#sansa rarepair

[crimsoncold]

AEMONDSA: A crack ship with unexpected depth and appeal

A treatise (in four parts) on the intriguing parallels and complementary contrasting of Aemond and Sansa and the subsequent allure of them as a romantic pairing in Fanfic

- from the perspective of a sansa-stan, jonsa + sansa-centric multishipper, and someone who is generally Targ critical

Now while my general stance of "ship and let ship/don't worry so much about what other people in fandom focus on or ship/etc" still stands i wanted to do a little write up on what I've found so appealing about this particular crack ship.

Not to justify it (again fandom and shipping in general is just about enjoying/thinking about fictional characters and scenarios... no one needs to justify why their imagination likes to think about two characters interacting romantically) but because there isn't a ton of metas addressing the interesting parallels between these characters and the appeal of them as a ship so I wanted to make one so the handful of people who do ship it get to see some more positive engagement/responses to this pairing.

I just unexpectedly ended up loving this pairing so much and I always have a particularly strong urge to contribute to fandom content on the rare pairs/crack ships that I like....So here have a deep dive into the parallels, and contrasting but complimentary aspects of Aemond and Sansa, and the unexpected appeal of Aemond x Sansa as a pairing in fanfiction...

PART 1: MY EXPERIENCE WITH ASOIAF/GOT & HOTD FANDOM AND WHY AEMONDSA IS A PLEASANT SURPRISE

So I'm going to be drawing from both book and show elements when I consider and compare Sansa and Aemond's characterization and plot arcs (particularly since this tends to be how they are handled in fanfic- which all have differing combinations of book or show canon for both characters)

(this is a HOTD S2-free zone though... HOTD's writing has certainly not improved and it's inconsistencies even compared to their past writing and characterization of many characters including Aemond has made such an absolute mess so for this post I'm ignoring the worst part of HBO's attempt at making hotd fanfiction i.e. S2- and I am basing my understanding of Aemond on a combination of what can be gleaned from book canon and s1 because that was what initially interested me AND because that is what the aemondsa fanfic I've read has also been based on)

Now Just to set the scene for my journey as a stark fan, jonsa shipper, and generally targ critical person to become an appreciator of aemondsa...

GOT had a steep decline in quality in the later seasons and HOTD despite the incredible effort of the actors/sfx people was not particularly good to start with in terms of writing/storytelling...yet disappointing or poorly written shows are not without their appeal for participating in fandom and reading/writing related fanfiction, particularly when there is a handful of interesting characters-looking at you stark kids who suffered through the writing of GOT's later seasons and HOTD's team green-that fans want to rescue from the terrible writing/butchering by the showrunners and to explore alternative stories/endings for them... sometimes it is even one of the most appealing sort of set up for fandom/fanfiction to take over and fix things.

I was already a huge Sansa fan, and she was the original draw for me towards asoiaf/got fandom and fanfiction, and while jonsa has been and remains my favorite pairing for her I've always been open to dabbling in various other sansa pairings/crack ships.

(While the parallels don't take the exact form as the ones between Sansa and Jon- and obviously aemondsa isn't accompanied with the incredible foreshadowing and potential that jonsa is- this pairing still feels similarly compelling due to the sheer amount of parallels between the two characters and for the fact that its a ship that is appealing and seems quite fitting without fanfic writers having to stray too far from canon personalities/back stories to make them work as a romantic pairing- beyond you know the obvious aspect of them being alive at the same time)

When HOTD first came out and before i discovered Ameondsa was a thing I was staying away from HOTD fanfic for the most part despite my interest in a few of the characters

HOTD's most predominant focus in both it's fandom and fanfiction seemed to be Rhaenyra/Team black/ Daemyra centric- all of which I was at just personally not drawn. Aemond (hot dramatic anime antagonist transported into hbo's HOTD and personal favorite of mine) centric fics unfortunately tended towards shipping him with various TB characters or TB OCs but both as a concept and due to the handling/set up these fics were generally not appealing to me (more on this later).

Furthermore hotd fandom itself seemed to be shaping up into a new edition of targ stan centric fandom- specifically a new "team black only" brand of stanning... which is definitely not something I am interested in.

Being someone admittedly anti targ/targ critical in general who just happened to be more intrigued (and sympathetic) to the greens in HOTD it did seem that the bulk of hotd fandom was probably going to a similar if even more extreme form of what I encountered with targ-stan segments of the GOT fandom as a sansa-stan/jonsa shipper (ie. Less posts/fanfic that i would personally agree with or be interested in from these fans and potentially hostile and unpleasant responses or takes from the majority of these fans)

As a result of my general avoidance of hotd (i.e. the very pro targ/pro TB fanfiction that hotd fandom offered) Aemondsa, already an extremely rare pair and crack ship, wasn't even a pairing on my radar until one of the authors i was subscribed to started a hotd time travel fix it aemondsa fic...I have an appreciation for well written crack ships, and I am willing to give most pairings or fandoms a chance when I'm already a fan of either the story's main characters or of the author specifically ...but I was actually incredibly suprised how compeling Aemondsa was as a pairing in this story..as well as how much I enjoyed the other Aemondsa fics that I checked out afterwards..it seemed this was a niche segment of hotd fandom that i was going to absolutely obsessing over.

There was a lot of depth to them for a crack ship, which was achievable without altering their personalities and backstories very much from canon (dont get me wrong I love crack ships even ones where people and the plot are altered significantly to make a ship feel possible but there is something uniquely compelling when characters fit together without having to be too ooc) so I just wanted to write a bit about what is so fascinating about this ship since it's such a new rare pair that hasn't accumulated a massive audience or a ton of discussions or write ups yet.

PART 2/4. THE SURPRISING AMOUNT OF PARALLELS BETWEEN SANSA AND AEMOND (FANDOM, PLOT-WISE, but most of all regarding FAMILY)

(Uh ....Brace yourself? this section ended up way longer than expected)

For me the initial appeal comes down to intriguing Character parallels between Sansa and Aemond which fanfic at least offers the opportunity to explore in a story format ....

On a surface level they are (in the shows particularly) both intelligent and underdog figures with fantastic little sassy moments - true queens of dealing out backhanded and cutting compliments, or being unapolegetic critical towards some of the flawed and extremely privileged individual's they encounter who are used to receiving only coddling and fawning worship.

Both characters seem to get shit treatment, sometimes from the fandom other times due to the terrible choices/handling by the writers/showrunners.

Both were characters I personally found interesting and sympathetic despite how fandom- some of it for aemond and a significant amount of it for sansa- had deemed these essentially young and still innocent characters worthy of being reviled and harmed for the ways the adults in their lives had set them up for failure or abuse. Forever dismayed by the way they (unlike certain fan favorites) were somehow never deemed by fandom as deserving of sympathy for the horrible things that happened to them, and how notably they never recieve the same feverent forgiveness/understanding/support for their more dangerous or dark actions the way other characters did

Looking at the difference in fan responses to show!Arya or Dany compared to Sansa- though when it comes to the sheer amount of violence, destruction, and murder or the act of threatening their kin obviously despite what Sansa-antis say Sansa is the only one who should not even be part of the discussion, and how Dany or Arya always recieves excuses, sympathy, forgiveness, or outright praise from the core audience for their more questionable actions while somehow Sansa is deemed as the unforgivable, dangerous, evil, traitorous, and foolishly reckless character

How Aemond (and all of TG really) are set up and considered by TB stans to be unworthy of their house/rightful inheritance and the ones most at fault for the onset and destruction caused by a civil war... never victims mistreated or endangered by the more privileged and powerful members of their family... just the people who only ever deserved what was inflicted on them by TB for the crime of being forced to wed a disgusting and neglectful King or for being threats to Rhaenyra's family or throne simply by existing? How the morally questionable or violent actions of Rhaenyra, her sons, or more particularly her uncle-husband will always be seen as either justifiable, in the right, excusable, or literally worthy of praise the way Aemond's and his family's actions will never be viewed by this core audience

I think about how much like segments of asoiaf fandom bash Sansa by deeming her too southern/too Tully/Too Catelyn-like to be a real Stark (unlike her "truly northern" siblings) their are also segments of hotd fandom that have chosen to see Aemond and his full siblings as only Hightowers who are wrongfully stealing from TB/the "true Targaryens"

But there were even more striking parallels when it came to their characterization and plot.

