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corroded-hellfire · 2 months

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Tiny Dancer - Eddie Munson x Reader

An As You Wish Story

Summary: It’s your daughter Eliza’s first recital and Eddie couldn’t be prouder

Note: This idea came to me and would not leave me alone until I wrote it 💕

Warnings: older!eddie, dad!eddie

Words: 1.9k

[As You Wish masterlist]

“Why did I have to wear a tie?” Luke complains, yanking at his buttoned-up collar.

Eddie leans forward so he can see Luke around Ryan, who is seated between them.

“Because this is a special occasion. Your sister’s first recital.”

“They’re three-year-olds,” Luke hisses in a whisper, one hand gesturing towards the empty stage.

“Hey,” Ryan says to his brother, “she cheered louder than anyone for you at your baseball game. You can do this for her.”

Eddie nods at his oldest in thanks.

Luke turns to you and asks, “Think her hair is still all up in the bun?”

Wrangling your daughter’s dark curls into the ballerina bun on the top of her head had been a massive undertaking. Some spirals were shorter than others, so there were always a few popping out right as you would go to secure the hair with the white bow. It was an immense test of patience to try time and time again all while Eliza became more antsy and less appreciative of you tugging on strands of hair. She ended up with enough hairspray on her little head to make her hair as hard as a helmet.

“It’s out of my hands now,” you say, wiping your hands and holding them up in defeat. “If Ms. Benson wants to deal with a curl going rogue, that’s on her.”

The lights dim and eight little ballerinas walk onstage, all with hands on their hips, poofy pink tutus flaring out just below them. Their instructor, Ms. Benson, follows them out to make sure they’re all in the spots they should be.

Eliza is the third ballerina from the left, and she looks so precious you think your heart might burst. Her white tights and ballet slippers somehow aren’t stained even though they’d been in your house longer than forty-eight hours. The pink leotard and tutu give her the regal air of a princess, though that might just be Eliza’s own aura. She’s nothing if not captivatingly glamorous. It looks like all of her unruly curls are still on their best behavior, but it would be hard to see one or two offenders that sprang loose from the audience anyway.

You peek over at Eddie and see him beaming as he looks at your little girl up onstage. He feels your gaze and turns his head to meet your eyes. The pride on his face makes your heart melt against your ribs. Eliza hasn’t even done anything yet and Eddie is over the moon.

“She’s so beautiful,” Eddie whispers.

“Like her dad,” you reply, giving him a wink.

He playfully rolls his eyes, but you don’t miss the touch of pink that colors his cheeks. Luke puts his hands on his stomach and pretends to gag. Eddie thunks him on the back of the head.

Ms. Benson finishes her inspection and gives the girls a thumbs up. She scurries off stage, all ballerinas still with hands on hips. None of them can truly stay still, though. A few are swaying, one is twisting from side to side, and Eliza shakes one little leg, her knee bouncing up and down. You’re unsure if it’s due to nerves or anticipation.

A few moments later, the speakers above the stage crackle to life. The opening notes of music tinkle and the voice of young Shirley Temple singing On The Good Ship Lollipop floats through the air.

Eliza and her fellow dancers start to move, tapping the slipper on one foot on the stage in front of them, then switching to the other foot. It’s hard to tell what foot they’re all supposed to be on, since it’s split about fifty-fifty with what foot each girl is using.

On The Good Ship Lollipop

It's a sweet trip to a candy shop

Where bon-bons play

On the sunny beach of Peppermint Bay

Arms go above Eliza’s head as she spins around, little feet stomping around in a small circle rather than spinning on one foot. Once she’s facing forward again, her arms come down to shoulder level and her knees bend and straighten, bend and straighten, as the ballerinas bounce. Again, all girls are going at different times and speeds, so it’s hard to know on which notes they’re supposed to be up or down on.

Lemonade stands everywhere

Crackerjack bands fill the air

And there you are

Happy landing on a chocolate bar

Next, it’s one hand back on the hip and one hand waving out to the crowd as the dancers rock from side to side. You specifically remember Eliza practicing this move at home and she kept reiterating how her toes needed to be pointed on the foot she wasn’t balancing on. Only two other girls have their toes pointed at the appropriate times, so you can tell they didn’t take this step as seriously as your daughter.

The moves of the eight tiny dancers are clunky and mismatched, which makes the performance all the cuter. When they all walk to the right on tippy toes, they’re at varying heights, some more flat-footed than others. On the march back to the left, one girl stomps so hard you can hear the clacking of her slippers.

With arms out, the girls do one more twirl and then take their bows.

The crowd breaks into applause and the small girls smile, appreciating the praise for their performances. The ballerina farthest on the right jumps up and down in excitement and the one on Eliza’s left waves furiously to her family. But Eliza stays in her final position, grinning from ear to ear as she looks out at you and her guys.

“Yay, Eliza!” Luke cheers.

Ms. Benson comes out, leads the girls in one more bow, then ushers them all off. The applause is still going.

“There’s my ballerina!” Eddie grins and catches Eliza as she runs over and leaps into his arms. He presses a smacking kiss to her cheek and squeezes her in his arms. “Mwah!”

“I did good?” she asks as the other girls reunite with their families all around you.

“You were wonderful,” you tell her, leaning in to give her a kiss on the opposite cheek. “Did you hear me cheer for you?” Luke asks.

“Yes,” Eliza says with a giggle. “So loud!”

“Of course, it’s Luke,” Ryan says. He ignores Luke’s jab to his ribs as he reaches up and presents his sister with a bouquet of white flowers or different varieties.

Eliza beams and takes the crinkling plastic wrapping from him. She leans in to sniff the flowers and giggles as a few brush her nose.

“I got flowers!”

“For being the best ballerina ever,” you tell her.

“I love! Can you hold ‘em, Daddy?”

“Of course, my little ballerina.” He takes the bouquet from her with his free hand.

Ryan pulls on the bottom ruffle of his little sister’s tutu. “You look like a pretty poof ball.”

“Mama, can you take bow out?” Eliza asks.

“Sure thing, sweet pea.”

Eddie bends down a bit so you can see the top of her head. As gently as you can, you unwind the bow from her hair, wincing when you accidentally tug on it. Tough little girl that she is though, Eliza doesn’t whine.

Once you get it out, you do your best to stifle a laugh. It’s not good enough though, a snort of laughter breaking through your hand covering your mouth. Luke and Ryan laughing as well doesn’t help, either.

“What?” Eliza asks with a pout.

“Sweetie,” Eddie says, also with a small chuckle, “I think Mommy used so much hairspray on you that your hair is stuck up in a bun all by itself.”

She gasps and her hands go to the top of her head. She feels around the stiff hair, moving backwards to the curly bun that hasn’t fallen one little bit since you took the bow out. Short fingers inspect the bun and Eliza turns to look at you with panicked eyes.

“Mama!” she cries. “My hair!”

“It’s okay, Liza,” you tell her, not able to help a small giggle coming out with your words. You pat her back soothingly. “As soon as you take a bath, it’ll be good as new.”

Your words visibly calm her. Her shoulders lower, though she still keeps her hands up on her hair. Now that she knows it isn’t stuck that way, she’s able to find the humor in it. Small giggles turn into loud laughter as she begins to shake her head from side to side like a wet dog getting out of the bath. Her hair hardly moves, only wobbling a little when she really whips her head around.

“Do you want me to put your bow back in since we’re going out to eat?” you ask.

Eliza gasps. “We are?”

“Yep! Wherever you want,” Luke says, but adds under his breath, “despite my begging.”

“Yes, bow please.”

“What do you want to eat?” Ryan asks as you secure the soft white bow back around her stiff bun.

“Mmm…pancakes!”

“Ooh, breakfast for dinner,” Luke says, nodding his head in approval. “Nice choice. I’ll gladly wear my fancy schmancy suit while eating a waffle.”

“Okay, you can take off the tie now,” Eddie says. “I don’t feel like washing syrup out of it.”

“You don’t feel like washing syrup out of it?” you ask, raising your eyebrows at your husband.

Eliza pats her dad’s shoulder three times, as if she didn’t already have his attention.

“Mama does wash.”

“You tell him, kid,” Ryan says to his little sister.

“Why you taking the girls’ side?” Eddie asks as you all begin to head towards the doors.

Ryan looks over at his little brother who is wrestling to get his tie off over his head. It’s currently stuck around his eyes and Luke just keeps tugging on it.

“I’m not on his side,” Ryan says, looking back towards his dad.

“Well, help him!” Eddie scolds Ryan.

“I gotcha, Luke,” you say.

A few strategic pulls and you have the knot undone, the green tie falling away into your hand.

“Thanks,” Luke says as he reaches up to rub his nose. “How’d you learn to undo ties?”

“Taking dad’s off,” Ryan says with a smirk.

Both you and Eddie whip your head towards Ryan with wide eyes. Luckily, both of his siblings are too young to get his innuendo. The further he gets into his teenage years, the more subtly inappropriate comments he makes.

“Dad doesn’t wear ties a lot,” Luke says.

“You’re right, Luke,” you say, ruffling his curls. Then you step closer to Ryan and wrap your arm around his head, your hand closing in over his mouth. “And you need to watch yourself, Mr. Teenager.”

