#and still aknowledge it HAS impact

[missbrunettebarbie]

My hot take this January will apparently be that, while Barbie is a rather unremarkable movie with a gr8 aesthetic, some of the critics' choices regarding it are quite questionable. And people's responses to said choices are sooooo much worse.

[torgawl]

sometimes i think about how crepus probably wasn't father of the year and i go a little insane. the way he pushed diluc into becoming a knight of favonious at such a young age; diluc receiving his vision so early in his life; how he saw his accomplishments as both his and his father's; crepus planning to gift or getting a delusion for his son despite his vision; and, the way diluc's namecard references him as crepus' creation, which is such an impersonal and cold way to put being someone's son. not only that but, again, referencing his strenght specifically. i'm not saying crepus was a bad father, diluc loved him dearly, but the projection he did of his own dream onto diluc's life and the efforts he went through to make sure diluc was "strong enough" doesn't appear to have been the healthiest thing.

we obviously have little to no information about diluc's relationship with his dad outside of a few mentions here and there but from his character story it just seems that even the praise crepus gave diluc was always because he did well in, somehow, living his father's dream and not necessarily because of who diluc was. it's a little bittersweet.

[homunculus-argument]

What part of 'the wellbeing of workers has an impact on the work they do' is hard for some people to understand? Like even if you don't have a single fraction of common decency or care for other peoples' welfare, and don't care whether they live or die, you should still care whether you live or die. You don't have to be morally against human suffering in order to believe in workers' rights.

An overworked truck driver falls asleep on the wheel and swerves on you in traffic? You're gonna die. An overworked nurse doing a 24 hour shift gets two patients confused? You're gonna die. A bridge collapses under you because the building materials provided were dogshit, and none of the builders wanted to speak out because the one to voice a complaint is going to get fired, and they all have kids to feed? You're going to die.

You literally do not have to care about other people. Nobody is demanding you to give a shit whether anybody else lives or dies. You just have to aknowledge that if the people touching your food, building the roads you drive on and buildings you go into, and altogether work in putting together every single thing that you need in order to live, are dying on the job, that's gonna hurt you too.

Being served like a God and fed with human sacrifice does not make you immortal like one.

[set-wingedwarrior]

After today’s episode I saw, well within reason, a lot of people talking about Prospera’s brainwashing of Suletta, and I wanted to share my two cents.

First of all, my (probably) unpopular opinion: Prospera was kinda right this time.

DON’T KILL ME, LET ME EXPLAIN PLS.

So, Prospera’s technically right: they are being attacked my terrorists, they are in mortal danger, and they need to fight back to survive and save everybody, and that will mean most likely taking lives. Like, that’s fair. War isn’t pretty and survival demands sacrifice.

What’s really wrong and fucked up is:

 1) the way she says and explaines it. Her whole voice and behaviour, the words she chooses, so calm and chill and apparently comforting but actually really dismissive (and kinda creepy imo). She approaches Suletta and the whole situation as if it’s not a big deal.

But at the same time, she does underline that they’re in danger, even pressing on Suletta’s rightful fear in order to have her move forward and fight.

This isn’t a “this is unfortunate, but it’s either us or them” kind of speech, but a “we must get to our goal at all cost”. The line is thin, but there’s a difference. And, most importantly, it is portrayed as if it’s a natural progression and not just a situational thing.

The thing is, we saw Suletta impacted by death, and these words alone aren’t enough to wipe away your morals. That brings me at point two, the most fucked up and vicious:

2) how Suletta has been raised and educated until then. She’s always following her motto with a smile, and helping others, never letting anyone (aside her mother) see her sad or overwhelmed. And what’s her mother’s answer every time she comes to her? “If you run, gain one. Move forward, gain two”.

After Miorine confronting her, we know that Suletta is scared every time and every time her motto is her way to cheer herself up, wear a smile, and keep going. The focus is always on moving forward, on the goal, and it NEVER AKNOWLEDGES OR QUESTIONS HER PRESENT FEELINGS.

It’s very likely that growing up, every time Suletta had to face something scary (harmless growing up stuff), she’s always been encouraged to move forward with that stupid motto instead of processing her feelings and thinking things through. Prospera just never taught her.

So, what does Suletta do instead? Say her motto like a mantra, and move forward withouth questioning anything, actively ignoring and burying her unprocessed feelings under a smile to the point that she doesn’t even realize it (it’s no surprise why she’s also so terrible at social cues and stuff).

Her whole bubbly happy persona is the product of her whole life having to face scary things withouth learning how to process how that made her feel, ignoring everything in favor of putting up her happy persona.

The result? Going from this

to this

because she doesn’t know any other way to “keep moving forward” that isn’t “do what you must and brush everything else off with a smile”. But what’s the result? Saving Miorine at the cost of their relationship because she’s rightfully horrified.

The problem isn’t even that Suletta killed a man; we already estabilished that this is a survival, and even if you can argue that she could have simply incapacitate the terrorist, considering that she’s been fighting for their lives until then it isn’t too unbelievable that instinct woul kick in and end it all the same way.

The problem is, obviously, how she reacted to it. I’d bet anything that, despite being still shocked, if Suletta just stayed serious (maybe still ignoring what she did in in favor of checking on and take care of Miorine because, again, this is a ��live or die” situation) then Miorine would have understood and seen Suletta’s actions differently (”she made a sacrifice by doing something terrible to protect me”). But Suletta fucking laughed! How fucked up is that? Was she having fun?

All of this isn’t caused by Prospera’s words alone because they do have some merit in the given circumstances. No, this is about the way she speaks them and the way she knows how Suletta would perceive them.

She spent years raising her to move forward no matter what, withouth ever questioning if moving forward even is the smartest choice (and we saw with Guel the consequences that come from not thinking it through). Raising her to make her the perfect little soldier.

And she succeeded.

[galaxyspark-6e16]

did i genuinly cried big tears in the ghost annd molly mcgee season 2 finale?

yeah, i did. i now undertand that a show doesn't need an overarching plot with high stakes andn challenges that even the smallest commun morals can really impact us.

SPOILERS for here on

i was skeptical about the Scratch wraith theory in the beginng but still aknowledged as a possibility and now seeing it coming true fuels my love-dislikerelationship with theories.

i mean scratch being afraid of taking risk at life is genuinly a universal fear that everyone has. including myself

i love that everyone he met are actively searching for him knowing he's going through somthing devastating

and the farewell... molly encouriging scratch to go back living knowing full well meaning shed be saying goodbye to her first and best friend, wanting him to be happy. and scratch being afraid of forgetting about molly and their friendship, but ultimately both knowing that life is about taking risks AND EVERYTHING ABOUUT MOLLY SPEACH MADE ME CRY

"dream team.. you and me? for all eternety" SOBS

And the ending with the intro instrumental? Human scratch i mean todd being happy! the family anf friends trying to ignite his memories of his afterlife ಥ_ಥ molly and scratch last interaction but also first? the little easter egg book molly was reading.. todd being exited about his newfound joy and embracing his life and scratch uncounciesly using molly slang and catchfrases showing how molly has impacted him and

and thhe end credits with scratch travels and reuninting with Adia and the song and portrait of him and molly and ughhaahughhaahggghhhhhhhhhhggghhhhhhughhaah

i really reallyreally really hope we get a season 3 and yes i know "its called the ghost and molly mcgee where's the ghos-" LET ME HAVE MY COPINNG MECHANISM

[isa-ghost]

About how much time a day, or a week do you spend on writing your fic?

