Idk.. this is kinda going off of that last ask you responded to but like. The last time either of them saw each other (or at least that we know of) was when they were at their absolute worst. It’s just so sad that neither of them got the chance to prove something to the other in any way. Ho16 was a major set up of them tearing each other apart while being undeniably obsessed/infatuated by the other behind closed doors, only to never properly discuss this mutual connection they have and maybe even hash out WHY they felt the need to do the things they did. It’s not only closure for the recent events involving the burger van, but everything that came before that they never got to talk about.
Yeah. Yeah, I'm totally with you anon. Handshake emoji. The entire Paradise arc was about Wilbur chasing after the rush of being alive, of feeling alive. The sprint up the steep mountain, to feel the air in his lungs, to feel the blood pumping in his veins, to feel human again after 14 years of nothing. It blinded him, this chase. His rivalry with Quackity. And the end of The Wilbur Van was the top, the "Wilbur felt alive," the peak so high he couldn't fucking breathe. The euphoric rush came crashing down, he’s alive and it is ugly. He's alive and he's doing harm, he's hurting people, he's become so focused on his goal he hasn't realised the consequences of his actions. That was the point Ranboo made, jumping off the pressure plate. Showing Wilbur how frivolous this whole thing is.
That whole scene, it was raw and harsh and it's abundantly obvious that the things Wilbur and Quackity spat at each other came from their own insecrurities. And that fist fight—it should have been a turning point. And I mean, it was a turning point in Wilbur's arc. But it should have been a turning point in tntduo's arc, in their relationship. It should have changed things. What it shouldn't have been was an ending. Yet it was. It was, and no matter what non-canon stream they do now, it doesn't change that fact. The Wilbur Van is tntduo's last canonical interaction.
In an ideal world, an ending should add to the story. It should create a new lens with which the audience can look back on what has happened. Reengaging with a piece of media after knowing how it ends should be exciting. You should be able to point out all the details and themes that then culminate into that ending, the parallels and setup and foreshadowing that built up into the satisfying payoff. And I understand, I really do understand that this is the fucking Dream SMP. This is a silly little minecraft roleplay and I'm taking it way too seriously. Except that... Wilbur wrote out this entire arc, right?? His pre-revival arc was so fucking wonderful, with such a fantastic finale in Nov 16. I just... I don't know. I feel a little bit lost, really. Maybe it really is just that my expectations were too high. That I was doomed to be disappointed no matter what. Except that... my expetations really weren't very high. All I wanted was something. And I don't think we. Got that.
I can't even point out any specifics, because their two finales were just so completely seperated. Absolutely no overlap (in events, not locations ofc), even though so much of the Revivedbur arc centered around Quackity. I'm very much aware that they are individual characters and not EVERYTHING has to be about their relationship, but. It really was still a very big part of things. And y'know. Something would have been nice. And... yeah, I think I'm talking a lot more about Wilbur than about Quackity now, simply because so much of Revivedbur's arc centered around Q, and we always saw it from Wilbur's POV, whereas Quackity's lore streams have always been focused on a lot of other things. NOT TO SAY that cQuackity wasn't invested in their rivalry, because there's so so much proof that he very much was, but y'know. I am talking about cWilbur now when I say that... his finale put such a terrible spin on the entire Revivedbur arc. Both the burger van and the apology tour... the first ended in a peak that got absolutely no closure, and the second ended in what amounted to one great bit gotcha! moment. And that just. That really fucking sucks. Looking back on the entire arc is kinda just. Sad. And a little bit hollow.
Anyway. That's what fanficiton is for!! Giggling and kicking my feet and writing more of Red Flags.
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You don't wish your disability was worse or more visible, you wish your disability was taken seriously. Please stop confusing the two, I guarantee you would not get the support you need JUST by being more severe or more visible. Please listen to visibly disabled people when we tell you it isn't better on our side
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🏃♀️Hi hi I'm reopening my commission again since I am in the middle of my final year project and I needed funds to support my art project _(:'3」∠)_
*also if you see my previous commission post minutes ago, please disregard that I put the wrong info there ;w; Also appreciate if you guys delete my previous post too if you reblogged it 🥲
Please take note that since I am in the middle of my final year and I also have 3 pending commissions to go right now, I only be able to fully commit to this slot around the end of July!
SLOTS TAKEN: 2/5
*Taken slots will be updated from time to time!
