#anti-aapi

[system-of-a-feather]

You know what, I'll admit a thing about being anti-tulpa. While yes, I do stand by the claims of cultural appropriation and colonialism and that people much more formally educated on the topic can put out there - and that yes, as a Buddhist, it is so infuriatingly clownish to correlate "western Tulpamancy" with Buddhism as they are almost opposites in sheer principle.

But ya know, the gaslighting of 'all the anti-tulpas don't actually care about it being cultural appropriation and just HATE endos' whenever someone - like me - speaks up about it actually gets to me as a part enough so that the system TYPICALLY bans me from arguing or talking about people on it

And ya know what? I'm gonna declaw it cause I just realized the only reason it gets to me is cause there is a grain of truth in it and to be fair, I haven't been 100% honest and direct with my feelings on the topic in the guise of being 'formal' about it. Yes I do care and think Tibetian Buddhists and Buddhism should be protected and what not, and yes this and that - none of that is facetious or a lie

But the truth is, it's not what I'm actually mad about. Its not the real reason this pisses me off, but you know what? The REAL reason is not irrelevant.

I'm just tired as fuck of white people taking all sorts of Asian culture and fetishizing it and turning it into some kind of joke then running around acting like its okay in the slightest or calling it "cultural exchange" when REALLY its just "hey look at this mystical Asian culture and how we can have our fun with it!!!!".

I'm TIRED of white people looking at eastern cultures and AAPI saying the way they interact with it is disgusting, uncomfortable, and kinda gross and them going "um ACTUALLY"

I'm TIRED of people entirely ignoring the constant and regular racism, disregard, prejudice, hate and fetishism of Asians and Asian culture in America SPECIFICALLY in regards to Asian Americans and think its their place to talk over them

I'm TIRED of Asian and Eastern cultures being treated like a joke and a "not REALLY POC" or like we aren't marginalized or structurally taken advantage of or have a history of white people fucking us over historically enough for 'not racist people' white to feel uncomfortable debating what is and isn't harmful to us. And the best thing is? 95% of them don't know the first LICK of the fucking atrocities done to our cultures.

I'm TIRED of being the side tangent and the Gotcha point - I'm TIRED of people looking at ONE person on ONE reddit who had ONE opinion and saying they define the ENTIRE POPULACE cause of course.

I'm TIRED of people assuming everyone is Chinese and that everyone who is Chinese supports the CCP

I'm TIRED of people assuming we weren't fucked over by the CCP

I'm TIRED of people not understanding the nuance that while all Asians and cultures in Asia are different that it doesn't mean disrespect to one part doesn't in turn affect others - ESPECIALLY in America and ESPECIALLY from white people.

I'm TIRED of the 'you aren't X enough to have a say on this'.

I'm TIRED of deep personal things rooted in deep history being made into a fun game and community for white people.

I'm TIRED of white people interacting with our cultures and I VERY much understand why my family and my ancestors all fucking wanted nothing to do with White Westerners cause yall (generalizing this to be 'westerners who are a piece of shit, you know who you are') are fucking ridiculous assholes of clowns

I'm TIRED of it and the fucking audacity yall fucking have.

I'll admit it.

Tibetian Buddhism and Tibetian Buddhist culture is not what I'm actually mostly mad about. I'm NOT actually mostly mad about how a thing I value and treasure is turned into a fucking joke that is the opposite of its original meaning while being toted around as a "cool and quirky esoteric fact about the history of this subculture predominantly run by white people and started by a white person"

You are all right on that.

I'm actually just upset on the quiet and inherent SEVERE sinophobic macro and microaggressions that inherently plague the discussion with every pro-"tulpa-term" I've talked to save for like, literally ONE who is ACTUALLY raised understanding more about Buddhism and has my respect.

I'm just tired of me and my culture and my related cultures being turned into a fucking ornament for white people.

That's it. Getting that off my chest.

Call that a conflict of interest or call that valid, I don't care.