Cause I've been reading fics for years, but haven't started writing until relatively recently. I always knew in the back of my head that it took time to write and come up with the stories, but until recently I hadn't even begun to actually understand the time and energy it actually takes to write a fic. both short and long ones.

Now that I've started to think more about it, it would probably benefit fandom spaces a lot to more widely aknowledge the time it takes. It could probably help with the consumeconsumeconsume mindset of fancreations that I know that I've had, and that are present in a lot of fandoms, especially bigger ones

100% that last part, yeah.

See, for me it's even more complicated because not only am I squeezing writing between irl obligations like class, homework, work, family dinner, sleep, etc.

But I also have ADHD, so I'm battling my attention span and the temptations of my hyperfixations, as well as keeping up with my friends, fandom spaces, etc. I don't want to neglect any of those.

But focus is very difficult when I don't have absolutely nothing going on, which means I often need to shut everything completely out (which can take a lot of self control). I'll vanish on my friends and social media for hours, but still pause here and there to catch up on what I've missed for a short while before returning to writing because I HATE falling deep out of the loop and having a lot to catch up on is overwhelming. On top of that, how easily words are flowing and such also impacts how much or how long I write.

So I don't know if I have a simple or precise answer as to how long. But nonetheless, it's HOURS.

So far, for the 4 chapters that are published, I've sat down multiple days in a row OR every other day if I have time-consuming irl obligations, and written as much as I could before something depleted my motivation or I reached a good stopping point. Lately that's amounted to 1-5 paragraphs depending on the scene I'm at.

If it's something my plot plan has left more open-ended, it can take hours for me to work out how exactly I want to get to the next plot point. The Ch 3 Pissa date and stretching out the Ch 4 Eggza day was MISERABLE /lh because it was super open-ended since I wanted to give myself room to improvise, I don't like rigidly over-planning things bc a lot of the fun in writing is filling blanks between points. I get some AWESOME ideas in the moment thar aren't initially planned in my plot. For example, the foreshadowing I included in the Ch 2 nightmare where he hears Missa scream? If you check my post of my plan after I published the chapter, I pulled that out of my ass. It was originally just supposed to be a nightmare where he could hear Fit, Etoiles & Missa yelling to each other. I never planned for him to hear what's implied to be Missa injured.

But even though improvising is important (and required at some points of AMFMN), it's kinda hard to sit down and think of what to do with those parts when your hyperfixation streamer streams 3 days a week and on the days he doesn't, you have class + other things to do + other streams you refuse to miss + friends + etc etc etc and therefore you don't have a perfect distraction-free time to just go ham.

It takes a lot of self-discipline and control to not engage with stuff so I can focus on writing. And even still, depending on how cooperative my brain is that day, that can still be hours of writing.

Generally I try to chip away at least 3 paragraphs or get from one plot point to the next per day until the chapter is finished.

So TLDR; I spend hours a day, which totals to even more hours a week, working on a chapter.

It's equal parts because I get in the zone with writing and smash out a huge amount of the plot points planned for the chapter, OR I'm struggling with flow/attention span/a bunch of other things.

Due to my schedule, Tuesdays, Saturdays and Sundays are usually the best days for me to write. But even still, I have class Tuesday until close to noon, possibly other streams (curse you Sneeg and Fit /lh), work every other Saturday, family daily routine things like dinner, and the occasional plans with irl friends.

So uh. I do be battling the horrors sometimes to get chapters out. But now that Phil is finally possessed, I have a feeling I'll be breezing through things easier. I know a lot of what's happening next and I'm a whore for the drama. :3c

You have NO IDEA how much watching people scream and lose their minds over crumbs and currently published chapters motivates me. I'm so fucking excited for late game fic. Like Chapter 9 onwards. Ohohohough

[21rstrejectedsoul]

I finished reading "The Blackpill Theory: why incels are right & you are wrong" and holy fuck, I have some feelings about it.

First of all, it's a book for both sides so yeah, you can read it even if you don't understand any thermology since the author always clarify the meaning.

The experience was so refreshing since it was almost a tldr about how relationships works, the impacts of our biology on it and humanity behavior as a whole. It was dark and painful too even for me who has some experience about the themes. I don't wanna spoil it but I really wanna accentuate these two vents

I can't express the way it hurts to read all of it, especially this first one since it was made by a autistic male just like me and during a long time these were exactly my thoughts

I wanna add this one too 'cause imo it helps normies and even some incels who still didn't aknowledge 'emselves to understand we weren't born this salty and it's not the reason why we aren't getting ladies

[imliterallyjustablackgirl]

HONESTLY: Marcus and Syd would make such a nicer platonic friendship. Till this day, I think it would be more appropriate. Little rant: Yes, I've said it and I will say it again: Some of you only want Syd and Marcus because you do not want Carmy and Syd to be together. Your ship relays on how much you view yourself in Carmy and because some of you are just full blown bias racists, you refuse to aknowledge that however beautiful, interesting and multidimensional a darksin character might be, there isn't anyway Carmy would want her because YOU do not want her.

It is infuriating because : 1) Syd's already showed us she wasn't interested in Marcus like that, Quit frankly he might have been smitten but she was just glad she made a friend when everyone was giving her shit at her new job. 2) You think that every black character that interact must date, mostly if they are in the same age pool. I wonder if Syd would have been a black man and let's say Carmy a white lady. The edits and overall just acceptance of the character and ship would have been different. The implications would have been different. 3) You are using Marcus as a scapegoat. For everything else: The fact that they cannot date because another guy has interest in her: And? Marcus doesn't control Syd, Syd control Syd. The '' she shouldn't because of Marcus'' : Stiiinkkks of misogynoir. + ''He's so sweet tho'' and? She. is. not. interested. and that got her screamed at by the way( at really important moment F-F night, HE didn't like it when CARMY did it to him, so- 1+1 = sure as hell don't = 3) by y'all cinnamon roll. I do not HATE Marcus, I like him but the one that use his status in the show often irks me, isweartogod. The same way I am still waiting for Richie's apology, I will be waiting for Marcus's. The show depict toxic masculinity wonderfully and how it impacts mental health and mostly men's health, we see it with grief and we see it with accountability. We get to see theses characters be imperfect and whole, trying their best at life. I think Syd is allowed to have that too. The room to be a person. Even if she were to date Marcus, how does it look that y'all couldn't fathom the idea of her finding love with Carmen, the man she respects and he LITERALLY hovers around her. He is so alert it almost seems painful.

Sydcarmies, please be aware of the racism that often comes with the implication of people saying theses things becasue it won't stop with the Bear. ( Look at TVD with Kat Graham, Sleepy hollow or even Flash -) You will see it with other shows, they expect black women and characters to be seen not heard or understood, that is why there is so many negative comments about her character...I saw someone on Youtube COMPLAIN she didn't open up to Carmy sooner about HER mother's DEATH. I need to find it.

