#and I will try to continue my other aus

[gulasdenforbreakdowns]

Ummmm hi hello I'm so sorry for not updating my other aus but uni, writer block and depression are beating me into a pulp T^T.

Anyway my mind gave birth to some other au (they need so much research and wordbuilding but for now I need them out of my mind) more under the cut:

Madoka magica au: madoka magica base (magical contracts, doomed lesbians, cutesy nightmare fuel vibe) with our favourite manic couple as protagonist but make it lesbians, I love the idea of them being the only one that break the rules of how much magical girls can go without a grief seed and all + the idea that they are the only ones with the death vroom vroom a la yu-gi-oh gx is so appealing. Lesbian Rosquez with other side parings to be decided ( one would surely be dovi/jlo)

Vampire the masquerade au: pretty straightforward our beloved grid is transported in vtm with all the pros and disadvantages. I need to rereed the manual and think if I want them to be anarchist and outright oppose the camarilla or just be of the grid (eh eh grid see what I did here) but having them being under the ivory tower. The accademy would be one coterie that would obviously respond to Vale, still unsure if I want them to be all turned by him because that would be pretty boring but they obviously have a strong bond maybe a blood bond need to think it over, and I'm thinking of having the Spaniards as another coterie, maybe they defected from the camarilla idk.

D&D au: similar to vtm I just want a reason to have them as magical creatures and go on adventures ( and possibly find a way to use their favourite death traps in a fantasy setting). I will certainly draw inspiration from Inntale ( Italian gdr YouTube channel that y'all should check out), critical role and dimension 20.

One piece au: just our silly accademy boys + Vale, Marc and Alex ( with uccio as the emergency food) being pirates with wacky physics and even wackier power ups trudging through the ocean in search of the one piece ( the noodly italian and his rabbid Spanish twink are just perfect for the word of Op and honesty the boys are just mini versions of the maniac noodle). I imagine Vale as a whitebeard type of figure, so a collecting strays like it's nobody business type of deal, and Marc as more of a Mihawk type.

Ask me anything, and I mean anything, because I love to yap about things but most of the times I get stuck in my head! see ya todaloos ♡

[theoneinmultiplefandoms]

introducing my Gravity Falls AU i've been working on since August of this year: "Codename: Caged Canary"! 🐤⚠️

(or at least, still working on - i've been busy everywhere else though GDJDB)

AU Synopsis:

"During one of the sea trips, Stanley Pines got a vision / message from The Axolotl about Bill - that he'll be stuck in Stan's Mindscape watching through Stan's eyes and ears for the time being (thankfully powerless) as part of his "Exposure Therapy". As a fair trade, They also decided to transfer Bill's powers onto him for extra protection - although Stan didn't get them until later, which was quite a surprise for everyone involved.

Does Stan know why he's being the test dummy for this whole Exposure Therapy™️ shtick? Does Bill know why The Axolotl suddenly decided to torture him more? Even so, does Ford know why would all of this happen to the three of them now?

The answer to all three: Nope. No direct answer can ever be given by the pink-frilled god, sadly... at least, not yet."

[critter-covenant]

BOOM frowning critters yuri be upon ye

Catfeine and Dogpressed by @/eggritos!! :D

[sealrock]

the four horsemen.

[total-drama-brainrot]

TD World Tour AU, where Noah is Chris’s Assistant from the start of World Tour, instead of a contestant ... Alejandro tries to charm Noah, like Alejandro had charmed Chef, but Noah is immune to his charms... What if Assistant Noah still told Owen that Alejandro is like 'an eel dipped in grease' and Alejandro CAN'T get rid of Assistant Noah for saying that?... Would they have a weird frenemy relationship for the rest of the show?... With Alejandro sometimes teasingly flirting with Noah, like he does with Heather? 😘

In my take on an Assistant Noah AU, Noah would be entirely immune to Alejandro's charm, not because he's switched on to The Archvillain's true colours (which, he is, but I digress) but because Assistant Noah is The Saltiest Bitch.

