them play with actual queer burgeoning physicality in shows like The 8th Sense.

It’s nice. I like seeing Korea stretch its wings. They still stick to their bubble, but that bubble seems to be expanding.

8. The Amnesia Trope is back

And I, for one, would prefer to forget about it.

9. BL got trendy

I’m not quite sure how to articulate this category but basically we started seeing a lot of “modern” romance trends out of the west (like a/b/o) show up in our BL. Not a ton and sometimes quite small, but there has a been a steady rise of things like: no seme/uke, femme gay, out gay, condom use, messy gay.

We also got an increasing range of sub genre frameworks (like mafia, office setting) that’s moved BL pretty firmly (even in Thailand) out of school and into the workplace, whether actual working is involved or not.

It’s not to the point where it feels like we get more non-school BL than school BL (if I include all countries in this assessment).

Japan, in classic Japanese fashion, quietly started moving in the opposite direction. It’s what they do.

10. The Vampires are coming

This is an announcement trend, which I don’t usually report on but it’s so CLEAR.

So last year we had a spate of announcements of possible Omegaverse (2 from China, 1 from Japan, 1 from Thailand - the only one that’s happened).

This year we got 5 Vampire (or vampire-esk) Thai BLs announced including one from GMMTV.

Whether all 5 will actually get made is unlikely, but having had (basically) none prior to this (Kissable Lips), I’m pretty confident that we will get at least 2 of them. And I wouldn’t be surprised if at least one other country made one as well. (Side eyes Taiwan with interest.)

Final thoughts

It feels like we are also seeing a decline in BL (both by quantity and quality) from Vietnam and the Philippines. As you all know, I don’t track or really watch either of these two very closely. But it feels like, now, no one else is either.

I think we have likely seen the BL heyday already in both places and their industries are now on the decline.

We might be witnessing a thinning in the players in the BL field.

FYI we had approximately

136 BLs in 2023

Previous Years

2022: 117

2021: 95

2020: 62

2019: 40

2018: 30

2017: 44 (China’s last gasp)

2016: 27

2015: 17 (50% micro)

2014: 17 (50% micro)

And that’s it! Let me know in the comments if you’ve spotted any additional trends you want to call out.

Last year, 2022′s trend report

2021′s Trend report

Last Year’s Stats & Predictions

(source)

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brf-rumortrackinganon · 8 months ago

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If you look at the trademark application for American Riviera Orchard, you’ll see that she’s trademarking it through a newly registered in Delaware company called Mama Knows Best, LLC.

Infact when you dig into the domain names etc, it seems this was thrown together last minute aka 2months ago after KC3/ PssoW C’s illnesses were announced. They are using PR to pretend they were working on it for an entire year, but even Scobie said they had nothing or whatever they had was all over the shop and he had no idea what it would be.

His comments don’t speak to a focused vision that is researched into whatever this is.

And what’s glaring about this launch is the lack of anything to sell. Not videos or actual products which speaks to the theory that this wax thrown together very quickly.

Russell Myers from the Mirror says if you sign up to the website, you get a respinse telling you that you’ll be notified of products when they are created/ available……if this was a year in the making and with proper marketing/ PR people, they’d have products ready to go. What it is right now is a landing/ holding page ( comments turned off on IG) until it produces products.

It’s also interesting that the video is showcasing cooking which Markle tried to manifest for years while dating Corey. She auditioned and or popped up on varioys cooking shows/ fashion segments hoping to be hired. Acvording to people magazine, this launch of a lifestyle brand will have a companion show on Netflix. If Network tv won’t hire her for dream job then she’ll use her distribution deal to make it happen aka pay herself to make it happen!!!

However, one thing she revealed which tells me she has no clue about aspirational lifestyles/ branding. Her home kitchen hasn’t been updated from the dated 2000s/ early 2010s decor. It’s tye same kitchen from the sales brochure.

Infact, glimpses of their home show a distinct lack of updating from the sales brochure. The onpy room thry updated is the one with the dining table as desk and their two side by side chairs. They removed all furniture and painted it white and addedva jute rug and that california bear poster over the fireplace.

The current trend in kitchens for the wealthy is marble counter-tops and sleek designs meanwhile she’s displaying faux country/ italianate kitchen from the 90s.

The women she is cosplaying eg GOOP, Martha and Ina Garten have upgraded to the current trend in kitchens. GOOP showed off her new kitchedn in AD. Heck, JLO is showing off her sleek kitchen.

*****************

That they haven’t updated their house to their taste is what I laugh about the most. Are they really that cash-poor? Do they really have that much debt that they can’t afford to redo anything? Surely Markus and Soho House can cough up a few million to keep her happy, and when the Sussexes default on the loans, they can make Soho Olive Garden, a Californian spinoff of Soho Farmhouse. Win-win, if you ask me.

meanwhile she’s displaying faux country/ italianate kitchen from the 90s. ➡️ Remember, Meghan’s whole aesthetic is 90s. Of course she wants the Italian Country kitchen.

