#another obvious one

[lover-by-taylor-swift]

characters/ships that remind me of certain taylor songs:

champagne problems - jo + laurie (little women)

[poorly-drawn-mdzs]

Who is this sassy lost child?

[First] Prev <–-> Next

[napping-sapphic]

Sure you could fall in love with me but would you put up glow in the dark stars all over our bedroom walls with me? Would you paint our mailbox fun colors with me? Would you make pancakes in silly shapes and buy knickknacks we’ll never use and pick up hobbies we won’t stick to with me? Would you live and be silly and be a little dumb and be a genius and be confident and lazy and kind and angry and everything? Would you give me absolutely every side of yourself that you can??

[trans-all-at-once-tournament]

Congratulations to Miku for moving on to Round 2!

Propaganda:

Hatsune Miku

-All robots are intently trans, including programs

-They’re like a digital Barbie, they can be anything!

-Miku binder

-In at least one song the story involves them Canonically being a trans woman

-Each song is part of its own canon, so the Vocaloids can literally be anything

Lili Zonatto

-I too am a trans gremlin

-When they said “I KNOW I’m a terrible daughter and a disappointment to my dad!” my transmasc heart ached

-Obviously any female character is ripe for transfem headcannons

[stitchposts]

This is so obvious it's almost petty to talk about, but it keeps happening so I am increasingly faced with needing to decide to bring it up. Can everyone who advocates for not reposting art and for crediting artists start bringing that same energy to photographs of traditional art? Especially fiber arts and sewing related things, due to very prolific scraping accounts that repost things from elsewhere on the internet here to tumblr and a few years ago stopped crediting the artists at all. They never asked permission, but credit has just dried up entirely and it's galling to see.

I know non fiber artists don't really have the experience to see this, but just like visual arts, fiber artists develop pretty clear styles. So if a blog is posting elaborate pieces of infamously time consuming arts that cover a wide range of styles, once or twice a day, with no credits or discussion of themselves as an artist - that shit's stolen as fuck.

It feels like I'm going insane sometimes because thousands of people who otherwise yell all day about how artists need to be credited, just think that sewing related photographs pop into existence without needing to be linked to the person that made them.

[lucabyte]

Different standards

[olessan]

☼ The Sun Rises ☼

[knifearo]

this year my challenge for everyone is to unlearn the association between love and morality. love is not something that is inherently morally good, and the absence of love is not something that is inherently bad. sex without love isn't morally bankrupt, it's just an action. people without love aren't less kind or less good, they're just people. when we can get past this false (and often unnoticed) dichotomy of good love/evil lovelessness then i think we are going to be able to take leaps and bounds in sex positivity, aro advocacy, certain discussions of mental health...

[cortex-rampage]

I find the way that BBC Merlin set up Merlin's powers in the first episode to be quite funny. I mean, we see this sort of lanky guy and it is established that he is Merlin and (according to our own common knowledge) therefore he is the most powerful warlock ever. Okay, cool. One might assume that he has come to Gaius to develop his powers, that maybe he's only in the beginning of his magical journey. But instead the exposition shows Merlin, in the pilot episode of this 5 series show, stop time and employ levitation to save someone's life with magic, and then it is announced that prince Arthur is essentially his soulmate, and their joint power will create the most glorious age Camelot has ever seen. Quite an exciting set-up. And then for the rest of the entire show this man who we know possesses TIME-ALTERING POWERS mostly uses them on-screen to do common chores and annoy and prank THAT SAME Arthur. Like that one post said, "All of it's destiny and all of it's his fault." :p

[dykedvonte]

You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.

-Shrimp Anon

The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.

Get ready cause this is a yap session:

Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.

I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.

The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.

This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.

Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...

These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.

I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.

Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.

It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.

I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.

It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.

There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.

End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.

[forestshadow-wolf]

His leg buckled, and the ground met him hard at the knees, but he didn't feel it. Couldn't feel it. Couldn't feel anything but fucking agony.

Ghost was dying; he could feel it in his heart. Literally. He could feel the soulbond unraveling. Out and away and away and away. Like plucking a live chicken, except he was the bird not the butcher. It was an anguish all too familiar. Only last time was like ripping his flesh open with rose thorns over and over again to pain the petals red, and this time felt like stitching open a wound to leave it weeping blood and guts and fluids and infection. This time it felt like festering evil.

"WHERE IS HE!" He roared, snapping at the hands on him, grabbing at others to haul himself to his feet again. His knee went weak again, but he would not let his limbs fail him. Fail Ghost. "GET OFF ME!" He did not wipe out an entire enemy outpost, only to be stopped by his own allies, while the very thing keeping him alive dies.

