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I've been having SUCH a good time in the Sinners tag, reading so much interesting and insightful meta!

So here's my contribution—spoilers ahead.

The thing I can't stop thinking about is the horror *after* Sinners. Like something truly goddamn awful happened in this community and nobody knows!!! Like 50-60 people just DISAPPEARED overnight and everyone else just has to pick up the pieces???

Sammie knows, but he can't tell anyone. They probably know he knows something, but like...... there's just no explanation. No wonder he runs away to Chicago. Yes, blues is his dream but ALSO how could you stay home after that?

Maybe they think the Klan crashed the party and killed everyone? Since the next day someone will find Smoke and all those white Klan corpses there. But WHERE is Stack. Smoke and Stack are always together. And WHERE are the fifty+ other people who were at the party last night! There's absolutely no trace of them. It's mind boggling and mystifying and upsetting.

Grace and Bo never go home to Lisa. Annie will surely be missed by all the people who counted on her, for magic and food and being there. Cornbread doesn't go home to Therise and their baby on the way. Delta Slim was a staple in the community and he's just gone. Pearline and Mary both don't go back to their husbands. And repeat that over and over and over for everyone who was there and there's NO CLUE for where they could have gone.

What a traumatic thing to rip through this community. It's horrible. And I can't stop thinking about it.

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Pigeon attempts to court falcon

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if sinners (2025) taught me anything, it's that it IS actually always about race.

you can be oppressed, and still promote and maintain the very same systems of oppression onto other marginalized people. being oppressed in one dimension doesn't allow you to be exempt from oppressing in other dimensions. the "villain" of the movie, remmick, being from the time period of the english colonization of ireland, all the while wanting to take a piece of sammie's own culture from him, use him for it. and this plot point coming after remmick witnesses the significance of sammie's playing within his culture, for his ancestors and how it would shape Black culture in the future.

even in today's society, ive noticed that people treat Black people like a commodity. our worth is only as much as other people decide it to be, and that's usually dependent on how much the oppressor can take from us. for example, the controversy of"internet slang" and how it is blatantly just AAVE with a bad disguise on

do you listen to Black musicians? do you watch Black movies? do you engage with Black creators? do you defend the racist tendencies you notice in your friends, in your family, or do you stay silent? do you listen when Black people tell you you've said or done something racist? do you actually care about not being racist, or do you just not want to look like you're racist?

i just think people have a very specific take on what racism is, and that if they're not committing KKK-levels of violence on people, then they're not racist. or if you've experienced oppression in one form, you cannot possibly be engaging with oppression in another form. but the ways in which we interact with other people and the world will always be through the lens of race, because that is simply what it means for oppression to be systemic, especially in the US and our current political climate

anyway 10/10 movie. highly recommend

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one of my favorite things about sinners is how we see elijah using the gun to kill the grand dragon of the kkk while still maintaining a connection to heaven where he sees and hears annie and their baby girl. the rejection of the idea that killing someone like that white supremacist character would lock the doors of heaven for someone like smoke. no. he still belongs there. absolutely he does.

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it really frustrates me to think about how people are inevitably going to take Remmick’s one (1) singular statement about how much he resents the way the Irish were colonized and forcibly converted to Christianity and use it as fuel for “actually he had a point” and “he was right actually” and “he’s not really the villain here” posts, when the whole point is that Remmick is, through the vampiric hive mind he’s creating, forcibly assimilating people into yet another manipulative and parasitical system. he doesn't value the cultures of the people he assimilates—notice how all the vampires he turns dance to his culture's music using his culture's dances, and how he only uses the languages or knowledge other vampires have to offer when he needs to manipulate someone. Remmick is extremely transparent about the way he sees the people he turns as resources to exploit.

he’s perpetuating a cycle that he claims to hate and resent, and I think the movie is pretty damn clear about the fact that he doesn’t see anybody as valuable or useful to him except as prey and as pawns—otherwise he would just, you know, focus solely on people who actually consent to being turned. but he looked sad in that one scene and he’s an apparently attractive white cis man so people are gonna bend over backwards justifying all the harm he did.

