#anti makorra

[atla-confessions]

Can't believe it's present year and I'm seeing Makorra shippers pray for Asami to die early so Mako can comfort Korra and they can hook up on Asami's deathbed.

I mean it was a straight woman who ships zutara so yeah I'm not surprised to this a repeat of the exact cope fantasy of hooking up on the canon lover's deathbed, but hoping a sapphic woman dies so her partner goes back to the man who cheated and mistreated her in the first place like that's some better relationship she was always supposed to wake up and want to be in and the woman she fell in love with was just some phase she needs to get over, and some people actually agreeing with that, just feels extra icky.

X

[punkeropercyjackson]

'Incubator' is just Atla 2020s 'heteronormative'

[awesome-normal-heroes]

Imagine betraying your anti-bender father for your bending boyfriend and the Avatar, only to learn that they kissed behind your back and then later they become a couple...

And then they do it again the next season...

Imagine the writers making you date the girl that he cheated you with... Forgiveness is one thing, but dating her? Seriously?

Asami deserves better...

[daughter-of-water]

its funny that you get mad about kataang ( a ship that is actually supported by the show andcharacters) while trying to defend korrasami a last minute retcon that requires making korra ooc because you have that level ofirrational hatred for mako and over reaction to him daring to have flaws emotionally immature teenager ( makos flaws were always acknowledged as such since b1) mako didnt need to be punished by ending the show single (asami got hurt and that sucked for her but its irrelevent )

ROFL, you know nothing about this blog, Mako apologist if you think I've ever defended the Korrasami ending as legitimate. I know it is hard for you to believe but thinking that Mako and Makorra are horrendously written and send the wrong message because regardless of your assertions, Mako's character flaws were not even tackled with the gravity the deserved until the final season and one cannot help but believe only done so because of rightful fanbase outcry, DOES NOT MEAN I am a Korrasami shipper. If it is irrational to have a hatred for lying and people who disregard the feelings of others for the sake of their own comfort then I am guilty as charged and glad to be so. But while we are on the subject of irrationality, you are literally getting your underpants in a twist over the fact that someone dares not to love your precious Mako or thinks his shitty behavior warrants a redemption arc where he grows as a person, apologizes to the people he wronged, and goes forward into a new relationship with someone new where he does not do that kind of shit anymore. Why are you so afraid of character development, man?

[queen-morgana91]

Canon, happy and more content soon 💕 certain ships that never sailed can't relate

[kathrahender]

Female Characters in Media and how they should write them better (and their relationship with other characters too)

One of the things that upsets me is how women are depicted in media. Don't get me wrong, I don't dislike some female characters for being female (like someone could think), I'm not a misogynist person. I dislike them for not being good characters. For being poorly written (in my opinion). If you want to keep reading, prepare yourself, because this would be long (?

First, the "girl with a crush" type of female character.

Some of the female characters are always following their crush wherever he goes, sometimes saying his name a lot of times in the show, and her life is almost centered in living for her crush and nothing else. Like they have no purpose except being around her crush. They (the female characters) care about her crush more than they care about anyone else (even their own family). Sometimes they care about their crush more than her own future. They care more about having (or not having) a future with her crush than they care about having a degree/a job.

And I hate those kind of female characters, because a woman's life shouldn't be determined by a man. They should be independent people centered in being successful in life, not being centered in having or not having a future with the man they like. And if the man they like doesn't feel the same/doesn't pay attention to them, then leave him alone (after all, he's not the only man in the world, is he?) or don't force the situation, just let it flow. If the man is meant to love them back, then he would do it. If he isn't meant to love them, they shouldn't waste time thinking about how their relationship could work. And if they are dating another person, they definitely shouldn't try to separate them (or actually separate them) because then their "love" towards the man they like wouldn't be "love" but obsession or the "if I can't have you, no one can" type of love.

Secondly, the "girl who is just the love interest" type of female character.

This is the type of character who is weak, dependent, and everytime they need saving. They add nothing to the plot except being the love interest. You could remove them and the only thing that would happen is that the hero wouldn't have a love interest. That's all. They are the type of character who do nothing important in the plot. They are in the show just to fullfill the "male character ending with a female character before the show ends" trope. They aren't strong, they aren't "useful", their existence is basically based in having to be saved, crying, or making stupid things to make the audience "laugh" or feel sympathy for her.

And I also hate this type of character. A female character shouldn't be in a show just to make the audience laugh. They shouldn't be in a show just to be the love interest. What you're implying with those type of characters is that a female character can't be nothing else than a non-important sub-plot. They can't be strong, they can't save the day, and they can't be fighters because "Oh my god, they're women, how could they be an important part of the war? 😡😡". And that's bullshit. Women can be strong and should be strong in media. Women should be and deserve to be important in the main plot. Women should save the day and they deserve it. Women deserve to be more than a "always crying" character.