And thanks, anon. You’ve just reminded me of a house I looked at when I was moving back in 2022. The homeowners were so into that Italian Country Kitchen theme that they PAINTED the entire kitchen like it was a rustic Italian restaurant. You know you go into a family-owned Italian mom-and-pop place (not a chain like Olive Garden or Maggianos, but something like your neighborhood Italian pizza place) and it’s got that orangey-beige sponge paint that’s supposed to mimic sandstone and there’s a huge wall-to-wall, floor-to-ceiling mural of Italy and dusty fake vines hanging from decorative columns? Yeah, that was how this kitchen was painted. Even the cabinets. And that was not even the weirdest house I looked at by a mile.)

#submission #ask #sussexes #roop

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mariacallous · 2 months ago

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In 2023, the fast-fashion giant Shein was everywhere. Crisscrossing the globe, airplanes ferried small packages of its ultra-cheap clothing from thousands of suppliers to tens of millions of customer mailboxes in 150 countries. Influencers’ “#sheinhaul” videos advertised the company’s trendy styles on social media, garnering billions of views.

At every step, data was created, collected, and analyzed. To manage all this information, the fast fashion industry has begun embracing emerging AI technologies. Shein uses proprietary machine-learning applications — essentially, pattern-identification algorithms — to measure customer preferences in real time and predict demand, which it then services with an ultra-fast supply chain.

As AI makes the business of churning out affordable, on-trend clothing faster than ever, Shein is among the brands under increasing pressure to become more sustainable, too. The company has pledged to reduce its carbon dioxide emissions by 25 percent by 2030 and achieve net-zero emissions no later than 2050.

But climate advocates and researchers say the company’s lightning-fast manufacturing practices and online-only business model are inherently emissions-heavy — and that the use of AI software to catalyze these operations could be cranking up its emissions. Those concerns were amplified by Shein’s third annual sustainability report, released late last month, which showed the company nearly doubled its carbon dioxide emissions between 2022 and 2023.

“AI enables fast fashion to become the ultra-fast fashion industry, Shein and Temu being the fore-leaders of this,” said Sage Lenier, the executive director of Sustainable and Just Future, a climate nonprofit. “They quite literally could not exist without AI.” (Temu is a rapidly rising ecommerce titan, with a marketplace of goods that rival Shein’s in variety, price, and sales.)

In the 12 years since Shein was founded, it has become known for its uniquely prolific manufacturing, which reportedly generated over $30 billion of revenue for the company in 2023. Although estimates vary, a new Shein design may take as little as 10 days to become a garment, and up to 10,000 items are added to the site each day. The company reportedly offers as many as 600,000 items for sale at any given time with an average price tag of roughly $10. (Shein declined to confirm or deny these reported numbers.) One market analysis found that 44 percent of Gen Zers in the United States buy at least one item from Shein every month.

That scale translates into massive environmental impacts. According to the company’s sustainability report, Shein emitted 16.7 million total metric tons of carbon dioxide in 2023 — more than what four coal power plants spew out in a year. The company has also come under fire for textile waste, high levels of microplastic pollution, and exploitative labor practices. According to the report, polyester — a synthetic textile known for shedding microplastics into the environment — makes up 76 percent of its total fabrics, and only 6 percent of that polyester is recycled.

And a recent investigation found that factory workers at Shein suppliers regularly work 75-hour weeks, over a year after the company pledged to improve working conditions within its supply chain. Although Shein’s sustainability report indicates that labor conditions are improving, it also shows that in third-party audits of over 3,000 suppliers and subcontractors, 71 percent received a score of C or lower on the company’s grade scale of A to E — mediocre at best.

Machine learning plays an important role in Shein’s business model. Although Peter Pernot-Day, Shein’s head of global strategy and corporate affairs, told Business Insider last August that AI was not central to its operations, he indicated otherwise during a presentation at a retail conference at the beginning of this year.

“We are using machine-learning technologies to accurately predict demand in a way that we think is cutting edge,” he said. Pernot-Day told the audience that all of Shein’s 5,400 suppliers have access to an AI software platform that gives them updates on customer preferences, and they change what they’re producing to match it in real time.

“This means we can produce very few copies of each garment,” he said. “It means we waste very little and have very little inventory waste.” On average, the company says it stocks between 100 to 200 copies of each item — a stark contrast with more conventional fast-fashion brands, which typically produce thousands of each item per season, and try to anticipate trends months in advance. Shein calls its model “on-demand,” while a technology analyst who spoke to Vox in 2021 called it “real-time” retail.

