#because it does look very cool

[gummi-ships]

Kingdom Hearts 3 - The Final World

[avephelis]

just wanted to say it's really awesome seeing the positive reception to chunky mikey LOVE YOU ALL 🧡🧡

[itsnotacostume]

we as a fandom do not talk about this scene enough. what the fuck is this. why did he feel the need to install this? so he could stare at his boybestfriend all day without having to get up?

[zylphiacrowley]

Radiant Finale

[frog-thief]

"once a ordinary monk picked up a lonely and lost sparrow"

[turtleblogatlast]

[ cw: scars / permanent injuries / chronic pain / ]

Leo’s shell gets some permanent cracks in it due to the Krang, and as a result his shell’s pattern is all messed up.

He makes a fuss about it in a lightheartedly vain way, but it’s clear that it bothers him, more than just the chronic pain that comes with it.

The one who breaks about the cracks isn’t Leo in the end, it’s Mikey.

It’s a night where Leo can’t sleep, insomnia and the remnants of a fit pulsing through his shell keeping him awake. When making the rounds to check up on everything, he sees Mikey, crouched over some old crayon drawings, drawings that were only salvaged by some miracle.

Mikey always loved matching with his “cool blue bro” growing up. Their shell designs were something they had in common, different from the spines/spikes that their other brothers had. It felt good to share that with Leo.

To Mikey, seeing that pattern tarnished felt a little too much like their home getting destroyed. Worse, even. The two of them are complementary colors, it hits harder when things disrupt that.

And Mikey admits this to Leo, on this day where emotion kept mounting up in him until he couldn’t help but break a little. It feels selfish to say, but it’s the truth. It’s a visual that’ll constantly haunt Mikey, knowing what the cracks represent, knowing how they lost something that was just theirs to share.

Drawing Mikey to him, a hand on Mikey’s intact shell pattern, Leo admits that that’s what kills him the most too. He can deal with the pain, he can deal with the appearance, but he can’t deal with no longer seeing himself in the crayon drawings they managed to salvage from their past. Drawings that highlight their shell patterns, because Mikey always had a lot of fun drawing those.

He always loved what they decided they represented.

———

“Like links of a chain!” Little Mikey had called them as he scribbled them down in oranges and blues.

“Of course it’s like chains!” Little Leo nodded, having never noticed that before, “It, like, shows how we’re- how we’re always connected!”

Little Mikey had gasped at that, stars in his eyes as he babbled endlessly about how that meant they’re the chains holding the family together, right?

“Raphie and Donnie don’t have chains on their shells, so we gotta step up to keep everyone together!” Little Mikey said as he drew big circles around his drawings of their family, overlapping circles of orange and blue around everyone.

“Yeah! And if anyone gets lost, we’ll bring them back!” Little Leo boasted with a laugh, “No one has to be alone, we’ll make sure of it!”

“We’ll make sure of it!” Little Mikey echoed with a happy giggle.

———

‘You sure made sure of it, Mikey.’ Leo thinks, continuing to run his hand comfortingly down Mikey’s shell.

Then a thought hits him.

“Well, we got something better than just shell patterns in common now!” Leo starts, waiting until Mikey looks up to continue, “We got portals, little brother!” He grins, “And y’know, I think you’ve done a great job keeping us all together, Miguel. Sorry you had to pick up my slack.”

Mikey looks two steps away from sobbing at that, but his smile is wide, “You just got lost, of course I had to bring you back.” He leans back, out of Leo’s hold, and looks his big brother in the eyes, “That’s what we said- Raphie and Donnie don’t have portals…”

“-So we gotta step up-“ Leo continues.

“-To keep everyone together!” The finish simultaneously, laughing a little at the juvenile words.

A wry smile crosses Leo’s face, “Again, sorry I’ve been dropping the ball there. Feels like I did a lot of the opposite instead.”

He yelps as Mikey swiftly smacks him on the head.

“Nuh uh uh, none of that!” Mikey puffs out his chest, “I’ll have no slander toward my fellow portal pal!”

“Alright, alright…”

It’s not a fix to anything, more of a new way of looking at a change. Bringing that change into their lives as something familiar.

The cracks in Leo’s shell remain, and the cracks in Mikey’s hands scar over, but their family stays together all the same.

They gotta make sure of it, after all!

[dustykneed]

(tsfs feels anyone? fanart below.)

You've been in his head.

But he says, never faltering, the words,

"I choose the danger."

It is in that moment that you understand:

He could never, would never,

Has never hated you.

Now you realize:

this is what humans refer to as love.

[you-shiny-thing]

I was thinking about what Pokémon would suit which frame, and I mean,

Yareli and Primarina + Mantine

Primarina's design is perfect for Yareli, they're both water-themed magical girls, and with Mantine joining in as a known fan of surfing, which is as close as it gets to k-driving in the Pokémon world.

Jade and Mega Gardevoir

They look like siblings separated into different universes: they have the same colours, the same silhouette... I want them to meet,, maybe put together a coordinator contest or a duet.

Volt and Zeraora

They're both high speed electric fellas, I can see them doing parkour together with Volt boosting them and Zeraora's lightning sparking all around them. And besides, considering Zeraora collects electricity, I imagine it could charge up from Volt's electricity and use that to zap whoever comes in their way.

