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ambrosialdesire · 6 months ago

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hedonic

18+ DARK CONTENT BELOW, MINORS + BLANK BLOGS DNI

pairing: laios x fem!monster reader word count: 5k warnings + tags: general yandere and/or dark themes, kinda gory descriptions, cannibalistic ideas/thoughts/temptations, probably ooc laios, delusional ideas, monster reader w/ large breasts (i mean, it comes with the kind of monster she is tbh but this is the only physical descriptor of the reader), brief bodily mutilation + removal mention, breast milk consumption, accidental peeping (?), breast fixation, blood kink kinda, biting mention, all characters are 18+ synopsis: he's always been the type with an insatiable appetite when it comes to any monsters, but he promised to never ever eat any demi-humans when it comes down to it. the temptation when it comes to you has became irresistible to try and ignore. a/n: in request of 🌷 anon and my fueled want for laios, i have made my first dungeon meshi/delicious in dungeon yan fic! i decided to do it in laios pov cause i feel it'll make for an interesting perspective. not really nsfw this time around lol since i'm still new and keeping up with the anime and learning about the characters SO IM ONLY CAUGHT UP ANIME-WISE OK LOL AND THE MONSTER I'M USING FOR THE READER ARE CONSCIOUS BEASTS THAT CAN COMMUNICATE AND SHIT LIKE THAT CAUSE IT'S SO VAGUE ON THE WIKI 😭😭 also i'm making shit up as i go okay so anything food related is like entirely made-up 💀 AND YEAH I MADE IT ABOUT BREAST MILK OKAY LMFAOOO tbh i've always wanted to try a dnd-related game but literally have no where to start (ik there's baldur's gate but i am a broke full-time student lol) hope y'all enjoy and hope i can make some more of laios cause he's so 🏃‍♀��💨💨 note: please keep in mind of the tags above and do not proceed if triggering or uncomfortable, especially if you are a minor!! do not read my or any other writers' dark content if you are underaged. this is a fictional work and does not reflect irl morals, do not believe this is how a real romance works or functions.

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Laios made a promise to never consume a demi-human, no matter the circumstances. It made sense, they were on the cusp of something that was human but not. They could have similar features like the races they respectively belonged to, could bleed red and have had a beating heart, yet in the end, they were still a monster inside and out. Morally or ethically — whichever which belonged to which — according to Chilchuck, it was still wrong to try and consume them.

He understood that completely once it got explained and stuck into his head, but then you came into question.

When you came into Laios's party during the search for his sister, you were almost attacked from how you meekly approached the small group in one of the dungeon’s levels. They were right to be cautious of course, many human-like monsters had previously attacked them when their guard was down, but once they realized you genuinely meant no harm, they let you join in. Marcille was overjoyed that another girl had joined the party, though both Laios and Chilchuck had their valid doubts about you. Senshi didn't really mind, long as you could pull your own weight and never tried to attack them.

Were you trying to play the long game? Did it make them taste better when you waited to strike? Were you eyeing your pick in the group? Senshi and him both have a lot of meat on their person, Chilchuck was definitely the least desirable since he was so small and had less meat on his body; to be honest, Marcille was in a similar boat as him too.

Food-wise, you ate whatever Senshi made with a happy smile, not even being deterred once from having to eat something that was considered to be closely related to you. He wondered if it was something you were used to, something that you had to be doing in order to survive down here. Then, if it came to other parties that came before them and being forced to defend yourself, did you ever had to... consume them?

Laios hoped it never had to occur, but he couldn't blame you if you had no other choice. He could imagine you being trapped for days before your kind could get to you, maybe one or two bodies from an adventuring party were with you from a previous scuffle and the pangs of hunger were getting to you. The thought of the remaining party members finding the torn apart limbs and strewn, chewed on bones surrounding a bloody starving monster made his stomach flip and a shiver go down his spine. Maybe it's because that's how he last remembered Falin right before she teleported them out of the dungeon, her midst of her body trapped in the toothy maw of that Red Dragon.

Because of this now since your alliance with them combined with the many questions in his head about your diet, there was one that he can't quite get rid of, no matter how much he tried.

What did a human taste like to a monster?

It's been a few weeks since they've ventured in the dungeon and Laios still had some doubts with your intentions for joining. A monster is a monster and cannot be trusted no matter what, but you didn't cause trouble or held them back from their search so he let you be... for now at least. He'd be a hypocrite for not letting you stay since he's been keeping Kensuke around, but it's only temporary and it can't really harm him without the other parts of the Living Armor. You're a moving... person? Half of one. Actually more a third-fourth of one? He doesn't quite know but still rather fascinated by your existence.

You were similar to them in conscious thought and speech, as well as appearance-wise. Well, appearance-wise, you definitely weren't human. Small, bilateral curved horns made their home on the sides of your head, floppy brown ears swung around with every step you took, a long bovine tail whipped around the bottom of your legs, and finally, your legs were curved into two thick cow-like stumps with hooves at the end as a replacement of feet. Minotaur, or that's what you said what you were, though you were smaller than those massive farm animal adjacent beasts, about a few inches taller than Marcille.

And not to sound like a perv or anything remotely similar to that, but you didn't really have udders either, unless your more than well-endowed breasts compensated for the lack thereof.

"Ow! Laios!" He snapped out of his thoughts, looking down at his metal shoe and seeing the fluffy end of your tail on the bottom of it.

"Oh, sorry." Slowly, he lifted his foot off of it, the appendage whipping around and twitching. It wrapped around your waist, almost completely hidden as a fuzzy brown and white belt.

"It's bad to get distracted here, are you hungry? Thirsty? I have some bread and milk in the pack if you want to snack on it." As you walked on forwards, you pulled the bag off of your shoulders and began to rummage through it with one hand. You finally found what you were looking for, handing it over to him without hesitation, slinging your bag back where it belonged. He stared at the milk as he chewed on the bread, the texture soft and light with each bite.

Did... did this come from you? You mentioned to them before in the beginning stages of joining that they can drink your milk if they needed to, but the horrified looks of both the elven mage and the Half-foot locksmith prevented you from trying any further. Both him and Senshi was of course curious, Minotaur milk was both difficult to come across and retrieve, but the two told the dwarf that they absolutely refused to eat anything that he cooked if it came from your body.

"Gross, don't tell me that came from you Y/N." Chilchuck grimaced as he walked on by and you shook your head.

"No! Of course not. I know you people humans are a little weird but I wouldn't give something that came from me without telling you. It's just cow milk, er... not from me." Laios felt a little disappointed as he opened the top of the bottle, wondering if it tasted different from normal cow's milk. According to the Dungeon Gourmet Guide, Minotaur milk was thicker and sweeter compared to the average cattle's; then again, this precious book of his wasn't really that accurate unfortunately.

What about your flesh?

He came to a sudden standstill, almost causing Marcille to bump into him.

"If you're gonna stop out of nowhere, at least move to the side Laios!" She grumbled, moving past him as he stood there in confusion. What was he thinking? Why would he even go so far as to think that? He started moving again, carefully watching you click on forwards. His mind began to wander at the thought again, which parts of you would be edible?

Your legs definitely, there's so much muscle built upon you there. He'd seen you strike down stone pillars and enemies in a single blow without even flinching. Maybe even your thin tail, could be tough and stringy though. Your ears would take a while to feast upon, cartilaginous but still a good source of protein. Horns are a no-go, too small and were most likely hollower than meaty. Cow hooves are a delicacy in some parts of the world, so it was possible that yours were consumable too.

Would the "human" parts of you count? You hadn't revealed if you were full or half-monster, maybe even if you were cursed, so it was hard to truly determine what you were. If you were a full monster, that meant that every bit and piece of you was edible meat.

Meat.

"Laios, you’re drooling! I can hear your stomach rumbling too," Your giggling voice rang clearly in his mind, his gaze snapping downwards as he wiped his mouth quickly. "I have more bread if you want."

"No, no. It's better if we stop now and make something more nutritionally beneficial to continue forwards," Senshi stopped with the two of you, turning his head around to find a suitable room for cooking. "Think I still have some of those Harpy eggs and Kelpie flesh, would you two be so kind to try and find some more ingredients on this floor? Any vegetation would do this meal some good."

And here the two of you were, walking around the floor's grounds to spot for anything of use. It was almost completely quiet minus the shifting of his armor and the clicks of your hooves echoing throughout the stone hallway, reducing that awkward silence just a little. Your weapon, a sharpened scythe, swung around on your back as if you were a cow grim reaper; the thought of a cow dressed up in a black robe with a menacing skull mask made him chuckle in his head a little.

"Oh! Up ahead, I see something leafy." The hoof-clicking went faster as you picked up your pace, ducking your head from the fallen wooden structures that were in the way. Compared to the average Minotaur, you moved and reacted quicker, most likely because of your smaller stature and having a little less muscle in your body to heave around. That could make you vulnerable on the other hand, having less muscle everywhere else minus your legs meant diminished strength and being unable to defeat enemies in a more timely manner. Interesting.

"Laios, do you think this enough for all five of us?" You shuffled out of the crevice in a huff with bundles of thick purple, triangular leaves in your arms and he took a pinch from one of the leaves, inspecting it before placing it in his mouth. He winced, his face contorting to a pucker as you laughed at his expression. Dungeon oxalis, edible but strongly tasted similarly to citrus.

"We could work with it, could make up for lemons since they're pretty sour. Here, place it in your bag and we can search for other things." You nodded after wiping your eyes from your boisterous laughter, following his instructions and getting back up from the ground.

You dusted yourself off before picking the bag back up, smiling at him as the two of you began to move deeper into the dungeon. "I hope we find some Night Lucernes but I think since we're already so low underground, it's getting more unlikely they can grow here."

"Oh we can't eat those, they make us sluggish and gives us stomach cramps for weeks."

Blinking at him, you tilted your head in confusion. He never noticed how long your eyelashes were, is that common in your kind? "Really? They're like vitamins for me or was it something about the blood—"

"Why are you not like the other Minotaurs?"

"Huh?" The question was out of the blue, interrupting her talking as the two of you had stopped in the middle of the hallway, eyes locked with one another.

"Why are you not like the other Minotaurs?" Laios repeated, not skipping a beat and leaning down closer to you. "You're not massively built, you don't have a cow's head, you don't have large horns. You don't strictly eat vegetation, is it even good for you to eat monster meat so often? There's so very few things that are Minotaur-like on you, are you really one of their kind?"

Your eyelids fluttered in shock, each question wrapping around your brain before you leaned away from him, scratching the back of your neck. "Well... I-I don't really know why myself."

"...What?"

"Uh yeah. One day, when I was still young, I woke up in this dungeon alone without a single memory in my mind. I don't even remember who named me either, but I vaguely remember being told that I'm a Minotaur. Maybe it's the Mad Mage's fault but I'm sorry Laios, I really can't explain why I'm not more like them."

Did that even satisfy his question on whether you were edible as a Minotaur or not?

"I do know is that I am a monster," You put a hand over where your heart is, clenching it tightly into a fist. "I ain't like you people humans and I'm sure not like those other animal humans you coexist with, so I am nothing but a monster. I may look a little different from my kind but inside and out, I have the Minotaur’s blood in me. And the strictly herbivore thing isn't really true, I can eat meat if I have no other choice to, it's not all that bad though. Doesn't really freak me out and I'm always grateful to have the opportunity to eat a good meal."

"So have you eaten other adventurers before meeting us? I won't judge, I'm genuinely curious and I won't tell the others if you have."

You froze, eyes casting downwards suddenly as your fists gripped onto the coat you wore. "I... I don't really want to talk about it Laios, sorry. I'll answer your other questions but some things are better left off unsaid, okay? Please respect that."

His lips were pulled into a thin line, the nagging voice in his head still ever curious on whether you've eaten human before, but you really did seem uncomfortable talking about the topic. "Sorry."

He then put a hand under his chin, thinking about what you've said previously slowly. Inside and out... Does that mean you are edible? I mean, you basically said it yourself, despite you being more on the human-appearance spectrum of monsters. Then again, they met more human-like monsters like the Harpies and the Dryads, and they've eaten them before! (Well... sorta.) The mermen were edible too (despite Chilchuck stopping him from taking more of the parts), so that means—

"Can I drink your milk then?"

"Wha— H-huh?!" The apples of your cheeks glowed a dark shade of red, but his gaze remained determined, sparkling in excitement even.

"You offered it before, didn't you? Chilchuck and Marcille aren't here so they won't judge us and I've been curious since my book said that it's different from normal cow's milk." You looked around, even peeking behind him, before sighing and bashfully pouting.

"I did! I know I did! But, I have to make it fresh since I threw out the ones I had on hand a week ago and I don't have any on my person right now so..."

"It's okay, I can wait." He bluntly replied, oblivious to your wording. Laios just wanted a little taste, nothing more and nothing less.

You mumbled something under your breath, his ears catching a few words of him being 'too eager' and 'quick to answer'. Was he? He was just answering your question honestly, and he’s been ever so curious about it ever since you’ve offered it before.

"Let me find a room, just wait outside for a bit."

You were flushed, clicking away to find a place to hide out so you could produce what he wanted. Of course he followed shortly after you left, staying outside just like you told him to and it would serve as extra security. If Minotaur milk tasted as good as they say, he might just keep asking you for it when some certain party members aren't nearby. Hell, he might even be able to sneak some to Senshi since he's been curious about it too! It's only right to share a magnificent discovery to the best monster chef. Actually, he might be the only monster chef he knew but he was still the best by default.

He waited.

And waited.

And waited…

Laios started to sit down next to the door due to how long you were taking to produce a small bottle. Was it difficult to get milk out of the body by yourself? He had to ask about that too since he’s only seen male Minotaurs depicted in his book; there was nothing but a small and vague paragraph that explained about the female Minotaurs, but it was mostly about their milk.

He closed his eyes, leaning his head against the stone wall. You really were a strange individual, someone that he can’t quite understand. Your very being makes his mouth salivate whenever he thinks about you as a next meal, even if it shouldn’t. Was it because all they’ve been eating has been monster-related? His strange fixation on trying them was slowly being satiated with every step down the dungeon, so he chalked it up to just being morbidly curious.

It has to be that reason, it must be, because what kind of sick individual constantly thinks about consuming his friend?

Opening back his eyes, he took another quick glance at the wooden door. Laios was extremely curious on how the whole process worked, if you really had extra udders or if the hidden parts of your body were furry or skin. Plus, you really were taking a long time, one of the three were bound to come over soon and he wouldn't be able to try the milk! Actually... you know what? What if you had gotten attacked in there by a whole group of Mimics?! Or any other monster group, like the ghosts! You were strong but you can’t take all of them at once, and monsters aren't able to revive here. Wait...

Monsters don’t revive here.

He scrambled up on his feet at the realization, quickly knocking on the door, the sound of stumbling and thuds causing him to immediately panic and start pushing it open.

"Are you oka—" Laios froze, his eyes widening.

Your eyes were wide open as well, mouth partially parted open in dumbfounded shock. At least you looked okay and it seemed there wasn't any harmful enemies around, just some old furniture that had fallen over. It's weird though. There you sat on the ground in the midst of the mess, one arm covering your bare chest while the other was holding a partially filled glass. He stood there in puzzlement as your face grew redder by the second, placing the glass down slowly before reaching for your weapon that was right next to you.

Oh.

Oh...

OH!

"LAIOS!!!"

"I'M SO SORRY!!!" He slammed the door back shut as the scythe made its way towards his head, the sharp blade slicing through the old wood, the tip just barely missing his nose. His heart pounded against the metal chest plate like a beating drum, his lungs completely drained of all air. He began to kneel on the ground for some support since his legs started to give out from the revelation. His body was burning up, like he just got lit on fire from the Red Dragon or was a little too close to one of Marcille's explosion spells.

He just saw you naked. Not completely, but still, he just saw your breasts. He was used to and never cared about seeing others nude or topless, whether they be male or female — monster or not — it's just parts but seeing you?