Both younger (non heir) children, presented as being intelligent, incredibley dutiful and studious, with a very close relationship to their mother, in a sort of intense people pleaser manner - trying their best to excel at all the skills/duties that their parents/society deems necessary for their position and sex because that is the way they receive acceptance, attention, or praise from their family/the adults in their life

Aemond and his studies, his apparently dedication and success in training with the sword despite his own disability, his determination and recklessness to finally become a dragon rider like the rest of his Targaryen family- as it is what is expected and what he has long been mocked over by some of his targ kin, how despite his own ambitions and the way he thought himself particularly suitable for rulership he remained the dutiful and loyal younger brother who served as regent for his gravely injured older brother but did not attempt to stylize himself as King and steal Aegon's throne.

the way that Alicent seems to be the only family member he allows himself to be vulnerable with, the one with whom he turns to for consolation and comfort, Alicent being absolutely devastated and incensed over the loss of Aemond's eye and the lack of punishment for the assault on his person, the only one to demand recompense, the only one to raise a knife to the blacks when she is denied, how Aemond is the one person who tries to console his mother in the aftermath, how despite having just lost an eye he is the one who actually tries to sooth his mother to bring a stop to the increasing and dangerous level of tension and conflict that had erupted between the blacks and greens at driftmark, Aemond's own longstanding protectiveness of and devotion to his family- most especially his mother- that lasts until his own demise.

Sansa and the way she thrives and enjoys the type of world and training that is more of a noble woman's or specifically her mother Catelyn's domain- unlike her wilder other siblings she is generally a steadfastly proper and gentle girl- no doubt a comfort to her mother not just because she is generally so well behaved but in the fact that unlike her siblings she is not shown to be obviously or very publically close with Ned's illegitimate child- who for Catelyn would be the literal personification of Ned's infidelity, the disrespect and humiliation he puts her through by raising him in their house along side their children, and her deep seated fear that he loved and will prioritize another woman and her child more than his own wife and family.

Sansa is the child who seemed to love all things "southern" the most (though undeniably despite how Sansa is looked down upon for her love of romantic stories and song her other siblings also certainly enjoy legends and tales of Knighthood or Southern Princes and warrior Princesses) and to be fascinated by the environment her mother is from, the one who is drawn to and practice her mother's faith in addition to keeping to the old gods,

How Catelyn though she truly grieves letting her daughter go seems to accept it not just because her belief that Sansa would excel as a princess and future queen but because she thinks Sansa would thrive simply through getting to experience the south...Catelyn seems to grasp the things Sansa dreams about and unlike many other family members she does not view Sansa and her interests with the same condescension, dismissal, or disdain.

Catelyn loves all her children immensely but there is something so tragic and beautiful in her love for her daughters, the desperate lengths she is willing to go to to ensure the saftey of both of them while the lords/males in her family have already given them up as a lost cause and inevitable and necessary casualties in their war for vengeance and northern independence

Despite this affection though there is a lot of pressure on both of them... almost to the point that their treatment by the adults in their lives has a bit of a "parentification" dynamic- a manner that sometimes puts the onus on them to be a support and a comfort to their mother amid any tension in the family/marriage (Aemond) or to be the perfectly behaved role model or minder for their less dutiful siblings (Sansa)

Sansa, in everyone's eyes a lady at three and a queen destined to be, the determined effort she puts into excelling at being studious, accomplished, proper, and ladylike, how much she tries to exemplify the behavior praised and exemplified by her mother and her septa

set up by the adults in her life as a go between for the stark sisters...used as the benchmark for their demands and expectations of Arya, being held up as the bar for perfect, proper, and praise worthy behaviour that Arya is presssured to also attain, the daughter who gets censured on the few occasions she acts out while her younger sister typically gets away with her poor behaviour (at least when it comes to their parents)... Sansa isn't just under the pressure of the exacting expectations for a lord's daughter she also experiences the stress of being put in the position of exemplar for her wild untractable younger sister.

Aemond, apparent dutiful student in many areas expected as a child of nobility, who is expected to support Aegon in his rulership and war and (in the show) even takes responsibility for trying to keep his older brother in line, the one who after losing an eye takes the effort to comfort and console his mother's grief and rage when their father does nothing in response to an attack on Aemond other than threaten and intimate his wife and his children with Alicent in order to support his firstborn daughter, who becomes the human equivalent of not just a wrecking ball but a literal weapon of mass destruction sent out on behalf of the advancement of his family or later to enact terrible bloody vengeance on his family's behalf, his life his purpose and his death is all for his family's sake more than his own.

They put so much effort into being well behaved, to reach the exacting standards for a child in their position, setting an example for the less obedient/well behaved sibling(s) all of which in turn adds to significant strain or conflict between said sibling.

Sansa and Aemond are the sibling expected to and determidly striving to live up to the high expectations that the adults in their life put on them and to survive the extremely dangerous and high stakes scenarios they are put in (as a lord's daughter, prince's betrothed and future queen, a hostage and target for the machinations and ambitions of others, the older sibling, a ruling lady, and elected queen; a prince, dutiful son and brother, ruthless and dutiful defender of his family, and regent)

Meanwhile they have other siblings who struggled to meet said expectations or have given up attempting to all together (Arya, Rhaenyra, or to some degree Aegon)

Siblings who must from the perspective of Sansa and Aemond (who are still young, inexperienced, and have had a great deal of conflict with said siblings) seem to flaunt all expectations free to rebell, flaunt the rules, and generally ignore the high pressure expectations that children from their class face.

Undoubtedly frustrating since, much like their more rebellious siblings have failed to sympathize with the more responsible ones, Ameond and Sansa too have not (yet) been able to recognize the ways their less successful/dutiful siblings also suffer under the highly restrictive expectations of their class and position even if they do not choose or succeed in conforming to them.

They see that despite how they may excel in studying, striving and succeeding in their roles, and ultimatley exemplifying the high standards they were raised to it is these other siblings who seem to get rewarded (experiencing in their eyes at least what appears to be more freedom, less pressure, minimal censure or punishment for their misbehavior... while simultaneously receiving the bulk of the reward in terms of their inheritance, the attention they recieve, or even with regards to the amount of affection given by some of the authority figures in their lives, i.e. their fathers)...

To them it must seem that these siblings get to be not just easily forgiven for their mistakes and misbehaviour, but accepted as or outright adored simply the way they naturally are, whereas dutiful and non problematic children like themselves tend to be overlooked or underappreciated, and quickly criticized on the rare cases they misbehave... the acceptance and affection they recieve appears far more conditional on them behaving well according to the expectations of their family or various instructors/minders... whereas the affection their siblings receive, from say a certain parent, is show to be rather unconditional

Seriously they both give me such severe "easy" (i.e. overlooked) and "gifted" child trauma vibes... how much of their behavior is simply in their nature and how much is what they conform themselves to to make the adults around them proud... because as the quieter child or apparent outsider amindst their family/siblings this is the only action that comes natural to them and gets them some (hard earned) attention/praise in a rather large and loud family they otherwise seem a bit lost in... how much of their striving to succeed is dependent on the sincere belief/understanding that their saftey and potentially the future, saftey, and wellbeing of their family depends on it.