At the conference, Pernot-Day also indicated that the technology helps the company pick up on “micro trends” that customers want to wear. “We can detect that, and we can act on that in a way that I think we’ve really pioneered,” he said. A designer who filed a recent class action lawsuit in a New York District Court alleges that the company’s AI market analysis tools are used in an “industrial-scale scheme of systematic, digital copyright infringement of the work of small designers and artists,” that scrapes designs off the internet and sends them directly to factories for production.

In an emailed statement to Grist, a Shein spokesperson reiterated Peter Pernot-Day’s assertion that technology allows the company to reduce waste and increase efficiency and suggested that the company’s increased emissions in 2023 were attributable to booming business. “We do not see growth as antithetical to sustainability,” the spokesperson said.

An analysis of Shein’s sustainability report by the Business of Fashion, a trade publication, found that last year, the company’s emissions rose at almost double the rate of its revenue — making Shein the highest-emitting company in the fashion industry. By comparison, Zara’s emissions rose half as much as its revenue. For other industry titans, such as H&M and Nike, sales grew while emissions fell from the year before.

Shein’s emissions are especially high because of its reliance on air shipping, said Sheng Lu, a professor of fashion and apparel studies at the University of Delaware. “AI has wide applications in the fashion industry. It’s not necessarily that AI is bad,” Lu said. “The problem is the essence of Shein’s particular business model.”

Other major brands ship items overseas in bulk, prefer ocean shipping for its lower cost, and have suppliers and warehouses in a large number of countries, which cuts down on the distances that items need to travel to consumers.

According to the company’s sustainability report, 38 percent of Shein’s climate footprint comes from transportation between its facilities and to customers, and another 61 percent come from other parts of its supply chain. Although the company is based in Singapore and has suppliers in a handful of countries, the majority of its garments are produced in China and are mailed out by air in individually addressed packages to customers. In July, the company sent about 900,000 of these to the US every day.

Shein’s spokesperson told Grist that the company is developing a decarbonization road map to address the footprint of its supply chain. Recently, the company has increased the amount of inventory it stores in US warehouses, allowing it to offer American customers quicker delivery times, and increased its use of cargo ships, which are more carbon-efficient than cargo planes.

“Controlling the carbon emissions in the fashion industry is a really complex process,” Lu said, adding that many brands use AI to make their operations more efficient. “It really depends on how you use AI.”

There is research that indicates using certain AI technologies could help companies become more sustainable. “It’s the missing piece,” said Shahriar Akter, an associate dean of business and law at the University of Wollongong in Australia. In May, Akter and his colleagues published a study finding that when fast-fashion suppliers used AI data management software to comply with big brands’ sustainability goals, those companies were more profitable and emitted less. A key use of this technology, Atker says, is to closely monitor environmental impacts, such as pollution and emissions. “This kind of tracking was not available before AI-based tools,” he said.

Shein told Grist it does not use machine-learning data management software to track emissions, which is one of the uses of AI included in Akter’s study. But the company’s much-touted usage of machine-learning software to predict demand and reduce waste is another of the uses of AI included in the research.

Regardless, the company has a long way to go before meeting its goals. Grist calculated that the emissions Shein reportedly saved in 2023 — with measures such as providing its suppliers with solar panels and opting for ocean shipping — amounted to about 3 percent of the company’s total carbon emissions for the year.

Lenier, from Sustainable and Just Future, believes there is no ethical use of AI in the fast-fashion industry. She said that the largely unregulated technology allows brands to intensify their harmful impacts on workers and the environment. “The folks who work in fast-fashion factories are now under an incredible amount of pressure to turn out even more, even faster,” she said.

Lenier and Lu both believe that the key to a more sustainable fashion industry is convincing customers to buy less. Lu said if companies use AI to boost their sales without changing their unsustainable practices, their climate footprints will also grow accordingly. “It’s the overall effect of being able to offer more market-popular items and encourage consumers to purchase more than in the past,” he said. “Of course, the overall carbon impact will be higher.”

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aeolianblues · 7 months ago

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Thinking about Fontaines D.C. again. They’re quite different from any other band of the 2020s that I can think of, somehow they’re simultaneously both completely of this decade in their themes, context and sound, and still have something almost old-fashioned, maybe even timeless about them.

Like they’ve got that sound, depth and emotional complexity that makes people believe there’s something more to them, they’re no flash in the pan, they aren’t chasing any trends or whatever. And still, their post punk sound was so placeably 2018-2022 that you’d listen to it and you have to say yep, these lads came up in the wake of bands like IDLES at the same time as bands like Shame, very 2019.

