#-archetype

[bungobble-my-balls]

OK correct me if I'm wrong, but I feel like the main 'yin/yang' parallel with Atsushi and Akutagawa is not something like 'this one is bad but secretly has a good side and this one is good but secretly has a bad side'.

I feel like it's more about 'who they are at their core vs who they choose to be'.

At his core Akutagawa is kind and at his core Atsushi is not. But despite this Atsushi tries every day to make the kinder choices and I love him so much for it. He has to work so hard to be good.

He wants to be a bitch SO bad I know he does but he tries his best to help people and be nice (sometimes he fails but that's OK <3)

Atsushi doesn't always WANT to help people, a lot of the time he's selfish and scared, but he does help people anyway. He keeps helping people over and over again. There's still some selfish motivation to it, and his initial motivation for helping people was because the headmaster told him that's all he was worth, but overall he does care about the people he helps and it weighs on him if he fails to save them. And of course, as the series goes on he starts helping people more because he can rather than because he feels like he needs to.

In Akutagawa's case, he's still capable of being kind but his environment led him into being someone who chooses to hurt people. But he's always been a protector at heart. In the start he was bad compared to Atsushi because he was choosing to hurt people and keep the cycle of abuse going. Just like how Atsushi developed in why he saved people, Akutagawa starts to get redeemed when he chooses to not just act on his rage. Not only does he start to spare people, but he speaks more kindly to them (apologising to Higuchi and telling Kyouka he's proud of her). It all culminates into the moment he chooses to help Atsushi and sacrifice himself for him, going back to his core value of being a protector. Even when he's finally revived, he keeps this role in his new position as Aya's Knight.

I kind of see the streaks of white in Akutagawa and the streaks of black in Atsushi not as their 'hidden sides' but as their fundamental selfs. That's who they are at their core, and their main colours (black for Akutagawa and white for Atsushi) are how they're presented to everyone else and how they try to have people see them as.

[canisalbus]

✦ Bread ✦

[valtsv]

will never understand the misogynistic inclination to pigeonhole every female character into the "exasperated sensible mom friend" role as if there's anything better than a woman so devoid of maternal instincts that she makes wire mother look soft. woman who rolls over and walks out onto the balcony to smoke a post-coital cigarette alone and leaves without a note or any kind of acknowledgement after sleeping with you because she can't stand the vulnerability of sleeping next to someone, or waking up beside them the following morning. woman whose idea of relaxing is abusing substances alone in a dark corner somewhere, and snarling and snapping at anyone who approaches her, regardless of intent. woman so emotionally unavailable she fails or refuses to notice that her lame ass partner is trying to push the divorce papers until they've taken the kids and left a heartfelt but scathing note pinned to the fridge. woman with more vices than genuine friends. woman whose expression stays blank and arms remain limply at her sides when you wrap her up in yours for a hug. woman without a gentle touch in her body, with nothing but rough edges and sharp angles.

[lord-m]

pathetic isn’t really a word I‘d use for colin bridgerton. simon rather dying than marrying daphne was pathetic. anthony going through with marrying edwina until SHE mustered the courage to call everything off was pathetic.

colin contemplating his feelings, calling out his male acquaintances for their chauvinism, seeking advice from his mother and then immediately taking action and putting himself out there without even knowing if his feelings are reciprocated is the complete opposite of pathetic. that requires a whole lot of bravery.

[metanarrates]

you can instantly make a cool female character if you just take any stereotypically masculine character type and make him a butch lady. easiest trick in the book. you can try this at home

[grasslandgirl]

i'll never get over how fascinating eliot's characterization as a hitter. obviously he's trained- military, hand to hand, weaponry, martial arts- that's to be expected. but so often I think in media about like. the Best Hitters in this genre and etc they're characterized by like? not getting hit. they're sooo good that the avoid every punch and catch every kick in mid air and dodge bullets and etc and that's not Eliot at all. he lets himself get punched in the face. he gets kicked and bowled over and uses that shift in momentum to his advantage. he gets knocked to the ground and the guys he's fighting think he's down for the count for only one moment before Eliot Spencer gets back up. because he always gets back up- but that character trait is Only compelling IF he gets knocked down enough for it to MATTER. and he DOES! and his fighting skills- they're not innate, they're not a natural inclination to fighting, its training and knowledge- he can talk about details and styles at length, he can (and does!) teach the others how to take and throw a punch, which speaks even more to his skill and knowledge and ability. he's the hitter because he's been doing it so long. because he fights to survive and he isn't afraid to get hit and lose the fight to win the battle. god. Eliot Spencer. character of all time

[spiritsonic]

watching yu yu hakusho while working did not, in fact, increase my productivity

[firelordes]

my favorite genre of character is icarian sunshine boys who inherited their hearts from the mothers they look like.

