#because who wouldnt love me at that

[biohazard-inevitable]

You’d better bet my f/o’s still love me even after they see my pale, nude goblin form skitter out of my room in the dark of midnight to snatch handfuls of cold stale fries I left on the countertop

[koobiie]

based on that one q&a... i'm a sucker for a pokemon crossover

[deathricedrawn]

i'm ready to try

[yennao]

Yk this actually started as a second pass at @ratblazer 's DTIYS but I got a little bit excited about light pens and ended up here. At least, I think that's what happened. I got the memory of a gnat, you know how it be

[lgbtlunaverse]

So I've said multipe times now (here and here) that thinking nmj is just so blinded by privilege he doesn't undertand that acting out of line gets people killed is, in my opinion, a misunderstanding of his character that ignores the part where he's, you know, actively dying the whole time and thinks that's a good thing. But that doesn't mean I don't think privilege plays no role at all in how he views the world.

Specifically, his view that death (at least premature or violent death) means something.

Death isn't always a tragedy to NMJ, but it is always meaningful. If you kill an evil dangerous person for your righteous cause, that death had meaning. There was evil in the world and now there is less of it. Similarly, if you die in the pursuit of your righteous cause, that death has meaning, because the sheer dedication you gave to it that you were willing to die for it will further that cause, and your bretheren will be invigorated by your sacrifice to fight even harder.

If a death isn't meaningful, that's an injustice and it is up to the living to give it meaning. That's what cuts so deep about his father's murder. There were no consequences, no changes, no meaning. Wen Ruohan was just going to get away with it! He fights and wins an entire war to make it mean something, to make it so that the unjust murder of Nie Mingjue's father is part of Wen Ruohan's downfall.

But this is a view he can only hold because he's the kind of person who's death will be meaningful. Most ordinary people's deaths are meaningless. Not ontologically, not inherently, but they are made meaningless because no one cares. For death to be meaningful you either have to be so powerful that anything you risk your life for will be impacted in some way. (Like, say, if you sacrifice a long life for immense martial power in a faustian bargain with a blade) Or if people with that kind of power care enough about you to do so for you. For most people, this isn't true. A starving street kid has no power to change the unfair world that put them there, even if they risk their life trying, and no one will do it for them once they die.

Nie Mingjue knows this in abstract, and of course rightfully believes it's wrong. But all that does is make it yet another righteous cause people should be willing to die for. Everyone's deaths should mean something, we'll make it so or die trying!

This is what the conflict between nieyao is about at its core. Because Jin Guangyao, fundamentally, cannot conceive of his own death as meaningful. Nie Mingjue grew up around powerful men who could change the world but refuse to do so because god forbid they risk a single hair on their perfect heads. Meng Yao, on the other hand, grew up in an environment where no one of importance would blink twice if you died. He was surrounded by meaningless death. Indeed his entire early life is defined by that lack of care.

Meng Shi dies and no one cares. Meng Yao gets thrown off a flight off stairs and no one cares. He has to be the one to do the caring, and once he's gone no one else will do it for him.

So he has to live.

Jin Guangyao eventually gets far enough that he actually does aquire the power to change some things... as long as he's alive. If he changes too much, holds on too tightly to his ideals, he'll die and it'll all be for nothing. He can't sacrifice himself for his goals because doing so would immediately render those goals unobtainable. No one will care about what he tried to do. He won't be a heroic sacrifice, he'll just be trash that finally cleaned itself up.

And well... Nie Mingjue dies, and someone makes it mean something. Makes it mean so much that the entire story of mdzs would not exist without it. Jin Guangyao dies and it doesn't mean anything. Most people are glad to be rid of him, and the few that are not don't do anything to change that.