White people can reblog, but be a fucking clown piece of shit and I'm fucking blocking you.

[jesncin]

not to throw shade- but it is a tiny thing I feel I have to say. John Constantine is not a perpetual outsider, in the context of being a British person in America (in Dead In America).

You can just say he's a foreigner. The term "perpetual foreigner" is to refer to people who are perceived as foreigners even when they are native born citizens. In the American context this means Asian American and Pacific Islander people. Johnstantine is a white man, sure he sticks out because of his accent and British-ness but he isn't perceived as foreign because he's not part of a racial minority group.

He's not going to be asked "so where are you really from" the same way an Asian person constantly would be asked in America.

[guess-how-i-stole-this-body]

I live on an island where USA military is all we are. Nearly every man in my family is/was related to the military. My grandfather is a war veteran. Yet none of them can vote if we stay here (Guam). Cost of living is high and is getting higher, most highschools have to do half days because of poor conditions, and our language and culture is dying. These problems don't exist if you live on base. Andersen base is known for their low priced goods, Naval hospital's lobby rivals our hotels, and the military kids get their own private schools just for them (complete with opportunities not open to the rest of the island last I checked.)

Yet we're told we are supposed to be grateful that the U.S is here. People had the audacity to say the military families, the people who could afford nice houses on and off base, should get supplies first before the locals during SUPERTYPHOON Mawar. And for a while, this made sense to me. Of course we should be grateful. It could be worse. We could be under the rule of Japan, after all they were the ones who put us into concentration camps. During WW2. Things were so bad that CHamorus back then used to sing for America to come back. They saved us out of the goodness of their heart.

So then you can imagine how frustrated I am at this narrative as I watched our """saviors""" bomb another indigenous population who are put into concentration camps. You can imagine my conflicting emotions when I see posts about gay veterans/military members. I don't understand why anyone, let alone a queer, would be proud to serve this country. A country that wouldn't lift a finger to fight for our queer rights. A country that would leave our people to rot in torture camps if it weren't for the fact our land is close to Asia. I don't understand at all.

[joshualunacreations]

In 2022, Corinne Tan was announced as the American Girl Doll of the Year and heavily promoted as a way of raising awareness about anti-Asian racism during COVID. But what message did her story send?

When Corinne Tan debuted, AsAms were offended by the synopsis and how it centered a white man in what's supposed to be a COVID racism story. Once I heard the book had been fast tracked for two live-action specials on HBO Max and Cartoon Network, I knew more harm was coming. In the rare instances Western media talks about anti-Asian racism, it's downplayed. Instead, narratives are used to reinforce the 1) Model Minority Myth, 2) Asian gender divide, and 3) "correct" levels of assimilation. Unsurprisingly, Corinne Tan’s story does all of these.

There's a place for stories about divorce and blended families, but this story isn't it. COVID racism is specifically about the threat of AAPI being verbally or physically assaulted by non-AAPI. The author's choice to emphasize conflict within an Asian family is inappropriate.

Instead of empathizing with David Tan's inability to work during the pandemic—a real problem that has devastated many AAPI families and businesses—it's the reason Judy divorces him. The story not only erases racism as a reason for AAPI pandemic joblessness, but victim-blames. It implies her parents have an antagonistic relationship because her dad isn't white and rich, and that makes him an inferior romantic partner. Despite referencing a slur meant for Asian men, the story never acknowledges that her dad experiences racism too.

Another appalling aspect is how Corinne, an 11-year-old girl, is responsible for teaching a grown white man to empathize with her experiences of racism—because her mom won't. Not only does Judy never talk to Arne about racism, she lets him gaslight Corinne in front of her. Judy seems fixated on wealth and achievement over her daughters' emotional safety. When the family lived with David, the walls were decorated with the daughters' artwork. In Arne's house, Judy is concerned with protecting the aesthetic chosen by Arne's professional decorator.