Thirdly, the "female warrior who is more powerful than everyone else" type of female character.

This female character is strong, tough, resilient, brave, and more things. It's basically the reverse of the "girl who is just the love interest" character. She doesn't need saving, she doesn't cry (or at least she has just a few "weakness" moments) and she is important to the plot because without her there wouldn't be a storyline (whether she is the main character, one of the main characters, or the love interest of another character).

Sometimes this trope is handled well. This type of character can be well-written and be an awesome powerful female character, but there are some cases where the writers/showrunners/producers don't do it well (in my opinion). The thing is that in some shows/movies, to make the female character strong, brave, and intelligent, they make the male characters more weak, more "coward", and more dumb. And that's what I hate about the writing of this type of character. Women can be strong, brave and intelligent without making the male characters the opposite. A woman and a man can be the same, and you don't need to make one look bad to make the other look better. They both should be strong. They both should be powerful. They both should be though. They both should be intelligent.

And fourthly, the "female tough character who doesn't show a lot of emotions" type of character

This type of character is similar to the previous one, except that she isn't considered the "most powerful" character in the book/show/movie. She's strong, tough, resilient, brave (probably more things) and she doesn't need saving (most of the times), but she's not the most powerful character of the show. Yes, she is one of the strongest characters, but she isn't the strongest.

The problem I have with this type of character is that sometimes they appear with another trope. The malewife/girlboss trope. And two of those malewife/girlboss pairings seriously upset me because they're seen as "beautiful" "wholesome" and "awesome" when they aren't. The fans of that ship act like it's "healthy", but I have news for you. It's not healthy. It's not healthy to call your partner with mean nicknames. It's not healthy to hit your partner "as a joke". If it was the reverse, if the man was calling the woman with mean nicknames and he was hitting her "as a joke", everyone would throw hands. If "X" male character treated the "Y" female character like that, there would be no one in this world who wouldn't get angry at him.

But if it's the reverse? "Oh, she's not really hurting him" "Oh, she's so funny" "Oh, she's so silly" "Oh, she's so cute". And that's what I hate about this trope. That the female-on-male bullying is not treated seriously. And you can like these ships, okay. But at least don't pretend they are something they aren't. It's kind of toxic/abusive, and you can still like it, as well as you can like... I don't know, Buffy x Spike (?, but don't act like those ships are healthy because they aren't (this is me talking about the canon because some writers can write those ships as healthy).

Now, after all of this. I'm gonna mention some female characters that I think are well-written, as well as some straight ships that are good (again, in my opinion).

First, the female characters.

Pacifica Northwest from Gravity Falls. Lila Rossi from Miraculous Ladybug. Valerie Gray from Danny Phantom. Karai, April O'Neil from TMNT (any version). Katara, Toph, Korra, Asami Sato from Avatar: The Last Airbender/Legend of Korra. Sabine Wren, Ahsoka Tano, Hera Syndulla from Star Wars Rebels. Nancy Wheeler, Robin Buckley, Eleven/Jane Hopper, Max Mayfield from Stranger Things. Chloe Decker, Ella Lopez, Maze, Linda Martin from Lucifer TV. Allison Argent, Lydia Martin, Malia Hale, Kira Yukimura from Teen Wolf. Alina Starkov, Nina Zenik from Shadow and Bone. Shado, Felicity Smoak, Laurel Lance, Dinah Drake, Sara Lance, Thea Queen, Caitlin Snow, Kara Danvers, Alex Danvers, Lena Luthor, Samantha Arias, Ava Sharpe, Zari Tomaz, Nora Darhk from Arrowverse (The CW). Regina Mills, Emma Swan, Snow White, Ruby, Mulan, Aurora, Ashley Boyd from Once Upon a Time. And more. I don't know what makes these characters so likeable, but I can't help but love them. Compare them with the characters I criticized, and see what I mean with the good/bad female character writing.

Secondly, the straight canon ships (I'm just gonna say my opinion about a few of them and mention the others because if I explained why I accept all of those straights ships and not others, the post would be very very long and I don't want that)

Gray Ghost from Danny Phantom. They had better development and better chemistry than Amethyst Ocean for me, and although Amethyst Ocean is not a bad ship, the way they ended up together at the end of Phantom Planet felt so rushed. With more development? Amethyst Ocean could have been a ship I would have liked.

Kataang from Avatar: The Last Airbender. I will always prefer Zutara/Zukka over this ship, but you can't deny they objectively had development and chemistry. The ship didn't feel rushed or forced, you could actually see they loved each other. And the two of them are powerful, the writers/showrunners didn't make one look bad to make the other look better (in my opinion).