‼️PLEASE READ MY TOS AND RULES BEFORE YOU DECIDE TO COMMISSION ME!!‼️
🔷️My TOS, art samples and additional rules/info can be read on my carrd here.
🔷️No rush orders will be accepted as I am currently in the middle of my final. If you need an estimate for commission turnarounds please refer to my Trello! I date stamp all of my progress from start to finish! Please commission me only if you don't mind waiting for me!!
I'm also posting my art samples (personal art) undercut!
And as always, reblogs are highly appreciated 🥰💕💕
🔷️Please DM me if you're interested or have any inquiries regarding my commission!
🔷️There’s no pressure at all if you don’t want to reblog/share but I greatly appreciate it very much if you do
🥺👉👈Reblogs are definitely very much appreciated 🥰💕💕
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please don’t be sad little sprout, you are loved 🌱 🖤
🌱
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Bruce is actually really attractive, and I have enough reasoning to make a list
He's:
Tall (. Tall enough to hit his head on the vault doorframe)
Long-legged
Has a straight nose bridge
Has high cheekbones (more noticeable in 2nd pic below)
Has a strong jawline
Sharp eyes, but they aren't small (plus eyebags if you're into that)
Overall, he has strong, attractive facial features
Has broad, refined shoulders. You can tell he works out (or he did, when he was alive)
Even has a thick, muscly neck
He has MUSCLE. Is SCULPTED. NOICE. VERY NOICE. (nice arms. Nice shoulders. Nice neck. Nice legs. Nice butt-)
(There are actually panels where you can see some of his muscles. Other than those already shown here, he's got bricky thighs-
-and in the panels where we first get his name dropped, he's got those shoulder blades too-)
The one time we see him smile, and he actually has a scary one
Has small, kinda sharp pupils, and his eyes remind me of a cat. We only ever saw him tense or defensive, so his resting/listening face is really cute
Other than the physical appearance stuff, he also:
Takes shit without batting an eye (patience, knowing it's just how Kudo is, etc)
Kudo being all "Cut the crap Bruce and give it to me straight", after Bruce tests his blood and is rightfully Concerned because they just faced AFO
Put up with Kudo's experimenting and testing over Yoichi's transferable Factor
Did ya'll see the look on Kudo's face when he realized he had Yoichi's Factor/will? Kudo was going to start in nonsense and Bruce just dealt with that.
Also something I noticed when looking back at the images here; Bruce has bandages on his arms in the void. But not when he faced AFO in the sewers.
Were he and Kudo cutting their arms open in their experimenting over Yoichi's theory? Is this why Kudo has two gauntlets instead of his one? Why we never see his bare arms in the void? That he always keeps his arms down so there's no slip?
Is smart enough to run blood tests, plus has enough common sense to pick Shinomori as his successor
He picked a guy who avoids society, has an Ability to detect danger so he can always stay away from AFO, is also a coward so he's never going to go throw himself into danger, even without knowing instinctively he stands no chance, etc.
Meanwhile, Kudo chose Bruce, who he played Hot Potato Yoichi with; but he did also trust Bruce, and put the only pure combative Ability in OFA through Bruce.
These two made their choices based on what they valued and saw the Factor needed.
Is logical, analytical, and calm.
He tried advising Midoriya on their Abilities in One For All, especially his own.
Midoriya then tried ignoring him about using Fa Jin for the first time, but found he was right, thinking: "Dammit!! I had [Lady Nagant] right where I wanted her, but... ugh! The Third was right. My parallel Quirk processes are all screwed up!" (ch. 314).
Plus, when Midoriya fixed his processing mistakes, Bruce was analyzing the way he reached his new conclusion. Pure facts, no bias, very calm, just saying it as it was.
We never see him panic. When he's caught by surprise in the sewers by AFO, Kudo, and Yoichi's little bubble event, he immediately reacts. He doesn't falter, he just knows he has to do something right now.
Was more willing to listen than Kudo to Yoichi's beckon, and probably was just following Kudo's rejection of Midoriya
While we don't see Kudo's face, we see Bruce's eyes when Yoichi calls on his heroes. Bruce was more open and receptive, or at least more impacted.
Bruce was also the one to start talking, while Kudo just kept quiet.
He actually communicates a lot
When Yoichi called them to support Midoriya, Bruce started talking to paint a picture of why they thought the way they did, so Yoichi understood where they were coming from.
