#and think abt it days later

[serestial]

THIS IS SO 😭😭😭 mamousa core

[decaffeinatedpartymuggoop]

Instead of the “Jason vs Percy” rivalry we should have gotten Annabeth vs. Jason but instead of a fight for power it’s them having a battle of autism cause their special interests were Greek myths vs Roman myths.

Jason calls a Greek god by their Roman name and Annabeth pops up out of nowhere and goes “erm, actually”

The 7 is talking about some landmark and Annabeth and Jason start arguing about which pantheon it was dedicated to.

“It’s amazing right? It was dedicated to Athena.” “Erm, it was actually built for Mars…”

[fanaticalthings]

Broke: "Dick Grayson was upset at a new kid taking over his mantle because he doesn't think Jason will be good enough as Robin"

Woke: "Dick is upset at Jason, not because he's suddenly taking over the mantle he created, but because Jason isn't nearly feral enough of a child to drive Bruce insane in Dick's place"

Dick: You wanna be my successor? Go swing from that chandelier right now.

Jason:

Dick: As a matter of fact, I need to see you crawling all over the walls. Make a ruckus, break some furniture

Jason: But Bruce-

Dick: SCREW Bruce. Your job as my new brother is to make his life HELL. Why are you so polite? Why are you so calm? Where's your DRIVE, your PASSION, huh? You may be worthy of the title of Robin, but are you WORTHY of being my disaster brother?

Jason, a little scared: I dont-

Dick, scoffing: The youth these days just don't rebel like they used to.

[ironladders]

"I circled half the globe searching for him, but he was gone."

Starscream ;_;

RIGHT?? IT'S SO SAD .

and i have sooo many thoughts about this whole situation with skyfire/starscream that's been presented to me, if you dont mind anon im gonna use your ask to ramble a little

(disclaimer im sure nothing i have to say here is particularly new & has been said by those who've been deep into TF longer than myself but i need to get this out my system anyways. and also im still watching through g1 so if im horribly mistaken about anything #oops)

unless i missed something, i don't think it's specified in "fire in the sky" how long starscream looked for skyfire?? but just thinking about that line.... he obviously didn't immediately go back to cybertron, he didn't just give up on skyfire. starscream cared about skyfire enough to look for him, only leaving after (i assume) he realized he didn't have the resources to conduct a proper search for his companion. and i mean can you imagine being starscream in that situation???? your partner just disappears into a storm, and no matter how far and long you look you're unable to find them????????

i get starscream, man. i'd also become awful if that happened to me.

and here's the thing: i stumbled upon this post which posits that the decepticons happening to stumble across skyfire in the ice was no incident, but starscream's own doing, and i LOVE this theory/headcanon so much. when i first watched the episode yesterday i was thinking that it was funny they just happen to be mining right where skyfire was frozen so it's nice to see my suspicions affirmed LMAO

i honestly love that episode so much because as i learn more about starscream and transformers as a whole i think little tidbits like that offer a deeper look into who he is (or was, idk) beyond just megatron's second-in-command. he was a scientist, an explorer, a friend. "was" isn't even the proper word here, because he still is all of those things, he just...... applies them differently, i suppose. which is the real tragedy in who he is as a character.

beyond starscream and his search for skyfire, you wanna know what i've REALLY been thinking about a lot with these two? when skyfire becomes a decepticon (for like a day lol but still), starscream immediately declares that when he overthrows megatron, skyfire will become his second-in-command. not any of the other seekers, not either of the waves, not literally anyone else who's been a decepticon for more than an hour, but skyfire. his long-lost science partner. on starscream's end, virtually nothing about his relationship with skyfire has changed. he still trusts him as much as he did millions of years ago, to the point he'd be willing to have him at his side as leader of the decepticons.

but on skyfire's end... the starscream in front of him is different from the one he knew. war and being a decepticon changed starscream for the worst, something that unveils itself very quickly to skyfire. one of the first things he asks starscream after becoming a decepticon is if starscream is genuinely happy about being a decepticon warrior over the scientist he used to be. skyfire can't believe that the person standing in front of him could be the starscream he once knew before being frozen. still, it's starscream, so skyfire ends up going along with things up until he can't ignore his morals and deny that he's on the wrong side anymore.

that is where the second tragedy happens for starscream: betrayl, by the man he'd waited to get back for so long. he finally got skyfire back, only to lose him all over again.

