#and we all wanted the first back

[deadduvznap]

um okay punz 🤨

edit; it happened again

[batcavescolony]

Katniss is such an unreliable narrator. She says "Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me" girl you deliver strawberries to the Mayor, you hunt and trade for the district, when you fell at Prim being chosen someone caught you, when you went to Prim people parted for you, when you volunteered EVERYONE stopped. Idk how to tell you but I think you're a pillar of the community.

[hello-there]

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[a2zillustration]

Farewell

Not "farewell," but "see you later."

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[[ All Croissant Adventures (chronological, desktop) ]]

[[ All Croissant Adventures (app) ]]

...Time to blather on under the cut. I've got thank yous, some notes about potential future comics, and if you scroll to the end of the post, I've decided to compile Croissant Adventures into a physical book. It's mostly for me, so I can hold all TWO HUNDRED AND FIVE of these strips in my hands, as a brick, but if you'd like to own a copy as well, I'll have a link to the preorders down below. If this is where you're going to stop reading, I'll extend a quick heartfelt thanks to you for joining me on this adventure!

Thank you, reader.

This is undeniably the largest project I've ever tackled in my art career; it was never supposed to be this big, and I expected maybe a handful of people to read it, at most. Instead, it became this massive project that I've been working on for ten months straight, and in the end these characters meant so much to me. I'm incredibly grateful for everyone who's bothered to read my little comic strips, whether it was just one or two, or if you've been here since the beginning, following Croissant's adventure from the minute they plummeted off the nautiloid. Thank you so much for being here and supporting this project. Thank you to everyone who left kind words and comments, sent me asks about Croissant, liked or reblogged these posts, or just read these and enjoyed them! While I was determined to finish this project no matter what happened, you certainly made it all the more fun and kept me excited to tell you the next part of Croissant's story.

Thank you, Larian.

If by some chance someone at Larian ever happens to see these, I also want to give an immense thank you to everyone who was a part of making this game. I don't play that many games these days, but BG3 rocketed to the top of my all-time favorite games almost immediately. (It was also the game that made me feel the most out of anything I've ever played; I got legitimately depressed for a few days during my run don't worry I'm fine now we're all good haha). You can tell there was so much work, and so much love involved in this game's development, and I'm so happy the studio has been rewarded with multiple awards in recognition of that dedication to making a fantastic game. Thank you again for sharing this story with us, and I can't wait to see what the studio does in the future.

Is this goodbye?

I'm hoping this is less of a "goodbye," and more of a "see you later." I'll probably take a bit of a break, since I've put off other projects for months, and art fight is happening, but I have many more things I'd like to add to Croissant's story! I have yet to play the epilogue, and I intend to illustrate parts of that depending on what happens. I also have a handful of comics for post-game Breadweave, in addition to some scenes I thought would've happened in-game but weren't canon so I left them out of the original story. (If I haven't gotten to these in a few months and you find yourself wondering about Croissant again, my ask box is always open, feel free to give me a good kick to get me back into their story, lol).

...A book?

I said I never intended this project to be so large, and I meant it. But now that I'm sitting here with two hundred and five Baldur's Gate 3 Tav comics, I really wanted to compile them into a physical book for me to hold. This is mostly for me, but if you'd also like one, I'll have a preorder available in my shop until the end of July.

✨✨✨ Croissant Adventures Preorder ✨✨✨

If you made it to the end of this post, I can only thank you again, from the bottom of my heart. I hope Croissant's story brought you joy, and if you're able to play BG3, I hope that you're having just as much fun in your own tavs' stories.

[vaguely-concerned]

To the ‘themes I am picking up on in Veilguard’ list, let's go ahead and add what I have a sneaking suspicion will actually turn out to be The theme:

— the world has changed and can never be as it was again.

— I have been changed and can never be who I was again.

— in this simple unavoidable truth there is endless grief and endless hope.

And I… may be getting a bit emotional about it haha. Let me show my work a bit: 

if da:o is a game about people who are already dead or half ghosts in some form (through societal forces, psychologically, functionally, literally, in body, through the joining etc.) coming together anyway to save the world from being swallowed by total nihilism and despair (symbolized by the blight) through the power of love and friendship and also this sword/potential heroic sacrifice that I found, da2 is a game about people who have lost their homes and been set adrift finding and building new homes in each other (while completely failing to save the world. also through the power of love and friendship. as well as years of petty bickering <3 we must imagine kirkwall if not happy then worth having been because the love was there the love was there and that's the only sanctifying force we can ever have in this doomed world and city of ours), and da:i is a game about old stabilizing-but-unjust comfortable lies vs. disruptive but potentially liberating uncomfortable truths, and the power of friendship to help us distinguish the one from the other and navigate through them...