(Though he seems to beat about the bush sometimes, since Kudo spoke up to be direct on how they couldn't just put their trust in some starry-eyed teenager. Plus, when Kudo tells him to just tell him what's wrong [double Factors])
When Midoriya first used Fa Jin against Nagant, Bruce came out just to tell him he knew what he was trying, but that Midoriya wasn't ready; and Midoriya found he was right. Midoriya just didn't want to listen to him then.
He asks Kudo for clarification after finding Kudo had two Factors in him after the sewer incident ("Just to be sure, All For One didn't touch you, right?") Kudo knew him well enough to go "stop beating around the bush and tell me", so Bruce was probably gonna start with questions, theories, and trying to understand everything in general, before saying "yeah you have two Factors. Don't know why".
Is strong-willed and loyal.
He followed Kudo, even to death, carrying on the cause he started until it ended with him.
Plus, when talking about how AFO needs a strong will to override OFA's own, we first see Bruce, Kudo, and Yoichi.
AFO couldn't steal OFA because the will was too strong for him, and that was back during Banjo's time. Since Shinomori never actually tried opposing AFO and just hid, we can assume the first Three (Yoichi, Kudo, Bruce) already had an accumulation of strong willpower that made OFA un-stealable. Those three are a strong enough foundation, and the main wills, that the other users just become bonuses.
Kudo, also saying that Midoriya needs allies with the same will and drive as him... hey Kudo, you're talking about yourself and your old allies, aren't you? That's why you look at Yoichi and Bruce when you say this.
Not only is Bruce attractive, but he's got good character. THE END.
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stacy is sooo interesting because she's in love with house but knows that they will never ever be able to have a healthy, stable, sane relationship because they're too similar so. she finds house-lite instead and marries him and. essentially moves on with her life! and is successful in this because she's a moderately well-adjusted person!
wilson, in contrast, never manages to escape the inevitable, in spite of his best efforts to find a house-lite of his very own, because he's an absolute fucking freak and ends up glued to house to the bitter. bitter end
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The Weylin twins forget to do their job because they're too busy watching every single SAW movie in one sitting. It's like a baby sensory video to them.
Shoutout to the guy on ebay whose listing photo I stole for the second panel because I didn't want to individually draw those DVDs. You'll never see this but I appreciate you.
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sorry everyone, I'm very much alive 🏃♂️
sorta homeless, staying with a friend. got a house in my name from the 19th onwards so that's chill! chronically ill, too fatigued to do a lot of things but I'm trying 🤟 kind of accepting that I'm joining the disability club.
trying my hand at art again, but very very slowly easing back into it. appreciate those who reached out to me <3
thinking about you all. missed my moots :)
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The worst part about trying to figure out what Crocodile's deal is that because he's so fucking irredeemably evil in Alabasta... Like... Yeah he's just irredeemably evil. Like I love him but he did cause countless casualties, a ton of pain and suffering and literally attempted to blow up a million people
Like no amount of theoretical "trying to do it to save his son from the Government" or "trying to stop the Government from hurting anyone else" or just "doing it for the greater good" is going to make him any less of a mass murderer
But also Robin absolutely 100% helped with all of that shit simply because she wanted to read the Poneglyph for herself.
No amount of her intending to betray Crocodile from the begining and sabotaging his plans erases the fact that Robin also caused countless people to starve to death and die in the civil war. Her sabotages only succeeded out of sheer luck, and only spared the lives of the people at the final battle. She has the blood of countless innocents on her hands. Because she wanted to read history.
But her crimes were swept under the rug because she has a sad backstory and her sabotages worked out just at the nick of time by sheer dumb luck
So Croc??? Just??? Is there a chance??? At all???
But also he did literally intend to sell Buggy into slavery
Like, fuck Buggy, but jesus
What's also killing me is that we like. Don't know what Luffy thinks of Crocodile right now. Which really is like. The thing that will decide how we, as the readers, are supposed to feel about Crocodile. Luffy is our POV
Like we don't know what Luffy's opinion of Crocodile is after he helped save Luffy (and spared Ace once) during the Summit War. Like Luffy clearly fucking hated the man in Impel Down and the two interactions they had during the War weren't like positive (in the sense that Luffy himself didn't think of the interactions as particularly positive. Defending Whitebeard from being attacked once and then being like "wait what HIM?!" when Crocodile defended Ace. To be fair, in the midst of the chaos, there wasn't much time to spend on Pondering On Such Things because Ace needed to be saved, and Oda goes out of his way to not show us what's going on inside Luffy's head, because it's all meant to be out in the open anyways. Regardless, these weren't like "yay it's Crocodile! :)" moments for Luffy is what I mean)
But also Luffy was very grateful of Law for saving his life and was willing to put his trust into Law for their alliance- of course, they weren't explicitly enemies to begin with, rivals at most, but still. Luffy respects those who help him.