Despite being here for most of your life, the skin from what he saw was quite smooth and rather mostly unblemished. It's like scars weren't able to attach onto the surface, as if they weren't allowed to. And the curvature of your heavy breasts, the noticeable suppleness of both when you moved and inadvertently squeezed them with your arm. They weren't udders at all either like he thought they were, they were undeniably humanlike, no fur included. He imagined biting into them, wondering if it'll be easy to sink his teeth into the squishy fat while he sucked on both the spilling blood and milk, thinking about the mix of sweetness and tangy that'll occur if he did. He'd be especially lucky to leave any mark on your pristine skin during the process, his body tingling at the idea of being the only one — the only human — to permanently leave something behind.

Laios couldn't stop salivating, a hand over his mouth to prevent him from drooling all over himself. He's shaking, why was he shaking? Was it from the fear of these unstoppable thoughts of his? Because of the leaf he ate not a moment ago? No. It's because of these recent developments and the answers he was getting from them, he was becoming... excited.

What the fuck was wrong with him?

‘•.¸♡ ♡¸.•’'•.¸♡ ♡¸.•’'•.¸♡ ♡¸.•’

The door finally creaked open, a small glass bottle being pushed towards him from the barely ajar entrance. He looked up to where your head would be, your eyes nervously staring down to the side. You started to apologize in a soft mumble as you slowly revealed yourself, now completely dressed.

"Sorry for throwing my weapon at you earlier, but this is all I can give right now. If I had eaten Night Lucernes prior, it would've been better quality. Um... enjoy I guess?"

"Thank you for the drink." Laios smiled and took the bottle in his hands, staring at the liquid. It was warm, which was expected since it just came out of your body, and it wasn't fully white like he thought it would be, the color just had the faintest tinge of yellow that could be missed if he wasn't looking close enough. He took the glass's edge to his lips and finally, he took a small swig of it.

Sweet, precisely as he thought it would be, but not as overtly strong to make him sick or give him an immediate cavity. The book was right to say that it was thick, almost similar to a honey-like consistency but still light enough to not choke at the heavy feeling of it go down his throat. He didn't realize that he quickly drank all of it at once, his tongue running across his lips to catch any remaining liquid left. You said that this wasn't the best quality, but he couldn't imagine it being any better than what he just drank.

"That was..." Laios paused, smacking his lips to try and remember the taste once more. Your face slightly fell, eyebrows worriedly scrunching together. "Amazing!"

"R-really?" The slightly-afraid look melted off in relief, your eyes glowing in happiness. "No one ever said that it tasted amazing before... Actually, no one actually tried it before except you Laios."

He... he was the first one that tried your milk? The fleeting thoughts he had prior ran through his mind again, his cheeks flushing a slight pink. If he really was the first one that drank something of yours... then it's only right that it would be specially reserved for him right? It's really selfish of him to keep this amazing beverage from his dear party, but something like this should be cherished by the one that adores you the most.

He quickly grabbed your hands, holding them up as he squeezed them tightly in excitement. "Can I have more later? I won't tell our party, it'll be our little secret exchange between the two of us."

Laios watched your expression turned from complete shock to shy awe, your tail twitching around and thumping against your legs. You were silent for a bit before looking up at him, a determined glint in your eyes. "W-what's in it for me? I can't just be the only one giving you something.

Shit. That was fair of you to bring up but him as a normal Tall-man, there was very little he could give you in return for your breast milk. "What would you want from me anyway?"

His mind immediately went into the gutter: you wanted to eat something off of him. It could be considered a fair exchange, consumable body part for consumable bodily fluid. Maybe you were getting tired of eating monsters, needing your actual nutrition from people. He started to get nervous, what would he be able to give you from his body? Would a finger satiate you or would you need something larger? Laios can't really give up his arms or legs, he'd need them in order to get through the dungeon and save Falin. Tongue was completely out of the question, he can't imagine not being able to taste food in both normal and monster dishes.

The idea of giving you his dick to consume suddenly popped up in his mind, the thought of trying to cut it off caused him to pale. He didn't use it much compared to his other body parts, only needing it to use to take a leak; he wasn't really the sexually active type either, being able to count the partners he previously had on only one hand. Technically and hesitantly, that would be the only large body part that he can give up for you.

Briefly, he imagined how'd you eat it. You weren't an messy eater when it came to Senshi's food — despite having to learn how to use utensils but still preferring to make use of your hands — so you'd probably be as neat as possible with it. You'd eat it raw, as soon as he managed to slice it off his person, warm crimson slipping down your fingers as you bite down through the layers of skin and muscle.

Or there was the possibility that you wanted to take it off yourself, kneeling right down in-between his legs, hands slowly sliding up his thighs to his hips as you approached his lower half. He'd be forced to watch you take his soft cock into your mouth, probably struggling if he accidentally got hard during the process. The last thing that Laios would feel would be your mouth's warmth wrapping around it before chomping down.

A shiver went down his spine, though it didn't feel as horrid as it was supposed to be.

With your big lashed eyes, you slowly blinked once more as a small smile grew on your lips. "Knowledge. I want to learn about the outside world. I've never left the dungeon before, all the adventurers that came before your party prevented me from ever trying."

Oh... That's actually not a bad exchange request, simple in nature. At least he gets to keep his junk, despite his heart still pounding from what his fucked-up mind just mustered up.

"Okay deal. I'll teach you about my world in exchange for milk." He put out his hand, letting you reach out and shake it. Your eyes relaxed as you smiled warmly up at him, finally letting him go. Laios then went over and patted your head, rubbing the top gently. You stiffened lightly at the gesture, his fingers brushing over the horns. They were smooth with faint ring-like indentations, almost an ivory-creamy color. Truly a fascinating feeling.

"There you guys are! You've been gone for so long that we were starting to get worried." Marcille. You batted his hand off of your head quickly, turned around with a tautly-pulled grin towards the elven girl.

"Must've lost track of time finding what Senshi wanted, sorry about the wait. You guys must be starving by now." The two of you started to chat walking back to the temporary camp, Laios watching and following from behind. You pulled out the oxalis in your bag to show her, a proud expression beaming off your face as you brought up his face when he first tried it. His stomach twisted, his hand resting on the top of his armor-covered abdomen.

There were very few monsters he found cute, most being out-of-this-world frightening to gaze upon, but you truly were one of the cuter ones around. He felt hungry again as your hips swayed from side to side, tail flicking around. He brushed the fingers that he touched your horns with against his lips, reminiscing on the texture. How sensitive were they? You did go rigid when he brushed against them, but it could be just from the shock.

Saliva was building up in his mouth again, and he could only harshly swallow back the feeling.

Deplorable he was with this appetite, the desire to consume you piece by piece. Would you accept that as one of your final fates? Rather than being killed and left behind with little to no chance of being revived, he'd pick up every raw part of you and eat it, savoring each bite in respect for what you've sacrificed to help him find his sister. Laios would try to bring the inedible bits of you with him — bones, teeth, horns, nails, hooves, hair — for the rest of this dungeon's journey and back into his world. Your wish would be granted, despite not being able to fully witness it yourself; you might even thank him for that bit of kindness too.

This thing the two of you had was special, unbeknownst to the others. A friendship that couldn't be understood by the other members of the party, but was completely comprehensible to only you and him. Symbiotic, just almost mutualistic. A love of one's flesh in exchange for the love of another's world.

Love.

Though Laios has expressed his heavy interest and passion in monsters, he never had said he loved them. Most were mindlessly dangerous, no matter how small or large they were, acting on base instinct. Yet, you were different. In fact, he could say that you were the opposite of him. Instead of being grouped together with your fellow monster-kind, you were more interested in being around outsiders. Different sides of the same golden coin.

A realization hit him, his eyes widening. The strange feelings in his body, the perverse, obsessive fantasies he's been having about you... It could only mean that he—

"Jeez Laios, you've been spacing out all day. Are you okay?"

He snapped out of it, staring at the concerned looks of both you and Marcille. Laios only smiled, his golden eyes focused completely on your form. Both your ear and tail tip was twitching, flicking in the air as if a fly was nearby.

"I'm just hungry, that's all."

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somebodys-nightmare · 30 days ago

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Understanding the Romantic Narrative Arcs in Final Fantasy VII

There has been no shortage of discourse surrounding the “Love Triangle Debate”, (a fan-constructed term, I must inform you) of FFVII for a very long time. Most recently, with the release of FFVII Rebirth, this discourse has intensified and led to a wide spectrum of fan conclusions that range from grounded in narrative sense to completely baseless or delusional. Some takes are attached to contemporary relationship issues, personal experience, comparisons to other media or works of fiction, social constructs or societal issues, personal preference, or a lack of full context.

While any piece of media or fiction is subject to some level of interpretation (this is the very nature of humans consuming works of art), most works are created with intentional narrative direction. In fact, many works are formulaic, especially in genres such as fantasy, romance, mystery, etc. While of course there are always exceptions and deviations, as a writer and former English literature teacher I can say that most stories follow a general narrative structure or arc that makes them digestible and satisfying to readers/audiences. Such arcs impact the main, external, internal, and subplots of a story, as well as individual character arcs and character relationship arcs.

Final Fantasy is no different. While there are other cultural influences as FFs are Japanese stories, my experience with the series is the writing generally follows most storytelling conventions that can be found in all forms of archetypal writing, cross-culturally and generationally. FFVII is often accused of being ambiguous or open-ended in many aspects of its story. I tend to disagree with this idea and think that its storytelling is subversive rather than ambiguous, meaning that it requires players to work harder and use more critical thinking in order to reach the author’s intended conclusions. It also relies on false or misleading narratives for a good part of the story (such as red herrings, illusions, or unreliable narrators) as storytelling devices that help the truth in the story unfold in later parts of the narrative arc(s). Like any piece of media using these storytelling methods, this means that there will be controversy or debate as audiences contend with the author’s messages or intentions. However, that does not mean that the intentions are not there and that there is not an intentional outcome on the part of the writers.

Personally, I believe that FFVII has a very clear narrative structure for all of its main plot, sub plots, and character arcs, but that its approach is challenging to many players who have to wrestle with the story as it unfolds to understand it. It is not spoon-fed, and some revelations may betray player attachments that were originally formed. However, in my view, this is what makes FFVII such an exceptional story when compared to many others. That being said, the lack (or refusal) of understanding of FFVII’s narrative arcs has led to discourse that unfortunately mischaracterizes many of the characters and pushes inappropriate perspectives onto the storytelling, mostly surrounding the romantic arcs of the main characters and the so-called “LTD” (the fan construction, remember?). I strongly believe that the best way to understand any story is to follow the narrative arcs in order to arrive at the author’s intended conclusions.

I’m going to attempt to do that for the romantic subplots in FFVII in hopes of bringing some clarity to this issue. This analysis is based on a standard Three-Act Romance narrative writing structure (which aligns with the Hero's Journey structure), as well common romantic archetypes and tropes, both for characters and plot, but applied to the specific context of the story, world, and characters of FFVII. Please note that this is my personal analysis and it is by no means perfect, nor am I saying this is the bible of how FFVII has been written. I just hope it gives some insight into why some storytelling interpretations of FFVII should make more sense than… others. This analysis will draw from bits of the entire compilation, but the primary focus of the structure will be looking at FF7R with the OG as a baseline.

This is a long thread, so please see the outline for discussion below.

Romantic Structure/Trope Analysis

Cloud/Tifa: The Slow Burn/Childhood Friends to Lovers Romance

Aerith/Cloud: The Unrequited Love/Not Meant to Be Romance

Zack/Aerith: The Long Lost Love Romance

Final Thoughts: The "Love Triangle" is a Narrative Illusion

Cloud/Tifa: The Slow Burn/Childhood Friends to Lovers Romance

Act 1: The Beginning

The Hook (Childhood Connection Revealed)

Romance Structure: Introduction / Setup

Purpose: Establish the protagonists in their everyday lives, showing what emotional or psychological issues are holding them back from love. Readers should get a sense of their internal conflicts and motivations, along with the external situations that will challenge them later.

Childhood Friends Layer: Introduce the deep connection between the two characters, showing them as lifelong friends with an established bond. There could be hints of one or both characters secretly harboring feelings for the other, but they haven't acted on it due to fear of losing the friendship.

Example: Cloud and Tifa are childhood friends with a complicated history. Although they were close when they were little, they drifted apart but secretly longed for one another. They shared a romantic promise and then separated for seven years. At the beginning of FFVII, they are reunited, but both characters are contending with serious internal and external conflicts - Cloud’s identity crisis and the Shinra Company’s greed and abuse of the planet.

The Inciting Incident / Call to Adventure / Meet-Cute

Romance Structure: Inciting Incident / The Meet-Cute

Purpose: The main characters meet or are pushed together by external circumstances. This encounter introduces the romantic conflict—whether it’s instant attraction or tension between them.

Childhood Friends Layer: Since they’ve already known each other for years, the “meet-cute” here is more about seeing each other in a new light. Maybe one of them returns to town after time away, or an external event shifts their dynamic, making one or both start to view the other differently.

Example: Cloud and Tifa reunite in Midgar and Tifa recruits Cloud to work for AVALANCHE. She does this primarily to keep him close so she can keep an eye on him as she is worried about him and his mental state. During this time, we see an instant chemistry between Cloud and Tifa as they reconnect after years apart. When conflicts are introduced, we see the strain that it puts on them, but we also see how there’s a lingering desire for closeness, whether it be in their discussion/memory of the promise, their mutual flirting, their skinship, etc.

First Plot Point / Refusal of the Call

Romance Structure: Rejection of the Relationship

Purpose: The characters resist the idea of a romantic relationship, often due to internal or external obstacles. There’s a clear push-pull dynamic as they fight their growing attraction, often rejecting the possibility of being together.

Childhood Friends Layer: The hesitation here comes from their shared history. Both characters are afraid to risk their close friendship for something as uncertain as a romance. This dynamic creates tension as they begin to realize how much they depend on each other emotionally.

Example: This isn’t directly addressed, but the narrative deflects from intentional romantic confrontations at this point because of Cloud’s identity crisis and the pressing issues of the external conflict. Neither character is outwardly pursuing a relationship, but they don��t exactly deny their desire for closeness. We consistently see the push/pull between Cloud and Tifa throughout the early part of their arc. It's also further complicated when Sephiroth starts to sabotage their relationship.

Act 2: The Middle

First Pinch Point / Acceptance of the Quest

Romance Structure: Giving the Relationship a Chance

Purpose: External circumstances push them together, forcing them to interact and face their growing connection. Even if they resist the idea of love, the bond between them deepens as they spend more time together.

Childhood Friends Layer: Their shared history becomes an advantage and a source of conflict. The deeper they dive into new romantic feelings, the more they rely on the comfort of their friendship, but they’re also terrified of crossing the line and ruining everything.

Example: Cloud and Tifa work together both with AVALANCHE and the party at large to combat the threats present in the external conflict. Additionally, they share deep trauma from the Nibelheim Incident that brings them closer together as sources of comfort. They become one another’s rocks, and though they still do not move toward any explicit romantic confirmation, it is clear from their behavior that they both hold deep feelings for each other and care for each other greatly. Cloud in particular holds on to his promise to Tifa, making it a cornerstone of his strength moving forward.

Midpoint Crisis / Trials and Temptations

Romance Structure: Midpoint / I-Need-You-But-Can’t-Have-You

Purpose: This is a major turning point where the characters either experience a "false high" (where they feel like things are going well but something still isn’t quite right) or a "false low" (where they feel like things are falling apart). There’s often a pivotal moment of intimacy that deepens their bond but also introduces new fears.

Childhood Friends Layer: The fear of losing the friendship intensifies. They might experience their first kiss or confession of deeper feelings, but the risk of ruining their long-established bond makes the situation more fraught with anxiety.

Example: This particular point in the arc gets a little tricky for Cloud and Tifa because of Cloud’s identity crisis and Tifa’s reticence around their mismatched issues. However, Rebirth has made it clear that before the end of disc 1, Cloud and Tifa are aware of their feelings for each other and that the narrative is still in the way of it. This arc intersects events that transpire from Kalm to Gongaga, and we see the build-up of tension due to the internal conflict between Cloud and Sephiroth.

Second Pinch Point / The Road Back

Romance Structure: Pulling Back Together

Purpose: The characters are drawn back together by external events, but their internal fears and conflicts still loom large. The romance starts to deepen, but both are still fighting their feelings in some way.

Childhood Friends Layer: They try to go back to being "just friends," but it’s clear that things have changed between them. The emotional and romantic tension keeps building, and they can’t ignore how much they need each other.