And you never think, ‘oh I wonder what happened to them, I haven’t heard from them in a while,’ despite the fact that they are basically not active at all on social media. They have the band IG and each member too, but half of them last posted in like 2022 once. They aren’t doing any ‘trends’ or challenges or too many behind the scenes stuff— nothing. It feels almost like a classic band, like someone from the 90s or for the last time, the 00s.

And yet they feel modern, maybe it’s just that they speak to pretty modern fears and anxieties. I don’t know. But then, they’re also still doing the band grind. They’re not famous for anything except their music. No gimmicks, no collabs, they’ve never had a viral hit. People buy their whole albums because nothing they do misses. They sell more on vinyl than some of artists who are much bigger than them and monopolise the record pressing plants (coughs and dies).

Their best known songs are widely known because of fantastic televised festival performances in 2019 and 2022 (Boys In The Better Land, R+L 2019, R+L 2022 when they had that 18 y/o fan join them on guitar; Big Shot with the strings and piano and I Love You, Glasto 2022). Nothing about that is modern, and yet here they are. I couldn’t really see them coming up in another age, not because of the music but the context and themes.

I know, some of their songs sound like they could’ve been observational poems by Keats, Yeats, modern ones like MacGowan. Grian has said he’s still drawn to nature poetry despite being a city boy, but you listen to something like Oh Such A Spring and tell me he couldn’t write an ode to a landscape. Songs like I Love You, the album Skinty Fia in it’s whole. I personally nearly cried hearing it the first time, because as much as musicians have often written about being misfits, about not fitting in, it wasn’t very often that you’d hear someone explicitly framing that from the theme of an immigrant, of someone away from home, neither any longer a part of their home place but noticeably a stranger in the new. About having his Irishness almost heightened by not being in Ireland anymore. All of that. Oddly for the times, and very relevant. Songs like Bloomsday as well. Going back home and realising why you left in the first place. In some ways, Fontaines could only be a band of the now. And yet, there’s been something so traditional about their ascent.

Got big off the back of solid songwriting, they come off as clear-eyed romantics, still with a bit of the mystery and distance afforded to a rockstar of the past, yet not rockstars because they’re such ordinary people. The everyday poets, with a bit of mysticism about them. Amongst many of the bands that have got big in the last four years, they’re the only ones who are still truly independent, all the rest are on Island (UMG subsidiary). They have, if anything, gone more independent now: they’ve moved from Partisan to XL Recordings, both independent labels, and XL is part of the Beggars Group, perhaps one of the largest to still remain completely independent. At this stage in their career: chart topping albums, huge physical sales, a Grammy nomination, Irish Choice Prize nom and a BRIT win, surely if they wanted to, they could easily get on any of the majors. They could bypass the subs and go directly to like, Warner. They’d definitely get signed if they wanted. They’ve chosen to remain independent, admirably.

In some way, it adds to the appeal of the band. There’s a bit of the old band charm to them. I want to be careful not to over-romanticise or turn to folklore a group of very real human beings who have indicated at times that they are perhaps not very comfortable being put up on a pedestal (they are right), and I respect and honour that notion. But there’s certainly something special about this band. And perhaps Starburster has only reignited my admiration for this band, man they’re good.

#Music #long #sorry #fontaines d.c.#fontaines dc #Excuse me if you will because I’m a music journalist; if I don’t who will?

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pexels-ind · 2 years ago

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thececeverse · 4 months ago

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˗ˏˋ ꒰ ♡ ꒱ ˎˊ˗ NAMIE AT WATERBOMB 2024 ... !

The industry's pretty girl finally made her Waterbomb debut! After four years of being one of SM's most successful solo acts, she finally made her long-awaited appearance at the hottest festival of the summer, and like everything Namie does, her set was gold! She had previously said herself that she didn't want to perform at Waterbomb as a soloist until she had enough summer hits, and after releasing the song of the summer this year, she undoubtedly made a splash. So, let's go over what happened, shall we?

˗ˏˋ ꒰ ♡ ꒱ ˎˊ˗ ( WHAT SHE WORE ... ! )

˗ˏˋ ꒰ ♡ ꒱ ˎˊ˗ ( THE SETLIST … ! )

WHY DON’T YOU KNOW

OPENING MENT … !

BUBBLEGUM

BLUE CHAMPAGNE

KNOCK

INTERMISSION … !

HEY GIRL

NO. 1

HIGH ROLLER

I’M NOT COOL

OBSESSED

BE MY BABY (LOVEY DOVEY)

CLOSING MENT … !

CUTIE HONEY

˗ˏˋ ꒰ ♡ ꒱ ˎˊ˗ ( WHAT WENT DOWN … ! )

She's finally here, y'all! Namie's at Waterbomb! We did it!

Namie nation was so pissed every time she didn't go for the last two years, but once SM announced that she'd be going, it was all sunshine and rainbows for the first time since 2022!

