#april stories challenge

[suckaysuamigos200]

para el día 25 de Aprilstories el día de hoy le toca atardecer

para este día se me ocurrió dibujar a DJ Catnip y Mercat quienes están disfrutando un hermoso atardecer en el campo (y si se lo están preguntando esta es la primera vez que dibujo DJ Catnip X Mercat) 🐱🧜‍♀️🎧🎶.

╰♡☆Ｓｕｎｓｅｔ☆♡╮╰♡☆Ｓｕｎｓｅｔ☆♡╮╰♡☆Ｓｕｎｓｅｔ☆♡╮

for the 25th of Aprilstories today it is sunset

for this day it occurred to me to draw DJ Catnip and Mercat who are enjoying a beautiful sunset in the countryside (and if you are wondering this is the first time I draw DJ Catnip X Mercat) 🐱🧜‍♀️🎧🎶..

[mikodrawnnarratives]

I just remembered a project I worked on for a while in like 2021 (maybe 2020) and it had a LOT of akumatized marinette's

That was the idea behind the whole thing but man I did one by one and found some of the most obscure akumatized marinette au's

Sooooo I'm dragging these drawings up from the ashes and maybe it'll be a nice surprise for some of y'all to see

yall got ✨fanart✨

and possibly reminded of miraculous ladybug HA

usually these were done on different canvas's (that were like 250x250) and then just... copied onto a larger canvas??? Mistakes were made and I was insane

A handful of these akumanette's were actually made by me cause apparently... roughly 18 other marinette's wasn't enough

Click for quality and this is a long post

First of all, shoutouts to my own akuma abominations creations.

First image, the ladybug with the red long hair? yeah the idea was the akuma bug seen in canon in like, s2 (also shown next to her) but updated for the new look in s4. Vry original we'll give it a 6/10

I don't remember too much for the middle one that is slightly dimmer. Though I do remember that was the kind of IDEA behind her. She's also holding a knife cause of course. Why have magical powers to kill people when you can harness the power of K N I F E 7/10

I remember a little more about the jester marinette in the back. She had a whole thing with medieval research, jester research, and she also wanted to stab Lila cause everyone wanted to stab lila at the time. 9/10 cause I had a fun time with her

Then the robinhood poster mari was a robin hood akuma mari. 3/10 not original

NEXT

Slightly canon to downright canon

Ladyblanc was a popular akumanette idea so slightly canon, I didn't base it off of anyone's au

Ladybug and Marinette are there because what's the fun of a crossover if the og doesn't get to panic along with the rest of them????

Last image, not talking about persecuter, we'll get to her in a bit. I just thought it would be funny at the time if I included Chloe and Antibug cause... haha

Antibug is kinda an akumatized lb rip off soooo

OTHER'S AU'S

what you've been waiting for

Thank god I kept track of credit (pats past me on the back)

First of all, at the very front we got @zoe-oneesama 's devil au that made an updated appearance in her scarlet lady au, love to see it

You'll also notice little devil bug on lb's knee in the sketch

Alopeka is to the left of Devil au, by @piearsonist

hi betcha you never would have guessed you got FANARTED HA

This is a post that explains that akumatized marinette, and you'll find more if you go to her page

AAAAAAAAAAAAAAAAAND

Princess justice at the right by @kibouwmlb (also, hello hi, surprise) and honestly it is SUCH a pretty design OMYWORD I love the watercolors

Twiddling her thumbs, minding her business. Remember the release of Descendants 3? Yeah, Queen of Mean baby. And MORE by @shiinaeu hi you are a legend to me

This was so fun to draw at the time and I was experimenting in ways I hadn't before. Peak youtube miraculous ladybug fixation meeting art interest. First one of the characters I did fun fact

@edendaphne betcha you didn't expect fanart of that one scorpion akumanette well THINK AGAIN (also, crazy that this was around when I did your dtiys I just realized, huh)

ANd then slightly more obscure, though the post does have 173 ish notes so, is @skullqueensart 's akumanette right here

Why does akumanette have sunken cheeks here? I have no clue honestly. Take it up with me from 3 years ago and maybe you'll get answers who knows. She's also just... chilling. Looking at nothing. Into the abyss.

Not now chloe's, we are discussing persecutor now.

Love the story idea honestly and the akuma design is so god tier AKUMA that oof @yiprincessart I love it

Oh uh, and chloe will be fine

:)

CAN👏I👏 TALK👏 ABOUT👏 HER

She is the moment, she is beauty, she is grace

@artist-from-outersp-ace I love her. She looks so SO pretty!! At the time I loved your artstyle and I still do!! Too bad at the time I didn't know that Tumblr works by reblogging. I will be amending that.

I also remember being SO frustrated when drawing her that I didn't get a timelapse saved in time to show the drawing process :(

But I did love figuring out folds in the dress and the coloring process! Figuring out how to replicate elements in your art!

srs guys. Look at the RUFFLES

Alright, we are all agreeing to be accomplices and bystanders to Akuma jester marinette's NOT MURDER murder of Lila in the background? Okay good.

@lunian I have fanart for you~

And when I tell you I struggled with her design, I STRUGGLED. I ended up satisfied in the end but the curls bro, we lost the curls

But I do love her concepts and powers and I did back then too

And next to her, Okay, I never fully finished, mostly because I couldn't figure out how to get the hand to work with the tray balance thingie

@ladybub made this Lady Justice design and I WILL BE THERE when the comic updates. Or... if they aren't able to continue the comic that's also fine too <3 Life happens

Still love this au and the unique way for Marinette to get akumatized! Me and my sister bonded over our love over it!

I think this might be the first akumanette that isn't on tumblr to my knowledge. They are on Instagram tho @stivenwithani

Anyway I really liked the concept and the design just, reeked, of akuma that I included her

Okay more that I didn't really finish

We got another Princess/Lady Justice akuma idea at the left. Which I never kept track of the credit DANG IT I WAS DOING SO WELL

I'll update if I find the credit but man the OG did really well with the art.

And I have this akumanette comforting Lacrima from... a very graphic and whump fanfic Longest Night, read the tags

Anyway, Lacrima needs all the love she can get (also, funny enough, is the oldest out of this "gathering" of akumanette's)

It's not finished but hey @p-artsypants I gave angst ridden Lady Lacrima friends and fanart so.... yay...

AND THEN THE LAST ONE

was victim to so much reposting I could never find credit for it- UNTIL NOW

but the artist unfortunately deactivated their blog so that explains why I couldn't find their username all that time ago

It was a cool idea and I always love when creators take inspiration from how similar Marinette's name is to another word for a kind of puppet "Marionette"

But before I forget, I'll end this post on one of my akumanette's that I tried to squeeze in but never got to. But I did make more art for and I remember the story!

I remember having a background planned but I never really got around to it. Basically the story was that marinette got akumatized but managed to take off her earrings in time. I think the reason for her akumatization was connected to figuring out the secrets that Emilie had been hiding with the peacock miraculous (BEFORE we knew that adrien was a sentimonster).

Tikki had to bring the earrings to Chat Noir and he had to find someone that looked ENOUGH like Ladybug that Hawkmoth wouldn't notice as much that Ladybug wasn't actually there. Enter Mireille cause at the time a few people were pointing out how similar she looked to the dupain chengs.

Akumanette's powers had something to do with casting depression? I think? In the form of dragons? Oh, Also she travels by walking on the dragons so thats cool

I don't remember everything but I did have a lot planned for her.