Ryan mumbles something beneath your hand and the muffled sound makes Eliza laugh. When you still don’t move your hand, Ryan licks it, and you yank it back. Eliza laughs even harder at that.

“You think it’s funny?” you tease, wiping your saliva-coated hand off on your daughter’s tight-clad leg. She squirms in Eddie’s arms, her legs kicking and almost catching him in the crotch.

“Ewww!” Eliza squeals.

“I don’t have germs,” Ryan says.

“Yes, you do,” Luke and Eliza say at the same time.

“Can I eat at a different restaurant?” Ryan asks.

“Nope,” you say, looping your arm through his. “You’re stuck with us.”

“Yep!” Eliza echoes. “You’re stuck!”

#eddie munson #eddie munson x reader #eddie munson x y/n #eddie munson x you #older!eddie #eddie munson imagine #eddie munson fan fic #eddie munson fan fiction #eddie munson fanfiction #eddie munson fanfic #eddie munson fic #AYW #AYWS #dad!eddie

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dreamwritesimagines · 8 months

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The Eye of the Hurricane [5] - Unyielding

A.N: Here’s the new chapter my loves! ❤️ Thank you so much for your wonderful feedback, you made my day! ❤️I hope you’ll like this chapter as well and please don’t forget to tell me what you think! ❤️

Summary: Certain arguments can’t wait.

Word Count: 3600

Pairing: MobBoss!Bucky Barnes x Reader

Warnings: Violence, death, guns, crime, blood, explicit language, drinking. This is an AU, friendly reminder that I don’t condone any of the actions depicted on this story and please read with care.

Series Masterlist

For a couple of seconds, you could do nothing but stare at him with wide eyes, frozen in your seat.

“Excuse me?”

“Just hear me out before you grab your gun, it would—” he started but you scoffed and stood up from the lounge chair, the familiar anger rushing through you so fast that it almost made your head spin.

“Do you think this is funny?”

He shook his head fervently. “I’m completely serious.”

A dry laugh spilled from your lips. “Oh really?”

“Charm…”

“I don’t know who the fuck you think you are, but my stupid little crush on you went away years and years ago,” you growled, glaring daggers at him. “You made sure of that, so if you dare assume for even a moment—”

“Oh my God, that was the wildest bachelorette I’ve ever been to!” Becca’s voice cut you off as she pushed open the door and stepped into the rooftop. “Also I’m pretty sure I’m in love now, so…” she stopped when her eyes fell on you two. “Uh, what’s going on?”

“Nothing,” you said after a beat and threw your shoulders back. “Did you just say you’re in love?”

“Yeah!”

Bucky stole a look at Becca. “Who did you fall in love with?”

“That’s a long story. What’s going on in here?”

You pursed your lips together, your heart still beating in your ears as you tried to focus through the fury, then cleared your throat.

“We were—”

“Y/N, we’re leaving!” you heard Ian’s voice and your head whipped around, then you cleared your throat.

“I’ll call you tomorrow,” you said, pressing a kiss on her cheek in a rush. “Let’s get coffee at the usual place?”

“Uh, sure?” she said slowly and you walked out of the rooftop like someone was chasing you, without sparing Bucky so much as a glance.

The road back home was considerably quiet but it did nothing to silence the chaos in your mind. You had excused yourself to your room as soon as you got home, but after an hour of tossing and turning in the bed, you huffed out and kicked the covers off of you, sitting up in the bed.

This was nonsense.

There was no scenario in which you’d marry Bucky. You weren’t even sure you could spend more than half an hour together without being at each other’s throats, let alone being an actual couple—

Not that you had thought about it.

Much.

Fine, back when you were younger and Bucky hadn’t ripped your heart out yet, you used to spend a lot of time thinking about you and him ending up together. He was your best friend’s cool older brother and you were both heirs to your families’ empires, so your little crush let your imagination run wild.

And then he had broken your heart but after everything, even now, your imagination still liked to conjure him up in your dreams some nights.

But unlike before, you weren’t an idiot. You knew what kind of an asshole he was, so there was no way you could even entertain that stupid proposal, no matter what kind of a promise of power it held.

You rubbed at your eyes and got up from the bed, then padded your way down the hallway, then went down the spiral stairs. You stretched out your arms over your head as you followed the hallway to the kitchen where the light was coming from, as you knew it would, then peeked your head in.

Oh good.

It was just Jennifer, your genius chef who was now busy with making a sandwich on the counter while Ryan sat on one of the chairs, his hands clasped together, his back completely straight. Ryan was Ian’s right hand, -ex military, as much as you knew- but unlike Ian, he was much calmer and rational. He was tall and very muscular and didn’t like to talk much, and that added more to the air of mystery he held, considering no one seemed to know much about his past, or his personal life.

“Hey,” you knocked on the door, making both of them turn their heads. “Is this a bad time?”

“Not at all!” Jennifer said as Ryan stood up from his chair.

“Ma’am.”

“Oh don’t!” you motioned at him. “Please don’t stand up, I just…I couldn’t sleep so I figured—”

“Warm milk with honey and cinnamon?” Jennifer finished your sentence for you, making you smile and nod your head.

“Yes please,” you said and pulled yourself a chair, resting your elbows on the counter. Ryan eyed you, then sat down as well.

“There you go!” Jennifer said, putting the plate in front of him, then smiled at him. “Chef’s special sandwich.”

“Thanks Jen,” Ryan said, his voice gruff and Jennifer turned to you.

“Would you like one as well?”

“Ah no, thank you,” you said and heaved a sigh. Jennifer stole a look at you.

“Are you alright?”

“Too many thoughts,” you muttered, leaning your chin on your fist. “Ryan, are you married?”

Ryan’s head shot up as he chewed on his bite, then cleared his throat.

“No ma’am.”

“Any partner?”

“No ma’am.”

“He’s single,” Jennifer said with a grin. “And all my friends are very eager to change that.”

Ryan offered her an almost abashed smile and shifted his weight on the chair as if he was uncomfortable with the sudden attention while Jennifer put your glass of honeyed milk with cinnamon in front of you with a couple of cookies on the plate.

“Thank you so much,” you said as you took a sip, then bit on the cookie.

“Jen, you’re married and in love, right?”

“And I’m also the luckiest woman in the world in addition to all that,” she said, making you smile.

“Do you think people could get married to people they hate?”

“Why would anyone get married to someone they hate?” she asked and Ryan took a huge bite of his sandwich, looking between you.

“Common interests,” you said. “I don’t know, I had this strange thought…”

Jennifer tilted her head. “What?”

You heaved a sigh, then shook your head.

“Nothing,” you said. “Don’t mind me. Just some late-night thoughts, that’s all.”

By the time you met up with Becca, you still couldn’t stop thinking about last night and Bucky’s proposal, if you could even call it that. It was nonsense, you knew it was, but considering Becca was your best friend, the mere thought of keeping it from her was simply absurd.

“He proposed?” Becca asked, gawking at you. “He actually proposed?”

“Well it was technically a business proposal.”

“And a marriage proposal at the same time?”

You shrugged your shoulders while the waiter filled your coffee cup.

“You know…” Becca trailed off. “Hypothetically speaking—”

“You cannot tell me this is a good idea.”

“I’m not but think about it,” she insisted. “You and Buck already hate each other kinda, so you’re technically already married. You just skipped like ten years into it and got to the resentment part.”

“Becca!”

“You fight like a married couple.”

“If some married couple is fighting like me and Bucky, they should get a divorce,” you pointed out, leaning back in your seat. “I blocked his number, and just…ugh the nerve of the guy, can you believe him?!”

“Mm hm.” Becca said, sipping her matcha before checking her phone. “Oh thank God!”

“What?”

“Sarah is coming to the club this weekend,” she said and pointed at you. “So are you, right?”

“Yeah, me and Ethan.”

“What?”

“I’m bringing Ethan with me,” you explained. “I had to ditch him today, we were supposed to meet for lunch but as you can tell, this couldn’t wait.”

“My brother asking you to marry him even if you hate his guts? Yeah, that beats lunch with the cute ex.”

“And you know, since we’ve been texting a lot, I figured…”

“Yeah yeah, bring him over!” Becca said. “It’ll be fun—oh my God, so my brother’s audacity and ego aside, I need to tell you about the girl I met last night.”

“Yeah, I was going to ask you!” you said. “You said you were in love?”

“I am!” she said with a smile. “You know, I was thinking I could invite her and some friends as well, but now that I think about it, maybe I could just take a page from Bucky’s book and open with a marriage proposal.”

“Becca!”

“I’m just saying, we can just skip to the happily married part, flirting is a waste of time at this point and—”

“You’re not doing that!”

Becca let out a laugh.

“I don’t know,” she said. “Just because it didn’t work for him doesn’t mean it wouldn’t work for me.”

“It wouldn’t work for anyone, Becca,” you told her and she hummed.

“I’ll just say one thing about this, then I’ll talk about the love of my life, alright?”

“Alright,” you said and she turned her cup in the saucer, then clicked her tongue.