She reached the peak of her fame (again) this year, so she and the rest of Pink Marmalade were trending like hell!

Namie has always had quite a lot of creative control over her solo work, and it was obvious here! She was so involved when it came to her styling for the festival (because of course she was), and she went full Y2K! She was taking inspiration from Paris Hilton, Nicole Richie, Ciara... like in the weeks leading up to Waterbomb she was quite literally making whole moodboards. Like, girl, it was serious.

And speaking of styling, let's get into those boots! No one knows how Namie's stylist even sourced those, but somehow it happened. They were truly the cutest thing that any idol has ever worn to Waterbomb, and "HER BOOTS" was trending for hours. So many people were attempting to find them, and Depop crashed a couple times as a result... oops!

Her Versace bikini top was also quite the hot topic! Like, fashion icon we know this already!

Aside from that, Namie's setlist was insane. She literally had all of her hits, all of the summer bops... but a good chunk of her fans were wondering where her debut singles were. And surprise, surprise, it wasn't SM behind the lack of debut era Namie.

It was Namie herself, actually. 😭

She didn't want any of her debut work on her setlist because not only did she kind of outgrow that (she's 24, y'all, come on), but those tracks really didn't fit the whole vibe of the festival. And yeah she's definitely right, but the people would've loved to hear just a wee bit of "Heart Attack," Namie!

But my God her set was incredible. She was smiling the whole time, interacting with the crowd like they were her best friends, and dancing like SM's lights were hours away from getting shut off. Like she bodied the choreography for "I'm Not Cool" like we all knew she would!

And the way she threw her hat once the chorus started... mothering.

For some reason, no one expected Namie to perform "Hey Girl" or "No. 1," but she did! Those are two of her biggest hits, and the crowd couldn't be happier!

At the time of her set, "Obsessed" was literally an unreleased song. And it was fully in English. No one in her crowd knew the words because it wasn't even on streaming services yet and it came out of nowhere, but it sounded good! It was a hit! Everyone loved it!

"NEW SONG" started trending on Twitter the second it started playing lol.

She sang one of her Japanese b-sides, too, which was also a pleasant surprise! And since the song was so long, everyone thought that was it, and then Namie and her cheeky self went "I have a surprise for you guys" right after her ending ment... as if there weren't enough surprises already!

And then "Cutie Honey" started playing... everyone cheered!

Namie is always so expressive every time she performs this song, and it was no exception here! She was up there acting like she was about to win an Oscar and making full use of that stage.

And the best part of all? Right before the first verse started, Namie took off her cute little tube top and quite literally flung it into the crowd! The way the crowd got so loud.

Whoever caught it (either accidentally or on purpose) didn't get to keep it, though lol.

Namie was all over the water guns, too. She shot at the crowd, at her dancers, and she even shot at the rest of Pink Marmalade because of course, they were front and center for their leader! But Jasmine did not appreciate that one-sided water gun fight one bit like for some reason she got hit the most!

And guess who was also in the crowd? Venus! Namie spotted them and waved like her hand was about to fall off like... leader of Constellation nation I fear lol.

After Namie's set of course the girls had to hit the festival circuit themselves! They saw Hyo, Nayeon, Taemin, Hwasa, Kiss of Life... like they got to see all of their faves!

They took so many pictures and filmed so many TikToks, and Waterbomb was essentially just a Sixteen girls reunion! Like Natty, Nayeon, and Namie were all in one room together after nine years!

All in all, Namie was one of the It girls of Waterbomb. She had a great time, #NAMIE_AT_WATERBOMB was trending for a full day, and a fancam of her performing "Cutie Honey" went viral with over nearly 3 million views on Twitter. We love that for her! ˗ˏˋ ꒰ ♡ ꒱ ˎˊ˗

ocs mentioned ... ! — venus (@venusvity) ♡

#˗ˏˋ ꒰ ♡ ꒱ ˎˊ˗ CHAR ... NAMIE !#MISC !#kpop oc #kpop idol oc #kpop soloist #kpop solo artist #idol oc #fake kpop idol #fake kpop oc #fake idol #fake idol oc #fictional kpop idol #fictional kpop oc #fictional idol oc #idolverse #fictional idol community #making a post about namie at waterbomb before i even introduce her group to the fic ? classic me !

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soie-lux · 2 years ago

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Looking Back at My 2022 Goals: Leveling Up Mentally and Spiritually in 2023

As 2022 comes to a close, take some time to reflect. Look back at the goals you set at the beginning of the year. How did you do? What are some things you wish you would've done differently?

My goals for this year were:

I honestly didn't look back too much at this list throughout the year, but I can thankfully say many of my goals have organically been incorporated in my routines and daily life bit by bit as the year went on.

