#and i understand that is not particularly appealing to interact with

[howlsofbloodhounds]

do you think Killer and Insanity could be friends. Like Killer at first didn’t care much for the guy other then the fact that his soul was definitely interesting a perfect specimen to study really. Insanity of course tries to avoid him as I have heard from some sources that have talked to the new creator how Insanity wouldn’t outright fight someone he isn’t sure he can win against and while the two are definitely close in strength I still feel as if Killer would win. At the very least Insanity can respect this strange Sans strength. They both have access to save, load, and resets even if Killer has something a little extra I don’t know I kinda just wanna see them interact more then just the Murder time trio fight videos but with insanity sometimes replacing Horror or him just joining. Although I do like the idea of the four going around bat taking out of control players/Charas/frisk all for their own reasons it would also be a nice way for them to be in a story that doesn’t have them as Nightmares lackeys actually that gives me an idea

~Musical Anon

This guy really needs a better name..like redshift sans or something idk.

And yeah, wiki says he has access to save/load/reset but it’s not more than the human’s, like flowey. So killer’s determination probably stills outweighs I’s. Honestly i wouldn’t be surprised if killer sees himself as superior in a way when compared to Insanity.

Wouldn’t be surprised if, for whatever reasons, if Insanity starts hanging around killer for whatever reason and if killer tolerates it for whatever reason, some may get the vibes that insanity is like killer’s “lackey” and killer is more like the ‘leader’ of the two.

Killer may see himself as above insanity in some way, but I doubt he’d naturally or immediately take over a leadership role in whatever little duo they form—he’s not a leader type.

Outside of a “work” and scientific context, killer may just want insanity to leave him alone and would probably avoid him if he becomes insistent about it—unless insanity makes killer think similar to the way Swap did.

That he won’t stop if Killer doesn’t make him stop. Which means psychological and physical torment.

And if insanity can manage to handle that somehow and keeps coming back, for whatever reasons he’d ever do that (maybe he feels like he and killer are similar, maybe he saw how Killer is in Stage 3 and how Nightmare and the others handle and respond to Stage 3, or perhaps killer’s strength appeals to him?), then maybe it becomes something different.

Maybe it becomes a bit of a transactional thing. If Insanity lets Killer satisfy his curiosities with him and leaves him alone when he wants to be, then killer..helps Insanity with whatever he may want. Help with revenge on Gaster? Help on taking out someone? Just some company or something? I don’t know.

Given who these two are as characters, their backgrounds, high chance of it not being a very healthy coworker or partnership dynamic. Particularly in a setting where they’re with Nightmare, or at least Killer is.

But there could potentially be some wholesome or sweet moments in their understanding, even if the thing that they understand about each other is that they aren’t like the others around them.

[plethomacademia]

It's kind of funny to me that I made Aglaeca like 10 years ago, then got frustrated with how hard it was to RP her with other people so I made an alt that was easier to pair up. Now it's 2024 and her current iteration is Maeve and I am like ugh should I make another character that is easier to pair up with people.

[nightwngz]

— 𝓐 𝐥𝐞𝐬𝐬𝐨𝐧 𝐨𝐫 𝐭𝐰𝐨 ✮!! eng.

fratboy!wally west x fem!reader

𝘄𝗮𝗿𝗻𝗶𝗻𝗴𝘀… drabble, porn with plot. smut. dirty talk, multiple orgasms, oral sex, fingering.

𝗰𝗼𝗽𝘆𝗿𝗶𝗴𝗵𝘁. . . no copying of my work is allowed. Free translation is allowed as long as I am credited.

𝗹𝗮𝗻𝗴𝘂𝗮𝗴𝗲. . . as I said in my other posts, English is not my first language. I have tried to make corrections with the translator, but as you all know, it is prone to making mistakes, so I apologize in advance for any mistakes or if anything sounds weird.

𝗻𝗼𝘁𝗲. . . A friend of mine gave me the idea for this, so I said, 'Okay, this sounds good,' and decided to write it. I hope you like it.

Since you started university, you’ve always been part of the crowd. You never cared about being popular or standing out in class; you just wanted to get by like everyone else. You made an effort to fit in without drawing attention, avoiding conflict and focusing on passing with just enough.

Being part of the university meant interacting with certain people, even those you weren't particularly interested in but had to tolerate. Like the popular guys from a fraternity whose name you couldn’t quite remember, led by Richard Grayson and Wallace West—better known to their friends as Dick and Wally—or those slightly higher on the social ladder than you.

Dick Grayson was friendly, and his appearance clearly explained why he was so popular. He was also sweet and kind, so much so that if one of your friends asked you directly, you'd probably admit to having a crush on him. Wally, on the other hand, was a different story. Although he was funny and somewhat charming, and also popular because he was Dick's best friend, he didn't appeal to you as much. In fact, there were times when he would shamelessly try to flirt with you, but you would just respond with a gesture before completely ignoring him.

Conveniently, no matter how hard you tried to stay away from Wally, he always found a way to cross your path. Like the day you were sitting with Timothy Drake in the cafeteria when Dick Grayson came over to say hello to his brother. Wally seized the opportunity, walked up, grabbed Dick by the shoulders, and wasted no time flirting with you.

— Don't worry, babe. If you don't understand anatomy, I can give you a lesson or two.

You don't know what part of you thought it was a good idea to have Wally help you study. But you didn't realize how bad it was until the books fell off the bed where you were supposed to be studying and his face literally ended up between your legs.

You had never been with someone with such fast skills, so to speak. It was like being with The Flash himself. His tongue moved quickly over your wet pussy, causing your eyes to roll back in pleasure.

His tongue glided over your lips, tracing them from top to bottom, while his greenish gaze was fixed on yours. With one hand he helped you to spread your legs wider and with the other he filled your tight hole completely with two of his fingers. Then, growing restless, he moved to your clit, where he began to give you sweet, teasing licks. His mouth moved so quickly between your clit and your lips that it seemed he was caressing both at the same time.

And when you arched your back, with moans so intense that Wally was sure they could be heard in the hallway, he knew you would climax any moment, for the third time that night, with minimal effort on his part. It hadn’t even taken him more than five minutes.

Sweat trickled down your forehead as you reached your climax, and a wave of pleasure swept through your entire body. As you gasped, you watched as Wally pulled away from between your legs, a mischievous smile on his face. He looked beautiful, his mouth smeared with your fluids, and maybe that's why you didn't ask him to clean up.

— Damn, babe, that was so good. After what comes next, you'll be so dazed that the only name you'll remember from these books will be "Wally”.

You looked at him with wide eyes, confused by what he meant by 'after what comes next.' Hadn’t it ended? You wondered if you could handle more, given that you had already had more than you could bear.

— Oh, what? Did you think that was it? Unfortunately for you, we're not done yet. And I have enough stamina to fuck you for hours.

[chiiroptereh]

[Please zoom in, there's a lot of detail! And a massive file size...ouch]

Hi guys, long time no post! Been working on Art Fight and life stuff, but I've got something kinda fun for you.

This is a compilation exploring how a mortal Bill may interact with our world if there were still some kinda Euclidean instincts buried in there. Y'know, before the Book of Bill ruins all my headcanons >:P (EDIT: IT HAS BEEN READ. YAHOOOOOO)

Also quite an experimental piece as you can probably tell. Lots of details on both said headcanons and the art stuff under the cut, but I invite you to study the colorful texture yourself beforehand and think about what it might be representative of, just for fun because I got some really cool answers from my friends when asked :]c

TL;DR: the headcanon is that Euclideans have exceptional eyes for geometry. They find things like symmetry, tessellating patterns, graphs and fractals very aesthetically pleasing. If pushed into our 3D world, they feel comforted by the familiarity flat objects/spaces bring, as well as high-contrast patterns. Shadows especially are a familiar dimensional reduction that may bring them much comfort.

Bill would surely not be happy about these inclinations, constant reminders of a past long gone, but I'm not sure he's even aware of them here :P I think his ego gets in the way to the point where he just views these interests as common sense, which, of course, us lame humans just don't understand because we aren't nearly as cool as him. Of course he likes perfectly symmetrical leaves and staring at the kitchen floor, it's called taste, look it up!

And yet, he can't seem to shake the strange sense of melancholy he gets from viewing his own shadow.

~ End of TL;DR, long version below! ~

🔺 Headcanon Development

So, the catalyst of this idea was in relation to my friend and I's AU ( @love-triangles-au ). TL;DR, Bill's brought back mortal, meets another triangle named Y.V. (it's his hand holding the paper in the piece, actually), at some point they fall in yaois together, you know how it is. And, in writing a pair of triangles (or, more broadly, writing from the perspective of a different species), something I've had to consider was that you really can't get much further removed from a human being than sentient geometry.

The anatomical aspect was mostly figured out (see my piece on Bill's eye-mouth), but I wanted to consider what psychological differences might be at play. I wanted them to be weirder, more alien, double-so for Bill. At first I explored these possibilities through the lens of Bill and Y.V.'s relationship, specifically the question "what might a triangle find appealing about another triangle?"

Well, really the only things that came to mind were straight lines and symmetry, anything related to the geometric form of such a creature. That's more-or-less where that ended until the thought struck me that there's no reason this aesthetic appreciation couldn't extend to the rest of the environment, and then further when I realized, "wait, this is a species that is designed to live in a 2D environment. Like, they should seriously be really weird. I need to push this like 200% more."

So...yeah! I did some thinking and brainstorming with others and came up with a pretty long list of things a Euclidean in our world may be inclined to enjoy or find some level of comfort in. It's worth noting again that in this piece specifically this is a mortal/powerless Bill, so he can't really escape this Earthly environment. IF he's aware of these instincts at all (and that's a big "if"; when have you last been cognizant of your own instincts let alone known where they were stemming from?) I think he'd have snuffed them out in immortality and/or purposefully gone against them; he doesn't take kindly to being told what to do.

In order from left-to-right, top-to-bottom, here's an explanation for each!:

Flat objects such as paper are something he may find particularly engaging. It's basically 2D!

Tessellations are especially fascinating, and our world has them everywhere in the form of tile floors. Symmetry and such a predictable pattern...as the infinity of the starry sky might for us, the infinite potential of tessellations might invoke a similar sense of awe in him. Add on the maximum contrast of black on white kitchen tiles and the forms are only even better defined! A sensitivity to contrast would be very helpful for a 2D being navigating their environment.

Fields are flat and open, much like Euclydia itself. Laying flat may make him feel a little more at home.

More tessellation in the honeycomb of hymenopterans (bees, wasps and friends)! It helps that pain is hilarious.

The city is an absolute treasure trove. Rectangular buildings, precise architecture, square sidewalks and straight lines abound...he may as well be looking at a rainbow or an art gallery! I think a Euclidean's brain is very fine-tuned to mathematics, especially in regards to trigonometry. What may appear to be a straight painting might appear obnoxiously crooked to him.

Zebras are high-contrast :]

Another flat surface, another relaxing space <3

I think graphs are about as high as high art gets to most Euclideans.

I've touched on shadows before, and for good reason; truly they must be something borderline magical to the Euclidean and perhaps bitterly nostalgic.

This one kinda speaks for itself. Dweeb.

🎨 The Artsy Stuff

Lately I've been trying to find ways to fit more color into my work, as color is perhaps one of my favorite things in the world. My wardrobe is rather garish; my dad jokes that you could see me from space. My fursona is obnoxiously bright for a reason -- I feel my soul is a very colorful one!

I also realized recently that I don't actually know the exact style that speaks to me. I could talk about the phenomenon of the "style crisis" that many artists have all day, but in my mind the best cure for this feeling is to go against it entirely and begin stealing as much as possible.

So, I've tried to keep an eye out for more sources of inspiration everywhere I go, physical and digital. I've tried to train my mind into making a habit of considering, "can I do anything with this?" everywhere I go, and it recently paid off!

The glittery rainbowy texture you see plastered all over Billiam is this one, a photo-manipulated set of fruit stickers. I must confess I've been obsessed with this image for the past 72 hours, and this seemed like a good excuse to try it out!

I worried throughout the process if it might be so abstract that it loops back around to being horribly deliberate, if that makes sense -- like each sparkle was not a piece of a whole but rather an object in itself -- but it seems like that hasn't been a problem, so I'm grateful for that :Dc

I hope it can dazzle and delight you as it does me, but as long as you find it fascinating at the very least then I consider it a success! I really enjoyed hearing my friends' interpretations while workshopping it, and got tons of amazing answers from opal to kaleidoscope to fossilized bone marrow! I truly believe that the best art has some room for interpretation and it really excites me to be surrounded by that kind of creative energy that follows said pieces. That definitely adds to my pride in this work. It's weird, it's colorful, it's detailed and yet ambiguous. I'm feeling pretty autistic about it

Alright, I think that's about it. Thanks for listening!

