#and while im not completely over her

[vengeful4ever]

now I'm just sad. thanks spotify.

[erinwantstowrite]

bear with me here because i'm gonna ramble about something i've been thinking about for a while... and i'm not complaining, i'm just noticing

sometimes i think we've leaned so far into the vigilante side of the batfam that we miss out on what really makes their characters: detective work. we need more mysteries in their lives that don't lead up to some big bad "we already know who's doing it" or an "end of the world" or "yet again: this fucking guy." we need more stuff where spy movie music plays in the background and dumb adventures that don't lead up to some huge grand event with a big name villain. the shock factor stops being shocking or interesting in any capacity if we're like "Gah! the Joker! ... Again!" or whatever

does that even make sense? like "yeah sure they're blowing up a building again and there's hostages. oh look they're gonna poison the water supply." these aren't bad and that's not what i'm getting at because obviously this is a classic for comics. you need to have characters/antagonists that show up more than once and who can make a story better by being in it. and i did say to bear with me- that's because im tired. so like i hope im getting this across the right way? it's just that sometimes i don't wanna see a huge explosion, i want these motherfuckers solving a regular murder or a disappearance or regular corruption in a local office without it being tied to a grand reveal like "actually this person knows you as a long lost relative" or "they were at that circus can you guess which night they went?" that kind of thing? if you get me? like... more of the small time stuff makes the big stuff important, it makes it stand out more. at some point, the format gets repetitive even if you're switching up the villains. you can make these situations/mysteries still fun to solve for the characters and fun to read for the audience if you do it right

the concept of a detective dressed as a bat and having a sidekick in traffic light colors is inherently goofy as hell??? but that is what is so charming about it??? i think we have lost the balance between them being silly while also being intelligent with important conversations that criticize the world as we see it and teach lessons and can go over dark topics. nowadays it's always end of the world problems or just straight up the most gruesome true crime you can think of?? or they can ONLY do the dark stuff and the criticism without offering a balance of the good in the world. or we keep coming back to the FUCKING JOKER-

like yes they are vigilantes and with that comes a different level of their work, but their brand should be a mix between a black and white detective film that can get very nitty gritty and a classic spy movie, that kind of thing. at the end of the day, it's what makes them so different from the superheroes. that's what appeals to me.

seeing them in the big superhero groups is fun, don't get me wrong. it's always funny to see them standing next to people who are so powerful they never really fit in with anyone but each other, who chose to step up and use their powers for good. the Bats' specialty is Gotham and yet here they are stopping a god or whatever. and they do stop the god or whatever, all the while being an important leader and strategist to their teammates. they're important to have in these cases. but if there's a world ending event every time i pick something up, it's not as fun

the fact that they are so very human and not fantastical is why i like reading them. it's what makes the joke of people, even Gotham citizens, theorizing about them being cryptids, funny. they're fucking weird but that's because they're detectives. people who love to solve mysteries usually have a fatal flaw of curiosity. they forget the bounds between social interactions sometimes because they're used to working through problems or being intertwined with partners that understand them. but they're very much human. so human that it hurts them in many ways. and idk i've just been thinking about it lately and idk what point i'm trying to get across actually

it's just that in my eyes that's how it really is for Batman- a black and white movie narrated by a very serious man who took up a job to help people, one that has a deeper commentary on the world and viewed outwardly as pessimistic but actually has a deep hope for his city and who tries to help even the people who have wronged others. He's a stationary man in the belief that him being a constant can serve to soothe others and help them move forward. He stays in the middle of the path so he can tell everyone what is up ahead. he blends into the Gotham rainy night to serve justice but in a way that saves both the victim and the perpetrator. (the way he tucks a Robin into his cape is the same he does for Gotham with his mere presence.) and his background is actually so important to his story and yet people still somehow gloss over the lesson from it? he lost his parents because of a man who was on the opposite end of the spectrum to where he was in life. and yet he chose to help the people like the man that killed his parents. he could have done anything else with his power and money, but he instead is choosing to bring as many people up with him as he can. He's Mr. Serious that no one else can get a read on. and yet he walks into a room and he's already piecing together your life and what you're going through because he thinks it matters. he comforts people who have lost something or someone or themselves. I picture Batman and I don't picture a man trying to save the world, I picture a detective walking around a crime scene and trying to save at least one person every time he puts on the cape. and he put on the cape and became a vigilante because then he could go out of the bounds of what laws have been set up- and specifically, Gotham has other people in power who are corrupt, keeping the system that way. that's why Batman being a billionare and throwing himself into helping people at the risk of his own life is so important. he knows that if you are alive, you have something or someone to lose, no matter who you are. the dude is a bleeding heart but he doesn't know how to express it, in fear that if he gets too close, if he moves down the path with them, he'll be lost again

