#ar meta

[helluvathings]

It's interesting that the episode description straight up warned for Stolas lacking self-awareness. It's more or less a confirmation that Stolas and his character arc aren't finished, and between that and the content of the last couple episodes, I ended up going back through the series and looking at the path he's taken so far. Warning now, there's a lot of 'deconstructing' Stolas at first, but I do think he's on a positive trajectory and the set up serves as foundation for future character development.

Anyway for anyone interested in a from-the-beginning rundown of Stolas's arc, full post is below.

From his first conversation with Blitzø, you have Stolas in his bath making the favors for favors offer, while Blitzø is working and in a life-or-death situation. The language Stolas is using is too formal; it causes communication issues, and Blitzø has to tell him to stop using "rich person talk." The scene that sets up their whole dynamic is 1. Stolas establishing the transaction (given he could've straight up punished Blitzø for stealing or just taken back the book, this isn't bad; it just is), 2. Stolas at leisure while Blitzø's job has him in danger, and 3. the class/education difference resulting in Blitzø having difficulty understanding what Stolas is saying.

Move forward to Loo Loo Land. The language Stolas uses with Blitzø gets a lot of attention already, as does Stolas's rather poor grasp of social cues/difficulty seeing outside his own perspective causing him to clash with Octavia. One point I don't see raised as often is that Stolas hiring Blitzø to spend time together, when he doesn't need a bodyguard, and then sexualizing Blitzø while he does his job, is both condescending, and doesn't show much respect for what Blitzø actually does. He pays him more or less to put on a show, so Stolas can indulge a fantasy of them having a relationship (not because he's evil, because he doesn't know better).

Then you've got Stolas in the newest episode, getting annoyed with Blitzø for saying he thought Stolas couldn't be hurt because he was immortal. That if I.M.P. could handle Striker, Stolas surely could. Stolas's sarcastic, "It's not an imp's place to protect a Goetia, is it?" comes across different when considering Stolas literally once hired them as mock bodyguards. It just... escapes him, why Blitzø would think the idea of Stolas needing their help is outrageous. Never mind how clear Stolas's rescue in Truthseekers made their power disparity. Stolas often has trouble putting himself in other people's shoes, and it shows here.

The Harvest Moon Festival brings in Striker, who's basically a "class problems" mouthpiece, exaggerated for emphasis. He even remarks directly on how Stolas's treatment of Blitzø can look from the outside. There's also the episode's opening bedroom scene, where Stolas's idea of flirty talk is copious use of microaggressions, plus the later scene with Blitzø snapping about Stolas not using his proper name. It's likely not an accident that these things happen the same episode Striker appears.

Truthseekers has "impish little plaything," with honorable mention to Stolas pinching Blitzø's cheek and scolding I.M.P. like children. But it also has Blitzø's vision all but screaming how Stolas makes him feel. On the one hand, it's Stolas who brings him back to himself. He washes away the muck. He's something beautiful amidst the ugliness. But he's on a pedestal, he has Blitzø in chains. He has shadow Blitzøs fanning him like servants, and Blitzø stumbles away from him blind and mute, smothered by feathers.

Ozzie's is actually good for Stolas's development, because he gets his first reality check when Blitzø makes it clear he thinks Stolas only wants sex. (It also shows how Stolas feels about Blitzø behind the bad erotic-novel scripts he's been using, which is the first time the audience sees this outright). After that, Stolas realizes his relationship with Blitzø was problematic. He sees the transaction and gets rid of it, and he senses something off with his behavior that has him start calling Blitzø by name and stopping with the 'plaything' type remarks.

But the past two episodes have made it evident he'd made those realizations in a vacuum. His broader class awareness is basically nonexistent, and when Blitzø tries raising the issue, he groups Blitzø with Striker by default, as if any criticism of his status/wealth/privilege is unreliable and antagonistic toward him specifically. He refuses to sincerely consider that Blitzø isn't merely judging him, and that he might be saying something with legitimate basis.

The Circus is especially interesting. Aside from the commentary underlying the 'buying Blitzø' plot, the episode shows Stolas getting scolded by Paimon like a dog for showing respect to an imp; that likely wouldn't have been an isolated incident. It's played somewhat for humor ("I'm so good at daddying"), but it also shows why he'd have so much trouble with things like microaggressions. He has literally been trained to hold himself above others. And just going off the way Stolas is framed at Stella's party, isolated and alone, being laughed at by Stella and her friends, I suspect Stolas may see himself as a "good rich person," because he doesn't seem to fit well with the Goetia either; he's laughed at and bullied, he lacks privilege in his own ways. He identifies more with other demons than his own class--and it blinds him, I think, to the fact that he is still part of his class, and isn't immune to the problems that come with that.