[northopalshore]

Tumblr astrology rabbit hole

I've done some digging on Tumblr recently, looking through the astro community (particularly ones that dive into celebrity astrology) & interact with asks often.

₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ .₊๋‧₊ ˚ ⊹ ࣭ ⭑

Now, I understand that these accounts are doing this for fun & I shouldn't really have a say in what they decide to do. However, you still can't turn a blind eye on the fact that it feeds into this delusional factory: where readers just disassociate with the reality of what those placements really mean. Even if it is for fun, a lot of people unconsciously keep those descriptions in their subconscious

Making things that aren't true happen. Just to appeal to the audience.

& it doesn't help either when said accounts start getting up their own asses. When their audiences start looking for different accounts, and happen to find actual good intentioned posts about said placements they sort of expect the same kind of treatment they've been receiving from other accounts.

₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ .₊๋‧₊ ˚ ⊹ ࣭ ⭑

The people posting are actual human beings with lives & different personalities, you can't clump them into one pool labeled "astrology content account".

The educational material shouldn't be clumped up with the accounts that use it loosely. Not everyone here is willing to entertain you that way. So don't expect us to answer your self-indulgent fantasies.

Usually, whenever I see an account I can tell immediately whether their writings are pretentious, or genuine (just so you know, genuine can look very different from person to person as well). I understand that not everyone sees "depth" or authenticity the same way. Still, if you're reading this, I urge you to reflect on what you're reading.

We aren't machines born to push out content for you. We have the right to disappear as long as we want to. The purpose is not for fame or followers, or praise from the audience but to share our genuine passion. Even though sometimes, I see that people forget that. Even the creators themselves. We aren't being paid to be here you know?

₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ .₊๋‧₊ ˚ ⊹ ࣭ ⭑

Please use your heart & your intuition even if it is "just Tumblr".

[beforetimes]

what's irritating about jean's character in the original trilogy is that when she's first introduced through her interaction with senator kelly in x-man (2000), she's very clearly depicted as an intelligent and capable woman. it's very easy to assume that she's the de facto face of the school because she went as a spokesperson for mutants despite charles also being in the crowd.

so to take this character we become acclimated to independent of her relationship with other characters and to suddenly switch-up to have her become a plaything for scott and logan to fight over is very jarring. and i'm not trying to say that i thought she could only be discussed in the context of her relationship with logan and scott but outside of that initial scene where she's speaking up for her fellow mutants, there's very little care given to her as a character.

in x-men (2000), 90% of her dialogue feels like it's solely dedicated to this flirting game going on between her and logan. she barely feels like a character and exists solely to be a roadblock or the 'sexy lamp' archetype in the movie. we just barely see her at all. i feel one scene where her presence would've made sense and built up more of her character would be where storm goes to speak to senator kelly so he's not alone when he dies. since we're introduced to kelly through an argument with jean, wouldn't it be a full circle moment to go back to him conversing with her before accepting his death and they both make peace with each other? i just feel they really wasted her character in this first film.

i feel like in x2 (2003) they became somewhat aware of the criticism (i'm assuming as much at least) because she exists as a person outside of the context of her relationship with logan and scott. but even then it's very little and the most we learn about her is she's conflicted/having trouble concerning her powers and wants scott.

now, at the end she has her moment of nobel sacrifice where she knows the only way she can save everyone is by dying herself. and it feels like an incredibly shoehorned in last-minute decision to get her out of the way as well as having something to point at to say 'see, she has more depth here! would a shallow character do this?' which like, if executed right could have given her more depth. but at this moment in time the only reason we're sad about jean dying is because logan and scott are sad. not because we lost a particularly fleshed out character.

even at the end of x2 where charles gives this speech and declares she made a choice to save everyone at her own expense in the attempt to add some posthumous value to her character in the series, 'her choice' is immediately co-opted by logan to centre around the two male love interests again. i don't understand this insistence that jean grey can not exist as a character without having her tied back to logan and scott in every aspect again and again and again.

x-men the last stand (2006) is the worst of the trio for her character. boiling her down to this character who kills scott, tries to manipulate logan with sex, has a dark alter ego, and kills the man who raised her feels like a blatant attempt to just entirely ruin her character to make people who might have even liked her a bit just hate her. which sounds cartoonishly evil but is genuinely the impression i got sometimes. she swung from this character who existed only as a love-interest to this seductress-type character where she tries to satiate lust or something like that through logan after killing her long time lover. and she needs to be 'put out of her misery', cycling between this evil sexual version of herself and this innocent sad person that's appealing to logan to fix everything for her.

x2 ended with her dying for everyone. the last stand has her asking logan why he would die for everyone, directly contradicting her final statement in the last movie. it's like jean doesn't even mean anything to the writers anymore. she's a love interest. she's a sacrificial lamb. she's an evil seductress with no remorse. she's only evil because of an alter ego and otherwise she's still pure and innocent. like what the fuck is going on.

she dies begging to be saved. she gets put down like a dog after logan says he loves her. and that's all we get. just ridiculous. the original trilogy treats her character like absolute garbage.

at least in the days of future past-verse she's allowed to be a character. she's snarky and has a developed camaraderie with someone other than her love interest. her powers are displayed more before immediately spiralling into her being destructive and we get an emotional connection with her built up. she feels like an actual character. dark phoenix was still awful but we at least get a more complex version of this arc which is something she takes control of.

by the time we get to dark phoenix and jean sacrifices herself again it feels much more earned. she has quite literally no other choice but to stop herself and she isn't left to herself to spiral out of control. she doesn't need someone to come in and kill her to put her out of her misery because she is a character who is repressed and angry with good reason and has people who love her more than just romantically. she has a connection with these people, a reason to save them and to give herself up rather than having to ask someone to do it for her.

like, whatever man. it's five in the morning and i was thinking about this and just got so frustrated. the original trilogy was so deeply committed to making her the shallowest character they could manage. maybe in a misguided attempt for her to act as an audience stand in with logan and/or scott? i don't know. i wish we got to know the intelligent woman we got introduced to in the beginning of the first x-men movie instead of whatever plot device she became.

[ms-demeanor]

since twitter has become actively hostile to its users, so they came to tumblr, and reddit has become actively hostile to its users, so they came to tumblr, what do we do now that tumblr is becoming (more) actively hostile to its users? i’ve been here for over a decade so i know tumblr users are the type to cling on despite everything and revel in undoing every change, but i’m so tired of the way this website breaks the way it fundamentally works in order to appeal to new users. the twitterfication of the site seems so much worse than when people jumped ship after the porn ban, and even then, only small communities (and twitter) cropped up as solutions. you might not be the person to ask for a definitive answer, but i figured a tech blog might be interested in considering - what do we do when there’s nowhere left to go?

Okay so, I mean this very seriously: how has tumblr meaningfully become like twitter?

I don't personally find the sidebar view obnoxious and it seems to me like just another layout change that's pretty typical to tumblr. New users are getting signed up with a bit more emphasis on algorithmic feeds, but that is still very easy to change (MUCH easier than on any other social platform) and the algorithm has been there for everyone for quite a while, we just typically don't notice it because a lot of long-term tumblr users don't go into the "for you" feed.

I don't think that tumblr *has* fundamentally broken the way that it works to appeal to new users. My dash now is still very much like my dash in 2019, and still very much like my dash in 2018 (though much less pornographic). Reblogs are still reblogs, likes are still likes. Replies, for all that they seem like they've been around forever, are new and good and I think they work well. I'm irritated that the notes menu doesn't have a "view all" option but I think that's a worthwhile tradeoff for an easy way to see tags.

I *do not* understand why tumblr has broken linking back to previous reblogs but I don't think that's out of an effort to act like twitter; it is a bizarre choice that I dislike and don't understand but I also don't think that it has fundamentally changed the way the site works and i mean you've been around long enough that I'm sure you've had the same experience I have of going into the notes of a post and randomly clicking until you found a version that you wanted to reblog without a bunch of bullshit at the bottom. Tumblr has always kind of sucked, this change DOES suck but it doesn't suck in a way that is particularly novel or insurmountable. (For instance, I think this change sucks MUCH LESS than when they made posts with links invisible to the search, that is something that is genuinely bad that has been long lasting but doesn't get brought up much in lists of the ways that tumblr has gone wrong)

Tumblr *is* changing, but I think it is changing more incrementally and less terribly than other parts of the internet. I also hate the floating clown, the login walls, the dash-only view for blogs (you can't archive it and I HATE that), and - to an extent - the new lightbox on mobile. And I dislike that less than I thought I would but I don't think it's a fundamental change that necessarily impacts my interactions with the site - it *adds* a feature that I don't care for but it doesn't *break* anything that I require to have a good time on tumblr - in that way I think of it very much like Live. People hate Live so much and I find that perplexing because it is so easy to simply ignore it.

But that's not really your question; that's just some stuff I want people to think about because as much as tumblr has changed in the last two years it is nowhere near as fucked up as the recent things that twitter and reddit have pulled.

So, as to your question: where do we go?

Well. Not to be an extremely old person on the internet, but damned if I don't miss email lists. And forums. God I miss forums. Neither of those things has all the bonuses of platforms like twitter or reddit or tumblr or facebook, but they were great ways to hang out with people you liked on the internet.

The internet is changing. I can feel it, you can feel it, I'm pretty sure we're all like cattle in a field lifting our noses and hearing some distant rumbling and becoming slowly aware that it's almost time to run. There's a coming stampede and it isn't here yet but you know it's on its way. You're not imagining that, that's how things feel right now and there are a shitload of things contributing to it.

Things like SESTA/FOSTA and KOSA (which has not passed yet but is a big red flag waving on the horizon) have been eroding away the way that users on various platforms can function. Some platforms have consolidated in ways that harm users; some new platforms have popped up and shaken up the map of the internet; some platforms are being torn apart brick by brick by owners who don't care about the users. It kind of seems like people are actually looking up and realizing that advertising is A) bad and B) doesn't actually work and I think we're running straight toward another advertising-based crash like we saw in 2017. It feels like all the desperate things that tumblr is doing is just rearranging deck chairs on the titanic as the internet as a whole starts to sink into the ocean.

Honestly, I don't think it's that bad. I think it *feels* bad, but I think we're looking at a slow whimpering death of the platforms, not a bang. I think tumblr is going to hang on at least for a few years and I think it's going to end up like livejournal and myspace, which both still exist as websites that are recognizable as updated versions of the sites they were in 2004-2010. The thing that I think would really, honestly hurt tumblr in a fundamental way is if it moved to a more algorithmic and data-sales based model of advertising, and I think that's still pretty distant. I think Automattic is aware that killing the chronological feed would be the one unforgivable sin that would cause a mass exodus and a final crash, and I think when we see that, when we can't just scroll through the feed and see what our friends did that day in order of when they did it, that's when the party is over here.

But that's still not answering your question.

So, where do we go? What do we do? Well, for now, I'd say it's a good time to get contact info for your friends across various platforms. Get email addresses, get phone numbers.

Now is also the time for you to set up a personal website. NeoCities is currently the best place to do this, though it takes a lot more effort than just starting a blog on tumblr. I think that various oldschool blogging sites like Wordpress and Blogger/Blogspot/whatever the hell the google one is are a better place to have your emergency backup than a more platform-y platform if you aren't up to doing something with NeoCities.

If you've got the ability to do so and a group of people who are interested in the same core subject, set up a forum. There's a decent amount of off-the-shelf forum software out there and a text-and-small-images forum isn't prohibitively expensive, but it's never going to be huge and you're never going to have the kind of spread and virality and random connections that you would on a platform with millions or billions of users.

If you can't set up a forum, setting up or joining a discord server for your friends is a decent enough option at the moment, and may be a very good option for people who are looking to keep their interactions more private.

But yeah i think right now is a great time for people to start setting up their own personal websites, to start visiting actual webpages again, to start bookmarking their friends' websites, and to start collecting contact info that isn't tied to platforms.