and then he's met with someone who should be a complete opposite, but isn't at all, because they're two sides of the same coin. his partner in crime, his son, a boy that is nothing like the black and white world that he sees. and that's the point in his life where he first sees that potentially getting lost is worth the risk. Robin is color and passion that needs guidance to move forward, but can not do so unless the stationary man learns to move with him. the kid is loud and reckless and you'd think he's from a different genre from the detective but they aren't so different, really. not when you look close enough. Dick grew up moving from place to place and seeing the world, knowing so many different people from different cultures. He's been learning to fly and jump and embrace the free fall his entire life. He's clever and he's sharp, and he thrives in the action and adventure. it's that perspective that compliments the stationary man. one is steady and the other pushes. he's the same genre but a different generation. and Batman introducing him to the way of life he chose for himself was another way he could save someone. because let's be real for a second? Dick would have gone down a very dark path had he not had Bruce, who understood, who saw not just himself in the kid but also saw who the kid has been his entire life until now. he saw Dick's parents, he saw the family he had in the circus, he saw the joy he had in what his family was doing. he saw the grief and the fire and the color that Dick's world was made of. because to Bruce, it always matters. Dick had to come to terms with Bruce's perspective to help anyone who they come across, to always give more chances, and it kept Dick from losing his color

what gets me is that the man who lives in the black and white world can actually see many different shades of gray (because black and white always needs the medium), whereas the boy in a world of color and light can get so focused on the bright that he can become single minded. and yet the boy sees a world of color and delves deeper into the lives of the peolle they come across and can be much more open minded, and the man in the black and white world sometimes forgets the shades of grey are right there. they are just like each other. they can exist without the other, but do they want to? because the black and white can be built up into the colored image, like the inking and shadows drawn on a comic book page before the colors are added in. they meet in the middle to complete each other. Bruce has been passing the story over to the next generation for a long, long time, even before his story was complete. and just like with the first Robin, it was so for every Robin afterwards. they each color in the lines differently, but that's what makes Robin so special, so unique. they are an art style that branches into their own life, but can not forget where they started: tucked into Batman's cape and the inky black of his world

and so detective work really frames their hunanity to me. the mysteries they get their hands on, the glimpses into the lives of Gotham citizens that they swore to protect, it's fascinating. it's what makes their story stand out compared to the people who can lift trucks or cast spells or run around the world in seconds. so yeah ig that's what i'm trying to say? that i want to read more of that? in both canon and fanon. cause even the small time villains we see can be like. AWFUL people and it takes out the fun of their gimmicks. and if it were any other day this would be a more coherent post but alas, it is not any other day

[suntails]

a father's love

[chrollogy]

[numberonetacostan]

Taco would sit by Mepad's body until it was moved away. At first, she'd find it and stay there still, in shock. And then she'd cry for a while. And by a while, I mean hours. This isn't a friend she's lost because she hurt them, this is a friend who is dead, for good. I don't think she could bring herself to leave him after that. He stayed with her, out in the woods, because she still needed his help. She still needs him. She can't just leave him lying out in a field. She has to keep bugs from crawling on his screen. Surely, that must be uncomfortable for him.

She'd only move once Test Tube is ready to try and repair him. Even then, she checks in as often as she can. She can't give up on him after all he did for her.

[possamble]

Going back to work after this but

[sofiaruelle]

“In order to get this, I had to survive this” trend on twitter.

10 years of hard work and im still cunty, bby.

[starlos-soulmate]

I need to see some platonic Starlo and Ceroba stuff REALLY SOON or else I'm gonna go crazy

[swagging-back-to]

call me crazy but i wish we saw even more of katniss grieving prim.

i dont think ive finished the second Mockingjay book, but in the movie esp it feels like 'the sister i sacrificed EVERYTHING to save was blown up and burnt to a crisp in front of me. im kinda sad, ig. im way more excited to get knocked up and have that baby tho!!!!!!!!!!!!'

[asterbats]

i think for the shitty scorpion family, their entire dynamic is definitely toxic (heh) but also neither dusk nor bruno is an inherently terrible person? its just that they’re a) horrible together longterm as they are and b) people who should not have had kids.

[chryblossomjjk]

…

[mossy-covered-bones]

I am scheming something delightfully fun in the way of homebrew oneshots

[youngpettyqueen]

fun little headcanon I have is that after like the second abduction Julian asked Kira to train him on how to fight

[notahero76]

something something blackwatch being more-or-less made up of people who were willing to do whatever it took to achieve their goal(s) bc that's gabe's style of doing things and why he probably got passed over for strike commander position (and why he ended up being glad bc he knew he'd be on a tight leash in the post-crisis version of overwatch)

[monards]

i know i joke about it a lot. but i want to make sure its known i dont hate people who want to say rhine is still a good person in some capacity. i feel like im notvery clear on it but it is okay to interpret her howver you want (as long as its like. something you can rationalize. even then go crazy!!!!) >> (also. as long as it isn't *completely* erasing her character. )

[bmpmp3]

ive mentioned before how ive always thought it was a little bizarre that so many white people's first assumption when they see a white-looking person with a culturally unexpected surname is "oh they're adopted" despite how much more common a person being multiracial is compared to being the white adopted child of non-white parents - although of course it does happen, its just yknow. the people saying this are usually not thinking about the racial dynamics in the adoption industry so much as they are just assuming mixed race people don't exist LOL

but on that end, in my own mixed race bias I usually assume multiracialness first so i did completely forget about another decently common situation where a white-looking adult (often a woman) might have a last name from a non-white culture: i forgot that um. sometimes people (particularly women) change their last names when they get married? neither my mom nor any of my aunties did so you have to forgive me orz