Even in Seeing Stars, there's the moment with Stolas all but strangling that poor butler and hardly seeming to notice. In an episode that's almost entirely focused on father-daughter relationships, that still gets tossed in. Regarding the Octavia plot, Stolas lacking self-awareness comes up again; it's understandable that he's distracted with the divorce, and we do see him try to resolve the issue, but it feels like a quiet alarm indicating hey, you might have a recurring problem where your daughter is concerned.

Western Energy is another 'Striker shouting that class issues matter in this show' moment. While I think Stolas going the 'well, you're part of the system, so you can't complain' route when Striker tries bringing it up is loosely relevant, I also don't blame him for that one. Poor guy is being tortured, he deserves some slack. Oops, in my opinion, shows Stolas at his best; he's just been turned down by Ozzie, but he still sticks around and helps. We even see how sincerely happy he is when Fizz returns. It's a good example of how decent Stolas can be beneath it all, as well as his sense of romance appearing in a healthier way.

Then come Full Moon and Apology Tour, where most of the Stolas subtext gets screamed and/or bitterly snapped in his face by Blitzø. It's stated directly by the main character that those things matter, in a way that imo portrays Blitzø as at least partially sympathetic. And of course the Apology Tour episode description, yelling it for the folks in back.

What all this is trying to say is: 90% of Stolas's time on screen has set him up to have a 'getting more self aware' arc. I see a lot of accusations of the show babying Stolas, but I think it's more that it hasn't gotten around to doing what it wants with Stolas. There are 4 seasons. We're in the second. We've had Stolas's post-Ozzie's revelation, and now he's getting a lot more "you're part of the problem" feedback thrown his way. It's implied Octavia is going to contribute to that as well.

Anyway!! My personal guess so far is that if the "loses his powers and/or titles" theory that's been going around has any merit, that's going to instigate the start of actual, substantial change. Will that actually happen? No idea. But Stolas's flaws have been as articulated and developed as Blitzø's, and at this point, if the consequences aren't explored in the same way, it'll be dropping a ball that's already well in the air. I also think this isn't going to be a "fixed by the end of season 2" thing. Stolas problably won't appear again until Mastermind, and then there's just Sinsmas. There isn't time for him to change in two episodes. There is, however, time for him to have some big realizations, and for the change to happen next season.

[wolfnight2012]

I've seen several people talk about how it's Ares who asks if Athena's dead & how he sounds legitimately concerned/afraid

But i haven't seen anyone point out how excited Ares is to debate with Athena???

Like, Apollo & Hephaestus are both pretty mellow in their agreements. Aphrodite does not want to play. Hera sounds like she could use the entertainment/distraction

But Ares?

Ares is PUMPED!

He's the "brute" sibling & Athena's the "intellectual" one and he's being asked to engage with her on her level (and she'll be on the defense for this game) and he's sooooo fucking excited

Idk, i just find it cute.

Even their physical fight doesn't seem too mean spirited to me, like, these two are the physical embodiment of war & battle, Of Course they would resort to sparring both verbally & physically

(And on that note, i don't think they're going all out/actually trying to hurt each other during their spar, which makes it doubly painful how small Ares' voice is when he asks if she's dead.

Because while the two Literal Embodiments of War were able to disagree/argue/fight without hurting each other

Their own father did not hold back.)

[tanglepelt]

Dp x dc idea 4

Dani is the one who puts amity parks on justice leagues radar.

She’s off exploring the world and ends up in metropolis. She showed up in the city just by flying in don’t worry she flew in at night no one noticed. No super boy noticed.

He’s worried lex made another clone and approached her. She laughed at him. She wasn’t Superman’s clone she was phantoms clone.

Dani never learned stranger danger or anything from vlad. She left amity as soon as she was stabilized. She just moves from place to place.

So she just tells him everything about amity park and the little she knows about the infinite realm. Don’t worry she didn’t out anyone’s identity so it’s all fine and dandy.

Danny and crew were not pleased when the justice league began investigating there town. Especially when they investigated his parents. But hey the anti ecto acts were gone so that was a bonus.

[citizensun]

honestly I do ship JonSatin but not in a SHIP ship kinda way and more in line with the whole Mary Magdalene/Christ Allegory idea. they are friends but they are also follower and leader and they have perceived duties and stations BUT they still manage slowly become closer and more tender and honest .............. and then it all takes takes a dramatic U-turn as the epilogue comes by because my ideal endgame for Satin is for him to get a cushy job in a castle somewhere and my ideal endgame for Jon is for him to become a semi-mythical lost figure they sing about like they sing about Orpheus in the end of Hadestown. do you get me. brought together by chance and separated by fate. maybe they'd had a chance if Jon were merely a bastard but unfortunately he is a prophesized hero-prince and Satin is just Satin. because this is feudalism and they ultimately belong in different classes even if they're both bastards. maybe they'll meet again someday, can't that be enough?