But also Luffy grew during the timeskip. Like he's not that clueless anymore (like he finally understands Hancock is in love with him etc), and similarly Luffy gets that Buggy is an absolute loser now. But also Buggy did also help save Luffy's life (even if it was by accident), and while IDK if Luffy is aware of that, I don't think that helped improve Luffy's impression of Buggy
So like. The fuck does Luffy think of Crocodile, at this moment? Even with the Cross Guild reveal, he didn't even really comment on Croc and just focused his energy on being confused about Buggy being "the leader" of CG. IDK it feels almost intentional or something, that we don't know what Luffy thinks?? Especially since we did get Zoro's opinion on Mihawk in the situation?? Or am I delulu??
(Sidenote. I'd love to know what Robin would have to say about Crocodile helping save Luffy's life. What Jinbei might think of the final words Crocodile left him with before blasting them out of Akainu's reach. But mainly just Robin's thoughts)
Like IDK my best guess would be that Luffy still hates Crocodile just the same but is like grossed out by technically owing him one??? In the classic
-kinda way, you know? And that he'd be just kinda confused about it?
Because I can't fucking imagine Luffy being like "oh we're cool now" with Crocodile, let alone "Yay Crocodile :) He saved my life!". But also like. Luffy does kind of owe Croc one. Kind of. And Luffy is usually very respectful of that kind of thing. Aaaaaaaa???
(Also does. Does Luffy even know it was Crocodile who yeeted him and Jinbei out of Akainu's reach to begin with. 'Cause he was unconcious. Knocked the fuck out. Does. Does Luffy even know. Did anybody tell him???)
I just.
There's the reasonable part of me that knows Crocodile is an irredeemable evil dickbag and everything he has ever said and done up to the most recent chapters support that. He is too far gone.
And then there's the absolutely delulu part that loves a tragic villian who gets a heartwrenching redemption that's looking for any fucking sign that could indicate Crocodile could maybe be one
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I've been thinking about the tragedy of Elizabeth Woodville living to see the end of her family name.
I don't mean her family with her husband, which lived on through her daughter and grandson. I mean her own.
Her sisters died, one by one, many of them after 1485. When Elizabeth died, only Katherine was left, and she would die before the turn of the century as well.
All her brothers died, too. Lewis died in childhood. John was executed. Anthony was murdered. Lionel died suddenly in the peak of Richard's reign, unable to see his niece become queen. Edward perished at war. Richard died in grieving peace. For all the violence and judgement the family endured, it was "an accident of biology" that ended their line: none of the brothers left heirs, and the Woodville name was extinguished. We know the family was aware of this. We know they mourned it, too:
“Buy a bell to be a tenor at Grafton to the bells now there, for a remembrance of the last of my blood.”
Elizabeth lived through the deposition and death of her young sons, and lived to see the end of her own family name. It must have been such a haunting loss, on both sides.
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I decided to start talking about Wick and Rocky's relationship because I like their dynamics too, I like seeing Wick scared of Rocky and Rocky being aggressive with him, which is unusual because Rocky is rarely aggressive with anyone, but of course Wick is an exception to rule
Also my mini opinion about their possible relationship, I think that if Rocky didn't have to fight for his place, then he and Wick could become friends, or at least tolerate each other a little, I also see some superficial similarities, their gentlemanly and romantic natures, and their common love for explosions (remembering the quarrymen chapter), but this is my assumption, I think that I don't understand the characters' personalities well, so I can be wrong in this assumption, something like that. So, what do you think about their relationship?
for starters, i cannot thank you enough for this ask! as i’ve said previously, i have many thoughts on these two, so it’s nice to finally be able to share some of them. although given the extent to which i think about them, i apologize in advance if this is sloppy and sort of everywhere … while i’ll try to structure things the best i can, i cannot promise i’ll succeed! but hopefully this is an enjoyable reply nonetheless.