They both have a far more distant relationship with their fathers who favoured another sibling- a sister over them... father's who either didn't seem to know how to connect with them - Ned- or never really bothered to try- Viserys...

while i do believe Ned loves his children and they adored him in return i feel its obvious that he neglected in preparing any of them for the true dangers and realities of the world away from the satey and protection of winterfell and their Stark family, and he absolutely dropped the ball on keeping either of his daughters safe and supervised when he took them along into a very dangerous situation in kingslanding

Furthermore Ned never quite seemed to connected with or pay attention to Sansa they way he did with Arya... just something about the fact that when he follows the orders of his king/supposed best friend to kill Sansa's direwolf (the very symbol of their house) it is in replacement for Arya's Direwolf who was allowed to escape the cruel wrath of the Queen and Prince...and how he continues to fail Sansa in the aftermath

It's something about the gifts he gives his very angry and traumatized daughters to comfort them after- in lieu of truly trying to actually connect with and console both of them or to even properly mediate their increased fighting.

Arya (in the show and book) is given lessons with a "dancing" master who teaches her swordplay/water dancing, she was so excited and she always wanted to be outside learning to fight like her brothers got to, in this moment to her understanding she is not just seen by her father she is accepted and supported (a careful reader may see that Ned's attitude appears to be slightly condescendingly indulgent on the matter of her learning swordplay... but Arya gets the chance to do something she loves all the same)

Meanwhile (in the show) to try to console Sansa Ned gives her... a doll? (Honestly I can't recall any equivalent gift from Ned to Sansa in the books? the mention of her possibly getting harp lessons in Kingslanding was actually a promise Catelyn made to her on Ned's behalf rather than his own effort... and was something that Ned didn't actually ever arrange in the books)

But is this doll meant to be an appropriate gift to make up for the death of her direwolf? Is this gesture enough to comfort her and make amends after Ned killed her direwolf (notice its not exactly as spectacular, meaningful, or comforting a gift as arya's "dancing lessons"... certainly there is no indication that he has any particular understanding of Sansa or has given much thought into her talents, interests, or personality beyond the most shallow perusal)

In the aftermath of Lady's death Ned does nothing to truly protect Sansa or keep her away from the obviously dysfunctional and dangerous family he has promised her away to.

Yet he can take the time to comfort and have a frank conversation with Arya about how important staying together and supporting eachother as family is- especially when they are amongst dangerous people who mean to harm or separate them- and the specific importance her and Sansa will have to one another as sisters who share the same blood... further explaining how just as they will need eachother Ned needs them as well

Ned has no such comforting or distinctly meaningful exchange with Sansa... he doesn't explain the reality of the Lannisters/Joffrey/Robert (i.e. the truth of the people he has agreed to give his young daughter away to despite the fact that he either personally has no respect for most of them or has not been around them long enough to know anything about their true nature)

Yes it is the risk to his daughter that makes him willing to falsely confess to treason, yes eventually he decides its best to send his daughters back to winterfell, yes he finally wants to break the betrothal and he makes a beautiful promises to make her a match with "a high lord who's worthy of [her], someone brave and gentle and strong" ... but he is much too late to get both of his daughters away from the lannisters/kingslanding, way too late in his attempt to keep them safe, and he fails to handle Sansa with age appropriate respect and frankness and to actually tell her how dangerous things are in kingslanding and why joffrey (false prince -bastard born of incest) is such an ill suited match.

Maybe if he had put any effort into explaining things to her...or simply spending time with her, speaking to her, trying to understand her, comforting her amidst the loss of lady and the increased fighting with Arya, or doing literally anything other than just neglecting her and her saftey Sansa would have actually trusted his decision and seen it as him wanting what was best for her.

Maybe if he had been more proactive and focused on his daughters well being he wouldn't have brought both of them south after the altercation over their direwolves... or maybe he could have been successful at getting both his daughters out of kingslanding before everything went to hell.

Its almost like the whole point of the Ned/Arya/Sansa and the Ned/Cersei/Sansa dynamic isn't to show that Sansa is a naive girl who betrays her family for the lannisters but is instead to show that when you neglect your child emotionally they will turn elsewhere for comfort and will be particularly vulnerable to being manipulated or abused by other adults... its almost like this part of A Game of Thrones is more about the way even someone like Ned- a man who does strives to do what he thinks is right and a parent who does loves his children- can still fail.

Ned's treatment of Sansa is specifically intriguing, though i don't know if it will be addressed specifically since her relationship and dynamic with Ned is one that much like Robb ended with his tragic and unjust murder (leaving behind a grief stricken Sansa helplessly longing for the return of her family and home, grieving with a near devotional regard for her lost father and brother)... Sansa will never get to confront or reconcile with them over the many ways she was let down and left unprotected by her male relatives- and who knows if a traumatized and grieving Sansa will ever even recognize and admitt to herself the ways the people who she loved the most failed to live up to her expectations of them... how clearly that despite their love for her she was rarely their first priority ... how they both seemed to fail to follow their family mottos ... the lone wolf dies but the pack survives.... family before duty or honor... she was family yet duty and honor came before her in Robb's eyes... she was part of a pack but through Ned promising her to a marriage in the south, in him taking her and Arya away to kingslanding, in him failing to prioritize her saftey until they all were practically already on the chopping block, and in Robb abandoning any hope or plan of rescuing her she truly was abandoned by them ...to be a lone wolf without a pack to help her survive

Then there is Viserys who at the very least had a much stronger regard for Rhaenyra than all the kids by his second wife ...but can also quiet easily be accused of outright neglecting and mistreating them

The lack of guidance holds true for all his children really but with Rheanyra at least it is accompanied by an (ultimatley harmful) spoiled indulgence that he offers only to his eldest daughter- covering up her obvious blunders and threatening anyone who would speak the truth of her questionable actions and her children's legitimacy including his own wife and sons ... going against traditional succession not because he wants to promote first born succession/succession by "merit"/or treating daughter equal to sons in terms of inheritance or anything like that but because of guilt and unashamed favoritism.

Viserys refuses to give to his son what westeros society at least would deem as Aegon's birthright, while also failing to make arrangements for any his non-Rhaenyra children to have a future and saftey separate from the throne.

He doesn't arrange matches with other kingdoms and give them allies, protection, family, independence, or a power base independent of the crown/hightowers instead leaving them dependent only on the crown, vulnerable targets to be handled (i.e. no doubt killed on the orders of Rhaenyra and/or her uncle husband Daemon) as living they would remain the most significant threat to the legitimacy of their rulership.

Viserys looks the other way when Aemond specifically is permanently maimed by Rhaenyra's son...his only action after his son loses his eye is to threaten his second family, to intimidate them into staying quite on the topic of the legitimacy of Rhaenyra's children before he deems the matter concluded... as if the worst part of that altercation was Aemond calling them bastards rather than say four children ganging up against one and how one of these children attacked using a knife and cost the other their fucking eye?

That for Aemond more than anything must cement his understanding of his father's feelings about Aemond and his full siblings and mother. To Viserys they simply matter less than Rhaenyra and her children.