[sparkplug02]

Redeemable Ares?

I know, I know. I’m suggesting it anyway.

Background: One of my teachers in high school said this to my class on the very first day of a new year: “I hate you all equally.” This piqued my interest because it broke my expectations of what most teachers tell their students, so I paid attention to him.

Two years later, I figured out what he meant by that; it was a defense mechanism. This particular teacher held all students at arms length because they would all graduate and leave, and most of them never came back around. Easier to move on if there’s not as much to move on from. He also just… isn’t a very affectionate person to begin with, but that combined with this made for one of the most guarded teachers I’ve ever had.

So my thought is that, since Uncle Rick is taking time to flesh out a few characters more and/or differently than he did in the books, maybe he’s taking a twist with Ares too.

Ares is the Greek god of war. War is not a place for kids, but they are undoubtedly hurt by it constantly despite being innocent. This applies especially demigod children, seeing as they’re constantly hunted by monsters and manipulated by the gods. If your domain is full of death and loss and suffering, ideally, you would not want to see many kids in the midst of that.

Even in peacetime, mortals also have a shorter lifespan than gods. 80 years isn’t very long if you’re immortal, and most demigods don’t live that long either. If you make deep relational bonds with people all the time, you will inevitably experience loss regularly and often. It would wear down on anyone after a while, even if there is no war to be concerned with.

My thought is that maybe Ares “hates” kids as a defense mechanism to protect his emotions and hide any vulnerability. Maybe he “hates” his kids less because they remind him of occasional moments of good he had with his partners, but all the more reason to stay away from them. He “hates” seeing kids in war.

“Look what I made!” It won’t last. “What are butterflies for?” Not for keeping you alive. “My knee hurts!” You’ll die soon. The winter solstice? How many of those kids won’t come back next year? How many of them will be offered up as sacrifices to be slaughter by the next solstice?

Ares is the god of war. It his HIS domain that kills children that don’t deserve it. Maybe he doesn’t want to see them in his domain. Maybe he doesn’t want to think about the burden of relationships he know won’t last. Maybe (in flashes of subconscious self-awareness) he thinks he is the problem. He is bad for them and he causes their deaths so any time he sees a kid, he hates that the likelihood of their death just shot up exponentially. But that’s too much to articulate concisely so he chalks it up to “I hate kids.” It’s a lot easier.

Doesn’t mean he’s not an asshole about it, but it could happen somewhere down the line. Maybe. I think it would be cool to see in later seasons. Don’t know how that would manifest, especially since Ares and Percy beef regardless of age, but you never know.

[serene-faerie]

Unpopular Opinion

Neither Idril nor Aredhel owe Maeglin any kind of relationship in Aman.

Idril doesn't owe her cousin a listening ear for his heinous actions towards her, especially since he's disrespected her and made her feel uncomfortable all her life. And I refuse to believe that she would willingly be all buddy-buddy with him after he tried to murder her husband and son to try and have her all for himself.

Likewise, I believe that Aredhel is allowed to feel angry at her son for betraying her brother and trying to rape her niece. She most definitely loved Idril a lot, and I doubt she would've been understanding about Maeglin disrespecting Idril's feelings and literally trying to force himself onto her.

Basically, just let Aredhel and Idril be angry at Maeglin! Let them want nothing to do with him! They don't owe him anything after his crimes, and they're not wrong for it at all!

And above all, let Maeglin experience proper consequences for his creepy behaviour for once!

[anghraine]

I've talked a lot about Númenórean aging throughout the Second and Third Ages having its own distinct process. But occasionally I have a fridge horror thought about it with regard to Pharazôn that I've talked about less.

First, the aging context (feel free to ignore if you already know!): according to LOTR, UT, and NOME, Númenórean aging is distinct from (but related to) both Elvish and normal human aging. Like other humans, Númenóreans physically age at a "standard" pace until reaching adulthood. After this, they age more like Elves—very slowly, only showing signs of old age/decay either at the very end of their lives or under enormous strain.

Denethor in LOTR is not an exception to this, but an example of what "something has gone wrong" looks like. Everyone in LOTR thinks it's weird that Denethor, who is clearly not dying (he can still wear armor 24/7 and wield a sword), looks like an old man at the spry age of 89 and started showing these signs in his 60s. It is broadly—and correctly—assumed in Minas Tirith that he's prematurely aged by mental combat with Sauron, although Sauron never does manage to dominate his mind.