[lousycapy]

now that the top 100 ao3 ships of 2024 list is out and f1 rpf has made two appearances (lestappen & landoscar) I’d be curious to read your most controversial opinions on f1 ships. I’ll start with mine:

I fear the lestappen hype is disproportionate to the actual content available to the writers. obviously there is a lot of potential with a childhood rivals enemies-to-lovers arc, but the issue to me is that the seed hasn’t blossomed yet. the roots are amazing, but apart from a half-assed semi-title fight at the beginning of 2022 there hasn’t been much spice or resolution to their story. some fun yap moments here and there, respectful and friendly (fruity? 🤔) interactions, but I feel like there isn’t any actual continuation to the story that made their dynamic particularly enticing to fanfic writing.

looking at it as a blank canvas to articulate a future where there IS a resolution (such as a title fight or to throw them in the same team and see the romance develop through hatred) is an amazing plot, absolutely lovely to read, but the fics where there isn’t this fight or drama that sublime their relationship don’t really appeal to me and I struggle to understand their popularity. their rivalry quietly fizzling out into a tentative friendship doesn’t do it for me, I need a more concrete story.

anyway, shoutout to the writers and their boundless creativity and goated writing, I might not understand the source of inspiration but I respect the craft and you continue being awesome 🫡

[rdr2gifs]

I often wonder what sets Arthur apart and makes him particularly appealing to me compared to other characters (in general). One significant factor lies in how he perceives and interacts with women. Arthur views women as equals, rejecting any notion that he is superior because they often do tasks traditionally associated with women, such as laundry and other chores.

He also never doubts capabilities of women like Sadie, who perform tasks usually associated with men. It's essential to note that one of Arthur's initial scenes with Sadie may be misinterpreted, as Sadie herself belittles the work of other women, not Arthur.

Arthur maintains healthy relationships with the female gang members, with none of them serving as a love interest. He sees men and women as equal, believing everyone should be able to walk their own path in life. He treats women with respect and he doesn’t expect any reward for his behaviour (sadly this is how many men seem to think even in the current time). He doesn’t see women in the gang as a cover (Dutch) nor like a liability (Micah). He sees them as people and valuable members of the gang.

Even in situations where he has to help women, he never considers them any less capable nor downplays their abilities.

Arthur's respect for women is also shown in his interactions with individuals outside the gang, such as the circus lady and the rich widow. After the circus lady thanks him for his help, he’s quick to say she would’ve been able to do it without him. He encourages her to pursue her dream in a so far male-dominated industry. He doesn’t look down on the widow, who doesn’t know anything about survival. He doesn’t tell her to go back to the city where she came from. He tries to teach her in a natural and encouraging way, never acting as if he was better than her because he has more experience. He patiently teaches her without any condescension.

He initially doesn’t understand why Beau even tries to stop Penelope from participating in the women's rights march. I like to think this is because he thinks everyone should be able to fight for their cause/what they believe is right. Not to mention he very much enjoyed riding with these ladies and wrote about his experience with fondness.

Arthur's journal entries reveal his disapproval of mistreating women, recognizing the injustice in an era when women had limited autonomy. “He treats his daughter like a possession to be mistreated and abused as he sees fit. Strange creatures men.” It was definitely not common for men in this time to be thinking about women's autonomy.

I don’t want to praise Arthur for things that should be considered the bare minimum but these qualities definitely add more to his likability. And it’s great to see where your favorite character stands on important things like this.

⚘ While acknowledging that Arthur's antagonistic lines may be interpreted as sexist, it's important to consider them as optional elements mostly implemented to make 13 years old boys feel edgy.

[callmrmorrow]

Your angst takes are so heart breaking 🥺🥺🥺

omg please oh please tell me your thoughts on shapesmith

full disclosure, shapesmith has never been on my radar as a particularly interesting character for me, like… angst wise. but i’ll give you something because i’m nothing if not capable of making people suffer

shapesmith reminds me, oddly enough, of john doe (joker) from the telltale batman series. i played that shit YEARS ago. but there’s something about the two of them that feels the same to me, and it might be the endearing unfamiliarity with the world around them — in telltale, i think joker had memory problems — and their source of heroic action being a result of mimicking those around them. also their childish naïveté.

“my bed’s a racecar!”

hes also a silly guy. like john doe and oliver, to an extent, he has an incredibly low awareness of how the world functions, what morals really are. thats all well and complicated, but i think the sadder thing about him is that he felt this complete pull away from his people, a fundamental difference between them, and was reckless enough to follow the dream even though it cost his people EVERYTHING. its a common theme in invincible where characters follow their own paths selfishly, setting themselves apart from what’s expected of them (nolan and mark come to mind almost immediately). i think shapesmith takes a lot of blame from the people around him for the sequid invasion and while he does feel guilt, he has no clue how to repent for that in a way that is appealing to humans. unlike nolan and oliver, nobody’s teaching this guy how to be human.

even the way he interacts with powerplex is, i feel, a genuine attempt to understand him. shapeshifting into invincible wasn’t mocking him, i think he just took it very literally and was pretty excited to be able to do something helpful. obviously not helpful, because he misread it. he also seemed gutted that the police didn’t recognize who he was.

he’s not sad in this gut wrenching, overly tragic way. it’s kind of a slow-bleed pity, a knife wound ya didn’t really feel at first, where he’s so funny until you really think about it. then it’s like “oh, this guy didn’t get his dream of seeing the stars bc he got fired from nasa, nobody likes him, he doesn’t understand the world, he’s a piece of utility for the gda, and he has nobody to talk to even though there’s other characters who might get it”

like ouch! hope this suffices. a little think piece and a silly doodle just about sums up what kind of blog i aim to be

[crimsoncold]

AEMONDSA: A crack ship with unexpected depth and appeal

A treatise (in four parts) on the intriguing parallels and complementary contrasting of Aemond and Sansa and the subsequent allure of them as a romantic pairing in Fanfic

- from the perspective of a sansa-stan, jonsa + sansa-centric multishipper, and someone who is generally Targ critical

Now while my general stance of "ship and let ship/don't worry so much about what other people in fandom focus on or ship/etc" still stands i wanted to do a little write up on what I've found so appealing about this particular crack ship.

Not to justify it (again fandom and shipping in general is just about enjoying/thinking about fictional characters and scenarios... no one needs to justify why their imagination likes to think about two characters interacting romantically) but because there isn't a ton of metas addressing the interesting parallels between these characters and the appeal of them as a ship so I wanted to make one so the handful of people who do ship it get to see some more positive engagement/responses to this pairing.

I just unexpectedly ended up loving this pairing so much and I always have a particularly strong urge to contribute to fandom content on the rare pairs/crack ships that I like....So here have a deep dive into the parallels, and contrasting but complimentary aspects of Aemond and Sansa, and the unexpected appeal of Aemond x Sansa as a pairing in fanfiction...

PART 1: MY EXPERIENCE WITH ASOIAF/GOT & HOTD FANDOM AND WHY AEMONDSA IS A PLEASANT SURPRISE

So I'm going to be drawing from both book and show elements when I consider and compare Sansa and Aemond's characterization and plot arcs (particularly since this tends to be how they are handled in fanfic- which all have differing combinations of book or show canon for both characters)

(this is a HOTD S2-free zone though... HOTD's writing has certainly not improved and it's inconsistencies even compared to their past writing and characterization of many characters including Aemond has made such an absolute mess so for this post I'm ignoring the worst part of HBO's attempt at making hotd fanfiction i.e. S2- and I am basing my understanding of Aemond on a combination of what can be gleaned from book canon and s1 because that was what initially interested me AND because that is what the aemondsa fanfic I've read has also been based on)

Now Just to set the scene for my journey as a stark fan, jonsa shipper, and generally targ critical person to become an appreciator of aemondsa...

GOT had a steep decline in quality in the later seasons and HOTD despite the incredible effort of the actors/sfx people was not particularly good to start with in terms of writing/storytelling...yet disappointing or poorly written shows are not without their appeal for participating in fandom and reading/writing related fanfiction, particularly when there is a handful of interesting characters-looking at you stark kids who suffered through the writing of GOT's later seasons and HOTD's team green-that fans want to rescue from the terrible writing/butchering by the showrunners and to explore alternative stories/endings for them... sometimes it is even one of the most appealing sort of set up for fandom/fanfiction to take over and fix things.

I was already a huge Sansa fan, and she was the original draw for me towards asoiaf/got fandom and fanfiction, and while jonsa has been and remains my favorite pairing for her I've always been open to dabbling in various other sansa pairings/crack ships.

(While the parallels don't take the exact form as the ones between Sansa and Jon- and obviously aemondsa isn't accompanied with the incredible foreshadowing and potential that jonsa is- this pairing still feels similarly compelling due to the sheer amount of parallels between the two characters and for the fact that its a ship that is appealing and seems quite fitting without fanfic writers having to stray too far from canon personalities/back stories to make them work as a romantic pairing- beyond you know the obvious aspect of them being alive at the same time)

When HOTD first came out and before i discovered Ameondsa was a thing I was staying away from HOTD fanfic for the most part despite my interest in a few of the characters

HOTD's most predominant focus in both it's fandom and fanfiction seemed to be Rhaenyra/Team black/ Daemyra centric- all of which I was at just personally not drawn. Aemond (hot dramatic anime antagonist transported into hbo's HOTD and personal favorite of mine) centric fics unfortunately tended towards shipping him with various TB characters or TB OCs but both as a concept and due to the handling/set up these fics were generally not appealing to me (more on this later).

Furthermore hotd fandom itself seemed to be shaping up into a new edition of targ stan centric fandom- specifically a new "team black only" brand of stanning... which is definitely not something I am interested in.

Being someone admittedly anti targ/targ critical in general who just happened to be more intrigued (and sympathetic) to the greens in HOTD it did seem that the bulk of hotd fandom was probably going to a similar if even more extreme form of what I encountered with targ-stan segments of the GOT fandom as a sansa-stan/jonsa shipper (ie. Less posts/fanfic that i would personally agree with or be interested in from these fans and potentially hostile and unpleasant responses or takes from the majority of these fans)

As a result of my general avoidance of hotd (i.e. the very pro targ/pro TB fanfiction that hotd fandom offered) Aemondsa, already an extremely rare pair and crack ship, wasn't even a pairing on my radar until one of the authors i was subscribed to started a hotd time travel fix it aemondsa fic...I have an appreciation for well written crack ships, and I am willing to give most pairings or fandoms a chance when I'm already a fan of either the story's main characters or of the author specifically ...but I was actually incredibly suprised how compeling Aemondsa was as a pairing in this story..as well as how much I enjoyed the other Aemondsa fics that I checked out afterwards..it seemed this was a niche segment of hotd fandom that i was going to absolutely obsessing over.

There was a lot of depth to them for a crack ship, which was achievable without altering their personalities and backstories very much from canon (dont get me wrong I love crack ships even ones where people and the plot are altered significantly to make a ship feel possible but there is something uniquely compelling when characters fit together without having to be too ooc) so I just wanted to write a bit about what is so fascinating about this ship since it's such a new rare pair that hasn't accumulated a massive audience or a ton of discussions or write ups yet.

PART 2/4. THE SURPRISING AMOUNT OF PARALLELS BETWEEN SANSA AND AEMOND (FANDOM, PLOT-WISE, but most of all regarding FAMILY)

(Uh ....Brace yourself? this section ended up way longer than expected)

For me the initial appeal comes down to intriguing Character parallels between Sansa and Aemond which fanfic at least offers the opportunity to explore in a story format ....

On a surface level they are (in the shows particularly) both intelligent and underdog figures with fantastic little sassy moments - true queens of dealing out backhanded and cutting compliments, or being unapolegetic critical towards some of the flawed and extremely privileged individual's they encounter who are used to receiving only coddling and fawning worship.

Both characters seem to get shit treatment, sometimes from the fandom other times due to the terrible choices/handling by the writers/showrunners.

Both were characters I personally found interesting and sympathetic despite how fandom- some of it for aemond and a significant amount of it for sansa- had deemed these essentially young and still innocent characters worthy of being reviled and harmed for the ways the adults in their lives had set them up for failure or abuse. Forever dismayed by the way they (unlike certain fan favorites) were somehow never deemed by fandom as deserving of sympathy for the horrible things that happened to them, and how notably they never recieve the same feverent forgiveness/understanding/support for their more dangerous or dark actions the way other characters did

Looking at the difference in fan responses to show!Arya or Dany compared to Sansa- though when it comes to the sheer amount of violence, destruction, and murder or the act of threatening their kin obviously despite what Sansa-antis say Sansa is the only one who should not even be part of the discussion, and how Dany or Arya always recieves excuses, sympathy, forgiveness, or outright praise from the core audience for their more questionable actions while somehow Sansa is deemed as the unforgivable, dangerous, evil, traitorous, and foolishly reckless character

How Aemond (and all of TG really) are set up and considered by TB stans to be unworthy of their house/rightful inheritance and the ones most at fault for the onset and destruction caused by a civil war... never victims mistreated or endangered by the more privileged and powerful members of their family... just the people who only ever deserved what was inflicted on them by TB for the crime of being forced to wed a disgusting and neglectful King or for being threats to Rhaenyra's family or throne simply by existing? How the morally questionable or violent actions of Rhaenyra, her sons, or more particularly her uncle-husband will always be seen as either justifiable, in the right, excusable, or literally worthy of praise the way Aemond's and his family's actions will never be viewed by this core audience

I think about how much like segments of asoiaf fandom bash Sansa by deeming her too southern/too Tully/Too Catelyn-like to be a real Stark (unlike her "truly northern" siblings) their are also segments of hotd fandom that have chosen to see Aemond and his full siblings as only Hightowers who are wrongfully stealing from TB/the "true Targaryens"

But there were even more striking parallels when it came to their characterization and plot.