10/10 just because I had a fun time with her

[mattydraws]

Haló There Adventurer!! ミ⋆

I would like to announce that I will be going on a little art adventure this April n' you are more than welcome to join!! We'll explore a new prompt list n' fresh lil story line!! Journey through space and time, venture into the void - where we'll befriend stars n' save an undiscovered cosmic kingdom!! ミ⋆ Participate as much or as little as you want, goal is to just have fun and maybe gain some new skills n' meet like minded folk!! I will begin posting prompt pieces on the 31st of March n' finish up around the 30th of April - I'm hoping to gain some soft art skills + use this time to experiment and learn new skills - it's important to just try and have fun with this art challenge. There are no strict guidelines regarding format of prompt pieces, use any format you want - analog or digital, use pencil or paint - there is no wrong way to approach this art challenge. I've created a playlist over on spotify for some ambient background beats while I draw these daily prompts - if you want to check that out, it can be found here. If you're community-oriented, you are more than welcome to join the official discord server for this prompt!! Chat, communicate with other participants, share some work, get feedback, make friends with other artists etc. I hope to see you there!! Remember to tag your prompt pieces accordingly so I can connect and support your work through the month of April - please use the prompt tag: #AdventureApril if you're participating in this years prompt. Find me elsewhere: https://www.instagram.com/_mattjohns/ https://twitter.com/mattydraws Let me know what you think of this years prompt list n' hopefully hear from you soon adventurer!! If you have any questions feel free to send me a message and I'll get back to you ASAP!! Take care, ミ⋆ Matt

[flowers-of-april]

april showers bring may flowers: prompt list

I wanted to make a flower-based April writing prompt challenge, so I did. Flower meanings are sourced from this book on flower meanings

PROMPT LIST 1: Daisy: Innocence 2: Lilac: First Love/Reminiscence 3: Violet: Modesty 4: Anemone: Forsaken Love 5: Oleander: Caution 6: Honeysuckle: Devotion 7: Poppy: Eternal Sleep 8: Laurel: Glory/Victory/Success 9: Orchid: Elegance/Beauty 10: Petunia: Anger/Resentment 11: Iris: Valour 12: Heather: Luck/Protection 13: Fern: Magic/Secrecy 14: Oak: Bravery 15: Tulip: Love Declaration 16: Magnolia: Dignity 17: Pansy: You Occupy My Thoughts 18: Lavender: Distrust 19: Mistletoe: Surmounting Difficulties 20: Queen Anne's Lace: Sanctuary 21: Protea: Transformation 22: Myrtle: Love 23: Hyacinth: Please Forgive Me 24: Nettle: Cruelty 25: Hemlock: Death 26: Dandelion: Divination/Fortune-Telling 27: Mint: Consolation 28: Jasmine: Amiability/Cheerfulness 29: Rue: Regret 30: Lily of the Valley: Return of Happiness

ALTERNATIVE PROMPTS Bouquet 1: Apology Hyacinth: Forgiveness Bluebell: Humility Peony: Bashfulness Olive Branch: Asking for Peace Bouquet 2: Courting Blush Roses: Blossoming Romance Cornflower: Hope in Love Sweet William: Gallantry Honeysuckle: Devoted Affection Bouquet 3: Marriage Roses: True Love Ivy: Fidelity Myrtle: Hope/Love Dahlia: Commitment/Eternal Love Bouquet 4: Bitter Ends Datura: Deceitful Charms Tansy: Hostility Thistle: Misanthropy Wormwood: Bitterness Bouquet 5: Regret & Sorrow Asphodel: Regrets to the Grave Azalea: Fragility Snowdrop: Consolation/Hope Rue: Regret Willow: Mourning

The only 'rule' is to please have fun. You may tag "flowersofapril2024," if you'd like, and I'll reblog anything I see. If you feel like filling these prompts on AO3 then "Flowers of April" or "Flowers of April 2024" would be a suitable tag. You may also submit to the FlowersofApril2024 collection on AO3

[sibelin]

I might....I might get back at posting drawings on instagram. But only because I can draw vampires.

[whumpty-dumpty-doo]

Experiencing that happy feeling when you get into the groove and start to feel like the thing youʻre writing is beginning to work out and fall into place

[simlit]

Chosen of the Sun | | portal // eighty-one

| @sani-sims

POLL RESULTS | With a 62% majority, Kyrie wins the poll and becomes Eve’s date to the theater.   

next / previous / beginning

EVE: Your Grace, a word? KYRIE: Oh, Eve, did you receive the message I sent for you? EVE: Yes, actually, that’s what I wanted to speak with you about. KYRIE: Have you selected someone to accompany you, then? EVE: Mm… I wondered if… you might be interested in attending with me? KYRIE: I hope you don’t feel so inclined to ask me due to a certain… arrangement? EVE: O-Oh, n-no! I mean… well, it’s sort of a silly thing. I suppose there’s no keeping secrets from a seer. KYRIE: Not entirely. EVE: To be frank, I didn’t really want to join in, but if I’m to spend the night at the theater, I’d like to go with someone I really admire. Perhaps it’s forward, but I’ve had, you could say, poor luck with unfavorable pairings as of late. KYRIE: laughing Even at your most honest, you’re nothing short of polite. I was only teasing you, of course. I’d be more than happy to attend the dances with you. EVE: You would? KYRIE: It’s no wheat field, but I suppose it’ll do. EVE: Alright, I’ll see you tonight then? KYRIE: Indeed, you will.

[mutifandomlover]

30 DAYS WRITING CHALLENGE.

Day 17:Write about a car ride.

From@creativepromptsforwriting.

Title:Fun Drive.

Ezekiel sat in the driver's seat, and Marie sat in the front with him. They stopped by Kazuma and Meriu's house. Meiru got in the middle while Kazuma got in the back. They then went to Geo and Shade's house.

"Hey guys."

"Hey, get in."

"Where are we going?"

"It doesn't matter. We're just going to have fun."

They got into the car. Shade got in the middle, and Geo got into the back with Kazuma. They drove around the city for a bit. As they were driving around, Kazuma put his arm around Geo, and he flinched.

"You okay?"

"Yeah, you just startled me."

"Sorry, I didn't mean too."

"You're fine."

They stopped at a store and bought themselves some snacks and drinks and then got back in the car. Shade kept glancing back and forth at Geo and Kazuma.

"What are you doing?"

Meiru looked at him confused.

"They're totally gonna do it at some point."

"Do what at some point?"

"Shh, they might hear you."

Shade whispered it into Meiru's ear.

"*gasp* Really, you think so?"

"Yeah, last night, I heard them talking in his bedroom, and then they went somewhere."

"And when they came back, I peeked through the door, and I saw Kaz kissing Geo on the cheek."

"You sure?"

"Yeah, I'm trying to see if they'll do it again."

Geo against Kazuma's shoulder and Kazuma looked at him.

"You tired?"

"No, I just I want to lean my head down somewhere."

"Sure you do."

"Hey, um, thanks again for showing me that last night."

"Your welcome."

"I still can't believe that you kissed me."

"You want me to do it again?"

Geo glanced at Shade, who looked at him and quickly turned around.

"Sure."

Kazuma kissed Geo on his lips and began rubbing his back. They pulled back after a few minutes. Geo was blushing a little bit, and Kazuma smirked at him.

"You really like doing that, don't you?"

"Yes, your reaction is priceless."

"Of course you think that."

Ezekiel glanced back and gave Kazuma a smirk. Kazuma looked at him, annoyed.

"So they made you sit back here on purpose, hmm?"

"Yes."

"I figured, my brother won't stop looking back at us."

Kazuma smiled at Geo.

"You wanna do it again?"

"Just to let them sink it in."

"You know what?"

Geo pushed Kazuma down onto the seat.

"Sure, let's do it."

They kissed again, and Geo dugged his elbow into Kazuma's stomach. The two of them did this for a while before finally stopping. Geo got off of Kazuma, and Kazuma was breathing heavily.

"Are you okay?"

"Yeah, your elbow was pushing into my stomach."

"Sorry about that."

"It's alright."

Geo leaned against Kazuma and nearly fell asleep. Kazuma rubbed his shoulder for a bit.

They finally finished their drive around the city. Kazuma had to wake Geo up since he fell asleep, and they had arrived at his home. He got up and went inside. Shade followed him inside.

"So, on a scale of 1 to 10, how much do you like him?"

"Huh?!"

"How much do you like Kazuma?"

