#and also the episodes don't have all the context apparently???

[jacksintention]

.

[l3monlem0n]

Some Murder Drones Episode 7 screenshots I thought were interesting and my thoughts on them :>

SPOILER WARNING!!!! is spoilering

Nori, despite being a middle aged woman with a child, appears to be an Otaku or otherwise likes "edgy" and "scene" stuff, as well as listening to nightcore, very much like her daughter. Good for her tbh you're never too old to have fun

She also has a photo of Khan and what I can only assume is baby Uzi, though it appears to have blue eyes, but maybe it's just the lighting. Still very cute she has a pic of her husband

As well as all the previously mentioned Otaku stuff, she also drew herself as an anime character. She has a skinsona. Phenomenal (pos)

Nothing much here, just Uzi coughing up blood. Girl got the goop (gore) inside of her already

Lab Space. Apparently the Church was just down there and not even the humans know why. The canonicity of this is questionable; it could just be a joke

OT, as per google, stands for "Occupational Therapy". Makes sense for the context, and makes the bottom text funnier

"Fun Time To Universe Big Crunch: 87". The Big Crunch is a hypothetical way the Universe could end, where the universe folds on itself and shrinks into a single point. 87 "what" I don't know. If it's months, that 7 years and 3 months

Honestly the Murder Drones lore is super confusing. I think what this is trying to say is that every other Zombie Drone is doing poorly, (Except for Yeva), they are trying to reactivate 002 (Nori) via the USB. I'm not sure what this means. Maybe they only got the results they wanted from the two of them, and are trying again with Nori since she was the only other one that worked (also why they got Yeva when she failed; this may all be referring to how the episode opened up) Also, the date says SER. As revealed in the episode Cabin Fever, Copper-9 has months that Earth does not. SER most likely stands for Seramorris, the month revealed in that episode

Looks like the "bad event" wasn't the first one. Certainly was the last one though lol

Just a good pic of ghost/hologram V with the scary stuff. Might use this as a wallpaper

You can literally see the hole in his neck where N bit him in...

...And it's to the point his HEAD FALLS OFF. (including because I didn't notice the first time around)

Yup, the idea that Uzi became the Admin for N and V is completely true. I wonder what would've happened if she didn't, since Cyn didn't react whatsoever

friggin bug (very pos)

You would not believe how difficult it was to get a good pic of this (I'm using snipping tool lmao). Always a pleasure to see Uzi's doodles. Things her gun can do (upper right):

NOT judge her

Forced prom date (?)

Allows her to say she had friends before she frickin murdered them with sci-fi machinery

The cut off text at the bottom: Plan B: Normal gun + Shoot really fast

This is while Tessa is looking for something in the lockers. Claws, chains, magnets, Wings, and scribbled "HELP". Looks like the lockers were all specifically to hold the infected worker drones. Oof

We are in the future now baby. We have rererererereCAPTCHA. Funnily enough, it still couldn't stop a robot

There is a message board where someone who doesn't like robots is talking. They also are scared. Also no one else is using this system, which is unsurprising. "Ur aight ;)" Wait is the winky face intentional foreshadowing? Or unintentional?

We get the names of a bunch of other Worker Drones. Unfortunately for all 029 fans, her name was not visible. (also can someone tell me what "JWEB" could be short for?) And Yeva is said to have a patch. That may be the crucible thing idk

Cyn (which I will be calling this version Skyn [Skin + Cyn]) apparently took of the space suit just to give Doll the Withered Foxy jumpscare. Honestly really terrifying. If this photo was teased before release I think the fandom would've exploded

Just N being a good boy :3

The MDs, Cyn's pets. Nori refers to them as "Nerfed" so the "Entity" can ensure control, and says they were made to destroy other hosts. I don't know why Cyn would want them dead, but I'm not the loremaster here. YouTube line is there because I couldn't be bothered after the Railgun image

Probably already confirmed, but doubly confirmed that a symptom of the Solver is giving Drones organic insides. A Worker Drone body with a rib cage and guts. I wonder what would happen if the infection continued uninterrupted (also R.I.P. Doll I loved you :frown:)

I'm sure everyone noticed, but when Uzi tried to manipulate Tessa, the ERROR noticed appeared. Already hinting Tessa is not all she says she is

Apparently the Solver can create Black Hole Saws. Interesting development (Blackhole Blitz)

I know most people (I think) see this as a joke and N just being a bit of goofball. But honestly, I think he did it intentionally to shock Cynuzi and give Nori a chance. In the Pilot, he licked V's sword to surprise her too, which means he isn't unfamiliar with doing something weird and surprising for the advantage

Skyn eating Doll's core. R.I.P. Doll again. Seriously, was that Doll in Core Form like Nori was? Or was Nori a fringe case because she was "Exorcised" and this is just a regular core? Questions, questions. Also yeah the Solver also gives you a Core. Fun

This tag makes me think that this body is Cyn's actual body. Not longer a hologram, but her actual body from the mansion. The reason Tessa gave N, J, and V their names was because that was the first letter of their Serial Designation (she's very uncreative). However, Cyn's tag was slightly faded, which meant her SD couldn't be seen, so Tessa gave her the name "Cyn" after her P/N, even though the other 3 already have the same P/N as Cyn (Tessa, again, is very uncreative)...

...and for some reason, Cyn or the Solver, which ever theory you subscribe to, decided to wear Tessa as a skin suit for some twisted reason. It did help her with the Captcha. Also scary because this doesn't have the right proportions for an adult (unless Cyn really forced that skin on), which leads me to believe that this is a Younger Tessa, and she faked having an older voice. Maybe I shouldn't call her my wife... I'm sure Eldritch J is still available :^)

(Seriously, the eyes are burnt out, leaving two eye holes over the visor, so she gives herself two X eyes so it looks better. Also yeah we found out what that thing on the "It Came From Copper-9" poster came from. It really was Cyn or Skyn)

Just a frame of the final...frame... for coolness. I'm probably also going to use this for a background. Also, this is definitely Copper-9. You can see the ring and ringless moon together on the right. Uzi somehow got sent to orbit after falling in the meat hole

Well that was all for now. This series has consumed me entirely, body and soul, and I wouldn't have it any other way. Goodbye and goodnight

[empty-movement]

OLD SCHOOL ANIMATION NERDS, I SUMMON THEE TO ASSIST

Hey! Vanna here! So I recently, in a rage at the loss of the end-of-series lot of production materials, bought a cheaper lot I had been curious about, and I kinda struck animation history gold with it! Try as I might to pull the whole context together, I need y'alls help accurately naming and identifying what I have!!! There are MANY MORE of these, all from the same episode, an Utena one, a LOT of Nanami, and a group shot even, all following this similar formula. But let's be honest, Vanna and Yasha wanted that sweet Touga smugness. Analysis and questions below the cut! These aren't ALL the sheets, there are ones for the face shape and sleeve also but to demonstrate. Also, fucking amazingly, I also have the storyboards for this episode, so I can even tell you the shot number is 287 ISNT THAT COOL

So Utena fans. You may or may not know, but episodes 6 and 8 had very chaotic productions, and did end up getting swapped in the end. Per Ikuhara's directory commentary in the Nozomi Blu-ray:

He makes explicit reference here to Akemi Hayashi, credited as the animation director for the episode. I can't recall where I saw it now, but I know the difficulty of drawing Touga on model is mentioned somewhere in all the production stuff I have.

Now. Here's the problem. I DON'T FUCKING KNOW WHAT THEISIWEUGWEYGF what do I callll these. My understanding is the the douga is the final line art, transferred onto the cel, and that is the only thing that you call a douga. A douga is the 1:1 match to its cels in a sequence. With an anime like Utena, it's pretty often going to be included with the cel, if you obtain one. These are douga, the final line art that creates the animation, scans donated by JadeSabre and edited into sequence. The frames are numbered in the top right, and there are no notes or anything drawn on the sheets.

Now. That is NOT what I have above. So none of these materials are douga, they are...genga? Help? (This will get wild with Nanami, where I even have a green sketch that is clearly like, VERY FIRST draft of the shot...)

What I have are the key frames, to my understanding. Meaning these represent a point much earlier in the production process. On first glance, the white sheets are significantly cleaner, but they are also so far off model they're flying along with the Voyager probes in interstellar space. They're very capably drawn, don't get me wrong, but they're clearly done by someone who is not on the Dorito face bandwagon. This is apparently pretty common? You get your initial key frame sketches (genga??) made, and then the animation direction (Hayashi??) grades your work by making messier, but more on model versions of the shots. These are the yellow 'correction' genga?

The douga of this shot are likely with the cels. There are 11 distinct cels of Touga's face (others for the sleeve), guided by the 4 key frame sketches I have here. Looked at individually, I can even see where the filled in frames struggle a bit more to be on model than the key ones, even in the final product.

So clearly, what I have are some pretty early process materials where there was a bit of a back and forth about how to draw the characters. The others I have are similar corrections, but this is the absolute most drastic one. It's like they said 'just do it like kinda shoujo and we'll iron it out later.'

The question I have is...can I safely assume these yellow correction sheets are actually Akemi Hayashi originals? Or would there have been another person in this process doing this correction work instead? Would there be a way to know who drew the original ?genga? That may not be possible to ascertain, but it would be really cool to try, since this episode was a Chaos Production, since I have the actual storyboard for it, since I now have a neat piece of context about what the Chaos might have meant. This shot always stuck out to me in the first arc, because it's true that for a lot of the first arc, Touga and Saionji look....far more like the first drafts here. The strict adherence to the Hasegawa style gets enforced later in the series, but this is an example of the exchange that needed to occur to get folks on board with what was a pretty unique art style.

PS. This is torture, the shape of these means I actually need to make two scans of each one and stitch them together, which is nervewracking when you want them to overlap properly and also you don't want to wreck your toilet paper ass production materials pressing them into the scanner bed. Also several are fucking taped together and lemme tell you, 25 year old 'clear tape' don't stay clear and don't stay sticky.

Basically, any context or knowledge anyone can impart I would appreciate a lot! I know I've got something really cool here, but I am struggling to get much clear information about it, because Google is broken.

[tocomplainfriend]

SEE!? THEY DON'T CARE!

TW: Rape, SA, Homophobia, Misogyny, Misandry

The specific censored word with "-", it's for my own reasons and comfort. It's not censored up and in tags due to filtering! Sorry if I made mistakes like forgetting of filtering or similar, I haven't used tumblr much before!

THIS IS A R-PE JOKE! THAT'S WHAT I HAVE BEEN FUCKING SAYING! ONE OF MY BIGGEST PROBLEMS WITH EPISODE 4 IS THE FACT OF "we want to write an empowering story about men getting sexually assaulted. Men victim don't get that attentio-" BITCH, YOU MADE MANY R-PE AND SA JOKES ALL THE FUCKING WAY THROUGH HELLUVA AND KNOW HAZBIN! You are the one making fun of scenarios where your male characters get assaulted or r-ped.

HOW TF DO YOU PRETEND TO BE SOOO ABOVE PEOPLE (INCLUDING VICTIMS OF SA AND R-PE) THAT'S EXPRESSED HOW THEY FELT ON THE EXECUTIONS AND WHO WORKED IN EPISODE 4. WHEN YOU YOURSELF MAKE JOKES ABOUT IT????? For some context, Sir Pent is trying to get with Cherri, but always deflects first in case she rejects him. He offers her a drink, but immediately says it's because he'll buy a drink for everyone on the club. Then he asks Cherri if they can have sex- and deflects back (a repetition joke) "Because I'll have sex with everyone here". Then he gets dragged into a room by other people, yelling wait and no! And the door closes as you heard him scream.

Out of context in the screenshot, you might even think it might be a serious scene where something happens to Pentious. BUT NO! IT'S BRUSHED OVER REAL FAST AND PLAYED AS "HAHA SOMETHING BAD HAPPEN TO SIR PENTIOUS AGAIN LMAOO"- it's the punchline.

Then at the end of the episode he gets out asking "Where is Cherri" (who btw is having sex with a random guy).

And please don't say "Well, he asked for it"- you know how you sound. The whole point of the joke is that he is trying to get with Cherri and failing astronomically. The point here is that he really doesn't want to have sex with a bunch of random people, but he has to do it because he is getting dragged into a room. (Again, Pentious is like Moxxie Their joke it's getting trashed and bullied by the world or people around them).