-

Imagine with me, for a moment, that you've landed yourself a pretty sweet gig; you're the personal assistant of an A-list celebrity who's only real job at the moment is hosting and directing one (1) reality TV show. The pay is really good and the job itself comes with a tonne of benefits, plus it's the perfect position for you to develop networks within the business (Noah canonically mentions "working his way up this 'biz", implying he has a desire to continue in the field of showbusiness).

Now imagine with me that said celebrity is Chris McLean, renown sadist and all-around disaster of a man. This guy absolutely pawns off the majority of his work onto you, meaning it falls onto your shoulders to; corral the on-set interns into some semblance of competency, make sure that each challenge is properly set up and ready to go, make sure Chris himself is set up and ready to go, and put up with regular coffee run requests. That's a lot of work for one 16~17 year old, even if you are a certified genius.

You're overworked, sleep-deprived and two seconds away from snapping at the nearest intern at any given moment.

And then, during the filming of the latest season, the guy you hand picked to star in the non-existent "Total Drama Dirtbags" (mostly because he was better looking than his brother, who also applied) tries to charm and flirt his way into you giving him advantages in the competition- or at the very least, trick you into divulging information on their next challenge. It's as if he thinks you're somehow not aware of the fact that he's a total scumbag, despite knowing you work on the show and therefore have seen both his acts of sabotage and the confessions in which he plots them.

Suffice to say, you're kind of insulted. I mean, really? Flirting? You don't even have time for something as trivial as a relationship, or even a fling! There's challenges to set up, international negotiations to suffer through, and unpaid interns to boss around- your schedule's booked!

And yet he keeps flirting with you, even after you've snubbed him multiple times. At this point you're pretty sure it's become a point of wounded pride for him, instead of the game tactic it started as; after all, his charms have worked on pretty much everyone on the cast, what makes you so different?

Eventually, as the herd thins, you decide to warn your best friend (who's somehow miraculously remained in the competition, despite his 'team leader's' obvious dislike of him) about Alejandro's less-than-noble intentions. Owen misconstrues your selfless act of solidarity as a sign of jealousy, or god forbid 'denial of your feelings', towards Alejandro. Which, what? No, that's not it at all! The one time you try to be a good friend and this is how you're repaid?

Alejandro overhears this, unfortunately, and seems to take the fact that you're not fooled by his obviously fake mask as some sort of personal affront. Of course, as the person who's essentially running the show, there's not much he can do to you besides carry on being the nuisance he is- which is exactly what he does, but more.

Suddenly, his flirting from before seems like nothing, because now he's really trying to get under your skin with that same plastic charm; it's like he took the dial to his natural flirtatiousness and turned it to eleven. It's annoying. And worse, it's getting in the way of your work flow.

You'd love to stage his elimination, but you know the public outcry from his untimely departure from the show would outweigh the relief of being rid of him, so you resolve to do as you have been; ignoring Alejandro until he gets bored. (That's easier said than done- he's really good at getting under your skin, like the thorns on a rose bush.)

To make matters Even Worse, your elusive appearances on the show- as Chris' personal assistant it would be impossible to avoid the cameras entirely, but you'd bribed the editing team to cut as much of your unwitting footage from the final edit as they could- paired with your 'entertaining dynamic' with Alejandro has the viewers clambering for more, so now you're obligated to act as a de facto co-host alongside your boss.

So now you're stuck having to at least acknowledge Alejandro, if only to give the editors something to work with. Great.