People already do it with everything else, gaslighting black women/ characters or not. I'm glad I got a group of people that sees the vision for real, because places like Reddit scares me and quite frankly make the fandom so hostile. The idea that romance is so overbearing is a representation in my opinion of a lack of emotional intelligence. Love change people, inspire people , is world wide. Love can change, one time you love someone as a friend and then it changes to more. I'm so glad for this show fr, I want to work in the art field and I love to cook, till this day, it was a form of art that made me feel less alone. Sharing food is a love langage. So the fact y'all are nourrishing me with our common love for this show, is *chef kiss*. (Keep on posting babies xxx). (Shameless plug) I'm glad I get to share my love of the bear family w you. https://archiveofourown.org/works/52001119/chapters/131500966

Saw the clip of Ayo saying she didn't have romance in mind when playing the character and wants more platonic m/f relationships on tv which is 100% valid (I just want different in this case)...

but then I remembered that one scene where they're cooking together in the middle of the night in the Beef and in a moment of silence, the song rings out "this is what love feels like"

and I think that maybe the editors weren't on the same page

(that said, a romance not played as a romance while the foundation is being laid...makes for a great romance)

[vitearred]

Help this still has me dying ur telling me kagiura looks like 913738 times hotter than he already is (he seriously had no business looking like THAT) from hirano's pov like that's literally the way he sees him and still he has yet to realize how gay he is are u fucking kidding me😭😭😭😭

like what the fuck is THIS???

I-💀

I have no other words just look at that, god he's so embarrassing and cuestionable and harusono really set him up when she decided to make him like this i'm never letting these things go, i'm gonna make sure he's getting made fun of to the end of times i'm sorry but just?$!$!'!!@!#!";*!"?'!:!'"?!!(

like really???? REALLY ur seeing him like that when he's motivated and doing his best (kind of what u previously described as something u want ur ideal marriage partner to be like, unironically TAKING KAGIURA HIMSELF AS UR EXAMPLE), u feel the urge to be as close to him as u can be and get to see more of that, u react like this, eyes all wide and sparkly, almost going speechless, when all of that is so clearly shown as the positive side of the effects of his feelings for u, when u get to witness the impact u have on him??? AND ur also getting similar effects bc what the fuck do u mean u "really want to study right now" to make sure it's possible for u two to stay together ("close and personal")??? u know u both basically boost eachother, and that's all u want, but ur unaware, u don't fully aknowledge it, u don't really have a conscious idea of what u want from a romantic relationship that goes beyond akwardly answering a random question just for the sake of it, u were vague with ur answer but u managed to bring the essence out.

But nothing regarding love is clear, the only thing u have clear is that u don't wanna be parted from kagiura and that u don't wanna hurt him, and i truly can envision all of this finally connecting at some point because it simply makes so much sense, what u want is there —ur just yet to know exactly what u want, and how it's already there; who u want it from, who makes u want it. THEM being together makes so much sense, and it's gonna be so easy then (after all the hard parts) because they just work. So powerfully, so beautifully: they work. And we see that, everyone around them probably does too, we feel that so intensely that it feels like a crime to not realize how much sense it makes for them to be with eachother.

That's why it inspires so much violence out of me when hirano is like this like i just need to hate crime him for putting me through this😭😭. It all has me feeling a lot (can u tell lol), but on the other hand i'm just so sure of them???? and i'm just waiting for them to meet me there??? Things just have to connect, and they will, because they are everything the other wants and it all just has to come together. And sometimes i just read their mess and while there's a big part of me reacting and screaming and

there's another that just absorbs the big picture, sighs like a very old and unconditionally patient person would(?, and just appreciates them for being the mess that they are, for bringing some drama into my life, living and learning and trying to figure things out even in ways that sometimes make me cringe and cause the dramatic part of me to want to rip my head off and put it in a blender. They're getting there and i trust them and love them as if they were my kids or something

And lastly, seriously WHAT is that face?? (no bc let me emphasize that, it has to be done) I'll tell u: that's the face of gay. Gay blush. Gay thougths. Everything gay. There's no denying the gay. Maybe he can try to deny it but the thing is he has no proof he's not gay meanwhile i have 17 chapters AND MORE to back me up, if he fights me on this i'll END him

ALSO, it does things to me seeing the way hirano looks and melts at kagi being all focused and motivated because KAGI'S NOT LOOKING AT HIM at those moments, he's just in the zone looking very hot and it hits hirano like a truck and he doesn't get to see hirano in that exact moment😭😭. oh my god this patern is certainly repeating a lot before there's a crash. Harusono's gonna have us on edge and i'm about to die bc i NEED kagiura to realize HIS POWER!!##!@?#!"!"! and exploit the fuck out of it, tho of course at first he's going to be a mess (they're both gonna be) but just imagine him starting to use that to his advantage, him knowing that he can do that to hirano and make him very flustered by showing him that he knows about it. Let me tell u, he's gonna be a menace and i'm looking forward to it

[midnxght-sweet-time]

omg okok i totally agree with you and i think that the whole sagau thing has turned into isekai, yandere and cult au smashed together under the title of “sagau” which doesn’t really make much sense because the title “Self Aware Genshin AU” doesn’t say anything about isekai, cults or even stuff about a creator, it’s literally just genshin characters being self aware that they’re in a game.

and i have no problem with people writing that of course, just maybe don’t label it sagau..?

AND ALSO!!! what you said about the whole cast turning completely stupid and mindless besides aiming to kill the impostor (albedo and impostor albedo excluded because they’re special or something) is so true!!! like honestly, i understand (sort of) that it’s a nice setup for the revenge part or whatever.. but don’t you think at least the archons would think twice or even recognize the reader as the creator? or, if it’s in the au where the reader is an actual impostor, don’t you think they’d just imprison you or something? i really don’t think they’d be that cruel. unless, of course, this is the hardcore cult au, then they might.

and honestly if they thought the reader was an imposter and really were trying to kill them there probably wouldn’t be that much of a commotion over some rando stealing their “creator”’s face. they’d probably just kill them and be done with it, because the reader really isn’t very important at that point. at least in my opinion, anyways.

I find that hardcore cult or not, if your telling me someone like Jean, the most responsible there is that even knowing one of the four winds, Dvalin is tryna destroy Mondstadt and she tries to find a pacifist solution to it before resorting to violence with a heavy heart—would resort to killing the imposter on sight just cuz they impersonate their creator is just such a farcry of wtfs.

And the isekai'd mashed with sagau. Yea its out of place but in a way it makes sense cuz ppl still aknowledge yes theyre in a game and with the creator isekai'd in they know that yea this is their creator for the most part. I feel like the isekai'd part is more of an additional detail in considering its more impactful/fun to be in the game then being out of the game and talking to the characs thru the screen.

But the yandere n cult thing has developed into a mindless worshipping state. I can see a yandere forming but not in the way of 'oh we gotta protect the creator and make everyone bow down to them' especially litterally meeting them just one min ago. I especially hate yanderes that somehow caught feelings on first sight cuz it just doesnt make much sense and the buildup aint fun cuz there is no build up-

And abt the albedo knowing ur the creator. Yes his a homunculus but put it this way; an artificial being thats made to be human, ik his not exactly human but still close to what a human is, can recognize this is the creator but not the litteral GODS or any other non human species like hell YAE or XIAO, two non humans with some supernatural background you would expect to see through a person does not recognize the creator? This is just as bs as the selective infliction of curses of Tatarigami.

That and the whole worshipping thing is like a whole nerf in a character. Like someone as cold as Xiao is fangirling cuz you main him? Isnt Xiao the type of person who would get ptsd knowing you in a way, used him? Just like in his backstory of being used by another evil god.

