#anti emily wilson

[random-krab]

I know you're not the biggest fan of Emily Wilson (Me neither) but I'm curious about what you think

Both the Odyssey and the Iliad would've been performed orally by court poets while playing an instrument. Most likely with a lot of pauses and dramatic flare as it's a performance.

Not only does Emily Wilson have extreme bias, she also translates it like it's meant to be READ.

The thing is, neither of these epics were originally meant to be read, always spoken. I think THAT'S part of the reason why it feels so "strange" when I read it alongside the fact that yeah, she's got clear bias. Taking away a lot of the "dramatic flare" to make it simpler to read takes a lot AWAY from these poems!

You Anon are correct, She writes it almost as if it is a novel or a story meant to be read to oneself. I think that's something many modern writers need to correct while translating Epic Poems in general. If it wasn’t for her cherry-picking, biased perspective I do believe that maybe I wouldn’t be so harsh but with the novel-like writing and her choosing to gloss over or paint certain characters (Like Agamenmon or Calypso) in a certain light feels wrong. I’ve mentioned before how much I don’t like her glossing over/minimizing Odysseus’s assault several times but It should be mentioned what she does to Agamemnon while also common is so very incorrect and upsetting. Do not get me wrong Agamemnon is a frustrating character but it’s not fair to write him as some sort of villain. There is truly no villain in the iliad other than the circumstances of war itself. If you look through the Iliad you can find at least one line that makes almost every single character and hero a frustrating and or horrible person. Agamemnon is a confusing, interesting, complex hero, is he the antagonist of Achilles at various points? Yes. But so are Diomedes, Odysseus, Ajax, and practically the entire Greek army. At the highest point of Agamemnon and Achilles' rivalry, Achilles turns his back on everyone by not helping during the war. But yet Emily’s translation makes it seem like Agamemnon is some antagonistic villain who hurts his people, From as far as I know there is no point in which it is mentioned that Agamenom is a bad king to his people in other translations. She wants to build emotion and drama but creating drama but villainizing a character is no way to do so.

I hope that answers your question(?) and I’m sorry for that whole tirade lmao 

[alatismeni-theitsa]

https://www.instagram.com/reel/C6_olobo19o/?igsh=MTloNjEzaWNweTBnag==

It's a bit strange to see that she can't even pronounce the ancient greek she's using correctly. Of course, since she's not a native speaker she won't have the perfect pronunciation but still, I'd always imagined that she'd have spoken it better. Even the "PatrOklous" feels annoying.

Emily Wilson my behated.. Anglo classicists being Anglo classicists - what did we expect. Also she's talking about Achilles calling Patroclus "philos", a word she doesn't even pronounce right even though it's a two-syllable word and the stressing marks are RIGHT THERE. Thankfully she doesn't say that the "philos" or the text in general shows erotic love between Achilles and Patroclus, which shows at least she has done the most basic research xD

But she also makes an oversight when speaking about a phrase. Achilles saying for Patroclus "I love him like my head" doesn't necessarily translate into "I love him like myself". Once more western writers ignore Greek sentiments. Equating people to body parts in Greek culture and nearby ancient cultures means "he is very precious to me (as precious as this body part is to me)". This affects Wilson's approach and she then thinks that Achilles considers Patroclus "a part of his own body", and that when Patroclus dies Achilles loses "his head / his thoughts". This approach feels a bit lucklaster, ngl.

The phrase is like the English "he's the apple of my eye", and if I were to analyse this English phrase how Wilson and more of her ilk do it for Greek, I would be say""Of my eye" means that Achilles covets this particular fruit as it's the only one in his eyes, and so he desires Patroclus! Plus, so many fruits are consumed during this Epic, so when Patroclus dies Achilles is without food and nourishment!" 😂

That's cute speculation on her part but again, just speculation. I am not saying her speculation is out of the question, but sometimes considering the Greek cultural norms (ancient and newer) when studying the Greek epics can turn you into a new direction.

[random-krab]

NO NO STAY AWAY EMILY STAY AWAY PLEASE NO NO NO

I already can't wait to read Emily's translation, but every time I think about Hector and Andromache, my heart breaks.