Tangent: This is actually important because Tolkien explained (mainly in UT) Gandalf's urgency wrt Minas Tirith in direct relation to Númenórean aging and Denethor. By the time of LOTR, Gandalf knows 1) even contemporary Dúnedain do not ordinarily show signs of physical decay so early, 2) they especially don't in Denethor's family; Gandalf doesn't know the genealogical details but he can tell they're descendants of Elros, making this doubly weird, and 3) the Stewards very likely have the palantír of Minas Tirith in their possession. So Gandalf put the clues together and guessed that Denethor's premature decay was from using the Anor-stone and tangling with Sauron. Gandalf feared that Denethor had essentially pulled a Saruman and been dominated by Sauron, which is part of why he was so anxious on the ride to Minas Tirith. (Even more tangentially: Denethor read this fear in him and apparently found it both deeply offensive and very funny.)

ANYWAY, the point is that this extremely delayed aging process in which physical old age is a sign of impending death still characterizes Númenóreans that late, unless something very strange is going on. It would definitely be the normal process for Númenóreans throughout the entire Second Age, even given the contracting lifespans of the later years.

We also know that one of the factors that led to Pharazôn's disastrous assault on Aman was the onset of old age. This would not simply be a reminder of his mortality for a Númenórean, least of all one from the (honestly rather inbred) line of Elros. It meant he would soon die. If he'd followed the old royal custom of giving up his life when he felt death approach, he might well be dead already. Instead, he's in the "decay" stage and visibly aging.

The point is not that you should feel sorry for Pharazôn. It is very much not that.

No. The point is that Pharazôn was an old man by this time and likely would have looked it.

Meanwhile, here's the Akallabêth's final description of Tar-Míriel, the daughter of the last Faithful king of Númenor and Pharazôn's own first cousin, whom he stripped of hereditary power and forced into marriage:

And last of all the mounting wave, green and cold and plumed with foam, climbing over the land, took to its bosom Tar-Míriel the Queen, fairer than silver or ivory or pearls.

Of course, in Tolkien's treatment, age and beauty do not have to be mutually exclusive. But it really doesn't sound like Míriel was in the final state of decay (and lbr, she didn't have a lot of reason to cling to life beyond the natural end of her lifespan anyway).

Moreover, the shortening of Númenórean lifespans in the Second Age was directly linked to estrangement from Eru/the Valar/their friends among the Elves and hoarding resources and power while developing a paranoid obsession with death. Tolkien said this outright, but also the dates we do have for the Faithful Lords of Andúnië indicate significantly longer lifespans than the later kings of Númenor, their cousins. So if Míriel was privately Faithful, it would be entirely probable for her natural lifespan to far outstrip Pharazôn's.

I do know about the alternate draft Tolkien considered where Míriel was on Team Pharazôn and totally wanted to surrender her power and enter an illegal incestuous marriage, but I agree with Christopher Tolkien that this seems to have been discarded in favor of the purely tragic Míriel of the published Akallabêth. (I also think it's a terrible idea, honestly, that does not fit the overall narrative nearly as well as the Silm's Míriel, tragic as her story is.)

Sometimes I wonder about how the Pharazôn and Míriel of the Akallabêth perceived each other over the years, though. The entire marriage is a nightmare, but I've wondered if he saw her as initially a sort of prize, a possession of great value to adorn his reign—a jewel, even. I've wondered how much Míriel dared, how much she could dare, what the stakes for her really were. And I also wonder what the marriage looked like as Míriel remained delicate, beautiful, and apparently ageless while Pharazôn conspicuously decayed.

The disparity might not have seemed all that significant at first, since Númenórean women typically had longer lifespans than the men anyway (all else being equal). But as time went on and Pharazôn became an old man, obsessed with aging and death, while "fairer than silver" Tar-Míriel remained trapped at his side, I do wonder what the dynamics of that marriage really would have been.

And of course, there'd be Sauron at his other side, notoriously fair and even more truly ageless, willing to exploit any leverage available. I've never envisioned the situation as anything but dreadful, but now I'm like ... yikes.

