#and then you have the cousin issues

[none-tadashi-left-hiro]

It's like....m my voice and my actions have the power to influence things.... But yet something always stays the same.... And to what extent does it change things..... Is there ever positive everlasting change from any of my actions......... What am I doing all of this forrrr who am I doing it for.......

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[alexandraisyes]

The cutest reminder ever that the way family works in TSAMS canon is that two parties have to be in mutual agreement that they are family. If one party doesn't agree then they aren't family. Parties can revoke familial ties whenever they want and that means they are no longer family.

"Code Relation" theory is stupid because you're then implying that Eclipse is Sun and Moon's child. Which he isn't. Or that Killcode is somehow Moon's child and his brother at the same time that he's Eclipse, Lunar and Bloodmoon's "father" at the same time that they're Sun and Moon's grand children. Like, we're seeing the issue here, right?

Don't make things more complicated than it has to be. Just accept the fact that family is literally determined by a verbal agreement between two animatronics and nothing else because none of them were born from wombs. That means respecting canon when characters in canon decide that they aren't comfortable being family (like Eclipse) or just straight-up disown everyone (like Bloodmoon). It's okay to have headcanons, but don't try to push them onto canon.

[blackbatcass]

bart and wally aka the “we have a hard time understanding love because of our childhoods” gang

[beanghostprincess]

Do you think shuggy ever gets possessive over one another?

Definitely. Undoubtedly. And it goes both ways.

I believe the most obvious answer would be saying Shanks is the possessive one because, you know, have you seen the rizz this clown has to always attract people? Cross Guild??? So Shanks gets jealous easily but I don't think he actively shows it because he wants to keep things peaceful and he truly does not want Buggy to get angry at him for this. So it's small, subtle moves that let others know Shanks is possessive over Buggy but without making Buggy notice.

On the other hand, Buggy is way more explicit with that. Shanks is just too nice. It doesn't mean he flirts with everyone he meets but he just has a flirty personality and it does look like that when he's being polite, plus, for some reason every girl wants to fuck Shanks. That man looks disgusting and very gay to me, but whatever the female gaze wants, idk-- And Buggy is more the type to get angry at Shanks and yell at him about it and quickly drag him away from any flirtatious conversation, but Shanks kind of sort of likes it, ngl. ("Awww you want me only for yourself, Bugs?" / "Shut the fuck up")

But this doesn't only happen romantically and I doubt you meant it only in that way. I was saving my favorite thing for last.

I think they were possessive of each other since they were kids. You know. Always being together and clinging to each other constantly. Never being without the other. They of course argue but they always have this "he should be with me" sensation when the other is with someone else because it just doesn't feel right to be apart from him. They have also always been possessive in the way of like-- Not the "you're mine" sort of thing but "we belong together, that's how it always has been". On the battlefield too, btw, if you touch one of them you will probably end up dead because they're just that protective (Shanks does it in a more obvious way and Buggy could kill someone to protect Shanks but he would blame Shanks anyway and say he didn't do it because of him when he totally did).

There's just something about them now that screams how they want to go back to the way things used to be when they could live in their own bubble together, only the two of them. And there's this clear possessiveness because their love is only theirs and no one else's. And I believe them to be extremely protective in all stages of their relationship. When they were kids. When they were teenagers. Even when they were fighting. And even more, if they date again.

By the way, I just had the most adorable thought about lil kids Shuggy being this possessive. A little headcanon-- Roger always playing with them and showering them with love because of course he did, and he used to hold Buggy and go "He's mine!!! <33 My ray of sunshine!!" and Shanks instantly got so possessive and angry going "No!!! Mine!!" and Roger kept joking about it until Shanks cried and he had to let go of Buggy if he didn't want the kid to have a whole breakdown about it (Buggy didn't give a single fuck btw he liked to be with Rayleigh better).

[backpackingspace]

Young odysseus convincing everyone Ithaca is nothing but a poor island with rocks and goats to avoid any raids/conquerors/so he doesn't get murdered for talking to Helen bc "it's not like he's a real choice"

Young odysseus falling in love with Penelope at the same event: wait. Wait shit I fucked up hold on just hear me out

[jekyll-hatepage]

"I want them a little autistic 🥺" shut up. Please shut up. You've only seen the glorified traits on social media and as soon as an autistic person goes into sensory overload or has an unorthodox interest or gets upset when a routine changes or literally acts as anything other than the "precious smol bean" that you've fabricated in your head, you'll get turned off immediately. That's not on the autistic person, that's on you for cherry picking what traits you want in a partner with no regard for how people are actually affected by autism. Stop being weird about autism and at least TRY to educate yourself.