[elysiae]

do you think operator & drifter treat their warframes wildly differently?

somewhat insufficient TLDR: i think the operator and drifter are emotionally attached but in vastly, strikingly different ways, and it manifested very, very differently too.

in operator's case, it isn't that they dont *care*, but they know how durable a warframe is. they know they can take one hell of a hit, and they'll be okay because that warframe takes the brunt of it (albeit with some phantom pain if the damage is bad enough). theyre less comfortable outside the confines of those large, bulky war machines because they know they're ultimately safe. those warframes can take hits. they cannot. the operator knows they were people, but they never met those people before the tragedy. besides... a lot of them really are just empty shells. they're hardly the people they once were, especially since they recreated those warframes from blueprints. don't get me wrong, they do remember the anguish of the originals - they were there, they lived it, and they still have empathy for them... but the operator knows the limits of every warframe like the back of their hand - they can maneuver however they want, they can take hits, they can run into armies and not be too afraid because they (as in the operator and the warframe this time) be fine. even if the warframe is damaged, they can fix the damage, so no harm done.

but drifter on the other hand? at first i think they never really realised the power they had. in their mind they were still them, just running, rolling on the occasion, it took them ages to maneuver those things *properly*, and probably only ever really learned with the operator's guidance. they would not let a warframe take a hit, not because they felt empathy for it (at least not a lot, last i checked you kind of need at least *some* to have effective transference?) but because they were so used to walking around vulnerable. yknow, not inside a killing machine. but what would've really solidified the difference was after they went to 1999. sure, hearing that these things used to be people is one thing, but at the end of the day, to drifter, they're still just machines. drifter never got to experience what the tenno did, they never had to deal with reaching into their freshly scarred minds to ease their anger, sorrow, fear, rein them in like the terrified animals they were turning into and hush their cries with understanding - they only knew the dead inside remnants... but it's an entirely other thing when you go to the past and see the people who were hurt. you meet them and you get to know them, become their best friends - maybe even date one of them - and it hit drifter like a fuckin' freight train. they have this entirely different view on warframes from that cold perspective they had at first. they weren't just war machines. those are people. every time they go into the head of those machines, they're looking through the eyes of *people.* people who had families and desires and hobbies, things they looked forward to, entire futures ahead of them that were snuffed out. people who were scared, people who didn't know what was happening. people who knew what was happening, who lived in fear knowing they weren't able to stop it... people who lived in fear of losing themselves. and i think it hit drifter a lot harder than they'd ever admit.

but thats not to say one of them is more attached than the other - both of them care deeply about their warframes. it's just that, they have different ways of looking at them. after all their experiences were so vastly different, it'd be impossible to look at them the same way.

(too lazy to type it out all over, but i have an example in the tags i think kinda helps pull it together more)

[butterysalt]

Ahhh thoughts about Laios Touden who would love you regardless of who you were. Your species, your race, your gender, your sexuality, none of those things matter in his eyes. Because to him, what makes you so wonderful and easy to love is that you’re simply just you. And there’s no other combination like you.

I get especially sappy thinking about it if you’re a tallman, too. At first, it seems like Laios couldn’t care less about humans. He always talks about how boring he finds his own race in comparison to others but it’s all heavily influenced by his own experiences growing up and being ostracized and bullied by those around him.

But just think about what it’s like when he meets you, another tallman. Yes, you’re human, but when he realizes that you won’t treat him differently for the way he is, he sees you as so much more than that. So what if you’re a tallman? A little thing like that doesn’t matter to him.

It’s not just that you’re “different from other tallmen”… it’s because you’re you. And he’s him.

Nothing more than that.

In an odd unlikely twist of fate, it seems that this time, the mundanity of it all is what completely captured Laios’s heart.

Just… you.

[copia]

THIRTY-ONE DAYS OF GHOST ⛧ DAY TWO

the song that made you a fan — Spillways

“This is an elegy for the darkness that most people have inside. When you have a dam, spillways are the run-offs so the dam won’t overflow. That darkness inside us needs to find its way out,” — Tobias Forge

Job 10:1 "I loathe my own life; I will give full vent to my complaint; I will speak in the bitterness of my soul."