This is why the Eileen Gu poster becomes such a sticking point. While David encourages his daughters to embrace Chinese culture in everything, Judy seems to apply it only to her restaurant. Is it because Arne tells her he hoped marrying a chef would mean never buying takeout?

Meanwhile, Arne, a rich white businessman—who calls himself Goldilocks and whose behavior the author describes as "clueless" racism—gets sympathetic treatment. His fear of heights and dogs is equated to Corinne's fear of racists, as if it's a phobia to overcome via willpower.

Recall that the purpose of Corinne Tan's story is to educate about AAPI experiences with racism during COVID. Mattel, owner of American Girl, hired a panel of AsAm academics and consultants to tell her story with "authenticity and accuracy." So how did it turn out so harmful?

It's because the AsAm consultants for this project and many similar projects—like Dr. Jennifer Ho—are out-of-touch with our community. Insulated by wealth and/or whiteness they've chosen, they think they've acknowledged their privilege, but their work shows they're still reinforcing it.

The broader problem is that racist and misogynist white men control media. Regardless of gender, sexuality, or marital status, AAPI are given media power only when they internalize and repeat white men’s messaging. This isn't limited to fiction—it affects real-life activism too.

A picture says a thousand words, and it speaks volumes that Stop AAPI Hate chose to literally center white men in the photo accompanying their hate crime data report summarizing the past two years. Of those "thousands of voices," it isn't hard to guess who's prioritized. Stop AAPI Hate pushes the same message as Corinne Tan's story: racist white men deserve more humanity and sympathy than actual AAPI male victims. Hating and erasing AAPI men is required to show that you're a "safe" Asian deserving of resources and support. (see my data thread about how hate crime data is manipulated to erase AAPI men as victims)

It's bad enough that an entire gender is being cut out from resources and empathy, but what Corinne Tan’s story reveals is another disturbing trend: AAPI youth are being groomed into normalizing having racist white men in their lives, specifically in their families and homes.

Corinne Tan is a middle grade story (ages 8-12). For its consulting, Mattel partnered with AAPI Youth Rising, a non-profit led by AAPI middle schoolers. At the time, Dr. Ho was president of the Association for Asian American Studies, which helps shape AsAm studies in schools. It's not a stretch to think Corinne's mom Judy, who puts Corinne in harm's way by refusing to address her white husband’s "clueless” racism, is reflective of the behavior of AAPI adults involved in Stop AAPI Hate and other AsAm orgs—they gave the story their stamp of approval.

Anti-Asian hate crimes against AAPI should've brought the community closer together. Instead, we've been segregated further, and the AAPI who hurt the community the most have hoarded the empathy, media attention, and resources for themselves. How can any of us heal like this?

(Please don’t repost or edit my art. Reblogs are always appreciated.)

If you enjoy my comics, please pledge to my Patreon or donate to my Paypal.

https://twitter.com/Joshua_Luna/status/1134522555744866304 https://patreon.com/joshualuna https://www.paypal.com/paypalme2/JoshuaLunaComics

[humanrightsconnected]

Happy Asian Pacific American Heritage Month! Find out today from the following 5 organizations how you can support the AAPI community!

➡️ 18 Million Rising (18MR) 

➡️ AAPI Women Lead

➡️ Asian American Federation (AAF)

➡️ Asian Americans Advancing Justice (AAJC)

➡️ The Asian American Foundation (TAAF)

📸 by Katie Godowski on Pexels

[goodbyeapathy8]

Had a not great Internet Day today.

Posted a video about my toxic experience with Korean companies, linked to a Black creator who posted about her terrible (and racist) experience working for Ebin (NYC).

Received a ton of anti-Asian comments. This always happens with any criticism I post up about Korea. People take it as an excuse to be racist towards Koreans in general, Asians, and of course - they misgender me. I get personally attacked, too.

It's beyond exhausting. I'm thinking of making the video private tomorrow. I've got comments limited to mutuals for now but I'm tired of even seeing the video on my page.