“You and Bucky being married is an absurd idea yes,” she said. “But he did have a point.”

“How is that?”

“Well, I’ll ask you the same thing my aunt asked me when I took my civilian boyfriend to my cousin’s wedding, and I have a feeling your answer will be different than mine.”

“Which is?”

She smiled at you mischievously.

“Do you want love poems, or do you want power?”

Your eyes shot up to hers before you shifted your weight, then motioned at her with your hand.

“Come on,” you said. “Enough about that. Tell me about the love of your life.”

You and Becca ended up spending the whole day together, and by the time you decided you would go back home, it was already dark outside. Watching outside as the driver drove you home, you leaned your head on the window, then felt your phone buzzing in your purse so you grabbed it, smiling slightly at the name before answering it.

“Hey there.”

“Hi,” Ethan’s voice reached you, and you could tell he was smiling as well. “How was your day?”

“It was good,” you said. “Full of romance.”

“Romance?”

“Becca is in love,” you said and he let out a whistle.

“Your best friend Becca?”

“Oh yeah,” you said. “I had to talk her out of looking at bridal shops, but we still went cake tasting.”

“Does this person know they’re getting married to Becca?”

“That’s just a small detail,” you joked, making him chuckle. “She invited her to the club for the weekend, I’m pretty excited to meet her. How about you?”

“Do you find data analyzing romantic?”

“Not exactly.”

“Then it was less romantic than your day.”

“And the hospital?” you asked and he took a deep breath.

“Oh everything is fine. Should be free of the bandages next week.”

You bit inside your cheek. “I still feel responsible—”

“Don’t,” he cut you off. “Seriously. The incident had nothing to do with you.”

“Mm hm.”

“Besides, you can’t really blame the rollercoaster if someone gets hurt on one.”

“No one is supposed to get hurt on a rollercoaster,” you pointed out and he thought for a moment.

“Okay in hindsight, it wasn’t the best analogy…”

You pulled your brows together. “Wait, am I the rollercoaster?”

“No! No, you’re sitting next to me on the rollercoaster,” Ethan explained. “We’re both riding it.”

“That’s not—” you started but a black sports car wheezed past yours and sharply drifted sideways as soon as it got in front of your car so that yours would have to stop.

“I’ll call you back Ethan,” you said and hung up the phone, your heart skipping a beat as you grabbed the gun from underneath the seat, looking to your right to see your bodyguards’ car stopping as well. The driver lowered the partition as the bodyguards stepped out of the car.

“It’s Mr. Barnes’ personal car, ma’am,” he said. “I know the plate.”

“Oh Jesus Christ…” you murmured as you put the gun back to where it was and opened your door, then stepped outside at the same time Bucky left his car. Your bodyguards hesitated as soon as they saw him, looking between you and you waved a hand in the air.

“It’s fine guys,” you said and turned to Bucky. “What the hell do you think you’re doing?”

Bucky shrugged his shoulders as if nothing was wrong.

“You blocked my number,” he said. “It’s not like I can text you.”

“And what, it wasn’t enough of a clue?” you asked tersely and Bucky nodded in the direction of his car.

“Come on, get in. We’re going to talk.”

You crossed your arms. “Nope.”

“Charm for fuck’s sake…”

“I’m not going to talk to you, and I’m certainly not getting in your car.”

“You seriously want to do this right here on the road?”

You threw your hands up in frustration. “You are the one who’s blocking the road, motherfucker!”

You could see the petrified expressions on your bodyguards’ faces before one of them gazed up at the sky while the other one put his hands into his pockets and kicked at a tiny pebble on the road, both desperately trying to look like they weren’t hearing you two.

“Listen—”

“I will not,” you retorted. “What is your deal, seriously?”

“We need to talk about last night,” Bucky said and out of the corner of your eye, you noticed the bodyguards exchanging glances, so you gritted your teeth and grabbed Bucky’s arm to pull him to the other side of the car in an attempt to get more privacy.

“There’s nothing to talk about,” you said through your teeth and Bucky ran a hand over his face.

“No I’d say there’s plenty to talk about,” he said. “I mean you didn’t even give me an answer—”

“That poor excuse of a joke doesn’t deserve an answer.”

“It wasn’t a joke to me.”

“Well, it was to me.”

He shook his head slightly.

“Just—” he said. “Why not?”

You raised your brows, gawking at him in disbelief and a look of realization dawned on his face before he heaved a sigh.

“Charm…”

You shot him a mocking smile, crossing your arms.

You and Becca sneaking into nightclubs wasn’t a new thing, and now that you were leaving for college in a month, you were trying to spend as much time together as possible. Becca threw her arm over your shoulder as you walked through the crowd to the bar.

“Two martinis please,” she told the bartender and he took a look at you two, but before he could say anything the other bartender muttered something into his ear, then motioned at you.

“Coming right up,” he ended up saying as you turned to Becca.

“So you were saying?”

“Yeah like, he keeps saying he’s too busy but I’m not buying it—ugh, you gotta be kidding me!”

You frowned, then followed her line of sight to see Bucky and Steve stepping outside from the other exit that led to the back alley behind the club, your heart starting to beat faster.

“Where are they going?”

“They’re probably gonna beat someone up, who cares?” Becca said with a shrug of her shoulders. “He’s in such a mood nowadays, I’m not even gonna let him know I’m here. Arrogant asshole.”

You tilted your head. “…Oh?”

“He and daddy had a huge fight the other night,” she said as she took the drink from the bartender while he put the other one in front of you. “Like my mom had to step in because they were at each other’s throats, that kind of a fight.”

“Why?”

Becca shrugged again. “It’s probably about business. The golden heir made a mistake I guess.”

You took a sip of your drink. “Interesting.”

“Yeah and then he went and broke up with Laura.”

Your head shot up. “They broke up?”

“Yeah!” Becca said. “Which, I’m not sorry at all because she was so annoying, but no girl in the world deserves to get dumped by Bucky so I have mixed feelings about the situation.”

You could feel the small glimmer of hope warming your chest and you pursed your lips together, then cleared your throat.

“I just—I forgot I was gonna call my dad, he gets so mad when I don’t let him know,” you said. “I gotta step outside for a moment, I’ll be right back.”

“Okay!” Becca said and you made your way through the dance floor before reaching the second exit, but before you could open the door, Steve had already beaten you to it.

“Y/N,” he said when he saw you. “Hey.”

“Hi,” you smiled at him. “Um—have you seen Bucky?”

Steve looked over his shoulder, then turned to you with an apologetic smile.

“He’s not…” he trailed off. “He’s not in the best mood.”

“Oh that’s okay,” you said and pushed the door open before he could say anything else, then stepped outside, holding your phone for the sake of appearance. When you saw him, Bucky’s bodyguards were dragging a nearly unconscious man out of the alley while he wiped the blood off his knuckles with a tissue, then lit a cigarette.

You could feel your heart beating in your ears, but you bit down on your lip, fixing your dress before clearing your throat.

“Bucky?”

He turned his head when he heard his name, then exhaled the smoke.

“Hey Charm,” he greeted you, making your heart skip a beat. “Is Becca here too?”

You bit inside your cheek, trying not to get discouraged by that, then nodded your head.

“Um, yeah we just got here.”

“Great,” he murmured. “Tell her not to drink too much, will you?”

You nodded again and smiled at him, your hand shaky a little as you fixed your dress again, desperately hoping it looked good on you.

“I didn’t know you would be here.”

“Yeah well, here I am,” he said, taking a drag of his cigarette, leaning back to the brick wall and you licked your lips.

“And are you okay?”

“Why wouldn’t I be okay?”

“Oh, just...” you stammered. “Becca mentioned you and Laura.”

Bucky shrugged his shoulders. “Happens. I’m fine, it was my call.”

Dear God, he was so handsome that you could just stare at him for hours.

“Are you going to that gala thing as well?” you asked, nervousness pulsing through your system. “My dad is basically dragging me there, is George doing the same?”

His jaw clenched at the mention of his father, and he nodded quietly, exhaling the smoke.

Your voice was trembling a little, your throat incredibly dry because of the nervousness mixed with anticipation, but you still managed to get the words out.

“So I was thinking, do you—um—do you wanna go together?”

That managed to get his attention and he pulled his brows together, then let out a dry laugh.

“Jesus Christ…” he muttered. “What, you rushed here as soon as you heard about me and Laura? Seriously?”

You pulled back slightly, your stomach doing a flip and you shook your head.

“No, I just—”you stammered, tears stinging the back of your eyes already. “I was just thinking—”

“Listen, I know you don’t see it right now, but this little crush of yours is just…” he trailed off with a small chuckle, motioning between you. “It’s kind of adorable, but it’s not going to happen. If I go to that gala with you, you’ll get your hopes up, so will everyone else around us and I’ll end up trapped in something serious—which is out of question. I can’t trust you with the business, not when you’d probably report everything back to your own family and I can’t afford a mistake, not right now.”

You tried to blink back the tears, staring at him as he threw the cigarette butt on the ground, then put his hands in his pockets and shrugged.

“Not to mention,” he said. “I don’t go for daddy’s spoiled whiny princess type, and you’d be better off with a nicer guy anyway.”