if skyfire had never crashed that day -- if they'd never gone closer to explore the earth in the first place -- would starscream had gone down such a dark path? would he have taken countless lives, and become the ruthless decepticon he is now? does it eat at skyfire, knowing that in his absence starscream lost who he once was? or perhaps he'd still be the same starscream, but skyfire would be at his side serving the decepticon cause. maybe they both would've been so drastically changed by the years of cybertron's war together.

skyfire is a living, formerly frozen relic of the past before everything went wrong. starscream has aged far beyond that, to the point of no return. as much as they surely both want it, and regardless of what happens to them, their bond can never go back to what it once was.

god i just. i need more!!! i need to watch more transformers and read more of the comics and see more of these two!! i watched tfp + some of the live action movies as a kid but this is my first time learning about skyfire and this thing he's got going on with starscream and it's fascinating to me i can't believe i didn't know about this before!!!!! but it's also so fucked up oh my god!!!!!

ok yeah ive gotten the brainworms out my system. idk how to end this here's screenshots i took that i found funny

[pepperpatches]

i love how mic doesn't forgive taco here, we know this conversation had to be rushed and it's obvious to me they aren't done talking about it yet. mic deflecting like this is so perfect bc it hasn't even been a full week since ii14, of course she won't forgive taco immediately.

[finncakes]

mothafuckin' tanks bitch!!!! 💥👊💥

redraw of photo under the cut

[caeslxys]

I’ve mentioned this elsewhere but it feels relevant again in light of the most recent episode. Something that’s really fascinating to me about Orym’s grief in comparison to the rest of the hells’ grief is that his is the youngest/most fresh and because of that tends to be the most volatile when it is triggered (aside from FCG, who was two and obviously The Most volatile when triggered.)

As in: prior to the attack on Zephrah, Orym was leading a normal, happy, casual life! with family who loved him and still do! Grief was something that was inflicted upon him via Ludinus’ machinations, whereas with characters like Imogen or Ashton, grief has been the background tapestry of their entire lives. And I think that shows in how the rest of them are largely able to, if not see past completely (Imogen/Laudna/Chetney) then at least temper/direct their vitriol or grief (Ashton/Fearne/Chetney again) to where it is most effective. (There is a glaring reason, for example, that Imogen scolded Orym for the way he reacted to Liliana and not Ashton. Because Ashton’s anger was directed in a way that was ultimately protective of Imogen—most effective—and Orym’s was founded solely in his personal grief.)

He wants Imogen to have her mom and he wants Lilliana to be salvageable for Imogen because he loves Imogen. But his love for the people in his present actively and consistently tend to conflict with the love he has for the people in his past. They are in a constant battle and Orym—he cannot fathom losing either of them.

(Or, to that point, recognize that allowing empathy to take root in him for the enemy isn't losing one of them.)

It is deeply poignant, then, that Orym’s grief is symbolized by both a sword and shield. It is something he wields as a blade when he feels his philosophy being threatened by certain conversational threads (as he believes it is one of the only things he has left of Will and Derrig, and is therefore desperately clinging onto with both bloody hands even if it makes him, occasionally, a hypocrite), but also something he can use in defense of the people he presently loves—if that provocative, blade-grief side of him does not push them—or himself—away first.

(it won’t—he is as loved by the hells as he loves them. he just needs to—as laudna so beautifully said—say and hear it more often.)

[poorly-drawn-mdzs]

You can wash off the makeup, but the mascara still runs.

[First] Prev <—>Next

[thelilylav]

The fact that Briar is listed as one of Rosabella's best friends in her profile but Briar's profile barely mentions her..

[chaotixx-stims]

30 days of agere day 12: favorite snack

🍎/🍎/🍎

🍎/☆/🥜

��/🥜/🥜

[fujii-draws]

I feel like Aimilios would also have his own little ‘resentment period’ towards Dusknoir when he returns years later. But not in the same way Ribbon’s secretly berates and spits venom when Celebi/Grovyle have their backs turned.

Aimilios’s aura sensing was the biggest double-edged sword for the riolu. Not only because of how he was able to tell when Dusknoir was lying, and turning a blind eye, but also how the aura pup was able to tell when he was being genuine. When he was enjoying his time in the present with them, even as ‘The Great Dusknoir’. When he consistently fretted over him and Ribbons. When he laughed with them while ordering drinks from Spinda’s. When he held back during training sessions—

When he held back during their fight at the temple.