It doesn't matter if you started working towards your goals January 1st or December 1st, all that matters is that you had the discipline to start. To implement every single one of your goal's January 1st can be overwhelming to some, and discouraging when you fail to keep up the habits, which is why so many people drop their New Year's resolutions in the first 2-3 weeks. You don't have to sprint towards the finish line the second the new year begins. Be gentle with yourself. By implementing your goals slowly and gradually into you daily life, you are more likely to keep up with them.

One of my goals for 2022 was to do some form of joyful movement at least 5 days out of the week. I found pilates, stretching, and daily walks worked best for me rather than going to a gym. I want to be able to enjoy life freely for as long as possible and that means taking care of myself and my body. During the summer months, my 5am morning walks and pilates were Godsend. It required serious discipline to get to wake up so early, but it was so worth it! I feel so much stronger and energized! This is a habit I definitely want to carry into 2023. I wasn't consistent with my daily joyful movement it until May, and that's okay! Starting later is better than not starting at all.

Setting limits on social apps has really helped decrease my screen time. I've definitely noticed the less I spent online, the better I felt mentally and my mindset regarding online/media spaces has shifted drastically. I don't feel the need to be in the loop when it comes to the latest trends of what's "in" vs what's "out." No longer am I caught up in the happenings of celebrity and internet culture (the less you check into trending topics and gossip blurbs, you'll find yourself caring less and less about them, trust me). I noticed the more time I spent obsessing over social media and trying to fit into a specific aesthetic, the less I was able to truly be myself. Get off the internet and learn about yourself!! Forget about trends, what do you like to wear? What do you like to do? Don't let the internet fool you into behaving in a way that makes you feel artificial. Since I've learned this, life has become so much richer and simpler.

Quality over quantity has been a big theme for me this year. I wanted to apply this to my closet as well and create a capsule wardrobe filled with high quality pieces rather than fast fashion items. I've always been drawn neutral tones and earthy tones, but recently have developed a soft-spot for navy and burgundy. I've slowly been swapping out my polyester and acrylic items for pieces made of pure silk, linen, cotton, cashmere, and wool. I'm at a place now where I'd rather spend my money on one high quality basic that will last me years and years than numerous fast fashion items of equal monetary value.

Cooking and baking has always been a hobby of mine, but after some mental/health challenges, I found it hard to enjoying being in the kitchen. I don't remember the moment it all clicked, but the autumn months really helped me fall back in love with cooking. All the things I was doing to physically keep my body moving made me want to ensure I was fueling my body properly as well. I spent less time in grocery stores and more time at farmers markets talking to the farmers/vendors and learning about where the food I'm eating is actually coming from!! Organic produce, free-range eggs, grass-fed meats, locally made bread and locally harvested honey as much as possible. Cooking and baking things from scratch instead of buying it processed from the super market. Eating with the seasons. Making my first sourdough starter. Beginning with a few basic ingredients and witnessing something beautiful come into fruition from oven to plate. I'm so thankful I was able to discover an all-new joy for being in the kitchen this year, and I plan to continue to harness these skills in 2023.

I thank God for the way He has helped me grow in my faith this year. Spending time in His word daily. Praying to Him not just as part of my morning and nightly routine, but sometimes multiple times throughout my day just to chat or ask for guidance. Learning to put His will for my life above my own. Learning to trust Him with everything in my life and giving Him full control. Learning to serve others rather than always looking to be served. In the beginning of the year, my goal was to become "that girl," but now my goal is to become the woman of God the Lord wants me to be. I want to be a woman after His own heart. To spreads God's love with the world by being gentle, kind, wise, graceful, poised, soft-spoken, and selfless. I am in no way perfect, but I'm thankful for the growth I've seen this year and I thank God in advance for the work He will do in me this coming year.

#blog entry #soie lux #2022 goals #lifestyle #moodboard #femininity #hyperfeminine #high fashion #level up #black femininity #luxurious lifestyle

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whatisflorencewearing · 5 months ago

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Florence x The Vampire's Wife

1992 - Portrait of Susie by Dominique Issermann for Vogue

A tribute to @thevampireswife, as it is sadly closing its doors due to upheaval in the wholesale market, especially for small designer brands.

Florence once said of @susiecaveofficial and her designs in an interview with @evawiseman of The Observer: "I think we both inhabit a dream world, but have found a way to pull those dreams into reality. I recognise in her the strength that takes. To commit wholly to your aesthetic vision regardless of what people consider 'fashionable' or ephemeral trends. There's a subversieve femininity to her creations that really speaks to me. I think the most beautiful things have a strangeness to them and her dresses seem to have walked out of a gothic fantasy. One that is entirely Susie's."