Both younger (non heir) children, presented as being intelligent, incredibley dutiful and studious, with a very close relationship to their mother, in a sort of intense people pleaser manner - trying their best to excel at all the skills/duties that their parents/society deems necessary for their position and sex because that is the way they receive acceptance, attention, or praise from their family/the adults in their life

Aemond and his studies, his apparently dedication and success in training with the sword despite his own disability, his determination and recklessness to finally become a dragon rider like the rest of his Targaryen family- as it is what is expected and what he has long been mocked over by some of his targ kin, how despite his own ambitions and the way he thought himself particularly suitable for rulership he remained the dutiful and loyal younger brother who served as regent for his gravely injured older brother but did not attempt to stylize himself as King and steal Aegon's throne.

the way that Alicent seems to be the only family member he allows himself to be vulnerable with, the one with whom he turns to for consolation and comfort, Alicent being absolutely devastated and incensed over the loss of Aemond's eye and the lack of punishment for the assault on his person, the only one to demand recompense, the only one to raise a knife to the blacks when she is denied, how Aemond is the one person who tries to console his mother in the aftermath, how despite having just lost an eye he is the one who actually tries to sooth his mother to bring a stop to the increasing and dangerous level of tension and conflict that had erupted between the blacks and greens at driftmark, Aemond's own longstanding protectiveness of and devotion to his family- most especially his mother- that lasts until his own demise.

Sansa and the way she thrives and enjoys the type of world and training that is more of a noble woman's or specifically her mother Catelyn's domain- unlike her wilder other siblings she is generally a steadfastly proper and gentle girl- no doubt a comfort to her mother not just because she is generally so well behaved but in the fact that unlike her siblings she is not shown to be obviously or very publically close with Ned's illegitimate child- who for Catelyn would be the literal personification of Ned's infidelity, the disrespect and humiliation he puts her through by raising him in their house along side their children, and her deep seated fear that he loved and will prioritize another woman and her child more than his own wife and family.

Sansa is the child who seemed to love all things "southern" the most (though undeniably despite how Sansa is looked down upon for her love of romantic stories and song her other siblings also certainly enjoy legends and tales of Knighthood or Southern Princes and warrior Princesses) and to be fascinated by the environment her mother is from, the one who is drawn to and practice her mother's faith in addition to keeping to the old gods,

How Catelyn though she truly grieves letting her daughter go seems to accept it not just because her belief that Sansa would excel as a princess and future queen but because she thinks Sansa would thrive simply through getting to experience the south...Catelyn seems to grasp the things Sansa dreams about and unlike many other family members she does not view Sansa and her interests with the same condescension, dismissal, or disdain.

Catelyn loves all her children immensely but there is something so tragic and beautiful in her love for her daughters, the desperate lengths she is willing to go to to ensure the saftey of both of them while the lords/males in her family have already given them up as a lost cause and inevitable and necessary casualties in their war for vengeance and northern independence

Despite this affection though there is a lot of pressure on both of them... almost to the point that their treatment by the adults in their lives has a bit of a "parentification" dynamic- a manner that sometimes puts the onus on them to be a support and a comfort to their mother amid any tension in the family/marriage (Aemond) or to be the perfectly behaved role model or minder for their less dutiful siblings (Sansa)

Sansa, in everyone's eyes a lady at three and a queen destined to be, the determined effort she puts into excelling at being studious, accomplished, proper, and ladylike, how much she tries to exemplify the behavior praised and exemplified by her mother and her septa

set up by the adults in her life as a go between for the stark sisters...used as the benchmark for their demands and expectations of Arya, being held up as the bar for perfect, proper, and praise worthy behaviour that Arya is presssured to also attain, the daughter who gets censured on the few occasions she acts out while her younger sister typically gets away with her poor behaviour (at least when it comes to their parents)... Sansa isn't just under the pressure of the exacting expectations for a lord's daughter she also experiences the stress of being put in the position of exemplar for her wild untractable younger sister.

Aemond, apparent dutiful student in many areas expected as a child of nobility, who is expected to support Aegon in his rulership and war and (in the show) even takes responsibility for trying to keep his older brother in line, the one who after losing an eye takes the effort to comfort and console his mother's grief and rage when their father does nothing in response to an attack on Aemond other than threaten and intimate his wife and his children with Alicent in order to support his firstborn daughter, who becomes the human equivalent of not just a wrecking ball but a literal weapon of mass destruction sent out on behalf of the advancement of his family or later to enact terrible bloody vengeance on his family's behalf, his life his purpose and his death is all for his family's sake more than his own.

They put so much effort into being well behaved, to reach the exacting standards for a child in their position, setting an example for the less obedient/well behaved sibling(s) all of which in turn adds to significant strain or conflict between said sibling.

Sansa and Aemond are the sibling expected to and determidly striving to live up to the high expectations that the adults in their life put on them and to survive the extremely dangerous and high stakes scenarios they are put in (as a lord's daughter, prince's betrothed and future queen, a hostage and target for the machinations and ambitions of others, the older sibling, a ruling lady, and elected queen; a prince, dutiful son and brother, ruthless and dutiful defender of his family, and regent)

Meanwhile they have other siblings who struggled to meet said expectations or have given up attempting to all together (Arya, Rhaenyra, or to some degree Aegon)

Siblings who must from the perspective of Sansa and Aemond (who are still young, inexperienced, and have had a great deal of conflict with said siblings) seem to flaunt all expectations free to rebell, flaunt the rules, and generally ignore the high pressure expectations that children from their class face.

Undoubtedly frustrating since, much like their more rebellious siblings have failed to sympathize with the more responsible ones, Ameond and Sansa too have not (yet) been able to recognize the ways their less successful/dutiful siblings also suffer under the highly restrictive expectations of their class and position even if they do not choose or succeed in conforming to them.

They see that despite how they may excel in studying, striving and succeeding in their roles, and ultimatley exemplifying the high standards they were raised to it is these other siblings who seem to get rewarded (experiencing in their eyes at least what appears to be more freedom, less pressure, minimal censure or punishment for their misbehavior... while simultaneously receiving the bulk of the reward in terms of their inheritance, the attention they recieve, or even with regards to the amount of affection given by some of the authority figures in their lives, i.e. their fathers)...

To them it must seem that these siblings get to be not just easily forgiven for their mistakes and misbehaviour, but accepted as or outright adored simply the way they naturally are, whereas dutiful and non problematic children like themselves tend to be overlooked or underappreciated, and quickly criticized on the rare cases they misbehave... the acceptance and affection they recieve appears far more conditional on them behaving well according to the expectations of their family or various instructors/minders... whereas the affection their siblings receive, from say a certain parent, is show to be rather unconditional

Seriously they both give me such severe "easy" (i.e. overlooked) and "gifted" child trauma vibes... how much of their behavior is simply in their nature and how much is what they conform themselves to to make the adults around them proud... because as the quieter child or apparent outsider amindst their family/siblings this is the only action that comes natural to them and gets them some (hard earned) attention/praise in a rather large and loud family they otherwise seem a bit lost in... how much of their striving to succeed is dependent on the sincere belief/understanding that their saftey and potentially the future, saftey, and wellbeing of their family depends on it.

They both have a far more distant relationship with their fathers who favoured another sibling- a sister over them... father's who either didn't seem to know how to connect with them - Ned- or never really bothered to try- Viserys...

while i do believe Ned loves his children and they adored him in return i feel its obvious that he neglected in preparing any of them for the true dangers and realities of the world away from the satey and protection of winterfell and their Stark family, and he absolutely dropped the ball on keeping either of his daughters safe and supervised when he took them along into a very dangerous situation in kingslanding

Furthermore Ned never quite seemed to connected with or pay attention to Sansa they way he did with Arya... just something about the fact that when he follows the orders of his king/supposed best friend to kill Sansa's direwolf (the very symbol of their house) it is in replacement for Arya's Direwolf who was allowed to escape the cruel wrath of the Queen and Prince...and how he continues to fail Sansa in the aftermath

It's something about the gifts he gives his very angry and traumatized daughters to comfort them after- in lieu of truly trying to actually connect with and console both of them or to even properly mediate their increased fighting.

Arya (in the show and book) is given lessons with a "dancing" master who teaches her swordplay/water dancing, she was so excited and she always wanted to be outside learning to fight like her brothers got to, in this moment to her understanding she is not just seen by her father she is accepted and supported (a careful reader may see that Ned's attitude appears to be slightly condescendingly indulgent on the matter of her learning swordplay... but Arya gets the chance to do something she loves all the same)

Meanwhile (in the show) to try to console Sansa Ned gives her... a doll? (Honestly I can't recall any equivalent gift from Ned to Sansa in the books? the mention of her possibly getting harp lessons in Kingslanding was actually a promise Catelyn made to her on Ned's behalf rather than his own effort... and was something that Ned didn't actually ever arrange in the books)

But is this doll meant to be an appropriate gift to make up for the death of her direwolf? Is this gesture enough to comfort her and make amends after Ned killed her direwolf (notice its not exactly as spectacular, meaningful, or comforting a gift as arya's "dancing lessons"... certainly there is no indication that he has any particular understanding of Sansa or has given much thought into her talents, interests, or personality beyond the most shallow perusal)

In the aftermath of Lady's death Ned does nothing to truly protect Sansa or keep her away from the obviously dysfunctional and dangerous family he has promised her away to.

Yet he can take the time to comfort and have a frank conversation with Arya about how important staying together and supporting eachother as family is- especially when they are amongst dangerous people who mean to harm or separate them- and the specific importance her and Sansa will have to one another as sisters who share the same blood... further explaining how just as they will need eachother Ned needs them as well

Ned has no such comforting or distinctly meaningful exchange with Sansa... he doesn't explain the reality of the Lannisters/Joffrey/Robert (i.e. the truth of the people he has agreed to give his young daughter away to despite the fact that he either personally has no respect for most of them or has not been around them long enough to know anything about their true nature)

Yes it is the risk to his daughter that makes him willing to falsely confess to treason, yes eventually he decides its best to send his daughters back to winterfell, yes he finally wants to break the betrothal and he makes a beautiful promises to make her a match with "a high lord who's worthy of [her], someone brave and gentle and strong" ... but he is much too late to get both of his daughters away from the lannisters/kingslanding, way too late in his attempt to keep them safe, and he fails to handle Sansa with age appropriate respect and frankness and to actually tell her how dangerous things are in kingslanding and why joffrey (false prince -bastard born of incest) is such an ill suited match.

Maybe if he had put any effort into explaining things to her...or simply spending time with her, speaking to her, trying to understand her, comforting her amidst the loss of lady and the increased fighting with Arya, or doing literally anything other than just neglecting her and her saftey Sansa would have actually trusted his decision and seen it as him wanting what was best for her.

Maybe if he had been more proactive and focused on his daughters well being he wouldn't have brought both of them south after the altercation over their direwolves... or maybe he could have been successful at getting both his daughters out of kingslanding before everything went to hell.

Its almost like the whole point of the Ned/Arya/Sansa and the Ned/Cersei/Sansa dynamic isn't to show that Sansa is a naive girl who betrays her family for the lannisters but is instead to show that when you neglect your child emotionally they will turn elsewhere for comfort and will be particularly vulnerable to being manipulated or abused by other adults... its almost like this part of A Game of Thrones is more about the way even someone like Ned- a man who does strives to do what he thinks is right and a parent who does loves his children- can still fail.