[dropoutconfessions]

The writing and roleplay decisions the players in general, but Brennan in particular, made about Kipperlilly were somehow more misogynistic in how they handled the topic of a teenage girl being groomed than Election (1999)

-

[imstacks]

Thinking about how Saccharina is a storm sorcerer and Amethar is a storm herald barbarian.... she's definitely her father's daughter

[shirayuki7]

Bought Emily Wilson's Odyessy translation and I turn it over...

Top review was Madeline Miller.

The last review was Edith Hall.

That is fucking backwards. Edith Hall, a published and reknowned historian is at the bottom and a mediocre author is at the top????

[oflights]

[gh0stlyb34r]

Welcome to my blog !

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[hightownquccn]

POSSIBLE SIDEBLOG CREATION

Please VOTE on which one you think would be fun to play with.

Adding a little more description that I have thought out in my head. Some is canon from MCU/comics and some is the twist I want to put on the character for my portrayals*.

Agent ???. ( I still have no name for him ) former SHIELD agent. best friend of Sharon Carter. or so he likes to claim. computer genius. skinny white boy. flirt. bisexual. he's annoying but really a sweetheart. not big on field work. but he can hack.

( ? (name undecided) is a former agent of SHIELD now mini-Tony Stark minus the suit and superhero status. Coming up through the academy he somehow befriended a woman by the name of Sharon Carter when they were put on an undercover assignment together. He was mostly just the support but made a few appearances in his undercover roll when needed to support Sharon aka 'Emily'.

A bit of a nerdy genius all he has ever wanted was to feel wanted and valuable. He was loyal to SHIELD until it fell thanks to HYDRA infiltrating and finally revealing themselves. With the fall of SHIELD, he used his knowledge to freelance and made a name for himself. He has been known to take on projects to help the likes of former SHIELD-loyal agents. He is very anti-HYDRA. )

Alex. "Dove". literature professor. musician. Inhuman. pain manipulator. Guatamalan/naturalized American.

( Original mini description that may be tweaked: Alex received his nickname of Dove from his mother in what almost feels like a different time. She used to call him her little pacifist. Now a lot older ( and not necessarily a whole lot wiser ) he still holds that peace should be tried before war.

After terrogenesis, Alex discovered he now has the power to cause pain in others. It goes against a lot of what his parents taught him growing up and what he believes in...but he isn't an idiot. Sometimes if you have a gun in your face or pointed at a loved one you need to act. So as much as he hates his powers he does try and avoid it if at all possible. Known for his aversion to violence many have begun calling him the Dove. )

Steve Rogers. captain america. the first avenger. the little guy. the man out of time.

( Steve is a World War II veteran, a founding member of the Avengers, and Earth's first known superhero. Rogers grew up suffering from numerous health problems, and upon the United States' entry into World War II, he was rejected from serving in the United States Army despite several attempts to enlist. Rogers ultimately volunteered for Project Rebirth, where he was the only recipient of the Super Soldier Serum. 

Fighting in the war, he served his country before supposedly sacrificing himself in a plane crash. Decades later he was awoken from his sleep and begins to readjust to modern life. Cap is needed once again and he picked up the mantel again, joining The Avengers. He served with his fellow members for a time before eventually post The Snap 2.0 retiring. He has passed the mantel on to a man formerly known as Falcon, Sam Wilson. Now he is trying to figure out what to do with his life. )

Amora of Asgard. The Enchantress. asgardian. formerly exiled to Midgard by the Allfather. seductress. intelligent.

( Parentage unknown. While still in adolescence, she ran away to the land of the Norns and apprenticed herself to Karnilla, one of the most powerful sorceresses in all the Asgardian dimension. There she studied all the basic arts of Asgardian magic until Karnilla expelled her for being too undisciplined. She picked up further mystical skills from seducing other Asgardian mages and wizards. In time, Amora became one of the more powerful magic-wielders in Asgard, with her magical arsenal focused on (but not limited to) charming and mind-controlling people. Her by-then well-renowned beauty did not hinder in this.

Amora has always had an obsession with Thor. She has been used as a weapon by the Allfather to try and distract Thor from his love of the human, Jane Foster. But she has also done things unsanctioned by the royalty of Asgard. During one of her many attempts to make the God of Thunder hers she is caught and sentenced by the Allfather to Midgard. While there she took up the name of Sylvie Lushton. Stripped of her powers she is/was stuck in the realm until Thor is banished as well. When Loki appears they strike a deal and she regained her powers. )

KEY NOTES*

I would not play Steve as having gone back in time to rejoin Peggy. He stayed in his current timeline and lives in New York.