In no particular order:

July 6, 2023 - BBK Live

September 20, 2018 - Mercury Prize

May 8, 2022 - Dance Fever photo shoot

November 10, 2017 - Moglie del Vampiro a Roma

July 13, 2019 - BST Hyde Park background visuals

May 15, 2022 - Billboard Music Awards

October 31, 2022 - Hallow's Eve Dinner at Luca Restaurant in London

2018 - Press day for Useless Magic

June 18, 2022 - Later... with Jools Holland

They were a match made in Heaven, in my opinion, and the brand will be dearly missed. All the best to Susie and TVW team! xx

Note: you can find additional info about these looks in my previous posts.

#florence welch #florence and the machine #the vampire's wife #susie cave #nick cave #what is florence wearing

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hopeonmyphone · 9 months ago

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World Music Awards Twitter

Happy 30th Birthday to the gorgeous, super talented record-breaking, history-making Million-seller rapper, singer-songwriter, dancer, record producer, choreographer & Global Icon, the One & Only #jhope who rings in his birthday, trending at #1 WORLDWIDE on X! 👏🎂🎉🌟🐐👑💜

jhope rose to fame as the main Rapper of #BTS, the Biggest Boy band in the world! He is a hugely successful Solo Artist in his own right and one of the Best K-Pop performers, always paving the way! He was the first K-Pop soloist to enter the “Top 100 Most Followed Artists” on Spotify, the first K-Pop Soloist to surpass 16 Million followers and the most followed on Spotify for many years (now 2nd)! He's the 1st K-soloist to debut an album (Jack in the box) with over 60Million streams and the 1st Kpop Soloist to have 3 albums surpassing 500 Million streams on Spotify! j-hope is also the 1st South Korean Artist in history to headline a major US music festival "Lollapalooza" and the highest ticket- selling artist in Lollapalooza’s history! With his song "on the street" J-Hope is the 1st Asian Act to enter the Top 10 of the Billboard R&B/Hip-Hop Digital Song Sales Year End Chart and the 1st member of BTS to earn a top-40 entry on the UK Singles Chart following its debut at #37, setting a new record as the highest-charting Korean soloist in the history of the chart at the time! j-hope ties PSY as the 4th K-Pop Act with the most #1 hits in World Digital Song Sales chart history after BTS, Blackpink & Big Bang! #jhope's solo discography including his songs under BTS has achieved 1,500 #1's on iTunes! He ties Suga as the Rapper with the most songs with over 100 x #1s on iTunes! His first solo mixtape, 'Hope World', in 2018 peaked at #38 on the US Billboard 200, breaking the record for the highest-charting album by a K- soloist at the time. He became the 1st member of BTS to enter the Billboard Hot 100 as a soloist in 2019, with his single "Chicken Noodle Soup", fr-t. #BeckyG, which debuted at #81. In 2022, J-Hope's chart-topping debut studio album 'Jack in the Box', scored the 5th biggest Album debut among K-Pop soloists in history! J-hope is also the 1st K-POP Act to headline Dick Clark's New Year's Rockin' Eve in 2022!

j-hope has received 30 nominations and has won numerous awards including a Golden Disc Award in 2023, a Korean Hip Hop Award in 2023 for Best R& B track for "Rush Hour" with Crush and 2 MAMA Awards in 2022 including Most Popular Male Artist! In 2018, he was awarded the fifth-class Hwagwan Order of Cultural Merit by the President of South Korea and in 2021, he was appointed Special Presidential Envoy for Future Generations and Culture by President Moon Jae-in to help "lead the global agenda for future generations, such as sustainable growth" and "expand South Korea's diplomatic efforts and global standing" in the international community!

He is also a leading Fashion Icon, being the global ambassador for the French luxury brand #LouisVuitton!

HAPPY BIRTHDAY HOBI

#jung hoseok #hoseok #jhope #BTS #정호석 #호석 #제이홉 #방탄소년단 #jhope news

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luxicides · 2 years ago

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coquette fashion faves 🐇🎀⛸️💒🎧

the other day my mom inadvertently called me a bimbo for liking high fashion. to be fair, she did catch me watching rick owens fw22/23 when i should have been writing my lit essay, but who's she to judge? anyways, here's a quick list of fashion brands whose work i adore as of late. i'll try to include links to some of my fav shows from them too xx #girlssupportgirls

++necessary disclaimer: this is all just for fun!!!! obviously, these are all just my personal opinions. i'm in no way a fashion expert, nor am i claiming to be. live laugh love, gaslight gatekeep girlboss :3

and so, presenting....