Ned's treatment of Sansa is specifically intriguing, though i don't know if it will be addressed specifically since her relationship and dynamic with Ned is one that much like Robb ended with his tragic and unjust murder (leaving behind a grief stricken Sansa helplessly longing for the return of her family and home, grieving with a near devotional regard for her lost father and brother)... Sansa will never get to confront or reconcile with them over the many ways she was let down and left unprotected by her male relatives- and who knows if a traumatized and grieving Sansa will ever even recognize and admitt to herself the ways the people who she loved the most failed to live up to her expectations of them... how clearly that despite their love for her she was rarely their first priority ... how they both seemed to fail to follow their family mottos ... the lone wolf dies but the pack survives.... family before duty or honor... she was family yet duty and honor came before her in Robb's eyes... she was part of a pack but through Ned promising her to a marriage in the south, in him taking her and Arya away to kingslanding, in him failing to prioritize her saftey until they all were practically already on the chopping block, and in Robb abandoning any hope or plan of rescuing her she truly was abandoned by them ...to be a lone wolf without a pack to help her survive

Then there is Viserys who at the very least had a much stronger regard for Rhaenyra than all the kids by his second wife ...but can also quiet easily be accused of outright neglecting and mistreating them

The lack of guidance holds true for all his children really but with Rheanyra at least it is accompanied by an (ultimatley harmful) spoiled indulgence that he offers only to his eldest daughter- covering up her obvious blunders and threatening anyone who would speak the truth of her questionable actions and her children's legitimacy including his own wife and sons ... going against traditional succession not because he wants to promote first born succession/succession by "merit"/or treating daughter equal to sons in terms of inheritance or anything like that but because of guilt and unashamed favoritism.

Viserys refuses to give to his son what westeros society at least would deem as Aegon's birthright, while also failing to make arrangements for any his non-Rhaenyra children to have a future and saftey separate from the throne.

He doesn't arrange matches with other kingdoms and give them allies, protection, family, independence, or a power base independent of the crown/hightowers instead leaving them dependent only on the crown, vulnerable targets to be handled (i.e. no doubt killed on the orders of Rhaenyra and/or her uncle husband Daemon) as living they would remain the most significant threat to the legitimacy of their rulership.

Viserys looks the other way when Aemond specifically is permanently maimed by Rhaenyra's son...his only action after his son loses his eye is to threaten his second family, to intimidate them into staying quite on the topic of the legitimacy of Rhaenyra's children before he deems the matter concluded... as if the worst part of that altercation was Aemond calling them bastards rather than say four children ganging up against one and how one of these children attacked using a knife and cost the other their fucking eye?

That for Aemond more than anything must cement his understanding of his father's feelings about Aemond and his full siblings and mother. To Viserys they simply matter less than Rhaenyra and her children.

In fact their well being or saftey matters less than even an offense made to Rhaenyra's reputation... which shows Alicent and her children without question that they are in danger from the blacks and the King will do nothing to prevent the blacks from trying to severely physically harm Aemond or his siblings, and in fact that there will be no punishment for the blacks when they succeed in doing so.

A civil war between the blacks and the greens was inevitable... Viserys actions of protecting and favoring Rhaenyra while also not ensuring she is instructed on and practices/proves her ability to rule, willfully ignoring that she violates her own vows and that she passes off her obviously illegitimate children as trueborn heirs, of permitting her not just to inherit (and position her illegitimate son as the next heir to) what most considered the birthright of her brother but also for her to steal the birthright of her own cousins by supplanting them with her other bastard and demoting them to being simply their brides/consorts, him keeping her as heir not just after he has multiple trueborn sons but also after Rhaenyra gets remarried to the exact violent bloodthirsty man that so many feared and Viserys himself had previously removed as his own heir in favour for Rhaenyra.

Viserys doing all of this while still choosing to remarry and have MULTIPLE children with his new wife... the neglectful and disrespectful way he treats his second family... all of this ensured that the death of some (if not all) of his children, via either assassination or in outright civil war, would always have been inevitable.

There is so much hatred, fear, distrust, and tension between Viserys' family members... and not only did he fail to intervene or improve things he was the one most responsible for it ....so much of the environment Alicent lived in and Aemond and his full siblings were raised was permeated by not just a sense of deep injustice (particularly in Aemond's case with his treatment by not just the blacks but his own father) but also an undercurrent of desperate fear over what will happen to them and their family in the wake of a brewing succession crisis

The mommy, daddy, and sibling issues are so strong with these two and I'm so obsessed with how the complicated family dynamics and tragic family losses that Ameond and Sansa experience echoe one another in so many ways...there is just so much love, grief, rage, unpacked trauma, and hurt in them and I am always obsessed with stories that allow the narrative or characters to address such trauma.

PART 3/4. THE CONTRASTING AND COMPLIMEMTARY ASPECTS OF THEIR STORIES (SUFFERING AND GRIEF)

They were both were so young when they became targets of the wrath and dislike of powerful and corrupt "Queens"

Sansa who loses her direwolf at the demand of Queen Cersei, a queen who after long being abused by her own husband sees a perhaps more extreme form of that sort of violence in her own mad son being directed at Sansa, who rather than expressing or experiencing compassion or sympathy instead takes the chance to revel in the destruction of Sansa's innocence, to mock and emotionally abuse Sansa when she has lost her father and her only protection in Kingslanding, leaving her a hostage of war at the mercy of a violent and corrupt royal family

Aemond who after losing his eye to an attack instigated by Rhaenyra's children receives no apology or recompense...instead his own sister asks for her mutilated little brother to be tortured sharply questioned due to the offense he caused by accusing her sons -accurately mind you- of being bastards... Aemond and his siblings who were never truly ever treated by Rhaenyra as her siblings only ever the offspring of Alicent and thus obstacles and threats for her (and her uncle's) right to the throne.

Both were physically harmed or tormented by (or with the approval of) young members of royalty, with very little being done to intervene, stop, or punish those involved despite their own highborn status- which would generally deem them unacceptable targets for such abuse.

Young Sansa a hostage but still a high born daughter descended from two of the seven ruling houses in westeros, The Warden of the North and the Lord Paramount of the Trident, and niece/cousin to the rulers of a third kingdom, the Lord Paramount of the Vale. Who while under the "care" of the crown is tormented, stripped, and beaten in open court at the behest of a mad boy king... forced to look upon the severed heads of her father and household, forced into being an unwilling child bride to the house of her family's enemies, who is molested and threatened with sexual assault on multiple occasions

Prince Aemond son of the King who is mocked by his brother and nephews (or his king and father in the books) over the fact that he hasnt yet claimed a dragon, and when this makes him reckless enough to approach and claim the largest dragon in existence the torment doesn't stop it gets dangerously worse as the tension between the children of the blacks and greens escalate to the point of a violent confrontation between Aemond and his nephews and cousins... and the resulting loss of of his eye when one of his attackers brings out a knife. None of the children who banded together to attack Aemond would face any consequences, only Aemond himself and his mother and older brother would censure and outright threats from their King Father and Older sister. Whose earliest sexual experience- done at the behest of his older brother- was implied to be at the very least coerced, traumatizing, and humiliating- if not outright non consensual on his part.

Both Sansa and Aemond face a terrible sort of loss when they begin losing their family members to mass civil war ...often in a manner that is distinctly horrific or against all laws of decency in the 7 kingdoms

her father Ned unjustly executed for treason and whose decapitated head is displayed and used to torment her, her younger sister Arya gone missing for years and long thought dead, her home sacked and younger brothers Bran and Rickon supposedly murdered by her family's ward- a boy who grew up alongside the stark children- the burned/mutilated heads and bodies of two young boys being being put on display at winterfell, her older Brother and Mother slaughtered when their traitorous allies and bannermen men break sacred guest rights at a wedding, both their bodies desecrated in a mockery of their houses... Robb decapitated his direwolves own head placed ontop of his body while his enemies parade his remains around, her mother Catelyn's throat slit and her body dumped naked in a river and left to rot.

(In the show) Rickon being cut down before his siblings eyes by a madman who betrayed their house and had tortured Sansa herself, her "half brother" Jon betrayed and murdered by his men and later sent off into a lonley exile away from his family and home for the "crime" of taking out an invader who had just committed mass murder... Sansa being left to rule the north all alone with many of her family members long dead and the surviving ones being set on a path away from the north/winterfell while she is left to handle rulership in isolation

Aemond who after commiting the first Kinslaying of the "war of dragons" by attacking his own assailant and nephew Lucerys proceeds to lose all of the family that he loved.

Starting with the tragic murder of his innocent young nephew at the behest of his elder sister/uncle- who arranged for his mother Alicent to be attacked tied up and forced to bear witness to the gruesome murder of her grandchild,

His sister Helaena -who plead for her life to be taken to spare her son- forced under the threat of the rape of her young daughter to choose which of her young sons will be murdered. Only for all of them to be traumatize further when they kill Jaehaerys and leaving Maelor the son she "chose" to die to survive with the message that his own mother wanted him dead... the emotional torment this caused the whole family but most of all his sister who refused to eat, bathe, or look upon her remaining son due to her immense feelings of guilt

his older brother Aegon who has lost his son and heir, and whose sister/wife is in a grief so deep she cannot care for their remaining children, who is attacked and maimed but survives to live on in total agony,

the murder of Maelor, Aemond's remaining nephew at the hands of a mob

Aemond's last stand, sacrificing his dragon and his own life to take out his Uncle (the biggest threat to his family and the orchestrator of Jaehaerys' brutal murder)

The many tragedies that continued after Aemond's own death- his sister's eventual suicide, the death of his younger brother Daeron, his oldest brother outlasting all of his siblings and his own two sons only to be taken out by poison once the war is over, his mother spending the last of her years in confinement until she passes from sickness,

His niece Jaehaera, after the loss of her entire family, married off as a child in the name of "peace" and dying young and alone- of suicide or murder

There is just such fascinating potential when two characters would have so much mirroring grief and trauma ...there is such an undercurrent of helpess rage, guilt, and grief to them in their youth and a undoubtedly a feverent desire for either vengeance or justice against the many people who harmed them or slaughtered their family...

And here is where things begin to differ between the two in interesting ways

with Sansa who has these violent wishes/impulses but is not in a position to see them fulfilled herself- her desire to push Joffrey to his death even at the cost of her own life, her wish that someone will throw Ser Meryn Trant down and cut off his head, her hope that various people will fall/be unhorsed...

Sansa who recieves a direwolf, Lady, the very symbol of her house and potentially a companion that would have offered a connection that was an extension of her own soul only for Lady to be cut down so quickly and unjustly... Sansa who loses not just the connection/companionship she recieved from Lady but also the protection such a bond would offer her ... she is left vulnerable in so many ways and has no promise of reuniting with her own direwolf later on... that will never be a comfort or form of security offered to her after all the danger and trauma she experiences

While Aemond, who spent much of his young life similarly helpless to act or respond to insults and assaults on his own person or immediate family, (that his father/king either never deemed worthy of interference or punishment... that is when it wasn't the King himself who was the perpetrator of such offenses) unlike Sansa experiences a change of fortune in the form getting to bond with the symbol of his house

He gains (and gets to keep until his own death) a bond with a different sort of mythical beast companion... a dragon and as a result recieves all the potential for power and destruction that comes with being a dragon rider

By claiming Vhagar Ameond is the closest he will ever be to untouchable, not just from the harassment he personally experienced from his family but with regards to how grave and dangerous a threat/target he had now become for the blacks during the dance of dragons

Aemond now a dragonrider of the largest living dragon, a child and later teenager who is in control of the narrative equivalent of a weapon of mass destruction, and he is no longer held back from acting on his anger once the rule and interference of his neglectful father king is over,

he is in control of the most massive beast of pure destruction and unlike Sansa, who for now in the books- or for much of her story in the show- remained an unprotected hostage or pawn in the hands of those who mean to harm or use her... who handles her trauma very internally as she is not in a position to fight back, and must rely on her words, intelligence, and ability to read and strategically interact with people as a way of defending and keeping herself safe, Aemond is now in the position to enact every bloodthirsty impulse of revenge he ever experienced

He was held back from enacting vengeance only through his own will, which ultimately proves not enough- he commits the first kin slaying and soon the actions of each side escalated into a horrific bloodbath where nobility and small folk alike suffered or die en masse

While Aemond's story may be one of family devotion and loyalty, mistreatment, injustice, and suffering that ends by showing the terrible outcomes of revenge and uncontrolled cruel brutality Sansa's story feels like one where grief, rage, and mistreatment exist but where family, love, compassion, kindness, justice, and integrity will win out in the end.