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remmick and the vampires present a false dichotomy

Hogwood (the man who sold the twins the mill) and the KKK are very obviously bad, they are outright malicious bigotry, they use the n-word and plan to lynch the moore's and their community, they are so blatantly racist and hateful it's unavoidably obvious

remmick and the vampires however say that they believe in equality, say that they want to create a community, and yet remmick's goal throught the movie is to both metaphorically and literally steal sammie's ability for his own goal of reconnecting with his irish ancestors, a white man wants to harm a young and upcoming black man and use talents for his own goals without giving any regard to said black man's autonomy or agency

when sammie sings 'I lied to you' in the juke joint and calls forth the spirits from the past and future, it's a blend of cultures; west african, east asian, native american, and african american song and dance blend together across time and space to tell the stories of blues; where it takes its inspiration from, the music genres it then inspired, the complex history of black american culture and its intersections with other peoples of colour in the USA

when remmick and the vampires kill and turn the people in the juke joint, and then perform rocky road to dublin, only remmick's irish culture is on display, there is no influence from the black and asian people he has forcibly assimilated into his song, it's juxtaposition with the earlier scene is blatant, remmick is more than happy to assimilate people of colour into his 'community' of 'equals', and yet its only whiteness that is celebrated, that is normative

remmick claims that he's doing people a favour by turning them immortal, conviently ignoring that he literally has to suck the life out of them to do so, trapping their spirits on earth, he claims that he's the good guy, that the KKK were gonna come and lynch everyone at the joint in the morning anyways, conviently ignoring that he's doing the exact same thing; a white man leading a mob to kill a bunch of black people

in the final confrontation with sammie remmick repeatedly dunks him into the river, a forceful baptism. both the celtic irish and enslaved west africans had their religions suppressed and destroyed by colonialsm, had christianity forced upon them by the british empire, and in that scene we see remmick repeating that cycle, using christianity to inflict harm, and sammie reclaiming christianity, despite all the complex emotions he has arround it, as many colonised peoples have and still do, when he recites the lord's prayer

remmick and the vampires are no less racist than hogwood and the KKK, are no less predatory or evil, they're just less blantant about their bigotry, they represent the system, the normalised white supremacy that is seeped into the very foundation of culture in america, the point isnt that remmick would call any of the black characters in the movie the n-word, i dont think he would, the point is that his exploitation and desacration and inserting-himself-into-when-he-wasn't-invited of the juke joint is a microcosm of what white people have done to black american arts and culture since ever since there have been black and white people in america, and even before that

theres a reason vultures are shown early on in this movie

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The portrayal of white people who have been violently separated from their own culture stealing the power of black culture and music to try to get reconnected was SO literal and somehow not at ALL heavy-handed or trite. Fkn remarkable.

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They're also both peak cinema.

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One of the most stupid arguments I've heard against sex work is that "they wouldn't do it if it weren't for the money" when that's not exclusive to sex work, I doubt my best friends mom would work 2 jobs as a cleaning lady and as a store clerk if it weren't for the money, I doubt my dad would work fixing shit and carrying heavy stuff if it weren't for the money, I doubt my sister would work as a cleaning lady in a hotel if it weren't for the money, I doubt my brother in law would work with heavy machinery that could kill him with one mistake (which almost happened once btw) if it weren't for the money, many people wouldn't work the jobs they're working rn

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Kaiju No. 8 episode 15

I'm so pleased that Kafka managed to transform during this fight. I was right about it being his own mental resistance after losing control. I did also like that Shinomiya talked him out of it by reminding him how strong his comrades are; it's fitting that Kafka would find it easier to have faith in the strength of his friends more than faith in himself to control No. 8.

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I guess it's just wrong to have a mother specifically called Lily, with black hair, stay alive in a cartoon cause why do both my biggest interests, Ninjago AND Bob's burgers have a mother called Lily die of some unknown sickness when their son/only child is still young leaving them with a father who's trying their best but clearly has some of his own familial issues and is repressing the grief so he isn't the best dad to his son but he's trying.

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If you can eat and drink, sleep in a bed, read these words, and have a bank account—you have the power to help. Don’t stay silent. Do something for Gaza today.

The Sameer Project

Dahnoun Mutual Aid

Mona's Initiative

Hussein Team

Water is Life Gaza

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ANIME OF THE FUCKING YEAR. OH MY GOODNESS. What a ride (Spoilers below the cut)

Shizuka never attempted in this timeline! But the glass incident still happened with Marina since she has her scar (only one though). Seems they’re both still living in terrible households, but they’re able to freely discuss and even joke about their situations ):

The cycle of abuse persists but they found an unlikely friend in eachother. Takopi you did it… Little guy

Azuma has friends now too! Though we don’t see him older. I don’t think Marina and Azuma happen in this timeline, but I don’t think Shizuka and Azuma do either. Possibly because they’re friends now

I’m glad the theme of abuse wasn’t completely washed away in the end, since that’s not something even Takopi can fix. But Takopi can assist in breaking the cycle from perpetuating onto new people, Marina and Shizuka. Takopi was right, there are tons of things he couldn’t do for Earth. But his effort in helping these troubled kids is a big accomplishment in itself :]

Loved this anime. Easy contender for anime of the year

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If there’s one key takeaway from Takopi, it’s to be kinder and try and understand people. If you look at human history, that’s been our biggest issue. Such a simple concept, so hard to actually do. You never know the common ground you’ll find with people. Let’s all be better

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‘bye bye’

:(