In fact their well being or saftey matters less than even an offense made to Rhaenyra's reputation... which shows Alicent and her children without question that they are in danger from the blacks and the King will do nothing to prevent the blacks from trying to severely physically harm Aemond or his siblings, and in fact that there will be no punishment for the blacks when they succeed in doing so.

A civil war between the blacks and the greens was inevitable... Viserys actions of protecting and favoring Rhaenyra while also not ensuring she is instructed on and practices/proves her ability to rule, willfully ignoring that she violates her own vows and that she passes off her obviously illegitimate children as trueborn heirs, of permitting her not just to inherit (and position her illegitimate son as the next heir to) what most considered the birthright of her brother but also for her to steal the birthright of her own cousins by supplanting them with her other bastard and demoting them to being simply their brides/consorts, him keeping her as heir not just after he has multiple trueborn sons but also after Rhaenyra gets remarried to the exact violent bloodthirsty man that so many feared and Viserys himself had previously removed as his own heir in favour for Rhaenyra.

Viserys doing all of this while still choosing to remarry and have MULTIPLE children with his new wife... the neglectful and disrespectful way he treats his second family... all of this ensured that the death of some (if not all) of his children, via either assassination or in outright civil war, would always have been inevitable.

There is so much hatred, fear, distrust, and tension between Viserys' family members... and not only did he fail to intervene or improve things he was the one most responsible for it ....so much of the environment Alicent lived in and Aemond and his full siblings were raised was permeated by not just a sense of deep injustice (particularly in Aemond's case with his treatment by not just the blacks but his own father) but also an undercurrent of desperate fear over what will happen to them and their family in the wake of a brewing succession crisis

The mommy, daddy, and sibling issues are so strong with these two and I'm so obsessed with how the complicated family dynamics and tragic family losses that Ameond and Sansa experience echoe one another in so many ways...there is just so much love, grief, rage, unpacked trauma, and hurt in them and I am always obsessed with stories that allow the narrative or characters to address such trauma.

PART 3/4. THE CONTRASTING AND COMPLIMEMTARY ASPECTS OF THEIR STORIES (SUFFERING AND GRIEF)

They were both were so young when they became targets of the wrath and dislike of powerful and corrupt "Queens"

Sansa who loses her direwolf at the demand of Queen Cersei, a queen who after long being abused by her own husband sees a perhaps more extreme form of that sort of violence in her own mad son being directed at Sansa, who rather than expressing or experiencing compassion or sympathy instead takes the chance to revel in the destruction of Sansa's innocence, to mock and emotionally abuse Sansa when she has lost her father and her only protection in Kingslanding, leaving her a hostage of war at the mercy of a violent and corrupt royal family

Aemond who after losing his eye to an attack instigated by Rhaenyra's children receives no apology or recompense...instead his own sister asks for her mutilated little brother to be tortured sharply questioned due to the offense he caused by accusing her sons -accurately mind you- of being bastards... Aemond and his siblings who were never truly ever treated by Rhaenyra as her siblings only ever the offspring of Alicent and thus obstacles and threats for her (and her uncle's) right to the throne.

Both were physically harmed or tormented by (or with the approval of) young members of royalty, with very little being done to intervene, stop, or punish those involved despite their own highborn status- which would generally deem them unacceptable targets for such abuse.

Young Sansa a hostage but still a high born daughter descended from two of the seven ruling houses in westeros, The Warden of the North and the Lord Paramount of the Trident, and niece/cousin to the rulers of a third kingdom, the Lord Paramount of the Vale. Who while under the "care" of the crown is tormented, stripped, and beaten in open court at the behest of a mad boy king... forced to look upon the severed heads of her father and household, forced into being an unwilling child bride to the house of her family's enemies, who is molested and threatened with sexual assault on multiple occasions

Prince Aemond son of the King who is mocked by his brother and nephews (or his king and father in the books) over the fact that he hasnt yet claimed a dragon, and when this makes him reckless enough to approach and claim the largest dragon in existence the torment doesn't stop it gets dangerously worse as the tension between the children of the blacks and greens escalate to the point of a violent confrontation between Aemond and his nephews and cousins... and the resulting loss of of his eye when one of his attackers brings out a knife. None of the children who banded together to attack Aemond would face any consequences, only Aemond himself and his mother and older brother would censure and outright threats from their King Father and Older sister. Whose earliest sexual experience- done at the behest of his older brother- was implied to be at the very least coerced, traumatizing, and humiliating- if not outright non consensual on his part.

Both Sansa and Aemond face a terrible sort of loss when they begin losing their family members to mass civil war ...often in a manner that is distinctly horrific or against all laws of decency in the 7 kingdoms

her father Ned unjustly executed for treason and whose decapitated head is displayed and used to torment her, her younger sister Arya gone missing for years and long thought dead, her home sacked and younger brothers Bran and Rickon supposedly murdered by her family's ward- a boy who grew up alongside the stark children- the burned/mutilated heads and bodies of two young boys being being put on display at winterfell, her older Brother and Mother slaughtered when their traitorous allies and bannermen men break sacred guest rights at a wedding, both their bodies desecrated in a mockery of their houses... Robb decapitated his direwolves own head placed ontop of his body while his enemies parade his remains around, her mother Catelyn's throat slit and her body dumped naked in a river and left to rot.

(In the show) Rickon being cut down before his siblings eyes by a madman who betrayed their house and had tortured Sansa herself, her "half brother" Jon betrayed and murdered by his men and later sent off into a lonley exile away from his family and home for the "crime" of taking out an invader who had just committed mass murder... Sansa being left to rule the north all alone with many of her family members long dead and the surviving ones being set on a path away from the north/winterfell while she is left to handle rulership in isolation

Aemond who after commiting the first Kinslaying of the "war of dragons" by attacking his own assailant and nephew Lucerys proceeds to lose all of the family that he loved.

Starting with the tragic murder of his innocent young nephew at the behest of his elder sister/uncle- who arranged for his mother Alicent to be attacked tied up and forced to bear witness to the gruesome murder of her grandchild,

His sister Helaena -who plead for her life to be taken to spare her son- forced under the threat of the rape of her young daughter to choose which of her young sons will be murdered. Only for all of them to be traumatize further when they kill Jaehaerys and leaving Maelor the son she "chose" to die to survive with the message that his own mother wanted him dead... the emotional torment this caused the whole family but most of all his sister who refused to eat, bathe, or look upon her remaining son due to her immense feelings of guilt

his older brother Aegon who has lost his son and heir, and whose sister/wife is in a grief so deep she cannot care for their remaining children, who is attacked and maimed but survives to live on in total agony,

the murder of Maelor, Aemond's remaining nephew at the hands of a mob

Aemond's last stand, sacrificing his dragon and his own life to take out his Uncle (the biggest threat to his family and the orchestrator of Jaehaerys' brutal murder)

The many tragedies that continued after Aemond's own death- his sister's eventual suicide, the death of his younger brother Daeron, his oldest brother outlasting all of his siblings and his own two sons only to be taken out by poison once the war is over, his mother spending the last of her years in confinement until she passes from sickness,

His niece Jaehaera, after the loss of her entire family, married off as a child in the name of "peace" and dying young and alone- of suicide or murder

There is just such fascinating potential when two characters would have so much mirroring grief and trauma ...there is such an undercurrent of helpess rage, guilt, and grief to them in their youth and a undoubtedly a feverent desire for either vengeance or justice against the many people who harmed them or slaughtered their family...

And here is where things begin to differ between the two in interesting ways

with Sansa who has these violent wishes/impulses but is not in a position to see them fulfilled herself- her desire to push Joffrey to his death even at the cost of her own life, her wish that someone will throw Ser Meryn Trant down and cut off his head, her hope that various people will fall/be unhorsed...