one of my favorite things about rocky and wick’s relationship is absolutely how aggressive rocky is towards the aristocrat ; he is prone to glares and cruel jokes and borderline hissing whenever the man is within his line of sight, or can be brought to a wailing-fit over the mere mention of his name from miss m’s mouth. there is a childishness to it, but a very prominent threat as well in spite of rocky’s usual incompetence. so he goes out of his way to posture around wick, readily lying and adorning himself with the gangster drapes he so badly wants to wear, in the hopes that it intimidates … will even badmouth wick’s family and make fun of his name and rock related obsession to mitzi, and so on so forth! yet all of this is very reminiscent of schoolyard bullying rather than anything too severe, though we as the audience understand rather quickly that rocky would bash wick’s head in with a tire iron if he could. ( translation : if it wouldn’t earn the tears or hate of a certain beloved mitzi may ) and it’s all very intense despite the absence of actual violence! and i understand why many fans see this as unusual for rocky and believe that it’s only wick who makes him act so aggressively, but i’d argue it isn’t really wick at all that prompts such scary reactions from him … and that rocky is a deeply angry character who’s a.) been boiling quietly for a long, long time and b.) has turned wick into a punching bag of sorts for this inner world of resentment and hurt. basically, when he’s judging the well-to-do or poking fun, his eyes don’t look at wick and actually acknowledge him as sedgewick sable ; instead this is a being, something vague and metaphorical, who threatens to upseat rocky’s permanence in the lackadaisy and steal away his savior, and he’s had a hand in the violinist’s misfortune for a long time.
obviously, rocky doesn’t think wick robbed him of his family twice over and made him homeless, but he is channeling the fear and anguish of those events into his loathing for wick, if that makes sense? it’s easier that way -- to finally have an outlet for everything bleeding inside of you, to be able to bite and claw at something without feeling conflicted or having to take personal accountability for your own mistakes … which is something that i think rocky does struggle with to a degree. he is sort of a finger pointer! his pain has to be worth something, it has to be for someone else ; spending years homeless and losing his last bit of family was for freckle, and the scrambling of his literal brain was for mitzi, and that means he can’t ever be angry with them! well, except that he is, somewhat, but he buries it deep down instead of feeling it. with freckle there is a sense of strain between them -- an air of ‘you owe me’ from rocky to freckle as he uses freckle to appease miss m, and he constantly pokes fun at his cousin too. it’s lighter than his jabs at wick, but there’s a constant pestering, a reminder of how good freckle has it : how he’s got the mom and the house and the job and the girl most notably. i don’t think rocky is intending to come across as mean, and to his credit he hardly does! but it’s rather clear to me that some part of him, some hidden and deeply hurt part, is rather indignant about taking the fall for freckle all those years ago. which he can’t understand, because how could he? he made that choice, he decided to take accountability for something he didn’t do because he loves freckle and knows it’d be so easy to believe this family tragedy was roark’s fault ; the devilish child he was, all troublesome and too broken to properly fit anywhere. so there is a disconnect born here, where rocky can’t comprehend that he’d be angry at freckle, so instead these not so great feelings are placed elsewhere and silently boil over time. and with mitzi … i don’t think he’s angry at her per se, but there is a frustrated and desperate chorus of : why him and why not me, when i’m the one out here dying for you? which is certainly unpleasant. of course, rather than allowing those feelings to be more aimed at miss m, whom he feels unloved by, he ( again! ) represses these emotions and allows them to fester into his greatest fears and fantastical complexes. i think there is a lot of other miscellaneous anger he could have towards others too … perhaps some part of him is sore upon seeing ivy’s normal lifestyle, watching her go to university and knowing that’s been taken from him. or an ache felt when hearing stories from zib and the band and how they used to travel successfully, living as nomads, and rocky is all too reminded of his similar lifestyle and how he couldn’t make it work as effortlessly. people with immense trauma are more prone to irrational anger and jealousy, to viewing everything around them as unfair and believing it’s even more unjust that so many people get to live comfortably while they’ve suffered. a situation that gets more messy when you’re someone like rocky, a man who’s willingly made choices that have harmed himself and wants to continue on with his smiling, bumbling fool of an act. he does not want to be angry, does not want to see it within himself, i think, which leads to an accidental increase of it.