Aimilios… knew for the longest time. That Dusknoir was pulling his punches, but never spoke a word of it to Ribbons. This only led to the fighting-type dealing with the haunting realization that the Gripper Pokémon could have done away with them so easily. Every time they were alone. When he trained them. When Aimilios felt vulnerable enough to sleep near him.

He could’ve killed them at any given moment.

So when he suggests that they talk alone on the beach. (The very same one he gave the Riolu false hope to of being ‘friends’, lying to his face.) Aimilios brokenly asks in the most hushed tone of voice why he stayed close. Even as Aimilios’s instincts, tell him, urge him, to run from Dusknoir. He silences the desperate pleas from his jittery body. Forcing himself to stay long enough to get the answer he wants— needs.

The answer to why. Why Dusknoir could have easily avoided them once he knew who Ribbons was. Or why he even indulged in them. Why he protected them as vigilantly as he did, if they were only a means to an end. Why he looked astonished whenever the small fighting-type showcased his sharp wit towards the elder ghost. Why he told Aimilios how proud he was whenever he landed a hit during their training. Why Dusknoir looked genuinely upset whenever he patched up his wounds.

Why Dusknoir listened to all of his small retellings of his journey with Ribbons with endearment. Why Dusknoir held him closer when he accidentally fell asleep on the gargantuan wraith. Why he held his paw whenever they traversed Treasure town together. Why Aimilios felt like his life was over staring down the Wood Gecko with his blood stained claws— before Dusknoir saved him. Why the wraith was the one who even bothered healing him, when the fatal wounds from Grovyle could have just—

Just. why why why— it would’ve made hating him so much easier if he didn’t do all of that. Aimilios would be just as resentful as Ribbons— but he isn’t. Because the smallest, desperatest part of him still missed Dusknoir. (And an even smaller part hoped he felt the same.)

So, he begs Dusknoir, to be honest with him. For once in his life.

And when he fails to respond in time (due to Aimilios sounding like he’s on the verge of tears. Unable to find the right words to not break the dam—)

“Aimilios, I—“

“You should’ve let Grovyle finish me off in the Azelf’s lake.”

Dusknoir eye only widens. Unable to look in the Riolu’s direction in fear of seeing his torn face. Yet his eye betrays him when it slowly trails towards the Aura Pokémon. Who’s already facing away— black, mittened paws covering the mess of tears spilling from his eyes.

“It—“ The aura pup’s breath hitches “I-It would’ve hurt less than this.”

[specialbluehens]

i think it would be very silly, a little hee hee funny, if shane ended up put in an older sibling role (without trying) to the younger bachelors/bachelorettes

[reel-fear]

Genuinely so curious who Mike thinks is gonna be buying The Cage or the new DCTL GN bc with the way he tweets as far as he's concerned, it's not gonna be:

The queer people he has actively admitted he will never show any representation of in the games.

2. The POC he has actively fought against representing in his franchise. [Who he also mocked for thinking they would be represented in his franchise]

3. The Bendy fandom which has always been concerned with topics of diversity esp in the sense of queer people since its creation. Who he has responded to really poorly esp in regards to the GN.

4. The fans who critique him. [He blocked me for doing so lol]

5. His fans in general who he tweets about like this currently. [He's being vague about why people were mad at him or sent him 'nasty messages' because if you actually looked into why you'd see he was in the wrong. Either way, a very hateful way to speak abt ur own fanbase.]

Reminder while Mike is trash talking his fans he has always treated them rather poorly. The fans who won the fanart contest for Chapter 5 never got their posters actually in game due to it being rushed. Not only was chapter 5 a big slap to the face story wise, but it was literally so rushed he couldn't be bothered to add in the art his fans gave him for his game FOR FREE. [Meatly blames this on a crazy timeline, reminder him and Mike are the literal ceos of this company. The proposal of future updates here is also pretty cruel considering Mike nowadays happily admits he corrupted Chapter 5's source code and therefore literally can't update it At All currently. Because he is a moron]

At least they got to be in Boris and the dark survival, and by that I mean that was the Only game they got to be in so far, isn't that just treating your fans like you love them? Shoving their hard work into a spin off game almost nobody has played or addresses much. [Hell, who knows if with the Lone Wolf rebrand they'll even stay there. In which case they'll be in None of the games, only in the credits of BATIM]

6. The Bendy fans who just generally disagree with him on stuff. Like the new ink demon design where there is literally a public poll showing people generally prefer the old one.