Example: We see this dynamic between Cloud and Tifa continue to build throughout disc 1, particularly in Rebirth. We are consistently reminded of the tension between them and the importance of their relationship, regardless of romantic intent. Gongaga and Nibelheim are great examples of this.

Second Plot Point / The Fall

Romance Structure: The Fall

Purpose: The characters are now falling in love, even if they haven’t fully admitted it to each other. There’s often a deeper moment of intimacy—physical or emotional—that makes them realize just how much they mean to each other.

Childhood Friends Layer: One or both characters realize they’ve fallen hard for their best friend, but they are still careful or hold back from telling the other, afraid it might ruin everything. Nonetheless, they give in to their feelings in some capacity, which marks a turning point.

Example: The Gold Saucer date would be the best parallel for this point in the arc for Cloud and Tifa. In the OG Tifa almost confesses to a very interested Cloud, in Rebirth, they confirm feelings and kiss. Either way, it’s clearly meant to signal at this point, the fall has happened.

Act 3: The End

The Crisis / Dark Moment

Romance Structure: Dark Moment / The Break-Up

Purpose: This is the point where everything falls apart. The characters break up or distance themselves, either because of internal or external forces.

Childhood Friends Layer: The weight of their shared history makes this moment even more devastating. The fear of losing the friendship forever becomes real.

Example: For Cloud and Tifa, this moment is really hinged on Cloud’s mental breakdown. After the Gold Saucer Date, Cloud’s mental state progressively worsens due to events that occur within both the internal and external conflicts, and his bond with Tifa is severed completely at the Northern Crater. Cloud and Tifa are separated when Cloud falls into the Lifestream.

The Sacrifice / The Crisis Resolution

Romance Structure: The Sacrifice

Purpose: One or both characters must confront their fears and make a choice. This moment often involves a grand gesture or a realization that love is worth the risk.

Childhood Friends Layer: The realization comes that their friendship has always been the foundation of something more. They understand that risking the friendship for love is not only worth it but that the friendship can only deepen through their romantic connection.

Example: This point comes in Mideel and the Lifestream Scene. Tifa reaches her own realization about her relationship with Cloud and how her reticence has impacted things, and her conviction to save him and be with him is both profound and clearly romantic. Inside the Lifestream, Tifa helps Cloud to find himself, and many revelations about his true feelings for her are brought to light. Of course, we have not reached this point of the story in FF7R, so it will be intriguing to see how it unfolds, given all of the additional context the remake series and ToTP have provided.

The Climax / Declaration

Romance Structure: Declaration

Purpose: The characters finally confess their love for each other, making the leap from friends to lovers. This is the emotional high point where the relationship is solidified.

Childhood Friends Layer: The confession of love is tied to their long history, as they realize that their deep emotional connection as friends is the foundation for a strong romantic relationship.

Example: This moment for Cloud and Tifa is the Highwind Scene in the OG, where they confirm, without words, that their feelings match. Once again, we will see how this event unfolds in Part 3 with all the new and deepened context of Cloud and Tifa’s relationship in 7R.

The Resolution / Denouement

Romance Structure: Denouement / HEA

Purpose: The characters are together and happy, giving the reader a sense of closure.

Childhood Friends Layer: The resolution emphasizes how their strong friendship has transitioned seamlessly into a romantic relationship, giving the sense that they’ll continue to support each other as both friends and lovers.

Example: In the OG, this is seen in the FMV of the game where Cloud and Tifa are together, leading to the resolution of the entire story as Holy and the Lifestream are released. While this scene isn’t particularly direct, it’s enough to show that Cloud and Tifa are together, which leads to ACC where they live and raise a family together. This entire ending segment will likely be greatly expanded in FF7R, and so it'll be interesting to see how these moments are handled, given all of the new context.

Aerith/Cloud: Unrequited Love/Not Meant to Be Arc

Act 1: The Beginning

The Hook (Unrequited Feelings Introduced)

Romance Structure: Introduction / Setup

Purpose: Introduce the protagonist, who falls for the other character. Set up their emotional and psychological conflict, showing how these unrequited feelings shape their interactions with the other character.

Unrequited Love Layer: The character’s love is clearly unreturned, but they hold on to hope. There is a mix of admiration, longing, and pain as they watch the love interest live their life without ever seeing them as a romantic partner.

Example: Aerith’s feelings for Cloud, who she meets first on the streets of Midgar and later inside her church, are inspired by her long-lost love, Zack, whom he reminds her of. We don’t know this immediately, but we find out soon enough, and the story, especially 7R, is full of visual and symbolic cues.

The Inciting Incident / Call to Adventure / Meet-Cute

Romance Structure: Inciting Incident / The Meet-Cute

Purpose: The characters are pushed together by external circumstances, giving the protagonist more time with the love interest. The character sees this as an opportunity to grow closer, but the other character remains unaware or indifferent to their romantic feelings.

Unrequited Love Layer: The character is thrilled to spend more time with the other character and hopes this will bring them closer. However, the love interest still sees the relationship as platonic, creating tension.

Example: While their interaction on Loveless Street is the fated moment for Cloud and Aerith, the meet-cute is their meeting in the church. This is the inciting incident that not only truly triggers Aerith’s latent Zack-longing, but also begins Cloud and Aerith’s friendship as they work together for a common cause. Aerith flirts with Cloud quite a bit at this point, displaying her interest, but Cloud does not reciprocate in any romantic sense. She also refuses to let him leave and follows him around, essentially solidifying Aerith’s place in the player party and cementing her role as the heroine driving the external conflict. From here on out, we are consistently reminded that Cloud reminds Aerith of Zack, the deeper reason for her interest in him.

First Plot Point / Refusal of the Call

Romance Structure: Rejection of the Relationship

Purpose: The protagonist’s feelings remain unrequited. The other character might express interest in someone else or explicitly state that they don’t see the protagonist in a romantic light. This deepens the emotional conflict for the protagonist, who struggles with unspoken feelings.

Unrequited Love Layer: The protagonist is heartbroken but holds onto hope. They keep pushing their emotions down, unwilling to let go just yet.

Example: Aerith meets Tifa and quickly realizes that she is someone deeply important to Cloud. In Remake, she realizes this even before meeting her when Cloud has a headache and calls out Tifa’s name. Her awareness changes her behavior somewhat, but internally, she still is still conflicted because of her internal conflict over Zack.

Act 2: The Middle

First Pinch Point / Acceptance of the Quest

Romance Structure: Giving the Relationship a Chance

Purpose: External circumstances continue to push the characters together, and the protagonist’s feelings deepen. They begin to cling to small moments, hoping that their love might one day be reciprocated.

Unrequited Love Layer: The protagonist interprets friendly gestures as signs of romantic potential. They invest emotionally in every small interaction, hoping it means more than it does. However, deep down, they start to feel the weight of their unreturned affection.

Example: The journey continues with the party leaving Midgar, and Aerith’s feelings for Cloud grow despite her knowledge of his bond with Tifa as the party travels together. In Rebirth this is further complicated by Aerith’s loss of foresight/memories to the Whispers. We are also constantly reminded of Aerith’s lingering feelings for Zack and her grief and sadness over his loss/disappearance. Throughout the journey, she seeks out opportunities to spend time with Cloud - “dates” even though these moments are not reciprocated romantically. A notable example of this is her date with him on the clock tower in Kalm, where she speaks to him about his relationship with Tifa (hinting at her knowledge of their bond and her jealousy over it) and then her public declaration that they were on a date (in front of Tifa). Cloud's reaction to moments like these continue to inform the audience he does not return romantic affections for Aerith.

Midpoint Crisis / Trials and Temptations

Romance Structure: Midpoint / I-Need-You-But-Can’t-Have-You

Purpose: A major turning point occurs where the protagonist either faces the possibility that their love will never be returned or sees a fleeting moment where they think it might be. The emotional stakes are higher, as the protagonist grapples with whether to continue holding on.

Unrequited Love Layer: The character might attempt to make their feelings known, either explicitly or through subtle gestures, but the love interest doesn’t reciprocate. The character is left feeling exposed and vulnerable, yet still holding on to hope that things might change.

Example: For Cloud and Aerith, this continues to be the nature of their relational development throughout most of disc 1, but their interaction on the water tower in Nibelheim is probably the best example of this. Aerith has to grapple with her jealousy over Cloud and Tifa’s bond, which she has been observing for the entire game. Her acknowledgment of her feelings over it is a major turning point as a character. Additionally, this moment really cements that Cloud views his relationship with Aerith as a cherished friendship, as we see the way that he cares about her angry reaction.

Second Pinch Point / The Road Back

Romance Structure: Pulling Back Together

Purpose: Circumstances force the characters to spend more time together, even though the character is starting to feel the emotional strain of unrequited love. There may be a moment of temporary hope, but it’s tinged with the growing realization that their feelings might never be returned.

Unrequited Love Layer: The character becomes more emotionally drained as they begin to sense that their love will remain one-sided. They might try one last time to be closer to the love interest, but the gap between them is becoming clearer.

Example: This moment could best be viewed through Cloud and Aerith’s Gold Saucer date. There, Aerith not only tries to get closer to Cloud but she opens up emotionally and gives Cloud insight into the root of her feelings, which is Zack. Cloud does not reciprocate any of Aerith’s romantic overtures in this date and rather displays discomfort or awkwardness throughout most of it. However, he does allow her a moment of emotional vulnerability, which he has not been willing to do previously. This is further contextualized by how, In Rebirth, Cloud has remembered Zack by this point (albeit incorrectly). Cloud, who cherishes and cares for Aerith greatly as a friend, is considerate of this connection and offers her comfort for the grief and loss she has just admitted to feeling and seeking consolation in him from. Hence "just until the ride's over"; "I didn't do anything" etc...

Second Plot Point / The Fall

Romance Structure: The Fall

Purpose: The character finally realizes that their love will never be returned. This is an emotionally intense moment where they are forced to confront the truth—they will never be more than a friend or confidant to the love interest.

Unrequited Love Layer: The protagonist may be devastated by the final confirmation that their feelings will never be returned. The emotional weight of unrequited love becomes too much, and they start to realize they need to let go, or come to other realizations about their feelings.

Example: The moment that most closely matches with this point in the arc is the dream stroll through Sector 5. Not only does Aerith accept that Cloud doesn’t return her feelings romantically, but she comes to a realization of her own feelings and questions them. This is clearly a reference to Zack, whose internal conflict has been consistently foreshadowed. Aerith also seems to recognize that she can’t help Cloud with his internal conflict - that is Tifa's role.

Act 3: The End

The Crisis / Dark Moment

Romance Structure: Dark Moment / The Break-Up

Purpose: This is the point of emotional reckoning, where they face the reality of unrequited love and move on in their arc.

Unrequited Love Layer: The character experiences grief over their unreturned feelings. They might decide to pull away from the love interest entirely, or they may try to come to terms with remaining friends while letting go of their romantic hopes and moving on.

Example: For Aerith, this moment is marked by her complete transition to her role in the external conflict. At this point, she has let go of her romantic fancy for Cloud and has committed herself to the bigger picture. It is at this point that she leaves the party, and leaves Cloud in the Sleeping Forest, to fulfill her role as a Cetra.

The Sacrifice / The Crisis Resolution

Romance Structure: The Sacrifice

Purpose: The protagonist sacrifices their unrequited love, realizing they need to move on for the sake of their own emotional well-being or greater purposes. This is a bittersweet moment of acceptance and self-growth, where they let go of the hope that kept them holding on for so long.

Unrequited Love Layer: The protagonist may realize that holding on to unrequited love is only hurting them or preventing them from reaching a greater purpose.

Example: For Aerith, this point in the arc is less about Cloud and more about her role in the external conflict. This is the point in which she travels to the Forgotten City, prays, and ultimately is killed. However, it is bittersweet and tragic for her, ultimately, because she dies with unrequited love from Cloud and without ever getting closure on her true love, Zack.

The Climax / Declaration

Romance Structure: Declaration

Purpose: Instead of a declaration of mutual love, this is the protagonist’s internal declaration of acceptance. They start the process of moving on.

Unrequited Love Layer: The protagonist lets go of the love interest in their heart, realizing that they need to focus on their own future. The love interest is likely unaware of this internal shift, but it’s a powerful moment of growth for the protagonist.

Example: For Aerith, this is perhaps best viewed in her complete transition after death to the larger role she plays as the heroine of the planet from within the Lifestream. Her arc has fully transitioned away from her feelings for Cloud into her greater purpose. In FF7R, we can hope to see how Zack, who has been trying to find her, begins to impact this next phase of her arc.

The Resolution / Denouement

Romance Structure: Denouement / HEA

Purpose: Instead of a traditional happy ending, this is a reflective, bittersweet resolution. The character has grown emotionally. There is a sense of closure, though it may come with lingering heartache.

Unrequited Love Layer: The character has let go of the hope that their love would ever be returned. They are stronger for it and have moved on.

Example: For Aerith and Cloud, this moment is best summed up by their brief Lifestream reunion at the end of the game. It will be intriguing to see how this moment is expanded and provides closure for Cloud and Aerith’s relationship, as well as Zack’s role in both.

Zack/Aerith: Long Lost Love/Tragic Love Arc

This arc is a little more complicated to map out since it is not only incomplete but riddled with mysteries at this point. However, I’m going to do my best to make the connections based on the information we have and where we can theorize things may be going.

Act 1: The Beginning

The Hook

Romance Structure: Introduction / Setup

Purpose: Establish the protagonist’s life after the estrangement, showing how unresolved feelings for their lost lover impact their emotional world. There’s a sense of longing and unfinished business that propels the protagonist’s actions.

Long Lost Lovers Layer: The protagonist is haunted by memories of their estranged lover and driven by a deep desire to find them again. This longing is fueled by unresolved emotional wounds, and the protagonist clings to the hope of a reunion.

Example: In Rebirth, from the beginning, Zack is singularly focused on reuniting with Aerith. After his escape from Nibelheim, even as he carries the wounded Cloud, Zack’s thoughts are consumed by Aerith. His love for her pushes him forward despite the dangerous and confusing circumstances he finds himself in. Zack’s motivation intensifies when he discovers, through a newscast, that Aerith is in danger. This revelation shifts Zack from hopeful longing to immediate action, driving home the urgency of his quest. His decision to prioritize Aerith’s safety over everything else, including Cloud, underscores how central Aerith is to his purpose, raising the stakes for his emotional journey.

The Inciting Incident

Romance Structure: The Call to Adventure

Purpose: The inciting incident transitions the protagonist from passive longing to active pursuit of reunion. Some event or revelation forces the protagonist to act, prompting them to seek out their estranged lover. Often, this is triggered by the discovery that the lover may be in danger.

Long Lost Lovers Layer: The protagonist realizes that simply hoping for a reunion isn’t enough—there’s now a tangible reason for urgency. This event serves as a catalyst for the protagonist to fully commit to the journey of reconnecting with their lover, increasing the stakes as they shift from passive longing to active pursuit.

Example: After mysteriously "surviving" his last stand against Shinra (as seen at the end of Crisis Core), Zack rescues Aerith from Shinra’s grasp in Rebirth. However, instead of a triumphant reunion, the moment is clouded with confusion and tragedy. This rescue scene signals Zack’s deep emotions for Aerith and heightens the sense of foreboding in their relationship arc. The player quickly realizes that the reunion isn’t straightforward and that darker forces are at play, casting a shadow over Zack’s determined rescue.

First Plot Point

Romance Structure: Refusal of the Call / First Obstacle

Purpose: The first major obstacle or refusal of the call introduces the initial challenges the protagonist faces in their pursuit of the lost lover. Despite their determination, external forces or internal doubts surface, complicating the journey.

Long Lost Lovers Layer: The protagonist’s optimism about reuniting with their estranged lover is challenged by harsh realities—whether through physical danger, supernatural elements, or emotional barriers. This moment introduces doubts about whether a reunion is possible, raising tension and uncertainty.

Example: Zack eventually brings a comatose Aerith and Cloud to Elmyra’s house. Zack’s devotion to them is evident as he cares for them despite their unresponsive states, but the world around him behaves in strange ways. The eerie sense of something deeply wrong in Sector 5 hints that Zack’s reality—and Aerith’s fate—are far from certain. He’s not just fighting to reunite with Aerith; he’s battling a reality that is becoming increasingly unstable. The player shares in Zack’s growing sense of anxiety and confusion, setting the tone for the more tragic layers of their arc to come.

