#and she tells me im good to go

[angryborzois]

Lmfao I just remembered that dumb story of the school nurse when i was little

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[krazieka2]

Here's a big old Fire Emblem Search & Find I did for the FE3H Masquerade Zine! Find the Golden Deer, but see if you can't find the rest of the students as well! For the ultimate challenge, see if you can't name every character! (Disclaimer two characters are NPCs with no names)

[fakesorbet]

The Bad Kids + Summer drinks

[bacchuschucklefuck]

dreaming abt sophomore year class swap bard!riz

[moeblob]

A lil guy !

[thedevilandhisgrandmother]

Just finished reading house of Hades

Emotional trauma galore

[evelynpr]

You ever think about how All Might has two male exes that both have a child with blonde hair, blue eyes, and a big heart?

[dykedvonte]

Do you have anything you've been thinking on but just haven't made a post about it yet? Also I'm really enjoying your fic!

I have a few things but it's likely mostly headcanons that I consider somewhat disconnected from my analysis.

Curly's parents had him old, only child, died shortly after he graduated and got the pony express position. It was the last big thing they saw him do which is a reason he stayed for so long.

Doesn't admit how much their death affected him

Jimmy has a largish family. One of the cases of too many kids to keep tract of, parent never really noticed any of them nor their behaviors

Anya lived in a lot of houses growing up, regular supportive family that just struggled to support themselves.

Became a nurse largely to avoid their financial struggles but mostly because she felt too many people weren't being cared for and advocated for in the world properly

Swansea likes high top sneakers most. Likes how snug they fit and how they shield his ankles at work

Curly has a bit of a caffeine problem since he can’t sleep. Can occasionally be found wandering the ship at “night” when he had some too late or just couldn’t sleep.

Daisuke knows a little about a lot of things. Starts conversations with “did you know” a lot but please don’t ask him deeper questions

Curly has known Jimmy longer but has worked with Anya and Swansea longer, met them during his middle years, met Jimmy shortly before college.

Swansea rents a house, Daisuke’s family lives in a big nice apartment, Curly has a condo, Anya live in a small one bedroom apartment and Jimmy has a studio.

Curly's home is very disconcerting. It's too normal to a like uncanny degree.

Anya is ambidextrous but prefers her left.

Anya and Curly are both not native English speakers so occasionally they forget words and bond over the mutual mocking they get from the rest of the crew. Daisuke knows some Japanese but is still learning, never picked it up as a kid

Only Swansea and Daisuke know how to drive, Earth in my mind is very post capitalist so only older people and like the extremely wealthy can afford cars.

It's also like walkable just due to how many businesses are in your face. Probably strict living vs shopping districts

I have more but the way that I headcanon about them is like too long.

[raayllum]

RAYLLUM S5 MEME:  quotes [3/4] 5x01, “domina profundis”

To love is simply to know this... What does that mean, Prince Callum? It means I trust her. Unconditionally. Let her go. Now.

[roominthecastle]

Siegfried Farnon is based on eccentric vet Donald Sinclair, who Peter Wright worked closely with in his early career.

"You know, Donald died unexpectedly. And that morning, I remember the phone going, Jim Wight rang me to say Donald's died. Jim said, 'It's going to be a duller world without Donald Sinclair.' By gosh, it was. It has been."

[pendraegon]

thesis updates: sent the draft to my advisor -> she said it was "incoherent" and that she was "shocked" at my work and instead of telling me anything in detail as to what's wrong directs me to the writing center then proceeds to cc my committee members saying that she's at a loss with what to do with me -> was confused because... did i send her the wrong draft?? it seemed pretty solid to me?? like i was genuinely proud of it??? -> next day she sends me another email saying that actually my draft isn't bad at all and it just needs some reworking ???????

[foxx-queen]

i keep thinking about the datamined conversation between halsin and minthara and what gets me about it is that if you side with halsin and turn minthara away, thats objectively the bad choice.

like at this point, you've rescued minthara from moonrise. you know now that she was being controlled to act against her will. you've gone to the trouble of rescuing her from her tormentors, and you've experienced what it felt like as they tried to destroy her mind. you know what will happen to her if you turn her away. and if you do, you're willingly condemning her to that fate. you've essentially allowed her to experience freedom, to regain her sense of self, only to tear that away from her again.

whereas if you side with minthara, and halsin leaves, that's the only consequence he experiences. that he's not a companion anymore. at this point, we've saved the grove, we've saved him, and we've lifted the shadow curse. we've helped him achieve what hes been hoping to do for over a century. leaving your party won't see him lose his free will. he can return to the grove and live his life.

the choice is essentially either condemn someone to a fate worse than death, knowing exactly what that entails vs not letting someone travel with you anymore. its pretty clear cut to me.

its just interesting to me that they've switched the morality of it around given that minthara is considered the 'evil' companion by so many.

[sandinmybed]

can i be fr for a minute?? sending abuse to people online for holding different views than you is not activism and in fact actively hurts your cause. most people are not extreme in their viewpoints, you can give them a new perspective if you're willing to spend some time explaining shit. if someone is saying something you disagree with and you rush in there to condescend to them and call them disgusting and subhuman and dont even TRY to explain calmly why their views are harmful, they're going to shut you out instantly and double down on their views.

most people are simply genuinely ignorant to the issues they're talking about - they just pick their views up from the news and the world around them and express opinions because that's what every person does. if you run in there and tell them they're scum for it, what then? if someone does that to you, are you going to think "maybe i should do some research" or are you going to think "this person is an asshole, im blocking them." a lot of you think you're activists and then refuse to do any kind of actual WORK to support your cause.

[blueskittlesart]

atla live action generally sucks for all the reasons everyone is saying it sucks and i am in no way a live action remake promoter but one thing i will say. they Get the fire siblings. they understand.

[hercarisntyours]

greek mythology nerding out over the connections with elita and orion (they aren't good ones in greek mythology terms but still indulge me)

so like obviously Elita combines into Orthia yada yada yeah BUT ORTHIA AND ARTEMIS HAVE CONNECTIONS IN GREEK MYTHOLOGY (there's a lot to it but in summary Orthia = Artemis blah blah same person) and I'm sure everyone knows that Artemis is Orion's (supposed) lover

SO BASICALLY ELITA IS ORTHIA WHO IS ARTEMIS WHO'S LOVER IS *ORION*