all of this is to reiterate that wick is a scapegoat for rocky and nothing more. it’s why he’s rather hypocritical whenever it concerns the man. for example, it was stated by tracy that he looks down upon wick for his excessive presence at the bar, yet he appears to enjoy hanging out with zib -- who drinks just as often! he makes fun of how all wick ever talks about is rocks, when he himself is prone to poetry rambles that people find irritating or boring, and etc etc. this is also just a human nature thing, to critique someone you heavily dislike and even going as far as to belittle things you love or do in your own day to day because you just hate them that bad! but given rocky’s willingness to befriend anyone, it more so reeks of a dehumanization element. wick is every obstacle in his way, every divine force that threatens to send him packing again, so he is equal parts unnerved by wick’s presence and angry about it. it is mostly a fear response we are seeing, an emotion that’s morphed into long held resentment and anger. so his actions are extremely defensive, with him trying to push wick far away and keep him and mitzi separate, like some sort of animal attempting to ward off a threat that’s come too close to their home. despite the loaded animosity there, this hate has hardly reached its peak … but it shall only grow more intense as things continue onward i’m afraid, since as it stands ( in the comic at least ) rocky is at an all time low … and is ten times more desperate. i’d honestly say wick has become so warped in his mind’s eye that he can only strive towards ‘winning’ over the other man, because that’s all he can see anymore. i think mitzi implying that wick willingly helped her out, the intense head injury, and rocky’s fragile emotional state is exactly what pushes him towards premeditated murder in look-see. i don’t know how people perceive that arc, but to me it’s very clear that rocky actively sought to see the deaths of wes and fish that night. going as far as to lament that he’d be, “very disappointed if ( he ) dreamed them,” and purposefully luring the marigold duo away to have freckle pick them off. while you could argue that this was a smart move, in a gangster sort of sense, there’s still no denying that rocky is oddly chipper about the whole thing and is now seeking death out ; whereas before his methods of vengeance were just, well, ruining people’s livelihood but ultimately leaving them alive. this isn’t to discredit the fact that rocky is going through something! he is in a very muddled and dark place, mentally and physically, but even tracy has said that the head injury hasn’t changed rocky’s personality -- it’s only brought things to the surface.
source : q&a with tracy .
which, yeah! makes sense! head trauma can cause a person to become a wreck emotionally ( think mood swings, irritability, etc ) but it doesn’t completely morph someone either. personality changes may occur, but it’s not like you’re being rewritten entirely, you know? and given tracy’s old statement, it’s clear that ‘personality changes’ aren’t a side effect he’s suffering from. something that adds to my beginning statement, which is that rocky is a deeply angry and troubled person, more so than fans give him any credit for.
however, to touch upon your mini opinion about these two, i actually wholeheartedly agree that rocky and wick could become friends if circumstances were different. they do in fact have many superficial similarities, but one of the more prominent things they deeply share is never really belonging in the groups they frequent. this is more overt with rocky’s character, yet wick faces it too in subtle ways. the well-to-do crowd, seen through the investors, find the gentleman to be lacking in about every place imaginable ; to them he is an obsessive freak who cares too deeply for meager rocks, something they constantly mock him for, while he’s also being noticeably set apart from the rest of them … he seems younger than the investors, more excitable, passionate, and a little less experienced, and doesn’t seem to care for money or reputation as much as them either. there is a constant rubbing between him and them, where what he enjoys is seen as wrong, such as his love for the lackadaisy and his choice in paramor, a grieving widow with extremely dangerous ties. we also know that wick doesn’t have many friends at all, with the only two he has being lacy and church ( church is listed as such on his character profile, in a sort of tongue-in-cheek way ), both of whom work for or with him. they are obliged to hang around, and while they care in varying ways, they are prone to judging him just as much. honestly, it’s not shocking that wick seeks refuge at his chosen speakeasy! but even there he is rather distant from everyone else. he doesn’t speak to zib ever in the comics, nor seems all too close with viktor, ivy, or horatio … it is merely mitzi he is close to, even if he knows of the other people who work there. and, once again, wick very obviously doesn’t fit in. he is not gangster material, could never be an atlas may replacement, much less someone who could get his paws dirty in such an active way. so he has his feet in two different worlds and doesn’t know how to fit into either of them, or which one he actually wants to fit into more. i think in many ways rocky could relate -- these are two very lonely people who wish to belong somewhere and be accepted by some group or another but go about it in all the wrong ways. wick, who is too hesitant to fully commit to what he wants and is worse off for it, and then rocky, who obsessively throws himself against what he wants until he breaks every bone in his body. they also have explosives to bond over, lol, and other miscellaneous things like their taste in women i suppose … but this potential bond adds to the tragedy of lackadaisy, where we see two people who on every level should get along but we’re burdened with the knowledge that it’s an impossibility anyway, because there’s no removing the circumstance of which they’re in.