"Uh well, I guess a um... 10?"

"I knew it."

"Knew what?"

Marie switched places with Kazuma and sat next to Meiru.

"So, you do like each other."

"What?!"

"Don't lie to me, I saw what you two were doing back there."

"S-shut up!"

Kazuma stammered and looked out the window. Ezekiel chuckled slightly. They dropped Kazuma and Meiru off before heading home.

[suckaysuamigos200]

para el día 9 de Aprilstories el día de hoy le toca a conejo

y aquí se me ocurrió dibujar a uno de mis conejos favoritos juan Carlos bodoque junto a otros de mis conejos favoritos robbie juntos para repartir los huevos de pascual

es deseo una feliz Pascua 2023, a todos 🐇🐰.

★彡[🅴🅰🆂🆃🅴🆁]彡★★彡[🅴🅰🆂🆃🅴🆁]彡★★彡[🅴🅰🆂🆃🅴🆁]彡★

for the 9th of Aprilstories today it's rabbit's turn

And here it occurred to me to draw one of my favorite rabbits, Juan Carlos Bodoque, along with other of my favorite rabbits, Robbie, together to distribute Easter eggs.

I wish you a happy Easter 2023, everyone 🐇🐰..

[mardereads19]

Blue Candle

Day 2 - April writing challenge

It was Teresa’s favorite.

Her daughters brought her new ones, aromatic ones. Those that you put flames to and the room would smell like a sunny day at the beach. Teresa’s catholic beliefs ensured she had various other candles dedicated to different saints. Some she preferred to others, but the blue candle was Teresa’s favorite above those saints anyways.

She never put a flame to it, though. No, the blue candle was not for burning.

It sat still by the TV stand. Observant.

It watched as Teresa rocked herself in the chair, staring blankly at the screen. Her trembling fingers pressed on the keys of the remote, changing the channels on the TV behind the blue candle.

Whenever someone asked, Teresa simply shook her head. “No. No.”

“But mama,” Simone would insist, “are you really never turning that one on? Why do you keep it then?” If it could, the candle would bristle loudly.

Instead, it kept silent to hear the old woman’s response: “It means the world to me.” At that, the candle would fill with pride. It was important. And knowing that gave the candle something to be happy for. It was much too plain, you see? It was nothing more than wax and a wick inside a crystal vase. No design or scent made it stand out from the others. Except, perhaps, that it was blue. It was bluer in some places than others, where it was bordering white. But it was important to Teresa and that meant enough.

The other candles didn’t have much of a personality. In fact, they did nothing but burn and smoke. Which meant the blue candle got bored when Teresa wasn’t in the house. Seeing her uplifted the candle’s mood greatly.

The old woman stood now. “Come, Sara,” she said, picking the candle up. “Let’s go take a nap.”

Thats right. The candle had a name. At least, that’s what Teresa always called it when she addressed it.

The candle pleasantly accompanied the woman as she took her slow and shaky steps down the hall. She used her free hand against the wall for support. Dark winkled skin against cream-colored walls.

“Soon I won’t be able to walk anymore,” the lady said with laughter in her voice. “I don’t remember where I left my glasses.” She stopped in the hall and turned back. But she didn’t move. Her thin hair moved with the breeze coming in through the living room’s window. “I’ll look for them later,” she concluded, taking up walking to her room again.

It was a good five minutes before the woman reached her bedroom door. She was very gentle in placing down the candle in the table next to her bed.

“You know, Ignacio passed away the other day.” The bed groaned as the woman sat down first, with every intention of lying down completely. “He had always been so good to us.” The candle had no idea who Ignacio was, but if he was good to Teresa, then it liked him. “What a good husband he would have been to you.”

Sometimes Teresa said things like that. Spoke to herself in the second person. The candle was used to it.

By the corner of a room, a young girl leaned against the wall and smiled. The candle didn’t know her name, but she was a regular. She accompanied Teresa on her shores some days, and some times she wiped the candle clean. She didn’t speak at all, so the candle assumed she was mute. But her face was very expressive, showing pearly teeth when happy, and a scowl when sad or hurt.

“He came to me a few years ago,” continued the woman, her head falling on the pillow, “said he had been married and had four kids. Nine grandkids.” Teresa looked at the candle. “One of his daughters has your name, Sara.”

The candle preened.

“We all go when our time arrives.” She frowned. “I’m so tired lately. Always forgetting things.” She shook her head. “It’s such a bother, being old.”

The candle understood. Lately, any speck of dirt angered it more than when it was young and bright. In fact, the blue in its wax was much less vibrant now than it originally was.

“I wish I were still a kid. Still twelve and running around the house. Picking up worms to scare mama.” She laughed. Then she coughed, shaking whole-bodily. “You remember that, don’t you?”

The girl had come closer to the bed, eyes shining with secret laughter, and a mischievous smile on her face. The candle wished it could join in. Laugh with them.

“I’m tired now to play such pranks.” The woman closed her eyes. “I’m too tired lately…”

Both girl and candle stayed there in the room while the woman slept. Her belly rose and fell and rose and fell and rose and fell and…

It was dark outside by the time her belly stopped rising, and the girl, who the candle had never seen past sundown, had begun to glow. She regarded Teresa with anticipation, eyes scanning her belly and then her face.

Now that the candle was really looking at her, she looked familiar. It recognized some of the factions in the girl’s face. She couldn’t be more than seventeen. Well, what did a candle know of age? Perhaps she was twelve. Perhaps she was thirty. But the candle leaned to think she was seventeen. Eighteen at most.

Its attention was drawn back to Teresa, because a light had begun to emanate from her.

Teresa sat in bed, hands raised for her own inspection.

But wait. She was glowing completely, too. But her body was still asleep on the mattress. The one that did not glow. That looked normal.

The candle did not understand such things.

The glowing Teresa looked up and froze. Her eyes began to shine with tears. The girl was beaming, watery roads already paved down her cheeks.

Sara, Teresa’s lips mouthed. For some reason the candle did not hear them.

The girl nodded.

Tears leaked down the old woman’s glowing form, snaking down her wrinkles like tiny rivers. I kept it, she mouthed. The candle, I kept it. When you died, I kept it. It was sacred to me.

I know, the girl said. I know.

The candle understood then. It had heard conversations about a sister. Young when a vehicle accident had taken her life. Teresa was younger still, but already collecting candles.

“That one’s special, because her sister handmade it for and gifted her it the day before the tragedy,” Teresa’s older daughter Jennifer had told Simone once.

The candle had not known she had been talking about it. It assumed it was something or someone else. Or, quite frankly, the candle barely paid attention unless it was Teresa speaking.

Let’s go, Tery, the girl said, extending her hand for Teresa to take. And the woman did, shaking. And, though the candle was just a candle, it could tell the shaking was not brought on by Teresa’s age and strength. As soon as she stood before the girl, she sobbed, throwing herself on the girl. The girl cried, too, a brilliant grin on her face.

They were both speaking, but the candle could not see their lips as well with their new position.

It stared as they finally pulled away and wiped at each other’s tears. Then, grabbing hands with beautiful smiles on their lips, the pair walked across the room to the door.

Neither of them looked back.

And, with the candle’s unlit wick, the room went dark when the door closed behind them.

[jmd-creative]

G is for Genealogy - #atozchallenge 2024 http://dlvr.it/T5CfFc

[crackerberries]

No Darkness - Feeding the Flock 23

No darkness. No fear. Know God? I am cheating a little for today’s post. I’m using an older post from a previous challenge.  With light there is no darkness.  It fits right into the resilience of our current challenge.  How does God’s word keep you resilient in your daily activities? Be blessed,   Today we have some very naughty sourdough bread in Crackerberries Kitchen.