LUXICIDES' DEFINITIVE GUIDE TO FASHION BRANDS IN THE MODERN AGE ˚୨୧⋆｡˚ ⋆

1. MIU MIU

at this point, eeeeeeveryone has heard of miu miu. how could you not?

founded in 1992 by none other than mrs prada, miu miu has been having a (imo) well-deserved revival in the past few years. as the sister label of prada, miu miu serves as a more "youthful, playful and affordable alternative".

though i personally prefer last year's fall/winter rtw show to be more visually interesting than this year's spring/summer show, AND found their campaign with kendall jenner to be... a little lacklustre, i still love what the brand has been doing.

i just love the way miu miu's runway styling is done - going back to fw22, the incorporation of more preppy influences in their cable-knit sweaters along with the very obvious y2k references (mini skirts, lace and mesh, and those cropped tops girl!) is just... to DIE FOR.

and i'm not going to wrongfully malign the ss23 show! i thought the varying textures and how everything was just so flowy and loose. the set for this show was also incredible.

FAVOURITE: pre-fall 2020 (especially this look!)

2. BLUMARINE

ngl, when i first researched into blumarine, i was CONFUSED. just because i had always seen blugirl (their brand for teenagers) being labelled as blumarine (the core brand).... thanks pinterest.

but regardless, i think blumarine is FASCINATING. to me, they've always had elements of frivolity and femininity, with their intricate embellishments, and delicate lace detailings that are just to die for - every coquette girlie's dream.

lately, though, they've been moving towards more y2k influence: i mean, the ss23 rtw show is 99% denim. look at that and tell me that doesn't remind you of britney justin circa 2001 amas !!!

in all seriousness, i love the direction they're going in. i love that they're still maintaining some of the very ethereal, dainty energy that has been at the core of the brand for so long.

blumarine almost never misses with their styling. it's like their textures always go crazy - in the best way.

though it definitely doesn't get as much attention as its sister brand, blugirl is absolutely worth checking out too. i'm personally biased towards their older collections, think 2004-2005 era. they're literally all over pinterest, so it shouldn't be hard to find either.

FAVOURITE: fall-winter 2021 rtw

3. OZLANA

to me, ozlana is like the perfect combination of every trend i love. their pieces are so delicate and so dainty, and i literally can't get enough of their styling... like the fur coats? the pastels??? the DREAMINES???? oh my god don't do this to me rn.

literally every look from their 2022 shfw runway is basically perfect. to me, at least.

like - the colours. the bows. the denim looks in particular..... and the set!!!! don't even get me started on the set design.

ozlana is another brand i see on pinterest all the freaking time. honestly, they're kind of reminiscent to fw04 blugirl in the sense that they both have such dreamlike qualities to them...

unfortunately, ozlana does use real fur :( so that does dock them down a point. but i still do love their styling, and their pieces without the fur embellishments still are quite cute!

FAVOURITE: 2021 shfw

4. CUCCULELLI SHAHEEN

pinterest also brought me to this one!

think glamour. think sparkles. think euphoria but aged up and set kind of in a vaguely old hollywood-esque era. that's Cucculelli Shaheen to me.

Cucculelli Shaheen is NYC-based, and was founded in 2016. which is insane to me, because the level of craftsmanship in their work is breathtaking. their tailoring and the patterns of their pieces are literally... chef's kiss. i'd give up my first born for a dress from them.

listen, the embellishments? the intricacy? the detail??? their pieces are astoundingly lavish and astoundingly beautiful. not to mention, their shoots are basically works of art themselves.

i'm not a bride-to-be, nor am i going to be in the near future, but their bridal collections make me..... goddamn. someone wife me up.

FAVOURITE: collection 13 OR collection 10

5. SCHIAPARELLI

yeah. you don't even need an intro to this one.

if you've been anywhere on the internet in the past month or so, and i mean ANYWHERE, you've probably seen the recent schiaparelli show. and the reactions that go along with it range anywhere from sane, logical, to absolutely batshit crazy takes.

me, personally, in my oh so humble opinion - i loved the recent show. the phrase "a feast for the eyes" was basically made for this show. i mean, the uproar (get it) over the fake taxidermy heads alone was entertaining, but the show itself was a freaking stunner.

i've always loved daniel roseberry's work. i think he does a great job of sticking to the house's codes, whilst also creating a new, exciting vision for the brand. it's what elsa would have wanted!

daniel roseberry has brought so much drama to schiaparelli in his time there - both in terms of public intrigue, but also in the actual pieces. the garments are so bombastic and literally are each works of art in their own right.

i love their use of shapes and i love the over-the-top-ness of it all. i can't wait to see what they do next.

FAVOURITE: fall-winter 2022 couture

that's it for this post, hope u liked it <3 i've never really done much fashion critiquing (unless you count me and my friends sanctimoniously picking apart chanel's recent shows), so this is pretty much new to me.

:3 hope u all have a great day!

catastrophically yours,

luxicides

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