[chrisbangs]

231003 ♡ Happy Birthday Bang Chan!

[quillkiller]

thinking about my favorite mortal enemies regulus and remus

[ccbatman]

what if i said hal's mom called him "hally" specifically as a play on halley's comet, huh. what if i said she did that because she knew no matter how far he went, he'd always come back to her, hm. what then.

[xenomorphicdna]

On the string propaganda

Heeellll yeah

Bestie is an entire PLACE

I look at those guys and let me tell you the soul of that thing ain't just in the puppet, it's in all the neurons carrying the thoughts and emotions, it's in the power rails that serve as the heart. All the memories in the memory conflux and all the numbers we see flicker across displays, the flux condensers, the puppet; a little avatar.

No way these massive machines see life the same way we do. They have their own experiences and senses and things they hold dear. A world we can't imagine, a way of living we couldn't even comprehend.

I could never tear an iterator apart to be just a puppet. Who am I to decide how's life supposed to be enjoyed or perceived?

You treat your creechurs however you want- I ain't gonna dictate that. But damn, hearing the thrums and buzzes of the linear systems rail? They are alive with so much power, these mechanical beasts are exactly what they should be.

[a-a-a-anon]

appreciation post for Lise Mayer!! she co-wrote The Young Ones (and The Bachelor Boys book, additional material like when they did Comic Relief, etc), which is well known. but she also wrote for other things in the alternative comedy scene like Rik Mayall and Ben Elton's comedy tour (source: BBC Breakfast Time interview)! and, something I didn't know until recently: she co-wrote/wrote for Kevin Turvey! she's not credited in his television appearances, but see below for sources.

i really loved the podcast episode she did with Alexei Sayle about TYO, you gain a lot of insight into her perspective! she also mentions misogynistic treatment like being asked to go make tea when they were doing script readings, not getting invited to a big BBC party because it was presumed she'd be Rik's plus-one, and getting groped at the BBC bar. it pissed me off on her behalf and partly prompted this post.

some specific accolades/accreditation/fun facts:

Rik crediting her with writing/conceiving the Kevin Turvey non-joke "All right, biting political satire: What do Lech Walesea and Menachem Begin have in common? They’ve both got foreign names! What do you mean it’s not funny?" (x)

Alexei Sayle in Thatcher Stole My Trousers crediting Lise with co-writing Turvey: "Lise was, like Linda for mine, a vital part of Rik’s career, co-writing both The Young Ones and Rik’s character Kevin Turvey..."

a 1987 source for Lise co-writing Turvey: "The assumption that women do not write comedy scripts was one with which Lise Mayer, co-writer of The Young Ones television series, has also had to contend. She started writing for Rik Mayall’s Kevin Turvey in the television series A Kick Up the Eighties..." (x)

Rowland Rivron (comedian who toured with The Comic Strip gang and lived with Rik and Lise) in What the f*** did I do last night?: "[Lise] also had the unenviable job of standing at the side of the stage when Rik was performing, and jotting down anything he said that was unscripted. If it got a laugh, it would be woven into the next night’s routine."

the only time i've ever seen a Rik Mayall/Ade Edmondson/Lise Mayer writing credit: for a poem called Distance which was collected in this anthology! Rik and Ade seem to have acted it out (or at least a version of it) in this 20th Century Coyote performance

Rik on Lise writing TYO: "‘She discovers different things: the comedy of embarrassment and awkwardness – she draws out the cheating and stealing that goes on in the house.’" (x) (Lise also says her "favorite comedy was always the comedy of embarrassment" in the Alexei Sayle podcast)

Rik: "... Lise Mayer wrote this great scene where I find a tampon in a handbag and it's my birthday party and I think it's a present because my character is Rick, who is such a git, he didn't know." (x)