You made a whole episode about dealing with a male character's sexual assault, abuse or r-pe. Saying how much you respect victims, and your episode, it's just perfect about the topic. BlaBlaBla- no, you don't. You made all this jokes since HB season 1. This new joke was episode 6 of HH. You never acknowledge power dynamics, or coercion. You never acknowledge anything bad in your show.

Remember, as much as this shows go for LGBTQ+ representation and Queer media. As a ""Female lead show"". This jokes link back (not only to making fun of SA and R-pe itself, but to) homophobia and Misogyny. A scenario of where a man gets SA'ed or r-ped by another man or woman- leads to a scenario where the character is made fun of for not being "masculine enough" for being a victim or for not being able to defend themselves. In a scenario where this happens by a man to man, "It's funny because the victim is viewed as gay. As less masculine = gay and that's bad cause gay = weak and feminine and the idea of feminine = weak".

(There are a few jokes here and there, like Blitzo touching Moxxie's dick after making fun of him for having a baby penis.)

If you didn't notice, Moxxie gets attacked by multiple succubus, and that's apparently funny. KEEP IN MIND is not basic physical violence-no he comes out with lipstick kisses marks, the sounds effects are (ugh)... and Blitz tells him "Don't let them access any of your holes". In other concepts, I want to point out that the times when Moxxie is viewed as a bottom or feminine- he is made fun of. When Millie pegs him, he is made fun of because he is the man of the relationship, being implied as the bottom. When he wears the outfit of unhappy campers, he is extra objectified or made fun of even more than in any other episodes. He is also forcefully put on a dress in his wedding.

He is made fun of for being SA'ed for being uncomfortable scenarios:

These aren't jokes made by characters that "are bad because they are from hell". These are scripted jokes written by a person searching for the audience to laugh.

AND the reason why many audiences accept this jokes or even find them funny is because of some of these views (internalized or not) above. You'll also notice how all these jokes are directed at men (if you find an R-pe or SA joke directed at a woman in this two show, say something about it! POINT IT OUT!). People accept and write these jokes more because they care less about the idea of a man being a victim of such situation. More often than not- in the present, a woman getting assaulted or anything similar in any media gets noticed and called out. THESE JOKES OR THE NORMALIZATION OF SEXUAL HARASSMENT, ASSAULT, COERCION, OR SIMILAR TOWARDS WOMAN STILL HAPPENS!!!! There is an idea that men just tend to just want sex all times at any time. -And that a man getting SA'ed or r-ped by a woman it's just sex, cause "Why wouldn't you like free pussy". When it's a gay perpetrator is viewed as funny cause "that makes you gay or a woman" and that's apparently hilarious. Men can be r-ped no matter what. Men can be targets of all of these acts.

Remember that all the scenes of sexual abuse, harassment and r-pe in Poison are directed by the R2. Who, once again, is into r-pe porn- and they themselves said they are not an SA victim either. So remember, not even a victim trying to cope with their own R-pe or SA. This person draws and ships "R-pe ships", and tags it as "naughty men uwu" bullshit. Also, a person so obsessed with the character of Angel that they changed their name to Tony (Angel's real human name), make themselves look like him, and become a sex worker like Angel. They themselves looked at a comic of Val threatening r-pe and abuse on Angel as "thank good you have balls to draw something mean with these too, I was so bored" ???? (this stuff is in:) and cosplay and take photos of your Val x Angel ship

Congrats if you as a victim yourself thought that the scene with Angel was good. If it helped you be and feel seen. But remember the rest of the show, the hypocritical writers, don't care enough to view it as a serious topic to not joke about. Both HB and HH written by the same people (as in Vivziepop), take their sweet time to turn these topics into jokes.

What pisses off more, it's the trying to make yourself be viewed as a sensitive person about such topic. Make it seem like you are a savior for writing about it in such "serious, powerful and not sugar coded" way. But then you drop that on the fucking ground to make a joke about it when you are tired of pretending you are so good. If you were so informed of SA and r-pe, you wouldn't be making these jokes. If you knew how much SA male victims struggle to get viewed as serious or their stories taken into account-you wouldn't be this shitty.

God, you are so proud of the joke too.

My poor snake guy... one of the few characters that I like-

[eshithepetty]

So. It's been said before that Mob has this compulsive thing where he looks at his hand when he's thinking about his powers. But I've wanted for a While now to compile exactly when and how much he does this, so!! Here's exactly a post for that ^^

Starting with the very 1st episode of Season 1, here he looks at his hand while Reigen's spiel about him not using his powers to use against others plays in his head. At this point in the story, we don't really understand the full gravity of these words, and what they mean to Mob - really, they sound more like the obvious usual advice that a psychic mentor would give. But from Mob's percentage rising (tho most people won't know what the percentage means at this point in the story), as well as him generally sitting on this advice, we can tell that a nerve has been struck.

Then comes season 1 episode 3. This is technically the same exact shot, but I still decided to include it both because it's still technically a different instance, and also, because of the new information we learn in this episode, we can look at this shot with a different context. Namely, that we now know what Mob's percentage means, and that his powers are connected to his emotions, which is why he stifles both in fear of hurting people as Reigen warned him of. It turns from impersonal advice to a Very personal and real concern. Though the biggest reason for why he fears his powers is still unknown at this point... (though we are made aware of the other reason - fear of social ostracization).

Ough... here comes season 1 episode 5. The shot of him looking at his hand, the one that makes it abundantly clear exactly what he is imagining and thinking back to when he does this. He's remembering the literal blood on his hands... fuck me.

Then are these shots from the same episode. The hands are covered by a towel, so this one is less obvious, but by his sight line and the conversation that he just had with Ritsu - about the incident, and what he did to him - it's obvious that's where his eyes are set. And now compared to episode 3, we know exactly why he hates and fears his powers so much. Why he thinks these hands are dangerous...

Season 1 episode 10, another repeat shot - this time from the psychically induced flashback he suffers at the hands of Muto. I still think the 100% rejection scene is so underrated - imagine being forced to relive the most traumatic event of your life, especially considering he usually avoids thinking about it.. god, the way he just screams and sobs is so upsetting.. though I do wonder what exactly Muto saw when Mob reversed the illusion on him.

This one's from season 1 episode 11, and it's a lot more innocuous than the rest - he's just checking that his psychic powers indeed don't work in this cursed room. But it's still him looking at his hand and thinking about his powers, so I decided to include it. (though I will say, there is a fanfic opportunity somewhere in here about combining the fact that, apparently, there exist curses that can surpress psychic powers, and Mob's desire to do just that... maybe one day I will get to it)

Now we jump to season 2! Episode 3. God, this is still one of the most intriguing scenes of this show to me... here, along with the fear of potentially having to hurt his clients, Mob is thinking a lot of things - among them, for the first time considering not only that he can hurt innocent people with these hands, but also innocent spirits. And the fact that he had been exorcising spirits, essentially killing these beings that are as close to him as living humans are, for years... I just love this episode. And as one commenter on Youtube pointed out, in season 2 episode 1, he made a promise to himself to consider his feelings more - and his feelings are innately tied to his powers. Thus, opening his eyes to his feelings also made him open his mind to the ethics of how he is using his powers, and whether following Reigen along on all these jobs without thought is truly what he should be doing. This is a big part of why I fully support him deciding to not work for Reigen post-finale - he needs to figure out how he feels about his powers without using them as tools to get profit (well. Not so much profit for him, and there's certainly value he gained from this job besides that - such as being able to at least use and express his powers somewhat, along with the relationship he gained with Reigen - but point still stands. It's healthy for him to be able to think these things through without that). Plus, I personally like to imagine he grows more sympathetic to spirits as he grows up and isn't anymore too keen on him destroying them being his job. But ramble aside...

Here comes mogami arc! Season 2 episode 5. As the subtitles say, in contrast to all other times he's been agonising over being too powerful, here, he's regretful over not being strong enough (plus, I like how Mogami has basically redefined what strength means for Mob in this fabricated world. Where in the real one, strength for Mob means sticking it to your morals and being able to resolve things peacefully, here it's... kinda the opposite..). Also, what's interesting here is that he still looks to his hand here, despite having all his memories of his powers and the incident erased from his mind. I guess it's just that deep-seated...

Same episode. This one is kind of debatable, but he certainly looks like he's rising his hand to look at it. Thus, I'm including it. Plus, it has thematic relevance to the incident. As he is saying here, in this world, he truly hasn't done anything malicious or dangerous that could warrant people treating him as the enemy, yet here they are. I could imagine, that, somewhere in the back of his mind, he is feeling like he's forgetting something...

Season 2 episode 10. Here he just woke up and immediately whooped ass with his powers. Also more innocuous, he's just confused, but still looking at his hand, so. Here it remains.

Season 2 episode 12 - this one's also kind of a oddball, since for once, he's not really thinking about his powers, but rather Serizawa's, and what they reveal about the man's feelings- but I thought it was close enough at him looking at his hand. Besides, I think it's sweet that this is one of the first times he uses his powers to empathise, to connect with someone (we see him do so again while trying to take in Toichiro's powers, as well as in the Alien arc, notably), so I'm including it for its thematic relevance.

Now onto season 3 episode 1! There's a really good post explaining this one (as well as the ghost family scene instance) here, but to summarise, here, Mob is thinking back to his powers and instances of him hurting people - making mistakes - and how he never learns. Never changes. Not enough... just like with the 100% sadness scene, it's just so sad that he thinks this one instance of his powers getting the best of him has ruined him for life. That he can't afford to make mistakes... buddy, you're 14 years old. A child. Making mistakes is part of growing up, part of being human :( But I'm guesing he doesn't always see himself as fully human does he ...

And then. Season 3 episode 10. Ough... This is just all his worst fears becoming reality. He's hurt Hanazawa, again. He's hurting his loved ones, again. He's monstrous and dangerous, again... All these years of repression have just led him back to square one and below - to bloodied hands once more. But this was inevitable. He couldn't have continued looking at those hands and fearing them.. he needed to face himself. Look that trauma in the eyes. And say: that's not all I am. I did that, those hands are mine, I am capable of hurting, but it's not all I am. I am capable of changing.... and he does!! Reverting once doesn't erase all the good he has achieved and all the growth he has experienced. But fact remains, that before you heal the wound you heal the wound, you need to clean it first. And it will hurt... but he gets there. He gets there.

So to finish on a lighter note! The ending of season 3!! This one makes me so happy, because, as opposed to all these other scenes where he's looking to his hand with turmoil and anguish in his heart, here, it's the opposite! He's smiling!! He's confident!! He's becoming surer of himself every day!!! He no longer sees his powers as a curse!!!! It's a promise, that eventually, he manages to deal with all the trauma and achieve a happy ending. It's just his hand, and his hands can hold instead of harm. It's just so sweet. I love him and his character development so, so much.... <3

In conclusion: he looks at his hand a total of 14 times - 12, if we exclude repeat shots. And I just think it's fascinating, how we can follow his development throughout these instances. So I hope that this was interesting for you to read as well, and that you all have good days out there <3 Toodles :)

[skippingthroughfields]

these days a lot of romance in books, TV, and film leave me a bit cold, which sucks as a lover of romance. there has to be something ~interesting there for me. I've been watching the day of the jackal and it's pretty entertaining so far. but the one thing I haven't quite been able to wrap my head around is jackal's love for his wife, nuria. the show clearly wants us to believe he truly loves her, even if he can't shed his assassin skin and lies like crazy to her. he spies on her. he dreams about her. he thinks about her constantly. even more so than the baby which I (and the show apparently) regularly forget exists.

the chemistry between eddie redmayne and ursula corbero isn't necessarily the issue even though it is middling. ursula certainly does the best with what she's got, which isn't much. but I always struggle when shows place us in an established marriage or relationship and tells the audience how much the two characters love each other, without really being convincing of why they go to the lengths they do because of this love. the jackal is a sociopath with a hundred different faces (though we spend quite a bit of time with him in his true face). he has no qualms whatsoever about killing innocent people to accomplish his objectives. that's established within 20 minutes of the very first episode. so what does it take for this murderer-for-hire to fall in love? why should we be so convinced of this cold-blooded killer's love for his wife? what is it about her that made him fall in love? and vice versa? the show doesn't even try to make us second guess this love. on some level, I'd be obsessed with a suave killer brought to his knees by a woman to the point where he starts a family with her. the deception, the two separate lives, the cat and mouse of it all. but everything about them is spectacularly bland.