[echollama]

Me throughout the 3.8 summer event so far

(vrant in tag)

[randomnameless]

My husband came up with this idea that made me see Ionius in a slightly different way: Edelgard mentions that the Empire "demands many heirs" in her Goddess Tower support w/ Byleth, hence why Ionius had a load of kids by different women. Normally I'd think "wow that's stupid, way to invite a power struggle after you're dead" but what if it's actually an Empire tradition? Like, Ionius maybe is the first Emperor in a while to try to consolidate power but maybe only one of many to have a ton of kids, AND the reason is not only to have a kid with a Crest, but that the Slitherers practice Crest experimentation on each generation of heirs with the hope of creating a two-crested Nemesis clone to help them kill off the Nabateans. Ionius just happened to be the survivor of his batch of siblings. Maybe having 10-11 kids is to make sure that some of them will live long enough to be the next Emperor, and that's why the "Empire demands many heirs."

Oh!

FWIW, the Index of Imperial Nobility mentions how House Vestra is supposed to "coordinate things such as Imperial Consorts", adding to that how House Vestra has been at the Hresevelgs' back since the danw of the Empire, yeah, we can make a pretty good case that Adrestia has a long standing tradition of, uh, imperial consorts and all.

It can be seen as dumb because it invites power struggles, but it avoids the issue that could very well have happened with the Kingdom, aka Dimitri ded = the King's direct line is dead and it's chaos because one of the first duties of a King/Emperor/Leader under those kinds of hereditary systems is, well, to secure a heir - the lineage cannot be broken!

(that's where we usually have sekrit heirs popping up from nowhere in some kinds of stories, or bastard children !)

Having multiple Consorts - thus a large number of heirs - makes it sure that the line will not be broken as easily as, idk, a baby choking on a pretzel or a serious flu.

However, as Hanneman mentions in Hubert's support, having dozens of consorts means creating dozens of families who suddenly have to get some privileges bcs the Emperor is figging their daughters - and depending on how powerful those families are, if the Emperor obviously favors one kid over the others (or pisses on one over the others) one of those families might not be happy and start shit in the Empire - taking more and more consorts means shaving little by little the power of the Emperor in Adrestia!

(and guesses who spearheads the insurrection? Arundel, one of those "consort kin"!)

The topic of Ionius' 11 children is sadly forgotten by the plot - but iirc Word of God said the Ordelias (Lysithea) were experimented upon as a test, and when the Agarthans had, uhhh, conclusive results, they experimented on the Hresvelgs.

Given who was in charge when Ordelia was ran over by Adrestia - even if no character mentions the consequences or make a link because you have tea bags to sell - imo it would totally make sense that Ionius killed two birds with one stone : flexing his underdeveloped muscles at peons who helped people who dared to betray him, and getting guinea pigs for his plans to get the strongest Emperor ever.

Bear in mind that the Ordelia fuckery was done before the Insurrection aka, Ionius had this plan before Ludwig'n'co decided to depose him!

(Was Vestra aware of what was going on? Who were the Agarthans working with Ionius? Is it a situation à la Manfroy'n'Arvis, people disapproving of the Emperor listening at shady people?)

The Ordelia experiments leads me to believe the plan to become "super strong with dual crests" was hatched and developed during the Ionius era, but again, the game is so crappy at lore building that we don't even know if Ionius had 10 (legitimate) sibs, or only 5, and what they are doing when Supreme Leader is running the show, or did when Ionius was defanged.

Granted, we don't know since when Agarthans are slithering in Adrestia - if we believe the "Willy's sekrit history" was tampered with and assume Supreme Leader was telling the truth, that it was passed down in generations, maybe Agarthans were slowly manipulating Adrestian Emperor to get their revenge on Nabateans (in Nopes, a book about the rebellion of the Southern Church mentions how the Emperor wanted to cut ties with the Central Church anyways since a long time, but doesn't explain why).