First Pinch Point / Acceptance of the Quest

Romance Structure: Giving the Relationship a Chance

Purpose: The protagonist resolves to pursue their lost lover, hoping to rekindle what they once had. However, unresolved issues and emotional scars from the past begin to surface, complicating their journey.

Long Lost Lovers Layer: Time and distance have changed both characters, making reconnection difficult. The focus is on how time has altered both individuals and the lingering emotional weight of their separation.

Example: Zack’s attempt to reunite with Aerith is complicated by the metaphysical separation created by the Lifestream. Aerith remains comatose, as does Cloud, and Zack has to contend with both his own internal conflict as he tries to help them as well as the external conflict of his strange and mysterious circumstances within "Sector 5".

Midpoint Crisis / Trials and Temptations

Romance Structure: Midpoint / I-Need-You-But-Can’t-Have-You

Purpose: The protagonist’s need for their lost lover intensifies, but the relationship is far more complicated than expected. Old wounds and emotional or external barriers resurface, making reunion seem out of reach. Despite their determination, the protagonist begins to doubt whether they can ever restore what they once had.

Long Lost Lovers Layer: Time and emotional distance have changed the dynamics of their relationship. While both may care for each other, the past cannot easily be erased, and their attempts to reconnect are fraught with tension.

Example: External forces such as Sephiroth’s manipulations, and Aerith’s internal conflict over Cloud create an emotional barrier between her and Zack. Aerith, “asleep” in Zack’s world, remains unaware of his presence. As Zack learns from Marlene that Aerith’ "likes" Cloud, more tension and conflict is added. Despite these challenges, Zack remains unwavering in his commitment to reconnect with Aerith, determined to overcome the growing emotional distance.

Second Pinch Point / The Road Back

Romance Structure: Pulling Back Together

Purpose: The protagonist makes another push to reconnect with their lost lover despite significant setbacks. Faced with the reality that time is running out, the protagonist must act decisively to restore the relationship. While emotional connections may deepen, unresolved challenges threaten the outcome, leaving uncertainty in the air.

Long Lost Lovers Layer: Despite growing obstacles, the protagonist remains committed to rekindling the relationship. The emotional and physical distance between the lovers may still seem insurmountable, but the protagonist refuses to give up, holding onto the hope that they can salvage what they once had.

Example: Even as Zack’s hope begins to wane, he remains steadfast in his desire to reunite with Aerith. Zack finds himself pulled in multiple directions, creating additional conflicts. External forces and emotional entanglements continue to complicate their relationship, but Zack’s determination to bridge the emotional gap keeps pushing him forward. This section of Rebirth continues to heavily foreshadow both the truth about Zack as well as the future of Zack and Aerith's relationship, despite the conflicts.

Act 3: The End

The Crisis / Dark Moment

Romance Structure: The Break-Up / Darkest Hour

Purpose: The protagonist faces their darkest moment, where it seems that the reunion will never happen. Emotional scars or external forces tear the lovers apart, and the protagonist believes they’ve lost their final chance to reconnect. The relationship nears failure as the protagonist faces the harsh reality of their situation.

Long Lost Lovers Layer: The conflict grows to the point of no return. Previous mistakes or external conflicts surface, causing the relationship to fall apart, and the protagonist is left devastated, feeling that the reunion may never come.

Example: In Rebirth, this moment comes near the ending of the game when Sephiroth's confluence of worlds plays a role in role in further uprooting Zack's existence in the Lifestream. We also know that this is the time that Aerith dies in the real world, further complicating matters and adding new layers of conflict.

The Sacrifice / The Crisis Resolution

Romance Structure: The Sacrifice

Purpose: The protagonist realizes that to win back their lost lover, they must sacrifice their pride, fear, or ego. This emotional climax reflects their willingness to make a grand gesture or display vulnerability, showing they’ll do whatever it takes for a second chance.

Long Lost Lovers Layer: The protagonist makes a final, heartfelt plea to the estranged lover, acknowledging their mistakes and baring their soul. The lover, moved by the sincerity, must decide whether or not to take the risk of rekindling the relationship.

Example: Although we don’t yet know how this will play out in the Remake series, it’s likely that Part 3 will feature a reunion between Zack and Aerith. The conflicts that have built up—including Aerith’s internal struggle regarding Cloud—will need resolution. Advent Children (ACC) shows Zack and Aerith together in the Lifestream, setting the stage for a reunion in the Remake. The exact nature of this reunion remains speculative, but it’s likely Zack will make a significant sacrifice or grand gesture to resolve the emotional conflicts that have kept them apart.

The Climax / Declaration

Romance Structure: Declaration

Purpose: The estranged lover finally decides to take the risk and give the relationship another chance. After much internal struggle, they admit they’ve never stopped loving the protagonist, and they’re ready to move forward together. This is the emotional peak where both characters commit to each other.

Long Lost Lovers Layer: The reconciliation finally happens. After everything they’ve endured, the estranged lover acknowledges their lingering feelings and agrees to rebuild the relationship. Both characters take a leap of faith, trusting that they can overcome the past and move forward.

Example: Though speculative, if the arc follows the long lost lovers trope, Zack and Aerith will likely experience a heartfelt reunion in Part 3. Their lingering feelings would finally be acknowledged, clearing up Aerith’s complicated feelings for Cloud while reaffirming her bond with Zack. This declaration of love would also tie into the larger narrative arc, offering emotional resolution for both characters and allowing their story to move forward, especially in support of Aerith's role in the external conflict of the Planet.

The Resolution / Denouement

Romance Structure: Denouement / HEA

Purpose: The story concludes with a glimpse of the couple in their newly rekindled relationship. The emotional weight of their past has been lifted, and they are now ready to face the future together. Even if circumstances prevent a traditional “happy ending,” there is emotional closure and a sense of peace.

Long Lost Lovers Layer: After the pain, separation, and emotional struggle, the couple is finally together. The audience is left with a sense that their love will endure this time, offering a bittersweet but satisfying conclusion to their long journey.

Example: In Advent Children (ACC), we see Zack and Aerith reunited in the Lifestream, helping Cloud in his final battle. Their reunion suggests that, while they may no longer live in the physical world, their connection endures beyond death. Though bittersweet, their reunion offers emotional closure. The final installment of the Remake series will likely bring full resolution to Zack and Aerith’s arc, providing a satisfying conclusion, even if there are tragic elements along the way.

Final Thoughts: The Love Triangle is a Narrative Illusion

Cloud and Tifa’s Slow-Burn Childhood Friends to Lovers (Canon)

Cloud and Tifa’s relationship in Final Fantasy VII is a carefully crafted slow burn, rooted in a deep bond that extends back to their childhood in Nibelheim. Their connection is not built on superficial or flimsy romantic interactions but on a shared past and the quiet intimacy that grows from years of unspoken longing but is complicated by trauma.

Cloud and Tifa’s natural chemistry is driven by their subconscious desires and the deep, unspoken feelings they have for one another. For Cloud, his buried emotions instinctively reach out to Tifa, even though he isn’t fully aware of them. The narrative hides these true feelings, but subtle moments of affection and protectiveness reveal that, deep down, Cloud’s heart is already tied to hers, laying the groundwork for their eventual emotional connection.

The game’s emotional climax in the Lifestream, where Tifa helps Cloud piece together his shattered memories, is a pivotal moment in which both characters finally confront the depth of their feelings for each other. Their journey isn’t one of dramatic declarations, but rather a gradual, emotional reconnection that allows deeply held, mutual love and longing to blossom—a love that is grounded in shared history, healing, and mutual understanding and compassion.

This slow-burn romance stands as the true heart of Cloud’s emotional journey, dispelling the illusion of a love triangle and making it clear that Cloud’s deepest emotional ties are with Tifa.

Aerith and Cloud’s Unrequited Love / Not Meant to Be Semi-Canon/One-sided) (Fanon - mutual)

The dynamic between Aerith and Cloud, while often misinterpreted as romantic, is better understood through the lens of unrequited love and fate’s intervention. Aerith’s initial attraction to Cloud is undeniably influenced by his resemblance to her first love, Zack Fair.

As time goes on, Aerith tries to see Cloud for who he is, but tragically, this is not possible before her death, and her feelings remain complicated and unreciprocated. Their bond, while significant as friendship, never goes beyond that, reinforcing the fact that Aerith’s feelings for Cloud are more of an echo of her past with Zack.

Cloud's true self being in love with Tifa and Aerith’s tragic death seal the fate of their relationship as one that was never meant to be—a fleeting connection, shaped by circumstance rather than true compatibility.

The tragedy of this unfulfilled arc serves as a powerful narrative device, but it is clear that Cloud and Aerith were never destined to end up together, further dispelling the notion of a love triangle.

Zack and Aerith’s Long Lost Love / Tragic Love (Canon)

Zack and Aerith’s relationship is the quintessential tragic love story in Final Fantasy VII, defined by separation, longing, and loss. Aerith’s first love, Zack, vanishes from her life without explanation, leaving her with unanswered questions and unresolved feelings. Even as she begins to move forward, her heart never fully lets go of Zack, who is revealed to have fought valiantly to return to her—only to tragically lose his life in the process.

The tragedy of their love lies in the fact that both characters hold onto each other, but fate conspires to keep them apart, making their love story one of the most emotionally poignant elements in the game. Even in death, their connection endures, with Zack and Aerith appearing together in the Lifestream in ACC, symbolizing a love that transcends life itself. This arc, while bittersweet, resolves the narrative of Aerith’s romantic life—Zack was her true love, and Cloud was a reflection of the man she had lost, not a new love interest.

Their tragic love story dispels the myth of a love triangle in Final Fantasy VII, emphasizing that Aerith’s heart always belonged to Zack, even as she developed a bond with Cloud during her journey.

All of the relationships in the game are important. However, Cloud/Tifa & Zack/Aerith are the canon, mutual romantic relationships of Final Fantasy VII. Cloud/Aerith have a cherished friendship, but any romantic subtext of their relationship in the game is used as a vehicle to drive the conflicts and truths of the canon relationships forward. This is accomplished through illusions and subversions in storytelling, as well as creating internal conflict for the characters and canon relationships.

FFVII’s storytelling is deliberately designed to mislead the player through incomplete truths and emotional misdirection, including the use of red herrings, illusions, unreliable narration, and the omission of critical information or context. Cloud’s confused memories and persona, coupled with Aerith’s initial attraction to him based on his similarities to Zack, create the illusion of a romantic triangle, but the deeper truths—Cloud’s unresolved trauma and false identity, Tifa’s role as the keeper of Cloud’s real past and his true feelings, and Aerith’s ultimate fate as the Planet’s protector and her true love being Zack—gradually dismantle this illusionary love triangle.

I cannot stress enough that FFVII is not a love drama or soap opera where the game’s conflict centers on romantic rivalries, betrayal, deception, or morally questionable behaviors.. It’s a complex story that focuses on themes of life, loss, identity, self-discovery, legacy, and on and on.

Love - all kinds of love, including romantic, platonic, and familial - is a theme of FFVII, but truly and holistically, not for the sake of creating meaningless drama between the characters. The relationship dynamics appear messy at times in the earlier parts of the story, but these dynamics are designed to help us reach the proper conclusions about the story and the characters’ arcs, and how true love is a vehicle for reaching resolution for both.

Player’s choice is irrelevant to the plot. You cannot decide or alter the story structure or direction or individual character arcs or relationships. The most you can do is view the game through a slightly different lens by gaining an expanded understanding of character arcs and motivation with new replays.

Shipping is a fandom construct. It’s meant to be fun, and you can ship whatever you like. But shipping doesn’t intersect with the facts of a story or its narrative. Lying about any piece of media to convince yourself or others of its canonicity is bizarre behavior.

Respect the work and its intention, while having your shipping fun within your fandom. Don't embarrass yourself by saying an FF protagonist kissing the girl he’s loved since childhood and joined the army to impress means nothing, or worse, proves he the opposite of a hero.

You can ship your fanon without doing all that.

Last thing: Reunion is a primary theme of Final Fantasy VII. You may have noticed that it is also a primary theme for both of the canon romantic relationships. Personally, I believe that Part Three is going to drive this message home in a way that is unmistakable. I also believe that both lovers' reunions will be instrumental in resolving all of the conflicts of FFVII in the final game.

It’s not a coincidence that both reunions will take place in the Lifestream, or that they've been foreshadowed by the presence of the yellow flower.

I also believe that the dual Rebirth cover arts, described by Tetsuya Nomura as Sephiroth "tearing Cloud and Zack's worlds apart" are heavily foreshadowing the resolution of these relationships along with their connection to the the larger story structures of FFVII/FFVIIR.

Let's wait and see when Part 3 comes along.

#ffvii #cloud strife #cloti #tifa lockhart #final fantasy vii #ffviir #ffvii remake #ffvii rebirth #ltd #love triangle #love triangle debate #shipping discourse #shipping dynamics #shipping drama #shipping discussion #shipping debates

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echos-gal · 7 months ago

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ok i'm rapidly losing hope that Tech is still alive, and this sucks because it was basically the top thing i desperately wanted from this season. i wanted to see him survive. so here's my exhaustive and embarrassingly long list of reasons why he SHOULD still be alive, and if he isn't, why it was a missed opportunity. obviously no hate to the writers or anything, i love them dearly for creating this show!!!

(if you're a "Tech should stay dead for the stakes/so someone in SW stays dead for once/i hate delusional Tech stans" person, kindly keep scrolling, this ain't for you)

SEASON 2:

right from the start, Romar connects with Tech and calls himself "a survivor." HELLO???

in this same arc, Tech breaks his leg in a fall which he survives. he continues to walk on it, fighting off troopers to save Echo & Omega, showcasing his persistence and grit.

one of Phee's first lines is "better late than dead," and we know she shares a connection with Tech. she flirts with him later in this scene. it would be a shame not to reuse this line, i'm just saying....

Cid still owes Tech for racing for her in Faster. we see Cid looking miserable as she betrays the batch in Plan 99, so her playing a part in his rescue/comeback would be a nice way to show her growth. (i'm afraid there isn't enough time for this, though- as much as i thought a Cid redemption was on the horizon!)

Phee and Tech's departure is awkward, and although we have some context from season 3 (they talked more than we realized), the scene would do best if reconciled in person imo. it felt like it was setting up for something, and feels weird to leave hanging.

"don't go running off with any pirates or smugglers" could not have just been a throw away line. it set up for him to do exactly that. how fitting would it be if pirates or smugglers actually did manage to pick him up before the empire made it to the railcar crash site?

Hemlock's retrieval of the goggles shows that he sent a team to look through the wreckage. he thought there was a chance Tech survived, and may have him.

i won't go into the logistics, but big falls ARE survivable. in star wars especially. we have no idea what was below the layer of clouds/mist Tech fell through.

SEASON 3:

this is mostly CX-2 centric. their armor is very similar: the jaw/mouth shape, the hexagons over the ears, the rectangles on the chest, and the pouches/pockets.

"domicile." that is all.

CX-2 uses technology more than the other operatives we've seen, and he gets past the encryption on Phee's ship with ease.

"who are you?" was enunciated in the exact same way Tech says it to Trace and Rafa, which i definitely think was intentional.

CX-2 stops to use his rifle scope in the exact same spot where Tech and Phee stood to let down the ladders in the sea surge on Pabu.

he survives a waterfall plunge on Teth, which appears to have fooled Rex's group into thinking he'd died. the writers could have killed him off there and sent a new operative, but they chose to stick with CX-2 pursuing them to Pabu.

it's worth noting that while this CX is designated as "2," Tech's CT number is CT-9902. he is associated with the number even on a visual level: he's a dual-wielder, he wears goggles, he salutes with two fingers.

FROM A STORY PERSPECTIVE:

firstly, i am sorry and i LOVE the writers, but if you want people to accept a character's death, you've got to show his family and friends' grief. we saw no reaction from Crosshair or Phee, no tears from Hunter or Echo. it feels like fans were sadder about Tech's death than the characters in the story.