I play Amora as having 'Sylvie Lushton' as her mortal name in tribute to the two different women that had the title of Enchantress in the comics.

[ifr1t]

Who Dares To Enter The Mayhem?

DNI/BYF under the cut, or save time and read my Strawpage!! my strawpage is more likely to be updated than this intro!

The name’s Ifrit, I’m an Australian (AEST) teenage artist, actor, cosplayer, writer, and professional cringefail nerd.

I use they/he/she/em pronouns sneaky disguised as any/all

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#ifrit speaks �� My normal text posts + sometimes fandom hcs

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I usually just scream into the void but I also post fanart or occasionally write fanfic so keep an eye out for that

ೄྀ࿐ ˊˎ-

DNI/F:

Basic DNI (homophobes/transphobes/lgbtqphobes, racists/xenophobes/whitewashers, sexists, p3dos/MAP, r4pe/abvse apologists or jokers, etc.)

Endorse the creation of p3dophilic/racist/incestuous content/“fiction”

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BYF:

I’m autistic w ADHD, I often use tone tags. They’re not required but appreciated :)

I’m mostly active on Twitter

Please no DM unless we’re mutuals or it’s important (eg. i'm following someone problematic, I said/did something that you think I may be unaware of, etc). Ask is OK!

Though I don’t talk about them often, I’m not afraid to discuss my political beliefs

Music: I listen to pretty much everything to some extent

Ghost

Sleep Token

Hozier

Megan Thee Stallion

Yaelokre

Babymetal

Ricky Montgomery

Bring Me The Horizon

Will Wood /& the Tapeworms

The Oh Hello's

Illapu

Joy Division

Maelstrom Black

Video Games:

Baldur’s Gate 3

Call of Duty: Modern Warfare Trilogy (OG & Reboot)

Detroit: Become Human

Overwatch 2 (im so bad)

Movies:

X-Men franchise

Deadpool Trilogy

Venom Trilogy

Spider-Man: ITSV/ATSV

Interview With The Vampire

probably other stuff im forgetting rn

TV:

Interview With The Vampire

X-Men ‘97

X-Men: The Animated Series

House MD

Bungou Stray Dogs

Dungeon Meshi

YouTubers:

Kwite

Danny Motta

Russian Badger

Jschlatt

Not Even Emily

Ted Nivison

Tommyinnit

Jack Septiceye

Technoblade

Slimecicle

Other/Hobbies:

Theatre & Musicals

Art

Acting

Hamilton (musical)

Accidental Death Of An Anarchist (play)

The Song of Achilles (book)

Favs!˚ ༘♡ ⋆｡˚:

Neil Newbon (actor)

Ifrit and Zephyr (the band Ghost)

Hozier (Musician)

Astarion (BG3)

Karlach (BG3)

Papa Emeritus IV (the band Ghost)

Connor (DBH)

Deadpool / Wade Wilson (Marvel Comics)

Wolverine / Logan Howlett (Marvel Comics/X-Men)

Spider-Man (Marvel Comics)

Morph / Kevin Sydney (X-Men)

Nightcrawler / Kurt Wagner (X-Men)

Storm / Ororo Munroe (X-Men)

My twt mooties

My irls

[random-krab]

I have read various variations (6 to be exact) of the iliad here is my ranking. (These are judge on factors such as, How much I personally enjoyed them, Poem vs Prose, Biases, writing style, drama, and how pretty the covers are (Pretty covers may not be a important part of the literature experience but its important to me and I do want I want on this blog)

1. Lattimore, Lattimores translation is beautiful, Its the most faithful to the original, it keeps a good amount of drama with its rythm, I love this translation. most of the editions of this also have a pretty cover

2. Fragles, it was considered the best for awhile and it still is up there, its nicely written and is a great translation for people new to epics!

3. Fitzgerald, a pretty good translation all together but a lot of the words he chooses to use are iffy if not completely changed from the original greek.

4. Caroline, The first woman to translate the iliad, She does a pretty decent job, it's written in a Prose and is easy to read, there is some minor bias but other then that its pretty and a clean read.

5. Samuel Butler, I am currently reading this so forgive me if this is edited later on. This version comes along with the odyssey and it's written in a prose, it pretty simple but there is some major bias in this towards Achilles in the first and second book (I am not on the third yet). Also he strangely uses the Roman gods rather then greek. But other then those things it a easy read and is doing its job as a nice cheap pretty book.