throughout the series nuria is constantly questioning who she fell in love with. but who did she fall in love with? in episode 7 we get flashbacks of their first meeting, at a restaurant where jackal is a regular and where nuria works as a waitress. she's hot and vivacious and effortlessly charming. he's a mysterious loner who seems sweet. jackal takes a shine to her and later asks her on a date, to which she immediately says yes. and that's it. that's pretty much all of the flavorless context we have for their relationship. we're simply supposed to believe they fell in love with each other. she doesn't even make him work for the date. there's no push and pull there. she's not even a calculating golddigger or anything, just completely guileless. our favorite sociopath fell in love because she's just that charming? our charming waitress falls for this boring and rich-looking foreigner and that's it? and then we're told that she's completely trusting of him up until the ~turning point. ok. I don't believe the show is trying to pull wool over our eyes. they very much want us to believe there's love there. but there's just nothing convincing me of why these two characters love each other. this failmarriage is of no interest to me.

otoh, the connection jackal has with zina is compelling and sexy. this mysterious corporate shark archetype of a woman who dared to meet an assassin in person. who went to bat for this assassin even when her bosses were not convinced he was the man for their goals. who broke into this assassin's temporary lodgings and withstood his menacing energy. who wasn't afraid to yell and put pressure on this scary assassin. I'd be more obsessed if the actress was better at acting and there was actual chemistry between her and eddie. alas.

otooh, there is ALSO serious messy romantic potential with bianca. also a sociopathic liar. also a married woman (who we're also supposed to believe loves her husband. lol.) with a child. a woman who will do anything to catch jackal. a woman who has no qualms about using innocent people who get killed in the process (even if she does feel some degree of guilt about it). like the parallels are allll there. but she's black and we all know how that goes. in another series jackal would be intrigued and also as obsessed with this mi6 agent who somehow always finds him. sigh.

[absolutebl]

Pit Babe - it's time for a Trash Watch!

I had to. Well, no I didn't, but COME ON. It's like Thailand is negging me. Let's burn rubber, shall we? Burn rubbers...?

The things I had been told going in about this show:

it's about car racing (this bores me)

it stars Pavel (my BL ult bias, he is my icon for a reason)

it started as an omegaverse y-novel but the A/B/O aspects would be stripped from the BL series

it's high heat

(There some chatter about whether point 3 was a mistranslation of something the author said, but don't bother me with trifles.)

Here's a definition of omegaverse:

Omegaverse, also known as A/B/O (alpha/beta/omega), is a subgenre of speculative erotic fiction, and originally a subgenre of erotic slash fan fiction. Its premise is that a dominance hierarchy exists in humans, which are divided into dominant "alphas", neutral "betas", and submissive "omegas".[1] This hierarchy determines how people interact with one another in romantic, erotic and sexual contexts.[2] (Wikipedia)

In my experience and opinion, omegaverse archetypes and tropes are often used to strip out female characters (and The Feminine) and as a tool to excuse extreme hyper-masculine behaviors without a critical feminist lens (leading to lazy characterization). Just as heat is an excuse to get nkd quickly, A/O/B is often an excuse for taboo and dubious consent actions and behaviors. Do I get why writers/readers enjoy it? Yes I do. Do I personally like it? Not particularly. (Although there are always exceptions.)

Putting all that aside, the above represents my foundational knowledge before Pit Babe started.

Oh and that the familiar BL faces appearing in this show were follows:

Pavel Naret (aka Pavel Phoom) from 2 Moons 2 & Coffee Melody - Pavel is a fluent English speaker, a bit of a drama monger, and a motorcycle rider/car-dude, this role suits him

Nut Supanut from Oxygen & Something in My Room - has an amazing voice, his somewhat wooden acting has improved steadily since Oxygen

Pon Thanapon - one of Star Hunter's stable first seen in the Gen Y series (where he stole the appeal of an intended pair), also v good in Make a Wish, I wish he'd get a lead role as he has a likable screen presence

Pop Pataraphol from La Cuisine - he's playing the Alpha rival and I'm not convinced he's suited to this role

Michael Kiettisak from Love Sick, Oxygen, Call it What You Want, Till the World Ends - playing the comic relief this time rather than his usual tortured stoic... huh

All the rest are either fresh faces or older experienced actors. Interesting mix. They must have some money behind this.

And now, get out your marshmallows! The dumpster is on fire! Let's start the roast.

Episode 1 - Platypus, Pickles, Pavel, & other Smoking Hot Problems

This first segment told with a 4 day retrospect, because I decided to do a trash watch only after @aliceisathome said I should.

My initial reaction:

the sheer audacity of Thailand being like "PitBabe is not omegaverse" and then serving "Alpha" to us on a platter in the first sex scene is

how dare

but also

what the actual fuck is going on? what world are we living in where a/b/o is LIVE ACTION ON OUR SCREENS?

we getting heat, knotting & mpreg next?

apparently this is my reality now

I'm not sure what weird quantum time stream I've jumped into but someone was all,

yes the whole world is hella screwed, but also...

Thailand has decided live action mm fanfic is gonna win it the culture wars

and I'm beginning to think they may be right

BL is now the platypus of the film industry

4 days later:

Considering how much chatter this caused there's a part of me that wondered if it was all intentional and a marketing ploy (to say it wasn't omegaverse when obviously it is). In which case... brilliant Machiavellian tactics, production.

But Thai studios are rarely this calculated in their promo. So I think it's all accidental. But it certainly caused a raucous few days on Tumblr.

On a completely different note, Babe's house looks like it started life as a particularly inventive Olive Garden. Or is that just me?

More random thoughts:

Pavel has had work done, why honey? You were the definition of perfect.

The smell thing is great, I love stuff to do with scent and necks. If omegaverse brings this to the table, fine. But...

Being all Alpha perfect butch manly man = I do not like Babe at all, I kinda want him to be brought down a peg. (Woo... pegging!) I never like narratives that glorify the captain of the football team (side eyes Cdrama CEO romances and Love O2O), Babe better have depth and damage (forget the pegging) of some kind or his behavior will get old FAST, faster than he drives (also, forget the pegging idea)

Nut is ideal in the Beta role. I mean, that's Way's character right? We all can see that. If it's not intentional, it's a miscast. I love how soft he is as as screen presence. He's great in this part.

None of the other characters are sticking out to me yet, but I'm prepared to love the side dishes in this, please make them swoon worthy!

I'm glad they didn't hold the Charlie = trickster reveal off, I like knowing he is a double agent up front.

Finally, with respect to an adequate trash watch, I'm in a pickle.

How am I going to drink for this show when there is so much else airing on Frigay? I can't keep track, if I'm drunk.

I need a strategy for this trash fire if the puns and snark are to spout forth! (HA Fourth!)

Controlled burn?

Anygay, see you all next week.

Episode 2 - Side Dish Addiction + Second Lead Syndrome are both infecting me at once

[FYI I gotta have my backup computer to watch this so that's why Imma sometimes be delayed getting the trash out to the curb.]

3 minutes! 3 minutes in and I needed to pause and wax snarkful. (Ouch, bet that hurts. Is waxing snark similar to a Brazilian but for BL? Is that why they all so hairless in The Sign?... I digress, where was I?)

Okay so the subber said Daddy but I don't think that word means what they think it means. Because Way said simply nong paa.

Usually they'll use the English word Daddy (pronounced Dah-deee) for, ya know, Actual Daddies (tm).

Wait wait:

Calling Daddy Actual

(My dumb sci-fi loving arse will see myself out the back before I start drawing Battlestar Galactica = Pit Babe connections. TOO FAR ABL. Too far.)

Look, I like the tension in this show. It's good to set up an unlikeable Alpha dog and then immediately turn him into an underdog, makes him a bit more likable. I still don't like Babe, but now at least I'm on his side.

Charlie = cute but v sus. Fortunately for him, Babe = cute but v thick.

Everyone calls Charlie Babe's dek. Yes sounds a bit like what you think but also means kid/child and SHOULD be translated as boy in this show. Why doesn't the subber get that? They a sub...ber after all. (I'll see myself out.)

Honestly, the script writers might know what they are doing with abo but our eng sub translator sadly does NOT. I'm so glad this is coming now in my BL watching life. When my ear and knowledge of Thai is so much better than it once was. Others much be SO CONFUSED.

Snicker. They just fucking with us, but it's fun to watch the mpeg speculation abound.

File this one under: Thailand's trouble with ESL plurals and also "you should have Pavel helping with these subs" sweethearts.

Production knows entirely what it's doing with this show and its omegaverse shizz (even if the subber doesn't) and I am very much enjoying the online carnage that results.

This dumpster fire continues off screen into the blogosphere and I continue to roast things over it.

Meanwhile, hi Pon! You so adorable! When you gonna lead out a BL for us?

Is Idol Factory stealing all of Star Hunter's talent? Are they the Red Racers of the BL world? These are the questions I ask myself as I watch this.

Is that AGE GAP I smell before me?

Is the 20 yr old college kid meant for the pit boss? Cause you all know I am a slut for age gaps.

Moment of a/b/o: Jeff's fear of touch/heightened personal space would be a plot marker for "baby doesn't want Alphas close cause he smells like an omega" but of course this show it not omegaverse. Not omegaverse at all.

nuh-uh

Linguistic corner!

Lung (sounds a bit like loo) is uncle(ish) it means basically a male relation older than phi. So Alan is the oldest in the crew.

Alan calls Jeff nu (which the subber translated as boy I would have gone with cutie or little one). Nu is a diminutive affectionate term that's technically gender neutral but is most often used by/on cute girls/women. Jeff did NOT like it. Then Alan sort of dodges through pronouns/particles settling on phi for I, ger for you, and ja for a particle. This is interesting because ger & ja kinda lower his age and status into a casual sphere. Not more intimate more equal to jeff... fascinating.

I love the new "Korean" red racer, he drinks my brand of soy milk. He is now my baby snake in the grass.

Get it? Snake.

He and Babe should end up together.

The fight wasn't bad, do both actors have kickbox training in their backgrounds?

Who am I kidding, I care only about Uncle Alan and Nu Jeff now. All others are irrelevant to me.

Also...

WHERE IS A BOY FOR WAY?!!! Or a Daddy. I do not care. (Methinks nether does he.)

I am now captain of the Way Appreciation Society. Let's all find a way... to get him some dick.

Also the BTS stingers are tons of fun. Looks like the set was a blast.

Finally, and I mean this kindly. Why isn't Noh Phouluang in this? He should have been cast as Winner. Bah. I'm biased.

But one should be with Noh.

Episode 3 - Side Dishes Delux

Gayest bridge n Thailand has made its obligatory appearance.

How much do I love uncle & nu? They are SO damn cute. Also nu flustered is the best kind of nu.

I could not care less about Babe and Charlie. Except I do love the smell thing.

Way will break my heart by getting his broken. He is right tho.

Tra la la. I feel like this is a bit like KP 2.0.

Charlie is a such a princess (and ace manipulator). Good thing Babe clearly likes being buttered up.

Babe's backstory was more interesting than I expected, I didn't think we would go so far into the paranormal side of a/b/o. I like it and I hope they lean into it quite a bit more. Make it part of the plot.

Unlike the kissing thing which seems to have been gotten over rather quickly.

I gotta say I'm enjoying the corporate sponsorship jockeying and tension more than I thought I would. I'm curious as to who Jef and Charlie are working for and what their motivation is. The plot itself is keeping me intrigued and that is rare for me with BL.

So no trash talk this ep, I was largely absorbed and entertained. I didn't event need booze. Shocking behavior on my part.

#giveWayaboy2023

Episode 4 - I (who never ship) am shipping the impossible

Here’s the thing. I just want this to be a better story than it is. Right now it’s kind of like a soap opera. I don’t hate lakorn, I really don't. To Sir With Love is a glorious chewing of the diamanté scenery (completed with death glitter). But...

If this is gonna be a soap opera it needs to lean into the messy side more than the tailored high concept side. Support characters and evil needs more screen time.

Instead, right now, I don’t know where I am with this show because it doesn't know where it wants to be. I’m kind of dangling in the middle of a dirty situation. It’s uncomfortable for me, and the show feels uncomfortable for the performers. 

Also... I have questions.