Makorra from Legend of Korra. Their relationship at the beginning of the show was honestly beautiful, and although I like Korrasami, I wouldn't have minded Makorra being the Endgame ship in the show. For me they had good development, chemistry, their romance didn't feel forced or rushed, and their hurt/comfort scenes were so wholesome and heartwarming. And that without saying they also didn't make one of them more weak or more dumb than the other because yes-

Casapril from TMNT 2007. Although in this movie we couldn't see how Casey and April ended up together, what we saw was enough to make me think they were a good ship. I don't know if it was because their relationship seemed healthy or because it seemed like they loved each other so much, but I loved them.

Scallison from Teen Wolf. Okay, Scott McCall had a crush in Allison Argent at the beginning of the show, and some of you could say "Oh, so you accept a character having a crush as long as it's not a girl having it 😡". No. That's not true. Scott McCall had a crush on Allison, yes, but unlike Hinata and Marinette, he didn't stalk Allison, and he talked to her. And unlike Naruto and Adrien, Allison liked Scott almost since the beginning. Then, no, it's not the same situation. Scallison is very different from Naruhina and Adrienette. Scallison actually had development and chemistry, and you could see they both were down for each other since the start of the show.

Gweter from The Amazing Spider-Man. Their relationship is beautiful. The way Gwen got into Flash-Peter's fight and defended Peter, the way they slowly fell for each other, the way the connected so well... Everything between them was wholesome. And again, you could see the chemistry, you could see both characters were well-written without making one look worse than the other. They both were strong (in different ways, but they were), they both were intelligent, and they both were so in love with each other. Their romance wasn't rushed, or forced neither.

Snowing from Once Upon a Time. They're the couple of Once Upon a Time. Their relationship in the Enchanted Forest was beautiful, and although they had to work in their relationship in Earth, you can't deny they're soulmates. Their love is pure, even connecting them across realities, and if there's true love out there, they surely have it. You can ship other ships in this show, sure, but the chemistry between these two is undeniable. As well as their development.

Other straight canon ships I think they're well-written are Stricklake (Trollhunters), Entrapdak (She-Ra and the Princesses of Power), Aelita x Jeremy, Ulrich x Yumi (Code Lyoko), Hank x Shay, Lotura (Voltron Legendary Defender), Obitine (Star Wars), Jancy, Lumax, Mileven, Jopper (Stranger Things), Deckerstar (Lucifer TV), Scalia, Scira, Chelissa (Teen Wolf), Darklina, Helnik (Grishaverse), Petermj (MCU), Olicity, Barricity, Westhawne, Snowstorm, Quickwest, Captain Canary (Arrowverse), Danali, Damiko (Karate Kid), Samguel, MoHawk (Cobra Kai). As you can see (and if I'm not blind lmao) none of these ships are based in the tropes I previously said I hate. There are some of these ships that I don't like for personal reasons, but they are good ships and objectively well-written ships. So... yeah.

To end this post, I want to thank you for reading this, and if you support one of the characters/ships I criticized, please, keep it to yourself and block me or block the "Anti Naruhina/Percabeth/Adrienette/Hiccstrid" and "Anti Marinette/Hinata/Astrid/Annabeth" tags. I didn't make this post just to get hate comments.

If you think the same as me about this, thank you for your time! I'm glad you made it to the end of the post ;)

[coye]

Bro, Korrasami shippers who hate Mako are weird as hell. Korra played a role too as to why Makorra was toxic and unbearable. Why do they love to clear Korra of her accountability and pretend she was innocent? Mako isn’t a misogynistic pig. He’s not the villain. 😫

[hecat-draw]

i think one of the stupidiest take i've ever seen on zutara is that makorra is the zutara ship and that it showcase why they wouldn't have worked . Like, they aren't anything alike .

[atla-confessions]

What's crazy is when makorra shippers talk about how Korra and Asami are horrible toxic people and Mako is their victim, but also complain that Korra should be with Mako and not Asami.

Korrasami quarantines the big bad mean girls that bullied Mako, so now they'll keep each other busy and won't victimize poor Mako anymore! Isn't this a win-win situation?

X

[wlwmk]

Can I get your honest opinion on this? As a newbie lok viewer I was pretty disgusted by what Asami did with Mako in book 2. He helps her company, and instead of helping a friend who's dealing with a bad breakup, she uses it as an opportunity. After your friend goes off to fight in a war, you immediately invite yourself to her ex's apartment and start touching/pursuing him? And then she left him in jail. What she did was trashy and she had the audacity to act like a victim. She didn't care that she might've sabotaged their entire krew dynamics.

Did you think it was in character for Mako to respond?