Tech seems to have been mentioned more in the second half of season 3 than the first half, which works if they want to bring him back in the finale.

the finale is called "The Cavalry Has Arrived." i really don't think you can have the cavalry (aka the bad batch) arrive without every member present. i also don't think it would feel right to play their theme without Tech there. idk, that feels incomplete!

we saw no body, and Hunter received Tech's goggles not from a trusted ally or friend, but from Hemlock. this calls into question the legitimacy of his claim that the goggles were "all he could salvage."

Tech alive and being held on Tantiss would provide a nice parallel to Echo in the first mission where we meet the batch, in TCW. and [ep 14 SPOILERS] we see that Echo is currently looking more like his TCW self, with his earpiece removed.

feels kinda sour that a character who a lot of people related to as neurodivergent representation would die just a few episodes after having a deep conversation with his sister about it.

likewise (and as a white woman i can't speak for WOC), from what i have seen, Black women are rarely the main love interest of a series! Phee is the ONLY love interest in this whole show, and it would suck to just cut off that romance before it could really become something. a lot of people wanted to see TechPhee become canon.

CX-2 is the one who destroys the marauder. it works well storywise for its pilot to have been the one to do that- the person who worked so hard modifying it, flying it, and teaching his sister to fly it. i'll be lowkey pissed if it turns out some random dude blew it up.

it's also CX-2 who invades and sets fire to Pabu. this is emotionally gripping on its own, but if he is Tech, it's even more so.

we have no idea what the operatives go through. Crosshair isn't telling, but it clearly put him in a really bad place. if Tech underwent this conditioning in his post-fall injured state, there's a chance he could come back from it. Emerie is probably the key to this, if they take the CX-2 route.

this show is all about a family trying to stay together as the Empire desperately tries to rip them apart. seeing the whole family together again - even if not everyone survives - in the finale is the satisfaction that the show ideally would go for. the last time they were all together was the season 1 finale. that was about 2 years ago in the show's timeline.

leaving Crosshair and Tech's final interactions be where they parted on the Kamino platform also feels off. Tech was the one who really vocalized the need to rescue Crosshair in season 2's finale. Crosshair, in the meantime, has changed significantly as a person. Tech's comment about Crosshair being "severe and unyielding," and unable to change this facet of his nature, is incorrect. leaving Tech dead would mean that he never gets to see this change in Crosshair, which makes me feel like a deflated balloon.

FROM MY SELFISH PERSPECTIVE!!!

give me Tech with cool scars and slightly disheveled longer hair. this is such a good opportunity for the creators to give him a sweet new look!

we never got to see Tech without his goggles on, despite Phee constantly referring to his eyes. he definitely doesn't have them right now (they're in the Archium), so we could get Mister Big Brown Eyes if he's alive. it's another missed opportunity if not, imo!

the goggles being placed in the Archium was a beautiful scene that makes me tear up whenever i think about it. it's symbolic, it's bittersweet, and it's exactly where the goggles belong. but was it closure for me? not really.

Tech is a character who became a LOT of people's favorite in season 2, including my own. why kill off a fan-favorite with an entire season to go?

yes, i desperately want a Rex and Echo series. yes, i want the batch to cameo in it, and yes... that includes Tech. making up for lost season 3 Tech content 😎

the finale will feature the zillo beast, and Tech loves the zillo beast. FREE HER! REUNITE THEM! he would love to witness her rampage.

FROM A "SURPRISE!!!!!" PERSPECTIVE

it seems like most people think Tech is either CX-2 or dead. it would be a great finale twist if we DID get CX-2's identity, it's NOT Tech, the audience loses hope, and then he shows up. i think this is actually plausible given the other assassin schematics Hemlock was looking at in Point of No Return. Tech might be in Hemlock's grasp, but not an active operative. having an enhanced clone to toy with is something Hemlock would want to keep under wraps. we see him step out of the assassin chamber at the start of that episode - if Tech is anywhere on Tantiss, i think it's here.

i think the writers have expected us to have all lost hope by now, so his finale reappearance would ideally come as a shock. the finale is almost guaranteed to be a very long episode, so we really might have quite a bit of time to explore his return, if it happens.

secret 16th episode: i know, i'm putting my clown makeup on as i type this. but the previous 2 seasons each had 16 episodes, with a two-parter finale. season 3 is just 15, with a single episode finale. TBB formally ends may 1st, so what if we get a may 4th surprise episode detailing how Tech survived? (that or an epilogue leading into a new series, which i think is more likely actually!)

#i definitely forgot some points but i just need to post this and be done with it #feel free to add your own observations 👀#tbb tech #the bad batch #tech lives #techphee #tbb spoilers #the bad batch spoilers

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laroserie · 11 months ago

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— characters : my oc's - separate ! ( yandere!incubus - yandere!omega - yandere!high noble fae - yandere!piercer )

— content : x gender neutral reader - spending christmas with them, typical holiday fluff, the yandere-ness isn't really here ( expect for yan!omega )

— authors note : ... i haven't posted the introduction post for my yandere piercer but ! it's okay :) also ! this was supposed to be a lil bonus but writers block is kicking my ass so you get this

• yandere! incubus

Before you he wasn't exactly big on doing christmas at home - he used to go out in bars and picked people up to go have 'fun' in the bathroom of the said bars.

After you came into his life, and he kidnapped you, he obviously stopped doing that and finally saw the perspective that christmas was a holiday to spent with thoses that are dear to you. And well, you were more than dear to him.

He will set up and decorate the christmas tree with you - he prefer for it to be neat so he may fix up what you put up when you aren't in the room.

In term of christmas eve, unless you are a good cook - you both are eating a regular take out for it, but he will purchase a yule log though !

And for christmas in itself, he will buy you a gift - you most likely will know what it is in advance because he isn't exactly discrete when asking what 'you could eventually want but it's only hypothetical and totally not for christmas'.

On the 25th of december, he will wake you up very early, like 6am. He will act surprised and happy whatever you gift him. Will jump into your arms and kiss you. And you better act surprised and happy at this gift too if you don't want him to be all grumpy.

• yandere! omega

Asper most likely forces you two to spent christmas like a 'regular' couple - except for the all hanging out outside and looking at the decorations or going to a christmas market. It maybe a holiday season but he cannot afford any risks or you leaving him.

He will try his best though. He will decorate the entire house to be christmas themed - in the hope that he may win a few points with you, after all yes. He may be holding you captive but hey, at least he made the house cute, he deserves something for that right ?

He'll try to make you forget for a moment your current situation - he is delusional enough to think that him trying to give you a sense of normalcy ( which he do mostly for himself ) may make you like him more - or forgive him a bit for kidnapping you.

He's the type to cook an entire christmas dinner and force feed you it - he will buy oysters force them down your throat, he will cook scallops and cut them in smalls bits and make you eat them while you are tied up to a chair, with red ropes, obviously.

• yandere! high noble fae

Christmas is not really a thing for faes, they have somewhat similar holiday, mostly focused around gift giving and spending time with your family but it happen during the summer and is quite underwhelming compared to christmas.

Realistically they already knew about christmas but they couldn't bring it first, they could wait for you to bring it up. But they already have prepared a few things like a gift for you and a small tree, it's in one of their closet which they forbade you from cleaning since you started working as a servant.

Once you bring up christmas, they laugh at your face and tell you something along the line of 'Do you really think, I could celebrate a silly human holiday ? How do you take me for ?' but it will be quickly followed by a 'Well, if you beg well enough I may indulge you.". Even if you don't beg, they will be very much in on celebrating christmas.

With only the two of you of course ! They refuses to get anyone else involved - with the exceptions of their family cook which they will give the tasks of cooking.

They use this as an occasions to make a ginger bread house, they saw various things about it while reading human literature and they always wanted to try so they will act as if they only did it for you. ( The house ended up breaking after 30 seconds and the kitchen they borrowed was such a mess, cleaning up was awful and they regret their idea - they still check it out of their list of thing to do. )

• yandere! piercer

Thomas was never big on christmas and it doesn't change with you - if you really insist in it he will try his best to be enthusiastic about it but don't expect too much from him.

He won't even help you decorate or anything - at most he will get you a gift for christmas that he won't brother wrapping up and will accompany you at a christmas market solely for the food, and because he does find it cute and romantic to walk around with you in the snow.

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jelestes · 5 months ago

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My completely sane and hinged rant after rewatching the second season of The Bear 😍

• Carmy/Claire

OMG I want to like Claire so badly but her character is so fucking annoying and that’s putting my whole sydcarmy shipper personality aside, she adds nothing to the plot/show, nothing to Carmy’s growth as a character (not that she should be responsible for that, but as a part of his subplot she doesn’t do much), no new perspectives, nothing. She has nothing you can hold on to she’s just kinda there. Her personality is bland and she’s pushy but at least she’s nice i’ll give her that! All that being said, Molly Gordon (the actress) did a great job!

• Natalie

Natalie isn’t talked about enough and it makes me so angry because she’s such a fascinating character like what was ep6??? that girl needs a fucking hug. As a woman with mommy issues I get Nat on so many levels (like, my mom also has threatened to blown her brains out in front of me so many times lmao) we only got a glimpse to what her life was/is like and I was already bawling my eyes out can’t imagine what they have in store for the next seasons. Also kudos to Abby Elliot (the actress) for the amazing job, we got to see so many sides of Nat it was so refreshing. (Ps: LOVE her relationship with Syd, omg)

• Tina

I remember hating Tina the first two episodes but man how much do I love her now. Her character just warms my heart, love LOVE that they made her a sous.

• Richie

I love cousin so fucking much. That’s pretty much it. As a twenty something struggling to find my passion and my path in general his plot in the second season really hit me, also his growth as a character in general was so nice to see, the way he realized he had to change to love himself not tiff or anyone else, that was really really cool.

• Richie/Natalie

Now call me absolutely insane but why do I feel there’s a tension between them? the whole soda thing when she says she’s pregnant (there’s a parallel to when Tiff was pregnant in 3.06), when he apologizes (it doesn’t feel he’s just apologizing for something in the present), idk there’s been a tension there since season one and I think it might be addressed in season 3? idk I might be delusional but I can’t be the only one seeing it.

• Carmy/Syd

* sighs * BECAUSE IF I SEE SOMEONE CALL THAT SHIT PLATONIC ONE MORE TIME I-

Can someone rationally explain to me why is Sydney the only person who can calm Carmy down during a panic attack? How is this shit platonic be so fr right now!!!! Why was Sydney over explaining herself when she told Carmy she doesn’t feel jealous of Claire? Try to explain this to me. You can’t because saying this is platonic sound fucking stupid SPECIALLY after the table scene.

IMO, they both know it and they both refuse to acknowledge it but specially carmy. I feel like they gonna have a fall out on s3 so they can finally start building this in the right direction.

That’s pretty much it, thank you for coming to my ThebearTalk! I’ll be insufferable for the next few weeks <3

#the bear #the bear fx #carmy berzatto #carmen berzatto #sydney adamu #syd the bear #carmy sydney #sydcarmy #rewatch #natalie berzatto #sugar berzatto #natalie x richie #richie jerimovich #tina the bear #the bear season 3 #the bear season two #claire the bear

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auburnitzy · 1 year ago

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How the TRAFFIC LIGHT TRIO realize that they have feelings for you

CHARACTERS — RED SON + MK + MEI (SEPERATE)

DISCALIMER - PURE FLUFF

WORDS - 790+ words

(Do not follow if you want to see more content of this. I only do this rarely and I am mainly an OC x Canon blog).

RED SON (260 words)

Red Son is familiar with seeing love from a third-person's perspective. He's seen how his parents deeply love one another, so he has a general idea of what happens when one falls on love.

... Or so he thought. When Red Son develops feelings for you, he will mistake it for hatred. He will act more stand-offish and aloof with you, and in turn, you act defensive around him.

But he'll accidentally spill his unrecognized feelings to one of the other members.

"That annoying brat (Y/N) gets on my nerves." He huffs, crossing his arms. "Even the sight of them makes my heart race. I despise them so much."

Mei, who watches romcoms and is familiar with the emotional language Red Son speaks, quickly snapped her head towards him, eyes wide and jaw agape before it turned into a mischievous and teasing smile. "Ooh~! Somebody's got a crush~!"

Red Son sputters, blinking in surprise with his eyes furrowed. "What an absurd notion!-"

Later after that, he researches the symptoms of love in order to deny it - but instead, an epiphany comes to him the longer he researched the symptoms.

Red Son's stubborn, but he's not delusional to deny the evidence that was presented right in front of his eyes.

He'll still be the same, fiery-tempered Red Son, but towards you, he's a bit softer.

His stares will linger, and the tips of his hair will sizzle and produce smoke (and in rare cases, catches fire).

The rest of the Traffic Light Trio will complain about his obvious favortism towards you.

MEI (270 words)

Similar to Red Son, Mei is familiar with seeing love from a third-person's perspective, but also terrible at realizing her own feelings.

At first, she'll mistake her romantic feelings for admiration. She'll turn clingy, will invite you to hangout with her and MK (she'd actually prefer it if he didn't, only sometimes!) frequently, and will show you off on her streams and social media (with consent, of course!)

Realization happens one day while she's at her home, texting you until you send a message with the combination of a smiley-face and a heart emoji.

Immediately, she lies down on her stomach, a pillow below her chin as she giggles and kicks her feet.

When she's done doing that, she immediately widens her eyes in surprise as she gasps, her hands feeling the heat in her cheeks as realization settled.

"Oh gosh, I'm in love with them..!"

It takes her more than 10 minutes to even reply back.

From that point on, she'll become even more clingy, and will increase the amount of trackers and hidden cameras on you. (She canonically does this in the show.)

She's a competitive person, and she can't stand losing you to someone else, so she'll confess as soon as she gets the signal that you like her too.

If she hasn't received any signals yet, she'll be bit territorial over you.

"Haha! Yeah!" She chuckled, wrapping an arm around your neck as she puts her cheek against yours. "This is (Y/N)! We're extremely close, so we're like, more than besties!"

"Oh, so like, best-best friends?" MK inquired.

Mei's eye only twitched back in reply.

MK (264 words)

I doubt MK even knows what he is feeling most of the time, let alone romantic feelings, so it'll take him a really, really long time to realize that he loves you.

He'll mistake his feelings for you for friendship and deep admiration. Even when his heart beats faster around you, or his stares linger a bit too long on you, or the fact that even the simplest of things, such as your smile... or your presence in general, will brighten up his whole day.

He gets so confused that he'll either ask Pigsy or Tang (maybe even both) about the things he's feeling.

"Why does my heart beat so fast when I'm around (Y/N)?" MK tilted his head in confusion. "And why do they often appear on my mind? And why are they so amazing?"

Meanwhile (Pigsy/Tang) will just feel three things at once; exasperation, disbelief, and amusement, because how is MK so dense to the point that he's literally describing the symptoms of being lovestruck to them?

"MK, buddy, you're in love."

"Oh!" MK blinked, before averting his gaze as he scratched the back of his neck in embarrassment with a nervous smile. "... Oh. Haha... I guess I am!"

... He didn't even deny it.

After that, he'll become more touchy, will show-off his abilities to you more frequently along with receiving neat, little gifts here and there (he's been saving up for those!).

All of his friends know about it. Not just the rest of the Traffic Light Trio, but the whole Monkie Gang.

And they're all rooting for him.