-

At least, that's what my take on an Assistant Noah AU would entail.🤷‍♀️

[starppleb]

Lonely broken child

"I have bad and good news," announced Tim almost falling into the room. "Start with bad news," muttered Bruse, taking a sip from the cup. Batkids tensed. Of course, a lovely morning when everyone (somehow) managed to all together enjoy breakfast had to be destroyed by some good-bad news. "I'll start from a good one," continued Tim "Bruce, you had more far family relatives than you knew." "And a bad one?" "They died and now their youngest son has no one to be with because another side of the family doesn't want to take 'sick freaky kid' in." 'Well, it could have been worse,' thought Bruce. "And his sister described his condition as 'walking dead'," added Tim. Jason snorted before his face fell with a frown. "How old is the kid?" Asked Jason with worry. "13." Jason choked on his drink and excused himself. 'Well, it can't be even worse,' thought Bruce. "And-," started Tim. "There is more!?" Cried out Jason from another room. "-And some people accuse him of being guilty in an accident in which died his parents." That morning is indeed quite interesting...

[houndfaker]

another summer put to bed

[ratatatastic]

lmaoooo maffhew wanting the knot immediately and having to wait for sasha to catch up with that is so deeply funny like. this omega is not subtle and you’re not a stupid alpha babe! can only imagine what benny has to say to maffhew about it once he catches on and stops banging his head against a wall

idiots to lovers is always great but especially when its two people who would be hitched with 10 kids by now if they stopped being dumb for a single second like its that easy and yet...

to me they very much fall around the same time (infatuation at first scent if you will) just that sasha takes some time to get there not because he's dumb (okay he's a little dumb) but in the sense that its like "this person is very interested in me, i can see and recognise that but theres so much cognitive dissonance in my brain right now between knowing that intrinsically and finding that hard to believe so i unintentionally play dumb because obviously i'm reading too much into things it cant be me they're interested in haha that'd crazy but they're being awfully touchy and flirty with me wow"

but also it takes two to tango and we have to acknowledge that and this is when i would love to bring up the ways in which this man decides is the best way to go about that because he is a catholic school girlie... there's so much hilarity to be had here especially because his flirting is very uh how you say... a little ass backwards if you will especially considering dynamics

"I make it a point to keep the door closed when we're alone in a room together! That's basically a clear invitation that I'm down to fuck!!! Im basically asking to be ragdolled on his knot!!!"

and Benny just pinches the bridge of his nose like "I don't know how to explain to you in a way you'll understand that not everyone went to Catholic school."

But saying that Sasha does side-eye the door knob heavily when Maffhew goes over to close it the first time and he starts sweating like he just got dragged into a game of 7 Minutes in Heaven he did not sign up for and he's 13 again and oh god he got paired with a really cute girl, and he hasn't even had his first real kiss yet and-

And then absolutely nothing happens because Maffhew is just waiting with a polite expectant smile (because his work here is done, he did the heavy lifting know it's Sasha's turn) and this is when Sasha's dynamic classes training kicks in and he basically scolds himself for even assuming in the first place because this is clearly a show of trust (correct) not an invitation for extra circular activities (incorrect buzzer noise) and it basically becomes "This Omega really trusts me, I'm honoured especially as Pack Leader that I'm able to be so accepted into such a private space with the inherent knowledge that I will not encroach their boundaries whatsoever because consent is verbal, this is not in any way an invitation to take advantage of them this is deep platonic trust I will guard with my life :]"

and if you listen closely you can hear the lovely sounds of Maffhew bashing his head into a wall about how much of a gentleman Sasha is but also COME ONNNNNN... you know... once Maffhew realises what's happening which (looks at my watch) is not due for another few months really

Battle of wills: unstoppable force (maffhews catholic school understanding of dynamic interactions) vs immovable object (overseas alpha cotillion classes)

And if you think it's an Oh! An overseas dynamic thing! It's not. The Euros are watching the horrible car crash in front of them and doing absolutely nothing about it because it's none of their business, but they will stare at it... maybe judge it a bit but definitely are observing from the tall grass.