[catabasis]

“You don't get bored of stories. None of us, as human beings, we just—we never get bored of stories. And I get to tell stories. And each story is new and different, so it's a continuously renewing thing. And hopefully you are constantly getting better at your corner of the storytelling process, and you can—with each new challenge, you sort of have to find a new sort of corner of yourself. And it keeps being difficult, and it keeps being challenging, and it keeps being exciting. And fun as well, if I'm absolutely honest.” — DAVID TENNANT (born April 18, 1971)

[reasonsforhope]

Story from the Washington Post here, non-paywall version here.

Washington Post stop blocking linksharing and shit challenge.

"The young woman was catatonic, stuck at the nurses’ station — unmoving, unblinking and unknowing of where or who she was.

Her name was April Burrell.

Before she became a patient, April had been an outgoing, straight-A student majoring in accounting at the University of Maryland Eastern Shore. But after a traumatic event when she was 21, April suddenly developed psychosis and became lost in a constant state of visual and auditory hallucinations. The former high school valedictorian could no longer communicate, bathe or take care of herself.

April was diagnosed with a severe form of schizophrenia, an often devastating mental illness that affects approximately 1 percent of the global population and can drastically impair how patients behave and perceive reality.

“She was the first person I ever saw as a patient,” said Sander Markx, director of precision psychiatry at Columbia University, who was still a medical student in 2000 when he first encountered April. “She is, to this day, the sickest patient I’ve ever seen.” ...

It would be nearly two decades before their paths crossed again. But in 2018, another chance encounter led to several medical discoveries...

Markx and his colleagues discovered that although April’s illness was clinically indistinguishable from schizophrenia, she also had lupus, an underlying and treatable autoimmune condition that was attacking her brain.

After months of targeted treatments [for lupus] — and more than two decades trapped in her mind — April woke up.

The awakening of April — and the successful treatment of other people with similar conditions — now stand to transform care for some of psychiatry’s sickest patients, many of whom are languishing in mental institutions.

Researchers working with the New York state mental health-care system have identified about 200 patients with autoimmune diseases, some institutionalized for years, who may be helped by the discovery.

And scientists around the world, including Germany and Britain, are conducting similar research, finding that underlying autoimmune and inflammatory processes may be more common in patients with a variety of psychiatric syndromes than previously believed.

Although the current research probably will help only a small subset of patients, the impact of the work is already beginning to reshape the practice of psychiatry and the way many cases of mental illness are diagnosed and treated.

“These are the forgotten souls,” said Markx. “We’re not just improving the lives of these people, but we’re bringing them back from a place that I didn’t think they could come back from.” ...

Waking up after two decades

The medical team set to work counteracting April’s rampaging immune system and started April on an intensive immunotherapy treatment for neuropsychiatric lupus...

The regimen is grueling, requiring a month-long break between each of the six rounds to allow the immune system to recover. But April started showing signs of improvement almost immediately...

A joyful reunion

“I’ve always wanted my sister to get back to who she was,” Guy Burrell said.

In 2020, April was deemed mentally competent to discharge herself from the psychiatric hospital where she had lived for nearly two decades, and she moved to a rehabilitation center...

Because of visiting restrictions related to covid, the family’s face-to-face reunion with April was delayed until last year. April’s brother, sister-in-law and their kids were finally able to visit her at a rehabilitation center, and the occasion was tearful and joyous.

“When she came in there, you would’ve thought she was a brand-new person,” Guy Burrell said. “She knew all of us, remembered different stuff from back when she was a child.” ...

The family felt as if they’d witnessed a miracle.

“She was hugging me, she was holding my hand,” Guy Burrell said. “You might as well have thrown a parade because we were so happy, because we hadn’t seen her like that in, like, forever.”

“It was like she came home,” Markx said. “We never thought that was possible.”

...After April’s unexpected recovery, the medical team put out an alert to the hospital system to identify any patients with antibody markers for autoimmune disease. A few months later, Anca Askanase, a rheumatologist and director of the Columbia Lupus Center,who had been on April’s treatment team, approached Markx. “I think we found our girl,” she said.

Bringing back Devine

When Devine Cruz was 9, she began to hear voices. At first, the voices fought with one another. But as she grew older, the voices would talk about her, [and over the years, things got worse].

For more than a decade, the young woman moved in and out of hospitals for treatment. Her symptoms included visual and auditory hallucinations, as well as delusions that prevented her from living a normal life.

Devine was eventually diagnosed with schizoaffective disorder, which can result in symptoms of both schizophrenia and bipolar disorder. She also was diagnosed with intellectual disability.

She was on a laundry list of drugs — two antipsychotic medications, lithium, clonazepam, Ativan and benztropine — that came with a litany of side effects but didn’t resolve all her symptoms...

She also had lupus, which she had been diagnosed with when she was about 14, although doctors had never made a connection between the disease and her mental health...

Last August, the medical team prescribed monthly immunosuppressive infusions of corticosteroids and chemotherapy drugs, a regime similar to what April had been given a few years prior. By October, there were already dramatic signs of improvement.

“She was like ‘Yeah, I gotta go,’” Markx said. “‘Like, I’ve been missing out.’”

After several treatments, Devine began developing awareness that the voices in her head were different from real voices, a sign that she was reconnecting with reality. She finished her sixth and final round of infusions in January.

In March, she was well enough to meet with a reporter. “I feel like I’m already better,” Devine said during a conversation in Markx’s office at the New York State Psychiatric Institute, where she was treated. “I feel myself being a person that I was supposed to be my whole entire life.” ...

Her recovery is remarkable for several reasons, her doctors said. The voices and visions have stopped. And she no longer meets the diagnostic criteria for either schizoaffective disorder or intellectual disability, Markx said...

Today, Devine lives with her mother and is leading a more active and engaged life. She helps her mother cook, goes to the grocery store and navigates public transportation to keep her appointments. She is even babysitting her siblings’ young children — listening to music, taking them to the park or watching “Frozen 2” — responsibilities her family never would have entrusted her with before her recovery.

Expanding the search for more patients

While it is likely that only a subset of people diagnosed with schizophrenia and psychotic disorders have an underlying autoimmune condition, Markx and other doctors believe there are probably many more patients whose psychiatric conditions are caused or exacerbated by autoimmune issues...

The cases of April and Devine also helped inspire the development of the SNF Center for Precision Psychiatry and Mental Health at Columbia, which was named for the Stavros Niarchos Foundation, which awarded it a $75 million grant in April. The goal of the center is to develop new treatments based on specific genetic and autoimmune causes of psychiatric illness, said Joseph Gogos, co-director of the SNF Center.

Markx said he has begun care and treatment on about 40 patients since the SNF Center opened. The SNF Center is working with the New York State Office of Mental Health, which oversees one of the largest public mental health systems in America, to conduct whole genome sequencing and autoimmunity screening on inpatients at long-term facilities.

For “the most disabled, the sickest of the sick, even if we can help just a small fraction of them, by doing these detailed analyses, that’s worth something,” said Thomas Smith, chief medical officer for the New York State Office of Mental Health. “You’re helping save someone’s life, get them out of the hospital, have them live in the community, go home.”

Discussions are underway to extend the search to the 20,000 outpatients in the New York state system as well. Serious psychiatric disorders, like schizophrenia, are more likely to be undertreated in underprivileged groups. And autoimmune disorders like lupus disproportionately affect women and people of color with more severity.

Changing psychiatric care

How many people ultimately will be helped by the research remains a subject of debate in the scientific community. But the research has spurred excitement about the potential to better understand what is going on in the brain during serious mental illness...

Emerging research has implicated inflammation and immunological dysfunction as potential players in a variety of neuropsychiatric conditions, including schizophrenia, depression and autism.

“It opens new treatment possibilities to patients that used to be treated very differently,” said Ludger Tebartz van Elst, a professor of psychiatry and psychotherapy at University Medical Clinic Freiburg in Germany.

In one study, published last year in Molecular Psychiatry, Tebartz van Elst and his colleagues identified 91 psychiatric patients with suspected autoimmune diseases, and reported that immunotherapies benefited the majority of them.

Belinda Lennox, head of the psychiatry department at the University of Oxford, is enrolling patients in clinical trials to test the effectiveness of immunotherapy for autoimmune psychosis patients.