That said, I'm still fond of the version of Míriel I wrote in 2013:

She firmly puts that and all else out of her mind when Sauron comes to speak with her, eyes frozen and piercing, words honeyed. But the sea is coming and she cannot see beyond it, and Pharazôn is gone with his armies, and that grants her a courage she had thought crushed out of her in all her years of suffering. "I am Tar-Míriel, Queen of Númenórë," she says defiantly, "and you are naught but master of lies and thralls. Step aside or the wrath of the Valar will fall on you once more, and they are in no mood to hear your pleas!" He’s so completely taken aback to be challenged by little Zimraphel that he does take a step back and she runs on ahead to the Meneltarma, laughing. "It shall fall on you still! May you enjoy the fruits of your labours, Tar-Gorthaur!"

[poppytuft]

the bear s3 spoilers

below the cut! thinking about claire and stuff we saw this season re: carmy/syd/the restaurant/donna, just finished the season so itll be a mess and also im comin in way too hot on this so my bad

sometimes...... sometimes i believe you guys are all watching different tv. im not sure how this season didnt feel like a direct through line from s2?? and im not sure WHY everyone is SO MAD about claire LITERALLY "haunting" this season. girl. come on. we need to have a sit down talk about how the berzatto generational trauma is the real meat of this show (this will make sense, just trust me). thats the MAIN EMOTIONAL POINT. syd's relationship with her dad, marcus and his mom, richie and evie, even tina and louie are all examples of parental relationships that are tender, sweet, supportive, etc. these are INTENTIONAL!! by creating these relationships we see PLAINLY how fucked donna is and how much she fucked up all of these kids. thats why "ice chips" was such a FANTASTIC episode. there was SO MUCH unpacked, so much revealed, so much worked through with sugar and her but at the end of the day she's still learning how to unlearn all of this horrific narcissistic bullshit. SHES STILL UNLEARNING THOUGH. thats where fucking DONNA of all people sits right now——somehow, she's learning how to heal. EVERYONE IS LEARNING. that's also what is so important about that episode.

now lets look at carmy. in "ice chips" we are LITERALLY told about how each berzatto is born: mikey fighting against the idea of being alive at all, nat into a quiet, soothing room, and CARMY is fucking born into EVERYONE SCREAMING and ARGUING and FIGHTING. we are BLATANTLY told that all carmy has ever known is HELL and all he's ever known how to communicate is through exploding. this is so violently against what we also know about his personality from childhood in "fishes" (anxious growing up, arts-oriented, had a hard time making friends). now, he works a violently stressful job, processing the trauma from both his mother (and chef fields [joel mchale], realistically) through the high-stress environment.

NOW. ENTER CLAIRE.

HOW is she not fascinating to you all. we don't see her whole story (because the bear, duh) but we are given just enough pieces here to put together that her story runs parallel to carmy's. how are you not getting this. walk with me.

claire. glasses, nerdy, quiet, sweet, girl next door. family friend! cute, but considered mid for a long time by everyone at school, but suddenly the berzatto men all badger carm, "oh she got a glow up, oh shes looking for you, she wants to see you," etc etc etc. what happened in between?

she finds herself. she finds the stressful thing she LOVES, which is the hospital. her job is objectively more stressful than carmy's (illustrated by that scene earlier in the season but i forgot the episode, where claire talks about the girl who got her shit wrecked by the glass table), and while we don't have an exact understanding of what her home life was like, we understand that her and carmy both have a level of internal anxiety that thrives on the stress of their careers. HOWEVER, claire does it because she loves it. carmy just doesn't know how to stop.

this is what makes claire feel like "peace" to carmy——because her high-stress job is a choice, an active choice she is making because it fulfills her. it's not to prove her dead brother wrong, or to honor his own legacy, or to prove that dickbag boss wrong, or to leave a mark on the world, or to make her own life worthwhile, or to prove that she doesn't need anyone else. she genuinely enjoys helping people even when the days are stressful, or scary. he's obsessed with this. he wants to know how she does this. every day she leaves that stress at home——and he wants to learn how to do that too.

claire is VITAL to this season and to understanding carmy's stress——and how far back he is in his healing process. it should only become more and more apparent, as we see characters like tina (the beef/the bear became vital to her success/development as a chef AND person, both for the people AND her love of food), marcus (not hiding his grief, but using it to help rationalize how much his mother loved him and wanted to be surrounded by people that love him), and richie (finding a purpose through service/expo and understanding he can start over again) push through their own traumas and struggles to become better people. if donna can be not only present at sugar's bedside during labor, but WELCOMED at this point in the show, it makes carmy's inability to heal all the more present. claire is an important part of this puzzle: she helps us see a window into a world where carmy is balanced emotionally, but unbalanced professionally, because he has no idea how to make the two coexist.

however, the idea that he can be balanced emotionally at all is so fucking enticing——with the help of someone who experiences stress in the same way as him (and who is familiar with his familial trauma), he has the opportunity to grow up and move on from his family trauma and wounds perpetuated by the industry he works in.