7. The Bendy fans who can see he is actively lying to them. To their fucking faces.

He says this has always been the case, but screenshots and links to tweets regarding the books being canon prove it was not. Does he really think bendy fans are stupid or something? [Unless he's admitting here he lied to Kress when he told her the books were canon which sounds worse!]

8. Anyone who doesn't like the idea of giving money to a guy who laid off tons of employees then afterwards thought it was a great idea to express his anti-union views! Also brag about how good of an employer he was, according to his employees, he was not!

So in summary; Mike is an awful person who has not learned anything from the awful things he did. I will not be purchasing The Cage because, combined with this and his absolute refusal to take any kind of critique or see any differing interpretation of his franchise, I have no reason to think my problems with the franchise will ever be addressed or fixed. I probably will pirate The Cage along with any future Bendy Products [Including the movie] and will do my best to avoid giving it any kind of monetary support. Unless this changes any time soon, I can't see myself making anymore positive Bendy posts soon.

Mike has just managed to make it so hard to speak positively or optimistically of this franchise when he's so willing to broadcast how little he cares about it or its fans. I'm at the point where I refuse to pull any of my punches with my problems with it. What's the point of trying to play nice with my critique when either way the people creating it don't care?

So with this post, I want to invite anyone who feels similarly about the franchise to tell me, make a post or send an ask talking about how all of this makes you feel. It may not change how things are, but genuinely seeing other people share my feelings of anger makes me feel better. It feels nice to see when other people share our same concerns and worries. I'd also love to know if anyone else thinks they'll be avoiding purchasing Bendy products over this.

I'm not forcing anyone to participate in it nor trying to say anyone who doesn't supports mike but genuinely maybe if we can collectively decide to boycott things like the movie, graphic novel and The Cage... It might at least make the bendy devs acknowledge how much they have destroyed their own fandom's faith and trust in them.

The way Mike tweets about his actions like he had no control over why people were mad at him at least proves to me he takes NONE of it back nor regrets it. If you didn't know about his actions and only went off his tweets, you would be led to believe Mike has been needlessly picked apart by fans over things he couldn't control [or in his own words, had his words twisted and taken out of context]. That is not how you speak about your actions if you have actually learned better from them.

anyway, that has been my bendy dev callout post. This is an open invitation to anyone feeling similarly upset about the way the franchise is going to talk about it. It's genuinely nice to see how people feel about this and the more we talk about the more it's likely the bendy devs are forced to address our concerns. I don't think they will but hey, that's why I'm not gonna support them with my money anymore nor am I gonna be nice to them in any content I make critiquing Bendy. I mean I'm also basically making this post just in case anyone asks me Why I feel this way towards to bendy devs/as a way to respond to anyone who thinks I am too harsh in my critique in the future.

As always, it seems the best part of Bendy isn't actually anything about canon but about what the fan's are creating with the ideas Bendy failed to do anything interesting with.

Also the books, the books slap.

[kenobihater]

so we all know the explicit sakai deer imagery, right? despite stags being associated with kazumasa, deer are still an appropriate symbol for jin as well (fast, silent, peaceful rather than predatory by nature but still capable of killing). since jin = deer, what would ryuzo best be represented by? maybe there's some textual hint, or hidden dialogue that we could go off of? maybe it's not explicit, but-

yeah, no. the game literally awards you this trophy right after you recruit him. the only way i think they could get more explicit with the shady wolf analogy is by calling the trophy "the big bad wolf", or "wolf in sheep's clothing".

ryuzo - passionate, unpredictable, violent ryuzo - being compared to a wolf is fitting, even more so when you consider the trophy refers to multiple wolves, meaning the straw hats. he was taken in by them, an unruly, masterless group, and he became their leader. despite betraying jin, he doesn't lack loyalty entirely; he only remains loyal to those he views as family after they took him in following the tournament.

his primary motivations in the narrative are staying fed, and providing for his family. he doesn't care about playing nice, or fighting clean, or lessening collateral damage. if his belly is full and his family is fed, none of that matters, and i can't think of a more apt description of that mentality than wolfish.