6. Emily Wilson. You knew this was coming, I am the #1 Wilson hater, I have a whole rant as to why and to repeat that would be a waste of time and energy rather here is the link to that post

[dhampiravidi]

marvel canon - eleanor "ellie" camacho

template taken from here

General Information

Name: Eleanor "Ellie" Camacho Aliases: Deadpool DOB: ??? (age 14 as of 2024) Gender: Cis Female Sexuality: Questioning Species: Homo sapien superior aka Human Mutant Ethnicity: Cuban, Jamaican & White (American) Affiliation: herself

Physical Appearance (FC: Herizen Guardiola)

Ellie is a 5'2" (1.57 m) young person who trains regularly. She takes after her mother, having the same brown skin, dark brown eyes & slightly curly black hair ending just past her neckline. Her ears are pierced. Like her father, she has a somewhat lanky build that is toned. Ellie's Deadpool costume is a red & black skintight, high-collared tactical suit, with a brown leg holster, brown knife holster, brown compartment belt & brown half-length jacket. The jacket's hood is red & she wears a version of her dad's classic red & black mask. Her favorite color to wear as a civilian is pink, which she often wears in the form of a t-shirt.

History

She was conceived after her mother, Carmelita, had a one-night stand with Wade Wilson. Her mom sought Wade out after Ellie was born, but he thought Ellie was too beautiful to be his child. Ellie & her mom were later kidnapped by The Butler as revenge on Wade, who the villain wanted to use to cure his sister. By the time Wade escaped his captor, Carmelita was dead & Ellie had been given to The Butler's brother. SHIELD Agent Emily Preston, a friend of Deadpool's, would end up tracking the girl down, but not before Ellie had been threatened by agents of the terrorist group ULTIMATUM, as well as by Flag-Smasher. Wade rescued his daughter, who was sent to live with the Prestons while Wade killed all of ULTIMATIUM. For a time, Wade gave up being Deadpool & spent time with Ellie & his other loved ones--until an Incursion temporarily destroyed Earth-616 (it was later restored). When HYDRA's Secret Empire was extant, Wade kidnapped Eillie & had her attend Baron Zemo's School for Superior Students in DC. As he had become an agent of HYDRA, Wade was neglecting Ellie while he went on missions. She returned to the Prestons on her own & would eventually forgive her father. As a teen, she trains under Taskmaster. By 2099, she's assumed the role of Deadpool & is an accomplished hero.

Personality

Ellie cares for her family deeply, including her father, who she appears to love unconditionally. As a child, she disliked violence, including that which involves anti-heroes killing each other, as she convinced Wade to not kill someone on a mission. As she gets older, she's eager to help her father on missions, mostly because she wants to spend time with him.

Powers / Abilities:

Regeneration: once she dies, she is reborn as a teenager, with all of her memories & none of her previous wounds. Healing Factor: among other things, it allows her to build up muscle mass & learn faster than the average human her age. Fighting Skills: she's trained in melee & hand-to-hand combat with Taskmaster. She's especially proficient in dual-wielding knives.

[juniperusashei]

Homer’s Iliad translated by Emily Wilson - 3/5

I think I must have been assigned to read Homer’s Iliad on at least three separate occasions throughout my youth, and Sparknotesed it every time. Which I feel bad about, because I always did want to read it, or maybe I wanted the clout that came with being a person who reads Greek epic poetry. In any case, when Emily Wilson’s new translation was released last year, I finally went for it. I had read selections from her Odyssey and found her approach to translation very accessible and easy to read. There was a lot of media hype about “the first woman to translate Homer” which led to some reviewers claiming this was a feminist reinterpretation of The Iliad. My pet theory is that they had her confused for Maria Dahvana Headley, whose translation of Beowulf was intentionally transformative. In any case, Wilson’s Iliad is meant to be fairly traditional and accurate to the original text, including some metrical craft I could not pick up on. Compared to all the other times I tried to finish the Iliad, I found Wilson’s version a much easier read, so I would recommend it for that reason. The supplemental materials are also way more impressive than most editions and justify the extra cost over just a Project Gutenberg download. Wilson’s introduction is hefty to say the least, at around 75 pages, and was often more moving than the poem itself (She even defends the infamous third chapter, the Catalogue of Ships, imploring the reader to “read them out loud: in mouth and ear, the long list of names become music.” I find comparisons of superhero movies to mythology mostly kind of dumb, but I could see Homer’s audience going crazy each time their guy’s name is called in this chapter the same way people soyface about the Avengers or whatever.) She provides all the context for a beginner like me to understand the poem, but also includes an extensive glossary and notes for each chapter for those who want to dive deeper. The hardcover edition is around $40, so whether or not this masterful editing justifies the high price honestly depends on how much you like reading about guys getting stabbed over and over again. I just got it from the library.