This was a pivotal moment for him b/c I don't think he'll be able to carry a relationship with any woman as long as his friend is a willing side chick. That's a huge issue she created for him

(Asami being "vulnerable" is no excuse"

THIS!

and you only mentioned the bad she did to korra, while she quite literally jumped on mako, non-consensually kissed him and pursuing him while he was emotionally vulnerable due to the break up and she knew. but she just acted selfishly because she wanted some comfort, not caring about either mako or korra, and had the audacity to act like a victim and be mad at mako for not staying with her as soon korra came back and not telling korra the truth (something mako get often blamed for by the fandom, while his move was genuinely smart given the context) while she could also tell herself what happened.

all of this are straight up facts but still.. the fandom seems to love interpret asami as the ultimate victim of the romance- and as someone who participated against this discourse for years, i observed fans seems to overprotect her bc they're either projecting themselves onto her. and also colorism bc why they're blaming korra about her acts in b1 while she was at least clear about her feelings for mako and wasn't friend with asami yet so she owned nothing towards her- while contextually asami did way worse in b2, they were all friends for a year, she saw them being together for over 6 months but has no problem to pursue him as soon she learned for the break up? this stink. like she's not the fair skinned teeny whiny princess people think she is lmao

but somehow she still seen as a victim, with all the responsibility wrongfully thrown at mako, like he still has some responsibility but the constant denying of the girls responsibility in the triangle love during the show is unfair bc they were genuinely all responsible.

also i could talk on how mako is a perfect example of male victim in fictional media who aren't knowledged both in the writing and by the watchers.

[hauntingofhouses]

BRB thinking thoughts about Taigen's character, the TaiMizu ship, and a big chunk of fandom's perceptions regarding both those things.

(Inspired by @farintonorth's post related to this topic that just got my brain going brrrrr)

OK so let me just... start off by saying that I think that reducing stories to their tropes is seriously detrimental to the way some people are interacting with fiction, and while that honestly warrants its own post about the subject, I wanna talk specifically about how this affects the way some people in the fandom talk about Taigen and TaiMizu.

Because yeah, tropes are useful shorthand to refer to certain dynamics or archetypes etc, and they are indeed the building blocks to any story. But in a well-written story, characters and their relationships, actions, and motivations, are much more complex than just tropes. Because in a story that has characters who are more than just cardboard cutouts, their behaviours, backgrounds, motivations and all of that, are inseparable from the context of the overall story they exist in.

So like, sure, you can say Mizu and Taigen have an enemies-to-lovers or rivals-to-lovers dynamic. I also use those terms because it's easier. But I also think this is where things start to get a bit twisted, especially from an intertextual sense. Because "enemies-to-lovers" is also commonly used to refer to other ships in other media, whereby it tends to be rooted in an imbalanced power dynamic, such as oppressor-oppressed and bully-victim.

And while that's a whole can of worms that I won't be getting into because it can quickly derail into a whole separate sort of fandom discourse, I'd just like to make it clear that Mizu and Taigen, in particular, do not have an imbalanced power dynamic. They are not bully-victim or oppressor-oppressed. The only understandable reason why someone might actually think their relationship is imbalanced is if

A) they only watched the first episode, or

B) they cannot grasp the slightest bit of nuance in a character, or

C) they're being obtuse on purpose simply because the Mizu/Taigen relationship, or Taigen's character in general, just doesn't suit their tastes.

While yes, Taigen, along with his whole gang, had bullied Mizu when they were children, that dynamic does not exist between them whatsoever in adulthood. Whatever imbalanced bully-victim power dynamic that had once existed between them was decisively ripped apart the moment Mizu beat him in that duel in the dojo, and then completely obliterated by the end of the season.

Mizu is not a defenseless victim at Taigen's mercy. Mizu can beat Taigen's ass any time she wants (and she DOES, repeatedly in fact), and could even kill him if she felt like it. She taunts him openly and without fear ("I like your hair"; "I can beat you with any weapon you choose") and all he does is bark back, because that's pretty much all Taigen ever does. Time and time again, he yaps about how much he wants to kill her, but time and time again, his actions prove that all of it is just an empty threat. Because though his words say "I hate you", his actions demonstrate the complete opposite. He's shown how protective he is of Mizu, how unhesitatingly he sacrifices himself up for her, how loyal he is in enduring days-long torture to not give up information about her, how even when near-death and in pain, he's still willing to keep standing back up so he can fight by her side and help her win against her enemies.

And Mizu is not an idiot! She sees that too. She does not see him as a threat, an enemy, or even a bully. Especially not by the end of Episode 3, and definitely not by the end of the season. When she finds him in the dungeon in Episode 6, she smiles from relief, and doesn't think twice to take him with her. Mizu finds him, at best, an annoyance, or at worst, an infuriating hindrance on her quest for vengeance. Which is why, when Taigen is about to say, "It's a shame our duel's set for tomorrow; I have to kill you before you get your revenge," Mizu whacks him on the head without a second thought before he can even finish his sentence, and leaves him lying unconscious, face-down, in the snow.