A lot of it also has to do with the trauma that stems from the 3 years I was bullied horribly at work. It was already a really tough story to share and, after some thought, it looks like I'm not ready to deal with it still. It's been almost a full year since I was fired (wrongfully) last August... but I still have nightmares.

Not looking forward to sleep tonight. Had a ton of flashbacks during the day.

May take a step back from posting in general. Last week was the TERFs (and racists), this week it's anti-Asian racists.

I say this for the millionth time but marginalized folks who are open about parts of their identity (like me being a nonbinary Korean) suffer the most hate online.

[icedsodapop]

I find it so interesting that when Mark Wahlberg's hate crimes got brought up in light of the SAG Awards, you can see the anti-woke assholes in the comments section saying that people should "let it go" since Mark Wahlberg "was a kid" when it happened, that "people can grow and learn from mistakes they made as a teen", and these assholes always bring up the fact that his victim, Johnny Trinh, forgave him.

But, it's soo interesting that Mark Wahlberg's defenders conveniently left out his other victim, Kristyn Atwood, a little Black girl who was part of the group of mostly Black middle-schoolers he and his friends pelted stones at, hurled racial slurs at. His other victim who defintely DOES NOT forgive him, who also was a kid herself in the fourth grade when Marky Mark and his buddies decided to assault her and her schoolmates.

These assholes said that Mark Wahlberg has grown and learn from his mistakes, but did he really? How would they know?? Did he really learn from his mistakes when he tried to expunge his criminal record to start his shitty burger chain? Did he personally apologize to Jess Coleman (who was 12 y/o then) and his siblings for harassing them while they were just walking home from school because they were Black? Has Marky Mark ever reckoned with how his white privilege had a part to play for his lenient sentencing (2 yrs jail, he served a mere 45 days), for his oppprtunity to move on? After all, Black and Brown people have been dealt harsher sentences for far less. And apart from paying lip service to George Floyd's murder and BLM, has Marky Mark actually donated to Black Lives Matter? Or Stop Asian Hate? Or any Black and AAPI advocacy groups? Or fuck, any gofundmes?? Has he advocated for defunding the police or gun control?

And finally, these assholes act as if just because ONE victim forgave him, Mark Wahlberg's crimes are automatically absolved and we can all move on. That's not what forgiveness means? It's up to Johnny Trinh's perogative to forgive him and I respect that, but Trinh's decision to grant his attacker grace does not mean that Black people and other Asian people aren't allowed to be angry over Mark Walhberg's actions and the lack of consequences that followed them.

I keep thinking about Roxane Gay's interview with NPR on not forgiving Dylan Roof, how forgiveness is often weaponized against Black, Indigenous and other people of color. The idea that we have to let it go because it's in the past. But we can't let it go because what Mark Walhberg did is sadly not unique, he's just one of the many racist assholes who commited hate crimes against BIPOC, crimes that are still happening now.

And it's hypocritical to expect Black and Asian people to forgive and forget what Mark Walhberg has done, when the same grace was not afforded to Will Smith. So, who does "forgive and forget" actually serve?

[engagedpureland]

Seattle Buddhist Temple Attacked by Arson

Seattle Betsuin Buddhist Temple was damaged last night by an arson attack. Details are still emerging. New Year's Day service is canceled. Jodo Shinshu temples in the United States and Canada have long been targets of racist and anti-Buddhist violence. Few if any have never experienced hate-based vandalism, arson, or attacks on members. The first, 100 years ago, killed 10 children at the Sacramento temple. Since then the Pahala, Gardena, Spokane, Fraser Valley, and other temples have been destroyed by arson, and many others have been damaged. Attacks on Buddhist temples accelerated in 2020 following Donald Trump's racist blaming of China for Covid-19.