As a result of the research, screenings for immunological markers in psychotic patients are already routine in Germany, where psychiatrists regularly collect samples from cerebrospinal fluid.

Markx is also doing similar screening with his patients. He believes highly sensitive and inexpensive blood tests to detect different antibodies should become part of the standard screening protocol for psychosis.

Also on the horizon: more targeted immunotherapy rather than current “sledgehammer approaches” that suppress the immune system on a broad level, said George Yancopoulos, the co-founder and president of the pharmaceutical company Regeneron.

“I think we’re at the dawn of a new era. This is just the beginning,” said Yancopoulos."

-via The Washington Post, June 1, 2023

[raven-at-the-writing-desk]

🎉 Thank You for 10k+ Followers!! 🎉

A big thank you goes out to @cozymochi for this beautiful celebratory commissioned artwork for this major milestone ✨ It really captures the scope of all the content that had been put out in the last 4+ years—both in terms of official Twst materials and on this blog! I think it’s very fitting that we hit this milestone in the month of Halloween too (I just held off on posting this til the month after); it’s Twst’s biggest holiday of the year, so it’s twice the cause for celebration!!

A lot has happened over the course of my time in this fandom. I’ve written many things of course, but I’ve also had many other exciting opportunities! I’ve been interviewed for a paper, met many cool people from all over the world, attended Twst meetups + events, collaborated with other talented creators, received kind gifts, contributed to various fandom projects, and finished telling the origins of my Twst OC. This blog has been with me through a lot of major changes and difficult hurdles in my life too—it’s really been an anchor for me, a comforting and safe space for me to be creative or analytical whenever I want to be.

When I first started this blog as a very casual hobby in summer of 2020, I never even considered that it would balloon to this extent. It still doesn’t feel totally real to me 😭 I don’t usually fixate on numbers (they make me anxious), but looking back on it, 10k is a LOT, and 4 years is a long time. To put that in perspective, if we were in Twisted Wonderland for 4 years then all of the students we’ve come to know and love would have graduated by now. That’s crazy to me. We’ve come so far as a group.

I feel that a large part of fandom is the community that comes with it. I would have found it so challenging to stick with Twst had I not had so many great people keeping me engaged with it. I’d now like to take a moment to thank those folks. Keeping in line with the idea of “4 years”, think of these as little messages scrawled in a yearbook. I also have a blog event planned to celebrate! More on that later.

Please note that I’ve used pseudonyms for most of the following people, as I’d like to respect their privacy (I’m very private myself) + not all of them are comfortable with being explicitly named or tagged to a large crowd. You’ll know who you are if you see yourself on here.

Without further ado:

MSS — Thank you for being the first Twst space I felt truly a part of. It’s still the place I consider my fandom “home” beyond this blog.

April — Thank you for making MSS as a place for us to share! We’re tsunderes in solidarity.

Drinking Knight — The banners wouldn’t exist without your help. Thanks for getting the ball rolling on those; I’d like to think that I’m a little more confident in designing new ones myself now, but you were the start of it all. Your endless enthusiasm for the most insane otome boys, drinks, and bullying (positive) others is truly an inspiration.

Q. Opinionated — Can’t count the number of times you ran tech support for me 💀 Thanks so much for being patient and willing to laugh at a stupid situation. I WILL grip you (escape is not an option) 🤲

Dad with his Printer — Why are you so cheeky My unofficial proofreader and fact checker. Still treasure the teeny J word and coffin magnets you sent, and, even more valuable than those, the bad dad jokes/puns advice and wisdom you give. Wishing you luck on your art adventure.

A. Cider — An unexpected friend I met very late into the fandom and happened to run into irl by total coincidence. Funny how life works. Your shitposts are great, and I appreciate having a like-minded person to talk with about the J words and story critiques. I’d also like to thank you for the many little doodles you’ve made; I know you’re very busy and have a wife to tend to at home but I appreciate that you still make time for friends.

Hana — Extroverted pink-haired magical girl representation. Your bubbly love for Disney, Diasomnia, singing, and (yes) angst lights up the entire room. Maybe you’re not too confident with yourself are right now, but I know you’ll find your way.

Swan — For being quick on the uptake and giving me the heads up about various things! We may not talk much one-on-one, but I’m thinking of you and enjoy seeing you pitch into the conversation. You’re still banned for L*ona posting though/j

Ly — My secret French twin/j Thanks for being my cultural + equine advisor and a voice of (salty) reason. Never shut up about your hyperfixations! You’re a real one.

Oys — Enabler + encourager of my Yan!Sil delusions. Sorry for making your blood pressure spike every time we talk about our food takes. But hey, at least we get a good laugh out of it :))

Mac and Bean — For being my inspirations. Bean, you have such atmospheric writing. I hope my writing style can be just as magical as yours. Mac, it was your blog that first got me into starting my own Twst writing. You never stop being so, so funny also I blame you 120% for the L*ona rot.

Peaches and Cream — To my local Twst friends, thanks for keeping me company even through the hard times. Peaches, happy to be your local Twst dealer anytime. Cream, thanks for hooking me up with new books.

Salt and Flora — I don’t know where you vanished to, but the sea brought you back to me on its tides. I’m so happy we could meet again. Salt, you’re so talented at crochet and design work; get your coin 😂 Flora, you’re the sweetest person ever. Literally cottagecore personified, even in your art.

Piano — We don’t always see eye to eye, but thank you for being my serial debater and showing me new perspectives. Your open-minded theories and analyses are such fun. And, of course, it’s always hilarious to think about how we accidentally (?) swapped oshis 🤡 You’re a star.

The Anklebiter — For having the most unhinged jokes and ideas. Seriously, THE most unhinged. I never do any of the crazy things you suggest but I’m always really entertained from just hearing them.

Te, Mi, and Ro — Thanks for organizing local events and giving me an excuse to touch grass. It’s a lot of hard work and you guys manage to pull it off every time! Mi, I was flattered to have you reach out to me to help a little with the Tweel cupsleeve event. Happy to help anytime! Te, I remember you were cosplaying as Kalim when we first met and I kept thinking about how perfectly suited you are for the role. You were very friendly and made such an effort to include everyone in the event even when I was Idia-ing in the corner. To this day, you continue to spontaneously introduce me to new people 😂 Thanks for getting me put of my comfort zone. Ro, I didn’t think we’d meet again like this. Small world! You’re learning and improving the big events. Here’s hoping to many more!

Vic — For being Ace Trappola when very few others would. It’s refreshing to have someone tell it like it is. I wish I could be as bold and as honest as you are sometimes. You have such a big heart when it comes to the characters you love; it makes me want to adore them like you do too 🫶

Kana — For being so sweet and patient. You helped me through so many rough patches and have also contributed a lot to the look of the blog. It’s so fun gushing with you about magical girls and pretty boys, sharing our favorite shows and movies… I feel as though I’ve made a lifelong friend.

Zari — Thank you for charms and art book, big fan of your stuff 😭 So honored to have worked with you on projects too. I hope to see a lot more of your Yuu and other OCs around, I love following them ^^

Lala — You understand, encourage, and validate my weird tastes in fictional men 💕 Really admire your sense of fashion and stylish nails too. Whenever I have my shrimp apron on, I think of you.

Arisu — No longer in the Twst fandom but integral in the earliest days. Wherever you are now, I wish you nothing but happiness.

P-san — You’re a lifesaver!! Thank you so much for helping me find cute little outfits and accessories for my plushies… They are forever grateful to be properly clothed.

V, Fa, Fe, Ray, Rea, Sonny, Glimmer Group, and Incognito Crew — Thanks for being so supportive of my hyperfixation on Disney villain anime boys, even if you guys have NO clue what I’m rambling about half of the time. To V specifically 🫵 I am NOT a cat boy kisser

Mango — I didn’t know I wanted you in my life until you showed up uninvited one day and chewed your way into my heart.