Yes, of course I want to know what Charlie & Jeff are up to. Why can Jeff see the future?

But more importantly I NEED to know why Babe has a flying saucer bed?

That kind of lighting makes nobody look good, especially not at that angle. It’s very traumatic and I’m not wild about the shag rug either. I have concerns about Babe's taste. I guess is what I am saying. 

On a COMPLETELY DIFFERENT note:

There’s absolutely no chemistry to justify this, but I have decided that I am going to personally advocate for, and ship, Way and the interloping not-really-Korean. They are both sort of own-moral-code types. I have tiny crush on Kim, and Nut is the prettiest, and Way is Best Boy so there it is, I would like them to hook up, please & thank you.

#giveWay2Kim2023

Arrow guy is cute, too. Will we get to see him bone?

Is he going to be another one of the adopted alpha super-kid pets?

What the hell, throw Arrow Boy a bone! All hot boys in BLs deserve bones.

Plot thickens.

Hah.

Thickens.

(I am an immature idiot.)

Episode 5 - wait wait way-t, can arrow boy have Way?

Look, BLabies, I didn’t get any screen caps this episode because frankly there wasn’t anything worth capturing.

I guess Charlie really does love Babe? Very dramatic if idiotic saving from the burning car. But Babe has gone to the broken Alpha place of extremely unlikeablability (frankly he was almost there at the start). If I were Charles B Spectacled I would be OUT by now. 

Is that?

NO.

Don't get the plastic bowl.

No white towel sponge bath. Please kill this trope.  

I mean, it's not as bad as singing, but that's because NOTHING is as bad as singing in a Thai BL.

AND the main boys are back together.

I don’t find their relationship or Babe’s lack of senses a particularly interesting aspect of the plot.

Unless, of course, Babe is pregnant and that's why he lost his Alpha sniffer.

BUT I do love the sides.

Jeff = the introvert precog who can’t/wont do people and Alan = the extrovert people person who WANTS but doesn’t understand him. 

Were Jeff and Charlie ALSO raised by Evil Daddy MacEvilPants? 

I liked the way Arrow CEO & Way looked at each other. Way, hon, give up on Babe (he sucks) and get thyself a billionaire bf with great aim and BDE.

On a completely different note, the best thing about this show is the blooper reel. That thing with the green smoothie going down his pants was hilarious!

In conclusion, this was a green smoothie down the pants episode. I was entertained, and it’s probably gonna be good for the plot in retrospect, but it was kind of squishy and unpleasant at the time.

Episode 6 - Are they actually listening to us now? Is Tumblr bugged?

This was a fun ep full of like actual racing and shizz.

Whatever.

Charlie is on the team now. All the teams, apparently.

Can we talk about Jeff and Alan?

The apology scene! Did you hear that Alan dropped to chan/ger? Eeeee!!! So cute. (He equalized their relationship in a soft way.)

Get it with that language play hottie. Next up: lengua play.

Please & thank you. 

Meanwhile, as all of the Internet knows, they went fully in for omegaverse - no bars.

I have to say, one of the greatest typos (or whatever) in existence is enigma instead of omega.

That's where I personally would rank in the omegaverse.

Hello, my gender is... enigma.

 Apparently it's a/b/o and sometimes e!  Also sometimes switch-ee 

Oh I'm very proud of myself with that one.

Funfunfun

Charlie. Babes. When a man asks to be thrown up against the wall. You throw him against that wall.

OMG is that arrow boy looking at Way in the bar?

3 seconds later.

Noooo.

Wait come back.

Noooooo.

That’s what I actually want to watch! 

OMG. Who said nu was the first step to teelak?

I flipping love Alan. 

Ah the boyfriend ep. Thank you, but I still don't trust Charlie.

Poor Way.

But nice crying jag, and I don’t say that often in Thai BL.

Now let him go, Way.

A boy with his arrows is waiting. 

(source)

Note for the future: tumblr has a bug that stops allowing edits after a certain time/number, thus my full trash often occur in 2 segments as a result. Click on the "abl trash watches bl" tag for the full thing if you're reading this and later episodes are missing.

[g0at0ad]

so what the hell is the protocol?

everyone in the tmagp fandom is rightfully going insane over the multitude of references to "the Protocol". given that this statement was given in 1685, it existed far before the magnus institute was ever a thing, so what gives? well here's all our information on it so far.

it was first mentioned in episode 4, "taking notes". alice. confronts sam on him looking it up. it's described as very super duper secretive, and sam could get in a lot of trouble if people found out he was looking into it. this bit is also a little strange, because alice (and seemingly ONLY alice) gets a security notification about sam looking it up. why alice? this could be another case of the computers having some sort of sentience. one od them wanted alice specifically to know what sam was up to.

in any case, the information we get about the protocol is that it involves a group called starkwall, who are apparently private military contractors. they involved in something called the "San Pedro Square Massacre", so despite how secretive they are, there is at least one event that is well known enough that sam knows about it.

starkwall doesn't get mentioned much, but (and this might be a reach) in episode 7 "give and take", a bunch of weird shit happened at hilltop centre. and i know we've all already lost our minds on the "hilltop" aspect of this, but what i'd like to point out is how the episode ends. the statement giver is saved by a bunch of seemingly military personnel, who proceed to go in guns blazing and burn the building down. the statement giver is then told they're not to talk to anyone about this group or what their identity is. sounds like starkwall to me.

and then we have this episode, where robert talks extensively about the protocol. he never explicitly says what the protocol is, but through context clues it's pretty easy to guess that it's some sort of procedure enacted to protect the world from supernatural events. in this case, isaac newton and his dog that is now a tree. robert hooke advocates for the destruction of isaac's lab and all his research.

some people have already pointed out that in real life, isaac newton did study alchemy, and most of his research on the subject was destroyed when his lab burned down. so if the tmagp universe has at least a similar history to ours (aside from all the supernatural stuff), then the protocol was enacted and they did end up destroying newton's lab.

but that's not the only use of the protocol mentioned in this episode. robert hooke also mentions the use of the protocol in london some years prior, seemingly to do with an "awful plague". again, this statement is given in 1685. in 1666 was the great fire of london.

so the protocol seems to explicitly have to do with solving supernatural problems by burning them down. we have the great fire of london, we have isaac newton's lab, and we have hilltop centre. we still don't know what exactly the san pedro square massacre was, but i'm willing to bet it ended with flames.

which brings me to the magnus institute. many notable things are different about it compared to the TMA world, the most notable being that it burned down in 1999. i'm also willing to bet that starkwall, or whatever they're employed by, was behind this. this show is called the magnus protocol after all.

[guwix]

All information about

EPISODE 3

Episode 3 will be related to a journey in a haunted house.

And according to Gooseworx 3, the series is definitely one of her favorites.

And apparently from her delight, the series will be very storylined, or more informative.

Perhaps it will be the exact opposite of the 2nd series, if the 3rd series is in the horror genre, then the 2nd series was on the contrary all colorful.

Or, for sure, it will touch on deeper and more difficult topics for discussion. I mean, the tape recorder will appear exactly in the next series, or closer to the visual design.

The ghost that came out of the door will be a guide for the team, or will play another role.

Also, Pomni's sharp teeth will return, either she gets mental stress once again, there is also an option that, it will be her puppet. As shown in the trailer, Kinger beats Pomni with a shotgun, either she is possessed by a ghost, or it's not Pomni at all. A haunted house, a place where "fear" can be instilled. Perhaps the enemies took advantage of the fears of the heroes. As one of the suggestions.

Replica of Jax in 3 episodes:

[kradogsrats]

How Does Your Garden Grow: Terry's s4-s7 Slow-Build Arc

So, Terry. A character who could be objectively called the goodest among the main cast. We've been waiting through four seasons to really figure him out... or I have, at least. Maybe everyone else got him from the start.

Anyway, Terry's arc is a very slow burn that only comes becomes clear in s7, because it's revealed primarily through two sequences of scenes that echo each other—the first in s4, and the second when s7 finally comes back to tuck that s4 sequence into bed and kiss it gently on the forehead. This means that in order to really grasp how Terry develops, we need to examine and compare those sequences, both to each other and in the context of what we see of Terry in the intervening time.

God's Most Plant-Based Clown...

Fun fact: Aaron Ehasz apparently named Terry as his favorite character at SDCC 2019, during the s3 hype tour [citation vague]. He probably didn't expect that it would take another two and a half years of real time for us to actually meet Terry, but them's the breaks.

We don't really know a lot about Terry for the first few episodes of s4, where he's suddenly thrown in as a new main character alongside all the ones we had already known and loved for years. We can see he's a little anxious and awkward, but he lights up with confidence in his dynamic with Claudia to the point that he'll discuss the smell of his own farts in front of her dad. He has an incredible amount of compassion for Viren, repeatedly offering up deep emotional vulnerability even though Viren radiates nothing but aloof dislike for him. He seems to have no problem with Claudia's dark magic, such as the pufferbat breathing spell, even when the credits go out of their way to remind the audience that hey, those pufferbats had families, too.

He's obviously good for Claudia, which (as intended) immediately makes us turn around and question whether Claudia is good for him. He is, after all, an elf, and she's a dark mage. She has already done, by her own admission, things she "never imagined [she] would be able to do"—and this from the girl who once killed a baby deer with her bare hands. Does Terry not know about these deeds? Is she using him? Is he secretly a nihilistic sadist beneath his perky, easygoing exterior?

He's just a mystery wrapped in an enigma rolled up around a chewy marshmallow center, then dipped in crushed-up pretzels (since nuts are an allergy risk).

However Dangerous

But Terry does reach what we can clearly see is a crossroads of development fairly early in s4, when he kills Ibis to protect Claudia. This is a Big Deal—he immediately breaks down crying, to the point that despite being injured, Claudia prioritizes comforting him. Later, he's unable to sleep, instead crying over both Ibis and himself... or rather, what he had no choice but to do.

Viren, perhaps seeing a tiny sliver of his teenage self in Terry, offers him some advice regarding how to make peace with doing what you have to for those you love:

VIREN: But there is an aching pain mixed with love that you feel in these moments. In the name of love, you may perform acts so unforgivable... you will never forgive yourself. TERRY: Please, how do I live with this? How do I deal with these feelings? VIREN: I will tell you how. TERRY: Yes! Please, I need to know.

Of course, he's still Viren. Fatherly advice isn't exactly his strong suit. He also technically hasn't had a full night's sleep in two years.

Now, the writers could have left it at that. It's a good scene. It's a good character interaction. It sets up like 90% of Viren's remaining arc—as the first appearances of both "I had no choice" and "however dangerous, however vile"—and a not insignificant part of the entirety of arc 2, itself.

But they don't, and that's where it really becomes about Terry, because the next time he and Viren are hanging out (in s4e7, titled "Beneath the Surface" in an example of having zero chill), he brings it up again. He respectfully tells Viren that he's given it a lot of thought, and what Viren proposed isn't what he wants to do. He doesn't even say Viren is wrong, just that it isn't right for him:

I think what you're trying to say is... Is that I should stop having feelings. Well, I'm not going to do that. No way, I-I'm gonna be strong enough to do whatever I need to do and have feelings.

This is, in a way, Terry affirming his true heart—he's not going to give that up, even if letting go of the compassion that made killing so devastating to him (and probably narrowing his understanding of who and what is worthy of it) would make things easier. He's going to be strong enough to not have to do that.

It's not a coincidence that the very next scene for them includes Terry coming out, because both are about Terry's chosen identity.

This isn't only about Terry being trans—what he's saying here is essentially, "I know who I am, and I am who I choose to be. I won't change for your or anyone else's approval."

Viren's response, which I previously always found kind of baffling, is actually perfect:

Like, as responses to someone coming out... it's not awful, and it definitely sounds like something Viren would say. But just like Terry is affirming more than just his trans identity, what Viren is actually doing here is acknowledging the strength in who Terry has chosen to be—someone who is (I remind you) strong enough to "have all the feelings." Someone who can both act on his love for individuals he's close to, and retain his deep compassion for everyone else. Viren isn't going to try to change him, or convince him that he'll be happier another way—both because he's very, very tired and has no investment in Terry being one way versus another, and because I genuinely think some very small part of him is like, "god, I wish that were me."

Of course, what's being ignored here is whether what Terry wants to be is even possible.