folks… I'm starting to think that veilguard might be a game specifically about moving towards recovery and acceptance after trauma — about how even in this flawed, severed, scarred state, what is here right now is worth loving and worth caring for. even in an imperfect and impermanent world and self, there is worth and joy. and of course the first real tragedy — and threat — of Solas is that he just cannot find it in himself to accept this and move on, to let go of what was, the regret won’t let him go or he won’t let go of it. which means that even though on the surface it’s Elgar’nan and Ghilan’nain (and the will to subjugate and violate they represent) who are the main villains, the real antagonistic force in this story beneath that is the Dread Wolf’s despair. A despair Rook must make an answer to by the end of the game, one way or another, compassionately or with righteous fury, triumphant or pyrrhic.

The world will change again and again and so will you — BUT the crucial element is that so will everyone else who exists along with you, you are fundamentally not alone in this existential truth. all we’ll ever have is each other and my god that is plenty, my god that is enough!!! Which is the second thing Solas just can’t accept, he keeps himself separate and completely alone out of an awful mix of fear and pride and feeling himself unworthy of anything else. Rook and the player want to save the world of Thedas because it’s where everyone we love lives, Solas wants to go back to the past because that’s the only neighbourhood where he can still visit those he loved — and the person he himself was, before. A very sympathetic and human instinct/trap to fall into when touched by trauma, I think, if only it wasn’t backed by godlike power, a fundamentally oppositional personality, and a catastrophic lack of therapy to make it literally everyone else’s problem too lol. It’s varric and solas’ banter about the man on the island and where meaning in a life comes from all over again, writ large and with detail work — and the added idea of ‘what if there are also other islands out there, though. With other people on them that you could find if you reach for each other’. Rook with the best of intentions has to make choices to which there are no perfect outcomes and live with what happens — and not cut themselves off from everyone else around them even when there is regret or shame. You get back up every day and you make a life with other people doing the same and you do your best, and that’s the only victory this world will give you. In the end, that is more than enough, that is essential. And I um. I love that. So much. It’s why some of the writing clumsiness on top can’t hurt me because this thematic spine is so solid and so beautiful to me. It’s DA2 all over again that way for me personally — I forgive this story for what it isn’t and couldn’t be, and I love it with my whole stupid open heart for what it actually is. Thank you for coming to my TED-talk and goodbye etc.      

(For my fellow TLT heads out there — you know what this story is reminding me of most of all, actually? It has some big Nona the Ninth vibes down there in the deep. It’s about… the horror and unspeakable beauty that can only be found in liminality, and the role of love in making that basic fact of existence bearable. And also even more unbearable at the same time. I'm so sorry.)

[greencarnation]

eleven is fascinating to me because he came right off the back of tens horrible traumatic breakdown after he lost everything and he immediately tried to establish himself as the opposite of that. he is funny and goofy and almost childlike, and he bulldozes on in his adventures with amy like nothing happened at all. but then something happens and his masks slips and it's like oh! the core of this man is still anger. he is so so angry all of the time and this façade is the only thing stopping him from being consumed by it. he isn't over any of it and he hasn't moved on. he is wearing a fez and laughing but under that all that exists is age old anger and grief and it is going to consume him

[dykedvonte]

You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.

-Shrimp Anon

The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.

Get ready cause this is a yap session:

Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.

I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.

The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.

This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.

Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...

These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.

I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.

Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.

It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.

I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.

It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.

There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.

End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.

[hello-there]

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[brighteuphony]

I love Chiyo- and I kind of headcanon her as a Witch of the Woods (Sands???) archetype- a bitter old woman who has sacrificed too much, experienced and committed more atrocities than anyone can imagine, and who knows the truth about what lies in the hearts of men to live among the villages anymore.

In my AU she's got a pretty dark backstory. Back in time when Villages were just getting established, women weren't allowed to be shinobi in the same capacity as men. There was too much warring and death among the clans to risk women, so they were only ever allowed to serve as spies or medics. (Chiyo started off as a medic).

And like any military/fascist dictatorship, serving the state was more important than anything else- so women who were kunoichi were given missions to steal and return with powerful bloodlines. Even before villages, this was a common fear among clans (which is why so many of them have protective measures and inbreed/arrange matches very carefully).

Chiyo was one such woman, who took a X-rated mission in her youth because she was told it would 'serve her nation'. There was a powerful bloodline whose Kekkei Genkai could harden sand to something akin to Steel- something Suna very desperately wanted.

Chiyo succeeded in her mission, but despite the veneer of 'serving your nation', when she returned, she was considered, in her words, "Just another whore."

Then when her son didn't manifest the bloodline- it was worse, but Chiyo was happy because that meant her son was HERS. (This is when she met Enji, and he saved her son's life at great cost- so Chiyo owes him a blood/life debt.)