[thewokecatgirl]

believe me when i say i really support poc as the protagonists in television! but chop socky chooks is one of the exceptions! BECAUSE THE SHOW PROMOTES RACIAL STEREOTYPES!!! TWO OF THE MAIN CHARACTERS, CHICK P (THE WOMAN) AND CHUCKIE CHAN (THE GLASSES GUY) ARE WALKING CHINESE STEREOTYPES, WHEREAS K.O. JOE (THE BIG GUY WITH AN AFRO) IS LITERALLY A BLACK STEREOTYPE!!! THIS RACISM IS UNACCEPTABLE!!! I SUPPOSE 2008 WAS A DIFFERENT TIME!!! BUT NOW WE HAVE BECOME MORE EDUCATED AND WOKE AS A SOCIETY!!! THE ONLY GOOD THING I CAN SAY ABOUT THE SHOW IS THAT IT DIDN'T EVEN MAKE IT TO A YEAR, AND I HOPE TV CHANNELS ARE NO LONGER AIRING THIS RACIST SHOW!!!

[goodbyeapathy8]

+ Asian adoptees ARE STILL ASIAN, TOO. There's way too much erasure of adoptees both inside and outside the diaspora and that needs to stop.

asians: pls care about racism against us

tumblr:

[k00297028]

Amanda Phingbodhipakkiya - Artist Research

As artist in residence with the New York City Commission on Human Rights. Amanda’s Art Series celebrating the resilience of the AAPI community. ‘I Still Believe in Our City. Her work has reached millions across New York City and worldwide through reclaiming billboards, bus shelters, subway tunnels, buildings and the cover of TIME Magazine.

[joshualunacreations]

The US and its propaganda arm, Hollywood, have always been anti-Asian. Although opportunities are opening up for Asian actors, the underlying messaging—that divides and hurts Asians—hasn't changed.

Not too long ago, AsAms seemed united in outrage against racism and white-washed casting such as Scarlet Johannsen in Ghost in the Shell, Tilda Swinton in Dr. Strange, or Netflix’s Deathnote. Yet as more projects with AAPI leads and casts were produced, this so-called unity proved to be a lie.

The illusion of AsAm unity fell apart with To All the Boys I Loved Before—which was widely celebrated despite its blatant white-worship. The most recent blow comes from Hulu's The Company You Keep, a U.S. remake of a k-drama that replaced the male love interest with a white man.

Once it seemed like AAPI women were getting roles and being “humanized” (i.e. garnering attention and approval from white men on-screen and off) AAPI with media power were satisfied. It didn't matter that AAPI men were still erased and dehumanized—even in supposedly pro-AAPI projects.

Not only do AAPI with media power not care about the continuing harm against AAPI men, they exacerbate it. When AsAms critique anti-Asian narratives—especially ones erasing or targeting AsAm men like TATBILB—they're gaslit, harassed, censored and even permanently blacklisted.

This is because AsAm media is held hostage by the racist framework of the U.S. government's 1942-43 Mixed Marriage Policy. White men's hierarchy—based on perceived threat levels and receptiveness to white assimilation—still dictates Hollywood narratives.

Research confirms that the MMP persists today. A 2015 study shows how gendered racism leads to severe under-representation of Asian men (and Black women). Whereas monoracial Asian men face significant barriers in dating, a 2014 study shows mixed-white Asians get a "bonus effect."

This is why Hollywood execs know there will be less uproar if monoracial Asian men aren't represented—it's been the status quo for decades. In the few roles made for Asian men, they still fall into two categories: pathetic loser or toxic man/villain. In some cases, both.

The hatred and erasure of Asian men is so deeply embedded that it's led to the widespread erasure of AAPI men as victims of anti-Asian hate crimes in recorded stats and media narratives. AAPI journalists know this, yet continue to do nothing to correct it.

So what's next for AsAm representation? In 2022, Janet Yang became president of the Oscars. She's co-founder of Gold House—an AsAm Hollywood collective—and executive producer of Joy Luck Club, a seminal work bashing Asian men as irredeemable misogynists compared to "good" white men.

Many AsAms like Yang want more of Joy Luck Club and similar stories. Amy Tan, author of JLC, has been pushing for years for a sequel with the original cast. A TV series was optioned in 2017, and as of 2022 a movie sequel is to be written by white male screenwriter, Ron Bass.