[princeanxious]

Soulmate au fic that I really wanna write where Janus is soulmates with everyone(aka DLAMPR) but soulmates stay the same every lifetime but theres a chance to have multiple soulmates and in rare cases you don’t meet them all in that life before you or your soulmates dies.(especially in janus’s case, for reasons i’ll get into shortly) With each life once you hit a certain age(say somewhere between 19-20) and/or meet your soulmate, you gain the memory of every life you’ve had in the past, specifically the life you lived with your soulmate.(also soulmates arent inherently romantic in this world, and i’ll mention that roman and remus are always inherently platonic soulmates to eachother, and are often born as twins to eachother, and if not, are often always the first meet in their group)

Janus is a very special case, and in their world considered almost an anomaly.

All the information gained in the world is supplied from his soulmates, who at the end of each of their current lives always end up together as a group, though it on average happens pretty early on in their lives, minus janus.

Janus is an anomaly because it seems that he’s dying every lifetime time that he meets one of his soulmates, lost to the world 24 hours after hes come into direct physical contact with the first of his soulmates in that lifetime.

(Check the tags for trigger warnings before reading!)

In the first lifetime, he meets Patton(who, in this life, is not called Patton), a young baker who takes his hand with excitement, the barest brush of skin alone triggering not a memory of a past life, but instead a brilliant feeling of connection, a soul-deep aknowledgement that their souls are brand new, and infact are connected to a whole group of souls. Patton is overtaken by a whole new kind of excitement. Janus matches it, and they plan an outting for the very next morning. Janus does not make it to the outting, succumbing to a stab wound just hours after meeting Patton while on his walk home. Patton meets the rest of their soulmates while waiting for Janus to arrive. They hear about his death a week later.

The in second lifetime, he briefly meets Virgil, theyre 16 and 17 respectively. He doesnt learn much, the brief brush of skin while waiting in a croud for a train, enough to distract him into turning around just enough to meet eyes with Virgil, who had been on a train back to meet the rest of their soulmates, an exclamation of relieved surprise on the tip of Janus’s tongue. And then Jan trips, or someone impatiently shoves at him and he loses his footing, niether of them really know for sure. One moment they feel the euphoria of their souls connecting, the next Virgil feels the bond instantly shatter alongside his heart as he watches Janus disappear under the oncoming train. Virgil spends that lifetime traumatized by his sudden death, guilt ridden in knowing their soulmate’s last lifetime’s death had ended in a similar fashion even in mer secs, and his soul takes on a much more cautious nature from then on.

In the third lifetime, he meets Remus, theyre 18. Remus manages to spend a whole hour with Janus before they touch, and it’s only because Janus talks him out of jumping off a bridge. Remus wasn’t being suicidal, just hyper moridly curious, but Janus didn’t know that. Janus strikes up a conversation with him, its snarky and fun and perfect, and Janus joins him on the railing as they talk. Janus derails Remus from jumping by mentioning that he’s never had sushi, and to Remus this is an afront to living. Remus hops back over to the safe side of the railing, declaring to fix that crisis immediately. Janus laughs and agrees, relaxing visibly. The relaxing is a mistake, as for a single second Janus forgets that hes still in a dangerous position. He slips, his hand missing the railing, Remus only just barely managing to catch his hand in time but he doesnt get a good enough grasp, the spark that triggers their soul connection distracting enough that Janus’s hands slip from Remus’s, and Remus is forced to watch in horror as Janus plummets to his doom. He scrambles to fish Janus out of the river, but they cant revive him, Janus died on impact. Remus doesn’t meet the rest of their soulmates for another three years. He never touches sushi again for the rest of that lifetime

In the forth, Roman is 17, Janus is 18, and Janus actually meets Roman multiple times, knowing full well what his life has in store, neither ever knowing. Roman and Janus are actors for the two main characters for an up and coming movie, and they get along super well. Janus has always worn gloves, scarves, long sleeves and jeans, hoodies, beanies. Its a bit taboo at such a young age, but Janus never seems to mind the controversy and never commets on it, and Roman doesn’t mind either. Janus is infact very withdrawn, and often gives very little input on what his true personality is and so Roman doesn’t push it. Later, he really, really wishes he did. Inevitably, they become closer. But it’s only until after the movie is released that Janus lets his walls down just a little. Somehow, he seems to know that Roman is his soulmate long before theyve actually touched. Somehow, for some reason that they just cant seem to fathom, at the end of a large event for the movie, Janus and Roman are being ushered away from eachother and into seperate cars to avoid an influx of fans for some reason or another, Roman doesn’t remember what. All he remembers is Janus taking a glove off his hand and brushing Roman’s cheek after he wished Roman an odd farewell. Not a see you later, just “Farewell, my Prince.” In perfect sync with a very specific line that Janus’s character had said. Roman is in too much shock by the time he’s in his own car, the past three lifetimes of memory flashing through his head taking just long enough to settle into dread as he realizes. He panics, he tries to get someone to listen, and by god do they try, but no one can get into contact with Janus in time. Janus dies in a freak car crash just minutes after they touched, dead on impact. Roman and his soulmates hold onto this movie for the rest of this lifetime, the last physical record left behind by the soulmate that fate just wont let them meet.

In the fifth, he meets Logan, each at age 21, Logan is a nurse in training, and Janus is a cashier, a college student just starting to work towards getting their law degree. By this point Logan has met all of their soulmates, and they all live in a flat together. Really, these days they all sit in wait, they have a plan amongst themselves, about what to do when they meet Janus, a last resort, a trying attempt to keep him alive just long enough to break that 24 hour threshold, to break the spell, to be able to say they did something to try and save him. So its truely a shame that in this lifetime, Janus is bleeding out from a gunshot wound by the time Logan is able to reach him. Its late at night, the police have been called, but it seems Janus was in the wrong place at the wrong time, and finds himself bleeding out on the tile floor. He doesn’t struggle, he doesn’t panic. When Logan approaches, he instead smiles sadly, and reaches his hand out to Logan. On instinct Logan takes it, just before he processes hearing Janus greet him with “Hello, Soulmate.” In vain, Logan tries to staunch the bleeding, but he’s done all he can do, and they know the real paramedics will be 2 minnutes too late. So they sit there, covered in Janus’s blood at 2 am in the middle of a shoddy convenience store, talking quietly about life and how their soulmates love them. There are tears in Logan’s eyes as Janus smiles sadly, knowingly up at Logan. He reaches his hand up and cradles Logans face, and asks Logan to “never forget to smile, okay?” Logan ends up leaving nursing, his mental health unable to take the soul-deep wound that incapacitates him when surrounded by the call of death.

In their sixth life, his soulmates wait, the group meets at age 23, and feel renewed hope as each month passes that they do not experience another traumatic death in their midst. Around age 30, confusion sets in, the hollow itch of meeting their last soulmate is dulled, almost non existant. They’d believe it gone if they didn’t feel it whisper to them late at night where theyre all gathered together. By the time their 60, the whisper seems to fade, and they slowly mourn the loss of the loved one they never got to have. Janus’s soul infact does not make it to the sixth lifetime, but not for lack of trying. His soulmates don’t want to believe it, waiting for his arrival to the very last of their days in this lifetime and never meeting him, they refuse to voice that they mightve lost Janus for good..