Azul Ashengrotto — For being the character that first convinced me into giving this game a shot. The Little Mermaid was something I always held so dear to me, so it almost seems like destiny that you’d be the one to drag me down into Twst. You’ll always hold a special place in my heart for that, even if my feelings have changed since then.

Rook Hunt — For being there when I needed to laugh a little. It’s scary to glance over my shoulder sometimes, but you make it easier to smile as I look back.

Rollo Flamme — For letting me know that having negative feelings is normal and human, even if we don’t always cope with them in the healthiest of ways. Let’s reflect and be better together!

Leona Kingscholar — For showing me that change and personal growth is, in fact, possible. Th-This doesn’t mean I like you or anything though, so get off your high horse—

Jade Leech — For taking my hand and guiding me back on the path when I got lost in the dark. Whatever crimes you may commit in your free time, I forgive you/j

Miss Raven Crowley — The little black bird who could, the blog muse. I made you on a whim and look at where you are now… You went from a background character to the main character of your own story. So proud of you, my child 😭

Asset compilers, fan artists, fanfic writers, fan translators, cosplayers, merch makers, editors, plushie pic takers, video essayists, theorizers, etc. — You’re all so important to keeping the fandom alive, especially during periods of official content drought. It wouldn’t be feasible for me to list out all of the content creators I enjoy (chjsbsksks and it honestly might be awkward since I haven’t directly interacted with most of them), but I hope that this message still reaches you and finds you well. Keep doing your thing; I love seeing the work you put out ^^

Anyone and everyone that I’ve ever commissioned and/or received fan works from — I appreciate that you took time and energy out of your day to create something for me. There’s so much talent in the Twst fandom and I’m honored that you would dedicate some of that to a silly little birb.

You, the Readers — For supporting this blog and and what I do here! You’re an important part of my journey too.

Thank you!! Here’s to a future unknown and a page unwritten.

- The Writing Raven

[songoftrillium]

Werewolf: the Apocalypse 5th Edition and the Anti-Indigeneity in the Gaming Industry

reosted with permission from J.F. Sambrano

Dagot’ee!

Shii J.F. Sambrano gonsēē. My nations are Chiricahua Apache (Ndeh) through my maternal grandmother and Cora Indian (Náayarite) through my maternal grandfather.  I am a mixed race Indigenous person, and through my father my heritage is English and Scottish. I am currently residing and doing work in my community on the lands of Lummi Nation. I use both gender non-binary and masculine pronouns, but prefer the former. I have several published works in the TTRPG industry, and am probably most known for my contributions to Mage: the Ascension 20th Edition, Werewolf: the Apocalypse 20th Edition, and the Transformers Roleplaying Game, as well as being part of the Essence 20 development team. Further, I also work in higher education at an Indian college, both advising and teaching Indigenous students across the United States. My passion is education, and I believe that we all learn through play, and that TTRPGs are a valuable source of learning, especially on personal, cultural, and social levels. This has always been what has drawn me to TTRPGs since I started playing M.E.R.P. with my brother in 1996 (and before that HeroQuest), through to my “graduation” into more story-driven games such as those presented in the Storyteller System, until now, where I author and produce my own roleplaying games.

I was also part of the First Team (in-joke intentional) hired by White Wolf Studios/Paradox Interactive via Hunters Entertainment to develop and author Werewolf: the Apocalypse 5th Edition. After several months of work, Paradox Interactive chose to go in another direction in early 2021 (I believe it was either March or April) and in fall of that year, it was announced that Werewolf would instead be taken in house, with Justin Achilli as the Brand Creative Lead and primary author of the book. Going forward I will be describing my experience while I worked with Paradox Interactive, primarily through Karim Muammar, White Wolf’s Brand Editor, as well as the developmental editor for Werewolf. Although I worked in a team, both with hired authors and in-house representatives at Hunters Entertainment, I will not be speaking for the experience of others, except when specifically noting unanimous consensuses, and specific interactions (which will go unnamed) that are particularly relevant. My hope is that by highlighting some of the anti-Indigenous attitudes that are central to the foundational members and leaders of the White Wolf brand, that I can provide opportunities for growth and healing within the World of Darkness TTRPG community, but also in the broader gaming community, where these behaviors and attitudes are rampant. I also want the community to have a better understanding of what this experience is like internally, and the challenges that Indigenous creators, as well as other marginalized creators, are met with when they try to make positive change within nerd and geek communities clinging to inherited white supremacist values, even if they don’t realize they are doing so.

What I do not want to be doing in this article is creating fuel for edition wars.  I believe that both legacy and Werewolf 5th are rife with anti-Indigenous attitudes, and appalling amounts of appropriation. Both versions deserve criticism, I am not defending one over the other, I am only sharing what my experience was like working on the 5th edition of the book. Further, please understand that I was originally going to wait until I had read the final copy of the book, because I wanted to know how much of my work was used (based on previews I already know some was, just not the extent) and whether or not they decided to credit me for that work, and how I was going to be credited.  My belief is that I likely will not be, but I am genuinely uncertain.  Knowing how they handled that would have reframed how I addressed this. But more importantly, I want it to be very clear that even before Paradox ultimately pulled the plug on the Hunters team, I was preparing to exit working on the project based on the experience I will describe below. Not only did I find it frustrating, and personally disparaging, but I ultimately decided I was uncomfortable with my name being attached to the product based on the direction they wanted to go. So while I wanted to know whether or not I would be credited, because it would teach me something about their internal practices, I do not want or need the credit.

Finally, the reason that I decided to speak about this now instead of after having a chance to inspect the final product, was because my personal experience dealing with anti-Indigeneity coming from Paradox was just that: personal.  But since then I have witnessed a throughline of hateful and xenophobic attitudes wielded against Indigenous people across the globe, and we do not deserve this treatment.  I was outraged over the events that led to the segregation of the Latin American fanbase, which culminated from bottom-up criticism about how poorly their people and countries were being defined through World of Darkness products, and ended up with the firing of their Latin American Brand Ambassador, Alessa Torres, because she chose to stand with her community in those criticisms.  I was further appalled when the likeness of Tāme Wairere Iti was shoehorned into the Werewolf book, a blatant example of cultural theft: not only in stealing the literal physical identity of an Indigenous person, but also his sacred tā moko.  When Paradox Interactive issued an apology for this, it felt incredibly hollow to me in the wake of these events, the hateful attitudes I had personally witnessed coming from the top.

Whether from North America, Mexico, Brazil, Argentina, or Peru, or across the globe in New Zealand, not only do Indigenous people deserve better treatment from such a major company, but their Indigenous and Latino fanbases, who have twisted and worked themselves through difficult representation for decades at this point, deserve better.  Apologies are not enough, especially when they come with next to no real change.

Werewolf: the Apocalypse in Context

At the time that White Wolf Publishing began to produce its World of Darkness line, the TTRPG industry was dominated by white men, both as producers, developers, and authors, as well as the main characters in their settings. White Wolf's World of Darkness made an impact at the time, by defying these Eurocentric, patriarchal presentations, first by defaulting to feminine pronouns throughout Vampire: the Masquerade, and then by focusing on Indigenous representation and values in Werewolf: the Apocalypse, and as a young Indigenous nerd, it had a positive impact on me, as I know it has on some other Indigenous people who became fans of the World of Darkness at the time. This was because before opening the pages of Werewolf: the Apocalypse, I had never seen heroes that I could play who looked like me and my culture. It was off, and often offensive, but it was my first experience in which I could directly play a hero who shared my heritage--and I also had more than one option through two different Tribes to do so. This might sound a little like I was cheering for table scraps, but again, at the time, table scraps was more than I had ever seen before.