Helen Lederer in Not That I'm Bitter, writing about being on The Young Ones: "[Lise] was known to be the brains behind it all, particularly the more surreal elements…"

she and Rik chose the bands (x)

Lise: “We’d have a table read at which point we’d discover that the script ran over an hour long, and then I’d have a sleepless night editing it.” Alexei: “You did that?” Lise: “Usually me, yeah…” (she later explains they'd present the script Monday and rehearsals were Tuesday, Wednesday-so she literally had one night to edit!) (x)

facts from the blu-ray commentary tracks:

Rick's yellow dungarees in Interesting were based off a picture of Lise in a similar pair

Lise wrote an essay about the tampon joke in Interesting so that the BBC didn't cut the scene (though they still edited it)

Paul Jackson (producer) credits Lise with arguing "you are seriously telling me that we cannot refer on television to something that happens to 50% of the population for about 30 years of their life? and we're not allowed to even refer to it" to make an executive back off about the tampon joke in a meeting

Lise came up with Neil's flowerpot covering in Nasty

Vyvyan/Vivian's name comes from Lise having lived in Vyvyan Terrace, Bristol

Lise thought of the cast switching costumes in Bambi (one of my favorite moments!!) (/end of commentary track facts)

this is guesswork, but i've seen Ben Elton and Rik Mayall's handwriting and i'm pretty sure the editing/handwriting on the bottom left on this script must be Lise's, which gives insight into what/how she wrote: (x)

i feel like it's easy for people to overlook or minimize Lise's impact, something that happens to female creators far too often. i hate when women's identities are framed around their association to a man-girlfriend to Rik in this case-which was the norm whenever i saw Lise discussed in articles/books/online discussions about TYO. it's important to know she was a writer and co-creator with her own identity and (underappreciated) contributions. The Young Ones (and Kevin Turvey, and things we don't even know she goes uncredited for) would not have been the same—or wouldn't have even existed—without her!

[starry-bi-sky]

Hello!! Question about clone^2, what are the styles of Danny and Damian? Like day to day stuff for example. Does Danny buy Damian the traditional 8 yr old clothes (dinosaurs with sunglasses tees, stuff like that) or does Damian already have a style he likes? And Danny! I know that Sam gives Danny various punk hairstyles and that he prefers gender neutral stuff but outside of that what would Danny wear in general?

You don’t have to answer of course, but I’ll give you a thank you in advance!

- kindest regards, Gas Can

I LOVE GETTING ASKS NO WORRIES MY GUY. AS MY FAVORITE SAYING GOES 'THE QUICKEST WAY TO STARRY'S HEART IS THROUGH HER ASK BOX'.

And I love this question, this is a good one!! If damian's 8 then he's been around the fenton house for about a year or so. I can't see baby dames ever willingly wearing traditional child-like clothes, at least not in the beginning when he first arrives at the Fenton house. Which he'd be around 6-7.

Danny tells him (with the help of google translate) that he's going shopping to buy him new clothes sometime during Damian's early stay since the little man had been wearing the same clothes he arrived in for a while (which you can find here with the reblog of the colored version) and honestly he probably asks damian if he wants to come along to pick something out. he doesn't know the kid's style and it might be a bad idea because damian might make a run for it, but danny's caught him before at this point.

(plus he'll need help carrying bags - his hands are freshly injured and still smarting. they're not as bad as they will be in the future, but hand injuries hurt. consider it repayment for being the cause of it, damian)

And early Damian would choose clothes that remind him most of the league - so dark colors, more formal styles, think like how you'd imagine his original template to dress like, if you will. Danny is side-eyeing him in judgy bewilderment, but says nothing other than to complain about the price tag. Of which Damian has no idea what he's saying. He'd stick with those clothes until he has his little moment with Danny in the OPS Center where he finally tells him he's a clone (even though Danny already knows) and that he doesn't want to go back. After that he'd reluctantly and steadily start branching out.