and I'm also not saying that luosty lundy forsy and bobby have a current running bet of how long it'll take for maffhew to break sasha in but i'm also not not saying that... luosty goaded lundy in the midst of a gossip session ("It has to be 3 months, right?) forsy happened to be around so lundy turned to him for advice ("7 months.") and maybeeee bobby overheard from all the way over from his stall and puts in his two cents for what it's worth ("6. Captain nice but not that nice. Very impatient." "So 3!" "No. Impatience makes him double the time, and wait longer. 6 months.") (lundy finally settles on a good 5 months because he's indecisive)

And Sasha does eventually pick up everything maffhew is throwing down... eventually... and when he does it becomes more so I want to court this omega the way they deserve I will take this slow and romance them sweetly :) *smash cut to maffhew caterwauling like a cat in heat*

but also once again its not like maffhew is helping sasha in any way this is idiot4idiot and benny would like to enjoy the car crash with the euros but unfortunately that's his soulmate, thats his bestie, his littermate from birth who has been weaned on the same teat as they climbed over each other to get to it, the first girl you kissed in your childhood bedroom because somehow you started play fighting on the bed because she was like i could totally pin you down easy and then she does and you always noticed how beautiful she was but shes even more gorgeous when she's pinning your wrists to your hannnah montana duvet you promised yourself youd changed out before she came over but you forget and well she teased you about it and you cant help but giggle about how perfect this all is and it seems that the natural conclusion to this is to taste the strawberry lipgloss of her lips because whats a kiss between besties huh its tacky and sticky and it tastes like summer and just other apt metaphors to put here about the inherent -isms of their relationship that i nearly cant put to words properly other than girls having fun (they are fucking)

and well anyways benny is watching and he has a lot of things to say about how its been proceeding so far

"You should really use your words."

"I am!"

"Right because smelling like a fucking perfume shop in the middle of October is using your words."

"This usually works with most Alphas okay!"

"Sasha isn't most Alphas."

"Tell me about it." Matthew grouses before he peeks over to Sam, looking up from beneath his eyelashes—the exact way he knows both endears him to Sam but also absolutely miffs him all the same, "Worked on you, didn't it?"

"Oh, is that what we're doing right now? We're calling getting a lapful of a preening O in preheat in the middle of a roadie a normal way to go about these things."

"It worked didn't it?" Matthew reiterates.

"It would work better if you use—"

"Okay! Alright!! I get it!!!" He does not.

like benny here is unfortunately an active listening participant in the going ons of the fuckery if not because hes involved by proxy because of maffhew because who else will hold his hair back as he calls him a dumb bitch you know

[sweetandglovelyart]

Since the games never tell us if Susie has a mother or not I decided to design a mother for her. This is her mom, Beatrix/Trixie. I drew my younger design of her with Susie as a little kid before she disappeared and drew my older/present day design of her with Clover 🍦

[telesodalite]

Question for those who dabble in humanformers or the like!

Out of curiosity, how do you come up with or decide on non-transformer names for humanformers/non-mech aus?

Also, what was the inspiration? Are you just roughly translating their name to the closest sounding name? Or is there other personal or cultural reasons behind certain names?

[echoalias]

“Got you, Wolf-kissed.”

“Pft!  I am not caught!  I could easily throw you off.”

“Go on then...”

***************

Spoiler: Eivor doesn’t free herself.  She’s quite happy where she is XD

[kawaiichibiart]

Early Bird AU:

Ladybug, in an attempt to get the peacock miraculous back from Argos, suggests they do a miraculous swap. That way they can learn to use each other's miraculous in case they need to know!! Wouldn't that be great??

It would have worked. If Chat Noir hadn't been the one to get the peacock miraculous. She got his and Argos got hers.

When they swapped back, Argos insisted they switch (they being him and Ladybug) back first. He and Chat Noir could switch later. Why? Because he doesn't trust her to give him back his miraculous (:

So, she can have the ladybug miraculous back, he'll take the cat miraculous, and he and Chat Noir can leave.

They switch miraculous and she watches as the two leave.