... Fighting His Vegan-est Battles

So about that. As s4 winds down and we progress through s5, we obviously see a lot more of Terry, and we get a much better grip on exactly what his deal is in the dynamic between him and Claudia and dark magic:

This scene shows us several things. First, the compassion of Terry's true heart: he feels for Rayla's grief, despite the fact that she was, by all appearances, 100% prepared to cut his throat a full... ten seconds ago. Second, that Terry is at least superficially okay with Claudia's dark magic because he believes in her reasons: the only times he calls her out on her actions are when he feels they don't have her love for her father driving them—namely her tormenting Rayla and later the water dragon. And third, that Terry actually disconnects himself from Claudia's choices at the most basic level: he doesn't suggest she go back and correct her behavior, though he's presumably glad that she does. He's very much a bystander to all of her actions.

Like, he very obviously loves Claudia. We see this in his quiet, consistent care for her—anticipating her needs, focusing on her wellness when she disregards it, calming her down and/or cheering her up, even just carrying her shit around. (Like, her staffs! Both of them!) For him, it's entirely about her as a person, and a person who is fundamentally good, as all people are. She's a girl so full of love that she'd tear herself apart for it, if Terry wasn't there to pick up the pieces. He spends all of s5 making sure she doesn't have some kind of exhaustion-driven breakdown.

Then we hit s6, which is a series of crucial turning points for Claudia, that Terry... also unconditionally supports her through.

Which would be beautiful, except that Claudia's turning points tend to include thing like straight-up murdering what was, if not a child, then at least the equivalent of the family's weird but beloved dog.

Now, I don't think chewing her out over that would have been the right (or productive) thing to do. Really Terry handles her breakdown in probably the best way possible, all things considered. But after that, he treats her questioning everything she's ever believed with a degree of passivity that like... I guess would be good for a therapist, but not necessarily someone you love and have watched hurt themself with their own choices for two years straight.

CLAUDIA: Please, Terry. Tell me what to do. TERRY: Claudia, I can't. Only you can see your own deep truth. Only you can decide the path you're going to walk. You won't be alone. I'll clear out the thorny brambles if I see them, I'll hold your hand as we trudge through wet, mucky leaves. But... you have to choose the way.

Again, he's not strictly wrong, and it's a beautiful sentiment... but he offers no input whatsoever when she's weighing things like "When my dad left, I thought he lost his mind" versus "He seemed so strangely hopeful. So certain." He has no problem claiming Viren obviously found peace in s7, so it's not that he doesn't have an opinion. He just seems to not want to influence her on principle.

Maybe that's because he knows Claudia is so easily influenced and pins her identity entirely to external things or people, and he doesn't want to be another one of those. Which is valid. However, taking this position (or lack thereof) also conveniently absolves him of any responsibility for the choices she subsequently makes—they're her choices, after all. If she winds up hurting people, it's not like he could have stopped her. He'll hold her hand, as if doing so leaves no blood on his own.

This is something that starts to change at the end of s6 and into s7, mostly because suddenly Terry isn't the only influence on Claudia—if he wants her to be making her own choices in a vacuum, he has to balance out Aaravos, who has zero qualms about manipulating her when she's extremely vulnerable. Terry gets a bit more assertive to combat that manipulation, especially when Aaravos is being extremely obvious about it...

But really, by then it's too late.

However Vile

Finally, in s7, we reach the denouement of everything that has subtly been building around Terry. We find out that he has a true heart, a feature everyone is born with but most eventually lose:

More on that, and Ezran, in my eventual true heart meta.

Aaravos then sets Terry up in a very specific way—he sends Terry to find two feathers from a shimmercrow, one large and one very small. Terry happily complies, relieved that the request wasn't something "weird or creepy." However, as always with Aaravos, the task is half straightforward and half a manipulation. He uses the large shimmercrow feather to give the half-completed primal stone flight for its journey around the world, but the small feather...

Aaravos has Terry bring him to where the feathers were found, where he knows there will be both an adult crow and chicks. He brutally murders the mother crow in front of Terry, while calmly explaining how they will use her dying fear and pain to open the In-Between. It's only a key. A tool.

In the ensuing confrontation, he also drives home to Terry that a) it's too late to easily sway Claudia away from him, and b) it doesn't matter, because Claudia is also like this. Claudia uses him. Claudia tells him half-truths, ostensibly to "protect" him, but really to protect herself from him deciding to leave her.

Aaravos has a definite agenda here—he needs Terry's influence, the influence that makes Claudia question whether it's right to hide things from him, removed from her. Either Terry's true heart has to go, or he does. It's time for him to, shall we say... "get a grip":

The true heart is a gift of childhood. For a few wonder-filled years, we each have innocent eyes to experience the world's beauty in a simple way. I have seen generations of humans and elves accept the darkness that lurks in all of us beside the light. There is no black or white, only shades of gray. We must all carry complexity. But please believe me that there is beauty in this burden. Your heart will be a little heavier. But now, there will be no more half-truths, Terrestrius.

Just like in s4, it has been suggested to Terry that he let go of the identity he has chosen. The identity where he's committed to having all the feelings—crying for Ibis, pitying Rayla, mourning Sir Sparklepuff. Doing "what must be done" is positioned as now being incompatible with who he is.

And again, Terry is not going to give up who he is:

Not for anyone. He knows where the lines he has drawn are, and he won't move them just because it's Claudia who has crossed them.

So Terry leaves—but there's one thing that Aaravos has done that goes unstated, and while it's maybe not a major factor (compared to all the other major factors) in Terry leaving, it is the critical factor in his growth:

He has made Terry complicit. Without Terry, Aaravos would not have found and killed the mother bird... and he has been complicit all along. He couldn't stop Aaravos this time, but how many similar tragedies could he have stopped when it was just him and Claudia?

And so here, for the first time, he goes back to make things right. He didn't go back for Ibis, or for Rayla, or anyone else Claudia hurt in the name of love, or who he, also in the name of love, allowed her to hurt. But he goes back for the baby shimmercrows, to comfort and care for them now that their mother is gone, and he goes back to people who (rightfully) consider him an enemy, to help them stop Aaravos.

Just to make sure we really get it, they even have him say it out loud:

Should Bloom a Week or Two Early

Anyway, I think they did something really beautiful and complex with Terry, in that there's no question he loves Claudia—they took three entire seasons to show us how much he loves her, at her highest and lowest points, selflessly and unconditionally. With Callum and Rayla slowly easing back into their peak perfect romance during the same period, his love for Claudia is also not treated as less real or important. We all knew it was probably more than a little doomed, but he's not foolish or wrong to love her.

He doesn't even stop loving her, or decide she's no longer good enough for him to love. He leaves because in order to keep loving her, he has to also love himself. He won't change who he is to stay with her, because he's fought too hard to become that person. With Callum willing to give up everything he is for Rayla at a moment's notice—something that really works only because Rayla would never ask him to, and in fact is staunchly against it—Terry having a solid identity and refusing to compromise it is a reflecting alternate perspective on love.

He's also the most emotionally mature and objectively good person in the cast, but ultimately his arc shows that neither of those exempt him from doing harm passively or even actively—and growth, from that point, is acknowledging that harm and working to heal it. In a story where most of the beloved characters have done wildly questionable things or are defined by their maladaptive coping mechanisms for deep personal trauma, Terry being so generally stable and (all things considered) normal, but still able to develop and grow is actually pretty special.

And, of course, now that he's grown... he's ready for a road trip even wackier than "my girlfriend and I hauling around her dad's formerly-dead body on our way to break a fallen god out of prison."

[butterflydm]

rings of power, s2 eps 1-2

So there are things I know about how this season will end (specifically, I know a couple of pretty significant deaths), and that will definitely impact my thoughts during my watch of the season, so I'll set those out now.

spoilers below through s2 of rop and probably some lotr spoilers

Things I know will happen by the end of the season: Celebrimbor will die; Adar will die; and Sauron is going to stab Galadriel with a black crown (Morgoth's crown, I think). I also know we're gonna get blonde elf Sauron who goes by the name Annatar.

I have also been thinking about what Galadriel said a couple of times in s1 -- thirst cannot be quenched with seawater (paraphrased). It feels significant in a way that I'm not quite certain of, in the same way that Adar saying 'only blood can bind' feels significant. So I'm just going to place it here for me to think about. It was used by Galadriel to essentially mean that an inferior substitute cannot replace what you really need, mostly in the context of revenge, iirc, but yeah. It's sticking in my head for some reason.

episode 1: I enjoyed Gandalf with Nori (and I am glad that Poppy joined them!!) and it's intriguing and I'm interested in seeing more.

I like the Harfoot stuff but never seem to have much to say about it.

Now, Sauron, I can apparently talk about forever.

I love how ep1 of season 1 was us learning Galadriel's fateful road to meeting Sauron and now we see the other side of the story! We watch Sauron's road to meeting Galadriel!

Starting with his encounter with Adar and the orcs. Now, I am spoiled about how Adar dies, so I know that the season is going to bookend between Adar killing Sauron at the start, and then Sauron killing Adar in a very similar way at the end. Knowing that... I mean, you can see the murder in Sauron's eyes when he's forced to kneel and place his feet by Adar's feet. Even if Sauron didn't already plan on killing him (he did), that moment would have sealed Adar's fate (just as the old Sauron loyalist sealed his own fate by being an asshole to the imprisoned Halbrand).

I do find it very interesting that Sauron, while being Halbrand here, is also still doing good by his people -- he arranged for the enslaved Southlanders to be freed as part of his deal with Adar.

I really liked seeing that whole backstory, because we really got to the heart of why Sauron failed to redeem himself -- being good is not a single act (he is fully capable of doing singular acts of goodness -- he does one here by getting Adar to free the enslaved Southlanders as part of his bargain) but a choice that must be made over and over "until it becomes your nature". Arondir talks about this too, when the Southlanders were considering surrendering to Adar (and some of them did) -- that going to Adar and submitting to him turns back all of the progress that their people have made over the centuries to rid themselves of Morgoth's influence. Falling prey to the temptations of power makes it more difficult to unwind that temptation from yourself later on.

The Sauron and Adar scenes were so good. First, we had original recipe Sauron's failure to convince Adar to go along with his plan (because it was obviously selfish and putting Sauron and his desires over everyone else's) vs Halbrand's success at getting Adar to go along with his plan (because he was able to frame it in a way that meant he was going to be meeting Adar's desires and helping Adar destroy his old source of fear -- by using "Sauron" as bait, which was hilarious)!

Sauron really paid attention to the cost of his original failure with Adar & the orcs. And learned how to manipulate him better this time around.

We also saw his first meeting with Galadriel from his PoV and, yeah. He definitely saw something in her from the very start. I don't think he knew what -- I stand by what I said about Sauron in my s1 wrapup -- he's an opportunist. He took the pouch of the King of the Southlands because it might be useful someday. And I think he could see something intriguing in Galadriel and was curious about it. I don't think he had any particularly concrete plans at that time. Given his conversations with the old man (Diamand?), he was interested in the concept of redemption for himself, but I think the actual day-to-day hard work of it was something that he found daunting.

We also finally really got to see more hints of him using his powers. First, there was that huge blast of power when his body 'died' -- creating a frozen wasteland at that fortress location that is still there all these years later (that's the frozen fortress that Galadriel visited in s1e01!). Holy shit, he was holding a lot of power inside his form. Brings back all the shit that the wizard ladies were telling "Sauron" (Gandalf) that he was capable of at the end of last season. Plus the actual rebuilding of a different mortal form for himself, by consuming life along the way (that poor random girl). He really is something akin to a demigod and we got to see it in this episode.

We also appeared to see him commune with beasts twice -- it seemed like he was talking to that giant sea monster (also, it seems like there's no reason to worry about Sauron ever drowning, because bro did not seem to have any worries about being sunk down in the water for a while) and he communicated with and befriended the wolf that he then used to kill the old Sauron loyalist (no, I never bothered to learn the man's name. And now I don't need to know!).

In the Elven rings storyline: Elrond was absolutely right. The rings were whispering to people from the second they were completed. The rings actively resisted being thrown into the waters and seduced Cirdan into putting one of them on instead. The rings are dangerous. Maybe a portion of Gil-galad's point is correct, now that they have come to this turning point -- if Sauron had not come back to Middle-Earth, if the mountain hadn't blown, then Gil-galad might be arguing here that they should let the matter of the rings go and leave Middle-Earth. But now that he does believe that Sauron is here, he believes they are obligated to stay to fight him (aka exactly Galadriel's reasoning for refusing to leave in 1x01!).