Garuda and Weavile

Vicious and clawed, they're both ready for a good mauling any time. You cannot tell me a Pokémon version of Garuda would not learn every and all moves that imply usage of claws.

Oberon and Sawsbuck

Hoof buddies! They both have a serene feel to me, but then again, deer are known for being silly and getting spooked easily, so I just want to imagine these two traveling in the woods and jumping at shadows, giving people of Cetus the silliest trail cam footage.

[insomnya777]

joel etho single dads au .........

[hulloitsdani]

DAY 6: Bridal!!!

AND WE'RE BACK! NEVER LET ME DRAW RUFFLES AGAIN!

Had to pause the daily drawings for a minute because it was my birthday recently! Yippee!!! I have aged!!! And as a birthday present I tormented myself with many many ruffles.

Spring alt and bridal alt shaking hands over my grave tho. I feel like where the execution of the spring alt was alright but the vibes were off, the bridal alts execution needs improvement but the vibes are on point. Super want to iterate on it in the future. Playing with that veil sounds so freaking fun.

This drawing took heavy reference from this post by lolita-waredrobe. Check them out if that suits you.

[sesamestreep]

“requiem for methuselah” crazy ass episode for many reasons. Kirk is being fully insane, like I don’t actually think, even controlling for how quickly and easily and readily he seems to fall in love with anybody at the slightest encouragement, that he’d go that bonkers for that android woman he just met while everyone on the ship was this close to dying, but that’s neither here nor there, because in the background you’ve got an equally but much more subtly insane episode for Spock, who extremely uncharacteristically admits to experiencing an emotion (or nearly experiencing, whatever) and that emotion is ENVY of all things. And then spends the rest of the episode warning Kirk away from this new love interest (something that doesn’t usually happen, even when Kirk has very inadvisable love interests) and is, in the end, the person who accurately identifies that Rayna’s competing love for Kirk and Flint is ultimately what overwhelms and destroys her with the most killer line in maybe history???

And then to wrap it up we get an equally uncharacteristic sort of denouement scene (TOS loooves to cut an episode off right after the actual climax, leaving little time for falling action or character reflection, or to stick a sitcom-y button on the end where the gang all smiles and laughs at their misadventures and everything resets to zero, which is not a criticism, it’s just the style of that era of tv, honestly) where Kirk is literally miserable over Rayna’s death (again, kind of unusual for a lot of his love interests, he tends to be able to move on pretty quickly) and Spock goes to see him and he falls asleep right in front of Spock (also odd) and then when Bones comes in to give the final word on Flint, Spock waves him off from waking the Captain (tender) and Bones gives him that awful speech about how it’s sadder that Spock can’t even imagine the love Kirk felt for this random android woman than it is that Kirk lost her in the first place (debatable but also rude) and how his great tragedy is that he can’t love at all like they can and how all he wishes is that Kirk could forget about all of this and move on. AND THEN, to have Bones leave and Spock go over to Kirk and very gently, tenderly, reluctantly touch him and put his hand to his forehead and tell him to forget and HAVE THAT BE THE END OF THE EPISODE??? What am I supposed to do with that??

[uhbasicallyjustmilex]

i’m fine. i’m totally, totally fine

[robotsafari]

STRANGE CAT ON THE GRID !!!! BLOW IT UP IMMEDIATELY!!!!!!!!

here’s my rinzler redesign / au(?) design. going for a more ‘82 feel since i like that movie and its aesthetic better.

[valzhangism]

i know i said i was happy about how mel's story went, but the more i think about it the less i'm sure about that. this is very much connected to how the themes of classism and wealth disappeared in s2, but mel in the beginning was the epitome of piltover. she wanted to advance piltover to prove herself to her mother. to "put piltover—" and by extension herself, "—on the map."

she wanted wealth just to have it. and i'm not blaming her for anything that happened, especially with hextech! she, just like jayce and viktor, could not have known what it would lead to. i mean yeah heimerdinger said so but who the hell listens to heimerdinger? but anyway i think mel changed throughout s1, much in thanks to jayce. by the end she's become more cognisant of the mistreatment of zaunites. she's the first to vote for their peace. she was a good person all along but now she knows how to act on it. it's also seen more in s2 act 1. when she covers her painting with gold, it's symbolic—she won't act according to what her mother might think. she won't let her desire for approval dictate her anymore.

so somehow i wish those themes were. continued, somehow? like again they were dropped not just with mel but the whole show and it makes her story a off to me. there's no meaningful commentary on war or classism or how her ideology stands opposite to her mother's. like some people have said, it feels like she doesn't have much agency, even if she is really cool. and that to me is a shame because agency felt like her thing. "to shape your own destiny" as she says to jayce in s1. i know her collaborating with the black rose (but not fully joining them) and learning magic is supposed to represent becoming independent from her mother, taking her own path, but some other aspects of her character were thrown away... the more i think about it the more i'm thinking they kind of #girlboss-ed her a little bit. maybe to sell another champion. i can't help but feel like even though i enjoyed seeing her on screen, the payoff didn't feel proportionally satisfying compared to her setup in s1.

[xxplastic-cubexx]

Fam and i were passing a sock shop and we saw a cyclops one and In Devious Union my brother and i said ‘cysocks’

[jupio]

grogu is going to be bouncing off the walls with the amount of sweets cobb’s gonna buy for him

a bit late, but happy holidays! especially to @exx-bee , who this piece is for >:)