Werewolf: the Apocalypse 1st Edition was originally published in 1992 via then White Wolf Publishing (not to be confused with Paradox Interactive's White Wolf). From its inception, the premise was interwoven with what its then-authors believed to be Indigenous praxis and representation.  Like many pop-culture presentations of Indigeneity from this time period (see Fern Gully, Dances With Wolves, Disney’s Pocahontas, or in TTRPGs, the NAN from Shadowrun) it was rife with problematic and even offensive stereotyping. The most obvious examples thereof are within the two "Pure Tribes" Uktena, and W****** who I will henceforth refer to as Older and Younger Brother. However, Indigenous inspiration was at the core of the game's spiritual premise as well, where animism and "Totems" are central to the setting and gameplay. The way these concepts are presented is trivializing and dehumanizing, but it is important to acknowledge that the appropriation present in Werewolf: the Apocalypse goes a lot deeper than the two Brother Tribes (even the term "Tribe" was meant to invoke a vision of Indigeneity compared to the previous setting in the line's use of "Clan"). Additionally, there is art throughout every generation of these gaming books that represents humans, wolves, and human-wolf hybrid forms wearing Indigenous regalia, including sacred items such as headdresses, or engaged in sacred rituals such as the Sun Dance. The list of problematic representations goes deep, and my examples only scratch the surface, but it is also important for me to note the positive impact that this had, particularly in the 90's.

Even though the primary contributors to these narratives were non-Indigenous authors, or in one case, a Pretendian, and another, a culturally disconnected author, by the time the Revised (or Third Edition) era of the books came around, White Wolf Publishing was actively engaged in cultural consultation.  While I do not believe cultural consultation makes a big difference on its own, it matters that the attempt was made, to a degree: while these efforts fall short of what needs to be seen in cultural representation, this was still ahead of most other gaming companies at this time.

Hired by Hunters Entertainment

In February of 2020 I was approached by one of the co-owners of Hunters Entertainment to be one of the primary authors for Werewolf: 5th Edition due to my work on other World of Darkness projects, and let's be honest, because I was capable of bringing a much needed Indigenous perspective to a gameline that was rooted in Indigeneity and rotting with appropriation and racist stereotypes. I was overall receptive to the invitation, largely because I was very passionate about the World of Darkness setting overall, and Werewolf in particular, due to the impact that 90's representation had on me when I was a younger gamer. I also felt hopeful that with a really hard rewrite of Indigenous aspects of the game that I could shift a lot of really painful aspects of the game into something that was a net positive for Indigenous representation. I will tell you now, more than anything, I was excited to rewrite the Younger Brother Tribe, because when separated from racist authors, their message is very empowering and real to my lived experience.

That said, I did not agree to join the project without first asking for reassurances. I said that I was not willing to write negative Native stereotypes. I would not use appropriative language, or generally engage in appropriative writing (which meant at minimum that the names of the Pure Tribes would need to change), and most importantly, that I would not not engage in writing that contributed to erasure. While the person who recruited me to work on the project was eager to work with me, he acknowledged that he was not sure he could get everything I wanted to see approved, but also promised to fight for everything I suggested as hard as he could. Additionally, he shared with me that the original setting pitch for W5 involved all of Younger Brother being slaughtered en masse in a massacre. I made it clear that this was exactly the kind of thing that I would not write.  I cannot remember if this was something he suggested to be changed before or after I was invited onto the project, but with some pushback it was changed.  However, I point this out because I want you, the reader, to understand how eager Paradox Interactive was to start with mass genocide and erasure as a foundation to the setting.  All that said, I cannot stress enough that I have had nothing but positive experiences with Hunters Entertainment, and none of the following concerns fall upon them.

The Sword of Heimdall

The first encounter the Hunters Entertainment team as a whole had with problematic guidelines for the W5 draft was the direction that Paradox Interactive wanted to go with the Sword of Heimdall. At the time, the suggestions from Paradox and Karim Muammar were that the Sword of Heimdall was going to represent the new major villain of the Werewolf setting, and that they were to also represent the far-right, fascist direction that Werewolf society so often turned toward. They were meant to be representative of how far the new concept of Hauglosk could take entire communities. However, the Sword of Heimdall was discussed interchangeably with the Get of Fenris as a whole, and more than once Muammar seemed to suggest that every member of this Tribe was guilty of the same attitudes espoused in previous editions from the Sword of Heimdall. Now let's not beat around the bush: the Sword of Heimdall are literal Nazis. They believe directly in white supremacy and don't shy from it. They wanted to cleanse impure elements from the Get of Fenris, including BIPOC people, other non-white ethnicities, women, neurodivergent Garou, and other disabled Garou.

The writing team found this approach problematic for several reasons. The first, and most obvious, was that the direction seemed to want to turn one of the most popular Tribes into a horrific stereotype of its most abhorrent faction. Whether or not Muammar’s goal was to turn them into villains, we could not imagine a world where fans of previous editions would get their hands on this book, and not look for a way to play one of their previous favorite groups, thus creating the issue of making a guide to playing Nazi. Even beyond that, it’s not as if historically there were not players who used the tools of the setting to play Black Spiral Dancers, why wouldn’t this draw people who actually wanted to role-play through these toxic, harmful politics? Further, and while this is less important, it left a bad taste in my mouth, the justification for this major shift in Werewolf lore seemed to change over each pass. At first, Muammar suggested that all Fenrir were Nazis/SoH.  Then, when he was provided with evidence that it was a small faction that was eliminated in the early 2000’s, he started to shift toward the idea that we should not follow the lore. Finally, when every single member of the writer’s team flatly refused to provide what would essentially be “a player’s guide to being a Nazi werewolf” the writing was on the wall about the end of our involvement with this product. More than once, he suggested that we were cowardly social justice warriors for being unwilling to work with this concept, even though there were several attempts to write a heroic version of the Fenrir that were focused on undoing these ills of the past.

Indigenous Erasure in Werewolf: 5th Edition

While the entire Hunters Entertainment writing team was handling the major, glaring issue of Paradox’s fervor to include a major Nazi element in Werewolf, I was personally dealing with the problematic approach to the Indigenous issues in the setting. The largest problem, for me, was in addressing Younger Brother’s issues, the history of non-Indigenous writers creating horrifically racist stereotypes, and what was valuable in the Tribal identity that should be saved and recentered. However, my attempts to do so were thwarted with every approach. I rewrote this Tribe four times, and offered three different versions of it to try to earn approval for a final write-up, but each time there was a lot of negativity directed towards my attempts and all them boiled down to this: Muammar felt that having two Tribes (both Younger and Older Brother) representing the “Indigenous population” was too many, and wanted them to only be focused on Older Brother, and that Younger Brother’s connection to a central, Indigenous identity, was undesirable because “other sources wrote them as having Siberian and European connections” and that future writing on this Tribe would require a lot of sensitivity…suggesting that one, Muammar wasn’t interested in doing the work to handle that level of sensitivity, and further, that he wasn’t interested in including me in future work, since I was involved with doing that at the time.

I want to take a moment to remind you that the work that was put into recovering Younger Brother started with “Let’s Kill Them Off” and at this point, through a combination of convincing and pleading, had been walked back to “They can live, but now they’re not connected to being Indigenous anymore” which is just representative genocide of a different variety. “Kill the Indian in him, and save the man.” It was also explicitly something I said I would not write about going into this project. Ultimately, my efforts did not get much further than this, with some specific exceptions I will cite below.

Karim Muammar’s Anti-Indigenous Positions

Muammar consistently and repeatedly communicated to the team in ways that were condescending and dismissive of our collective accomplishments and capabilities, but from my perspective, no one suffered as much significant derision as I did while discussing the changes I wanted to make to Younger and Older Brother in order to make their representation empowering and exciting.

In the pulled quote from the previous paragraph, I want to point out to you that Muammar, who had the title of Lead Editor on this project, refused to capitalize Native American. Further, he would often redline my work with edits to decapitalize my own uses of Native American, as well as the word Indigenous when referring to Indigenous peoples. While there are plenty of people who might want to argue about this, I will point out that both the AP style guide as well as the Chicago style guide (the one which I am most familiar with in my academic historical work) both call for Indigenous to be capitalized when referring to a people. Further, I challenge anyone to defend the consistent decapitalization of Native American. More importantly, the reason that these are standards in respected style guides, is because the English language has been used historically to oppress and erase ethnic identities, including Indigenous identities. By transforming adjectives into proper nouns, we are declaring that Indigenous and Native aren’t descriptors that can be applied to animals, plants, and soil, but real lived identities and culture groups.