[umbrellainkart]

Hey can we talk about Wendy. I’m dying to talk about Wendy. Let’s talk about Wendy. Hey can w

(Hcs and character ramblings under the cut)

[ahsteria]

bitches love me for my deeply tragic yearning concealed with boyish mischief

[bobauthorman]

Every good series has...

...An awkward protagonist...

...A goofy goober...

...A wily elder...

...And whatever this is supposed to be.

[grape-souffle]

[sparrowlucero]

Inktober 1: The Storyteller

(Strum, an ichthyornis)

[inbabylontheywept]

Soviet Birds.

The secret facility that I work in has holes in the ceiling. We don't know how to get them fixed.

We tried asking the government to fix it, once. We told them that the holes in the older parts of the facility had gotten large enough to fit birds through, and that birds were getting through, and that, perhaps, a Soviet Spy could fit through as well.

After all, it is well known that Soviet Spies and pigeons are approximately the same diameter.

Our hope was that that this vague and nonsensical threat would put a little fire under Uncle Sam's feet. If the fed couldn't be bothered to give a shit about the giant gaping holes in the roof of our facility, perhaps they could be persuaded to give a shit about... Soviet Spies.

This attempt at manipulation 100% blew up in our faces.

See, the government does not need to be persuaded to give a shit about Soviet Spies. It still wakes up most nights, drenched in cold sweat, terrified and confident that a Soviet Spy is hiding in their nightstand. If it sees a rock on the ground, it flips it over, pistol drawn, ready to shoot the Soviet Spy it fully expects to slither out from underneath. Which is to say: The government is crazy. So when we dropped those two words - inflitration risk - in the repair request, they came in guns-a-blazin'.

Does that mean that they fixed the roof? Of course not. Don't be stupid. No, instead of performing basic maintenance, they installed a state of the art alarm system throughout the facility - lasers, sonar, the works - and told us to always be on the guard. Because of the roof holes.

Then they left.

So now we had an extremely good alarm system... and birds. Which have combined in incredibly obvious and predictable ways to produce an unending fountain of problems.

For Example: About once a month, someone gets called in by the local airforce dispatch because AAAAAAAAAAA a Spy is in the Rad Lab! We're all gonna die! Except every time, it's a bird. And I get why we have to check, but every time, the dispatcher is panicked and the person going out has to be like listen, listen: It's a bird. It's always a bird. It's been a bird every month for the last fifteen years. It will be a bird next month. All this stress? Bad for your heart.

Second Example: Sometimes, birds get in while we're actually working. And when it's in the morning, you know, it's a nuisance, and it stops testing (we are not going to risk irradiating a bird) but it's not an all-hands-on-deck situation because it doesn't take ten hours to get a bird out. But surprisingly often, the bird gets in riiiiight at closing time, and in that situation, everyone goes feral because nobody can leave until the alarm is set, and we cannot set the alarm while the bird is there, because the bird would immediately trigger it and then we'd have to stay another 4 hours to confirm that it was not a Soviet Bird.

So in order to go home, everyone's top priority is Get That Bird. And we have a system for it.

Step 1: The test stands tend to be located in rooms with 30+ foot ceilings. We can't catch birds in places like that - so we have to lure the bird into the relatively low ceilinged (8 feet only) upper offices.

We do this by turning all the lights off in the test rooms, then putting floodlights by the exits. I don't know why this works - some kind of evolutionary brain fragment shared by both Bugs and Birds - but work it does. The birds almost always follow after the lights. From there, it’s just two guys moving the floodlight and a third guy to turn off the lights.

Step 2: Everyone else has been waiting for this step. There is this long stairway up from the basement level into the offices, and in the final stage, the floodlights are brought to the base of the stairwell to bring the bird up. At the top of the steps there will be a group of tennish people, waiting for the signal. The light guys will set up the final transfer, everyone will tense, and then, swish...a bird will flit up the stairs and into the offices.

It's like watching werewolves on a full moon. Before the bird cometh, we are engineers. Nerds. Pale and skinny things, trembling under the fluorescent lights. After the bird, we are beasts. Feral, gnawing things, glowing under the orange sunrise of the 70's halogen floodlights.

And like all beasts, we cannot help but give chase.