You could feel the sobs threatening to climb up your chest, so you sniffled and turned around to rush back into the club, leaving him there before he could say anything else.

“Don’t tell me that’s the reason,” Bucky’s voice pulled you out of your thoughts and you arched a brow.

“I said nothing.”

“It was what, almost ten years ago?” he asked. “I was an idiot—”

“I am really not interested in whatever this bullshit is,” you told him. “And I’m going to be late for dinner, so…”

“Just hear me out first—”

You looked over your shoulder and motioned at the driver. “Turn the car around please!”

The driver did as you asked but before you could step away from Bucky, he grabbed your arm.

“Charm, I can help you get the power you want,” he insisted as you rolled your eyes. “You might hate me right now, but you know I can do that. Just let me get you that crown.”

“We’re done here.” You yanked your arm out of his grip and walked to the car but stopped when you reached it, turning your head to look at him.

“I’m not going to marry you Bucky,” you called out, fully aware that the bodyguards could hear you, and the mere thought gave you a strange sense of satisfaction. “I would never marry you. I don’t go for the arrogant asshole type, and you’d be better off with a nicer girl anyway.”

With that you got in the car, and the driver started driving as soon as you slammed the door shut, the car gliding down the road smoothly.

“Unbelievable,” you muttered to yourself and leaned your head back, closing your eyes. “The fucking audacity.”

Chapter 6

#bucky barnes #bucky barnes x reader #mob!bucky barnes #mob!bucky #mob!bucky barnes x reader #mob!bucky x reader #mob! bucky #mob boss!bucky #mob bucky x reader #mob bucky barnes x reader #mob bucky #mob bucky barnes #bucky x reader #mafia bucky x reader #mafia!bucky barnes #mafia!bucky #mafia bucky barnes #mob au

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blindmagdalena · 3 months

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rapid fire predictions for the finale of the boys s4: SPOILERS AHEAD.

sage left behind her cute little maeve notebook full of manipulative misinformation that homelander or firecracker or both will conveniently misuse exactly as sage intends them to

sage shows up at the boys headquarters to say 'hey losers, ready for the next stage of my plan?' and reveals to them that she's been the guiding hand for them this whole time, and she was just manipulating homelander. she got fired on purpose as to not be caught up in the downfall of him/the seven/vought. she doesn't want him in power any more than they do. why else would she help them so much? we're left uncertain if this is true or if she just intends to get back in homelander's good graces.

soldier boy and maeve both made merch appearances in e7. one or BOTH of them appear in the eleventh hour of the finale???

billy becomes a meat puppet for joe kessler, setting him up as a secondary BBEG for season 5. we get DOUBLE BUTCHER as he is now the hallucination screaming at joe. ryan will be the key to restoring butcher to his senses? this one is maybe more abstract and unlikely.

this thought i'm WAYYY less jazzed about but feel is possible: homelander, hurt by ryan excluding him from his televised family spiel and possibly driven into a spiral by ryan expressing a desire to leave him, reveals to ryan the truth of how he was conceived, and how there's no way becca actually loved him because of it. he will also throw her death in ryan's face, and how butcher also can't love him because he killed his wife. he will insist that he is the ONLY one capable of loving ryan. he will say literally anything to try and isolate ryan because he is that desperate not to lose him.

#the boys spoilers #the boys season 4 #the boys speculation #trying to tag this in a way i'll remember to look back on lmao #the boys theory #homelander #billy butcher #sister sage #ryan butcher

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gallifreyanhotfive · 6 months

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Random Doctor Who Facts You Might Not Know, Part 37

When Mel was 18 months old, she accidentally caused her older sister Anabel to fall down the stairs, which ended up killing her. Mel repressed the memories of her sister's death, and her parents decided to keep Anabel a secret from her. (Novel: Spiral Scratch)

When Leela eventually died, she was reborn as a girl named Emily. (Audio: The Child)

The Seventh Doctor visited Ace when she was a baby to apologize for many of the manipulations he would one day put her through (and that he would continue to put her through) because he thought it was easier talking to a baby than a teenager. He stole a baby picture of Ace and replaced it with a playing card while he was there. (Short story: Ace of Hearts)

Oliver Harper joined the First Doctor and Steven on the TARDIS because he was running from the police, who were chasing him because he had been outed as homosexual. (Audio: The Perpetual Bond)

Martha Jones met the Thirteenth Doctor while she and the Tenth Doctor were stranded in the 1960s after being attacked by the Weeping Angels. (Comic: A Little Help from My Friends)

The Fifth Doctor can go between referring to the TARDIS as "old girl" and as "flying deathtrap" incredibly quickly. (Audio: Zaltys)

Dodo Chaplet's funeral was attended by only two people: James Stevens and the Doctor. Her entire life after leaving the TARDIS was a shitshow and became dark enough that I will not elaborate here. Feel free to do some digging, but it is not for the faint of heart. (Novel: Who Killed Kennedy)

However, there are other accounts of Dodo's post-TARDIS days that do not end as terribly for her!!!! :D

The Doctor's frequent trips in a damaged TARDIS during the 1970s and 80s disrupted Earth's timeline to such a great extent that the two decades folded in on each other, making 20 years worth of events happen in 10. This is how the UNIT Dating Controversy was addressed. (Short story: The Enfolded Time)

The Brigadier once bullied the Third Doctor into getting his metabolism checked over because he didn't believe the Doctor would be safe in Bessie or the Whomobile. While this was all happening, Sarah Jane helped foil a Dalek plot. (Audio: Glorious Goodwood)

Adric does not speak English. He hears Alzarian through the TARDIS translation circuits. (Audio: Zaltys)

Ace has a younger brother named Liam but didn't remember he existed for a long while because their father took him when their parents separated. (Audio: The Rapture)

While on a school trip to the Natural History Museum, Ryan and Yaz helped the Second Doctor fight Myriapods, which are insect like in nature. (Short story: The Myriapod Mutiny)

For a while, the Tenth Doctor traveled with Heather McCrimmon, descendant of Jamie McCrimmon. (Comic: The Chromosomal Connection, et al...she's in a lot of comics)

Rory Williams became Caesar of Rome as an Auton after the death of the Empress Augusta. (Audio: The Unwilling Assassin)

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nqueso-emergency · 15 days

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i mean - i think buck has not exactly been liked by a big part of the buddie fandom for a long while. some of them liked to hide it or not admit it, but they were bad at it. i thought it was obvious they don’t like buck for the longest time.

if you read their takes, or their fics, or any headcanon, it’s always the same formula. buck screws up, buck acts like a child, buck needs eddie to come to the rescue because he doesn’t know better, buck has to apologize to eddie. most of the time they also have eddie be super understanding and catering to buck as if he was his second child.

but then the buck we get in canon becomes more and more like the complete opposite version of their buck. and eddie is becoming someone they also don’t register in their fanon fantasy. i think they deeply hate how buck is the more stable one of the two. i think they hate how buck has grown up and is, arguably, a bit more mature than eddie right now. i think they hate the show is starting to paint buck as a figure you can rely on, that is wise and helpful, and mature (i think they slowly want to make him be the perfect captain, but i digress).

meanwhile eddie is slowly spiraling down, he hasn’t exactly grown a lot since he came onto 911 (in comparison to other characters, including buck), he’s if anything, gotten slightly worse. he mistreats women and doesn’t show a lot of remorse for it - he doesn’t seem to be super guilty over the pain he caused marisol in 709/710. understandably he was more upset about chris, and i would think of this as a fluke, but we’ve seen this before (hey, ana). eddie has also been shown to lash out against people whenever he gets mad at them, and he’s shown he’s okay lying to his friends without, again, feeling remorse about it. and hey, i am okay with a flawed character. everyone at the 118 is flawed and i think that’s what makes them great characters. i personally don’t like eddie as much as the rest, but that’s mostly due to his lack of self reflection and how he usually doesn’t apologize for his actions. as well as for the way i just don’t see him grow up in a way i can relate to.

to sum this up, when you put buck and eddie together it is rather obvious how different they are. and how different they are to the version that exists of them in fanon. and when you put them together throughout the seasons you can see buck’s growth, something it’s barely there with eddie.

so it makes sense that they’re now hating on him. they started at 710 when they wanted buck to be the one to solve eddie’s issues, and were mad that he chose to leave the diaz family alone to deal with their stuff, and went home to decompress and be with his boyfriend. he’s been judas to them ever since.

but hey, if some of them stop shipping buddie because apparently buck is a pos (ofc it can never be eddie, the one to make several big mistakes and have questionable behavior during s7)… silver lining. if they leave because of them i won’t complain, i’ll just watch them to with a smile and a sip of coffee.

sorry for the long rant lmao.

No I think you're right! They want the dynamic of uwuBuck and parental figure Eddie and that is not what is happening. If they wanted that, funny enough, they'd need season 1 Buck, the one they really don't like. (Or even know)

I believe Eddie's problem is that he's always been the hero. He won that silver star and I don't think he really believes he should have. He was just doing his job, ya know? But everyone looks to him as this army hero and in reality this man is so terrified underneath it all he feels inadequate in every avenue of his life.