So eight year old Damian, whose begun to chill out more and act more like a child his age would? I don't think he'd ever wear graphic t-shirts about kids shows, but I can see him wearing graphic tees of like, animal facts on it, animals, stars, etc etc, and then plain shirts in a variety of increasing color. I have this mental image that Danny buys Damian one of those joke shirts that says "bro I'm 8" / "this is what an awesome eight year old looks like" (with two thumbs pointing at itself) and Damian wears it to school a week later. Damian's variety of shirts increases the more comfortable he gets and the more he comes into his own identity.

Damian also, steadily, keeps stealing Danny's flannels even if they're almost comically large on him. They're comfy and he's embracing his role as baby brother (and also he really looks up to him because he understands, to an extent, of what danny's done for him). Danny and the Fentons start buying Damian his own after a while because, well, he can't keep taking Danny's.

And Danny! I'm so glad you mentioned Danny, my favorite GNC boy. I keep forgetting myself sometimes that I gave him long hair, even if it is my favorite thing about him. And honestly? Danny doesn't really do much with his hair if Sam isn't styling it. He usually lets it stay down on his head, and then pulls it back into a ponytail or a half-ponytail at school depending on what he's doing (gym vs a test).

He keeps it in a ponytail as phantom to keep it out of his face, and then when he's working on a Ghost Case he sometimes has it up in a (messy™) bun because the feeling of having his hair on his neck when its in a ponytail drives him nuts, especially when sleep deprived. Sam teaches him how to braid it back into a simple braid and its become a new fidget for him to braid his hair and then unbraid it. It's easier to keep off his face than a ponytail, so he sometimes braids it back when he's sneaking out as phantom. It happens more often once he gets skilled at it.

And danny's style! I know you probably only meant his hairstyle, but I also wanna talk about his aesthetic! He doesn't really put much into his appearance. Very teenager-y boy 'threw on the first thing i saw on a hanger/floor' type, but he kinda has a bit more of a casual, soft grungy-like look as an older teen. Just some hints of Sam's influence - and you know what, some of Tucker's as well because that's his best friend too.

(Off topic but 19yo Danny from my Childhood Friends Dead On Main au has a similar style that's a bit soft punk as well, and that is somewhat more intentional on CFAU Danny's part. Why make an au if I can't play dress up with my favorite character? :))

Mostly because I read a Spider-Man x DP fic that described Danny (from an outsider's pov) as looking kinda like a skater boy who listens to alt rock music and it's been my personal interpretation of him ever since. So he has band tees, flannels, graphic tees with jokes on them, shirts with astronomy facts on them, and idk if he'd ever buy ripped jeans but Sam has certainly bought him some and they fit so *shrugs* he wears them. And he has one or two of those denim jackets with the hoodie sewn inside it. And from Tucker he has a few turtlenecks because Tucker reads as a turtleneck-kinda guy, geek chic-ish.

[rise-my-angel]

Some stans actually believe that once Jon learns of his true parentage he will be happy. Jon literally just wants to be acknowledged as a Stark, he wants nothing with that shitty prince or his fire loving family. He might get some closure knowing about Lyanna but Ned Stark will always be his daddy.

I was thinking about this, and really, it doesn't change much of Jon's understanding of Ned. He knows his father isn't telling him the truth, or at least by not saying a word to him about his mother, he is keeping information from him on purpose. He knows Ned was hiding something about his birth, because Jon spent his entire life wondering what couldve happened between his mother and his father to cause him to shut down about it, even to him, even to Catelyn.

Jon already is aware that Ned is hiding something. He just does not know the degree of the secret.

But also, I am sick of people dismissing Neds role in his life. Ned is not Jon's uncle. Sure by blood he is, but Jon was raised thinking that he is his father. He was treated just like a father treats his son, he was loved and given the same education that Robb got, he was raised in the family home getting to grow up with his brothers and sisters.