Sansa who recieves a direwolf, Lady, the very symbol of her house and potentially a companion that would have offered a connection that was an extension of her own soul only for Lady to be cut down so quickly and unjustly... Sansa who loses not just the connection/companionship she recieved from Lady but also the protection such a bond would offer her ... she is left vulnerable in so many ways and has no promise of reuniting with her own direwolf later on... that will never be a comfort or form of security offered to her after all the danger and trauma she experiences

While Aemond, who spent much of his young life similarly helpless to act or respond to insults and assaults on his own person or immediate family, (that his father/king either never deemed worthy of interference or punishment... that is when it wasn't the King himself who was the perpetrator of such offenses) unlike Sansa experiences a change of fortune in the form getting to bond with the symbol of his house

He gains (and gets to keep until his own death) a bond with a different sort of mythical beast companion... a dragon and as a result recieves all the potential for power and destruction that comes with being a dragon rider

By claiming Vhagar Ameond is the closest he will ever be to untouchable, not just from the harassment he personally experienced from his family but with regards to how grave and dangerous a threat/target he had now become for the blacks during the dance of dragons

Aemond now a dragonrider of the largest living dragon, a child and later teenager who is in control of the narrative equivalent of a weapon of mass destruction, and he is no longer held back from acting on his anger once the rule and interference of his neglectful father king is over,

he is in control of the most massive beast of pure destruction and unlike Sansa, who for now in the books- or for much of her story in the show- remained an unprotected hostage or pawn in the hands of those who mean to harm or use her... who handles her trauma very internally as she is not in a position to fight back, and must rely on her words, intelligence, and ability to read and strategically interact with people as a way of defending and keeping herself safe, Aemond is now in the position to enact every bloodthirsty impulse of revenge he ever experienced

He was held back from enacting vengeance only through his own will, which ultimately proves not enough- he commits the first kin slaying and soon the actions of each side escalated into a horrific bloodbath where nobility and small folk alike suffered or die en masse

While Aemond's story may be one of family devotion and loyalty, mistreatment, injustice, and suffering that ends by showing the terrible outcomes of revenge and uncontrolled cruel brutality Sansa's story feels like one where grief, rage, and mistreatment exist but where family, love, compassion, kindness, justice, and integrity will win out in the end.

Sansa was certainly developed into a more discerning strategic and ruthless figure in the show but justice, duty, and forgiveness were still very prevalent in her storyline

she does have ramsay killed in a fittingly horrific manner, but she later holds a public trial for littlefinger- who was responsible for much of her familys suffering, the death of her father, and her own torment and rape- before she has him executed,

She feels compassion and forgiveness for theon the man who had betrayed her family and drove her young brothers out of their home, who only after experiencing significant torture himself became devoted to protecting the remaining starks and was able to find the courage to disobey his own torturers in order to help Sansa escape,

She possessed a concern for other people that few ruler do in asoiaf/got... speaking up against Joffrey's cruelty even as a powerless hostage, being the person concerned with the more practical matters of caring for and feeding their people during a harsh winter- a notable development in comparison to say everyone else just focusing on battle tactics and the upcoming battles (as though feeding an army is not an essential part of warfare), and the invader who just burned westeros' food stores en masse and now expects others to feed not just her armies but also demands that her dragons be fed "whatever they want"

I think in the books however that despite Sansa's internal grief and rage and her burgeoning political acuity there will be a gentler end to her arc where her own innate sense of duty and her (now more discerning) sense of compassion will win out in the end when she takes back her name, identity, and birthright ... that she along with her surviving family will have justice administered in the name of their lost family and people... efficiently bringing down righteous and necessary judgement on those that harmed and betrayed them rather than simply dealing out some form of mass, bloody, cruel revenge on her enemies (I'll leave that for lady stoneheart) ... and that a satisfying ending for her and the other starks will balance them realistically addressing the dangers and betrayal they faced with their own personal resolve to hold true to the values imparted to them by their parents.

... yet after all her suffering (and the frustrating lack of trust, consideration, or support she was given by her own family in the later GOT seasons) there is something darkly appealing to the idea of her getting (not a hero precisely) but a ruthless and devoted sort of monster to support her and bring down unholy vengeance on her various tormentors

PART 4/4: THE RESULTING DRAMATIC AND EMOTIONAL APPEAL OF AEMONDSA FICS

This after their many parallels and complementary contrasts is what intrigues me the most...the interplay of a potentially wary, cautious, traumatized but still duty and justice oriented person and a companion or lover who is comparatively more ruthless, unhinged, capable of atrocities, and who is more equipped to dole out violence en masse... (guys the pipeline from dark jon/dark jonsa to aemondsa just makes so much sense)

the question in Aemondsa fics of what will win out in the end- the shared grief and rage or them both controlling/channeling such impulses into strategic righteous fury and justice is always fascinating... and most of all the idea of Sansa (after all the trauma mistreatment and grief she has experienced) attaining the interest and eventual devotion of someone who despite being capable of monstrous actions is also incredibly loyal, devoted, and ruthless in the pursuit of their loved ones interests ("I want you to put out your eye ... plan to make it a gift if it to my mother" indeed) is just as appealing as the idea where an isolated, lonely, traumatized, grieving, and dangerously angry young man like Aemond gets to find acceptance, affection, companionship, and belonging with an intelligent strategic but more importantly an exceptionally compassionate person like Sansa.

Its just a dynamic far too intriguing to ignore especially for someome who already loved Time Travel/Reincarnation Fix IT AUs in fanfiction

While emotional catharsis and Sansa returning home and having the dreams she had wrote off as impossible be fulfilled (i.e. building a loving partnership and marriage, having children with someone who loves and wants her more than her claim itself, reuniting with her family) is something I love- and what I want to happen in canon (hence my otp being Jonsa)- there is always an interesting/guilty pleasure aspect of fanfic where Sansa (or the Starks in general) get to wreck terrible bloody victory and vengeance on those who betrayed and butchered their family and people (not really the ultimate message or point of the book but definitely emotionally satisfying in fanfic)

Just like there is a sort of appeal that exists in hotd fanfic that is sort of the opposite ...ones that alter the violent senseless and tragic trajectory of the dance of dragons... to either change the course of a brutal civil war or prevent it all together

and the Aemondsa pairing's time travel or reincarnation fics provide an opportunity to explore both of these diverse dynamics.

Sansa will always deserve the world... in canon and in fanfic i want to see all her dream and hopes come true whether it is with a truly good and just partner with whom she gets to build the life and home she always dreamed of or through her getting her very own devoted monster who would do anything to keep her safe from the scores of people who wish to misuse or harm her

and I always wish that hotd fanfiction offered more Aemond centric fics with a love interest that you know actually likes, sympathizes with, or understand him? He feels too tragic a character for me to want him to experience the typical hate and love (enemies AND lovers) treatment he tends to get in fanfic... its not really satisfying for me seeing his typical pairing up with whatever team black character (or really TB character rewrite) or some Daemon's or Rhaenyra's daughter OC that is the frequent choice for aemond centric fics...him being portrayed as some impusive awful and villainous love interest who changes sides and abandons his family just to be with his lover/obsession feels so out of character in a way that erases the best, most compelling, and sympathetic parts of his canon personality, motives, and actions.

Luckily Aemondsa fics seems to be a pairing that offers everything I like in Ameond or Sansa centric fics....