#monkie kid #monkie kid x reader #qi xiaotian x reader #red son x reader #mei x reader #lmk mk x reader #monkie kid mk x reader #long xiaojiao x reader #lego monkie kid #☆ writing ☆

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usercelestial · 3 months ago

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tbh i think a lot of the people saying "well both sides are wrong"/"bt stans are just as toxic" are just not exposed to other perspectives in this fandom. as a buddie fan who's been watching this show since s1, i can safely say that buddie fans have always been toxic. like as fact. to me, to say that bucktommy fans are just as harmful or just as annoying or just as bad as buddies consistently are is just. delusional. indicative of at worst a biased opinion and at best an uninformed one. buddie has been here since s2 and fans have ruthless ever since. bucktommy has been here for 3/4 of a season and for the most part, stay in their lane. i'm sure there are bucktommy fans who suck, like that's just being on the internet, but you have to be blind to ignore how insane buddie fans are and genuinely how much worse they are in comparison.

i don't want to generalize and i think constantly adding that disclaimer is annoying as hell bc obviously i'm not talking about everyone but because buddie has been here for so long and taken up so much mental space of very die-hard, passionate fans, you're going to see much more intensity on that side. after season 5, i had to step away from the fandom and the show because of how frustrating it got. it was annoying to see people swear up and down buddie will be canon by the end of s3-no wait s4-no wait s5-no wait- and ultimately it sucked my enjoyment out of a show i otherwise enjoyed because i got swept up in the Buddie Of It All and forget about why i watch the show to begin with. we've been left to stew in our theories and now we can't tell what canon and what's fanon anymore, and when the show reminds us, the disappointment and frustration kills our hopes.

i was also active in the dan and phil fandom and supernatural fandom, like ik why people think we're annoying and it's because we are. we make everything about the one thing we like, we comment on every post begging for it to become canon, we're violently disappointed when the show doesn't play into our fan theories because we've convinced ourselves buddie is going to happen by the end of the next episode or actually the end of this season or actually maybe the end of the next season. we've torn a part every female love interest, either making them boring or making them unlikeable in our fanon. all that to say is that when people call us annoying, they're telling the truth and when bucktommy fans say buddie fans are toxic, they're coming from a sincere place. i mean we can't even enjoy our own ship because we're so quick to get our hopes up and be let down about something as stupid it becoming canon. who cares if it becomes canon, just like it to like it.

and it makes sense why there's perceived "toxicity" on the bucktommy side. our energy is being matched; the obsession, the passion, the surge in fandom. if you don't like it or even just find it annoying, i suggest you guys look back on your own posts and comments and behaviors towards other people in the fandom and other characters and unbiasedly compare it to the Toxic Bucktommy Shippers you're claiming you hate. if bucktommy fans are obsessive, it's because we've set the stage for that. if bucktommy fans are getting aggro and defensive, it's because buddie fans have been on the opposition and don't know how to turn it off. we've gone from underdog to bully somewhere in the last 6 seasons.

#buddie fans are slowly killing themselves with all goal-post moving and fighting anything that moves #i mean we've been the underdogs for so long it makes sense we're defensive but at some point that turned into full on attacks at anything #that isnt buddie #so now we're not underdogs we're actually the very loud majority often punching down at people for enjoying maybe a smaller ship #ive stopped interacting with the buddie side of the fandom personally because bucktommy fans are way more lighthearted #its like when ppl trust men more if they have a cat lol like if youre a buddie shipper and you like bucktommy i trust you way more #i like bucktommy too and i think them being “”endgame“” or whatever makes a lot of sense #and im becoming more and more obsessed with them as the show goes on bc thats the story #buck being happy and cute and blushy is adorable and i wanna see more #anyways ive been wanting to air out my thoughts about this for a while #cause its really interesting to see this progression and where it seems like the story is going #and how fans react to that #if the show ends and buddie never becomes canon. how are they gonna feel. how will they cope if we get a bucktommy marriage in 2 seasons #will they boycott or finally just leave the show entirely?#or will they just pinch their nose and sit there miserable bc they just couldnt adapt?#911 abc

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vingvks · 1 year ago

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Mikey headcanons.

(My perspective, opinion on Mikey headcanons)

(Also any ideas for characters?)

MIGHT BE SPOILERS! ⚠️

Mix of female and male reader

(Kanto or kantou manji idfk and idfc)

Might be bad grammar because I’m naturally a fast typer.

Fluff

-I could see Mikey being clingy (Toman Mikey and maybe even Manila and Bonten Mikey but in more private places with just you and him.)

-Toman Mikey’s probably very defensive and protective of you, just like with baji. (Ifykyk)

-if your in a bad mood he might give you a couple nibbles of his dorayaki, only if your sad but he’s definitely stingy.

-messy sleeper. I feel like sleeping in the same bed with him is a mess. He definitely will have his arms and legs everywhere. I feel like he would randomly wrap legs with you.

-Your relationship would probably be private for safety reasons even though he would still let you around Toman but your his so called close “friend” similar to his relationship with Draken.

-Petty, not petty in like a bad way though. For example if you forget to get him some dorayaki when your coming to see him he’ll do something small but petty as revenge.

-only sleeps in cold beds. He likes the cold breeze in his room.

-he’s like a woman on her period when you don’t bring him the snacks when he asked you to.

Angst

-when Draken died his mental health got even worse. I believe Draken used to baby Mikey because he could never get out of bed on his own after what happened with Shinichiro so you’d have to be the one to help him with simple tasks like helping him get up and care for him because he won’t do it for himself.

-Bonten Mikey is a light sleeper so if you move a lot he’ll definitely get pissed and hurt your feelings by saying something insensitive, he will never hit you though.

-Bonten Mikey has insomnia on certain nights, he’ll lay in bed with you until you fall asleep and then get up to do something else while your sleeping.

-Manila Mikey would ruin plans with you to go out and find takemichi. (Ifykyk)

-Bonten Mikey would definitely talk shit about Bonten executives to make you hate them as much as he does.

-Once kanto manji arc started Mikey became possessive. Like you cant talk to certain people and he needs to know where you are at all times. This is because Mikey feels as if those around him that he loves are bound to die, he feels as if he’s bad luck. If you were to not tell him where you were he would send members out to find you and dark impulse might even happen, as in he might hurt or kill someone in the meanwhile.

-long hair Manila mikey will come to your house randomly to hang out meanwhile acting as if he doesn’t have his victims blood on him.

-all Mikey’s (except toman and kanto) are pretty merciless. That’s included killing a child or animal if needed.

-Ever since Kanto manji arc Mikey tends to get easily frustrated or pissed even though he keeps a blank face. His eyes say it all.

-sometimes Mikey might snap at you because of dark impulse and then realize what he did. This would result in him doing something such as starving himself, locking himself in a room somewhere or just straight up harming himself as self punishment.

(This is actually a headcanon because of black dragon arc where Mikey purposely let taiju hit him as a punishment to himself and when he let Draken beat him up because he couldn’t protect Emma. Basically letting others hurt him because he believes he deserves it.)

-Manila Mikey has manic episodes sometimes. I feel like he would be delusional at times and hallucinate.

-Bonten Mikey cannot sleep without you, he doesn’t like the thought of you being somewhere else while he’s laying down.

-Manila Mikey is manipulative time to time to get what something he really wants. When he doesn’t get it regardless he’ll loose his cool and get violent, Mainly from dark impulse.

-Keep a close eye on Bonten Mikey and Manila Mikey when you can. Atleast text Bonten Mikey four times an hour to check on him. But don’t text him on busy days. If he doesn’t answer your text call him on a busy day, call him.

-Mental disorder for sure.

-bad communication skills. Whenever you call him out he’ll say something like “You knew what you were getting into.”

-puts you and those he truly loves before himself. Selfless person but also very selfish when it comes to people he doesn’t care about.

-Bonten mikey has fantasies of having a double suicide with you. So that he’ll be free from his suffering with you still right beside him in his heart. You’d both probably end up dying with each other.

-very possessive and jealous. To the point it can be agonizing. Only if you really put him in his place (in any way..) he’ll stop for a bit.

-Manila mikey is usually smiling but as soon as he gets angry his whole persona turns upside down.

-Bonten Mikey has scars all along his body but hides it with sleeves etc.

-Long hair Manila mikey does a lot more gore killing then you’d expect.

-toxic asf

-yandere (toman mikey doesn’t kill others however other timeline Mikey’s wouldn’t hesitate for you.)

-They’d probably treat you like shit at times but go spiraling when you threaten leaving them, despite knowing that you can’t.

-I feel as if at times they’d occasionally victimize themselves, only till you hit them with a reality check.

-They are guilt tripping at times, but I feel they’d do it to get your attention, unhealthy obsession.

Smut

Dominant (mixed slight submissive in this too but yeah…)

-Long hair Manila mikey would wanna do some crazy shit sex wise, despite him never actually doing it for you sake.

-Bonten Mikey is definitely rough but quiet. In a irritated mood? That’s fine, he’ll take it out on you sexually.

-kanto manji Mikey is also pretty quiet but he starts off slow and then gets faster. He really doesn’t care, he’ll fuck you while other Kanto manji members are near.

-Manila Mikey does a lot of foreplay. Like thigh and neck kissing and slowly making his way up. If you were to do it to him he’d be ashamed of himself but then again he loves it.

-I feel as if long hair Manila Mikey and short hair Manila Mikey would do foreplay for a long time until you get desperate enough to beg him for more than just that.

-Manila Mikey groans a lot and whines occasionally. I feel like he’s slightly louder and whines often when he’s in the submissive role.

-Kanto manji Mikey doesn’t have a high-sex drive so he’ll just rail or ride you for your sake (he still loves it though) . But every other Mikey timeline do it for themselves.

-only time Kanto manji Mikey is in the mood is when he needs to relive his anger. (Either topping you or bottoming for you, whatever he wants more.)

-Every Mikey timeline is controlling in the sex department. (They can still be a controlling bottom until you put him in his place.)

-long hair Manila Mikey only fucks to get his mind off things. He’ll go all night, depending on how long you go the louder he gets.

-he’ll praise you just so your body can react.

-his hips and thrust are hard. Prepare for painful aching the next day.

-Thigh kissing kink.

-choking kink.

-lots of hickeys on collarbone and neck.

-emotional sex depending on how he’s feeling.

-passionate sex if you’ve pleased him or impressed him in anyway.

-he definitely leaves bruises on your hips, he keeps a firm tight grip.

-I feel like Manila Mikey would call you “doll”

-Manila Mikey is playful and unserious at first but when he starts to feel the pleasure he gets quiet and rough.

-this might suck a little but if you piss them off sometimes he’ll become controlling and only go for his own orgasm, leaving you half done unless you beg for it.

Submissive

-Bonten Mikey was not a big fan when he realized he was more submissive to you. As long as you take him somewhere very private he’ll be as loud as he wants. Other than that he doesn’t fuck in places where people are near.

-Kanto manji Mikey is loud. Deadass don’t know why but I feel like he’s mumbles curse words while you rail or ride him, he’s gets a satisfaction of relief. (depending on your preference and gender)

-Manila Mikey, his ego was lowkey hurt but if you go fast he’ll only care about sex in that one moment.

-Kanto manji Mikey doesn’t like fucking in open places. You have to be somewhere private and far away from gang members. As long as he isn’t limping or aching when your done he’ll pretend nothing happened and go on about his day.

-Bonten Mikey whispers. He’ll whisper if he wants it slower or faster but if you don’t slow down sometimes he’ll get loud.

-if you make Manila Mikey cry in the middle of sex he’ll get submissive and emotional. He’s a pretty crier.

-Manila mikey likes to ride. He’s louder that way.

-I feel like in response to his trauma he’d hate being degraded severely while bottoming, only occasionally, he’d probably prefer quiet sex or you praising him.

-Both Bonten and Kanto manji Mikey grip sheets tightly. They might even tear the sheets.

-best place you can get any timeline Mikey submissive is bending over a desk or table.

-Manila Mikey has a praising kink, you praise him and he’ll praise you back. He will ever admit how much it makes his heart race.

-Bonten Mikey breathing gets erratic when you praise him.

-All Mikey timelines hate the thought of getting caught being in a submissive position. I genuinely think they would kill or threaten anyone who were to see a damn thing.

-Bonten Mikey is disrespectful until you fuck him dry. He’d probably be judging and talking shit nonchalantly then get all quiet when you prove him wrong.

-Neither of the Mikey timelines talk much in the middle of sex beside Manila mikey. I believe that the rest of the Mikey timelines beside Manila mikey are pillow princesses when on a bed because they’re too embarrassed to see the look on your face while your fucking them. (Either riding or railing them)

-fucking any long hair Manila mikey or any adult Mikey with with his long hair out and free is top tier. He’s pretty with his hair out and messy.

-Punishment sex for any of them is a turn on but they’ll never admit. Nothing is more embarrassing to Mikey than you making him beg for it.

#dom male reader #toman mikey #mikey tokyo revengers #mikey smut #sano mikey manjiro #manjiro sano x reader #sano manjiro #top male reader #bonten #manila #kanto manji gang #mikey x y/n #future mikey #tr mikey #female reader

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devisopod · 4 months ago

Text

Book of Bill Ramblings

If you don't want spoilers, I'd suggest you stop reading before the cut. This'll contain quotes from the book! I've avoided content and conversation about this thing like the plague, so I'm going in blind. This is gonna be a wall of text if you're on mobile. Have fun, if you're into that.

I'm gonna solve the ciphers by myself, so they won't be included here, it's more fun that way! This is all just my "analysis" or whatever you wanna call it.

|| PREFACE

I am an adult. I'm not here to argue or debate with anyone about the content of this book! I'm simply sharing my personal breakdown, so these opinions and statements are in no way meant to be taken as "the right way" to look at it. They're how I alone choose to view the text! I'm open to discuss it, if you want, like sane and civilized people. Heated arguments or grumblings fueled by the discontent that someone doesn't buy into the way YOU'RE perceiving a work of fiction is unwelcome.

Now.

Before I even had the book in my hand, I knew how I wanted to approach this. I had to keep in mind this is all meant to be written by the worst character in the series (from a narrative standpoint), and he isn't supposed to be pitied. So seriously obvious, I know, but it's THE most important factor to circle back to given ANY tidbit of information.

Since this is his point-of-view, which is such a skewed perspective to begin with, it's ultimately bound to be manic (and god was it). He's everything we already know him to be: out of his mind, a compulsive liar, a pro at manipulation, and literally so self-important. That's what makes it difficult to trust whether or not things that happened (or didn't happen) will be altered by his unstable state of mind.

I think I'd even go as far as to say that he's delusional in a lot of ways. No matter how smart he thinks he is, or objectively is, he's a highly flawed individual that is constantly sabotaging himself. And what's more, he doesn't CARE. Bill, while driven in his own right, is highly apathetic unless events or actions directly impact him significantly and negatively.

INITIAL AND UNCATEGORIZED THOUGHTS:

- Holy shit, it's like Bill prides himself on being some sort of "all-knowing" being, but he's really just a fat gossip.

- Bill says it and stresses it multiple times in this book that not only is reality not under your control, but you don't understand it. Only he understands it, and you're just too dumb. Nothing is real. But the universe is a hologram, and everything is also a multiverse. Dennis and Kyle hold our existence in a binder.

- As suggested, he is quite literally feeding you lies, and he's having fun doing it.

- So, Bill's kind of dead, but not really. He's existing in a "half life" state. "Descending through circles, battling demons, reliving [his] whole life... somewhere far away... where the music is always out of tune. Where everyone smiles but no one is happy". Sounds like a mall lmao.

Okay, we'll get into it. My back hurts.

1 || "SIXER, IT WOULD EAT YOU ALIVE."

Let me just start this by saying that Bill sees Ford as a possession. He spent a lot of time grooming him, so he feels HEAVILY entitled to Ford in an "I made you" sort of way. Which is just about as messed up as you'd expect it to be! Bill EXPECTS Ford to be okay with this and even functions under the assumption that Ford wants to belong to him, which is very likely a stem from how open to the relationship Ford was at the beginning. He's constant in sharing that he's grateful for Bill's influence and that it's made his life so much better.

That aside, Bill is repeatedly suggesting to the reader that people that hate him actually love him a lot. And it's so likely that some twisted line of love and being used was blurred between these two. I've said it before and I'll say it again: sharing a mind and a body with a seemingly god-like being is going to fuck you and your perspective UP, I don't care who you are.

After all, "the more people love you, the more brainwashed sheep you can bend to your whims! So CONQUERING HEARTS is one of the most important things you can do!"

While, Ford is an immensely strong-willed individual, he's so very weak to Bill's manipulation because Bill knows EXACTLY what he wants to hear. He's been learning and planning for this kind of thing for a very, very long time and using countless others to do so. So, his false loyalty and promises, though really suspicious to anyone else, appeal to Ford's ego and subconcious because they're specifically catered to him.

And this is where Bill thrives. He is extremely efficient at finding the selfishness within others and exploiting it because he is selfish. He doesn't care what happens as long as he reaches his goal. Any pain along the way isn't gonna be his, so why not just relax and enjoy it? And he's found his match: a "brilliant, morally ambiguous, and romantically challenged" individual. To him, Ford fits the bill (no pun intended), and no dumb Shaman is gonna scare him off this one. It's all a trick to keep him away from advancing his portal plans, right?