Stories like Joy Luck Club aren't just bad media—they're dangerous. Arthur Martunovich randomly hammered three AsAm men to death because he saw a movie depicting Chinese men as abusers and he wanted to "protect Chinese women". There's a high chance that movie was JLC.

Hollywood has figured out it’s easy to make anti-Asian films and stifle criticism by hiring Asian tokens to give stamps of approval. An article from 1986 (40 years ago) about AsAm criticism of racism in Big Trouble in Little China shows there's a history of sowing division among AAPI and using government resources to do it. I understand the allure of the Hollywood dream because I used to believe in it myself. From an early age, all marginalized groups—POC, women, LGBTQ+—are taught to fantasize about how we'll finally be accepted and heal the hurt once we get on a big stage and give an award speech. Having experience in Hollywood as a comic creator, I know how people in power (esp. white men) behave. Their goal is to wear you down until you internalize their bigoted messaging, regurgitate it yourself, and then thank them for it. They hate the word "no." Awards don't matter if the content that gets you there ultimately serves bigoted and harmful purposes. In 2020, I made a test for AAPI media. None of the projects so far have passed. That's by design. We think we’re holding the statue, but really, it’s holding us.

Correction: I just noticed a typo in the comic. Inside the Hollywood sign's letter "Y" I meant to say "non-Asians" not "non-whites." Sorry, it was a lot of drawing and writing, and I got tired 🥴 (Please don’t repost or edit my art. Reblogs are always appreciated.)

If you enjoy my comics, please pledge to my Patreon or donate to my Paypal.

https://twitter.com/Joshua_Luna/status/1134522555744866304 https://patreon.com/joshualuna https://www.paypal.com/paypalme2/JoshuaLunaComics

[thealiveshadow]

As a precursor I’d like to say that if you feel my post is talking over you, just tell me and I’ll have no problem deleting it.

As an Indian (from India not Indigenous) trans man, I relate heavily to the experience of having my masculinity stripped, but for different reasons. Indian men are generally viewed as weak, and maybe my submissive in a sense. They are thought to have strange accents, can’t speak in English properly, are not fit and generally weak. One time somebody told me (and they totally believed it) that “Indian men were at the bottom of the sexual food chain, no one likes them”. They fold their hands when White people come into their country and house, and are there to take the profanities of their (White) boss.

But! On the flip side, Indian men are actually also hyper masculine rapists. They can’t hide their lecherous eyes from your innocent daughters, who knows if she’ll be safe with an Indian man? Don’t you know how racist they are? They’ll call you the n-word as soon as they meet you! They’re scammers and cheaters, hide your purse from them so they don’t pickpocket you, and don’t forget how all call scams are actually Indian! Queer Indian Men? Not fucking possible, didn’t you know that Indian men are backwards and not progressive in their thinking at all, they could never be something as cool as being queer!!! In fact I think all Indian men should die because of how dangerous they are, Free the Indian Woman (who are so sexy and beautiful by the way)

The above portion is making fun of of what I’ve heard and seen in my life. I believe Indian men have the experiences of having their masculinity deconstructed were they are generally submissive and weak to outer forces, and then reconstructed to seem like inhuman monster where women are put in danger just by having a Desi man near her. I know this because I have experienced many (if not all of these things listed above) and have seen fellow Desi men experience it too. And because of how much people (of all political aisles let’s by honest) seem to hate Indians, and going even more specifically, Indian men, many simply refuse to acknowledge it.

I thought that the main similarity between your post and mine is that East Asian men are stripped of their masculinity due to forced feminization, Indian (and South Asian) men also experience this uprooting of their identity but in a different form. I also believe that Indian men have to work hard to be seen as masculine in enough, but not so much that they end up being seen as a danger. It ends up being a delicate line to dangle.