Fate has instead taken hold of his feeble soul, the weakest soul in an already unusually huge soulmate group, his soul only half as strong as it should be to balance fate in each lifetime, and so weak that his soul collapses under the amount of soulpower that reaches out to his own when his soul meets the others, and the fates are agitated by the constant unbalance of what should be their greatest and most intricately created group of soulmates yet. So the fates decided to hold onto his soul for a single lifetime, and spends the years mending and healing and strengthening his soul, practically filling in a full half of his soul, and spending years merging it while still carefully balancing his connection with his soulmates perfectly. The trade off is that the tampering and adjusting of his soul fucks with his soulmate memory trigger. He doesn’t forget, no, but his access to his previous lifetime memories is staggered, and so it takes months before he gets back all of his pevious lifetime memories, leaving the inital soulmate connection actually connecting but not immediately supplying his soul with any information of his own first 5 lives, leaving him blank at the start, though knowing that he and his soulmates soul’s are still older than being a brand new soul without memories, and doesn’t actually have a point in his lifetimes when he his an age and his past lifetime memories come to him, he /has/ to meet his soulmates to trigger those memories. The fates are very particular about him, keen on not providing this group with anymore unnessesary trauma.

So, imagine Janus’s genuine confusion, in his sixth life and his soulmate’s seventh life, at age 23 when he approaches a group at a college party on a whim to chat/flatter/flirt with the infamous Remus Sanders, the local social cryptid who always raises more questions than answers when you talk to him and who, Janus has learned, is a highly entertained arsonist-wannabe, and Janus knows that it’s smart to have contacts, because who knows when he’ll be need of someone who’ll commit arson with him? It just happened to be an hour earlier that Remy had spilled soda on his gloves, so he’s braving this interaction without a safety barrier but he’s heard Remus has all his soulmates already, all four of them to be exact, so he doesnt think he has much of a reason to worry. He manages to slide into the conversation easily, and none of Remus’s soulmates seem bothered by his intrusion, especially when he takes the eccentric way that Remus speaks in stride without even a pause, they just seem exasperated when he sneakily brings up the topic of fire.

Then Remus takes him by the shoulders, grinning at him almost crazily, and states “You. I like you” and, it’s obviously instinctive, the graceful way he laughs and puts a hand on Remus’s to agree, but of course the moment skin touches skin, their souls link and everything sparks. And then Remus shutters, and stares, his jaw going slack but his hands seem to grip Janus tighter. And for a moment, Janus finds it terribly, terribly fitting that he’s soulmates with a filterless pyromaniac, but then he remembers that Remus also has soulmates, and then the panic sets in because, assumably, that makes them his soulmates too.

Imagine Janus’s confusion when instead of being met with joy, he suddenly finds himself tucked carefully yet securely into Remus’s arms, being rocked by a man whose suddenly panicked and almost manically whispering “it’s him, hes here, it’s him.” Any move he makes to pull away even a little is met with a sob, Remus is crying, and Janus is so very confused. He tries to coo and comfort Remus, but each of their other soulmates crowd around them, touching his skin one by one, none of them moving away, his skin is burning from touch starvation, its a lot, its to much, its not enough, it burns.

It takes Janus over an hour, after being shuffled into a corner and placed in another soulmate’s lap, Janus thinks his name is Patton, to come back to himself, and finds his soulmates can’t stop touching him. He, too, feels the zing with each touch, the specific innate and undeniable feeling of ‘soulmate, soulmate, soulmate’ but he feels that hes very specifically out of some kind of loop considering all of his soulmates are crying.

When the fates whisper to them, three hours in, with the words “his soul was weak, we have fixed the issue, he is now yours for life to keep, he will safely continue.”

And while Janus requires quite a bit of catch-up, he feels like nows not the best time to ask. He feels more than sees the collective relief that sweeps through his soulmates, he lets them crowd around him further, touching and holding and assuring themselves and eachother that hes real, hes there, he’s staying alive, hes going to be safe. He tries not to say too much, doesn’t want to step on any sore spots, and finds theres tears in his eyes as well. He just lets himself be passed from lap to lap, and somehow or another they manage to all safely arrive at their joined home, pilling up a pillowfort into the livingroom and putting on a movie. Not once does he leave the hold of at least one soulmate, and finds at least two other hands on his person at a time up until he’s sat in the middle of the pillowfort(after he was allowed to get ready alongside the others for bed. He ends up in an oversized nasa hoodie that belongs to Logan) and the others begin to just, talk about life. Its too early to talk about the extreme protectiveness that theyve all treated him with each second, like hes about to dissapear at any moment. The thought makes him shudder, and he tries not to dwell on it.

Turns out, Virgil has the best idea of the night, suddenly and carefully kissing him, which triggers a bit of a domino effect, where Janus goes gently from soulmate to soulmate and trades kisses and hugs until everyone is breathless and giggling wetly with emotion.

And, when he wakes up the next morning, refusing to leave the warmth that is Roman’s chest and whining when Logan, who’d been acting as his other warm big spoon, start pulling away to start the day. And for the first time in this lifetime, Logan startlingly quickly relents and actually returns to their makeshift bed, pressing closer to Janus in an instant to hear his happy, sleepy hum. None of them get up for hours, and when they finally do, they order takeout, and dont stray far from eachother in the coming days.

Its the start of something new, something beautiful.

Something completely and finally whole.

[torgawl]

everytime i think about the new chapter the more and more i like it, it really consolidated yuuta and gojo's characters. the revelation of how the higher-ups were taken down and the set-up for the scene with gojo and yuuta's conversation about what their plan was for gojo's body, in case he lost, might just be the part i find most interesting. all in all, the chapter really highlights the underlying difference between the violence of oppression and the violence of resistence and revolution.

when it comes to yuuta and the archetype of his character he is the pure embodiment of love in the series. if yuuji is able to reach sukuna because he was one with him (love as oneness), yuuta's entire exitence has sorrounded love and, specifically, love as a curse. sukuna's surprise at yuuta's antics come from a place of not understanding love and therefore being unable to conceptualise that yuuta would go so far as betray his own humanity for it. he can't conceive how love can drive a person like yuuta, who's sweet and kind-hearted, to a place as cursed as this - emphasised by the sheer horror and heinosity that is seeing the usage of gojo's dead body with yuuta's innocent expression. but we know that yuuta's journey has always been marked by this concept of love as a curse, starting all the way back in jjk 0 where yuuta's unwillingness to let go of a deceased rika caused her to linger in the world in the form of a cursed spirit. one that yuuta learns to let go of by the end of the story. a lot of what he learns in that moment is about consent and mutuality in love (hence his domain expansion name), and although rika's soul passes and gets freed she is able to manifest her will into her vessel that continues to protect yuuta until this day. yuuta asking gojo for consent to use his body not only consolidates this mutual exchange and respect that he has for those he cares for - which are his main driving force - but is also exactly what separates him from someone like kenjaku, who body hops with total disregard for who they were originally. so there's that layer of irony behind yuuta having rika consume kenjaku to copy his technique and make use of it in a equally disturbing but more compassionate way. which in itself can serve to both question if intent plays a role in absolution and introduce, once again, the idea that humans and curses are not so different, as explored between mahito and yuuji in shibuya with them mirroring each other.

in regards to gojo i think his aknowledgement of his own inertia when it came to the revolution that he was leading was the cherry on top to consolidate who gojo really was as a person. gojo's greatest character flaw was arguably that he simply wasn't radical enough, allowing his students to be targets under the influence of the higher-ups. he had reasons not to kill them, as he explained before in the series, but he still failed to weight the consequences of his own actions and how no one is rewarded by working under a broken system. and i feel like having the youth he guided watching as he killed them is also quite significant as they're followers of this new revolutionary ideology.

