#and i never want it to grow because like

[destroyusall]

tfw you want personalised tips on how to start your transition but harrassment campaigns against trans people online has tailored the urge to never talk about your agab

[puppppppppy]

filipina miku!! my mom helped me with her outfit ^_^

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[bungobble-my-balls]

OK correct me if I'm wrong, but I feel like the main 'yin/yang' parallel with Atsushi and Akutagawa is not something like 'this one is bad but secretly has a good side and this one is good but secretly has a bad side'.

I feel like it's more about 'who they are at their core vs who they choose to be'.

At his core Akutagawa is kind and at his core Atsushi is not. But despite this Atsushi tries every day to make the kinder choices and I love him so much for it. He has to work so hard to be good.

He wants to be a bitch SO bad I know he does but he tries his best to help people and be nice (sometimes he fails but that's OK <3)

Atsushi doesn't always WANT to help people, a lot of the time he's selfish and scared, but he does help people anyway. He keeps helping people over and over again. There's still some selfish motivation to it, and his initial motivation for helping people was because the headmaster told him that's all he was worth, but overall he does care about the people he helps and it weighs on him if he fails to save them. And of course, as the series goes on he starts helping people more because he can rather than because he feels like he needs to.

In Akutagawa's case, he's still capable of being kind but his environment led him into being someone who chooses to hurt people. But he's always been a protector at heart. In the start he was bad compared to Atsushi because he was choosing to hurt people and keep the cycle of abuse going. Just like how Atsushi developed in why he saved people, Akutagawa starts to get redeemed when he chooses to not just act on his rage. Not only does he start to spare people, but he speaks more kindly to them (apologising to Higuchi and telling Kyouka he's proud of her). It all culminates into the moment he chooses to help Atsushi and sacrifice himself for him, going back to his core value of being a protector. Even when he's finally revived, he keeps this role in his new position as Aya's Knight.

I kind of see the streaks of white in Akutagawa and the streaks of black in Atsushi not as their 'hidden sides' but as their fundamental selfs. That's who they are at their core, and their main colours (black for Akutagawa and white for Atsushi) are how they're presented to everyone else and how they try to have people see them as.

[silusvesuius]

baby👶 drawings. these are very dear to me rn.. 2nd pic is my Nelavis with @barvin0k's Varonur 🩵 last one is a baby bosmer and snow elf, hairiest of them all. although the bosmer was meant to be my girl Barletta too lols

[lazylittledragon]

do any other artists feel like. yeah you're a 'good artist' because you draw things that look nice, but like. TECHNICALLY? you're really not great

i really hate that i can recognise that yes, my art is good, but is it VARIED? is it dynamic?? is my anatomy good? is it full of texture and colour theory? do i know how to do This? can i do That? no, not really. and that's quite painful actually

[sleepyskeleton-0]

What if- what if Wind’s trauma doesn’t register with him until he’s older. What if as a teenager he thinks he’s super cool for going on adventures and fighting and stuff but then the trauma slams into him when he’s older. One day he’ll realise just how fucked up his life was and all the things he disregarded or made a joke about before come back to haunt him. What if…

[epicfirestormer]

Will never get over how Starscream and Skyfire's relationship is always doomed. There's never an iteration of them where they both stay on the same side at the end. They always end up being against each other, tearing each other apart (whether intentionally or not). They always end up losing each other, be it by a snowstorm, by the war, or by death itself. They never receive a happy ending together, one if not both of them is doomed to suffer.

Skyfire is doomed to be an Autobot, by forces out of his control. Starscream is doomed to be an Decepticon, by his own self destructive tendencies. They are both doomed, because of who they are. They always try to save the other, in their own way. But it never works. They are doomed to fail, whether they stay together or not.