That one of the Rings leapt out to choose its owner (Galadriel) and called to her to put it on... that is One Ring bullshit if I've ever seen it. The Rings want to be worn. They want to be used. They promise everything that your heart desires... through them. And that's the same damn promise that Sauron gives everyone. "I can give you the power to solve your problems. Just... listen to me. I have the answers and I am willing to give them to you. Let me rule you fix it for you." And he tailors that pitch so well to the person listening, if he's had a chance to get to know them (and isn't distracted by thoughts of his upcoming glory, lol).

I noticed that Galadriel didn't confess to who Halbrand truly was until she was cornered and essentially had no choice. I understand why she hesitated -- she knew that Sauron wasn't wrong when he said that she would be blamed for bringing him back. "How will they react when they learn that Sauron lives because of you?" She knows how they'll react. And that's why she didn't tell.

He was counting on that. That if she wouldn't come to his side, she at least wouldn't want to reveal how badly she'd miscalculated in trusting him. And in doing so, she enabled him to continue his plans.

And now that the rings exist, they resist being lost. They whisper a thousand promises of power to their bearer. The elven rings may not be touched by Sauron's hand, but his promise lives in them.

In the end, not even Frodo could bear to actually destroy the One Ring. When it came to the final moment, he decided to keep it. It was only his earlier actions that created the situation that led to its destruction.

Great opener! Looking forward to the rest of the season.

My mom's big takeaway was being awed/horrified over how Sauron was able to reconstitute himself from just the blood/goo that had been left behind, and she kinda despaired/marveled at how difficult someone like that is to truly defeat. We've decided we're probably going to rewatch the LotR movies after we've caught up with s2 of RoP.

episode 2: Okay, I'll tackle Gandalf's storyline first. Once again, it's good but pretty straight-forward, so not a lot to say. I do think it's important to have on-screen, because Gandalf is the rising foil to Sauron, the Maia that we can contrast against each other. Sauron is of many names and Gandalf the Stranger is currently of none.

I think part of what we have here is the continuing paralleling of the growth between their powers as well -- Gandalf calls a duststorm but cannot control it; Sauron calls a rainstorm and controls it to perfection.

The other parts of the story are all about the continuing rise of Sauron and how he is putting pieces together to create what he views as his masterwork.

Trouble in the dwarven mountains, trouble that was caused by the volcano erupting in what used to be the Southlands. A problem has been created for the dwarves. A fear has been created.

Now... now Sauron needs to make himself the solution to that new fear that the dwarves have. He needs to make his rings the solution to their deepest fears, just like he did for the elves when he learned that they were fading.

The family plotline that we had going on with the two stubborn Durins was good, and I continue to love Durin (III) and Disa's relationship. <3

With the elves, it becomes even more clear to me how connected the elven rings are to Sauron, even if he wasn't the one who crafted them (check out Halbrand's look of joy when he's telling Celebrimbor that the elven rings have "worked wonders" -- he is thrilled that the elven rings are being used). Galadriel touches the her ring and is distracted by visions about Sauron. Gil-galad hides his own ring from sight at the implication that the rings could be dangerous. And Cirdan attempts to make the argument that limitless power is fine in the hands of the trusted and the wise... an argument that the elves are sadly aware is incorrect by the time of the LotR. The rings are dangerous because the rings are Sauron's realized promise to save the elves from fading from Middle-Earth. They are his.

Elrond is the only one we've seen so far who resisted the call of the rings. He continues to have so much moral integrity - stands up to his friends, stands up to his king, keeps his oaths, and is wary of incredible power even if it rests in trusted hands.

I note that Gil-galad is careful to redirect any... failings of falling for Sauron's deceptions to Galadriel's feet. He hides his ring when the subject comes up. It's Galadriel who is a risk, not the rings. Never the rings. This section here was also set-up for how Halbrand manipulates Celebrimbor later on -- we learn in this conversation that it's said that once Sauron deceives you fully, then he can make you see and feel what he wants. That is what he does to Celebrimbor in this episode.

Gil-galad and Galadriel are both being granted visions by the rings. Where are the visions coming from? We didn't see Gil-galad's vision but we saw Galadriel's.

In her vision, she was granted access into Sauron's plans. Seven rings for the dwarf lords. Nine rings for the mortal men. And Celebrimbor... the Celebrimbor in her vision... he blamed her for Sauron's rise. Or gave her the credit. Depending on how you look at it. In her other, shorter vision, she was shown Halbrand in Eregion. Who is showing her this? Is it truly something that her ring has unlocked inside her, as Gil-galad suggests?

We also got to see how the memory of what she shared with Halbrand still preys on her heart. "He never left," Elrond says. So, yeah, heartbroken and ashamed and certain that it must be her destiny to kill Sauron (because only that way can she prove to herself that he isn't still in her heart?).

So, you know. Galadriel is going through it right now.

Over with our boy the Deceiver... continues to be doing the most at all times. He tried to make it work as Halbrand for quite a long time, honestly. He tried to elicit sympathy and understanding and he got it... to a certain extent. But then he hit the wall of Celebrimbor's arrogance about elven superiority vs men or dwarves (but especially "corruptible" mortal men).

And so Halbrand becomes Annatar in the most over the top way anyone could imagine, holy shit. That's what Celebrimbor wants. Not a collaboration with a lowly mortal smith or king of Men. He wants to believe that the Valar, that the gods themselves think that he's the best fucking artist in the world. So good that they sent a personal envoy to give him instructions.

The way that Sauron crafts himself to fit into what his audience most desires of him is... impressive and, you know, I should say terrifying, but honestly, it's kinda hot. Fictional con artists are very attractive to me. And Sauron defaults to being a con artist before he picks violence. He prefers manipulation. He's very good at it.

My mom's feelings: she feels like he looks "more evil" as Annatar and is relieved about it, lol.

[sexy-sapphic-sorcerer]

1: Magic is a Metaphor < 2: Morgana is a Lesbian < 3: Merlin is Gay < 4: Arthur is Bi

Do you remember when you were bullied in middle school? Because if you're reading this, I think it's fair to assume that you were. And your parents would say to you, 'that boy is just being mean to you because he likes you'. That's what this is.

Arthur is just so repressed. He has really bad daddy issues, and he doesn't know how to express his emotions, and he's really uncomfortable with physical intimacy, especially with other men, especially with Merlin. And this isn't me trying to psychoanalyse away his heterosexuality. It is a very evident part of his character.

And another big part of his character is that he has inherited all of these bigoted ideas about magic from his father that he has to work to overcome. Because, of course, Arthur himself is born of magic, but his dad is so ashamed of it that he hides the true circumstances of his birth from Arthur. Honestly, I don't know exactly how that would fit into this whole metaphor. I do have a half-formed theory that it could be interpreted as an allegory for intersex identity, I know that a lot of people headcanon Arthur as trans, so idk there could be something there. But regardless, it is only through his relationship with Merlin that he is able to overcome this magicphobia, because he realises: how could it be wrong when everything about Merlin is so right. And I just feel like there's a metaphor in there somewhere.

Of course, I have to mention this iconic quote from the audio commentary of the final episode: when the executive producer refers to Arthur taking off his royal seal to give back to Guinevere as passing over "the last vestige of his heterosexu- oh sorry, I mean his marriage." So, they knew exactly what they were doing.

I also thought I would just draw your attention to the fact that at one point Arthur says, "I only care about my men, they're more than friends, more than brothers." Now, I think we can all agree that out of context, that is a very gay thing to say, and yet somehow the context is even gayer, because Arthur is pretending to be talking about the Knights of the Round Table, but he's actually talking about Merlin, how Merlin is the only person he cares about, more than a friend. And then Merlin responds, "I understand. I wish I didn't, but I do." It's barely subtext at that point. This of course, brings me to my final argument:

Arthur risked his life to save Merlin at least eight times. It could be more than that, I genuinely lost count. And you have to keep in mind that Arthur is the King of Camelot and he doesn't have any heirs. It is quite important that he stays alive. And yet anytime that Merlin is in the slightest bit of danger, he will just drop everything to protect him.

And it's really only in those moments where he's faced with the thought of losing Merlin that he shows him genuine emotion. Such as in this scene (which was cut out of 4x02 purely because it was too gay) where Arthur is planning to sacrifice himself to protect Merlin, again, and he gives Merlin his mother's sigil, the only thing he has left of his dead mum and he wants Merlin to have it as something to remember him by. Also, apparently in medieval times giving someone your family crest was basically a marriage proposal, so that's pretty gay.

You know what else is pretty gay? Telepathically communicating with Merlin and then immediately leaving Gwen in the middle of an active war. This is literally the last time that Arthur and Gwen ever see each other. Poor Gwen.

In conclusion, Merlin is the story of gay sorcerers and bisexual knights getting into love triangles. Everyone in this show is queer and you cannot tell me otherwise.

[demeterdefence]

kept meaning to make a post and kept FORGETTING to because i'm dumb but i cannot stop thinking of all the loose ends / introduced plots that got dropped without any warning and one that has been sticking out is persephone's "new" abilities after she "lost" her powers

we get a lackluster hint in episode 267, when apollo uses some random magic deus ex machina to "restore" persephone's powers. he starts bleeding from the nose and ears.

also apologies for the terrible quality, i forgot that lo went under daily pass and had to scour my own screenshots lmamdgjsf

it's not explained at the time whatsoever and in fact, the vagueness of the narrative kind of half-heartedly implies that it's an effect of ouranos' magic - it's also completely handwaved away, since no one bothers to ask why apollo is suddenly bleeding from the orifices and able to use persephone's powers.

it's not until persephone and hera decide to visit kronos in tartarus that persephone explains she somehow knew all along what this strange power was! she can apparently make a god rot from the inside!!!

it's not explained at ALL how she figured that out or like ... why she has that specific power. it is mentioned during the solstice where she creates winter that she can only make "decay," but that's a pretty obvious and visual thing - she's quite literally blistered the mortal realm in snow and ice, with all the plants dying on their physical surface.

important context, but other than persephone's attack on minthe, she is never seen using her powers on another person. her abilities are always on herself, or using plants / growth in some way. the fertility goddess nonsense does mean that hades and kronos are able to use her powers to strengthen themselves, but beyond that plot point being ridiculous, it's also something they don't just figure out overnight. kronos being able to escape control the underworld, and hades going godzilla mode during the trial, are clues used to eventually figure out what persephone's fertility goddess powers can do.

in regards to her new winter powers, persephone either figured it out somehow before the scene with apollo, or she figured it out after. with no explanation how.

moving from the how, we then get the last mention to this power, when persephone attempts to stop kronos

spoiler: it does not work. the power is never referenced again.

in terms of lore olympus' many crimes, it's a small thing, but it stands out to me as such a flailing attempt to write some wiggle room into the finale. rachel was struggling to get to the end, that much was obvious, and she was padding out the episodes as desperately as she could so that she could pull on any random thread and find a way to keep the plot moving. in better hands, this might have been a legitimately interesting power to explore for persephone! the goddess of spring, capable of rot, capable of such bone-deep destruction, and how she reconciles that with growth. it could have been a powerful juxtaposition, but it got abandoned as soon as rachel figured out how to give persephone her powers back. presumably, persephone still has this ability, but it is literally never brought up again. we have no idea if there was lasting damage to apollo, if it did anything in particular to kronos, what it can do to a god (the assumption is nothing, since both apollo and kronos seem just fine in their final scenes.)

it's just. amazing to go back and look through all the various strings rachel was knotting together, seeing stuff that might have been genuinely fascinating to explore in some other writer's hands! tiny little things like this, added up together to just be crapshoot after crapshoot. it's no surprise at all that rachel finished the last episode barely an hour before it went live. what a mess.

[howtodrawyourdragon]

Hey! Do you really think that pacifist Hiccup is fanon? No judgment, just...again, surprised by this interpretation. I'd imagine that if canon really thought Hiccup was balanced, they would have shown more of a moral struggle over the deaths related to him, no? But it's often left ambiguous (see Drago or random dragon hunter #3 who gets blasted out of the way Idk), which (to me) means people happily lived. Because they disappeared left and right without regard or mourning. We see no dead dragons or people on the ground after the Battle of the Bewilderbeast, for example, which makes the assumption that a lot of humans and animals must have died there, "objectively" wrong. Of course they needed to keep it kids-friendly, but I'd think if Hiccup was truly ruthless towards any threat to his family, they would have made the cost of peace a little more of an apparent theme. Thoughts?