though i like to believe that despite wick’s fear of rocky, he maintains a kindness towards him regardless. i think his worries about rocky are rather surface level … he doesn’t know the boy at all, really, and thus can’t make heads or tails of him, hence him believing the lie in balderdash. so when i’m feeling particularly self indulgent, i like imagining a world where they’re forced together and sort of ‘stuck’ together ; to which rocky finally breaks and exposes his wounds to wick, in every sense of the word, and wick finally gets him. the aggression, the possessiveness of mitzi … it is all fear and desperation and a profound sadness, things he’d sympathize with. if rocky was able to explain that he loathes wick because if he saves the lackadaisy then mitzi won’t need him anymore and that it’s not fair that wick gets to so easily fix things when rocky would give his soul for his home, for her, and how wick could render every sacrifice he’s already made for naught by smoothing things over with some greenbacks and he can’t lose this, he just can’t --! … which, well, wick is too kind of a man to be able to do anything except feel awful, even though it’s not his fault at all. here we have two people who could coexist! and they should, since rocky logically can’t do every speakeasy job ( band member, rumrunner, mitzi’s shadow, also the guy who gets the money for the hooch ) by himself, just like how wick can’t save the lackadaisy with only his cash and limited booze stash. it’d be a joint cooperation, a collaboration between them, both equally important in the grand scheme of crime’s every turning wheel … but rocky’s rage and fear won’t let him see that, and likely never will. still, in scenarios where everything ends up alright for the lackadaisy and the people involved in it ( which is not how canon will go, by the way ), i fancy wick and rocky getting better within their relationship. rocky will always be prickly and quick to upset around the other man sadly, but perhaps he could see wick in a softer kind of light. or at least understand vaguely enough that he isn’t out to get rocky, so to speak. and then maybe wick learns that pancakes soothe rocky’s ire and poorly makes them anytime he wishes to talk to the man, and other fun things like that! but you should have more confidence in your character analysis skills, because you were spot on ( at least in my eyes ) about them potentially getting along if things were different. it’s certainly a fun aspect to play around with, and is important to note when discussing their relationship so you can fully understand just how warped rocky’s perspective on things are. and how unstable and traumatized he is too, of course </3 sidenote, but i also hope that throughout everything i’ve said here, or anything i’ve said before on my blog, that my love for rocky and my own sympathy for him comes across well enough. while he’s deeply flawed and i have no qualms discussing said flaws in depth, i also don’t think of him as some insane freak who’s evil at his core or anything like that. honestly, i adore analyzing him so much as a character because of how far down his issues go! he’s very well written, i’ll say, as is wick and many of the other characters, but i digress.
once more, thank you for the ask! i’ll end this here because i fear if i don’t i’ll start going in circles, since their relationship is so vast and very important for rocky in a character sense. hopefully i shed some more light on it though! i love these two to bits and pieces and i wouldn’t be half as invested in lackadaisy if their dynamic wasn’t so monumental -- at least to me.
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Very interesting that Cotl official twitter called the goat a ‘dark reflection’ of the Lamb…..because the Lamb themself is already a subversion of what connotations lambs and sheep have in a lot of societies: purity, meekness, submissive/natural followers etc etc…..The Lamb has been shown to be cruel and unconcerned with objections to their cult leadership and the unsavory things they do (outside of punishing those who do object), thwarting expectations of what a meek little sacrificial lamb should be, so I’m unsure what they mean—is it just aesthetically? What is the Goat capable of doing that the Lamb isn’t? Is it just attitude-wise?
The Goat, however, is an animal often maligned and associated with the occult, shadowy pagan tendencies (this, however, is primarily part of wider Christian oriented views. Other religious and spiritual practices will vary) and viewed as troublesome. If their subversion were to follow along thematically with the Lamb’s, I would expect that despite the Goat’s rough attitude and penchant for destruction, they would be more clear-eyed about the nature of the Lands of the Old Faith. Maybe not necessarily an absolute “good” person, but at least recognizing the harm they are committing and the rationalizations behind it, and perhaps disinterested in power unlike the Lamb. Idk. I just find these things #interesting
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wait, that elias?
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