It's why Ryan's excited to basically "ruin" Eddie. He needs it.

#anonymous #911 abc #nquesu wanna block #911 discourse #911 spoilers #911 show #eddie díaz

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stagefoureddiediaz · 4 months

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Buck (and Eddie) mini meta - 7x10 (probably but could also be 7x09!)

I was going to make a quick post about this new shirt we have bts pictures of Buck and Eddie wearing - but well, I spiralled and it turned into this!! (under the cut to save your dash!)

So let's do Eddie first shall we!!

there are actually two shirts we've got bts of Eddie wearing which have me 👀👀👀

first up is this green number we have bts of him wearing at the firehouse (not 100% sure if this is an actual costume or just Ryan's clothes but I'm fairly sure it's an Eddie outfit!)

Why am I side eyeing so hard at this do you ask? well its a very similar shirt to the one we have seen him in before - in 5x13 when he has his break down. Its not the same, but similar - no cut off sleeves, but its the same army green.

We see this tee at he culmination of Eddie isolating himself from the fire fam (especially Buck) through the start of 5b and then blowing up his life in 5x13 - when he trashes his room and Chris calls Buck.

I think we're about to see something similar play out in the last couple of episodes of season 7 - Eddie increasingly choosing to isolate himself from the fire fam (especially Buck) as he spirals out with this vertigo arc. Ryan has said in interviews that Eddie will be isolated by the end of the season, this costume therefore parallels Eddies arc of 5b - especially if we include the use of white on Eddie as well (and Buck in Blue in the same scene!). Eddie does something drastic and then pretends everything is ok - before proceeding to spiral out and blow up his life in some way.

5x11 - we have the aftermath of Eddie leaving he 118 - dinner with Buck and Taylor when he and Buck have a mini disagreement about Eddie coming back to work - which is preceeded by us being shown how Eddie is not actually ok - leading in to 5x13 when Eddie has his breakdown whilst wearing an army green tee and Buck breaks down the door to get to him and literally steps in to the mess, bringing the 118 into help as well (represented by Bobby being there when Eddie wakes up).

Then we have season 7 - the aftermath of Eddie asking Marisol to move in with him and then it is made clear that Eddie has moved too fast, that he doesn't actually know Marisol, or ultimately feel comfortable with the relationship - and now we've watched him (still in white in the scene where he sees Kim) spiralling out and heading towards isolating himself in the same way he did in season 5. The use of a similar army green tee in 7x10 suggests that we're going to see something similar unfold as things come to a head in the vertigo arc. Im especially intrigued because Buck it seems is going to be in uniform for the scene (which side note plays into the Buck and Eddie blue green colour palette they've been using and in a reverse of the gym scene from 7x05!) we don't know where in the episode this scene falls, but my guess would be that its actually a scene from earlier in the episode - allowing for the blow up to happen and the fall out begin. (I also think this because of Helena and Ramon appearing - which I think will be later in the episode and in response to Kim's existence being more widely known about, but thats just me speculating!)

We do also have the t-shirt from 7x01 - which is not the same as the other two - its darker and more brownish than the two above, but it does play into a similar narrative - Eddie finding out about Chris and his multiple girlfriends and Buck stepping in (at Eddies request this time) to help and support the Diaz boys!

Eddie outfit two!

Then we have this outfit - which is contrary to popular belief, not the will reveal outfit, but actually the Ana as Eddies girlfriend reveal to Chris outfit.

The two outfits are very similar, but the will reveal outfit is a navy blue shirt (which is important as it plays into both blue/green and blue/yellow theory - which gains even more significance now we know that it is likely this was meant to be the beginning of at the very least a queer narrative for Buck and the implication is that it would've been the beginning of buddie canon) this shirt and the Ana reveal shirt are both black and have silver eyelets on the shirt opening

For me, the fact that it is the same outfit as that reveal rather than the will reveal is suggestive that this outfit is in some way going to be connected to the reveal of Kim. In the same way that the Ana reveal outfit is connected to two scenes

- Eddie telling Chris and the salad bowl getting smashed,

- Eddie realising Chris has gone missing only to find out he's run to Buck's

I feel like this one is also likely to be connected to two scenes - what they are and where this hospital scene fits within the wider episode, it is hard to fully form ideas on the full meaning behind the fact that he is wearing the same outfit. Because does this scene come before or after the arrival of Helena and Ramon, what is the connection to Bobby being in the hospital and Eddie wearing this outfit? My personal opiion is that this outfit is going to be involved in people finding out about Kim.

As an addition to this, we should also talk about the fact that Eddie always wears black in relation to key scenes with Marisol and Kim and it continues a trend of Eddie wearing black in key scenes in relation to his relationships.

When Eddie and Marisol meet at the hardware store he is in black, when asking her to move back out, black shirt. Then with Kim -both scenes with her when he talks to her he is in black - black shirt in the store and a black jacket when they go on their date.

He was also wearing Black in key moments with Shannon (divorce request scene as well as in flashbacks) and with Ana ( first meeting and panic attack scenes). I've spoken before about the choice to put him in a black singlet when he's in an emotionally vulnerable place, but with these additional scenes in mind, as well as the fact that we see him wearing black in the hospital during Bucks coma, as well as the fact we also get a similar shirt on Eddie back in 7x01.

I think its fair to associate black more generally with Eddie being in a vulnerable place emotionally - the singlets are just worn at points when those vulnerable moments are about to tip Eddie into something stupid and this makes the use of the singlet in 7x04 for the basketball game even more interesting as it places Eddie into emotional vulnerability around Bucks bi journey and less about Bucks own emotional vulnerability - plays a little into the idea that they were going to have Eddies queer journey come before Bucks!

From a purely speculative position - my feeling is that this outfit comes after the arrival of Helena and Ramon and possibly towards the end of the episode.

The fact Eddie is wearing it at the hospital is possibly important, but I get the feeling it will be an outfit with more than one key scene attached to it (much like Eddie being in a black shirt when Buck came out to him was in two key scenes - Bucks coming out and Eddie asking Marisol to move out).

In the same way that in season 4 the Ana reveal was paired with a scene where Chris runs to Buck my feeling is that we're going to see something similar in season 7 with this - further adding to the parallels between the two seasons (see this excellent post by @iinryer for more on those!).

Part of my thinking comes from the fact we had this other bts of Buck, Eddie, Chris and Helena and Ramon. So we know that Eddie will be wearing a maroon henley for a scene in this episode.

I've spoken about Eddie wearing maroon long sleeved tops in relation to things being about Chris and Eddie parenting, and this one is likely to follow that theme, especially with Chis seemingly wearing the same outfit he was wearing when the fact he had multiple girlfriends was revealed.

The fact that buck is in a reverse outfit to the one from his discussion with Chris after that reveal (navy blue bottoms and yellow ochre top v yellow ochre bottoms and navy blue top), suggests to me that the are trying to do a couple of things here - they are flipping the scene - so it is still about a multiple girlfriends reveal, just Eddies rather than Christophers. It is also possibly a way to contrast the fact they set up Buck as sitting in parallel to Shannon (from both a costuming and directorial perspective), now they are reversing it and setting them in juxtaposition with one another - playing on the concept of one being alive while the other is dead and contrasting the actual reality of Eddies life with Eddies rose tinted version of things - the version he's trying to recreate with a doppelgänger.

Onto Buck

The shirt that changes colour depending on which picture you look at - is it brown and cream or dark greyish brown and blue/grey?!!

My personal feeling is that it will look more brown and cream on camera, but that we might see a little bit of the blue pinstripe come through! This means we need to not only look at Buck in pinstripes, but also when he has worn brown!

So lets look at when we've seen Buck wear brown!

We have 2x05 - a scene where Maddie is ranting about Gloria calling her constantly. In this scene Buck is in a brown marl tee (you'll have to take my word for it - I ran out of pictures and this one was the least important!), personally I don't think it fits into the narrative as it is a tee rather than a shirt or jacket, so I'm not including it in my wider anaylsis!

We get Brown sports jacket Buck - in 3x04 when he delivers the results of the 118's assessment and discovers Lena filing his space - Buck gets jealous and a little mad. (had to include the still where Edie is checking out Bucks ass because it will never not be funny and now has the added layers to it`!)

one episode later and we get more brown in the divorced buddie era 1.0 supermarket arguement of 3x05.

Things go quiet on the brown front for Buck until 4x14 and the 'it would've been better if it had been me who got shot' scene - this is is a borderline brown - it sits in the yellow ochre spectrum, but is closer to brown than yellow! This, like the last tine he wore brown, comes in the aftermath of Buck doing something stupid (climbing the crane)

Then Buck doesn't wear any brown in season 5, so its on to season 6 where we have 6x04 and this russet brown (which is a reddish brown) which Buck wears when Connor pays him a visit regarding the sperm donation.

Then later in the same season - 6x18 - we have the most recent Buck in brown sighting - when he is talking to Connor once more about Kameron being at his loft. with the added bonus of this being veritcally ribbed making it look like stripes!