In conclusion Aemondsa is surprisingly compelling and versatile dynamic in fanfic and I think that is why I've become such a fan of Firesteel/Aemondsa fanfiction (in a way I'm NOT at all a fan of the actual HOTD show writing lol)

I'm a proud support of crack ships/rarepairs and I'm always willing to add to the fandom appreciation of pairings that gets less attention or fandom related works... so expect to see the occasional Aemondsa fanart/fic recommendation post from me amongst my typical jonsa content (in fact expect one in the next in a day or so)

Otherwise I just hope established Ameondsa fans (or people who haven't ready any aemondsa fics but are fans of either character/curious about this pairing in general) have enjoyed seeing me fangirl about these two characters/this crack ship and feel inspired to check out or even make their own Aemondsa content!

-Crimsom Cold

[silver-cleo]

Op i present to you a fic:

Fandoms:

Agents of Shield

Game of Thrones

Ship:

Daisy Johnson/Sansa Stark

130 chapters, currently on Hiatus.

T-shirt that says ASK ME ABOUT MY FEMSLASH RAREPAIRS on the front and I WILL PAIR UP WOMEN YOUVE NEVER HAD A SINGLE THOUGHT ABOUT on the back

[g0lightly]

not to pick on j*nsas again but i think the fan community around that ship (due to its size) highlights some interesting double standards within asoiaf shipper discourse. i often see j*nsa "proof" that revolves around jon chapters following sansa chapters. they're both ned's kids, so of course they're connected thematically. characters having thematic connections in ASOIAF is not proof of anything but good writing and i think it's healthy for us shippers to remind ourselves of that every now and then, no matter what we ship.

by that standard, brienne and sansa having back-to-back chapters twice in AFFC is briensa proof! i have seen it argued that jon and sansa's chapters being put together in ASOS show that sansa wants a hero and jon is that hero. actually, brienne is the hero trying to find and help sansa, not jon. that is how she spends her chapters in AFFC! but she's not a broody conventionally attractive man and that's why i am one of only like two people actively making brienne/sansa content while jonsa is super popular despite being kind of OOC (in my opinion) and largely based on the fact that kit harrington used two facial expressions as jon snow which led people to read their familial chemistry as romantic chemistry (also in my opinion).

even though i would love nothing more than for brienne to be like the robert dudley to sansa's queen elizabeth i when they're both adults, i recognize that the possibility of having sansa's true love and true knight turn out to be a scarred woman who prefers mail to silk will not the most important thing about their relationship when they do meet. because thematic connections =/= proof of anything ship related. especially in a series where a ton of people die and marriage is political.

if you like underrated ships and happen to be curious about the thematic potential of brienne/sansa, i am almost 70k words into a postcanon longfic about them :) canon compliant except sansa is aged up to be robb's twin. perhaps you will agree that it is a rarepair with no business being so rare!

[sansaficexchange]

Hey Sansa fans! Can you never get enough of your Sansa OTP? Do you wish someone would write your Sansa OTP with your favorite kinks or tropes in mind? Do you ship a Sansa rarepair and are dying for content? Do you wish there was more exploration of Sansa's relationships with her siblings, parents, mentors (or "mentors"), or Lady in fic and fanart? Do you yearn for an AU where Sansa escapes King Landing earlier/with a different person or to read/write fic detailing her rule of the North as Queen?

Come  join the Sansa Exchange! Whatever your ship or fave gen relationship - receive it as a gift and write/draw something fun for a fellow Sansa fan in return!

[z-mizcellaneous-z]

after a request:

reblog for larger sample size!

[aemondsa]

As a fully paid up member of the Jonsa community I have to say I'm enjoying the Aemond/Sansa content being created.

It's the only other Sansa ship that's gotten my attention and that's it's a crackship is what makes me like it even more!

The Jonsa to Aemondsa pipeline is real. 😆💗

I did my time in the Jonsa slammer—I’ve been an inmate since the dawn ages when it used to be a rarepair and had 5 authors to its name; till the sunset where we copium-ed our way through the fallout of season 8 with Jim Frost and geography memes.

But almost two years ago, I broke out of my Jon Snow shackles and left the short man for Aemond. I have never been happier. Canon has no hold on me any longer. I am free to frolic in field of my own delusions, holding my friends’ hands cause they are right there with me, having fun without being beholden to such trivialities as ‘timeline’ and ‘what do you think will happen in AWOW?’

Life, when enjoying a crackship:

[daenystheedreamer]

Within my brain there is a very specific fic that I will one day write ( if I ever have free time again 😮‍💨) where instead of the trope of aemond traveling to the past and ends up getting with sansa it's Alys River's.

(this ask was inspired by the favourite femslash ships post btw I'm not just randomly using your askbox as an confessional for deeply odd rarepairs)

i had no idea that was common enough for a trope... recently saw someone who said they were like a sansa/aemond stan something along the lines of falling down that rabbit hole and i was like surely that is a very short jump if so but i guess sansa is this fandom's hermione granger she's the self insert

[eyes-glistening-with-tears]

ok SO im writing a fic and idk I sort of want a second opinion? open question basically (modern au, sort of mafia au)

like im writing a asoiaf fic and its about sansa/daenerys (lowkey my new obsession) which is a little bit of a rarepair but anyway ive written nearly the whole thing but idrk how to end it, so please, tell me

[oxygenbefore1775]

i want to hear ur take on loveless marriage canon divergence routes because what comes to mind for Me are

yumihisu come with reibert to the docked marleyan ship with Only reibert's hunch from annie that her family is "important" to the wallists, hisu hates zeke because he Seems like the one at fault for porco eating ymir, drama of How will they figure out her nobility ooh ahh

the whole time skip proposal from zeke via kiyomi, as we Have discussed

i support you launching this rarepair even if it's a canoe dear mae

hi dear kat

beware, this is a sheet of text

1) This is quite inventive considering that Reiner's (and Ymir's?) initial plan for CoT to kidnap Historia anyway. But this leaves her in a compromised position as prisoner of war in Marley where she could be easily executed (I prefer Zeke to be like this lol). Plus at that point, Historia has never had her government arc — at that point in the story she's feeling like an empty shell (killing her dad has quite reformed her). Also, i don't think there would be any chance for Zeke and Historia to hit it off since Historia obvi hates Zeke and to him she's just a brat who got tagged along because Reiner has a crush on her — [my irl thought process about to ensue] — but then again, Zeke is vaguely aware that Historia ~might~ be valuable since she appears to have connections to some Reiss family (I believe at that time Zeke could only learn that Reiss were a noble house crucial to the government but nothing more). Most likely that Zeke would be more concerned about finding Eren of whose existence he learned from Reibert, and mostly ignore Historia during the first weeks the warriors spent preparing for RTS.

I haven't read the royal uprising arc in quite a while but Historia's presence wasn't really crucial to the overthrowing of the government - Erwin just did it on his own volition and additionally found out that the Reisses are the real ruling family of Paradis. At this point I'm not sure if they would make Rod the King since his presence in politics was always prominent throughout but let's assume he will so naturally the question of an heir would arise. Since Historia was carries away before she had a chance to reveal her true identity, the Survey Corps would have no idea of her royal heritage unless Rod tells them. But, admittedly, it would be hard to make the missing girl the official heir so I guess they would just leave it there. (god, i'll hope Rod would die soon to create a power vaccum for Historia to fill)

I don't want to think how Zeke found out about Historia's royal blood. He wouldn't be interested to build connections with someone who is not somehow an extension of himself (like Eren is). But maybe the matter of Historia's identity was pressed soon enough since Marleyans weren't pleased with keeping a low-rank scout instead of simply getting rid of her. Maybe it was Ymir who relayed the info about Historia to Zeke in an attempt to make her life seem valuable and thus protected, or maybe Zeke found this out by himself by raiding the nearby villages and learning of the recent coronation of some Reiss and connecting the dots. Only then would Zeke feel the tendency to guard Historia from the Marleyans, but not out of deep attachment to someone of his bloodline, but because she suddenly became an important political bargaining tool in his eyes.