[hayaku14]

pushing daisies kaishin au #2

pushing daisies au where shinichi has been able to revive dead animals, plants, even people since he was a child.

kudou "i can literally talk to the dead" shinichi

shinichi's parents didn’t exactly encouraged him to use this power. especially not in public. they’ve seen him revive and re-kill dead plants and animals in the same breath, it doesn’t take a detective to figure out what could happen near a human corpse.

but a young shinichi is curious, a young shinichi admired his father, and a young shinichi wanted to prove himself a detective. but most of all, a young shinichi wanted to help.

so when he saw his father struggle in solving a particular case, a young shinichi figured that maybe asking straight from the source would help give them a hint.

the complete horror in yusaku's eyes shinichi saw that day made him promise himself to never do it again.

shinichi realizes later on that reviving someone just for a clue on the whos, hows, and whys of their death only to touch them again, to basically kill them again, is sick and twisted and the realization leaves him feeling raw and dirty.

he then decides that if he’s gonna find out the truth, if he’s gonna bring justice, it’s not by making the victims suffer a second death. he will unravel the mystery not by magic but by logic.

the curious case of kuroba kaito

hakuba immediately contacts shinichi.

“he was...a friend. if i have to gather all the best detectives to catch his murderer then so be it.”

hakuba goes on to explain.

it was a kid heist. shots were fired. snipers. kaitou kid was caught on camera falling, as if he’d been shot, but he appears a minute later flying away on his glider with not a speck of blood on his suit. all should be well however, a few buildings away in an alleyway, the body of kuroba kaito is found dead. gunshots through the heart and chest.

a simple explanation would’ve been that the glider was a fake activated by kid’s assistant as a last ditch effort to save his legacy and this kuroba kaito was kaitou kid himself. he would’ve said it out loud but by the look on hakuba’s face, he can tell that he already connected those dots long before shinichi even stepped foot in the morgue. that wasn’t what hakuba called him for.

“can i...take a look at the body alone?”

hakuba raises an eye at him but moves to leave without questioning. "alright then. i have to check on another friend anyway. she's been...distraught ever since she heard the news and..." hakuba's words trail away as his eyes unconsciously drifted towards kuroba kaito's covered body. shinichi patiently waits through the quiet pain that he sees on hakuba. the pinch in his brows, the tenseness of his body. he must've been a really good friend.

hakuba shakes his head and turns his attention back to shinichi. "sorry, i...its been a long day. i'll leave you here then. call me if you find anything."

left alone, shinichi carefully zips open the body bag covering kaitou kid's upper body. he looked eerily similar to himself and imagining his own body cold and dead in the morgue sent a shiver down his spine. shaking his head, he pulls a chair close and reads through the file hakuba brought him.

"no witnesses. no camera. not a trace nor lead to anything. just some reports on mysterious gunshots in previous heists that lead to nowhere." they were professionals, whoever did this, shinichi thought. it was not going to be an easy case.

he takes another peek at the body. so this was kaitou kid, huh. too young to be the same as the one before his hiatus. perhaps a successor? motive could be related to his predecessor. his mother hasn't said anything of interest. does she really not know or is she protecting him? he runs his hand through his hair. there's too little information to go on...unless...

temptation rears its head. the source of information is right there in front of him. one touch and it could open up new leads to the case. an immediate disgust twists deep into his gut. he promised himself to never use it on people. to never kill. his father's haunted eyes embedded in his mind. he shouldn't. he really shouldn't. but he remembers the anguished look on hakuba's face. if he was going to do it, this might be the only good time. any longer and his touch would not revive kid. and gone along with him would be vital information to catch his murderer.

shinichi heaves a deep sigh. he has never used his abilities on dead people since that one incident as a child but he couldn't shake off the look on hakuba's face. it was now or never. shinichi reaches for kid's hand.

---

pushing daisies au #1

[br1ghtestlight]

btw. if you even care

[luxurystark-jackson]

sam is like his father. was innocent to the reality of what was going on until something bad happened and he was forced to become a monster he shouldn’t have been, all for the greater good.

dean is like his mother. cursed with the knowledge of their reality, forced to grow up in it and ready to do anything to save their counterpart from anything that tries to kill them, even at the expense of the greater good.