As you can see we only see Buck wear brown in very specific moments and they tend to come in pairs - we get bright russety browns in the build up to Buck doing something stupid followed by a darker more muddy brown in the aftermath (in both s2 and s6). Only the one from season 4 doesn't fit the pattern as it doesn't have a pair.

But while events in seasons 3 and six are essentially of Bucks making - he sets things in motion - season 4 is not - Buck is not the instigator, he is a bystander dropped into the middle of something, if anything the fact his brown has yellowish undertones plays into its having a reverse effect - that it is the same as the russet browns - setting something in motion, but its pair is the brighter yellow ochre shirt from the will reveal - which sits in opposition to the darker browns - its not something Buck needs or wants to try and fix - its more of an affirmation of Bucks belonging and not something he needs to fight for.

I've spoken before in various meta's about brown being a colour of stability support and protection. it is also a colour of wisdom and counsel - and I think all of these will come into play with this new shirt in some capacity, because to put Buck in brown at this point is definitely a choice with intention behind it.

Now onto Buck in vertical stripes!

We'll do the light ones first. It's still insane to me that the first time we ever see Buck in vertical stripes is the shooting scene in 4x13.

Then ten episodes later, in 5x13 we see the next white striped shirt and its when Taylor is moving into the loft. These are the only two we have in a white and black/grey colour way.

The next time we see light stripes is in 6x01 - only now they are cream and blue rather than white and black/grey - when Buck moves his armchair and decides he doesn't need a couch .

Followed by 6x08 when Buck is in Uncle Buck mode and looking after Jee and being given the run around by her - again cream and blue.

The last Buck in light shirts with stripes sighting is from 7x05 - when he meets with Tommy for coffee, this time its cream with black and red stripes.

Then we have a couple of outliers - this light blue jacket from 6x01

and this grey one from 6x09

Then we have the dark ones!

This one from 4x14 when Taylor appears back on his doorstep after the shooting and kissing him

This one from 5x09 - the most awkward 'I love you' scene in the history of mankind

6x04 when he tells Conor and Kameron that he will be their sperm donor

in 6x07 we get two - both when he is trying to donate sperm and not being successful in this endeavour

in 6x17 we see him in this shirt when Maddie comes by for help with getting her stuck engagement ring off

and finally we have Buck and Tommys first date - which ends in failure.

and now we have a brown and cream/blue one joining the mix!

I've written before about Bucks vertically striped shirts - in various episode metas, as well as a separate post which is linked on my pinned post under Buck, But I'm going to talk about them again because he just keeps on wearing them at really interesting moments!

Buck seems to wear them at moments when he is essentially ‘imprisoned’ by something mentally - at moments when he either steps forwards or backwards in his self development, or stays in stasis - and which of these it is, is determined by the colour of the shirt and the stripes. The lighter ones are connected to moving forward and ultimately escaping, while the darker ones are about Buck being trapped and moving in the wrong direction.

Starting with the white shirts - I know on the face of it, it isn't easy to see either of the white shirts with black pinstripes as Buck moving forward, but while the scenes they are worn in themselves may not seem to be freeing, the resulting actions - the will reveal for the first one and the second one reveals Bucks true thoughts on his and Taylors relationship and thus marks the beginning of the end, I mean obviously the kiss is the actual moment that marks the beginning of the end but this moment - when he is talking to Maddie, the audience is made aware that Buck really and truly isn't all in with Taylor and that he has imprisoned himself - his ability to recognise that - the fact he is able to verbalise that he is afraid of being left - that is the moment of growth and escape for him.

The unhappy moments, the moments when he is regressing or clinging are signified by the black shirts with white or silver pinstripes.

With Taylor the two scenes we get black shirts with pinstripes are connected to Buck being in trauma response mode - the first in the aftermath of the shooting - starting a relationship when he's in a super raw place - his best friend has been shot and he's looking after said best friends son and climbing cranes to try and protect the rest of his found family (also adding Maddie's impending PPD to this as well as the Daniel of it all although those are less central in this moment in time).

Then the second one comes in the 'I kinda love you for it' scene - and off the back of Buck feeling and fearing that he is being left - that Taylor is pulling away from him.

The three all connected to the sperm donation all play into the narrative that Buck hasn't thought the sperm donation through fully - that the universe is screaming at him and he's trapping himself in a prison - we do see some of that play out as the season progresses when he becomes embroiled in Conor and Kameron's marriage and pregnancy dramas when his part in it all should've been done.

The scene with the stuck ring is a scene very much about Maddie but Buck does drop himself in it on two fronts - the ring cutter and in letting Maddie know that Hen and Chim had an arguement over Chim proposing to Maddie.

Buck and Tommys first date - again a prison of Bucks own making - this shirt very much plays into the disastrous nature of the date - with Bucks 'I'm and Ally' and comment about going to 'find chicks'

Then we have the shirts that somewhere in the middle. - the blue one from 6x01 where we have a Buck doing some mental self torture trying to work out why he’s been passed over for the interim Captain job but finally figuring it out,

The three cream ones are all essentially the cure for the previous, darker stripes - they play into the idea that Buck is learning and growing - in a way he wasn't when it was just black and white shirts and stripes from seasons 4 and 5 when we got a white shirt followed soon after by a black shirt (4x13 - White - 4x14 - black) or vice versa (5x09 - black - 5x13 - white).

We have 6x01 with the blue then cream - Buck in a mental prison around what he wants in life, but choosing to embrace being on his own and seeing where life takes him by the end of the episode. 6x04 and 6x07's navy blues connected to the sperm donation arc followed by 6x08's cream and blue one of the very real children in his life - one who he gets to be an active part of watching grow up. 7x04's navy date shirt one followed by 7x05's cream, black and red shirt when Buck requests and is granted a do over with Tommy

So how is this brown and cream one going to fit in? Well that is the million $$$$ question isn't it! My feelings are that it's going to fit in with the pattern and have a reverse one to go with it. Now I have two theories - the first is that its actually the brown pair to the one from season 4 - that its going to connect into Buck's statement that it would've been better for Chris if he'd been the one hurt - and therefore connect into the will of it all, playing on the concept of Chris (and Buck) finding out about Kim - connecting Eddies outfit into the equation - and lead to Buck once again stepping up to look after or support Chris in some capacity (maybe we'll get a parallel of Chris running to Buck after finding out about Ana and have Chris running to Buck after finding out about Kim, who knows!).

The other option is that we'll only see the pair to this brown striped shirt later down the line - whether we see that before the end of the season or have to wait for the start of season 8 I do't know - it really depends on how they close out this season and the Buck and Eddie arcs.

I'd like to think the fact that its brown and therefore means stability, support, protection and wisdom, means that it will be connected to Buck discovering Eddies cheating and then stepping up to support him and Chris through the fall out (after perhaps taking a moment to consider things) and that it is tied into the season 4 parallels, but I guess we'll all have to wait and see!

Essentially all of Bucks striped and or brown tops have a pair and play on the idea of light and dark to varying degrees as well as the concept of being trapped or imprisoned by some form of traumatic event.

Hopefully this makes sense and that you've enjoyed reading this deep dive into Bucks stripes and Eddies wearing of black! I can't wait to hear your thoughts!

Tagged people below

@theladyyavilee @mistmarauder @xxfiction-is-my-realityxx @bewilderedbuckley @spotsandsocks

@bewitchedbewilderedbisexual @rogerzsteven @wanderingwomanwondering @oneawkwardcookie @leothil

@copyninjabuckley @shammers86 @crazyfangirlallert @missmagooglie @katyobsesses

@radiation-run @gayandbifiremenofmine @bi-moonlight @crazyaboutotps @princesschez75

@alliaskisthepossibilityoflove @sherlocking-out-loud @satashiiwrites @lover-of-mine @yramesoruniverse

@extasiswings @favouritealias @pop-kam @b-dwolf @maygrcnt

@chaosandwolves

#kym costume meta #911 costume meta #specualtion meta #911 colour theory #911 bts costumes #911 abc #Buck vertical stripe theory #the parallels are paralleling #911 spoilers #eddie diaz #evan buckley #buddie #911 spec

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lover-of-mine · 1 year

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Okay, this is a very random framing meta that started as an "it's interesting that even though Oliver is a pretty big guy they pretty much never use Buck's size for intimidation" and it evolved to something buddie from there. It actually started because the one instance I could think of where they highlight Buck's size, that being the "what's your problem, man" conversation.

Because here's the thing, Ryan is what? 2 inches shorter than Oliver? But they really made a point of making Buck look bigger in this scene because Buck is mad and he's trying to be intimidating, and it makes Eddie looks smaller even if he's not small by any definition. So I went to the other fight they had, the grocery store scene, they actually frame it so Eddie looks bigger even though he's not because Eddie is the one whos mad. And even though we can see Eddie when the focus is on Buck, we can't see Buck when the focus is on Eddie. It's all very Buck is seeing Eddie, Eddie is not seeing Buck.

So I went looking for all the Big Conversations to look at the framing choices and I'm gonna type out thoughts I guess.

I separated this into categories, the first one being Conversations About Christopher. The thing with the talks about Chris is that they are always sitting down for them. They're on the same level.