And so, maybe Agarthans devised several plans, that all failed, to make the Hresvelgs turn against the Church and be strong enough to be flattened in 5 seconds, and it only worked during Ionius' era ?

We will never know, but it's still fun to think and headcanon about!

To bounce back on the "Adrestia demands many heirs" thing, given how I am fond of a certain AU, what if

This came up as a reaction to the entire Lycaon debacle?

Wilhelm 1 picked a heir, his heir died "to a mysterious illness" and instead of assuming rulership or helping another heir to rule - like he did for Lycaon - Wilhelm bailed out of Adrestia.

It could be explained by Lycaon being the golden child and favourite kid of his dad, so if he's not the one ruling, Dad doesn't give a fuck anymore about his Empire... or -

What if Lycaon was Willy's only child, and the subsequent Hresvelgs are "cousins" or members of a branch family?

In that case, it wouldn't be Willy playing favourites, but bailing out because his own son "suddenly fell ill and died" and he wouldn't be as involved as he was in helping his own kid, if now we're talking about helping a great grand-nephew or someone else.

(Rhea would have had to give a transfusion to the subsequent Emperor - i name her by convenience Hildegarde bcs no imagination and it's faster to type than "the female emperor who succeeded Lycaon and dueled against Ferdie's ancestor who wanted the throne" - to make people believe there is a direct continuity between Wilhelm, Lycaon, Hildegarde and her future heirs).

In that "only kid" scenario, it would also justify why House Hresvelg became so obsessed with taking Consorts and having a lot of heirs - Adrestia was nearly left Emperor-less after Lycaon's death because they had no other heirs to pick a successor from...

[theygender]

I love being T4T. My gf has been on estrogen for a couple weeks now and she's been having a rough time with her mood so I'm teaching her about the ancient art of soaking in a bubble bath with a little drink to sip while watching shows on your laptop

[hollyhomburg]

NO! YOU have not even been married even a YEAR you have no reason to be calling me cute over dm. I like your wife! stop!

[dullahandyke]

and like sidenote if i can make a post with a target audience of zero. i feel like fhsy was to d20 what aa3 was to ace attorney but aa3 pulled it off better for reasons i cannot explain

[jonny-b-meowborn]

Being trans and having daddy issues means I will watch Treasure Planet regularly for the most of my life, and whenever I do I become obsessed with it all over again. It's normal and healthy, actually

[navree]

Let's be honest, and I say this with full offense, Lucerys Velaryon is the Archduke Franz Ferdinand of the Dance of the Dragons. He is meant to be a sacrificial lamb to kick off the entire war proper. If we had gotten a full season of development with him like we did with the younger cast in Game of Thrones, I guarantee more people would've felt something. The only reason I personally feel bad is from a baseline level of empathy, because he was a child who was placed in an unwinnable situation due to his mom being completely irresponsible with him and his brothers.

However…

The comparison between Lucerys and Aemond is no contest. Love him or hate him, Aemond has an actual personality and goals when we first meet him. There's enough dimension in Aemond as a child to showcase the potential for sympathy between him and Jace at the funeral, a scene they didn't need to put in, but they did, which emphasizes his own innocence. Even before he breaks bad fully in S1E10, he's still far more compelling to watch due to the number of scenes allocated to him and his dynamic with other people.

This is where you and I are going to disagree just a bit, because Lucerys does do something in S1E07 and S1E08. He gouges out the eye of a family member and petulantly whines that he “didn’t do anything!” when confronted with the possibility of getting in trouble for it, then years later has the nerve and complete lack of sense to giggle at the person he permanently maimed only hours after his legitimacy was publicly called into question (again) and resulted in a murder. The narrative (perhaps unintentionally) glosses over these moments in favor of portraying him as good, whereas if you read between the lines, you can see that as being an oversimplification. The problem is that because S1 was truncated, secondary characters like Lucerys don’t receive screentime dedicated to portraying anything other than a single personality trait. Unfortunately, because of his role in the text and the way it was adapted for television, there was never a chance that Lucerys would be interesting.

I don't even have anything to add, this is just objectively correct.

[sage-nebula]

someone needs to take lions away from Disney.

[sunkern-plus]

i must say i'm far more represented by the "fat person who is so hyperactive, manic, and talkative that they'd benefit from mood stabilizers and stimulants" stereotype i hear some people mythically talk about. where are these other fat characters like me. show me the light