Some barking command that he didn't hear from outside his tunnel of vision had the burning touches release him. He obeyed a command that he didn't discern out of forced submission. The rabid thing rearing it's ugly face recognizing authority in the face of anger.

He wasn't sane as he stalked through the halls, following a faceless form he knew but didn't recognize. It's didn't matter. Nothing much but the decade old pain twisting where his heart should be mattered. None of it mattered because Ghost was dying.

He was dying while he loved.

Because some unlucky tosser touched what was his, and now Ghost was dying with fire as blood, as he unraveled Soap's heart. And Soap could feel every bit of it. The pain and agony of losing a soulbond. Again.

He knew the fire burning Ghost alive. I made the vial in his possession feel that much heavier. He carried the world in his pocket. It was smaller than his littlest finger, and it fit in his hand like he was meant to crush it. And it would save his life.

It would save Ghost's life.

He doesn't remember the walk to bring him to Ghost. Only flashes of anger where he snapped at too many hands.

But then he's there. Surrounded by white walls, and a white cot. Staring at a bloodied man in a dirty kit and black mask. Untouched on the command of an even less sane, more rabid him, only 27 hours ago.

He doesn't know who came and who left. Only remembers him, and his body, and the little glass vial, and Ghost. He remembers the chilled, damp skin when he pulled fabric back to reveal too pale skin underneath. He remembers how the needle went in easily. He doesn't move after that. Someone takes the needle from him. He felt it. Didn't see it. Saw only Ghost.

He just. Stood there. Watching. But not looking. Not seeing. He couldn't think. Couldn't move. Didn't dare hope. Couldn't pray. Couldn't beg. Pure catatonia. Nobody moved him. Nobody touched him. He heard people talking. Maybe to him. Maybe not. He doesn't know.

He doesn't remember how long it was. Maybe that night. Maybe that day too. But he remembers what brought him back.

He remembers the chest rhythm change. Something not just a natural sigh. Something deeper. Rousing. And the way Ghost's eyes flicked behind his eyelids for what felt like hours before they opened. Ghost was awake. He was alive.

And it's only then that he realizes that the agony had drained from his veins. The thread around his heart rewound. And it's then that exertion takes him. He falls to his knees hard. Ghost is quick on the call button with panic. But Soap doesn't make it 'til a nurse rushes in before black invades the rest of his vision like a shot to the skull

It couldn't have been more than half a minute before he comes too. It's bright, and there are hands touching him and voices speaking over his head and it's all too much.

"Where is he?" He swats at the abrasive touches, "Ghost. He's awake." Everything hurts. His muscles, his bones, even his teeth. But it's of small importance.

"Easy, Sunshine." A gruff voice pulls everything back into perspective. Price. Crouched at his thigh with a worried look on his face. Soap presses himself up despite protests from the nurses. "He's fine, lad." Price cups the back of his neck, "you made it in time. You saved him." He says it like a prayer. Like he knows it's the only thing that'll keep the rabid thing leashed. And he might be right.

[chaos-of-the-abyss]

people whining about how beren and luthien have favoritism from the narrative will never not be funny to me like yes. this is a fictional plot created by someone, the author. that author will have a story they want to tell and a message they want to convey. to tell that story, to convey that message, that author will have created protagonists whom the plot centers on, and whom other characters are meant to parallel, foil, complement, and contrast. the purpose of the story and of the other characters is to illustrate and serve the protagonists' journey, so of course the protagonists will have narrative favoritism. that narrative quite literally exists for their sake and for their development. if you don't like the fact that the protagonists are the ones with whom the narrative sides then just don't engage with the fucking story

[astranauticus]

Director of the False Last Act

[dykelizard]

commiserating (aka the luffy effect)

[deliriousblue]

THE HEART KILLERS (2024) episode nine

[qin-qin16]

I can’t stop thinking about creating a council motivated to protect the multiverse from dangerous threats because I CAN’T TAKE IT ANYMORE!

SEEING THE COUNCIL LITERALLY BE THE STAR SANSES AS LEADERS AND THE REST BE SANS OR JUST BE MENTIONED AS “UNDYNE FROM UNDERFELL”, “ASGORE FROM UNDERSWAP”, “PAPYRUS FROM OUTERTALE”, ENOUGH! ENOUGH OF THIS!

Honestly, I think few Sanses would choose to participate in something as grand and full of responsibilities as protecting the damn whole universe. I feel like characters like Undyne, Papyrus, and even Alphys would have more to contribute.

And the most we have in terms of “diversity” is Core!Frisk, and they usually just make a cameo here and there and then aren't mentioned again (and still, I think they shouldn’t carry so much responsibility, like making decisions that could affect thousands of universes).

Anyway, I’ll think more about it, and if anything comes up, I’ll share it with you guys.