on the flip side of this....... his inability to process any of this is starting to impact syd. and frankly, that's some bullshit. his lack of communication, inability to community build/trust ANYONE, and his violent stubbornness is pushing her into the same space that he was in under chef fields, in a much slower, more subtle manner, and for slightly different reasons. her panic attack at the end of the season could read in two directions to me: her stress over the responsibility of changing so many people's lives has boiled over once she remembered that the beef once was truly great (hey five star review on the fridge!), OR, she realizes how much she isn't in it for the food. fuck a Michelin star: she wants to cook with her family. chef terry says at the end of "forever", in the garage with carmy, that she's so grateful she got to do whatever she wanted, whenever she wanted, where she wanted, with the people she wanted to do it with. sydney is so close to having those things at the bear——but carmy's dysfunction is keeping it just out of arms reach. the two of them are now on opposite sides of the approach from last season: syd dying for a star, and carmy dying to cook for the woman he loved. now, carmy is hungy for recognition again, desperate to prove something, and sydney is remembering (thanks to the conversation with other chefs during the ever funeral service) why she loved cooking in the first place. so this leaves us to wonder: should she stick it out? for the people? or make something of herself? is she carmy, or is she terry? i guess we will just have to see.

all this to say: every character is connected. the bear is a show about family, found and blood, and the choices we make for, with, and because of the people we love, for better or for worse. food is only the center of it, because it's the center of all of our lives. you can't hate claire without understanding where she sits in the web of the berzatto family. and really, you can't hate her if you understand what her presence means for carmy, for syd, and the restaurant as a whole.

[arrivingonthescene]

i got this dialogue chain from espirit de corps after jean had just participated in mocking harry over the radio along with the precinct, where harry has a legitimate panic attack over not wanting to be here anymore, pidieu tries to keep it private, but quickly they hang up on him and discuss. its still apparent, the narrative that helping people in these states is not first fifth or even the last mission for the RCM or these institutions, we see with the lazareth dialogue that no one behind that radio is truly interested in helping the ill, downtrodden, or disabled and it's carried out in such a nonchalant way, you encounter so many people who their world didn't extend enough compassion and they're left lost and wandering like pigs or coping with chemicals like birds nest roy

so jeans words he speaks to harry, contrasting with his behavior away from him is so interesting to me. he wanted, at least in this moment, to protect harry's issues from being broadcasted, suddenly it's *not funny* despite laughing in his face about how hilarious his memory loss and alcoholism is. it's not funny and he still condemns him as a lost cause. why did harry say he wants to get worse? it's not like the institution wants him to get better, yearning for something he felt is unattainable hurts and getting worse is a tangible thing, he is an Expert in self-punishment. it really isn't funny and jean goes on to do the courtesy of hiding harry's breakdown from the higher ups and report it as a prank call. i'm so interested in why. he clearly does not think harry can be helped and jean himself is seen as a medical anomaly for being severely depressed and somehow still alive, like the end stage of depression to them is suicide. does jean think he himself is a lost cause? idk. i'm not saying he projects onto harry and he certainly is a mouthpiece for the way disabled people are treated in the workforce but i cannot stop thinking how this dialogue chain made me pause

[helluvathings]

Random observation, but I've seen a lot of posts in this fandom that begin something like "I know everyone has been hating on (insert either Blitzø or Stolas), and it's unfair because..." And it's funny, because I remember a poll a while back asking who's in the right, and something like 70+ percent of respondents said they were both part of the problem. The vast majority is neutral.

I mean, obviously it's human nature where if you have a favorite, and people are writing essays against your favorite, it feels like that character is being attacked from all sides. But I wonder if part of the perception that either everyone is against Stolas, or everyone is against Blitzø, doesn't also have to do with the way feedback toward each tends to appear.

This is just experiential so take it with a grain of salt, but the comments on the episodes, as well as reaction videos, tend to be biased for Stolas. Which makes sense. He's more openly vulnerable. Seeing his pain is easier, and his mistakes are subtler. He expresses love, grief, and sorrow like a Disney princess, through song and romantic gestures. Since his mistakes are typically subtle and only really reacted to by Blitzø (bristly, temperamental) or Octavia (so-called angtsy teenager), they stand out less on a first watch.

Blitzø's mistakes are bigger, volatile. His pain manifests in an uglier way. On first watch, reactors tend to dismiss him as a jerk/idiot/or even a villain. But further analysis, context, deeper thought, add complexity to his character, and the more you consider Blitzø's perspective, the more serious Stolas's (accidental) missteps feel. In light of that, seeing all the initial positive responses to Stolas can be frustrating, because it's like no one is looking deeper: so essays/videos show up detailing all the reasons that yes, Stolas is wrong too, almost as a reaction to the more positive initial Stolas takes.