Sansa was certainly developed into a more discerning strategic and ruthless figure in the show but justice, duty, and forgiveness were still very prevalent in her storyline

she does have ramsay killed in a fittingly horrific manner, but she later holds a public trial for littlefinger- who was responsible for much of her familys suffering, the death of her father, and her own torment and rape- before she has him executed,

She feels compassion and forgiveness for theon the man who had betrayed her family and drove her young brothers out of their home, who only after experiencing significant torture himself became devoted to protecting the remaining starks and was able to find the courage to disobey his own torturers in order to help Sansa escape,

She possessed a concern for other people that few ruler do in asoiaf/got... speaking up against Joffrey's cruelty even as a powerless hostage, being the person concerned with the more practical matters of caring for and feeding their people during a harsh winter- a notable development in comparison to say everyone else just focusing on battle tactics and the upcoming battles (as though feeding an army is not an essential part of warfare), and the invader who just burned westeros' food stores en masse and now expects others to feed not just her armies but also demands that her dragons be fed "whatever they want"

I think in the books however that despite Sansa's internal grief and rage and her burgeoning political acuity there will be a gentler end to her arc where her own innate sense of duty and her (now more discerning) sense of compassion will win out in the end when she takes back her name, identity, and birthright ... that she along with her surviving family will have justice administered in the name of their lost family and people... efficiently bringing down righteous and necessary judgement on those that harmed and betrayed them rather than simply dealing out some form of mass, bloody, cruel revenge on her enemies (I'll leave that for lady stoneheart) ... and that a satisfying ending for her and the other starks will balance them realistically addressing the dangers and betrayal they faced with their own personal resolve to hold true to the values imparted to them by their parents.

... yet after all her suffering (and the frustrating lack of trust, consideration, or support she was given by her own family in the later GOT seasons) there is something darkly appealing to the idea of her getting (not a hero precisely) but a ruthless and devoted sort of monster to support her and bring down unholy vengeance on her various tormentors

PART 4/4: THE RESULTING DRAMATIC AND EMOTIONAL APPEAL OF AEMONDSA FICS

This after their many parallels and complementary contrasts is what intrigues me the most...the interplay of a potentially wary, cautious, traumatized but still duty and justice oriented person and a companion or lover who is comparatively more ruthless, unhinged, capable of atrocities, and who is more equipped to dole out violence en masse... (guys the pipeline from dark jon/dark jonsa to aemondsa just makes so much sense)

the question in Aemondsa fics of what will win out in the end- the shared grief and rage or them both controlling/channeling such impulses into strategic righteous fury and justice is always fascinating... and most of all the idea of Sansa (after all the trauma mistreatment and grief she has experienced) attaining the interest and eventual devotion of someone who despite being capable of monstrous actions is also incredibly loyal, devoted, and ruthless in the pursuit of their loved ones interests ("I want you to put out your eye ... plan to make it a gift if it to my mother" indeed) is just as appealing as the idea where an isolated, lonely, traumatized, grieving, and dangerously angry young man like Aemond gets to find acceptance, affection, companionship, and belonging with an intelligent strategic but more importantly an exceptionally compassionate person like Sansa.

Its just a dynamic far too intriguing to ignore especially for someome who already loved Time Travel/Reincarnation Fix IT AUs in fanfiction

While emotional catharsis and Sansa returning home and having the dreams she had wrote off as impossible be fulfilled (i.e. building a loving partnership and marriage, having children with someone who loves and wants her more than her claim itself, reuniting with her family) is something I love- and what I want to happen in canon (hence my otp being Jonsa)- there is always an interesting/guilty pleasure aspect of fanfic where Sansa (or the Starks in general) get to wreck terrible bloody victory and vengeance on those who betrayed and butchered their family and people (not really the ultimate message or point of the book but definitely emotionally satisfying in fanfic)

Just like there is a sort of appeal that exists in hotd fanfic that is sort of the opposite ...ones that alter the violent senseless and tragic trajectory of the dance of dragons... to either change the course of a brutal civil war or prevent it all together

and the Aemondsa pairing's time travel or reincarnation fics provide an opportunity to explore both of these diverse dynamics.

Sansa will always deserve the world... in canon and in fanfic i want to see all her dream and hopes come true whether it is with a truly good and just partner with whom she gets to build the life and home she always dreamed of or through her getting her very own devoted monster who would do anything to keep her safe from the scores of people who wish to misuse or harm her

and I always wish that hotd fanfiction offered more Aemond centric fics with a love interest that you know actually likes, sympathizes with, or understand him? He feels too tragic a character for me to want him to experience the typical hate and love (enemies AND lovers) treatment he tends to get in fanfic... its not really satisfying for me seeing his typical pairing up with whatever team black character (or really TB character rewrite) or some Daemon's or Rhaenyra's daughter OC that is the frequent choice for aemond centric fics...him being portrayed as some impusive awful and villainous love interest who changes sides and abandons his family just to be with his lover/obsession feels so out of character in a way that erases the best, most compelling, and sympathetic parts of his canon personality, motives, and actions.

Luckily Aemondsa fics seems to be a pairing that offers everything I like in Ameond or Sansa centric fics....

In conclusion Aemondsa is surprisingly compelling and versatile dynamic in fanfic and I think that is why I've become such a fan of Firesteel/Aemondsa fanfiction (in a way I'm NOT at all a fan of the actual HOTD show writing lol)

I'm a proud support of crack ships/rarepairs and I'm always willing to add to the fandom appreciation of pairings that gets less attention or fandom related works... so expect to see the occasional Aemondsa fanart/fic recommendation post from me amongst my typical jonsa content (in fact expect one in the next in a day or so)

Otherwise I just hope established Ameondsa fans (or people who haven't ready any aemondsa fics but are fans of either character/curious about this pairing in general) have enjoyed seeing me fangirl about these two characters/this crack ship and feel inspired to check out or even make their own Aemondsa content!

-Crimsom Cold

[itsybitsylemonsqueezy]

Wow, my Baldur's Gate 3 post blew up somewhat... nice. Well, time for more headcanons, of the unapologetically horny variety. (Yes, yes, I know everyone and their mother has done this already, well here's mine. Nyeh.)

Including: Astarion, The Emperor, Gale, Halsin, Jaheira, Karlach, Lae'zel, Raphael, Shadowheart, Wyll, and Zevlor

Tumblr is run by unfun prudes who would like my 30-year-old thoughts to remain Chaste and Pristine™ so filth under the cut until they ban me or whatever

Astarion

So the truly hilarious thing about Astarion is that he claims to be a pillow princess, but is almost always a dom. Like, I find it very funny that he enjoys the Aesthetics™ of being a spoiled brat, too delicate and pampered to lift a finger, but in reality, he's a bit of a work horse who finds having nothing to do dull as rocks.

Not to say that he doesn't enjoy receiving, I fully believe he does, but I think it's mostly relaxing at best and dissociative at worst. We'll assume though he's with a trusted partner for now though, rather than deal with the Hang Ups. I think inevitably he'd eventually roll over and change positions and end up in charge. I think it's an undeniable itch for him, even when he's being treated very well. There's just something so enthralling and exciting about being in control and playing with someone. It gives him a satisfying challenge the way being a pillow princess doesn't.

I think sex is particularly about aesthetics for Astarion as well. Bondage, costume, the art and immersion of it would be appealing. Role play would naturally extend out of this, especially as a safe outlet for some of his more complicated feelings. Succeeding at multiple layers of social interaction and intimacy would be extremely rewarding for him, I think.

He's also a very giving lover. I'm not sure praise would quite do it for him, that's not exactly his build. The submission though... oh yes, that does wonders. And he's very keen to reward that submission with nice things, sweet things, unbearably sweet, more than you can take... that's the kind of torture he's into, whining, begging, pleading, from the too muchness of it all, from how good he's being to you... mmm, yes, that's the stuff. It's soothing to understand you can be in control and not hurt people, to know that the control is not corruptive, not a bad thing in itself. I think it'd do a lot for his confidence and self-image.

Also, very into feeding as a sexual thing. He is a hedonist after all, more pleasure is more pleasure.

(The) Emperor

Hey, haters to the left, please. We believe in free love here and that includes the tentacle-y kind.

Look, okay, the dude comes on... strong. Too strong, to be honest. A little overly possessive, overly needy, but there is a hot, sweet core in there. And with a little patience, time, and reassurance, that can be honed into a respectful balance. If you can be patient and take your time, you can help him understand that he doesn't need to be in your every thought or be constantly touching to still have a deep bond. Do gotta watch those tendencies though.

That said, tentacles are a gift! Strong, dexterous, perfect for holding, squeezing, manipulating, and of course, inserting. It's hard to imagine a more intuitive metaphor for desire than tentacles, constantly grasping as they are. And boy, the Emperor wants. Also potentially has some experience using these, probably has a fair idea of how to make this good for both of you, so a pretty good bonus there.

While the Emperor tends to think he knows best and never enters anything without a plan, I think he'd be willing to take instruction. Your pleasure would be a point of pride so if something could be going better, I think he'd listen. Communication reaffirms trust after all. It's no dishonor to be spoken to or even commanded.

Honestly not sure illithid experience pleasure outside of making you orgasm and just like voyeuring or skimming the pleasure off your brain, so it's probably all about you here. Which also means we're probably not looking at marathon sessions; it'll be just the right amount of attention to a big, satisfying orgasm and then warm, languid rest. But the trick is, you're not going to get any gentle, casual encounters. His focus is unparalleled so it's very hard to back off of 100. That's fun, but can be exhausting, especially if you like a bit of variety.

Gale

Sometimes it's hard to see what Mystra saw in Gale; other times it's blinding. He's the most self-congratulating, infuriating, annoying bastard you know and he's also, somehow, perfect. What the fuck. The basic problem with Gale is that he'll tell you, to your face, that he fucked a goddess and when and where and how and the worst thing of all is he's not lying; he's actually good.

Gale has the enviable qualities of simultaneously being very laid back and very enthusiastic. He's happy with whatever position you suggest and is just thrilled to be invited. Throws himself into whatever's on the table.

Not to say that he doesn't have ideas, god, but he never shuts up about his ideas. And they're all, frustratingly, really good ideas too! "Oh, well I thought since we're in the hot tub, a little ice in my fingertips might be electrifying." "Have you considered the effects of shifting local gravity so you could ride me longer?" "I've taken the liberty of enchanting your dildo so you can feel it when you peg me!" God, don't you just hate him for being right all the time?

And to make matters worse, the stupid prick is full of wondering adoration for you, always trying to give you the best time possible, the best time ever. And he cares So Much he even notices if The Most Sensations Ever isn't the right thing right now and adjusts. He's just as happy to sit and cuddle or read next to each other. Ugh, disgusting. It's like someone made him in the Best Lover Conceivable factory and blew the whole budget on just him! Like, why Mystra gotta ruin the dating scene like that?!

Trouble is, he's obsessively good at doing exactly what you want because he was groomed by a goddess so... 😬 Sometimes you have to remind him he's enough. Sometimes you have to let him know that he isn't as good as what he could do for others, that he was already good, just on his own. Sometimes you gotta take care of him because he won't remember and he won't realize. And he might pout and object, but he deserves a good time too. Not that he wasn't having a good time but... you know what I mean. Let him be the focus.

Gale's very into attention and a slow, sweet time. Work him up painstakingly, bring him to the edge of begging, tell him what a good boy he is. He'll be crying with pleasure. Don't let him rush, rushing is a cheap shortcut and it means he doesn't have to endure being adored just as much as he adores you. It's the only time he'll ever be shy, having to accept love. But this should also, of course, always be paired with letting him reciprocate. One-sided affection or interaction would be torture for the poor boy. He wants so badly to be good, but gotta temper that a bit with reminding him he already is.

Halsin

Oakfather giving Mystra a run for her mother for "ruining the dating scene" with this one. Only The Oakfather went "thicc whores only" and the world cried amen for we were blessed.

What can we say about this polyamorous icon that hasn't already been said? Well, perhaps counter to some above examples, Halsin blessedly doesn't have to be at 110% all the time. Having a soft time is just as good as a rough ride. Although... we all know you're getting more of the latter on average, right?

The nice thing about Halsin is you don't have to worry about him denying himself or doing things just because he thinks you want them; he's a master of balance. He absolutely has his own personal, selfish desires and he knows how to serve them in turn. There's something refreshingly organic about Halsin's attraction, he's into you for perceptible maybe even measurable reasons, you don't have to worry about what's going on in that beautiful head of his so much.

A lot of energy in this one though, gotta be aware of that appetite. But hey, if you're into Halsin, you're probably open to maybe a couple more partners, together or separately. Halsin is certainly down for all of those combos.

Very generous lover, not satisfied until you say so. Down for any length of time, any position, but he strikes me as a man who's not into a lot of frills. Sex is about the physical pleasure, those animalistic instincts, and the kinetic energy between people being used and blended to create something more, something almost beyond us. A lot of artifice and dressing up wouldn't make a lot of sense to him and he's not likely to get much out of it. Don't think he'd yuck your yum, but unlikely to participate himself.