Step 3: The were-engineers begin the hunt. The goal at the start is not really to catch the bird - just exhaust it. So the pack simply does not relent. Because the stakes are going home on time, the group is basically given free reign to go anywhere in the building. If someone's door is open, and the bird goes inside, they're going to have to deal with ten sweaty panting maniacs leaping around their office. They don't get to say that they're busy, or remark on how all this movement is a terrible distraction. They are allowed to sit in silence during the chaos, and perhaps thank the war party for chasing the bird while they sat comfortably on their ass. This has been explained several times, and it will continue to be explained until cooperation is achieved.

Anyway.

The chase can go on for quite some time. Sometimes, the bird will get tired and find a crevice to hide in, where it can then be reached through standard cornered-bird catching techniques.

Other times, it will slow down enough that someone can actually yoink it out of the air. But this will go on until someone catches the bird and triggers Step 4.

Step 4: The Finale. This is the get-the-bird-out-of-the-building stage, and it requires someone to adopt a specific role: To Become the Sacrificial Vessel of Bird Removal.

This job is both coveted and feared. It's coveted, because holding a wild bird in one's hands is a precious thing. To feel how small, and fragile, and scared it is, only to free it from the building? That is what it's like to be a benevolent God. But the cost! Oh, the cost. The entire time the Vessel is in motion, the bird will be biting the hell out of their fingers. And I cannot emphasize enough just how painful bird bites are. Their entire face is a set of needle posed pliers, and they know tricks the even the cartels haven't figured out yet. So there's always a little hubbub about who shall be The Vessel while onlookers, stranded outside The Office of Bird Capture, can only look on. Quiet arguments and pleas are heard, little fragments of fear and pride and glory trickling out of room like the silver dust left behind in a bag of well shook quarters. The sound of concensus is silence, and the argument will go on until that's all that's left. And then, from the darkness of the final office, the chosen sacrifice will step forward: Hands gently cupped, tears streaming down their face, fingers trembling from the pain of the ongoing bird chomps.

And this scene is what organizes people. Not leadership, not truly. No one can think and coordinate a crowd while their fingers are being attacked with a combination nutcracker/ear piercer. But the crowd sees the suffering of their annointed, and it is driven to do everything poossible to make the process flow. People instinctively flair out, finding the fastest path outside. Doors are held open. Paths are cleared. Someone, somehow, always knows the way forward and can describe it to the sufferer. Left, left, forward. Corner closet. Yep, there's a hall in there. Forward. Two-hundred more feet man, you're doing great. Just hold it together a little longer. You're killing it.

Then the final door swings open, and the bird flees out into what remains of daylight. And yet, even here, the deed is not yet done. I cannot explain it in words, but the crowd that helped is never content until they can see and speak on the Bird Vessel's wounds. They all have to pull the fingers back and see what was given. Estimate the price: One day to get better - No, three - No, a week! Are you blind? Do you see that blood blister? -Yeah, that's not going away anytime soon - Damn, can you believe how feisty those things are? Like wolves without teeth.

(They cannot help but touch as they go. It has always been this way. Even Thomas was not content until he felt the wounds in Christ's hands.)

Only when the last of the helpers has seen, and commented, and commended, will the engineers scatter. It is their return from the underworld that announces to the sun living surface dwellers that they too can go home. (@somerunner tolja it needed to be a post.)

[prokopetz]

I think the biggest thing that's helped me to stop being annoyed by odd charactersation in fandom media is realising that much of it isn't really about its ostensible source material. It's basically a bunch of nerds re-inventing the commedia dell'arte from first principles. You've got roughly a dozen broadly sketched archetypes with pre-defined roles, and while they may appear in guises taken from popular media, it's really always the same "characters" in a variety of masks. Sometimes the Grumpy DILF wears a Bruce Wayne mask and hangs out in the Batcave; sometimes the Grumpy DILF wears a Luke Skywalker mask and has telekinesis; it doesn't terribly matter what Bruce Wayne or Luke Skywalker are "really" like in in their respective source material, because the persona is just a framing device – this week the Grumpy DILF is a superhero, next week he's a space mystic, and so forth. What will the Grumpy DILF be next?

[causalityparadoxes]

The fact Rogue didn't push the button while kissing the Doctor. It would have been so easy. In character for what the Doctor might expect even. He's the Rogue after all, the classic morally dubious role.

I think with that quiet 'no' the Doctor was expecting him, maybe even asking him, to take the decision out of their hands. To press it for them. Then they'd both have the fresh pain of losing someone and could go on to travel together.

But the Rogue isn't into cosplay, he isn't playing a character. So instead he puts the Doctor's happiness with Ruby above his own life, and above a life with the Doctor. He pushes Ruby out of the way, taking the controller with him so the Doctor still doesn't have to choose. That sad, cheeky, rogue-ish grin as he does it. Its just so unbearably sweet