And this further emphasises how he does not hold any power over her. There is no abusive power dynamic between them. She is more powerful than him, he knows this, and all he's ever done after they've met up again in adulthood is get his ass whooped by her, get mad about it and pester her and follow her around, get his ass whooped by her some more, and put his life on the line to protect her.

"OOoooOOoooH b-but he called her a demon at the end of Episode 7 and threatened to kill her again!!!" Oh my god. He called her that because he's calling her out on her selfishness to stay silent about her knowledge of Fowler's plans to attack Edo. Because to him, loyalty and honour as a samurai is more important than anything. So in his own brash-and-immature Taigen way, he felt betrayed that Mizu did not hold the same principles. That's why he got angry. He wasn't even that mad about letting Akemi get dragged off by the Tokunobu guards. It was about saving the Shogun and the Shogunate as a whole. That's why the first thing he does in Edo is not find Akemi, but try to warn the Shogun about Fowler's attack.

Look, I'm not defending his stupid ass, of course. Because calling her a demon especially after their cute little wrestling time was obviously rude and inappropriate, especially since words like "demon", "monster" and "Onryo" have had such a deep effect on Mizu throughout her life, and continue to contribute to her self-hatred. But like? That's the fun of realistic and flawed characters, and realistic and flawed relationships. They're not perfect, and it's why we as an audience root for them, wanting to see them work through their shit and find a way to prevail despite it all.

Also, him saying that was in the heat of the moment. He was angry, he felt like his initial belief of who Mizu was—a strong and loyal samurai, just like him—was shattered, and so he lashed out. Was it rude? Definitely. Was it immature of him? Yes, incredibly. But it's also very much in line with his character, because even though he's grown a lot over the course of the season, the show isn't over yet, so obviously his character arc is just beginning, as that is also the case for the other three main characters: Mizu is beginning to accept herself, Akemi is beginning to grow into her position of power, Ringo beginning to train under Master Eiji, while Taigen is beginning to simply be a better person.

On that note, when speaking of Taigen's immaturity, I think that's also one of the main things that people tend to gloss over when it comes to his character. Because when you boil everything down to its bare essentials, Taigen is, essentially, a boy. I've talked about this before, but to reiterate, Taigen very much behaves like an unhealed child. Even as an adult, he is insecure, prone to throwing tantrums, and is desperate to latch onto some material goal in hopes that it will make him feel better—initially he was chasing status/glory/greatness, and then when Mizu tells him that "Nothing comes from being a samurai but death," he immediately decides he wants to run away with Akemi in hopes that he will be happy.

And it's a big step, acknowledging that he doesn't truly want greatness, but had always just assumed it was his only path to a good life. But it's clear he still hasn't really figured it out. Because if he did run off with Akemi to get married and live in the countryside, he still wouldn't be happy. Because he still doesn't know who he really is, or what it is he really wants. Marriage at this moment is the last thing he needs, and as he is now, he would be a pretty awful husband. A simple life would be good for him, but would he be good at a simple life, when he still has so much he needs to work through?

So anyway, what I'm getting at here, is that he's trying and he is learning and growing. So yeah, he is flawed, but honestly? So is Mizu. And the funny thing is that they're flawed in very similar ways.

Because Mizu is also an unhealed child. That's why she's so angry all the time. That's why she pushes people away. That's why she, just like Taigen, is so happy when given the chance to playfully wrestle in the forge, laughing and rolling around like children without shame or pretense.

Again, this shows there is no imbalance between them. They had grown up together as peers from the same town. And while Taigen had had the upper hand back then, because he'd had a gang of other kids with him, that is definitely not the case anymore. Today, they are equally flawed, equally strong, equally skilled swordsmen, and equally bull-headed.

However, yes, Mizu is definitely leagues more mature than Taigen. But she still holds a lot of childhood wounds that mirror Taigen's own. And we see this especially in relation to her mother. Similar to Taigen who had an abusive and alcoholic father, Mizu's Mama was an opium addict and had hit her, berated her, had shaved her head without her consent as a child, and as an adult, had constantly emotionally manipulated and guilt-tripped her. Mizu's love for her Mama was what had driven her to a path of vengeance in the very beginning. And when she'd found out Mama was still alive, she had wanted nothing more than her Mama's love, and it was this alone that pushed her to agree to the marriage with Mikio in the first place. And now, knowing from Fowler that her birth mother is someone else entirely, is what makes her agree to keep him alive and haul his ass to London to seek answers.