Might even prefer multiple partners at once and the longer the session the better. Short sessions are possible, but he's not going to enjoy it as much unless he can get really into the rhythm of it. Again, it's about balancing the energy, which often involves a bit of warm up and getting into the groove to truly satisfy. If one partner, high energy is best if possible. Come in with some goals in mind or you might get overwhelmed. Wouldn't be surprised if sometimes Halsin doesn't come at all due to his unreal stamina and thresholds.

Can't think of a better teacher to help you try something new though. Patient, kind, thoughtful with feedback from long experience. And he's incredibly appreciative of the unique skills every person has, the things only they bring are always valuable to him, something to be cherished and enjoyed. One of the few people who can be instructive, encouraging, and erotic all at the same time. It's a rare breed.

Jaheira

I'd let Mama Harper boss me around any day. And she is decidedly the boss, she's been giving orders since before I was born and that isn't about to change. Strong dom MILF energy here. And she definitely knows what she wants so those orders are going to be clear and consistent.

I don't think the strap is her preference, but I don't think she'd be opposed. But as another druid, I think she likes to go in bare handed, as it were. And, to be fair, she doesn't need help, I've seen those hands work a lash. She's strong and flexible, whatever you ask for she can give. She seems to have less in the raw energy department than Halsin, but I'll chalk that up to not being chief. I think it would take awhile to wear her down though, can't take her for fast or easy. Just like Halsin, I bet she prefers longer sessions to shorter, but would probably be a bit more flexible on this.

I think her real specialty is probably ropes, any kind of bondage. And she seems keen to teach the uninitiated, to make it not scary and safe. Her argument being the restraint in and of itself heightens the pleasure, why not try it? Not a bad argument.

She also probably enjoys herself most getting a work out in. She can be gentle for you, but her own pleasure is found in conquering, mastering. A test of strength or wills would probably be called for here. Tbh, I can't imagine her being that interested until you can prove you're a match for her in some way. Not terribly interested in coddling.

Karlach

Oh, a goddess among mere mortals. Those tits, that ass! She could break me in half and I would thank her, crying tears of joy. Karlach deserves every happiness on earth. Karlach is maybe the most enthusiastic person here, and that's saying something. The feeling of being close to others, but specifically sex, is such an important love language to Karlach. She has high physical needs and so is very excited and very determined to make you have as good a time as she is having. Unfortunately, sometimes this has a spiraling effect that results in questions like "how many orgasms is too many orgasms?" She just gets carried away, poor thing. But, nonetheless, as addictive as a good time is, you'll probably run out of stamina before she does. Though I bet she'd still keep going past the point of discomfort for herself, just because she's so excited and in love and bursting with joy and energy. It's hard to stop when there's so much you want to say and do and experience. Especially after being restrained so long.

On that topic, bondage probably not a good fit here. Anything that prevents touch for her is not really going to be her thing.

On the flip side, there is no such thing as too much, too hard, too long. I cannot imagine someone more eager to gobble you up, to taste you everywhere, to squeeze you close and shudder and gasp until your sweat smells the same. Like... she is here for this, she is into it. And she'll intuitively go for whatever is going to be more tactile, more of your touch and your body on hers. But also more scent, more excitement. She's going to respond like lightning to any little squeak or shiver to get any reaction out of you. She's so hungry for it.

And she's had a lot of time to think of ideas so you won't run dry on creativity for a good long while. Also important to note, she's only going to be a fast draw in the early days when everything is so urgent. She will slow down in time, though I think she'll end up running faster and hotter than most here. Her appetite is strong, but her stamina is actually on the low side. So more orgasms, but less space between them. Over stimulation is going to be huge here.

Not sure she has the patience for role play or anything fancy. This is not to say she isn't vocal she is... very vocal. Constantly. But that's quite affirming. And I think she'd be pretty into displays, perhaps even a bit of exhibitionism. After all, voyeurism/exhibitionism is all she had for awhile, so I suspect that would carry over into now. I think in particular she'd like to show you off, since she has a keen understanding of the eroticism of visuals. Not everyone's cup of tea of course, and she doesn't have to, but she just gets excited and proud. This makes her feel so good she can't help wanting to shout about it.

All of this said, she's also probably the most attentive in safety and aftercare. Halsin is a safety nut as well, but Karlach absolutely dotes. She wants to make sure she didn't hurt you or wear you out in any way and so will make extra, extra sure any little need is taken care of.

Lae'zel

Lae'zel's pussy could kill a man, in fact, it probably has. Not the most romantic of our choices, at least at first, but vigorous, satisfying, honestly intimidating. But, sex is very accessible with Lae'zel. Sex is part of communion for her, but in a different way than Halsin. It's exercise and contest and entertainment and group cohesion all in one. For these reasons, she's not as intimidating as you'd expect because just you saying yes to her pleases her. If she's invited you, that means she's already judged you worthy. She's not going to be upset when giving pointers because she has no hang ups about how sex is supposed to work. She doesn't expect you to read her mind and would probably be mad if you tried. Clear communication is part of this and you already earned the trust for it.

And on the flip side, she will not be distressed by you stating your desires because she's also not trying to read your mind. She wants you to trust her enough to say what you want. Honestly, she's probably a good starting place for virgins, her openness would be soothing. She might even have the patience to instruct, though she's not a terribly patient woman in general.

Also, not to bury it, Lae'zel just likes sex, the sweat, the scents, the weird, sticky feelings of it, the shivering glow through the body. Sex is fun for her and that's obvious in her vocalizations, both articulated words and not. And she knows that the more times you have sex with the same partner, the easier it gets, the more enjoyable it is. I think she'd like watching that progress, like a good team coming together. It's a sign of trust and affection. And in time, if she comes to trust you a lot, the sex becomes even more intimate and vulnerable, as you start to trust each other experimenting, going by instinct rather than plan. Those little shifts would be thrilling for her as she learns to improvise and accept new ideas. Surprising her would be delightful because she always thinks she has the upper hand. How fun to show her that's not always the case.

Lae'zel is a dom more out of necessity than desire, I think. She's probably a switch, happy with whatever suits; she just ends up doming a lot because no one has earned her subbing/she doesn't trust enough yet. But taking turns would also be valuable team building for her, important everyone trains even the skills they're weak at. Together, we become better at sex and at understanding each other. Weirdly, a very emotionally healthy outlook.

Raphael

I think I feel about Raphael as others feel about Enver Gortash. I want to project every flithy, nasty ass thought onto this wet rag of a man. So, without further ado: humiliation is the name of the game. I think if you fucked Haarlep in front of him, binding him so he couldn't do anything, only watch as Haarlep groans about how much better you are than Raphael, I think he'd come in his over-tailored pants. Cuckold the shit out of him. I think he needs to be stepped on, pegged, and drooling in the street. Never let him have his own way. I think he'd see stars getting pushed around like that. I think it would be great for him. Just use him like a cock sleeve, really dig in there. Absolutely deserved.

Like, imagine if this whole thing is his cringefail attempt to court Zariel. Imagine that level of humiliation. Works on this for thousands of years, only to burn his own house down over a few puny mortals stealing his shit. Oh my goddddd.

If nothing else, it would be Fucking Hilarious.

Shadowheart

So Shadowheart is probably into some hardcore stuff, right? She strikes me as someone with a bit of a home invasion kink. Definitely here for the blindfold/sensory deprivation kink. Restraints, but not just bondage, I'm thinking vinyl suits. Shadowheart's definitely into the unconventional. The more toys and artifice, the better.

It's probably next to impossible for Shadowheart to relax sexually. I don't think it's that she isn't into sex, but it's probably difficult for her to calm down and feel safe being vulnerable, get in touch with soft, gentle things that are just nice. Things that hurt a bit are more comfortable, more familiar, and even have less to do with her personally so she doesn't have to deal with her own feelings and preferences. But, with a bit of patience and a firm hand, you could coax Shadowheart into easing up, allowing herself to be taken care of, and to enjoy just a simple hand job or the too soft touch of lips. She's a bit of a project, but especially if you enjoy a bit of darkness and danger, very rewarding.

And Shadowheart would be big into reciprocation, you can't do something nice for her without her doing the same to you. And she'd take it as a point of pride that she's very good at making people beg for mercy. I think she'd become very giving over time, if you can be patient and teach her how to enjoy herself, in time she will give as much and more back to you.

And to be clear, not suggesting she doesn't also and always enjoy a bit of bondage and sensory deprivation, but I think she'd enjoy it more once she's come to terms with the fact this is not a service she's required to provide, an act which could determine her worth, but just occupations she enjoys for herself, outside of external validation. Teaching Shadowheart to masturbate could be huge. I do worry about her some times. A little self-love lessons might be necessary.

Edging also definitely something to try here. The slower the better. But, it's gotta have that pay off, or she'll start circling back to denial is the end in itself. Which... maybe sometimes, but there's also a lot to be enjoyed in the climax too!

Wyll

Hard to find a sweeter, gentler soul on the road. And a softer touch too. Needless to say, it's a lot of firsts with Wyll. But, he's a quick study and enjoys being tender and lovely. And I'll say it right now, even with this illustrious company, I don't think anyone gives better head than Wyll Ravenguard. Such a soft mouth and singularly focused and determined, he genuinely enjoys it too. It's such an act of service and this boy is all about acts of service. He wouldn't even get distracted by his own pleasure, just entirely focused on what he can give you. Halsin might have greater skill, but that heartfelt desire is unparalleled.

Wyll is made to be commanded, he will do whatever you say in bed. Even if you gave him control, I'm not sure he'd want it and definitely wouldn't know what to do with it. Now, not to say he's a pillow princess, those hips are doing their share of heavy lifting. Just to say that he wants instruction, he wants to follow your lead and let you tell him what to do. Praise would be huge here, tell him what a good boy he is, how well he's doing, he'd go mad.

To prolong the pleasure, a little orgasm denial may be useful, make him work for it. He loves a challenge and a test to prove his worthiness. And, in time, you could get experimental with him as you build his confidence. Maybe a little exhibitionism. Maybe a little bondage, a little role play. As long as the trust and love is there, Wyll's willing to try anything once.

Maybe the most fun thing about Wyll is Wyll actually can keep it down. Some of us just have to scream about it, but Wyll can actually get away with a fair mount because of his cool exterior. And Wyll is available for quickies, an advantage over some others here since he doesn't require a huge amount of energy set aside to have a good time. Wyll responds better to smaller but frequent affection and physical touch than big events spaced out. And Wyll is impulsively romantic, he likes to surprise with fun ideas and sudden invitations, which is a reward unto itself.

Zevlor

And a win for Team Sexualizing Old Men! I remember my roots. It is truly a tragedy that Larian won't let me sex up that old man. Look at him, you know it'd be good. So tender, so thorough. And Zevlor deserves something nice god damn it.

You know he knows what he's about. None of that shy, awkward fumbling you get with the new kids. Heck, he probably knows how to get you off standing against a wall, still in his armor! A true prince among men here. Don't think because no one's asked in awhile his skills have diminished.

Very passable oral skills, surprisingly long stamina, not just in oral too ;). Not the fastest ride you'll ever have and some positions are probably going to be out, battle-scarred knees and such, but for my money, absolutely delightful. Don't have to contend with more power than sense here.

And hey, if you want some Honorable Mentions like Aylin, Enver Gortash, or Dammon, let me know! I'm always down to give sexual headcanons no one wanted! 

[luniviravosshipper]

This is like a really stupid but weirdly big fear I’ve gotten since interacting with the fandom, but lately I’ve been scared of the idea that I might not actually, like, get Rayllum.

I complain so much about how other TDP critical people in the fandom have a tendency to assume that the show isn’t multi-layered as a result of their inability or straight up refusal to perceive the different layers of the show, but honestly sometimes I get really worried that I do that too. And particularly with characters like Rayla and Callum and their relationship.

Because, besides simply being critical of some of their writing, I also sometimes genuinely find myself just… not able to comprehend what so much of the appeal is of their relationship or them as individual characters.

I feel like I have really, really lost my investment in them as individual characters and as a pairing since season 4. I mean, Rayla was my absolute most favorite character in the entire show when it was just arc 1 out. Like, she really was. And now she’s just… not? For some reason that I’m not entirely sure of myself ?? And it’s not just ‘cause of some things I’m critical of, because there’s actually a lot of things (especially with Callum) I like about them more in arc 2 then I did in arc 1. And I just I can’t help regardless but to wonder if my lack in engagement in their relationship dynamic has impaired my ability to accurately judge their writing.

But besides all that, so many times too I just look at the fandom and just feel so out of place. Like, I just don’t get why they’re so popular. That isn’t meant as a “oh there’s nothing there to like” or “it doesn’t make sense to like”—no. I legitimately, honestly have no idea why I myself don’t seem to like them as much anymore when it’s become so apparent they’ve gained even more popularity over the years.