I genuinely believe that Hiccup being a pacifist is a fanon thing because there's nothing in the actual canon to prove that he is.

Does Hiccup oppose war? Yes, he does. Httyd 2 is all about him wanting to prevent it from happening. In R(D)oB the thing with hiding the dragons away from Dagur was also to prevent a potential war with the Berserkers. (A war that did end up happening, although because Hiccup and Berk lied to Dagur and Hiccup fake protected him.)

Does Hiccup entirely oppose violence? Even as a means of settling disputes? No, he doesn't and every battle ever proves that. (More on that in the RttE section)

And if Httyd had a higher rating, we probably would've seen those bodies and we'd probably also see Stoick lying in pieces or at least disembowled from taking a plasma blast to the chest for his son and said son covered in his blood. The fact that we don't is simply because Httyd needs to appeal to all audiences and for the majority kids, like you said.

But this doesn't mean that people aren't actively dying in the tv-shows.

Barely passable screenshots, but these are from 'Heather Report Part 2' when Alvin holds Astrid above a cliff and that's not the face of someone who wants to be careful as he tells his Night Fury to blast him away.

Alvin gave Hiccup a choice in that scene; "surrender or I'll... well, you know the rest." Which in this context means that Hiccup should surrender or Alvin will drop Astrid to her death. Hiccup chooses to instead tell Toothless to "do it." And I doubt this means he holds no value for Astrid's life, but letting Alvin get away with the Book of Dragons just isn't an option either.

And let's not forget 'We Are Family Part 2', in which Hiccup and Toothless are so angry at Alvin for taunting him after hurting them (it's stated for days) that they don't think clearly and turn back around just to hurt him. A calculated move on Alvin's part, who hoped Hiccup would be too angry to think clearly. Angry people don't make for merciful people either.

Moving on from Alvin, shipwrecks are already hard to survive. You would need to wait for help to come to you and that is if you:

Don't drown first

Don't get picked off by predators

Die from lack of food or drinkable water

Die from exposure

Die from sickness

The USS Indianapolis is famous for having most of it's crew survive (like, 800 to 900 men?) the initial sinking of the ship only to lose most except for a little over 300 to exposure, lack of food/water and sharks. This crew started with over 1,100 men and only a little over 300 survived for four days until others learned of the sinking and send help. And that's a ship that sank in WWII, let alone a Viking ship that's mostly wood and doesn't have fancy ways to send for help.

Remember that comedic moment of Dagur vowing he's going to make Hiccup kiss his boots in the 'Smoke Gets in Your Eye' episode? When he's sitting on a piece of driftwood after the Smothering Smokebreaths tore his ships apart by taking all the metal out of them?

A funny moment, but Dagur genuinely could've died from either of the causes listed above and it's not like Hiccup looked back and had second thoughts, he went home and was glad Dagur wasn't terrorizing his village for another day.

There are plenty of times in RoB and DoB in which Hiccup and Toothless hurt people and dragons alike. Is it his intention to kill? Absolutely not, but he doesn't shy away from violence either.

For a character the fandom largely appears to consider a pacifist, he sure does spend a lot of his time committing violent acts.

Even his future wife has a tendency to show love and excitement by punching him in the dorsal fin button before giggling. Would a real pacifist put up with that? He literally spars with her for fun and she gets to throw him around, they both like doing that!

Would a pacifist even survive in a place like Berk? Where everyone is so rough and disputes sometimes easily escalate to violent action with sharp objects involved? If that is the case, we might as well call Stoick a pacifist, because he's the one going around stopping these disputes from escalating that far.

But anyway, moving on to RttE!

In Snow Way Out, this is what Hiccup says:

"If there's one chance to settle this without bloodshed, I have to try."

And seconds after, Hiccup has this interaction with Ryker:

Ryker - "In that case, surrender and you won't meet the same fate as your dragons."

Hiccup - "Okay, here's my offer. Leave now and your men won't have to find out what burning flesh smells like.

Fanon and canon agree that Hiccup is a bad liar. If he wasn't, he probably would've been able to come up with a better excuse then "I'm making... outfits!" when Astrid is on the cusp of finding out about Toothless.

Which means that Hiccup is not lying in this scene. Which means Hiccup intends on following through. Could be just a bluff, he and the rest of the Dragon Riders are kind of cornered in this scene, but that doesn't mean he isn't willing to fight his way out if his only other options are either surrender or die.

And he says it quite easily for a character so many consider a pacifist. A threat to burn Ryker's men alive.

The thing is, Hiccup probably does know what burning flesh smells like, he grew up in a village torn by war in which the other side are fire-breathing dragons. He's also literally one of the oldest children of three (he, Astrid and Snotlout are canonically 20 in Httyd 2 while Ruffnut, Tuffnut and Fishlegs 19) and the kids that aren't his peers are years younger than him. If you pay close attention to who walks around on Berk in Httyd 1, there are huge gaps in ages that continue into the tv-shows and the other movies.

So Hiccup probably is desensitized to seeing all of that, which could explain his lack of a reaction to taking lives, (a tsunami gets more of a reaction out of him) but that doesn't mean he can't mourn the failure in preventing more loss.

And let's not forget that this is also the episode in which Hiccup gave Toothless the order to shoot down Windshear, Heather and Ryker. Windshear and Heather who he considered friends until recently.

In the Guardians of Vanaheim episode, he has that moment in which he almost kills that Flyer with the Dragonblade in retaliation for the "deaths" of the Sentinels. The Riders genuinely think Hiccup is going to kill that Flyer, you can see it on their faces, which means even they think he's capable of that. Now ultimately, Hiccup decides not to and he tells the twins that they won't be torturing the prisoner. (And it's probably because of moments like that that fans decide Hiccup is a pacifist, despite all the violence he regularly partakes in)

But that doesn't change the fact that Hicctooth, Stormstrid and Snotfang chase after the Flyers with the intention of making sure that they never tell Johann about Vanaheim.

Flyer - "All I know is Johann will be very interested to learn of its existence. The others left to inform him,"

Tuffnut - "We should probably tell Hiccup."

Hiccup - "I heard, Tuff. Let's go everyone. We have to catch those Flyers."

And that is what they do. They catch up to the Flyers and make sure that they don't tell Johann about Vanaheim's existence and Vanaheim isn't mentioned again, implying that Johann never did learn about it.

Now, the show does decide to show us the Flyers surviving (one of the few they actually show us surviving, too) but that has more to do with RttE's rating than whether Hiccup is a pacifist or not. Because Hiccup really did use lightning to down them and being struck by lightning can be very, very lethal. For both the Flyers as well as the Singetails.

(And honestly, are we meant to think that they never left that little island? Considering Johann never found out about Vanaheim? Still leaves their survival kind of up for interpretation.)

In the King of Dragons two-parter, Hiccup tells his Dragon Riders to make sure Johann's ships don't make it out. That is a thing that he says.

Hiccup - "All right. Ruff, Tuff, Snotlout, you take out the ships. Make sure this is their last voyage."

All three of these moments show us Hiccup's willingness to do what it takes and it does include taking lives.

Although Hiccup does draw a hard line at when innocents are involved. Like how he didn't want to hurt the Singetails that were being forced to carry the Flyers. But it's also worth mentioning, that he did not plan on holding back when it came to the Rumblehorn that he believed threatened Gobber's life. (In RoB/DoB he didn't hold back with the Whispering and Screaming Deaths either. Even amongst dragons, Hiccup makes a clear distinction between "good" and "bad".)

That we either don't see the bodies if they're dropped by Hiccup and friends or see the enemy survive somehow (unless someone neutral or the enemy themselves take them out) has everything to do with the rating and Httyd's audience. Even the Red Death's death was bloodless and she exploded. Bits of her should've been everywhere! Instead we had the ash gently falling down to the earth.

This franchise isn't Game of Thrones, it's Httyd and Httyd has a rating that makes it appropriate for all ages. GoT level rating for Httyd probably would've given Hiccup+dragons Targaryen+dragons levels of carnage. And that isn't the case simply because of Httyd's intended audience.

And as for Hiccup's lack of a reaction to deaths supposedly caused by him, if we go back to the desensitization thing, if you used to watch people and/or dragons die in battle every other night for 15 of the most influential years of your life, you're not going to look up when you head into battle as a (young) adult on the back of a fire-breathing dragon and weep for every life snuffed out by you and your best Bud. Because one is a casualty of war and the other murder and something Hiccup hasn't done is murder.

^^^^ That is Hiccup's face as he looks into the water to see if he can spot a single sign that Drago has survived. He doesn't look like he's remorseful for Drago dying, instead he just looks worried. And knowing Hiccup's history with Drago and the reason why he set out to change his mind in the first place, it's not worry for Drago himself. It's worry that he might've survived. That he could come back to hurt his loved ones and (most importantly) his village again.

^^^^ Followed be the face of someone who wishes things had gone differently.

This is probably the biggest proof that Hiccup was meant to be chief. He set out to protect his village and he'll remain worried for his village. Maybe a hottake, but thematically/from a writer's standpoint, that points towards Hiccup destiny to be chief.

Of course, we know Drago canonically didn't survive due to the re-writes of Httyd 3 and the cancelation of The Fire Tides.

Now, I could talk about the Serpent's Heir.

I could talk about the absolute decisiveness in Hiccup's expression and everybody's lack of a reaction to Hiccup setting a guy on fire (the most we get is Astrid stating how she couldn't keep him out of trouble) and how this is the clearest evidence of Hiccup taking lives with his own two hands to protect himself, but most importantly, Toothless. (And just like many villains before him, Hiccup did try to talk sense into Calder)

I could talk about Dragonvine (I don't have an online version of that comic) and how Toothless was poisoned and Hiccup almost hurt young Silkspanners because he believed they were about to make Toothless' last few hours in life Hell. (Meaning each comic gave an example of Hiccup protecting Toothless against a human and dragons respectively)

But the movies and shows are teeming with examples of Hiccup getting his hands dirty (either with his own two hands or through Toothless) to protect either himself or someone he loves. And that makes him the exact opposite of a pacifist. Because Hiccup will use violence to protect who he loves and what he believes in.

But like I said, Hiccup isn't a one-dimensional character and it's true that he doesn't want violence to be his first option. Rather he'll often give his foes the chance to resolve things peacefully if it prevents bloodshed on both sides. I've mentioned it once before in another post, but with how many casualties there are on the opposite side at all times and none on the side of the Dragon Riders (minus the occasional arrow wound or Stoick's death) it's only fair for Hiccup to give his foes the chance the back out. It's just that they never do, always underestimating him and the Dragon Riders.

And with the Red Death that kind of was never an option to begin with and Hiccup knew that.

But we do see him try to forgive his foes even though they've either stabbed him in the back before or are obviously planning to and that is likely where the "naive" part comes from. But Hiccup is also 15 to 20 years old, he doesn't even have half as much life experience as his foes do, who are every single one of them grown-ass adults well over a decade older than him.

And we do see him have moments of remorse, like in RttE when he tells Viggo that things didn't have to end so fatally in Shell-shocked Part 2 or when we see him make a big deal about not hurting the innocent Singetails in season 5 or even when deciding to give the fishing boat with the Scourge of Odin a proper send off. I think that's where the "pacifist" part of the fancanon probably comes from.

Even though we not only see Hiccup actively partake in violence without lying awake about it, but also be smug about both big and small wins and simply enjoy the thrill. (And to repeat once more, he actively enjoys sparring with his wife who likes punching his dorsal fin button to show him just how excited she is about something)

But anyway, a veeeeeeeerrryy long way of ranting about how the proof that Hiccup isn't a pacifist is from Httyd 1 all the way to httyd 2 (And the two comics) and that actual on-screen deaths are only not there purely because the franchise's audience is still largely children. :)

[bemusedlybespectacled]

Question: I enjoyed s1 OF OFMD, but for various reasons I never actually got around to watching s2 (pick up most of the plot from tumblr tho). What exactly went wrong in s2 that got so many people upset?

Oh, boy. Very long rant incoming.