Then the war came, and they needed women to fight so now serving the nation meant something different, and Chiyo became a full fledged 'shinobi' and turned her healing towards poison and death- especially when she had to fight the Salamander.

Then she sealed Gaara and that was the atrocity straw that broke the camel's back and she dipped out Suna and retired to an oasis. She's still a healer, but adamantly refuses to serve shinobi.

Once again, thank you so much for these asks and all the support for this AU?

@youngpeacearbiter

[fiepige]

Compilation of EVERY single time they changed Hobie's filter in the digital version:

Left: Theatrical release Right: Digital release

You might have to click on some of them to get a better look at Hobie, sadly I don't have a video editor that allows me to make better edits than these :')

[14dayswithyou]

tell ren to turn his location on👉👈

I saw one of the posts of how ren does get jealous of pets being loved over him and alll that so now I have the thought of the one meme of ‘ah yes, me, my partner and their [enter normal pet size] foot [pet]’

I don’t have anything else, it did pop into my head though and I thought I’d share with the class.

⌞♥⌝ ItsNotVivy on Twitter actually made that exact meme with Ren a looong time ago!!

[space-sheep08]

Actually so tired that people mainly focus on the bdsm when they talk about La Pianiste when we literally have this dynamic right here. Like, that's insane.

What if you were a little girl in her 40's who couldn't grow up because of your mother-wife who made you sleep in her bed and forced you to repress every sexual desires and thoughts of becoming your own person just to keep you close to her ? What if you fought back and yearned for dangerous things out of her reach ? But also, what if you let her because it's all you've ever known and been taught to want ?

[hello-there]

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[spittingspite]

I'M GOING TO BECOME THE MOST ANNOYING PERSON ON THE PLANET

[caelanglang]

injury recovery…

*break an arm or two out there kids!*

[suntails]

[sharing/rb appreciated 💛]

my silver artbook is FINISHED and will open for preorders on 8/31 at 12pm EST!! it's been almost 3 months of work and i'm so excited to finally be able to share all the art i've worked on, PLUS a small bonus charm!

if u know silver fans,,, tell them

[aishabellasbigblogofeverything]

I love it when women hate men. I love it when women are allowed to vent to each other about how horrible and creepy men are. I love it when women form friendships with and prioritize each other over relationships with men(whether they're attracted to them or not). I love it when women put men dni in their bios and on their nude photos and on posts on their blogs. I love it when women refuse to mollycoddle and accommodate entitled male feelings with "but this doesn't mean I hate all men, I know a few men who are great, I love my father/sons/brothers/uncles/male cousins/guy friends" I love it when women complain about men WITHOUT "not all men" being a disclaimer. I love it when women avoid socializing with/refuse to be around/befriend/get close to men because they know men can't be trusted. I love it when women make "kill all men" jokes. I love it when women offer absolutely no concern or care for men's feelings and if their misandry offends men whatsoever because why should we, men are the oppressor class who have raped and killed and abused us and kept us as subjugated as second-class citizens for millennia, they regularly mistreat us and the women in their own marginalized communities still every single day and make this world so much harder and more awful for us to be in, and if we choose to hate them and not spare them any sympathy then so be it, and I don't just mean "men as a class" either, you can be a woman who doesn't want to have anything to do with any man on an individual basis and completely cuts off men from her personal life too and ykw I will love and fucking support you in that because men deserve absolutely NOTHING from us. If they're so tough and strong then they can handle it just like they can handle being lonely. If you are a woman who hates men, ESPECIALLY IF YOU ARE A LESBIAN AND/OR A TRANS WOMAN, then just know that I love you. I love you, I support you, and you are safe here.

[skeletoninthemelonland]

a glimpse of what their early dynamic looks like

[dykedvonte]

Its really interesting that Jimmy’s chair is the one tilted away from the screen in this shot:

It’s indicative of how his and Jimmy’s dynamic was. He’s not staring ahead at the screen, he’s not paying attention to what they are doing. Curly is the only one looking forward. Jimmy quite literally couldn’t see the responsibility Curly had or was doing. Jimmy likely slacked off and avoided most of his duties. I mean the one time we know he pilots the Tulpar he steers it wrong and loses the team 4000 credits. Even in the positions they held objectively, Curly was always taking responsibility for Jimmy. Not to mention the “We can fix this” and only one chair at attention. Jimmy never had intentions to fix anything, throughout the game, throughout his entire relationship with Curly. Curly always fixed it? Why would it be any different here?

If he even took the slightest bit of responsibility, he would’ve stayed in the cockpit to see his plan through. In the end Curly did what Jimmy always expected him to do for him and took responsibility. Did what he always did and took responsibility at the wrong time…