I really wish I could look through the lens of what other people see who love their characters so much when watching the show. I really want to understand what the rest of the fandom is on about that I’m missing out on.

[spasmolytic-convulsion]

finally sharing my own personal headcanons for medic. keep in mind this is just my own interpretation of him.

-the story about him yoinking a guy's skeleton is one of the many he tells when someone asks him why he lost his license. he changes it up to a different one every single time and no one really knows which one is true.

-he is an excellent storyteller. he's good with words, has an endless array of things he could speak about and the obvious one, he loves to talk. though most of the stories are pretty morbid and his dark humour does not appeal to most people.

-he has other qualifications besides medicine and science. there was a brief period of time when he worked as a mortician and would harvest the organs of corpses for experiments. shockingly enough, he's also a licensed psychiatrist. nobody believes him though.

-i feel like he would be a good artist. he does very detailed anatomy studies but he also has many little sketches of his doves. it calms his nerves when he gets manic.

-i also think he'd be a big fan of junji ito's work. they have a similiar jovial and goofy nature while simultaneously creating the most horrifying shit.

-he and spy go way back before either of them were hired by mann co. they both fought in wwll as members of a resistance group, which medic joined after fleeing from germany.

-he has low affective empathy but pretty good cognitive empathy. he often words things wrong when attempting to comfort someone but if you brought it to his attention, he'd be like "oh, i never thought of it that way! i apologize!"

-he is generally polite to people as long as they don't undermine him or his work. treat him with respect and he'll extend the same courtesy to you. that being said, he is absolutely not a pushover, as we've seen multiple times. he knows his worth and when someone steps on his tail like cheavy did, he will retaliate tenfold.

-alot of people say he hates children which i do not agree with at all. i think he has a soft spot for them and he secretly always wanted to be a father. his paternal side occassionally comes out when he's interacting with his birds. if he ever had a kid of his own, he would pamper them and carry them around in his arms everywhere.

-another unpopular opinion but i think he is more understanding than people give him credit for. he would try to reassure someone if they were scared to undergo surgery for whatever reason and make jokes in an attempt to ease the tension. he's not always particularly successful at it but it's the thought that counts.

-he is very passionate and feels all of his emotions strongly with little to no inbetween. it's either extreme love or extreme spite.

-he is quite observant and endlessly fascinated by human behaviour. he enjoys interacting with people so he gets to dissect (often quite literally) and pick their brains. though his observations come across as very clinical which unnerves most people.

-i think he is more gentle with women than he is with men. i mean, just look at how he talks to miss pauling.

-he plays up his evilness so people will think he's just a one track mind lunatic. he enjoys catching people by surprise when he gets serious.

-while i personally don't think he would outright hate any animal, i think he gets nervous if a cat is in the vicinity of his birds.

[a-minke-whales-tale]

CLCZ and P-shifters

A bit of a rant over some frustration of just how things are.

Lately there has been a fair amount of discourse showing up about P-shifters lately particularly that of "reclaiming" the word (it is disputed if it is reclaimable) and some of it I just find distressing. I was reading Rani's blog (@a-dragons-journal) and some of the history they had written about P-shifters compared to CLCZ (clinical lycanthropy/clinical zoanthropy). With my memory as it is, much of my personal memory is missing, and really I cannot remember so far back, or even how long I have been in therian and later otherkind communities.

But I do remember how whenever I would talk about my experiences, or talk about them in any real detail, I would always have to preface it with specifying that it was a delusion, that I knew it wasn't real. That I had to play this game of "showing insight" and double bookkeeping what was real to me and what was real to others. I remember hearing over and over that if someone would claim to P-shift that they were either lying, purposefully manipulating others, or very sick. And so the "price of admission" so to speak to my community was to make sure others knew we knew that our experiences were delusion and hallucination, if indeed we were tolerated at all. But all this basically had the effect to say that our experiences were not real, not like "normal" therians, something I would be reminded of over and over.

I admit that when I look at quite a few of those who call themselves P-shifters and want to "reclaim" it (at least at the current moment and those that I see who are already much more likely in the CLCZ sphere and so there is likely selection bias), it often strikes me as not so meaningfully different to how I and others experience CLCZ, with the notable exception of one being medicalised, and one not. Almost all the CLCZs I see and interact with and describe their experiences, we will write about that this a word given to us by the humans to describe what we experience. But we almost universally reject the belief it is a delusion. It is real to us, but the humans, the doctors especially that give us various markers like psychotic and schizophrenic, they see it as a delusion. Why they cannot see it, or refuse to believe it, people have different reasons for that. But I at least myself believe that if I stopped my medicine, my body would turn back into that of a whale - I feel it, and see it as the medicine in me weakens.

But to use the term CLCZ for yourself, it implies a number of things about you, among which that at some amount you know that others believe your experiences are a delusion, and also very likely that you are dealing with some rather severe mental health problems. Rani notes on their blog quite a bit lately of people attempting to "reclaim" the term, and that it has a long bad history and that the term was not meant to describe CLCZs, and that at least some of these people in the past took advantage of CLCZs, so it is entirely possible that the people using the term now I encounter are either not the same people, or only a subset, or people taken advantage of by mentioned malicious actors. However, I do understand the desire why they would claim it. The term CLCZ itself says basically "hey I am crazy and my experiences are not real or valid". Similarly so much of the discourse when people talk about why they accept (or really tolerate) CLCZs but not P-shifters is that we acknowledge it is delusion, and so ultimately that we acknowledge our experience is not real, or at least not real to others. Similarly for when writing about our experiences as CLCZ outside talking to other CLCZs, we have to play the game of double bookkeeping, what is not real to others, or probably not real, and having to tag things with unreality. I really understand the appeal, that desire, to not have to preface every interaction with others that our experiences are not real. I feel it very strongly.

To be clear, this is not a callout post of Rani or the people in the posts, if I had a problem or disagreement with them I would just talk to them (Rani at least), I think we are both reasonable enough people. Reading their posts and thinking about it over the past week or two is just what prompted this post.

Nor to be honest do I know if there is a good solution. It is incredibly freeing to express my experiences as real and genuine and have them believed as such by others like me and not have to minimise myself, my experiences, my memories. I have a couple CLCZ friends like me and I am so grateful to have them and have that space to talk with them. But is it good for use to express what we actually feel, or does it hurt others: others the humans mark as schizophrenic and delusional? I do not know. Even if I did, I certainly doubt there would be a one size fits all approach. I may want to have my experiences, and see those of other CLCZs, expressed genuinely, without us having to essentially reality check ourselves to be tolerated, but would other CLCZs? I may not want to "recover" myself, having been through medical systems I only want to be functional enough the humans will not lock me away again. Nor would I blame others if they do not wish to "recover" themselves. However, some people may want to "recover", no doubt for some people these experiences cause a lot of distress and pain directly (rather than indirectly of how we are or have been treated) and they may wish to seek intervention. But then the question is where is drawing the line between "encouraging delusions" and "reality checking"? Is stating my experience openly without reservation "encouraging delusions" in others. Really I do not know, though I often think people that are commenting about this are often not the people affected.

I am really just rambling now. I have written this over the past couple days. It is a mess. It is just a shitty situation to be in, and maybe there is not a good solution. Maybe sometimes, things just have to be a certain way and there is not anything that can be done.

Please I do not want to debate the validity of P-shifters, nor am I reclaiming the term myself, I only wanted to express frustration that CLCZs are only tolerated if we make it known we know we are delusional, or others see is that way, and having to minimise our own experiences to be tolerated.

[possideotranslations]

spoon.2Di vol.117 (Dec. 27, 2024) - Interview with Owen's Voice Actor Asanuma Shintao

Shintao Asanuma as Owen オーエン役 浅沼晋太郎 INTERVIEW

I asked Shintarō Asanuma, who plays Owen, the Northern Wizard known for his fondness for human malice, his ever-present faint smile, and his enigmatic behavior, about Owen's appeal and the highlights of the anime.

"Owen has a (somewhat twisted) affection and overwhelming obsession for things he finds interesting, while being shockingly indifferent to anything that doesn't catch his interest. I think that all-or-nothing personality is what makes him so compelling."

Owen (VA: Shintarō Asanuma)

A sharp-tongued, sarcastic individual who enjoys human fear and malice. He is considered a dangerous person, even among other wizards. He has a past grudge with Cain, a wizard from Central Country, and their relationship is particularly hostile.

Q: Having portrayed Owen for some time now, you've seen many facets of his character. How do you perceive him? Could you share what aspects you find most appealing?

A: "To put it simply, he’s a 'contrarian,' but that doesn't fully capture him. He has a (twisted) affection and overwhelming obsession for the things that interest him, yet he’s astonishingly indifferent to anything that doesn’t. That all-or-nothing nature is what makes him so intriguing. At the same time, I respect how he has absolute confidence in his own strength and convictions."

Q: Owen enjoys human malice and often behaves in ways that mislead others. What do you focus on when portraying him?

A: "I try to create a sense of instability by occasionally disrupting the expected rhythm—changing pitch, speed, or volume in my speech to throw off the listener."

Q: As you approached playing Owen in the anime, what kind of plan did you have in mind? Also, did you discover anything new about the character through the experience?

A: "One key difference between a game and an anime is that, in anime, physical distance between characters is visually established. I made a conscious effort not to let Owen be constrained by that. I just can't imagine Owen being the type to think, ‘Oh, the other person is far away, so I should speak a little louder’ (laughs)."

Q: If you recorded alongside other cast members, what were your thoughts on the interactions? Were there any particularly memorable or impactful scenes for you?

A: "Of course, Owen’s interactions with Cain and Mithra were significant, but what stood out the most was his exchanges with the Sage. Since Owen never directly conversed with them in the game or the drama readings, it felt fresh, and I think it gave me a deeper understanding of his character."

Q: What are your impressions of the Northern Wizards (Snow, White, Mithra, and Bradley)? Also, if you have a favorite exchange involving Owen, please share it.

A: "If we imagine Owen as a cat, then Snow and White would be the nagging, overbearing owners. Mithra would be the dog living in the same house—pretending to be indifferent while always scheming to mess with him somehow. As for Bradley, I think Owen treats him like the youngest in the family, a mischievous child (laughs)."

Q: This issue features Cain and Owen on the cover. Could you share your impressions of Cain and how you perceive the relationship between Cain and Owen?

A: "‘Twisted love’—that phrase sums it up completely. I can't help but wonder: if that episode had never happened, if Cain had acted differently back then, would Owen have turned out to be a different kind of wizard? But at the same time, I feel like no matter what happened, Cain would still be Cain."

Q: In the anime, the Sage (Masaki Akira) has been given a voice for the first time. What are your impressions of the Sage? Also, was there anything you consciously focused on when portraying Owen’s interactions with them?

A: "They feel very pure, transparent, and incredibly straightforward. Precisely because of that, I think Owen—who has spent so long seeing only filth and horror—finds them amusing and interesting. Perhaps he even has a desire to stain or corrupt them in some way. At the same time, he probably gets irritated when the Sage unknowingly pokes at the sore spots he’d rather keep hidden (laughs). When voicing Owen’s conversations with the Sage, I focus on making Owen’s presence feel more fluid and ambiguous, to contrast with the Sage’s unwavering straightforwardness."

Q: "Promise of Wizard" is celebrating its 5th anniversary this year. Looking back on your involvement with the series, what have you gained as an actor, or what has the story given you?

A: "One memorable experience was when I met Kaminaga-kun, who plays Owen in the stage adaptation, at a different worksite. I shared with him some of the things I focus on when playing Owen, thinking it might be useful to him. In the process of verbalizing what I had been doing instinctively, I realized, 'I thought I was acting on instinct, but I was actually making these conscious choices.' I hadn’t often analyzed my own performance in a theoretical way after the fact, so that was a valuable learning experience for me."

Q: Lastly, could you share a message for the readers who are looking forward to the anime?

A: "To the Sages who have enjoyed the game—thank you for waiting. Look forward to not only the character interactions but also how those spells you’ve seen time and again are brought to life, and how the creatures from the game’s world are depicted. And to the Sages stepping into this world for the first time through the anime—please, immerse yourselves fully in this beautiful yet cruel fairy tale."

Shintarō Asanuma

Born January 5, from Iwate Prefecture. Affiliated with Dandelion. Notable roles include Samatoki Aohitsugi in Hypnosis Mic -Division Rap Battle-, Itaru Chigasaki in A3!, The Villain in The Villain’s Day Off, and Kenzo Sanga in Kamen Rider Gav, among others.