[wundrousarts]

I discovered these paintings by James McNeill Whistler recently, Nocturne in Black and Gold: Falling Rocket (top) and Nocturne in Black and Gold: The Firewheel (bottom). I’m sharing them because they make me think of Nevermoor, as so many things do.

With paintings, a nocturne refers to the depiction of night. This is derived from the musical term, where a nocturne refers to a musical piece that is “inspired by, or evocative of, the night.” These both just come from the fact that “nocturne” essentially means “of the night”.

On a basic level, this just reminds me of Nevermoor by the aesthetics. The dreamy nighttime setting strikes me the most, but also the sparks of yellow fire that make me think of Wunder. Think of how many important scenes happen at night- Morrigan on Eventide, the Museum of Stolen Moments, and the Hollowpox in Courage Square. But the concept has me thinking, obviously, about the Wundrous Art of Nocturne. The only songs we know are Morrigan and Squall’s, who both chose nursery rhymes as their Nocture. Their choices make me think of lullabies, sung at night… and there’s lots to think about with that.

[seaofreverie]

Sparkstember Day 18: Balls (Bullet Train)

Sometimes (oftentimes) it's true that all you need are Balls. I personally absolutely love Balls. I'm a big fan! Ekhem. Today I'm using the help of (I mean, copying most of the passages from it) my earlier Balls rant that I have written down after my first listen of it back in January. I really love this album and I don't want to completely skip over saying a couple words on it at least but I really don't think I have the headspace to write anything very good for it today. I'll still try though!

So yeah, Balls. It's a great album, fun and chill (in my sense of what I call and consider chill anyway), consistent, as Sparks albums tend to be, and as I suspected / hoped it does fit this specific vibe of driving around at night somewhere city-like and illuminated. Or being on a train deep at night and looking at the world zooming by (if you'd even see much of it on a train at night anyway.....). And I do think that it's not so dissimilar to Gratsax (I'd say now that it's definitely darker and moodier than its predecessor...). So it's interesting to think about how it's considered to be one of the "weak" ones (by music reviewers at least) while Gratsax is so beloved in comparision.

I will admit, I don't really know what the big problem with this album could be. As I said, it's fun, it has the melodies, it has the energy, it has the theatricality (I like seeing how more and more orchestral instruments such as strings are being incorporated into the music, in a way the jump into Lil' Beethoven two years later doesn't come of as THAT much of a shock because of this. The evolution of sound here is fascinating!) I really like the intense beats, just as much as the more laid-back and moodier pieces. And there's lots of gold to be found in the lyrics department as always.

One more thing I wanna say is that at some point I wondered if this music sounds older than it is. Maybe it does? But then I remembered that this was 2000 and honestly when I think about it, there just IS something about this album that fits so well with the Y2K image and vibe and all. Sparks 2000 and all that.

Favourite songs (and other highlights):

Balls: I mean. It's Balls.

Scheherazade: absolutely LOVE this one and I had the strangest impression of it sounding very familiar when I first heard it. Months later I found out that it was just briefly featured in TSB so I think that explains it (I will talk more about my TSB viewings on TSB day. EVERYTHING has to be explained in excruciating detail, lmao)

The Calm Before The Storm: bugsonas 4ever. Song itself is amazing too

How To Get Your Ass Kicked: how can a song about getting your ass kicked be so pleasant and relaxing, it always keeps cracking me up, how perfect that is actually

Bullet Train: I love it how introducing the topic of the song with a "It's the [topic of the song]" is a reoccurring theme on this album. Thank you Sparks for this ode to technology and art (these lyrics always have me giggling). And also it just goes hard as heck

It's Educational: a perfect fusion of / sequel to I Thought I Told You To Wait In The Car and Progress (it's mostly the vocal delivery that reminds me of the latter)

The Angels: such an odd one here but I still like it a lot, I apparently said that it sounds "surprisingly mainstream for Sparks but somehow in a positive way". It's very sweet and I absolutely love how Russell sings here, it's so different from what we're used to but that only makes it hit you even more in the feels, lol. And I actually prefer the alternative version of this song that's featured as a bonus track, and I do think that's in big part because you can hear Russell better on it (or that was my first impression of it at least and it kind of stuck)