Eren was still something more important than anything else to Zeke yet he lacked power or influence in Paradis to arrange a meeting with him. And it seemed that Historia would be his key to Eren (much like Sansa in asoiaf). At this point Zeke would force Historia into a position of no choice but to accept his plan. In the Marleyan camp, Zeke is the only one to stand between her and the execution so she's highly reliant on him to live, and it's not that Marleyans would be willing to let her go, not after she came to learn some intel on Marley - he has her life in his hands.

In exchange for her help establishing contact with Eren and sending a note to him, Zeke would help Historia escape the ship and thus give Paradis its Queen. Additionally, Zeke's anti-Marleyan volunteers would provide communications between the Island and the outside world should Paradis ever want to lift the iron curtain. To seal the deal — but mostly to give himself some sort of power as an outsider — they marry. (much to Reiner's chagrin, most possibly) (Atp I'm not sure if Zeke would be psycho enough to make her consume his spinal fluid to always have that leash of influence over Historia, idk)

The warriors would still lose in RTS, but that wouldn't faze Zeke too much since he's already dug his claws in the probability of future contact with Paradis idk idk

...

I quite like this canon divergence but it leaves Historia a submissive husk of a person character that is constantly compromised (at least in my rendition) since the royal uprising arc is where she gets a massive growth that is not present in this case. So the Jikuhisu dynamic is suffering greatly cuz Historia isn't able to give any pushback on Zeke's delulu.

And also there's the matter of their canonical ages which is *eugh*

2) That is something that originally came to my mind, yes. I guess it involves less dark stuff because Historia can fight for herself in this scenario. But also, in this case, the whole reason behind the marriage happening would be Zeke scheming too much and driving himself into a matrimony neither of them wanted. This way, it's more hilarious and makes the blonde man suffer more from the consequences of his own actions. They would spend the days trying to outwit each other into oblivion, with Zeke trying to see Eren and Historia reining him in yet simultaneously demanding a more high quality help from anti-marleyan volunteers in terms of modernizing Paradise or something like that — fruitless months, just like how Zeke spent them in the canon, but instead of a forest he's in a royal quarters and instead of Levi chaperoning him it's the Queen.

Yet additionally, the lack of things to do and the prior knowledge of their blood relation might compel Zeke to deign to inquire more about Historia, with initial intent to get into her head and find out the best way to sway her. But I guess their similar upbringing and trauma made Zeke realize that she has a lot of common with him. As I posited somewhere before, Zeke tends to like people who resemble him the most and this discovery must've positively predisposed him to Historia (let's be fucked up together vibes).

I'm not sure about their dynamic from Historia's side, though. From what I understand, the Queenship weighed heavily on her. Despite the opportunities her position offered, she lamented her inability to keep her promise to Ymir. Her marriage to Zeke for the sake of Paradis was yet another nail in the coffin of her hope for personal freedom, making her grieve her fate even more. Thus the initial hostility that Historia might have showcased, lying through her teeth to get Paradis better perks. But, as they came to get to know each other more, the more Historia recognized her past self in Zeke. Considering the similarities in their upbringing, with them desperately striving for their parents' love, they both got the "dead inside". Only Historia managed to find her self-worth (plus Frieda was a huge pillar of emotional support) whereas Zeke was still stuck in his self-destructive curve. [something something using chapter 66 as a flimsy shield of an excuse] Mayhaps Historia would do something about it (I don't expect her saviour complex to kick in, she's not someone who may be able to cure his 20+ year-old trauma)

Come to think of it, both of their characters are defined by the promises they made to their loved ones (Zeke's being fulfilling the euthanasia plan and Historia's being living she wouldn't regret). However, the former is being miserable through adhering to his promise, whereas the latter suffers all the same by not keeping her promise. [idk idk it's just very interesting to point out]

...

I like this version more since it has the ability to get more dark and yet more hilarious simultaneosly. Plus, this scenario gives both of them a similar size agenda to hold whereas with the first one it's the Zeke who holds more power in their dynamic.

I'm not very good when it comes to canon divergences. I don't believe I can do better than Yams in terms of thinking thru the politics these major changes should bring so there's that. I tend to live off of vibes, mostly, and the vibes these two give off are simply scrumptious

3) that's why I've been delulu about quasi medieval/fantasy au with those two. It's not much but It's about Zeke "taking a castle and holding his host there", with Historia being the lady of the castle who's obviously not chuffed with being occupied by an enemy army. That's it, that's the vibes

[femslashrevolution]

Popular Pairing List Update

The following pairings have more than 10 recent posts in their pairing tag, and are therefore too popular to be posted on Rarepair Thursdays:

Aerith Gainsborough x Tifa Lockhart (Final Fantasy)

Amelia Collins x Zoe Miller (Class of '07)

Anaïs Davis x Bobbie De Bruyn (wtFOCK)

Aninlaphat Sawetwarit x Pilanthita Kasidit (The Loyal Pin)

Anna x Elsa (Disney Princesses)

Applejack x Fluttershy (My Little Pony)

Azula x Ty Lee (Avatar: The Last Airbender)

Barbara Holland x Nancy Wheeler (Stranger Things)

Bérénice Leblond x Carla Furiani (Ici tout commence)

Blaze x Kristina Corinthos Davis (General Hospital)

Buffy Summers x Cordelia Chase (Buffy the Vampire Slayer)

Cady Heron x Regina George (Mean Girls; Mean Girls Musical)

Cate Randa x May Olowe Hewitt (Monarch: Legacy of Monsters)

Clary Fray x Isabelle Lightwood (The Mortal Instruments)

Darcy Lewis x Wanda Maximoff (Marvel Cinematic Universe)

Delia Ketchum x Jessie (Pokemon)

Dorcas Meadowes x Marlene McKinnon (Harry Potter)

Dorcas Meadowes x Narcissa Malfoy (Harry Potter)

Earth x Sun (23.5)

Eileen Dunlop x Rebecca (Eileen)

Eve Unwin x Suki Panesar (Eastenders)

Falin Touden x Marcille Donato (Delicious in Dungeon)

Fluttershy x Rarity (My Little Pony)

Ginny Weasley x Pansy Parkinson (Harry Potter)

Gwen Runck x Nikki (That 90's Show)

Gwen Stacy x Mary Jane Watson (Marvel Comics)

Jack Danvers x Keeley Jones (Ted Lasso)

Kristi Miller x Marielle (From)

Harper Row x Stephanie Brown (DCU; Gotham Knights)

Harumoto Itsuki x Hayashi Fuyu (Chaser Game W)

Ink x Pa (Bad Buddy)

Jamie x Marian (Drive-Away Dolls)

Jiang Zhaoyun x Lan Ze (Legend of Yunze)

Lady Hideko x Sook Hee (The Handmaiden)

Luce x Rachel (Imagine Me & You)

Margaery Tyrell x Sansa Stark (A Song of Ice and Fire)

Padmé Amidala x Sabé (Star Wars)

Prang x Warang (Love Senior)

Sabine Wren x Shin Hati (Star Wars)

The following pairings have been posted less frequently recently, and have therefore been removed from the popular pairing list:

AJ Campos x Paige Evans (Crush)

Alex Cabot x Olivia Benson (Law & Order: SVU)

Amalia True x Penance Adair (The Nevers)

Amanita Caplan x Nomi Marks (Sense8)

Ana Servín x Mariana Herrera (Madre sólo hay dos)

Anne Shirley x Diana Barry (Anne of Green Gables; Anne With An E)

Ava Coleman x Janine Teagues (Abbott Elementary)

Beca Mitchell x Chloe Beale (Pitch Perfect)

Becky Baker x Imogen Moreno (Degrassi: The Next Generation)

Bette Porter x Tina Kennard (The L Word)

Casey Gardner x Izzie (Atypical)

Deena Johnson x Samantha Fraser (Fear Street)

Eleanor Levetan x Gabbi Broussard (Do Revenge)

Frankie Bergstein x Grace Hanson (Grace and Frankie)

Frannie Langton x Marguerite Benham (The Confessions of Frannie Langton)

Héloïse x Marianne (Portrait of a Lady on Fire)

Imogen Temult x Laudna (Critical Role)

Jen Harding x Judy Hale (Dead to Me)

Jules Vaughn x Rue Bennett (Euphoria)

Keeley Jones x Rebecca Welton (Ted Lasso)

Malini x Priya (The Jasmine Throne)

Maria Hill x Natasha Romanoff (Marvel Cinematic Universe; Marvel Comics)

Riri Williams x Shuri (Marvel Cinematic Universe; Marvel Comics)

Shelby Goodkind x Toni Shalifoe (The Wilds)

[crimsoncold]

I do eventually plan to post all of the above listed things... just wanted to get input on which one I should put out in the next week or so...

[cailynwrites]

Harry Potter Rec Fest Day 24 - Holiday

Clearly I love holiday fics since I've spent the month recording one every day. I also like some diverse rarepairs for the holidays, because I want to see everyone happy at the most wonderful time of the year! Day 25 for @hprecfest ...

Wish List by Sansa

Podfic by teas_me

Pairing: Harry x Severus

Word count: ?

Rating: E

It appears that the text for this fic is no longer available, but it's recorded beautifully and I encourage you to listen. It's sweet and I love these two lonely boys helping each other heal post-war.

It's Christmas and Harry's back to ask Severus the same question he does every year.

So Sane It's Driving Me Crazy by @tryslora

Podfic by fire_juggler

Pairing: Percy x Marcus

Word count: 8,355

Rating: E

Percy and Marcus are both alone for Christmas, but they find each other. This is a nice, sweet redemptive moment for both of them. They dance around each other awkwardly but eventually make it some light bondage before the end. Fire_juggler, as usual, reads this fic beautifully.

Let Nothing You Dismay by @montpahrnah

Podfic by Hananobira

Pairing: Sirius x Remus

Word count: 18,993

Rating: M

In a certain corner of Sirius’ broad and spacious closet, kept pristine among entire encyclopedias stacked chaotically from floor to ceiling and bulging with the gory details of every stupid thing he’s ever done and how much he still loves his arsehole brother, there is a thick, musty-smelling volume with notes stuffed into the margins and a spine creased with the weight of years, its edges tea-stained, time-soft. It slides in neatly between the tattered old Fuck You, Mum and Extreme Sexual Confusion, Vol. 12, and its name is Remus Lupin.

This fic is so beautifully written, the dialogue is top-notch, and it's like a warm, Christmas, Wolfstar blanket. Hananobira reads it beautifully as well.

************************************************************************

And finally, some self-recs because I'd love to spend the holidays with you all ...

Hippogriff Biscuits and Gingerbread Houses by @arielsakura - a Podfic (Spotify)

Pairing: Draco x Harry

Word count: 3,058

Length: 18:35

Rating: Not rated (but T)

Draco and Harry have become rivals of a different kind: they compete over the top bids at a charity auction for Sirius and Remus' werewolf sanctuary. When they get locked in together, they finally talk out some of their past. It's sweet, but with some funny godfather Sirius sprinkled on top.

Wrapped by @fluxweeed - a Podfic (Spotify)

Pairing: Draco x Harry

Word count: 10,313

Length: 1:04:00

Rating: E

The best kind of Drarry miscommunication is when they're so overwhelmed with how sexy they find each other that they literally can't talk. Draco is Gryffindor brave in this fic and it pays off in orgasms!

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Finally, as I mentioned above, I've recorded a different pairing holiday fic for every day this month. There are a ton of incredible authors and Here's the masterlist and the Very Pairy Fest continues until January 1st!

[g0lightly]

my asoiaf hot take is that if brienne was a conventionally attractive man, people would future-ship her with sansa like they ship jon with dany (who also have not met in book canon). if not more, dare i say. like… tell me these quotes are not the backstory of a great ship. if yall were butchfemme-pilled you’d see the vision too!

or maybe having a rarepair as my otp has given me a special form of brainrot idk

[agentrouka-blog]

Anyway, to give you a break from analysis and fandom wank, uhmm do you have a favorite Sansa rarepair or crack ship?

I think the Aemond x Sansa ship is getting really popular these days? And there are really great written fics as well.

I'm not much of a multishipper and generally very canon-focused, so these wild AUs aren't really for me. :)

But thank you for trying to distract me!

[violets-in-her-arms-writes]

Get to Know the Writer/9 People Tag

I've been tagged by @writernopal for the "Get to Know the Writer" tag and by @tisiphonewolfe, @cherrybombfangirlwrites, @fayeiswriting and Nopal for the "9 people" tag and since some questions were overlapping I decided to combine both tags ^^ Thank you for tagging me ! 💜

THREE SHIPS:

Sansa Stark/Happiness (my love deserves the world)

Jiang Cheng/Meng Yao (I know this is a rarepair but THEY RAISED A BABY TOGETHER AND they're both huge drama queens/violent people I love them)

Ron/Harry/Hermione (the golden triiioooo!! I have a ff idea about the 8 Gryffindors being sent back in time because they are the last survivors and I hurt myself every time I think about it because Ginny is stuck as a ghost (don't worry she'll end up happy with Luna))

LAST SONG:

... girls in bikinis by Poppy

LAST MOVIE:

Gone Girl, yes I am a Amy Dunn apologist. I crave violence, men suffering and I love Rosamund Pike, so this is a perfect combo for me

FAVOURITE COLOUR:

Lavender and black

SWEET/SPICY/SAVORY:

I love food so this is a hard question, but I'll go with savory for now

CURRENTLY WATCHING:

I need to watch the last two episodes of Dr Cha and I just started Yellowjackets

CURRENTLY READING:

I'm kinda in a slump rn so I haven't been reading that much, but I'm almost done with a sapphic isekei light novel A Lily Blooms in Another World (it's so cute 💜)

CURRENTLY CRAVING:

Brownies with vanilla ice cream

CURRENTLY WORKING ON:

My lesbian vampire WIP La Fledgling but j'ai un peu l'impression de pédaler dans la semoule right now so once Camp NaNo is done I'll probably change things up and go back to writing the third book of Witch's Time, which is a story about a powerful witch who's sent back in time without her memory (kinda... I'll make a wip intro one day)

LAST THING YOU SEARCHED FOR WRITING PURPOSES:

How many gallons of blood a human can lose while still remaining conscious -> unclear but should be around 14%. If you lose more than 1/3 of your blood you're in bad shape, lose half and you'll probably die unless you get a transfusion (or there's a magic user nearby)

Tagging (softly) @scribbling-stardust, @liv-is, @lena-rambles and anyone who wants to do it!