Thus, integral to Mizu's self-hatred is also Mizu's intense longing for love and family. Just like Taigen, whose pompousness comes from his insecurity about being the son of a poor fisherman, Mizu's goals are also shaped by who her parents are. Remember, her vengeance is not against just anyone who's corrupt or evil, but specifically against the men who she believes had assaulted her mother, the men she believes had made her a monster, the men she believes had abandoned her to die and continue to try to kill her. Her vengeance is against a father, on behalf of a mother. In The Tale of the Ronin and the Bride, Mizu is not merely the Ronin, the Bride, or the Onryo, but also the Child.

This is also why Ringo is so good, not only for Mizu, but for Taigen as well. Ringo is wise and caring and considerate, but above all, he is in tune with his inner child in ways that Mizu and Taigen are not. He is always earnest and positive, he sees the world with childlike wonder, but is not naive or blind to its ugliness. His whole life has been a battle. Ringo brings out the best in Mizu, consistently acting as her moral compass and conscience, and Mizu's choice to save Akemi in the final episode is only because she promised Ringo that she would. Because it's the right thing to do. Ringo inspires her to be a better person, and to think outside of her narrow-minded goal of revenge. At the same time, Ringo also brings out the best in Taigen. While at first Taigen had looked down on both Mizu and Ringo ("Half-limb to a half-wit"), by the end of the season, he's proud to have Ringo as a friend and ally, he listens to Ringo's advice ("What would Master do?"), and asserts to the fucking Shogun that Ringo is a worthy warrior to have by his side.

Okay, I've gone on a bit of a tangent here, but my main point is that Mizu and Taigen are incredibly similar. They are equals. They are both flawed, unhealed children who are chasing some impossible outlandish goal in hopes that it will fill the void in their hearts. They also both have a long way to go in terms of character development if they were to ever build a healthy romantic relationship (either with each other, or even with anyone else). So while I believe things will be rocky (because duh, it's a story, we all live for the drama, etc), I think with Ringo's help, they'll get there eventually.

[almacambiondaughterofsaleos]

More Toxic Ships That Ruined A Show

I just had to add more ships that have become infamous throughout the fandom.

[daughter-of-water]

I have to be honest you claimed that mako was portrayed as inthe right in b1/b2 he wasnt mako not being specifically punished for his mistakes in b1 and b2 and having something good happen to him afterwards isnt the same as being treated as in the right   the notion that mako needed to be specifically punished for his mistake is bs . a character making a mistake not being specifically punished for that mistake and having something good happen to him afterwards isnt being rewarded for that flaw or being treated as in the right. mako was treated as in the wrong .

Thanks to the fact tumblr has shown me the email you are using to submit the slew of posts you’ve been bombarding me, I now know you are one singular Mako stan. Look, as I’ve stated numerous times before, I haven’t watched or cared about Legend of Korra in years nor do I really care about your precious cinnamon roll. At this point, the only reason I even bother with you at all is because you keep attacking ships I do care about, comparing your poorly written character with characters with actual depth and continuously telling me what he did in terms of romance is not bad and that I ought not feel that this scumbag is being rewarded for his shitty behavior when said scumbag does not suffer the natural consequences of it. I don’t care if you think I am unfairly vilifying Saint Mako nor WILL I EVER change my mind about him. Actually your constant flood of submissions has only served to make me more resolved in my hatred towards your favorite character. If you are sane which I suspect you are not, you will cease submitting this bullshit to me in my inbox and accept you have failed and will always fail to convince me in the righteousness of Mako let alone in his likability.   

[hotgirlkorra]

Why do people who hate Makorra ship Wuko?

[shadowfiredemonwolf]

makorra were compatible with each other (korrasami has no real compatibility without korra being ooc

the notion that makorra breaking up in b2 means they could never work is idiotic ( neither of them would have worked with anyone they broke up due to mutual flaws  that led to them breaking up flaws which they overcame by book 4 ( its korra and asami who couldnt work out without korra bieng ooc in the last 2 minutes

makorra is more comparable to kataang ( and mako showed that he could support korra the way she needed it asami didnt

 I have seen people try to go well mako told raiko he did the right thing the notion that he should have just went along with korras plans when the only issue was that he didnt speak up sooner ( which is his problem he holds things in too much till they get to the breaking point  he should have confronted korra much sooner) you can be sympathetic to korras issue and acknowledge that korra was in the wrong trying to take another countrys military away