[beartes22]

Season 2 Jayce with season 1 Viktor this, beard Jayce with young Viktor that….fools, all of you. I raise you, season 2 arc 2 Viktor and season 1 Jayce.

[littlefankingdom]

Originally, Bruce and Dick slept in the same bed.

I like to twist this around: Bruce, being a young parent, was VERY protective and worried about his boy who wants to go fight criminals with him, and it translated into him refusing to let Dick leave his side after difficult nights. Dick is hurt? He is sleeping in Bruce's bed. Dick isn't hurt but it was a close call? He is sleeping in Bruce's bed. Bruce just got scared but Dick was fine? He is sleeping in Bruce's bed. Dick is scared? He is sleeping in Bruce's bed. Of course, this led to Dick also refusing to leave Bruce's side when Bruce gets hurt or could have been hurt, so he also sleeps in Bruce's bed on these nights. And, as he grew up in a circus, always moving around, he is used to sleeping in his parents' arms or very close by, so it's normal for him.

So, Dick is often sleeping in Bruce's bed, cuddled up to Bruce. And as he grows up, he sleeps less and less in Bruce's arms, and he supports less and less Bruce's suffocating anxiety. Finally, he stops completely.

Some events make him wants to crawl back in his dad's bed (his multiple SA, the destruction of Bludhaven, the multiple times he thought Bruce died, etc...), but he never dares to. He is an adult now, and he fears Bruce would have a problem with it. Bruce is also not that welcoming toward physical affection since Jason's death (something Cass fixes, but that's another story). So, Dick doesn’t, even when he craves to.

Until Bruce is send back in time and believed dead. When he comes back, Dick just cannot stop himself, he needs to hold his dad, and he is so afraid Bruce will dissappear if he isn't touching him. He is holding him all evening long, and when it's time for bed, Bruce wordlessly goes to sleep holding Dick with one arm, the other around Tim. (Damian isn't close enough to Bruce yet to dare come sleep with them, Cass is in Hong-Kong, but she is jumping on a plane and will join the sleep-cuddle pile, Jason isn't back in the batfam yet but the possibility of losing Bruce scared him so bad, he is going to start to make efforts to not be on bad terms with them)

[pepperf]

Pop quiz, hotshots! Which would you rather have:

A relationship that, when it goes wrong, you can tell the other person that you need a break to reassess your relationship, and they will discuss this calmly, let you go, and then go away and think about what you said, agree that they were in the wrong, and start working on ways to fix their own behaviour;

OR

A relationship that, when you want to leave, they tell you that you don't really want to go, that you're happier with them, that you should isolate yourself from your family and friends so you can stay with them - and when you disagree and tell them the relationship is just a matter of necessity, they start in on your other relationship (which they have apparently decided is the reason you're going back, despite you making no mention of it), telling you that it's broken, that you shouldn't go back to him - and when you tell them to butt out of your personal business, they tell you they're entitled to have an opinion because you've been stranded alone together for a long time...

Is that or is that not what happened? Because I remember Lila making herself pretty clear on these points, but apparently a bunch of people think we should disregard a woman's expressed opinion about her own life, and go with what she's being told. Because Five knows best, amirite? Gosh he's so smart and clever! And he deserves this - he deserves Lila, no matter what Lila herself says. He's owed it by the universe, because he had a bad life.

Lila did have another relationship like that, where she was told what to do, kept in the dark, told that the other person knew what was best for her...and it wasn't Diego.

[fjordfolk]

every time someone in a discussion about breeding for BOAS reduction in pugs says to 'look up this program called Retromops' i slip a little arsenic into the produce section at the grocery store

[anna-scribbles]

do you think émilie agreste knew, on the day she became too weak to leave that house, that she never would again