When Shannon comes back and Eddie is confused about what to do about it, the close-ups actually don't try to make it seem like either of them is bigger, but the wider angle puts Eddie in the center and Buck angled in a way where Buck looks smaller, obviously because even though Buck has a place on Eddie's life, his space on Christopher's isn't that established.

Then we have the skateboard discussion. At this point, we know that Buck loves Christopher and that he is a established as part of Chris' life. And it's interesting that they are talking here where none of them is highlighted and Buck actually comes up with a solution for a parenting problem while Eddie is spiraling.

Then we have everyone's favorite conversation about Christopher. Yes the discussion of the will is very layered but it is about Chris, and again, they are on the same level, none of them is highlighted and even the close-ups leave them about the same size and showing roughly the same amount of the other at all times. This is Eddie making it clear that he also understands Buck's space on Christopher's life.

There's also when Eddie is struggling with the fact that Chris is scared and missing Shannon, again, they are always shown at the same level while Buck tries to help Eddie and we are always seeing both of them while working the problem.

Then we have the Buck Needs Reassurance talks. During this type of conversation, Eddie is always standing up and Buck is sitting down, making a point of having Buck look up at Eddie. Those scenes being when Maddie leaves and Chim punches Buck and the conversation after Buck's death.

I think it's interesting here too that they made a point of having Buck in comfortable clothes because he's in a vulnerable place and but he is comfortable enough in looking up at Eddie (literally and figuratively).

Then we have the Eddie Needs Reassurance talks. Those are very interesting because they usually start with them being at different levels, but equalizing once they start talking.

The most intense example of this is the talk about the panic attacks, Buck approaches Eddie when he's laying down and Buck's standing up, but once the conversation actually becomes a conversation not just Eddie avoiding the topic, they are both sitting down and being shown as the same size as they work it out.

Same with the aftermath of Eddie's breakdown, they start with Buck standing up but once they start talking, they are both sitting down and on the same level.

Then there are the Intense Conversations That Feel Somewhat Unresolved. (I'm not sure how to categorize this one, coincidentally they are talking about Buck almost dying in both)

It starts with Eddie dropping Christopher off at the loft before the tsunami.

They're on the same level but they are not seeing eye to eye, Eddie is trying but Buck refuses to look at him. Something that's interesting about this one is that Buck is usually in very tight shirts and Eddie's are usually looser, but since we are supposed to think that Buck is wasting away, Eddie's shirt is very well fitted, even the seam on the shoulders are in the exact right spot but Buck's is on the looser side (seriously, most of Buck's shirt look like they will rip off his arm if he flexes a little, the fact that there's space in that sleeve is crazy lol). Something important here I think is the way they are on the same side of the screen during close-ups, so they never try to make it seem like they are looking at each other and the other one is not shown, and the wider angle they are facing different directions, so they really aren't on the same page here.

I think the grocery store scene kinda fits into this category, but it's a bigger blowout and there's more at stake since it's in a very public setting with an audience. But they are facing each other, they are just not on the same side of the conflict.

And there's the cemetery scene, where even though they are talking and on the same level, they are NOT seeing eye to eye, and it's interesting because they pretty much never look at each other at the same time in this scene. They are having an important conversation, but there's tension and they are not agreeing on what's going on here. Even the close-ups make a point of cutting the other one from the frame.

Something else I think it's interesting about this particular scene is that when they do show us them looking at each other when the focus is supposed to be on Eddie, they show us Buck's face, but when the focus is supposed to be on Buck, we don't see Eddie's.

Then we have Conflict Resolution Talks.

In contrast with the talk they have before the tsunami, the talk they have after, they are finally looking at each other. And even though both of them are centered on both scenes, they are finally facing each other, so, they are finally getting on the same page.

Then we have them making up after the lawsuit.

The framing of this scene fascinates me. There's a literal obstacle between them. They put something physical between them to show how much this conflict was in their way and they put them both on the edges of the frame. But the way the scene progresses is also interesting because we see a lot more of Buck when the focus is on Eddie than we see of Eddie when the focus is on Buck.

They go as far as to make Eddie look smaller, making more of a show of the distance between them when the focus is on Eddie and it shows that Eddie sees Buck's side but Buck is not really seeing his. But that equalizes as they talk, Buck being the one that starts closing the distance between them, coming to be resolved when they both meet in the middle. In a quite literal representation of the way this gets resolved (It started because Buck didn't reach out leaving Eddie unsure of his space, Buck reaches out to close the gap, they meet in the middle because they're a team <3)

And there's our favorite kitchen scene.

Something interesting here is that we see Eddie when the focus is on Buck but we don't see Buck when the focus is on Eddie. Even in the wider angle, Eddie is closer to the edge of the frame and Buck is pretty centered. Buck is doing all the moving in this scene, Eddie leans into the sink when he starts drinking and Buck is the one closing the space between considering Eddie is still in the same spot he started when the scene ends. It kinda shows that while Eddie is willing to talk, Buck is gonna have to put in some work. Eddie is also in a headspace that might need some more reaching out and it shows.

I don't really have a category for this scene, the point here is Buck giving Eddie hope. What I think it's interesting here is that even though they are facing different directions, they are always on the same side of the screen in the close-ups. Buck's in Eddie's space and Eddie is letting him and in the context of this scene is the first time in a while. Even the wider angle has them to the side. Buck is trying to step into the mess with Eddie, and Eddie is finally letting him. (Hoping we get a mirror of this scene in the future tbh)

This is all for now.

#911 meta #911 #911 spoilers #buddie meta #buddie #otp: you don't need to pretend with me #this is very very long oksaoksoaksoaksoaks #if you read this i love you lol #im just feeling unhinged and i needed to pu t the thoughts somewhere #buddie thoughts

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apradonite · 1 month

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every since i made her there's nothing i love drawing more in the world rn than kane's little mascot form

some deeper details about her under the cut v

Originally a humble and modest rotary phone saleslady with a squeaky clean criminal record in North Jersey, Alexis June Kane's silver tongue, boisterous-yet-charming public image, and overly-competitive spirit made her almost a seamless fit in the cutthroat business environment of Rapture. Noticing a fresh and underutilized slate in the television market, she immediately jumped on the opportunity in order to become one of the biggest faces on Rapture's televised programming.

The gameshow Kane runs is called All or Nothing: A high-stakes trivia game where 5 people answer questions correctly for money, but for each question you get right, you get the option to either leave with your current winnings or gamble to either keep playing for the big prize or lose it all and go home with nothing but the clothes on your back.

Like most companies in Rapture, it's completely bullshit: Kane is no stranger to bought-out wins, exorbitant fees to pocket winners' money, prizes that are shittier in quality than promised, etc. Hell, it even starts becoming another propaganda tool once Ryan starts getting stricter. But who cares? So long as Rapture's economy keeps going at a downward spiral, there will always be some desperate sob willing to risk their paycheck when the grand prize is a free warm meal! It even lets her in on her favorite hobby: punching down!

Outside of the show, she's a socialite who loves to go out to parties, has the alcohol tolerance of an elephant, and is currently banned from all casinos in Fort Frolic. Despite that though, she can't really say she has many friends (or any at all), but who needs people who will just drag her down anyway? All she needs is the show and the fat stacks it rakes in! More time to sit in her room waiting for the phone to ring again. And beg for forgiveness when she picks it up.

#more kane!#i'll start going more into her surface backstory once i design her dead coworker (helen mcnamara) but for now it's still the kaneshow #also for the mutuals that asked...yes she's single. go nuts #bioshock #bioshock oc #digital art #artists on tumblr #oc #original character

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daniwib · 7 months

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Musing on Ryan & Oliver’s pre-s7 interviews at the premiere party

Oliver: They get to show up for each other in different ways. But they’re moving forward. There’s almost like potential for things to come up in not so great a light.

Ryan: Well there’s something brand new for both of us.

I would LOVE to see Eddie ‘moving forward’ coming out as gay and Buck being completely thrown by it ‘something brand new for both of us’. Not because he’s not supportive, but the opposite – he suddenly becomes very aware that Eddie LIKES GUYS. And who is a guy? Buck is, of course. And apparently Eddie ‘loves him to his core’ – and Buck loves Eddie too, of course he does. But Buck isn’t gay. Is he? So off Buck goes on an internal spiral that naturally he doesn’t speak to anyone else about, especially Eddie.

Meanwhile Eddie, sweet baby gay Eddie, is feeling sensitive about coming out so late in life and takes Buck’s weird reaction ‘in not so great a light’ and that Buck is not supportive and thus we have some delicious angst between them both. Maybe even a fight and them keeping their distance (divorce era 2.0 yes please).

Oliver: But we get to see their friendship persevering. And them being there in ways that they don’t necessarily expect for each other.

Buck has his own bi crisis and I know we’re all excited about Tommy being part of either Eddie or Buck’s queer awakening but honestly, I would really like to see Buck turn to Hen and Karen about it. Hen’s been there for Buck for such a long time, she deserves to be the one to talk him through this, not some random throwback hottie. Perhaps Tommy flirts with Eddie which gives Buck the push he needs to talk to someone (Hen) about his confusing feelings and jealously.