The poem itself was not as impressive. A lot of armchair critics (NOT Wilson) love to claim The Iliad as an anti-war piece to make it palatable to modern audiences. This was not my impression in the slightest. Sure, the epic deals with the horrors of war, often brutally (as I said before, pages upon pages of vivid gory disembowelments) but it seems the product of a society which obsessively fetishized war. I’m not condemning the text based on this, but I do think it’s harder to understand without unpacking the very different set of values that were held back then, so it’s a lot easier to attempt to update the text in a really sloppy way. Wilson does give a really cogent explanation of these ethical differences which helped me understand the text more fully, but that doesn’t mean I agree with it. Every time the equivalent of a Star Trek redshirt got killed off, Homer would expound on his ancestry and life, and then conclude with something like

…Menelaus stabbed his forehead above his nose, right at the bridge, and broke his skull, and popped his eyeballs out.

I literally opened to a random page and found something disgusting on my first try. It’s incessant. But I can see how telling each person’s life story dignifies their death. Still, it is hard to feel any sympathy for men who did not see women as people, but as property, as goes the inciting incident of The Iliad.

[dropoutconfessions]

I hate when people say that disliking Saccharina is misogynistic. Because newsflash. Feminism is about equality, which includes acknowledging that women can be shitty too.

Also. The fact that she's an incredibly powerful character with a tragic backstory isn't even what bothers me about her. It's how she treats Ruby.

It's the insensitivity to Ruby and Amethar's grief. For fuck' sake, Ruby hadn't even said anything yet after delivering the killing blow to the Sugarplum Fairy and Saccharina immediately assumed Ruby would take full credit and be thankless. And then Saccharina also kept complaining about Ruby not warming up to her, when she never actually reached out to this grieving person to have some kind of decent heart to heart. Then there's considering having Ruby murdered after Ruby finally felt a little bit more ready to accept her, after finally getting closure with Jet.

Just cuz she's never experienced the same loss, doesn't mean she gets a pass to be so insensitive to others. That doesn't mean their tragedies should be some kind of pissing contest. Cuz that's what she was doing, every time Ruby and Amethar express grief and distrust after the shit they went through, Saccharina's so quick to go "well I never grew up with you all and my past is so so tragic." It's so invalidating. Like when people in real life tell you you can't be upset cuz you don't have it the worst. And that's So shitty and infuriating.

slight note: both ruby and saccharina consider having each other assassinated, at the suggestion of her mom and her crew respectively

[redcarpetview]

GRAMMY® NOMINATIONS KICK OFF 66TH ANNUAL GRAMMY AWARDS® SEASON

Topping the list of nominees for the 66th Annual GRAMMY Awards® are SZA (9), Phoebe Bridgers (7), Serban Ghenea (7), Victoria Monét (7), Jack Antonoff (6), Jon Batiste (6), boygenius (6), Brandy Clark (6), Miley Cyrus (6), Billie Eilish (6), Olivia Rodrigo (6), and Taylor Swift (6). As the only peer-voted music award, the GRAMMY Awards® are selected by the Recording Academy®'s voting membership body of music makers, who represent all genres and creative disciplines, including recording artists, songwriters, composers, producers, mixers, and engineers. The nominees were announced via a livestream event on live.GRAMMY.com.   

"We are thrilled to kick off GRAMMY® season with this year's diverse and genre-bending slate of nominees, representing the best of their craft and an incredible year of music," said Harvey Mason jr, CEO of the Recording Academy. "From breakthrough acts to legacy artists, we are amazed by all the musicians recognized for their outstanding contributions to music today. We can't wait to spotlight these remarkable creators and celebrate another amazing year in music on Feb. 4."   This year's eligibility period includes recordings released between Oct. 1, 2022 – Sept. 15, 2023. The final round of GRAMMY voting, which will determine GRAMMY recipients, will take place Dec. 14, 2023 – Jan. 4, 2024. The 66th Annual GRAMMY Awards will return to Los Angeles' Crypto.com Arena on Sun, Feb. 4, 2024, and will broadcast live on the CBS Television Network and stream live and on-demand on Paramount+ at 8-11:30 p.m. ET/5-8:30 p.m. PT. 