He emphasizes his excitement at the prospect of Ford's potential as a pawn by saying, "This is what a partner looks like. The ego of a king. The insecurity of a circus freak. And totally isolated from anyone who might steer him clear of my plans."

He's impressionable and gullible enough to follow him blindly in the name of discovery and arguably as a result of his alienation in the odd town that is Gravity Falls.

And that's where I think Bill's influence should be addressed. Bill's been whispering in Ford's ear, making his life easier, and "fixing" his problems by offering solutions that HE would use. That's the scary part, I think. Bill uses so many different types of flattery, even gives Ford a lot of confidence that he needs, which really feeds into Ford's trust.

2 || GUYS WITH BIG BRAINS GET ON MY NERVES

After seeing Stan on TV, selling the "Grifter", Ford starts to seem like he's having second thoughts about maybe calling Stan up. Bill is, naturally, quick to shoot this down by convincing him it's a waste of time.

With both Stan and Fiddleford, we see Bill kind of steering Ford away. It's clear Ford wants to be around both of them, but as Bill has already suggested, he wants to keep this one isolated. Ford's attention should ONLY be on him and the work that needs to be done. He's not gonna make the same mistakes he made with his previous puppets.

It's unclear whether Bill complicates things on purpose or not, but he certainly isn't interested in making them better.

As far as the relationship between Ford and Fiddleford is concerned (whether you view it as brotherly, romantic, or platonic), I think it had a lot of potential to bring Ford away from Bill, but Ford is just not equipped to be a solid and reliable partner at this stage of his life. He's too focused, too full of himself, and really desperate to fill the hole Stan left. Or maybe not desperate enough.

I've made this point before and I'll make it again: the vast majority, if not all of, the heavy lifting in the dynamic between Ford and Fiddleford IS DONE BY FIDDLEFORD. He is a very caring and loyal person, very much to a fault in this situation.

The Christmas gifts he makes Ford are very personal. Ford means a lot to Fiddleford, so much so that he doesn't see his family often and chooses to help with the research. Whether or not Fiddleford and Emma-May were already having issues can't be judged based on the information given, but it's possible that it plays a part in his absence. It seems like the most likely possibility to me, though. Fiddleford doesn't seem the type to just forget about something like that, especially exhibiting such a friendly and kind demeanor, so I'm willing to bet they were already having problems.

Ford, as I see it, very rarely goes out of his way to do things for Fiddleford, though. However, I will give him props for being good enough to cheer Fiddleford up after he returns from his family.

What I will say, is that Ford relies on Fiddleford a great deal, and I'm not entirely sure how healthy that is. Fiddleford is Ford's ONLY real friend, and definitely the only one not feeding him questionable advice.

Therapy.

3 || CUCKOO CLOCK

Therapy, right? Yeah.

Anyway, Bill REALLY gets after Ford when the whole portal thing goes south. And that's sure to be a hell of a time. Ford is put through immense pain physically and mentally during it all, and wow does it actually sound horrifying. Even during this aggressive and desperate scramble to get Ford to do his bidding, Bill is beating Ford down and trying his best to use his hardships against him while also trying to convince Ford that he needs Bill. He's got nobody else.

He tries everything: sabotage, threats, you name it. Even though Ford doesn't realize his wrongs entirely here, he still knows he has to do something to rectify all that he's done. And boy, does he wanna kill that triangle.

He even loses his mind just a little bit more about this time, grasping at straws and realizing how bad he fucked up.

But now, we skip ahead. Things are better. All that's passed.

The ending of this book was about as satisfying as I imagined it would be. The Pines family. Simple and clean. A thoughtful message from Ford, and some inserts from Mabel, Dipper, and Stan. Stan's message is probably my favorite, and rightfully so.

These four are what it's all about to me. Each sibling has the other, and they're all happy. Bill can't touch them anymore, no matter how much this book of his tries. They're smarter than he is, and it's because they don't intend to be divided by him ever again.

#i'm going to stare at something else now #i was so tired by the end of this #gravity falls #book of bill #book of bill spoilers #stanford pines #ford pines #stan pines #stanley pines #mabel pines #dipper pines #fiddleford mcgucket #text

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scoupsahoy · 3 months ago

Text

i wanna talk about The Ship War going on right now in the 911 fandom (largely on tiktok and twitter) and i'm not a bnf especially in this fandom (and i wouldn't want to be) but i'm kind of hoping people on both sides are willing to read this post anyway because i cannot be the only one completely turned off by it

i finished writing this so i wanna clarify: this is officially aimed at buddie shippers (i am one of you) because i genuinely want to have meaningful discussion and also i'm not exactly defending tommy here. but! i think if bucktommy shippers were interested in reading, there is stuff in here for you too

i have to split this up into sections which is annoying but i won't be able to make any sense without sections so. sorry

1. pre-tommy buddie shipping

so like a lot of people i knew about 911 and buddie entirely through tumblr osmosis, and there was a general attitude of confidence: buddie WILL become canon. if it doesn't... something something. i don't really know the season 6 finale was hard for a lot of you. and after watching, i do really understand why. but.

from an outside perspective, this fandom attitude was nothing like i'd ever really experienced before. i stopped watching supernatural around season 11, several years before gaycas, when confirmed bisexual dean was genuinely outside the realm of possibility.

i was a tjlc believer. i was an episode 4 conspiracist. i have been delusional about gays on my television screen before. so i was really apprehensive at the way buddie fans were moving. not only was buddie GOING to happen, but if it didn't it would be a failure of the network and the showrunners and the actors and it could have been the greatest love story ever told and shipping was not ENOUGH. it had to be canon in order to matter. shipping anything else was fruitless and offensive. this was what i was seeing. and i was like. well there's no way that's going to happen

and then season 7 started airing and there was this reignited hope

and then 7x4 aired.

2. the birth of bucktommy

so i started watching 911 after 7x4 aired. a lot of people did. i'll be honest i did genuinely think that eddie was out and gay and i was like "oh shit is it finally happening??" and then i realized it was some other guy and spend like 4 straight days tumblr deepdiving into it

like i said i was almost exclusively following buddie shippers so my consensus was like. buck and tommy are cute but it's obviously (TO ME) a steppingstone for buddie. after watching the entire show i do still feel that way.

here's the thing though: shipping isn't about what is going to be canon. i'm a marvel fan. my first fandom was fucking icarly, okay, my track record of shipping non-canon couples that actually end up together starts and ends with nbc sitcoms and even then barely. shipping to me is about character analysis and smooshing barbie dolls together with my friends. shipping to me is putting some guy in a blender and another guy performing frankenstein experiments on them

it doesn't matter to me actually that a ship isn't going to end up together, even if i like them. i'm not saying some bucktommy fans don't overstep certain boundaries (that i'll get into) but a FAIR BIT of them know this. a fair bit of them were buddie shippers and a fair bit of them still are. and there's a reason theyre put off

3. social media discourse

the first real piece of morality discourse came from tiktok. i won't namedrop this creator but if you're on tiktok you know who i'm talking about.

this person started the tiktok talking about something that i genuinely do agree with: fans who love tommy but hated all of buck's ex girlfriends should probably perform some self-reflection on the very real misogyny problem in 911 fandom and fandom in general. this i am 1000% behind. a call-in of sorts: hey guys! check yourselves! it is really easy to fall into misogyny especially with gay shipping. though i will argue that buddie shippers could stand to do the same thing (looking at you, people who write fanfic where ana flores is ableist for no reason)

they went on, however, to say that bucktommy shippers Must only like bucktommy because they are a gay ship, And Also Therefore, these people Must Be gay fetishists, as the only reason you would like bucktommy over buddie is because you just want to see men make out with each other. You People don't like gay shipping in the Correct way that i do, you like to gay ship in a nasty fetish way (only slightly exaggerating). you saw that buck and tommy kissed online and you watched the entire show just to watch men make out with each other which is Bad And Wrong.

aside from the fact that this person also literally started watching the show after 7x4 aired (and like i said so did a lot of people. one would think this is a morally neutral thing to do), this struck a nerve with me. this take (which was repeated ad nauseam by everyone in their circle) is just plainly irresponsible.

it is inappropriate to suggest that someone is like. morally reprehensible for *checking my notes* shipping a canon television couple. is tim minear a gay fetishist for writing the bucktommy kiss? is the average viewer a gay fetishist for going "oh i didn't see that coming! they seem like a nice couple"? is my mom a gay fetishist? are you calling my mom a gay fetishist??

this is an argument that i've seen happen in a billion different ways over the past decade and a half of being in fandom spaces by the way. are women allowed to read gay fanfiction? what about gay porn? what if they get off to it? are they allowed to write it themselves? what if they're not straight? what if they're not women? was casey mcquiston fetishizing gay men when they wrote red white and royal blue? is the romance genre allowed to exist with gay men and straight women in it? do you have to check everyone's gender or sexual identity at the login page for ao3 and tumblr dot com to determine if it is morally okay for them to participate in fandom at all?

and then there was the comparisons between bucktommy and buddie fic stat breakdowns: bucktommy's are writing more smut And That's Bad and buddie fans are writing stories with plot And That's Good.

it. is. irresponsible. it is oversimplifying. it is judgmental and above all else it is irrelevant. people could like bucktommy because they think they're hot or because they think theyre interesting or because buck realized he was bisexual or because they think tommy has potential as a character. it is a ship. creating a dichotomy where one ship is the morally good thing to ship and one ship is the morally bad thing to ship is irresponsible and not in the spirit of fandom.

morality and purity conversations in fandom are like. an entirely different can of worms to talk about and this is going to be long enough already. but bucktommy shippers shot back with the same energy:

if you don't like bucktommy then you are homophobic because tommy is gay

i did see quite a bit of this argument because a number of people that id been following did get into bucktommy and i do still follow and like these people

i covered most of my feelings about this type of argument above but to reiterate: it is possible to like different ships without making it a morality competition. it's disingenuous and annoying.

especially that brief stint where people were saying that the bucktommy shipname was a slur against gay men. you can just not like it. you can just not like it and have it end there. it's an ugly shipname but you don't have to make it a moral issue.

especially because then buddie shippers pulled out the trump card:

4. the tommy problem

because these people just watched the entire show in like four weeks (again, neutral statement, i did the same fucking thing) they remember tommy from hen and chimney begins. and. okay

i'm not about to be taken out of context here. i watched bp's video when it came out, i think what was said was wrong, i'm not about to say that being racist was like. cool or excusable 20 years ago. i think there is a discussion to be had here about this though. there's a reason i'm typing this out carefully:

i want to say firstly that there IS a conversation to be had about the social landscape in 2005 and especially pre-obama america for the purposes of a bunch of 20 years olds who were not alive or fully conscious yet. people told casually racist jokes (casual in that they are told casually without intent for violence, not that they are not violent. all racism is violence) and there were fewer social ramifications for those racist jokes in 2005. that does not make them Magically Not Racist. they were. it was not okay. it was, however, Extremely Common. does that make it okay? no.

i'm saying that largely because it seems to ME that tim or whoever wrote that particular episode wrote that joke to paint a picture of where the characters are in the story. chimney is not under bobby. he is not being treated with respect. he is 15 years in the past (from when the episode aired. whatever) it is different. it wasn't supposed to matter who said it

(it did matter and it does matter that it's tommy who said it by the way. because that's like. the universe of the show)

(though my theory - and i'm just being stupid for a sec indulge me it's 3am - is that tim and ryan both LOVE writing in guys named tommy. seriously i've been rewatching glee and when i watched 911 i noticed this too that there are so many characters that we never even meet named tommy. abby's ex for one. my theory is that tim wanted to bring in some guy named tommy for buck's awakening and he realized he already had one. lol.)

SECONDLY. sorry that was longwinded. secondly, i am a person who believes that people are capable of change. 20 years is a long time to grow. even as an adult. again, this does not excuse racism, but it is important anyway.

this is all theoretical but i want you to walk with me: it is possible for a 20-30 year old closeted gay white man with a homophobic captain pre-obama to pick up and not experience consequences for inappropriate comments and casual racism and even be seeking out a parent-like validation from someone who encourages it AND THEN, after 20 years wherein he realizes he's gay, comes out of the closet, i believe it is POSSIBLE for him to unpack his internalized racism, apologize, and grow as a person

obviously these are fictional characters but it is important to my fucking philosophy of life that people are capable of change and having empathy or understanding that in fictional characters is so fucking baseline.

it is important that we as a society can agree that someone's behavior, ideology, and/or biases can change. that like. that just HAS to be possible.

caveat #1 that does not mean that any people of color who are fans of the show have to like tommy or even forgive him (or even like. hen and chim lmao it's kind of clear to me that at least hen doesn't) and i am not going to tell them to

caveat #2 i also understand that there is no explicit acknowledgment of this on screen (i think this is because tim forgot which i find funny but like i said. it still matters that it's tommy regardless of intent) and because of that there technically is nothing To forgive

ALL OF THAT TAKEN INTO ACCOUNT.

even if we are assuming that tommy has learned nothing and has not changed at all. the leap from "tommy is/was racist" to "shipping bucktommy or finding tommy interesting Makes You Racist" is heinous to me.

sometimes people like characters who are shitty people. some of you like tony stark. sorry

it's ridiculous to me because there are plenty of other reasons to dislike bucktommy that doesn't like. vilify random people on the internet. he's not even framed as a particularly good boyfriend! we don't even know if they're boyfriends, for one thing!

i've been complaining about buddie shippers for this entire time but i literally am one of you and that's what pisses me off. you threw the first blow in the morality competition and you are bigger - and you KNOW you are bigger because you are proud of the fact - and you are winning.

you are right about a lot of it: tommy isn't a good guy. there is an active racism problem in this fandom. there is a misogyny problem in this fandom. but by and large buddie shippers have been in the game longer and have much larger followings and there is nasty shit i'm seeing which brings me to

5. social media discourse 2 electric boogaloo: twitter edition

twitter is a cesspool in the best of times but i have seen some shit in the past two weeks that makes me never want to write fanfiction for this fandom or even interact with most of the fans ever again. and i'm serious

there is a big buddie fanfic writer who is like. beloved. if you read buddie fanfiction you've read their work for sure. they started writing bucktommy and buddietommy fics around april. and people are being so nasty about them on twitter it is actually fucking embarrassing.

AND LIKE. god. fandom etiquette is so simple.

when i first started reading buddie fanfic the first thing i noticed was how many fics are locked. and i was like "i wonder why that is"

just look at these tweets. i have kept the author's handle here uncensored but please be normal do not bother this person. i'm sure their ao3 comments are hell enough already

what the fuck is your people's problem i'm serious

i'm like actually appalled. this is embarrassing. this isn't even the most embarrassing thing i've seen buddie stans do recently and it is NOT uncommon. it is not small accounts. you guys are the majority. these tweets have hundreds of likes.

i don't give a shit what this person was writing. i actually don't care. their fics are locked. they write for free.

to take someone's fic outside ao3 is considered bad fandom etiquette. to talk about an author where they don't have an account is generally considered bad fandom etiquette. to complain about fanfiction openly is bad fandom etiquette. i don't care if this is y'all's first fandom. in what world are you going to take to twitter and openly complain about someone writing fanfiction for a ship you don't like.

if i were them i would delete all of the buddie fics or never write buddie again i'm so serious. this is so ridiculous.

and this is sort of the nail in the coffin for me, seeing this tweet the other day:

this tweet has over a thousand likes

this is a larger fandom issue as of recent with the use of like. mental health terms as insults but it actually fucking disgusts me!

i looked at mark's twitter. it's pretty clear to me that he's a troll/having fun/provoking people on purpose but on TOP of that his tweets get at most 35 likes. i checked and this tweet got 21 likes. and over a thousand likes calling him schizophrenic. 24 replies doubling down. 25 retweets. 47 quote tweets. 62 bookmarks. over a thousand likes.

and buddie shippers are the good guys

it is ridiculous to me that as a fandom buddie shippers have created a space where it is impossible to have a meaningful discussion about fandom misogyny, racism, of homophobia because everyone who disagrees with you is morally opposed to you, and yet it is this side of the fandom with enough traction and support to openly bully and mock these people that you have decided are morally reprehensible.