Oliver: And I just think it’s a really lovely journey for them this season.

Hen, and possibly Maddie or others convince Buck and Eddie to Actually Talk To Each Other. This of course takes the rest of the season because let’s face it, after watching these two be oblivious about each other for 6 seasons, nothing is going to happen quickly.

I predict their last scene together in s7 will be one with the most meaningful eye contact we have seen yet, and perhaps them moving towards each other to kiss before it cuts, leaving us all hanging for s8 – but with confirmation that Buddie WILL become canon.

Eventually.

#my predictions #on buddie becoming canon #based on THOSE interviews #911 spoilers #911 s7 spoilers #s7 speculation #evan buckley #eddie diaz #buddie #911 #9-1-1 #angst #911 abc

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eddiediazismyhusband · 2 months

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What are your thoughts on the relationship Buck has with Pepa and Isabel? (There is pretty much nothing of it in canon but me personally I think at the very least they like him for how much he loves his Diaz boys. )

And how well do you think Buck speaks/understands Spanish?

hi bestie, once again i am so sorry for neglecting your ask— i feel like i posted multiple little ask games (especially my wip one that i have had absolutely no time to work on any of them for the aks i got) and then immediately got bombarded by real life stress (i was working on two theatrical productions, as well as finishing my last semester of college) as well as fandom stress (all of the bts content that hasn’t proven to be exciting to me in any capacity) and then began to get a barrage of hate anons in my inbox that sent me into a nervous spiral so i am only just now getting to sit down and go through my inbox!

anyway, that long winded explanation out of the way, onto your ask!

I actually love the idea of Pepa and Abuela adopting Buck as their sobrino/nieto respectively because of how close he is with eddie and chris. i really wish we could have gotten to see more of abuela this season (i know ryan said at the beginning of s7 that there was a plotline involving abuela but then it got cut when tim decided to scrap 7b) and possibly see her view on buck and eddie’s relationship after buck came out… i hope though that we get to see more of them in s8, however, especially with chris being in texas, i’d love to see abuela take on a more central role in chris’s story this season, perhaps providing context to eddie and shannon’s relationship that eddie leaves out every time he romanticizes it to chris. I think it would also provide some interesting room to play with abuela and chris talking about buck’s role in chris and eddie’s lives, and possibly getting christopher to see what’s in front of all of them, and then having chris come back to tell them that he loves the family they’ve built and doesn’t want to lose it (which could also provide some angst for buddie if this happens after their feelings realization, and they both refrain from starting a relationship because they think chris doesn’t want that) which could provide a sort of gateway for pepa to swoop in and smack them both on the back of their heads. I know that wasn’t quite what you asked, but i think they have a lot of rook to showcase buck’s relationship with abuela and pepa onscreen, and i hope that it’s shown that he is considered one of their one, further cementing his role in eddie and chris’s lives

as far as buck speaking spanish, i’m sure he has to know some peruvian spanish from working in peru before moving to LA, but there are differences between peruvian spanishand mexican spanish as well as the familial slang that would come with the diazes, so i think buck would pick up bits and pieces of things said by the diazes, and could maybe carry a conversation, but i wouldn’t say he is fluent. i do think eddie/chris/abuela/pepa all pick on him for getting mixed up, or for his accent, even though for a pennsylvania native living in LA, his spanish isn’t terrible.

thank you for the ask! i’m sorry again that it took me so long to get around to it, and sorry that my answer for the first point is probably not quite what you were looking for, but i had a lot of fun thinking about how they could play with buck’s relationship w both abuela and pepa next season (though, i won’t hold my breath for that)

#911 abc #911 #911 on abc #eddie diaz #buddie #evan buckley #buddie 911 #buck and eddie #911 buddie #christopher diaz #tia pepa #abuela #isabel diaz

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maletfwitch · 8 months

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Can you make a story about ryan gosling turns into his character ken?

Ryan Gosling was excited to take on the role of Ken and had a meeting with Mattel executives.

He was told it would be them discussing his image for the film and would help him get into character.

When he arrived at the office, he was told he’d be meeting with a stylist first so he could look the part.

The stylist sat him down and told him they’d be bleaching his hair. Part of him wanted to object or question it, but something inside him told him to just sit there and let the stylist do their job.

After the stylist was done with his hair, it was much lighter than it was when he arrived. The stylist then handed him a denim outfit along with boxer briefs that said Ken on them. He began stripping in front of the stylist and putting on the outfit. As he put on the denim jacket, the stylist insisted on leaving it unbuttoned, showing off his chest.

Now that he looked the part of Ken, it was time to meet with the executives. He entered the office to see a long table full of men in suits. He sat down, and the CEO told him to watch the giant TV across from him.

The TV began displaying a bright pink spiral, and some strange ambient sounds started playing as the businessmen put in earplugs. Ryan felt himself become engrossed in the spiral, with his mind slowly going blank as thoughts started to vanish. His memories began being erased, slowly getting rid of any trace of Ryan Gosling.

The process of reprogramming him into Ken began as his mind was just "Barbie” “Beach” and “Ken” Once the video finished, Ryan Gosling was no more now he was just Ken.

The businessmen took out their earbuds, and the CEO spoke.

“Great job. Now send him to Barbie Land.”

“Hehe, that tickles” Ken giggled as the buff security guards grabbed him, put him inside a life-sized Ken box, and strapped him in before shipping him off to his new life at Barbie Land.

#maletfwitch #request #celeb #ryan gosling #Ken #hypnosis #mental change #himbofication

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tamlinrose · 10 months

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NuWho Characters as The Entities (TMA)

9th Doctor- The Desolation.

He is fresh off the time war, where millions were sacrificed in flame. He is the main cause of death of his entire people and rose like a phoenix from the ashes. DEFINITELY the desolation

Rose- The Eye.

Come on, she becomes an all knowing goddess of Time. How could Bad Wolf NOT be the Eye??

Captain Jack Harkness- The End.

He literally dies over and over and over. Even though he can’t permanently die, I’d say he’s feeding The End some good cosmic horror

The Tenth Doctor- The Lonely.

Pretty self explanatory. He desires companionship so much, but everyone leaves him, whether by choice or force. In the end, he is all alone. And regenerates knowing that for all the connections he made, none could stay. Sad wet boy

Martha- The Hunt.

I debated this one, but I think especially her traveling across the world with the sheer determination to defeat the Master shows her becoming the predator instead of the prey. She also becomes a unit soldier, and her arc is her adopting the soldier mentality the doctor so hates about himself onto herself out of survival.

Donna- The Spiral.

Her whole arc is around not being able to trust herself, her own mind because she’s been told she isn’t clever or worthwhile so many times. Not to mention Fear Her, where everything about the World is Not Right and she’s at the center of the wrongness vortex.

Sarah Jane- The Web.

She’s a journalist, she’s constantly picking at threads, finding out information she shouldn’t have, weaving it to her will. I also think that the doctor dropping her off and ditching her without her consent is playing into the fear of having your life puppeted by forces outside of your control.

11th Doctor- The Stranger.

Idk something about him… his penchant for theatrics, his burning desire to be human but always being just slightly left of human behavior, mannerisms. It’s like he’s mimicking the humanity he wants so bad, but it just gives him the uncanny valley affect that makes him even more alien than ever.

River- also the Web

She is scared of being controlled by forces beyond her. She was brainwashed into wanting to kill the doctor and ultimately it is not her will that pushes her to do so. She lives to be free of influence but she is controlled by the outside forces of the time stream discrepancies that keep her and the doctor apart.

Amy- The Flesh.

Okay this is for silly goofy reasons, but the fact she was LITERALLY a flesh avatar for like a full season really sells it for me. Not to mention a lot of her arc is very centered on body horror (pregnancy without her knowledge, giving birth, not being able to have kids, etc).

Rory: Also an avatar of The End.

He just dies so many times man, him and captain Jack should go to couples therapy or smthn

12: The Dark.

Okay hear me out. It’s the oldest fear entity, which I think really folds in with 12s general air of wisdom and the fact he’s been around a fucking long time. Also, he has that entire episodes where he tries to find out what lives in the dark at the end of the universe, and what lives under the bed that absolutely does not wish to be seen.

Clara: Also The Desolation

She is sooooo self destructive man. Especially after Danny Pink dies, she’s willing to burn it all to the ground. Her eventual demise is because she is impulsive to a fault, and in some ways it could be argued she has a death wish.

Bill: The Vast

She just gives me that childlike wonder for new worlds and the open sky. IK this seems like pretty vague reasoning but I think like Simon Fairchild she just loves the vastness of the universe so much that she eventually goes travelling with star eyed girl to see it all.

13: also The Vast

Citing that youthful wonder again. Honestly I don’t know much about 13 or her companions so if you have Headcanons for Yaz, Ryan, Graham and 13 hmu! Tag them below

The War Doctor: The Extinction

Self explanatory. He’s the doctor who ends it all, his entire species. And that choice defines and haunts him into future incarnations.

The Master: The Slaughter

Senseless chaotic violence for the sake of violence. Sounds pretty on brand.

If you have any contradictions, additional thoughts, or help on 13s era I’d love to hear it in the tags!!!

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