I do think there are more in-depth 'Stolas messed up' essays than Blitzø ones, because everyone knows Blitzø messed up. The show makes it clear. Stolas is less obvious. His issues haven't been strongly addressed in his character arc, and sometimes get glossed over by casual reactions/analyses. And that can get frustrating to people who want to see both sides.

At the same time, if you're a Stolas fan looking for reactions, the abundance of 'this is why Stolas isn't great' content probably does get discouraging. People sort of take his sympathetic qualities for granted, and dig into his flaws. While people take Blitzø's flaws for granted and dig into his sympathetic qualities.

At least that's my two-cents for why some fans seem to feel everyone is favoring one side or another, when it seems like most the fandom does recognize mutual fault.

[drowningparty]

Thinking so hard about Gabrielle in Seeds of Faith. I always love the scenes where Gabrielle and Ares are alone and he tries to tempt her with power. Obviously she never falls for it, she's too smart for that, but I like how much Ares respects her abilities & how much she's grown. Ares sees her potential to be a great warrior, even giving her a taste of godhood b/c he knows part of her does want the power to change the world and make it a better, kinder, safer place, and she's already spent all of S4 learning sometimes words aren't enough.

No one else is willing to see that side of her b/c no one else wants to believe sweet Gabrielle would choose violence, even though she's destined to eventually take Xena's place and succeed her as a warrior who fights to defend those who cannot defend themselves. Even Xena refuses to see it, reprimands her for getting too 'dagger-happy' b/c she still wants to think of Gabrielle as the peace-loving bard, even though she's not that woman anymore. Ares sees it, he's been paying attention. He thinks she could be a god. She could be anything.

[strike-n-brawl]

Happyy kf2 day everyone

+ie bonus sketch I couldnt leave this out <3

[sleepynegress]

Love this interview... I have been semi-checking in on Zawe's journey since before certain stans were feeling some kinda way about her recent familial additions. I do for certain Black actors/creators especially, who seem to be moving in interesting ways in entertainment/film media...

-A remnant from a period when I used to go to screenings and blog about films (and was published a few times in a major national newspaper)... So, I knew of Zawe through the grapevine of her mentorship, i.e. she is the reason why Rege Jean Page of Bridgerton fame got to work in U.S. markets, as she sponsored him. And she is known, as one of those "good eggs" who will be accessible and help/advise especially young actors of color. ...But, I have some other stuff to say. This isn't about proving that she's an amazing human being. It's about a certain brand of misogynoir that some of these people far beneath her in self-knowledge, self-love, and just plain grown-ass-woman-personhood...keep letting fly in what they *think* are compliments, but actually are just trite microaggressions. Saying things like "as long she makes [T-blank H-blank] happy then she's alright" as if he's the centered human and her attachment renders her worthy somehow. Babies, as long as SHE'S happy. Yall. He's marrying up.

WAY UP and the fact that he knows this? Actually elevates him. She's been there.

She tells a story in the above interview that reminds me of Uzo Aduba's anecdote about her name , - of an incident when she was called to an early job (at 6!) and someone there said she wasn't pretty because of her gap and her Ugandan mother took her on past this person and into the room, ANYWAY.

... She learned a specific self-knowledge and self-love, that is necessary in very white western spaces that constantly pressures a narrow sense of worthiness and beauty, especially from Black women, something a lot of these small-minded stans don't even have a notion of seeing beyond. Zawe is biracial, and her features, aside from her skin tone are very African. So while she benefits from colorism, featurism is something I've seen those bigoted stans, pick on as well. She knows those features are what makes her beautiful and knew that, w/o and before her partner saw that too. And people who aren't blind narrow-minded ignoramuses can *also* see that. This is why I assert the fact of featurism needing to be in the conversation of light/dark privilege conversations. Lips, nose, gap, and even the set of her eyes are ethnic beauty markers within quite a few spaces in the Black African diaspora... My mom was an absolute stunner because of her gap.

Even the old school white model Lauren Hutton got there because of her gap. Uzo Aduba, who I have already mentioned has a deeper skintone and has similarly large round striking eyes, gap, and a non-pinched-nose *rightly* played Glinda in NBC's production of The Wiz a few years back, with Dorothy saying she's so beautiful *because* of those features, not despite them as a very narrow white-washed gaze would wrongly assert.

And while we're here that includes sizes and shapes too. I'm saying your boy is enjoying all that plush. A lot of yall need to read or reread Maya Angelou's Phenomenal Woman, for comprehension.