i think the shock or impact these violent or twisted acts by the hands of those forced to survive within the status quo (like maki slaughtering her clan, gojo killing the higher-ups, yuuta taking over gojo's body) as a reaction to the violence they're subjeted to by this same system serves some purpose. and i think this is the reason the higher-ups are these anonymous faceless figures, barely-there personalities who have such a big influence in the lives of so many people. even in the real world, and we can think of systems like capitalism and how it exploits people in such a casual way and it relies on that exploration to survive, we sort of take for granted that violence coming from those institutions, having our attention driven away from the minority that's upholding these systems to other things instead. that violence is more "acceptable" because we've been conditioned to it whereas the violence in response to those acts is always met with more scrutiny. and that kind of contextualises why shoko and nanami, for example, much like gojo, aren't really revolutionary with their ideals either - or rather, do not get that priviledge. the difference being gojo was someone these higher-ups were actively afraid of, because if he wanted to, he could have done more. and that's exactly why the instant he was sealed it was the perfect opportunity for them to do whatever they could to prevent him from coming back and place new-drawn targets on the backs of the people gojo was protecting. the gruesome nature of maki slaughtering her clan or the off-putting way people react to yuuta discarding his own humanity and going against what he believes is right to make sure gojo's legacy continues is almost forcing this question of what are people willing to stomach in the name of survival and change.

gojo remembering geto in that crucial moment ("i was falling behind" or "i have to catch up") and just having in mind how they were both so young and naive is so incredibly bittersweet. geto had radical ideals, no matter how misguided. he looked at the world and he had this unshakeable conviction that things couldn't continue to be the way they were. he reached incredibly misplaced conclusions, yes, which came from a place of great pain and alienation, but gojo finally stepping forward to follow that same path, to be more radical, also sort of confirms that things could have been so different if only gojo had the same level of consciousness back then; that they could have found a way better solution together instead of the tragedy that ensued. the parallels between them add an extra layer of wistfulness to their bond, too. their fates have and always will be so intertwined, in such a beautiful and tragic way. and i think geto's unwillingness to force gojo to take a certain path will always be one of the biggest proofs of his love towards him. at the end of the day, even knowing gojo was who he was, geto always seemed to want to protect gojo's path from being stained like his.

at the core, jjk really is a story about revolution and humanity; a story about love and curses and how love is the most twisted curse of all (which has been reinforced over and over again). the fact some are rewarded and some are punished for taking certain paths under the same system is there to convey a very specific message. i really love the incorporation of eastern philosophies within the story and the role horror plays, too. the usage of the genre to deepen the impact of these themes and the way things are introduced with the intention to provoke almost visceral reactions in the readers (much like yuuta's own reaction) also makes the message much more impactful. i think this chapter was great!!!

[ddarker-dreams]

FINALLY SOMEONE SAID THE TRUTH.

I admit that i enjoyed act 3 but it feels like really rushed i have so much complain with that.

The build up until act 2 was so good it give us so much premise but the final blow si meh. Sorry that i want to share thing long rant with you

1. Why the final talk is with yae, no offense to her but we need ei to explain not to mention she witness khaenriah downfall so she can give us more information, i feel like they do it for the plot armor so they can just keep dragging this

2. So many things that quite inconsistant, the shogun is show no mercy to anyone that even did a little thing outside what she think its right, how come she can still have a talk with signora, when sara is falling like that, and also there is no clarification about sara right now.

The traveler was so done at first they refuse to help thoma and ayaka at the beginning. But they seem so happy and forget everything how come they are not RAGE ( okay maybe this is to bias and personal) when this nation provide nothing about our siblings information and also why they are not mention anything about their problem in ei stroy quest. Its nonsense! She is right in front of youu, ask about your siblings, ask about khaenriah, ask about ukmown god!!. How come they can just forget like that. Also mihoyo really waste the potential about twin things i thing ei will give us so much help bcs of the sympathy that we both rn lost our twin but noooo.

3. Kokomi seem lost some brain cell, she make a very succesfull grand intro but she become meh in act 3, how come a great strategist like her let the sus sponsorship slip just bcs they are desperate, not to mention her screen time is really small and her role seem so unsignificant and it feels lile she is a plain npc.

4. The awesome world quest that we have done doesnt get any mention at all! Inazuma owe us so much with cleansing sakura, thunder sakura, tatarigami, obarashi quest. It has so much potential that yae or ei or anyone else aknowledge what traveler has been done but nooo.

cracks knuckles... i suppose it's time for my promised dissertation. interestingly enough, you touched on a lot of the main issues i had with chapter III.

i think that if i had to pin the main issue, it's a lack of overall cohesiveness? we were jumping all over the place without the chance to ever flesh things out. inazuma is a smaller cast, but i feel like we didn't get to see any of them shine. since i'm most interested in the genshin characters, i'll break down my problems by going over everyone and their (lack) of impact on the story.

was ayaka not questioned or placed under suspicion for being close to thoma before his escape? i wanted to see her broken up over her duties as they relate to the yashiro commission, paired with having someone she genuinely cares about in danger. it would've been an interesting struggle if she was forced to choose one or the other. instead she just kinda took a back seat.

speaking of thoma, i don't even have anything to say, because he just... was there? for .0001 seconds. said "lol this sucks ig" and that's about it. i know we're going to get a story for him in the future since he's a 5* but i'm not getting my hopes up 😭 then in the raiden shogun's character story, man is peachy keen! be upset with the raiden shogun! have some inner conflict! even if it's just using loaded language because he's under surveillance for going against the raiden shogun, that'd be so cool. saying something like,

"Traveler, what's with that expression? Oh please, there's nothing to worry about. We're under the Statue of the Omnipresent God's protection. Nothing bad has ever happened here." *wink*

i also don't know what to say about gorou. he was... there....... i think. what is he fighting for? what are the stakes for him? what makes him place so much trust into kokomi? i'm out of things to say about him because i don't remember anything he did or said.

kokomi... oh kokomi... i was so hyped. so excited. i thought that maybe we could see a foil to the raiden shogun. that she'd have a moment where she's forced to realize, just like her opponent, sacrifices must be made that will hurt people who will never understand why she made them. or maybe something to show her military prowess. but instead she just accepts a mysterious patron's help (?), sees her people aging like the grateful dead from JJBA, and goes oh well. that sucks. what can ya do. oh bye traveler i guess, good luck with that. ????????????? HUH... similar case to thoma where she's gonna get a character story but like. she won't be the leader of the resistance anymore. that was her whole shtick. they took her shtick away. also she forced me to interact with more NPCs whose names i've already forgotten so i'm tilted about that still.