When I was explaining to the Paradox team (which was mostly just Muammar) why it was important to change the names of these two Tribes from the appropriative (and offensive) ones used in the past, Muammar pushed back by defending the previously used Younger Brother name, even after reading my extensive research and explanation about how this would harm Indigenous communities and fans.

While doing so, he also decided that it was appropriate to refer to this entirely Native American tribe by the word “savages” a slur that has been specifically used to dehumanize Native Americans, and then mocked my rewrite that focused on presenting them as stewards of the land using Indigenous methodologies and praxes, instead of the “savage” racist stereotypes they were presented as in previous editions. Further, as in the above quote, even after it was communicated that the use of this term was problematic, he kept doubling-down to use it to refer to the Tribe.

Even though I worked hard to redefine Younger Brother through Indigenous theory, such as place-based theory, relational theory, and communal theory, Muammar either refused to recognize this work, dismissing it as simple, or else simply could not understand the importance of these changes. Either way, the choice is that he didn’t want them to change, or couldn’t comprehend why the change was important because of how entrenched in white supremacist thinking he is. Further, after the massive effort that I put forward to attempt to educate him and the rest of the Paradox team on these issues, the insistence on using offensive terms and belittling my work felt intentional. So let’s talk about the work I did that was above and beyond my job description: free cultural consulting work.

“Sensitivity” and Consultation

I have seen several misunderstandings of my role working on this project going around, so I want to make something very clear. I was hired to work on this project as an author, and nothing else. I was not ever hired to be a cultural consultant. I do not do cultural consulting work. While I feel that there are many creators and companies who hire cultural consultants with the best intentions in mind, their responses often fall short of what is needed, as no one is ever obligated to actually follow the advice of cultural consultants. Further, I think there are also many companies who choose to hire cultural consultants only to say “we did this minimal step, and that is enough” in order to ward off naysayers.

However, anyone who hires me gets some level of cultural consulting for free, because it comes out in my writing–in both what I won’t write and what I choose to center my writing around. In the case of Werewolf 5th Edition, however, it was far more involved than this. I came with a plethora of “I will not write X” because I knew the setting was so problematic.  A short list of my demands besides not being willing to write Indigenous erasure, was that we needed to change the names of the Pure Tribes (and the term Pure Tribe itself), we needed to change the word Totem to Patron, and also the Patrons of the Pure Tribes. We needed to move away from the term Metis for obvious reasons, and we needed to move away from the term Skin Dancers. I also specifically noted that there was a lot of cultural theft happening from the beginning of Werewolf until now that I wanted to address. The only way these issues were going to be addressed was to convince Paradox they were actual issues on the level of PR concerns, because nothing else was likely going to be considered. So in order to achieve this, I put in weeks worth of research, writing, and meetings with top level administrators with Hunters Entertainment so that they could bring this information to Paradox.  I never documented my hours, but I would guess that I did approximately 80-100 hours of what I could only describe as cultural consultation work for free that was outside the contract work I was hired for. Let’s be clear: I did this willingly because I was passionate about the positive changes I wanted to see in this product, because I believed that Werewolf’s historic ills could be turned toward non-toxic representation.

Besides my actual words, such as naming the Ghost Council, and arguably the name Gale Stalkers came from a combination of names I pitched to Paradox after Winter’s Teeth was denied, and several sentences and paragraphs that I have seen so far that appear so close to what I originally wrote that you could imagine they were just edited versions, my largest contribution toward the final version of Werewolf: 5th Edition was this work. The only reason the offensive, appropriated names were changed were because of hours of my work to convince them it needed to happen. The reason that the Gale Stalkers aren’t just dead and gone: again, I pushed against this. The reason that Skin Dancers, Totem, and Metis will not appear as canonical titles? I pushed against their unwillingness to alter these things (see Karim’s defense of Wen**** Tribe name above).

Further, and this is the biggest reason I decided to write this article before seeing the final version of the book, I want to mention that I was also included in discussions with Hunters Entertainment to potentially be part of the art direction team, especially to oversee depictions of Indigenous characters, regalia, and art, to ensure that it would be represented either respectfully or not at all. I decided I needed to speak as soon as possible after the artistic portrayal of Tāme Iti appeared in the Glass Walkers preview without his permission. There are many arguments surrounding this issue and I am not going to address everything, but ultimately, I can tell you that had I remained as part of the art direction team, and saw that, I would have questioned it immediately. Even if I didn’t recognize Tāme Iti immediately, I would have asked what the source was on the depiction of moko in that piece, because I am aware that this is a sacred form of art–and I had already discussed wanting to make sure things like Crinos in headdresses didn’t appear in the book (as had often happened in previous editions, particularly on a certain white-skinned character whose name rhymes with Steals-the-Past).

As time working on this project went on, and I went through rounds and rounds of trying to convince Muammar and Paradox that it was important to not steal Indigenous identities, art, and stories, and that a greater effort needed to be put in powerful and empowering Indigenous representation, and I constantly ran into refusals and criticisms that were clearly hateful toward Indigenous identities and peoples, not to mention the push to represent Nazism as a major part of the game setting, I grew increasingly frustrated and restless with feeling like I was trying to work on a challenging project while also defending my right to exist as the person I am at every turn. Eventually I turned to another Indigenous TTRPG and game creator to ask for advice, and after a long and difficult discussion, I came to the conclusion that I was going to talk to the Hunters administration team and tell them that if Muammar kept using slurs and other anti-Indigenous language and attitudes, I was going to need to step off of this project, because it was harmful to me on a personal level. In furtherance of this point, I have been avoiding doing any contract work at all where I can tell that I am wanted for my specific cultural perspective ever since, because this situation was so harrowing for me.

Unfortunately, before I could have this conversation, after one final draft of Younger Brother and Bone Gnawers (which had its own issues, but that is not the point of this discussion), before we received any other specific feedback, the Hunters Entertainment administrators announced to the writing team that Paradox had decided to take the book in-house, and would no longer need our services.

The main point I would like to leave you with, besides these few specific quotes (out of dozens and dozens) that Muammar made that were anti-Indigenous, is that there is often a big call to have more BIPOC voices in various entertainment industries, so that both our stories, perspectives, and unique views on how the universe and life works, can be included; so that an industry that is historically, harmfully Eurocentric, might turn toward new, healthier, and inclusive directions. And I agree with this call for change, but I implore you to consider the conditions that BIPOC creators often have to work under: doing cultural/identity work and consultation for free as part of being present, being subject to vicious refusals of our experiences and perspectives, and straight-up having slurs lodged against our work. I want to see these changes in the industries we love, including the gaming industry, but currently the people who are in charge, who have the most power, are severely hostile to our work and our perspectives. This is why, for example, works like Coyote & Crow were done with an almost entirely Indigenous group of creators, and led by Indigenous creators, because trying to work for and with this ugly, hateful, and xenophobic group of people is so often exhausting, both mentally and spiritually, and because no good changes end up being made.

I am glad the harmful, appropriative terms were removed from the setting. I am glad I was part of the fight to make that real. I am not so glad that I was treated with hostility and racism by Muammar for the effort and love I put into this work, and I am not so glad that I will certainly be reviled by one of the two communities I did this work for–the gaming community, and certainly the people in power in this industry–and I am also not so glad that I didn’t have the opportunity to properly acknowledge how much of Werewolf’s base themes and setting are twisted and tied-up in Indigenous appropriation without giving the proper acknowledgments.

More than anything, I hope that this story will help you, the fans, realize that there is a lot of darkness in these communities, and they won’t change unless you hold their feet to the fire.

Ánaagodzįįhł

J.F. Sambrano