I am going to get so much fucking hate for this but as an ethnically East Asian (Chinese, but born in and lives in the US) trans man, I feel like my ethnicity and gender intersect in two different ways that no one either cares about or knows about

Forced feminization

Hyperinvisibility

In detail:

Forced feminization

From anime characters to K-pop idols, so many East Asian men seem to be regarded as feminine either for their dress or mannerisms with absolutely no consideration of how different cultures might display masculinity. Granted, I've been guilty of this too in the past, due to being born and raised in a western country, but I'm trying to be better about it. Like. Asian guys are not your "shy uwu Kpop idols" or "cute gay coded anime characters". Also: the "small Asian dick" jokes. Goddamn.

I feel like I shouldn't have to explain how this goes double for Asian trans men like me who want to present as masculine in a gender conforming way. But since this is Tumblr dot fucking com, I'm gonna have to. I feel like I have to work twice as hard to be seen as masculine as anyone who isn't Asian and/or is a cis guy because of not only the paragraph above but because of the parts I was born with. Seriously I did not spend years escaping femininity just to have randos insist I stay with it from multiple angles.

Hyperinvisibility

This is probably where people are going to come into my notes and inbox with pitchforks telling me shit like "kys" or throwing slurs but you know what. Fuck it.

EDIT: I am now aware that BIPOC stands for "black, indigenous, and people of color", not "black and indigenous people of color", so I have removed my previous statements as they were inaccurate.

That being said, it still stands that I have seen very few people talk about the racism Asian people face, and that we are treated as "white lite" in many spaces.

As for the transmasc angle: transandrophobia does exist. We are being killed. We are being raped. We are being forcibly impregnated and detransitioned. And nobody is giving a fuck. We aren't even acknowledged as trans men, we're labeled in statistics as "women". And when we try to talk about it we're called either "confused little girls" or "(trans)misogynistic MRAs".

TLDR: I DON'T FUCKING KNOW HOW TO TELL YOU PEOPLE THAT HYPERINVISIBILITY IS NOT A PRIVILEGE ESPECIALLY WHEN YOU EXPERIENCE IT THROUGH BOTH YOUR RACE AND GENDER

[humanrightsconnected]

Last Thursday marked two years since the Atlanta spa shootings that killed eight people, including six women of Asian descent. As we observe today the International Day for the Elimination of Racial Discrimination, discover 5 ways to counter racism against the Asian American and Pacific Islander (AAPI) community. 

[fairynisse]

The racism you experienced does not have to be violent to be valid.

[chirishman]

Yeah, and the local gangs are

DARE PSA But Make It Real

Nazis (unfortunately prophetic)

And then you get

All Asians Are The Same And They’re Raping And Enslaving White Women. Also Something About Honor.

It’s some straight up 1880s Yellow Peril shit

It’s even lowkey an anti-refugee narrative, Lung and a large part of the local Japanese community are explicitly part of diaspora caused by a giant disaster that destroyed their homes and livelihoods.

The only part that was missing was for him to write them scabbing on jobs picketed by the dockworkers union and spread a plague or something.

Those transliterated phrases there in the second image? They’re traditional Chinese gambling/lottery things, which maps to Wildbow’s Ruby Dreams Casino thing.

As an asian person I have to tell you this kind of unself-examined asian stereotype BS is way more pervasive than you think.

At the same time Worm was being written the news media was being so noticeably (and seemingly obliviously) racist about a basketball player being asian that SNL made a sketch skewering it.

I don’t know where I’m going with this except that I am very very tired. Media and the people who make it are imperfect.

i love (hate) how worm has really interesting and personalized and thought-out and clever cape designs and then it gets to the asian capes and its like. their motives: theyre asian. their personalities: asian. their cape design: theyre asian oni lee is a ninja and has a japanese style demon mask (hes asian). And of course who could forget the insinuation that taylor can do phrenology to decide what ethnicity an asian person is just based on their face. like

I couldn’t pinpoint her ethnicity with the mask and goggles, and her age wasn’t any easier to figure out.

Hello. Okay.