KUJOU SARA... AN INJUSTICE. A DISGRACE. a slap to my woman loving face. the build up was there. yae miko's comments about sara probably knowing the tenryou commission is involved in shady dealings, but is choosing not to think about it. sara being forced to confront reality and challenge her adopted father with the truth. being able to blaze a new path for herself in the process. when she started running to the raiden shogun i was ultra hyped up. sara, a devotee to the shogun for so long, was about to see her god interacting with the same people who led inazuma to this awful state. how would she react? would she stay ignorant, like yae miko so coyly said, choosing to look away in favor of following her god's footsteps? or would she be forced to recognize the raiden shogun isn't as divine as she once thought, and challenge her belief system?

we open the door to see the raiden shogun. the loading screen ensues. the camera pans to the ominous room, clouded in darkness, hinting at the ominous confrontation that is to come. the music takes a serious timbre. and then...

well fuck that potential character arc i guess. (we still don't know what sara made of any of this since she poofed out of existence from the story at this point)

kazuha also was handed a similar treatment. we've been with him for a while longer now. he is our introduction into inazuma, the one who first gets us emotionally involved by regaling us with the bittersweet tale of friendship that led him to becoming a wanted criminal. a kind soul who loves nature yet was dealt a cruel hand by fate, forced to watch his home nation turn into a hostile place, where his dear friend ultimately perished as a result. we get the scene with his friend's vision lighting back up. he parries a block from the raiden shogun, in the same area where his friend was killed by her. the parallels. the drama. except this time, he wasn't too late. he protected the traveler where he "failed" to protect his friend in the past. did he feel redemption at this? or was it a bittersweet reminder of what could've been?

WELL i guess we'll never know because we didn't get to talk to him again 😭 idk who got a bait and switch worse, him or sara. jesus christ mihoyo.

then we have signora. why is the raiden shogun talking to her? does she know about the gnosis being taken, and if she doesn't, what was her plan to get it from the archon? what does she think about scaramouche? and oh, okay, we're fighting here now. good fight + god tier music. pog pog. okay, now we've beaten her up, and raiden shogun wyd— wait no not signora her lore is still on CUPS not YET raiden shogun and— ah she's dead. okay. non nerds who didn't read artifact lore are going to know nothing about her. signora has such an interesting story, and yet... well. ok.

then we get raiden shogun redemption (?) arc. i was hype for this as well, though at that point, idk why i bothered being hype. i knew they were gonna do a cute power of friendship something or another, and i'm good with that, so long as it's executed well. what i was envisioning was like seven different buffs to correspond with the seven different visions, the dreams of those whose ambitions were stolen serving as the spear to penetrate the raiden shogun's heart of stone. maybe a hydro vision giving us extra healing for a time, with the voice acting over it being like,

"Even if the rest of the world forgets us, let our will carry you through this one final time. Succeed where we couldn't, Traveler."

so on and so forth.

but instead we got— you get the idea at this point. why bother spelling it out anymore.

at that point i was surprised the raiden shogun didn't go "oopsie woopsie!! we made a fucky wucky!!!" because that was the vibe i was getting. i love ei, don't get me wrong, but i wanted to see her challenged with what she had done to inazuma in the past year. maybe meeting NPC #2345259 who lost her sister to the vision decree or something, reminding ei of the love she held for her sister... being forced to come to terms with the extent of what she's done in pursuit of eternity.

anyway. please for the love of god mihoyo hire better writers for the main story. that is all i ask. thank you.

[idreamtofmanderleyagain]

It's fundamentally true that we have some major issues to work out with true crime content. There are a lot of content out there that is disrespectful, reckless, and callous out there, and it's not wrong to want ot interrogate that.

Thta said, my frustration with the anti-true crime crowd is that so often, they seem to give the most bad faith interperetations regarding WHY people create and consume this type of content. Often, they make assertions based on their emotional response to it's existence, but don't fully comprehend the implications of what they say or the consequences of a world in which they get what they want. They want to abolish it all-together, rather than deal with it's issues.

Speaking as someone who's family could have featured in this type of media, it's...I kind of find myself rolling my eyes at the people who morally panic about this.

Even the person in my family directly impacted watches true crime regularly.

True crime is inherently cathartic. I'm sorry, but that's just the truth. People feel a need to delve into the darkest aspects of life, the things they don't necessarily come into contact with often. There is catharsis in letting yourself vicariously experience fear, pain, horror, etc. in a safe environment. It's the same reason we make horror fiction. True crime gets directly to the heart of things more viscerally, because it is real. Sometimes we feel the need to see what that reality looks like. It gives us a sense of vulnerability and then power over the things about humanity that scare us most. Knowing what it looks like helps us process it.

And I'm just gonna say right here: I think that's okay. I think it's very human to need to feel and experience these things from a place of safety. You are not bad for consuming true crime. You are not inherently getting off on the suffering of others.

There's also a reason why impacted families accept interviews and egage with this type of media: many WANT their stories to be heard. They want the world to see and aknowledge what happened. They don't want to live in a world where their experiences are erased.

Sometimes I wonder what life would be like if everyone knew and understood my family. Shit like this doesn't just impact you once and then goes away. It remains, and has a ripple effect on life's little problems. It's like an earthquake that causes tsunamis. The water comes still comes for us sometimes, and people outside of that experience rarely understand why it's happening to you, or what's wrong or strange about you that causes you to gasp for air sometimes.

I get why people tell their stories.

When we shame true crime for existing, we tell these folks that A) they are getting off on or profiting from their loved one's suffering (or their own pain), and B) that they should shut up, because they are poisoning the world with fear.

I get why some content creators default to humor, too. It's probably for the same reason my family can joke about the shitty stuff in our lives. You guessed it: it's fucking cathartic. It gives you a sense of power over the darkness. It's relieving, because otherwise you would just be wallowing.

To be honest with you, I think anti-true crime sentiments are in themselves fear-mongering. It's just another puritanical call for expressions of darkness and human suffering to be whitewashed into silence, and imo it's just as potentially damaging as any other one of those movements. Humanity needs to express and experience it's darkest self safely, otherwise we will repress it and silence victims.

[franeridart]

Anon said: i love love love LOVE how you just draw gojo leaning onto getou, hiding his face in getou's neck or back or chest <////3 im just so heartbroken over those two

So glad to hear you like him clingy as much as I do!! TT^TT as far as I’m concerned he wasn’t clingy enough in canon, so I’m fixing it as much as I can with every new doodle haha

Anon said: whenever im sad i just come to your account and look through your art :")) it brings me so much comfort :')) also i gotta mention that the teacher getou art you've made has healed my broken heart bc of jjk and now that is the only canon i accept thank you very much gege akutami has nothing on me

GAH GETO-SENSEI MY ONE AND ONLY I’m happy he makes you as soft as he does me, he’s such a comfort to me ;;;; and thank you for liking my stuff!!!! Means the world to me to hear it ;A; <3

Anon said: I miss your krbk sm 😔 No pressure intended!!!!!! I still love and support u and ur art!!!

Man I miss them too!!!!! @ hori when are you bringing my loves back from the war I’m here waiting good sir!!!