So, for context, S2 had a significantly smaller budget, which necessitated moving the filming location to union-unfriendly New Zealand, reducing the number of actors/number of appearances of established actors, and cutting down the number of episodes from 10 to 8. In a show where each episode is only about half an hour long, that last one alone was enough to seriously hamper any character development or plot. I am very comfortable putting the vast majority of the blame on HBO because of these financial decisions.

The short version is that Jenkins et. al. needed to address and build on the problems left hanging in S1 while also getting the characters to the end of their character trajectories in case there was no S3 while also leaving room for additional episodes in case there was a S3, in a grand total of four hours, and failed.

The long version is that there were a bunch of what I'd consider small problems in isolation that came together and exploded in the S2 finale.

The reduced cast necessitated breaking up the crew (ex: having Swede marry Jackie and stay on land with her, so they don't need to pay Nat Faxon for all eight episodes) and not spending as much time on their relationships as S1 did.

The reduced time meant that the entire season was rushed (in contrast to S1, which takes place over at least several weeks if not months, most of S2 takes place in roughly five days), leading both to a lot of telling rather than showing (because they don't have time to show you), including vital character and relationship development.

This includes:

Having the Kraken half of the crew beat Ed to death after months of being abused by him – abuse that is clearly shown to have given them PTSD and a well-justified fear and hatred of him – only for them to be okay with him two in-universe days later;

On that note, having Stede dismiss the crew's concerns about Ed because he loves him and also we only have three more episodes left to fit in everything so we need to get over it really fast, even though Stede is supposed to be well-meaning and caring (even if he's not good at it all the time);

Resolving the issue of Stede abandoning Ed in one day, then having them "go slowly" in their relationship for two days and then have some spur-of-the-moment sex, and then the next afternoon have them break up over their diverging career aspirations, and then the day after that resolve that problem and retire on land while the rest of the crew sails off into the sunset;

Stede becoming a fantastic pirate captain over the course of one day, becoming wildly popular in the piracy world two days later, and then deciding the day after that to never be a captain again because he is retiring with Ed;

Having Ed and Stede decide to retire together as what is implied to be the end point of their relationship arc, when none of Stede's issues from S1, like his poor self-esteem, have been so much as mentioned by anyone, implying that he's either magically gotten over them or they don't matter all that much, actually, even though they were the catalyst for basically everything he did in S1;

Ed having two separate character crises – "I am an unlovable person" and "I want to do something with my life other than piracy" – not spending a lot of time on either one, having moments that clearly indicate he is still working on both problems and they have not been resolved, and then apparently having them both be resolved in the final episode despite nothing occurring to actually make that happen, and in regards to the latter, despite the story actively undermining it by repeatedly showing he can't do anything other than piracy;

Related to the above, Ed ending the series as allegedly being loved by the crew as a family (thus solving Crisis #1) despite this never actually being shown, demonstrated, or even fucking alluded to onscreen. If anything, it shows the exact opposite.

This last point is especially galling to me because of what is probably the most divisive issue in the fandom right now: killing off Izzy Hands after giving him seven episodes of character development.

The show begins with the Kraken crew clearly trying to use the skills they learned as part of Stede's crew to cope with their incredibly shitty situation and care for each other, which includes Izzy. Izzy, on his end, tries to protect the crew and speak up for them, which results in him being repeatedly hurt (both implicitly, as Ed at one point says "that's another toe" in response to Izzy advocating for the crew and we later see he's missing more than one toe already, and explicitly, as Ed shoots him in the fucking leg in front of the crew when he stands up for them).

This camaraderie is shown again and again and again. Frenchie, Jim, and Archie take care of Izzy while his leg is infected, at risk to their own lives. Izzy's misery over losing his leg is what unites the PTSD-ridden Kraken crew and the well-meaning-but-ignorant-of-PTSD marooned crew, who are initially at odds, to make him a new prosthetic leg. Izzy gives Lucius advice about forgiving Ed. Izzy is introduced to drag and opens up enough to sing at a crew party, and the whole crew is having fun together while Ed and Stede are in their cabin having sex for the first time. Izzy gives Stede pirate captain lessons and bonds with him when Ed leaves him. Izzy provokes the season's villain into focusing on him and then gives a big speech about how piracy is about belonging to something, giving the rest of the crew time to try to escape.

Recall that Season 1 had some pretty well-established universe rules, one of which was that it runs on Muppet physics/magical realism. People can jump off yardarms, hit the side on the way down, and be perfectly fine. People can get stabbed in the liver and it's totally okay because it's probably not that important, and even can stay pinned to a mast all night that way with only mild discomfort. Buttons can talk to birds and see long distances without a spyglass and put hexes on people. Good people can be hurt (Stede is stabbed repeatedly), bad people can die (the Badmintons, Geraldo), but no one we care about is ever killed.

This is repeated in Season 2: Ed is beaten into a coma with a cannonball and wakes up like Sleeping Beauty after a spirit journey, with no injuries to his face or body. Buttons turns into a seagull after spending an episode doing a magic ritual and is never seen again (because they couldn't keep paying Ewen Bremner due to the budget cuts). Jackie microdoses her husbands with poison to build up their immunity, so that she can later pull a Dread Pirate Westley and poison the British with shared drinks.

So: in the finale, the villain of the season is taken hostage by the pirates (for reasons? unclear how that fits in the plan), happens to have a gun on him (no one checked??), shoots Izzy on the right side and then leaves with no repercussions. The entire crew stands around silently doing nothing while Ed cries over Izzy and tells him that he's his only family.

And Izzy fucking Hands, the guy who just spent eight episodes bonding with and protecting everyone, uses his last words to reassure Ed that him becoming Blackbeard/the Kraken was Izzy's fault and that the crew is Ed's family and they all love him. No one else says anything to Izzy or tries to comfort him or help him in any way.

I repeat: in a show predicated on the idea that bullies and bigots die stupid deaths while queer people and POC are basically magic, a show that was praised for being kind to queer people by not making them worry about their faves suffering or dying, a show founded on the strength of the relationships between the characters, the guy who went through a season-long arc of learning to embrace his pirate found family and his own queerness is shot for stupid reasons on the side we're told isn't important and dies while everyone just stands there. His last words are about the whole crew loving Ed when the only person that the whole crew has loved all season is him.

Anyway, never mind all that, let's cut to Lucius and Pete getting married and Stede and Ed retiring!

Complicating all this is that people who liked Izzy (or even said anything insufficiently mean about Izzy) were harassed for months in between seasons with insults, slurs, and actual fucking death threats. Izzy's growth was kind of a vindication for liking him: it meant that, despite all the harassment, we were right to like him and care about him as a character. Even people who didn't like him initially started to like him during Season 2.

And then he dies, and now there's a bunch of people saying that Izzy fans are big whiny babies who can't handle fictional death, and actually his death was so meaningful and beautiful and the only logical end to his arc, and it can't be bad writing because people die in real life all the time, and also he admitted he fed Ed's darkness so actually he was a terrible person all along anyway and they were right to hate him (and his fans)!

So, yeah, there are a lot of reasons why it's so hated, and I'm probably only addressing the problems of the pro-Izzy people (from what I can tell, BlackBonnet shippers who don't like Izzy think Ed and Stede's relationship is fine and dandy, but I'm sure that there are other criticisms they have that I have not addressed). I'm not even addressing the issues with Jim and Oluwande's relationship this season (and whooo boy are there issues).

It wasn't a universally bad season. There were episodes I really loved and still do. But the finale was a train wreck, and because it was a train wreck, a lot of people are looking back at what happened before the wreck and realizing that, oh, the train lost its brakes and steering because of the budget cuts and the engineers kept throwing fuel in the engine to make it go faster, and huh, now that I think of it, that part earlier in the trip was really wobbly but I didn't pay much attention to it at the time because I was sure the engineers had everything covered.

[embracing-the-ineffable]

The Ineffable Detective Agency presents more Ineffable Discontinuity and Suspicious Moments: Hawaiian Shirt / Pub Table Guy

Introducing... the extra/background character who makes Aziraphale do THIS, and then immediately has his table at the pub miracled away:

Jon Dan Duncan's imdb profile doesn't list Good Omens, not even as "uncredited" - which seems strange, because his profile does include the above photo of him. Since the actor isn't credited in GO, we don't have a character name or know anything more than what we can see onscreen. So, what DO we see?

First of all, when Aziraphale sees this person, he definitely has A Reaction. We were probably all too distracted by Azi stroking the thin dark duke to notice (as an aside, IS Crowley a Duke? Of what? Hell? Something else??), but after the 90th rewatch, it gets a bit easier to focus on these background details that are probably critically important to the story in ways we just don't understand yet. Look at this:

Did he mouth "stop" when he's supposed to be saying "sherry"? Maybe. These LOOKS, though:

We all know that Michael Sheen's expressions, no matter how tiny or fleeting, are very intentional. Who IS this mystery person??! Immediately after taking his table:

After whoever-he-is loses his pub table, he lingers nearby, and there's an interesting "ineffable discontinuity" - what he's holding in his right hand abruptly changes twice between camera cuts (sound on, if you want context for this small zoomed-in part of the screen, and try watching from your browser if the Tumblr app is cutting off the right edge of the image):

So far, our best explanation for the "ineffable discontinuities" - things that inexplicably and improbably change, like which hand is holding his drink or (coming up next) when he's behind Gabriel and then suddenly in front of him - is that we're seeing multiple timelines that are being knitted together in production to make them look seamless - but who knows? We'd love to hear your ideas! (Also, see the appearing Honolulu Roast sign in the coffeeshop, or Crowley's tattoo and sideburns, or the fandom's newest discovery (from @kimberleyjean and @bbbitchvibbbez) about Gabriel visiting his statue with "both" s1 and s2 Beelzebubs, plus the way the statue's cross is sometimes missing - just to name a few!)

Was the point in this scene with Hawaiian shirt/pub guy's right hand to draw our attention to this page of his newspaper?

"Unearthed mysteries of sealed library basement" - when Crowley told Shax that Aziraphale was "stock taking in the basement", was it true that there IS a basement in the bookshop? Basements apparently aren't that common in most of the UK, but London is famous for having "iceberg" buildings (where the basements are actually bigger than what's above-ground).

"Government approves funding for citywide charging stations" - We don't know, but it makes us think of all the electric cars used in s2 (it was an indoor set) and of Crowley throwing lightning in the street.

And the smaller headline on the right ... Hmmm. Can you read it? 😅 Maybe "Neighbor says New ------ park gate is ' too --- ' "

And it's not just the pub during episode 2! This mystery character is everywhere!

E1: He somehow starts out behind Gabriel, and then ends up in front of Gabriel with another extra on his arm:

E2: In addition to his appearance in the pub, he's also watching when Saraqael, Uriel, and Michael arrive:

E3: Our mystery character is there again when Crowley makes it rain, wearing his e1 shirt:

E4: We didn't spot him in this episode, but there are only a few minutes of present-day SoHo. Did anyone else see him?

E5: He has a doppelganger in a different Hawaiian print shirt! (Notice the different facial hair, among other things.)

Later in e5 he does actually make an appearance in the bookshop window for a quarter of a second (!!), wearing his e2 pub outfit, and maybe it's his presence that elicits this similar-to-the-pub reaction from Aziraphale?

E6: And back again to his black e1 and e3 shirt with the red flowers, while in line behind The Metatron, and then sitting at a table on the sidewalk, where he remains with the person in the turban who was in line behind him (and who also shows up quite a lot during s2) right up until Crowley drives away:

So, why have him wear such a noticable black shirt with red flowers on what are supposed to be three different days? Is he connected, with his Hawaiian print shirt, to the appearing Honolulu Roast sign? Why does he get a doppelganger in e5 - to distract us from his presence outside the bookshop before the ball? Why does Aziraphale react like this - TWICE - upon seeing this person?? (Much to Crowley's great confusion!)

And why does it seem that Aziraphale is keeping this person's presence/ identity/ importance a secret from Crowley?

As always, we'd love to hear your ideas!

Also, here's an earlier post from @theastrophysicistnextdoor about him, with gratitude for the inspiration to write all this up.

With appreciation for contributions from @noneorother, @thebluestgreen, and @embracing-the-ineffable at the @ineffable-detective-agency

Want to see more interesting posts, plus Good Omens clues and metas from all over the fandom? There's a huge collection here!