Prior to the Telecast, the GRAMMY Awards Premiere Ceremony® will be held at Peacock Theater at 12:30 p.m. PT and will be streamed live on live.GRAMMY.com and the Recording Academy's YouTube channel. The 66th Annual GRAMMY Awards will be produced by Fulwell 73 Productions for the Recording Academy. Ben Winston, Raj Kapoor and Jesse Collins are executive producers.

The following is a sampling of nominations from the 66th Annual GRAMMY Awards' 94 Categories. For a complete nominations list, visit GRAMMY.com.

  Record Of The Year "Worship" — Jon Batiste "Not Strong Enough" — boygenius "Flowers" — Miley Cyrus "What Was I Made For?" [From The Motion Picture Barbie] — Billie Eilish "On My Mama" — Victoria Monét "vampire" — Olivia Rodrigo "Anti-Hero" — Taylor Swift "Kill Bill" — SZA Album Of The Year World Music Radio — Jon Batiste the record — boygenius Endless Summer Vacation — Miley Cyrus Did you know that there's a tunnel under Ocean Blvd — Lana Del Rey The Age of Pleasure — Janelle Monáe GUTS — Olivia Rodrigo Midnights — Taylor Swift SOS — SZA   Song Of The Year "A&W" — Jack Antonoff, Lana Del Rey & Sam Dew, songwriters (Lana Del Rey) "Anti-Hero" — Jack Antonoff & Taylor Swift, songwriters (Taylor Swift) "Butterfly" — Jon Batiste & Dan Wilson, songwriters (Jon Batiste) "Dance The Night" (From Barbie The Album) — Caroline Ailin, Dua Lipa, Mark Ronson & Andrew Wyatt, songwriters (Dua Lipa) "Flowers" — Miley Cyrus, Gregory Aldae Hein & Michael Pollack, songwriters (Miley Cyrus) "Kill Bill" — Rob Bisel, Carter Lang & Solána Rowe, songwriters (SZA) "vampire" ­— Daniel Nigro & Olivia Rodrigo, songwriters (Oliva Rodrigo) "What Was I Made For?" [From The Motion Picture Barbie] — Billie Eilish O'Connell & Finneas O'Connell, songwriters (Billie Eilish)   Best New Artist Gracie Abrams Fred again.. Ice Spice Jelly Roll Coco Jones Noah Kahan Victoria Monét The War and Treaty   Best Pop Vocal Album chemistry — Kelly Clarkson Endless Summer Vacation — Miley Cyrus GUTS — Olivia Rodrigo - (Subtract) — Ed Sheeran  Midnights — Taylor Swift   Best R&B Album Girls Night Out — Babyface What I Didn't Tell You (Deluxe) — Coco Jones Special Occasion — Emily King JAGUAR II — Victoria Monét CLEAR 2: SOFT LIFE EP — Summer Walker   Best Melodic Rap Performance "Sittin' On Top Of The World" — Burna Boy Featuring 21 Savage "Attention" — Doja Cat "Spin Bout U" — Drake & 21 Savage "All My Life" — Lil Durk Featuring J. Cole "Low" — SZA     Best Alternative Jazz Album Love In Exile — Arooj Aftab, Vijay Iyer, Shahzad Ismaily Quality Over Opinion — Louis Cole SuperBlue: The Iridescent Spree — Kurt Elling, Charlie Hunter, SuperBlue Live At The Piano — Cory Henry The Omnichord Real Book — Meshell Ndegeocello

Gospel & Contemporary Christian Music

51. Best Gospel Performance/Song This award is given to the artist(s) and songwriter(s) (for new compositions) for the best traditional Christian, roots gospel or contemporary gospel single or track.