(mako sees korra the person asami only sees the avatar)

makorra is far more comparable to kataang then zutara ( mako has the same position in krew  he supports korra like katara supported aang , etc and is the talented bender) katara and mako both had some jerk moments and their flaws acknowledged and treated as such  i feel korrasami was only popular because of desire for lgbt rep and the irrational hate for mako so they shipped it to spite and punish mako for daring to have flaws which had led to asami getting hurt when mako didnt do anything that required punishment

 his flaws and mistakes were acknowledged as such bryke already handling his flaws and issues the way they needed to be people over reacted due to asami getting hurt

 sorry but korrasami is more comparable to zutara the popular same sex ship  that was popular despite not having a basis in canon

they had to twist the most minor moments to claim evidence along with piling up headcanons to try and claim a moment its evidence

the claim that korra chose asami to help her  in b3 finale when that has no basis 

and korra only smiled with her father and air babies and bolin when she was in that state

or claiming korra and asami sent each other letters  for years  when there was only one letter  sent

and it doesnt mean korra is closer to asami ( korra sent one letter to vent and put a sense of closeness ( saying that korra sent the letter  to someone she isnt concerned about  makes way more sense)

while mako talked about korra the person asami in remembrances went youre the avatar we need you which was a failure tenzin needed to comein and bring up korra the person and how she grew as a person

while mako supported korra the way she needed to be supported in the episode where they went to confront zaheer ( while asami did nothing ) which adds to the list of many reasons korrasami was a last minute retcon. censors wouldnt have prevented them from interacting or bonding  or showing a close relationship in anyway

ikkinthekitsune .  tumblr . com/post/111124581145/you-said-that-korras-dialogue-implied-she-sent

Anonymous asked: you said that korra’s dialogue implied she sent asami only 1 letter could you make a post that shows the dialogue/script for it so I can see that

It’s not directly stated, but I think reading between the lines of the letter itself and Korra’s explanation of it makes it seem unlikely that she sent more than one:

“Dear Asami, I’m sorry I haven’t written to you sooner, but every time I’ve tried, I never know what to say.  The past two years have been the hardest of my life. Even though I can get around fine now, I still can’t go into the Avatar State. I keep having visions of Zaheer and what happened that day.  Katara thinks a lot of this is in my head, so I’ve been meditating a lot, but sometimes I worry I’ll never fully recover.  Please don’t tell Mako and Bolin I wrote to you and not them. I don’t want to hurt their feelings, but it’s easier to tell you about this stuff. I don’t think they’d understand.”

The thing to note here is that Korra feels guilty about not writing to Mako and Bolin and says she doesn’t want to hurt their feelings, but seems to feel the need to tell someone about her fears.  Considering the circumstances, continuing to write to Asami in spite of that guilt doesn’t make much sense.

She doesn’t really offer any room for a back-and-forth discussion in her letter, in any case — she’s treating it as a confessional rather than as an opportunity to talk.  It seems more like she’s trying to explain why she hasn’t been able to respond than opening a conversation.

The other part of it is this:

“I wrote to Asami while I was away. I asked her not to tell you. I’m sorry.”

I feel like, if Korra wanted to keep up a continuous conversation with Asami, the request not to tell Mako and Bolin about it would have been phrased differently (“Please don’t tell Mako and Bolin I’m writing to you and not them” rather than “I wrote”) as would the explanation (“I sent letters to Asami while I was away”).

Instead, “wrote” is in the past tense in both cases, instead of something less ambiguously repetitive, and the second one mirrors the first, which is clearly only talking about the present letter.

It’s also important to remember that there isn’t much time for her to keep up a conversation even if she wanted to do so — she went off the grid within a few months of the letter, and international mail isn’t exactly instant.

“What irks me is that it’s obvious makorra was the planned ending. there is too much build up to deny it. it’s like bryke paved a road for that ending and swerved at the last second to end with korrasami. I don’t see representation. I see sloppy writing and pandering.fantastic-nonsense answered:Honestly, based on the way the narrative seemed to be heading, I was fully expecing Korra to remain single with the possibility of rekindling the Makorra relationship (as mature adults who have retained their love for each other but have grown, are more levelheaded, and are able to deal with conflicting responsibilites) in the future. But I will agree: a grand total of six interactions post-“Long Live the Queen,” only one of which is truly non-ambiguously romantic (the finale scene), does not proper relationship build-up make. “

shippers try to claim they couldnt show more because of censors but censorship  but  as fantastic-nonsense put it

“Censorship explains why we couldn’t get a kiss and an “I love you” in the finale or blatant romantic scenes, not the utter lack of Korra-Asami interaction as a whole. They had six (to six and a half) minutes of interaction in the last season, spread out over six interactions/conversations. They’ve had nearly no on-screen interaction since “Long Live the Queen,” actually. They had the 5 second “I can come to the South Pole” convo in “Korra Alone” (which Korra refused), the single letter, their interactions in “Reunions,” and then the tea scene in “Remembrances.” After that, they don’t speak again until the last two minutes of the finale. The episode after “Remembrances” is the Korra-Mako field trip to the Spirit Wilds and Zaheer’s prison and the culmination of Korra’s recovery arc. Where was Asami? She had two lines in the whole episode, and they were both to Varrick.”