Jon didn't suddenly lose all those days or evenings he wouldve gotten to spend with his father alone. Didn't suddenly lose all of the times they acted just like a loving father and son with no hangups. He didn't suddenly lose the fact that to Ned Stark, Jon is not his nephew, he is his son.

Jon does not suddenly lose that Ned never even gave him a reason to feel like he wasn't a good enough son. He interacted with his father his whole life in a way that made him feel loved to the point that even now that hes dead, Jon routinely feels frustration that multiple older men in his life have tried to place themselves into the position of a father figure to Jon.

He was given a personalized version of the Mormonts ancestral sword, that was once belonging to Jeors son. Jon's honoured but he is not lost on the implication that Jeor looks at Jon like a pseudo son and it bothers Jon even then. Men can give Jon a thousand swords but it will never change that his father alone is Ned Stark. And keep in mind, this occurs during the period of time early at Castle Black where Jon is resentful and thinks Ned let him come here because this life was all he deserved. And he STILL refused to let someone sway him into seeing a man as a father figure other then Ned Stark.

Jon through all the insecurities and anger, loves Ned Stark as much as a son possibly could. More then once Jon thinks in situations that could lead to his death, about Ned. He always circles back to what would his father think or do. Jon dictates his independent, adult life based around learning to be the honourable man his father wanted him to be and does so without resentment.

My negative opinions of Rhaegar aside, Jon has no attachment to the thought of him as any kind of man. He grew up his whole life knowing the story that Rhaegar kidnapped Lyanna Stark. He grew up likely hearing the rumours that she was raped. He knew that kidnapping led to her dying tragically at the age of 16 in a way that clearly traumatized his father.

Jon has never been missing a father figure. He has always been missing his mother. Not missing a mother figure, only his mother. The only person he cares to learn about is her because shes the one person in Jon's blood he has never truly known. Then he learns hes heard about his mother his whole life, and realizes the bloodshed caused both for his conception and that she died without having a chance to be with her son at all.

Learning the truth is about realizing WHY Ned did the things he did. Why telling him about his mother was both too painful and too risky. Jon can be angry he was lied too, but does not change that Jon is smart and will understand that Ned did it all to protect Jon.

Jon will realize Ned did not need to raise him as his own son, in his home and family and give him love, to keep him safe. Jon knows Ned did all of that because he loves him the way Ned loved Robb or Bran. Jon will ultimately realize he never actually lost the father he grew up with, because Ned always considered Jon to be his son.

Learning the truth for Jon is about Lyanna, it's about learning that his mother died with her last words begging Ned to protect him because she loved him. It's about Jon realizing he is an echo of the dark shadows of Lyannas final months of life and that he needs to stand up and fight because she couldn't. That he needs to protect the ones he loves the way he wishes he could go back in time and protect her.

It's about realizing hes always had a father, because to Ned, Jon was always his son through and through. And it's about Jon realizing that he needs to live and fight because without him, Lyannas memory will fade away forever and he will not allow that to happen to her again.

Whatever people want to say about how Jon will feel about learning his blood is partly Targaryean, they will always downplay Jon also coming to terms with himself as a Stark.

However Jon will feel about the Targaryean side, none of that will take away that Jon will realize how incredibly important his Stark side is and always was. Their speculations about how Jon will feel about a man hes barley thought about his whole life, should never overpower that the truth leads Jon to the thing that matters.

That Jon Snow has always been loved, and he's always been a Stark. Because he was the son his mother died begging to protect, and he was the son that Ned Stark chose.

[skunkes]

talon's abuse coming from looking very cherubic and childlike -> being treated like a child, with no autonomy to the point where even he himself sometimes mistakenly refers to these events transpiring when he was a child even though he wasn't -> all this leading to his emotions and mental state being very unmanageable, unregulated and fraught in the aftermath, once he's found himself back to al and isn't in survival mode anymore -> the gentle care, love, and support he needs to heal feeling very much like he's a child being taken care of, stirring up conflict within him....yup mhm