God Is Good – Stanley Brown Featuring Hezekiah Walker, Kierra Sheard & Karen Clark Sheard; Stanley Brown, Karen V Clark Sheard, Kaylah Jiavanni Harvey, Rodney Jerkins, Elyse Victoria Johnson, J Drew Sheard II, Kierra Valencia Sheard & Hezekiah Walker, songwriters

Feel Alright (Blessed) – Erica Campbell; Erica Campbell, Warryn Campbell, William Weatherspoon, Juan Winans & Marvin L. Winans, songwriters

Lord Do It For Me (Live) – Zacardi Cortez; Marcus Calyen, Zacardi Cortez & Kerry Douglas, songwriters

God Is – Melvin Crispell III

All Things – Kirk Franklin; Kirk Franklin, songwriter

52. Best Contemporary Christian Music Performance/Song This award is given to the artist(s) and songwriter(s) (for new compositions) for the best contemporary Christian music single or track, (including pop, rap/hip-hop, Latin, or rock.)

Believe – Blessing Offor; Hank Bentley & Blessing Offor, songwriters

Firm Foundation (He Won't) [Live] – Cody Carnes

Thank God I Do – Lauren Daigle; Lauren Daigle & Jason Ingram, songwriters

Love Me Like I Am – for KING & COUNTRY Featuring Jordin Sparks

Your Power – Lecrae & Tasha Cobbs Leonard

God Problems – Maverick City Music, Chandler Moore & Naomi Raine; Daniel Bashta, Chris Davenport, Ryan Ellis & Naomi Raine, songwriters

53. Best Gospel Album For albums containing greater than 75% playing time of newly recorded, vocal, traditional or contemporary/R&B gospel music recordings.

I Love You – Erica Campbell

Hymns (Live) – Tasha Cobbs Leonard

The Maverick Way – Maverick City Music

My Truth – Jonathan McReynolds

All Things New: Live In Orlando – Tye Tribbett

54. Best Contemporary Christian Music Album For albums containing greater than 75% playing time of newly recorded, vocal, contemporary Christian music, including pop, rap/hip hop, Latin, or rock recordings.

My Tribe – Blessing Offor

Emanuel – Da' T.R.U.T.H.

Lauren Daigle – Lauren Daigle

Church Clothes 4 – Lecrae

I Believe – Phil Wickham

55. Best Roots Gospel Album For albums containing greater than 75% playing time of newly recorded, vocal, traditional/roots gospel music, including country, Southern gospel, bluegrass, and Americana recordings.

Tribute To The King – The Blackwood Brothers Quartet

Echoes Of The South – Blind Boys Of Alabama

Songs That Pulled Me Through The Tough Times – Becky Isaacs Bowman

Meet Me At The Cross – Brian Free & Assurance

Shine: The Darker The Night The Brighter The Light – Gaither Vocal Band

The Recording Academy also debuted a new merchandise collection with Amazon Music. As the exclusive merch provider for the 66th GRAMMY Awards, Amazon Music offers customers a range of apparel featuring new designs that put a spin on classic GRAMMY iconography — available for fans to shop worldwide, exclusively in the GRAMMY Awards official Amazon store at Amazon.com/grammys.

GRAMMY season media assets are available here. Follow "Recording Academy/GRAMMYs" on X, Instagram, Facebook, TikTok, and LinkedIn, and use #GRAMMYs to join the conversation.  

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Movies I watched and books I read this Week #110 (Year 3/Week 6):

I had no electricity this week: It was nice to experience media silence for a few days. Hence, fewer film reviews:

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Starting the week right, by revisiting Les Vacances de Monsieur Hulot, Tati’s sweet and gentle comedy, a nostalgic look at the seaside of Brittany after the war. (Poster Above).

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2 by German-Turkish director Fatih Akin:

🍿 Soul Kitchen, an unfocused restaurant story set in an old industrial part of Hamburg, with punkish moods, Greek emigrants and Fassbinder influence that don’t gel together into a cohesive whole. With the always present Udo Kier in a minor role.

🍿 I liked his 2017 Aus dem Nichts (In the fade) much more. Another tale taking place in an emigrant community: A Kurdish-German husband and son are killed by a neo-Nazis bomb attack, and his beautiful wife Diane Kruger is left to deal with the aftermath. A much more traditional thriller about grief and revenge. 7/10.

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My summer of love, my 4th from my favorite Polish director Paweł Pawlikowski. A bittersweet affair between two teenage girls, one a working class orphan and Emily Blunt in her debut role, as upper middle class girl (and playing the cello for real). A moody, seemingly-simple obsessive love where every scene and every interesting shot is carefully composed with visual seductiveness. Bonus for Extra Edith Piaf on records. 7/10.