Anon said: v v curious on your thoughts on what’s currently going on in bnha manga :)))

HMMM what are my thoughts on it? Well, let’s split it in two: Deku’s side and Todoroki’s side, because that’s how it’s split in my brain atm, and allow me to start from the second because it’s easier to get through for me

I’m in love with everything Hori is doing with Todoroki and everyone involved with him - that’s to say his whole whole family and Hawks and Jeanist too, all of it, I’m so into it it’s no joke at all. Always been in love with how he handles Enji’s character and his interactions with his family and the latest developments didn’t disappoint me at all, wasn’t very much into Dabi right after the “reveal” but the more I think about it and about the story from his pov the more behind it I am, forever and always head over heels for Shouto’s way of dealing with a situation that’s as complex as one would expect from a protagonist of their very own story you could really make a manga out of the Todoroki’s family plot from Shouto’s pov alone, it’s incredible I can’t state how in love with it all I am enough. And Hawks, don’t make me start on him I’ll straight up never stop, absolutely and most definitely my favorite pro-hero I would trust him with my money and my kids 100/10 just assume I’m constantly crying over him. Also Jeanist is just hilarious so bless him and his presence in an otherwise too heavy story

Deku’s side........ well, the main problems I have with it are that one, I don’t really understant the need to keep ofa a secret from the class for the biggest part of the story when the reveal wasn’t forced upon Deku, didn’t have a huge impact on him or his relationship with the others (his leaving wasn’t directly caused by him coming clean after all, he wouldn’t have had to leave earlier had he not kept it a secret and he would have still left at this point had the class already known all along) and didn’t, like. Matter. All that much. Two, this manga is called my hero academia and I’m genuinely starting to wonder why. What was the point of all the arcs set inside the school anyway? Most of the characters growth (Deku’s especially) and the progression of the main plot happened in the arcs outside of the school anyway, and at this point it’s clear we’re not going back to the school after this or even seeing anyone graduate. What of Shinsou? What was the point of his plot when we’re not even gonna see him being active part of the class in a school environment? I’m just confused about it all, I guess. Three, which is really my biggest problem with it all, is the way Deku’s set on saving Shigaraki. It’s not like I don’t like a story in which all the villains are saved and the good guys win and love prevails and all that, call it corny but they’re exactly my type of stories, but I’m not sure I can get behind it when Twice died like that, and Midnight did as well, and Aizawa lost a leg, and Nighteye died, and Hawks might have lost his wings, and Shirakumo ended up Kurogiri and it’s still unclear whether he can be saved, like... why does Shigaraki get to be saved when so many people suffered like that? And it’s not only about them suffering by his hands, it’s about Hori and how he was ruthless with so many characters but lets the story show arbitrary kindness to Shigaraki alone, it’s all... well. Unfair. The way I see it. At this point I at the very least expect kindness for Touya as well, here.

That said if I pick the chapters one by one by themselves I do enjoy them very much. I just don’t gotta think about the big picture lmao AH but it’s all a personal opinion, of course! I know people who enjoy the way the story is going and I can see where they’re coming from, this is all arbitrary tastes and preferences on my part, I’m aware of it!

Anon said: Hi hi! I finally got into jjk AND finally caught up on the manga and i appreciate your doods soooo much more now!! They’re so great!! But imcurious, is there one specific moment in the story where you Gojo and Geto became IT for you? Just genuinely curious!!

THANK YOU happy to hear you liked jjk!!!! And that’s!!! a great question, I’m not sure I have an answer actually? I binged the manga in a day and a half, you see, and when I binge stuff that fast I rarely stop to overthink things - I did ship them as I read too since, well. They’re in love lmao but I shipped them in the same way I shipped itafushi or yuutoge after I read the prequel, you know? Just a general aknowledging of how good they were together. The main point with satosugu specifically was probably that satoru has been my favorite character since the beginning of the story and suguru got there as well as soon as I read their backstory, so once I was caught up they’re the ones I ended up spending the most time thinking about, both by themselves and together, and that ended up making me a bit obsessed..... just a bit lol

If I had to give one specific moment that got me by the heart and squeezed the hardest it’d be... probably Satoru’s “my soul knows otherwise”. And the way his voice alone could bring Suguru back, even for just a single moment. The thing about satosugu for me!!! one of the many things about them, but the main thing for me, is that they love each other. Be it platonic or however you wanna see it, they love each other. Despite everything and after it all, even if Satoru had to kill Suguru, even if Suguru killed so many and betrayed Satoru and they went their separate ways in the harshest of ways, they love each other. It’s insane, isn’t it? That they’d love each other so much they could pass over everything and anything. I’ve seen the “best friends become enemies” trope so often in shounen manga, but this is the first time I see it treated like this - with love so strong that they never blamed each other or turned that love in hate. The way satosugu do it is all-encompassing! It goes beyond the world and their differences and death itself! So if I had to pick it’d be that one, because that scene happens after it’s all over, and it all went to shit and way beyond too already, and still their souls resonate with each other and answer to each other and that sends me insane, just thinking about it. Like, god, they really still love each other. Satoru’s mourned for Suguru for a year, Suguru’s been dead for a year, they’d been separated ten whole years before then, and still! And still!!! It’s so tender I don’t know how to deal with it

Anon said: “What’s a god to a nonbeliever?”—That tag is going to haunt me for a while. The entire tag section for your latest Gojo and Geto drawing is meta-worthy.

THANK YOU it’d been eating at my brain I had to write it down somewhere why are those two like that

Anon said: Do you take commissions? No pressure! ✨❤️

Not right now!

Anon said: How do you feel about sukuna ? like/dislike or thoughts on him

AMAZING QUESTION I love him. I have absolutely zero clue as of why so don’t ask me to elaborate, I’m literally that marge pic with the potato when it’s about Sukuna, I have no meta thoughts about him nor deep reasonings behind it - by all accounts, I should dislike him! But he shows up and I’m like nghhh king, so that’s where we stand. It’s Sukuna, you know. I just think he’s neat.

Anon said: sighs time to get into another fandom bc i simp too hard for ur art 😔

HAH thank you for the trust I hope you’ll like ror if you do get into it!!! hahaha

[coldgoldlazarus]

Been seeing lots of interesting back-and-forth on the "Harry Potter problem" and thought I'd chip in.

On JKR

-Problem: Transphobic views are awful and shouldn't be supported. Solution: Reject the books and only aknowledge the movies. (As most of the original cast has spoken out against her.)

-Problem: Fantastic Beasts cast have mostly not said anything, and the one who has is being written out of the series as punishment. Solution: Only support the older movies, and pirate or ignore the Fantastic Beasts films.

-Problem: JKR uses her royalty money from those films to support her biogted causes. Solution: Pirate everything. The money that could have gone toward that stuff is instead better used on charities and pro-trans organizations.

-Problem: Claims that anyone who supports her work supports her ideals. Solution: Fuck you, you're not the boss of me, pirate her work while opposing her views.

-Problem: She also uses her influence and the influence of her series to sway public opinion. Solution: Make her irrelevant, stop acknowledging her work in general.

There's a conflict there in those last two.

On Harry Potter:

-On one hand, HP was legitimately beloved for good reason, and (even if unintentionally) spoke to many queer people's feelings of alienation and such. Many people have valid reason to feel betrayed by JKR turning out more like the likes of Umbridge and Voldemort, the bigoted villains of the series. There are other good things to get into, yes, but the emotional impact HP had on people shouldn't be downplayed.

-On the other hand, HP is also rife with other problematic elements that speak to JKR's biases, making separating art and author harder to do, and so even if you reject JKR's ideals you're still implicitly supporting some by propping up these other bad aspects of the series. Nostalgia is powerful, but there are other, better stories out there.

-On the other other hand, transformative fiction exists for a reason.

So at least my stance? Pirate her shit if you want to enjoy it, but don't talk about it much or promote it at all; get any merch from independent queer creators. Use literary analysis and critical thinking when consuming it; and also, write all the fixfics. Rather than yelling uselessly at JKR and giving her more attention, donate to pro-trans organizations and support opposition to transphobia in the UK. (and elsewhere while we're at it.) When she eventually kicks the bucket, dance on her grave and decorate it in trans flags out of spite.