6. in conclusion i'm sorry i know no one read this

fandom in general post-covid has become less of a community based in sharing creativity and the love of something (and i know this intimately as a kpop stan lol). online spaces in general have become something i don't recognize or want to participate in. which sucks. i've been here for a long time.

i know there's not really any way for that group of like 5 or so tiktokers that complain about tommy ad nauseam to see this or even take it seriously. i know there's not any way for those people on twitter to magically understand fandom etiquette or just block the people they don't want to see.

everyone would be happier if they just. blocked and moved on. i know i would. and i have! in a lot of cases. there's a reason i blocked out the names on those tweets (note: i blocked mark's twitter handle. the person who screenshotted it so he wouldn't be notified and then called them schizophrenic did not. because they do not care) because it's not about THEM it's about the whole fucking thing.

and a lot of these people want to be mad. it's why they're so hung up on tommy. like i'm sorry if any bucktommy fan is still reading this but GOD TOMMY HAS BEEN ON SCREEN FOR LIKE TEN MINUTES TOTAL IN THE ENTIRE SHOW. HE DOESN'T EVEN MATTER. JUST ADMIT THIS IS ABOUT A SHIP WAR. IT ISN'T ABOUT HOW GOOD OF A PERSON YOU ARE OR ANYONE IS. IT'S JUST A SHIP WAR. and they want to be miserable. they want to sit in their little echochamber of morally upright big name fans and they want to provoke bucktommy fans into saying something shitty and they love it because they don't really fucking care about the show.

you know how i know? because tommy is the least important part of chimney begins. that is in the best 3 episodes of this entire television show and none of y'all have anything to say about it. because you're just as obsessed with tommy as they are.

#hellaciously long sorry but i think. it's actually important. i really really want people to read this because i want feedback seriously #911 abc #911 #911 fox #911 fandom #buddie #bucktommy #evan buck buckely #eddie diaz #tommy kinard

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eunseoksimp · 4 months ago

Note

"one sided yearning from reader who is a hopeless romantic."

Hi! Sorry but even if this idea doesn't win, could you make a little drabble please? It sounds sooo good and I want Shotaro to break my heart so bad! 😭

hey anon, sorry this took so long to get around to. i hope you enjoy it :)

Pairings: Best Friend!Shotaro x Fem!Reader

Genre: Angst

Warnings: extremely delusional reader lol. a lot of this is based on my own personal experiences with growing up religious and going to an all girls school!

. ݁ ˖ ࣪ . ⋆ * .♡ *:･ﾟ. ݁ ˖ ࣪ . ⋆ * .♡ *:･ﾟ. ݁ ˖ ࣪ .

in the secluded confines of st. mary’s all-girls school, where every whisper was tinged with secrets and every corridor echoed with the soft steps of youthful innocence, you navigated your days with a heart weighed down by unspoken desires. raised in the sheltered embrace of strict, religious parents who imparted a cautious, almost fearful view of boys, you found yourself adrift in a sea of dreams you could never quite grasp.

for you, boys had always been a mystery veiled in anxiety. your upbringing instilled a deep-seated belief that interactions with males were to be treated with utmost caution, reserved exclusively for romantic contexts. every smile, every kind gesture from a boy was seen through the lens of potential love, an over idealization that left you yearning for connections you couldn't quite understand.

your days unfolded in a careful dance of longing and uncertainty. you immersed yourself in the solace of books, where knights rescued princesses and love transcended time and space. in your mind, these tales were not just stories but glimpses into a world where your own yearnings could find fulfilment. the hallways of st. mary’s echoed with your quiet footsteps, your gaze often drifting wistfully to the distant horizon beyond the school walls.

It was in the midst of this yearning that shotaro entered your life, like a sudden burst of colour in a monochrome painting, during your first year of college. you were finally free from the stern grasp of your parents, entering foreign territory, a place where boys and girls coexisted.

you vividly remember the first night you had met. the party pulsed with a rhythm unfamiliar to you, whose catholic school upbringing had shielded you from such revelry. nervously clutching your friend yunjin's arm, you navigated the sea of strangers with wide-eyed uncertainty.

yunjin, ever the social butterfly, flitted from group to group, leaving you anchored to the periphery, where the safety of the walls seemed more inviting than the chaotic dance floor. then you saw him.

he stood out with his easy smile and warm demeanour, a stark contrast to the unfamiliar faces that surrounded you. ‘this is my friend shotaro,’ yunjin introduces him with a mischievous grin on her face.

‘hi it’s nice to meet you. yunjin has been telling me all about you,’ he says, offering you his hand, his eyes holding a gentle curiosity in them, effortlessly bridging the gap of your discomfort. you’re easily blushing, feeling drawn to his demeanour.

feeling like a character from one of your cherished romance novels, your heart fluttered with a mixture of admiration and naive infatuation. shotaro's gestures—a simple offer of water, a reassuring touch on your arm—were interpreted through the lens of your sheltered perspective. to you, he embodied the chivalrous knights you had only read about, gallantly rescuing damsels in distress from their anxieties.

as the night unfolded, shotaro's kindness became a lifeline in the whirlwind of unfamiliarity. he guided you through the crowd with a gentle hand on your back, introducing you to his friends and ensuring you felt included. his attentiveness, though born of genuine goodwill, sparked a flicker of longing within you—a yearning you couldn't quite comprehend but clung to nonetheless.

in the dimly lit corners of the house, away from the pulsating energy of the party, you found yourself drawn to shotaro's presence. his laughter echoed like music in your ears, his words a soothing melody that calmed your acing thoughts. yet, amidst the laughter and camaraderie, shotaro remained oblivious to the silent symphony playing in your heart.

for you, the evening became a dance between reality and fantasy, where every gesture from him was magnified through the lens of your romantic ideals. each glance, each word exchanged, fueled the burgeoning crush that bloomed like a fragile flower in the garden of your guarded emotions. you reveled in the stolen moments of connection, weaving dreams of shared laughter and whispered confidences.

every interaction with shotaro, the kind-hearted soul who brightened your days with his genuine smile and easy charm, left your heart tangled in a web of emotions you struggled to unravel.

for you, he was a beacon of warmth amidst the cold uncertainty of adolescence. his presence, like a gentle breeze on a summer day, stirred feelings within you that you dared not voice aloud. you watched from afar as he effortlessly weaved in and out of conversations, his laughter a melody that echoed through the corridors of your mind long after classes ended. yet, despite the fluttering of your heart whenever he flashed you a smile or shared a secret with you under the sprawling oak tree, shotaro remained oblivious to the effect he had on you.

your friendship blossomed naturally, each shared moment a precious gem in the tapestry of your memories. you discussed books and music, dreams and aspirations, your voices blending harmoniously in the sanctuary of their secret conversations. you hung on his every word, treasuring the fleeting glimpses into his world while concealing the depth of your own feelings.

one spring afternoon, beneath the blossoming cherry trees that adorned the campus courtyard in hues of pink and white, you found yourself drawn into another one of your candid conversations. shotaro, with his animated gestures and genuine curiosity, shared stories of his weekend adventures and the new friendships he had forged. his passion for life and infectious laughter ignited a warmth in your heart, a warmth you struggled to contain.

as you sat side by side on the weathered bench beneath the blossoming trees, you marveled at the way shotaro's laughter seemed to chase away the lingering shadows of your doubts. you longed to tell him how much his friendship meant to you, how his presence had become a beacon of hope in your otherwise solitary world. yet, with every word he spoke, with every shared moment that passed between you, the chasm between friendship and unspoken desire widened.

shotaro's obliviousness was a double-edged sword, a blessing and a curse. you reveled in the comfort of your friendship, yet yearned for a depth of connection that remained just beyond your reach. each time he mentioned mina, the intriguing girl from his economics class with whom he shared late-night study sessions and inside jokes, your heart clenched with a mixture of happiness for him and an inexplicable pang of jealousy.

you listened attentively as shotaro recounted their adventures, his excitement palpable in every word. mina’s presence in his life seemed to effortlessly fill the spaces you had never dared to claim for yourself. you smiled and nodded, masking the turmoil within you as you struggled to reconcile the unspoken yearning in your heart with the reality of his obliviousness.

and so, beneath the blossoming cherry trees that whispered secrets to the wind, you silently surrendered to the bittersweet beauty of unrequited longing. you cherished your friendship, treasuring each precious moment you shared while burying your own desires deep within the recesses of your heart. as shotaro's laughter mingled with the soft rustle of cherry blossom petals in the breeze, you whispered a silent farewell to the dreams you had nurtured in secret, finding solace in the enduring warmth of your unspoken bond amidst the ever-changing tides of college life.

days turned into weeks, and weeks into months, as you and shotaro continued your dance of friendship amidst the ebb and flow of college life. you attended lectures together, studied in the library until the late hours, and occasionally ventured into the lively campus scene for coffee and conversation. each outing was a delicate balance between camaraderie and want for you and you found yourself increasingly captivated by his presence.

one brisk autumn evening, you found yourselves seated at your favorite corner table in the cozy campus café, surrounded by the comforting aroma of freshly brewed coffee and the soft hum of student chatter. shotaro was animatedly discussing a recent art exhibition he had attended, his eyes sparkling with enthusiasm as he gestured emphatically.

‘...and the way the artist played with light and shadow, it was amazing,’ he exclaimed, his voice filled with genuine admiration.

you nodded enthusiastically, hanging on his every word as you sipped your latte. you admired the way his passion for art illuminated his features, casting a soft glow upon his face that made your heart skip a beat. in that moment, you realized how deeply you had come to cherish your moments together, how his presence had become an integral part of your college experience.

lost in your thoughts, you failed to notice the curious glances shotaro occasionally cast in your direction. he had always appreciated your keen intellect and thoughtful insights, but lately, he found himself drawn to something more elusive – the subtle shift in your demeanor, the way your eyes lit up when you discussed your shared interests.

as the evening wore on and the café began to empty out, he leaned closer, his voice lowering to a conspiratorial whisper. ‘hey,’ he began, his tone tentative yet filled with curiosity, ‘i’ve been meaning to ask you something.’

your heart, which was regularly beginning to race around him, quickened its pace, fluttering as if a bird had taken flight within you, wings beating rapidly against the cage of your ribcage. each beat seemed to echo louder in your ears, drowning out the ambient sounds around you.

your breath caught in your throat, a delicate butterfly trapped within the confines of your lungs. as you looked into his eyes, you saw a glimmer of something you dared to hope was longing, a flicker of warmth that fueled your fantasies. his words hung in the air, laden with possibility, and for a fleeting heartbeat, you believed he was about to confess what you had longed to hear.

‘have you ever considered taking a trip during winter break?’ he continued, his words carefully chosen. ‘there's this cabin up in the mountains that a few friends and i were thinking of renting out. it's supposed to have an amazing view of the snow-capped peaks.’

dejection washed over you like a wave crashing against the shore, leaving behind a bitter taste, yet despite the crushing weight of unmet hopes, you couldn’t deny the flutter in your chest, the echo of your racing heart still reverberating through your being. was shotaro inviting you?

‘a trip?’

‘yeah just a casual getaway,’ he explained, a hint of nervousness creeping into his smile. ‘i thought it could be a fun way to unwind after finals and spend some time together outside of campus."

your heart soared at the prospect of spending more time with shotaro, yet you couldn't shake the nagging doubt that lingered at the back of your mind. was this just another friendly gesture, or did shotaro harbor feelings that mirrored your own?

before you could gather your thoughts and respond, a familiar voice interrupted your conversation. mina, the spirited girl from his economics class, appeared beside your table with a bright smile.

‘hey, shotaro! sorry to interrupt, but we need to finalize our group project details before the library closes,’ she exclaimed, her eyes flickering briefly to yours before returning to shotaro.

he nodded understandingly, casting a fleeting glance at you. ‘of course, mina. i'll be right there,’ he replied, his gaze lingering on yours for a moment longer than necessary.

as mina and shotaro exchanged a few more words, you felt a pang of disappointment wash over you. you realised, with a sinking feeling in your chest, that shotaro's invitation to the cabin was likely nothing more than a friendly gesture after all. mina was a constant presence in his life, a reminder of the bond they shared beyond their conversations in the campus café.

with a forced smile, you mustered up the courage to appear unaffected, telling shotaro to go ahead first and that you would see him later, watching him hastily pack his things as he prepares to leave.

he turns back to you, his expression apologetic. ‘i'll let you know the details about the trip,’ he promised, his tone gentle yet tinged with regret.

you managed a small nod, your heart heavy with unspoken words and unanswered questions. you watch silently as they make their way out of the café, their laughter mingling with the soft strains of background music. alone once more, you buried your dismay beneath a mask of composure, thoughts swirling with the realization that your feelings for shotaro had been one-sided all along.

in the weeks that followed, you struggled to reconcile your unrequited longing with the reality of shotaro's burgeoning relationship with mina. you threw yourself into your studies and extracurricular activities, seeking solace in the familiar rhythms of college life while silently nursing the ache in your heart.

you silently watch as shotaro's affections drift towards mina like a sailor drawn to the mesmerising pull of distant shores. it was a slow, agonising unravelling, each passing day etching deeper lines of longing and resignation into the fabric of your heart.

you lingered in the periphery of their shared social circles, a quiet observer amidst their blossoming connection. shotaro's laughter, once a melody that filled you with warmth, now seemed to dance effortlessly with mina's, intertwining in harmonies that echoed through the halls of their college. you couldn't help but notice the stolen glances exchanged between them, filled with a shared understanding that whispered secrets only lovers could decipher.

in the moments they were together, your presence faded into the background like a muted backdrop to their blooming romance. you watched as they laughed over inside jokes, shared stolen touches that spoke volumes of their growing intimacy, and found solace in each other's company as though they were two halves of a whole. it was a picture-perfect tableau that painted your own unrequited desires in stark contrast—a solitary figure standing on the sidelines, yearning for a love that could never be.

as winter break approached and shotaro's plans to ask mina out took shape, you found yourself retreating further into solitude. you spent long hours in the campus library, poring over textbooks and journal articles in a futile attempt to distract yourself from the gnawing emptiness that had settled in your chest. the ache persisted like an echo in an empty room- a constant reminder of the heartache you carried in silence. the cabin trip, once a glimmer of hope amidst your unspoken desires, now loomed on the horizon as a painful reminder of what could never be.

on the eve of winter break, as snowflakes danced lazily outside your apartment window, you were transported to the edge of the campus courtyard, beneath the same cherry blossoms where you had shared countless moments with shotaro, a time where things weren’t so bad. the air was crisp with the promise of snow, the silence broken only by the distant sound of laughter and music drifting from a nearby complex.

you thought about the trip you would be going on next week, the offer that months ago had filled you with joy and anticipation. but now, knowing that mina would be there too, the thought was like a shard of ice lodged in your chest.

the apartment felt emptier than ever, the silence pressing down on you like a heavy weight. you wrapped a blanket around yourself, seeking comfort, but it did little to warm the chill that had settled in your bones. your eyes drifted to the window, watching the snowflakes dance in the wind, each one unique yet fleeting—much like the moments you had shared with shotaro.

you opened your window, closing your eyes and allowing the cold winter breeze to brush against your cheeks. memories of shotaro flooded your mind – his infectious laughter, his gentle smile, and the warmth of his presence that had once brought comfort to your lonely heart.

tears welled up in your eyes, blurring your vision. you hugged your knees to your chest, rocking back and forth as the sobs finally broke free. it felt like your heart was shattering into a thousand pieces, each one a sharp reminder of your unfulfilled dreams. you had loved him with an intensity that frightened you, a love that consumed your every thought and left no room for anything else.

but love, you realised, was not enough. not when it was one-sided, unreciprocated. it was a cruel twist of fate, to love someone so deeply and yet know that they would never see you the same way. you had been naive, believing that kindness and affection could blossom into something more.

as the night deepened, you felt the weight of your heartache pulling you down, like an anchor dragging you into the depths of despair. you wished you could escape, to run away from the pain, but there was no refuge from the storm within you. all you could do was endure, to let the tears fall and hope that, in time, they would cleanse the wounds left.

for tonight, though, you allowed yourself to grieve, wrestling with the ache of unrequited love, a love that had blossomed silently within you while remaining forever out of reach.

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