Anyway... All this to say I know Zawe is and will be fine regardless.

P.S. Maya Angelou *also* had height, and gap and was very much known for her beauty/magnetism as a woman when she was alive. :

[all-inmoderation]

something something syd wanting a chaos menu and carmy insisting “yeah, but more like a thoughtful chaos menu”

[jotun-philosopher]

Half meta, half ramble

Not entirely sure where this post is going, tbh... Let's find out, eh?

Sooo... I was browsing the Final Fantasy wiki (as one does) and the article for Tantarian (an optional/missable boss in FF9) caught my attention. Y'see, Tantarian is a demon found in a library, hiding in a possessed book -- and is based on the Great Duke of Hell, Dantalion (or Dantalian, the spelling can be inconsistent). How the ever-loving wossname, I hear you cry, does this relate to Good Omens????

Let's take a closer look! (this got longer than I anticipated, hence the cut)

From the Wikipedia article 'List of demons in the Ars Goetia':

"The Seventy-first Spirit is Dantalion. He is a Duke Great and Mighty, appearing in the Form of a Man with many Countenances, all Men's and Women's Faces; and he hath a Book in his right hand. His Office is to teach all Arts and Sciences unto any; and to declare the Secret Counsel of any one; for he knoweth the Thoughts of all Men and Women, and can change them at his Will. He can cause Love, and show the Similitude of any person, and show the same by a Vision, let them be in what part of the World they Will."

Bolded details:

"Duke Great and Mighty" -- evocative of the whole "Thin Dark Duke" thing <3

" [...] he hath a Book in his right hand." -- pretty obvious GO connection there!

(best 'Azzy+book(s)' gif I could find quickly...although on a second look, this might well be from the body swap bit in S1 XD Mr Sheen, you ludicrously talented chaos gremlin, you <3 )

(Ok, this one's definitely Crowley XD)

Mah point is dolphins they both match up to the book thing!

"His Office is to teach all Arts and Sciences [...]" -- leaning slightly more towards a Crowley parallel here, with the apple thing partly symbolising intellectual curiosity (essential part of arts and sciences!), but Aziraphale giving away the flaming sword would've helped humanity figure things out in that area as well (even if indirectly)

(I want to boop the snek!!!)

"[...] knoweth the Thoughts of all Men and Women, and can change them at his Will [...]" -- mind-reading! Seems to be sliiiiiightly more of a demon thing from what we've seen (e.g. "Nina: It's like you've seen into my secret soul. Crowley: Yeah, it's a knack.", Shax picking at insecurities in the bookshop battle), but both the Ineffables have directly influenced human minds on screen (e.g. Sitis, the Shopkeepers' Ball)

"[...] can cause Love [...]" -- well, they certainly tried! Operation: Shop Lesbians :D

"[...] show the Similitude of any person [...]" -- mostly seen with the body swap bit so far (where A+C are concerned), but given that for angels and demons, size and shape are merely options, and Beelzebub canonically changed their face, it's not outwith the bounds of possibility that the Ineffable Husbands could disguise themselves as people other than each other (if that makes sense)(and assuming they'd *want* to, of course)

Plus, if you go with the 'Dantalion' spelling, the last four letters form the word 'lion', which is a motif the show ties pretty strongly to Aziraphale via the signet ring on his right hand. Fierce protector angel! <3

Plus plus, from what I've been able to gather, Dantalion is supposed to be one of the more benevolently-inclined Goetic demons -- both the Ineffables are pretty dang benevolent!

The point I'm stumbling towards (stone-cold sober, but with about 3,000,000 on the ND Scoville scale) is that Dantalian/Dantalion has some pretty interesting parallels to both the Ineffable Husbands and so, within the GO verse, could be either another alias of Crowley's or a name Aziraphale might take if he Fell (AU fic writers, start your engines!) :D

As a small bonus, I saw the name 'Shax' mentioned in the list of Marquises of Hell!

The characteristics given for the Goetic Shax don't really match up to TV!Shax that I can tell, apart from the stork symbolism and the "hoarse but subtle voice" (and maaaybe 'is thought to be faithful and obedient, but is a great liar'), but given all the other Goetic parallels, it wouldn't surprise me to see elements of the Goetic description popping up in Shax's S3 arc -- likely in unexpected ways!

Hope you enjoyed reading that ^^ Have fun fic-writing!

[aurosoulart]

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here’s my entry for the Tilt Five Halloween contest! 👻🦇🎃

the Tilt Five is an augmented reality gaming system, but you can make art on it too! I livestreamed this whole thing to my Twitch channel 😁