 the difference is that bryke broke the narrative to force korrasami in at the last minute 

and zutara got actual moments and interactions which would say that they are close to one another

( to be frank toph x katara makes more sense then korrasami

korrasami being the only same sex ship in lok doesnt mean you are homophobic or dont care about the lgbt community  if  you dont ship it or say it shouldnt have happened good writing is more important then representation

good writing and not having a forced ship where you throw away narrative and two characters make no sense to be with each other is more important then filling a quota or publicity stunt. its more important then the genders involved ina ship  

if they wanted to have a show with a same sex ship then make another show with a same sex ship canon with actual buildup etc

like say given that they are making another avatar series they could have not done korrasami and waited for the next avatar series to have a avatar in a same sex ship which would have actual buildup

anyone who trys to go there are tons of shows with a het ship being canon are the people who ship something based on the genders involved not the people criticizing korrasami if they try to go but there are tons of shows with het ships being canon as if its relevant to legend of korra they have no place to complain about queerbaiting or say a het ship is forced.  

people arent mad that a het ship didnt become canon they are mad because korrasami was a forced last minute retcon there not being canon  it being a same sex ship is irrelevant

people would have shipped makorra even if asami was a guy ( or if korra was a guy  korrasami where korra was a guy would be generi pairing mc with a bland love interest with no screentime)

 the idea that because there are tons of shows with the het ship becoming canon instead of the same sex ship becoming canon means we should okay korrasami since there arent any canon same sex ships  in lok besides that or its the first etc is idiotic whats the most important is the characters themselves the writing ofthe story whether or not there is buildup whether the characters makes sense etc

a character or ship whose gay deserves criticism or love or support based on its own merits 

there are plenty of lgbt people who say korrasami is forced 

a same sex ship is just as viable to criticsim as a het ship thats equality

labelling anyone a homophobe/het lenses for saying otherwise makes a joke of the term

ikkinthekitsune . tumblr  . com/post/108144330446/why-do-you-think-bryke-chose-mako-as-the-one-to#notes

Anonymous asked: Why do you think Bryke chose Mako as the one to accompany Korra to Zaheer's prison - which was arguably the most climatic scene in tying up her Book 4 character arc - instead of somebody else? For such an emotion heavy point in the story I feel that they had to have made some conscious thought on who would accompany her. It could have been Asami, or even Bolin. Do you believe that they saw something that Mako offered more to her arc than the others did? I'd love to hear your opinion!

Because Korra’s relationship with Mako is the only one she had that offered her the sort of support that she needed in that situation.

None of Korra’s other friends or mentors has as much trust and faith in Korra as Mako does.  Asami’s support is a bit too insistent and she worries a bit too much for her to have done what Mako did and stepped back when Korra asked.  Bolin is… Bolin.  He’s good at cheering people up, but he’s not the one to rely on when humor isn’t called for.  Even Tenzin couldn’t have taken Mako’s role, because he’d let Korra’s long recovery get to him.

Mako, in contrast, was able to let go when Korra needed him to do so.  Korra needed to confront Zaheer on her own, and she needed to do so without having to talk her moral support down from coming in with her.  Mako was the only one who could fill that role.

Anonymous asked: About Korra's letter to Asami and whether or not it's about Asami meaning more to Korra than anyone else: when I lost someone I cared about years ago, one of the first people I told about it was somebody who was a good friend but not one of my closest ones. This person had also lost someone and dealt with it strongly, especially for someone her age, and I knew she would understand without getting too gushy about it. It wasn't about who I "cared about more" and it definitely wasn't romantic!

Thank you for sharing your own experiences.

It makes a lot of sense, doesn’t it?  If you’re dealing with something difficult and uncomfortable, talking to someone who understands (or seems likely to understand) the specific situation does a lot more good than talking to whoever you feel closest to and hoping they’ll respond in a way that actually helps.

Just because you’re closer to/romantically interested in someone doesn’t mean they’re going to be the one with all the answers.  As such, the idea that going to one particular friend for answers about something very difficult implies closeness or romantic interest just… doesn’t really comport with reality.  =/

ikkinthekitsune . tumblr . com/post/117466809661/about-korras-letter-to-asami-and-whether-or-not#notes

[minnnieminmin]

i watched this whole video and i still don’t believe in huntl0w. if the writers knew the last parts of the story would be rushed why continue trying to form a new relationship with these characters? it feels SUPER rushed. and just because hunter blushes that still doesn’t make for good ship material.