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2 by female director Harry Wootliff:

🍿 In the dark British psycho-drama True Things, a lonely claim handler Ruth Wilson falls deeply and inexplicably for a client, an ex-con, after some hurried stand-up sex in an empty garage. What seems to start as a passionate romance, turned into a nuanced roller coaster of adult infatuation and being lost in the world. I loved the careful female gaze sensibilities. 7/10.

🍿 I’m adding Harry Wootliff first film, Only you, to my growing list of favorite debut masterpieces by terrific female directors. It’s an unabashed romantic love story between the beautiful Laia Costa and a younger Josh O’Connor. Both of the films she made so far describe young people as they hook up, gets infatuated and fall completely in love from a subtle and beautiful female POV. Love her directorial style and choices! 8/10.

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Selected as Bolivia’s official Oscar submission for 2022, Utama, is my third film from Bolivia (After ‘Pseudo’ and ‘Salt and Fire’). It’s a patient but extremely slow story of an elderly Quechua-speaking Indian couple who lives alone in the arid and unforgiving desert, tending to their small flock of llamas. The stubborn old man is about to die, and his grandson who comes from La Paz, cannot persuades him to move to the city before he does so.

The indigenous old non actors playing the Indian couple were magnificent. 8/10. 

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My first two by Italian director Mario Monicelli:

🍿 Marcello Mastroianni is The organizer, a unionist trying to organize workers laboring with inhuman conditions at a late 19th Century textile factory in Turin. A terrific, Neo-realistic and unsentimental look at the eternal struggle for control of the means of production.

I was going to re-visit Bertolucci’s ‘Novecento’, and instead lucked out to see this. Vive la révolution. 9/10.

🍿 Big Deal on Madonna Street (AKA Persons Unknown) is his caper comedy from 1958, like ‘Ocean 8 (or rather ‘Rififi’) but as if the crooks were all small-time, incompetent and unlucky, and if they get to their heist by way of tram rides and old-style bicycles. With young Mastroianni, Vittorio Gassman and the "Most Beautiful Italian Girl in Tunisia" Claudia Cardinale. 3/10.

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First Watch: Altman’s atypical anti-western McCabe and Mrs. Miller, about a whorehouse in a small rural town, (so basically a glamorized look at the origins of the Donild Drump’s dynasty). Leonard Cohen songs carry much of the emotional baggage of the characters, and Shelley Duvall had very little to do.

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2 by Nicole Holofcener, both with Catherine Keener:

🍿 Enough said, a sweet romance between middle-aged Julia Louis-Dreyfus and James Gandolfini (in his last role). He plays a really nice guy. 6/10.

🍿 Please give, another well-told, underrated urbanite tale of solidly-middle class females, who are uncomfortable in their environment, their skin and with their white privilege status. Both featuring heavy-set/fat, late-blooming men starting affairs (in this case Oliver Platt). Nancy Meyers-lite. 5/10.

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...”What was the distance that early airplanes flew when they realized they needed toilets?”..

One of the many inane questions Philomena Cunk asks her Very Important Interviewees in “Kunkonerth” or Cunk on Earth. The latest Charlie Brooker mockumentery, where she pretends to be a clueless TV person, asking possibly real scholars the stupidest questions one could come up with while maintaining a straight face and deadpan delivery. 4/10.

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The Da Vinci Code X 2:   

🍿 (Because I didn’t have electricity) I finally read Dan Brown’s “thriller“, more or less in one sitting. It was a low-brow pseudo-religious exploration into conspiracy theories, secret societies, alternative history, and fake Christian revelations. So much bullshit packed into 24 hours. Brown's writing is not just bad; it is staggeringly, clumsily, thoughtlessly, almost ingeniously bad.  In some passages scarcely a word or phrase seems to have been carefully selected or compared with alternatives.  I slogged through 454 pages of this syntactic swill, and it never gets much better. 1/10.

🍿 I also had a bad feeling about Ron Howard’s adaptation of the book, but I tried to keep an open mind about it. So it wasn’t the worst movie I’ve ever seen, and not even the worst this year. But it was so poorly-made and uninspired, so lifeless and pedestrian, that it was impossible to continue. So here’s to the first film I couldn’t finish this year!. 1/10.

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(My complete movie list is here)