Marinette, in her room: Well, so much for that brilliant plan... Tikki, what plan are we on now, again??

[bearsinpotatosacks]

Update on my Whumptober thoughts: Not all the prompts will be posted, I have all 31 planned out but I found out that you don't have to post all 31. If a fic is finished, I'll post it but there's some big beasts that I want to write properly instead of rush. Also, I might not even write all 31. I want the completionist title but I don't have the time nor energy to force myself to write all the prompts and I did it last year and it wasn't like life-changing. I like Whumptober because the prompts help my creativity, spark some inspiration (talking about my Delancey Brothers Fic) but the perfectionist in me just beats myself up about not getting enough fics done before October or not writing enough each day to get them finished and then writing fics that all sound the same or the ideas being kind of shitty because I'm forcing them. I want to do my ideas justice rather than mass produce shit I don't like because I feel I need to, it's a constant line I walk between "I want to write something well and that I'm proud of so might be inactive for a while on AO3" and "I want to get this idea out there so need to post a bunch of stuff now"

[quaranmine]

How do you go about writing mysteries? Like how your firewatch one has its slow drip of discoveries and backstories and stuff. I keep getting totally lost, cuz I already know my endings, and keep forgetting the audience doesnt and shouldnt know the same. Mysteries are fun. They are also the hardest thing ive ever tried to write.

Honestly, mysteries are SO hard. I don't really know how to write them well either. And your ask honestly surprised me some, because up until this point I have never really considered my AU to succeed as a mystery. There is some legitimate mystery in the story (as to where Mumbo is) but, as it becomes clear in chapter 10 I think, most of the things about the Forest Service, Grian's conspiratorial thinking, and finding someone to blame are just set dressing. Or, to give myself more credit, more character study than reality. Something I've had written in the outline since day one is "Is this a mystery, or is Grian just convinced it's a mystery?" Half of the mystery in the story is finding out what actually happened, and half of the mystery is actually just a character study on Grian's grief and thought processes.

I going to put the rest under a cut, it gets kind of long. I can probably talk about my AU forever honestly. And if anyone reading this isn't caught up to at least chapter 10 this will spoil things:

But anyway. I think the best advice I have is to work backwards. You say you already know your ending so it seems like you're doing that already. I knew from the moment I started working on the story how it was going to end, so working backwards from that is a matter of arranging things to be in the places you want them. Having a complete outline also helps because that's what helped me create that "slow drip of discoveries and backstories" because I wanted to reveal things at a relatively steady pace. As for forgetting that your audience doesn't know things...idk I just try to focus super hard on what has/hasn't been revealed and where everybody's povs are. I think that just becomes a learned thing. I don't just know more than the audience, I know more than all the characters too, and I have to make sure they all operate on exactly what they currently know. I think rereading your already-done work as you go helps to refresh you on this.

Another hard thing about mysteries is like....trusting the audience to make connections. I think that I often overplay my hand and spell things out because I am inexperienced in knowing where to draw the line. For this AU, I didn't really intend it to have any big twist ending. I wanted the truth to be telegraphed as the audience uses their own logic to realize that Grian's POV is biased. And even though I haven't released chapter 11 and 12 yet, I....think I succeeded? Based on the difference in comments from chapter 1 to chapter 10, I think most of my readers are where I want them to be. But I didn't know that until I actually released the chapters. Anyway, I think the surprise is less about what the answer is and more about how it all goes down.

In terms of backstories, Firewatch AU has an almost parallel "before" section. There is never a "flashback" to before Mumbo disappeared. The first scene of the story is the ground zero and we never go before that. So the timeline of the story is always "contained" despite skipping around sometimes? Over the course of the fic I slowly introduce scenes that eventually lead us into exactly how Grian got here in the present-day plot. Pretty much all the "before" sections emphasize one way or another that Grian has been struggling.

I guess I can summarize my intentions with the chapters? There's a specific structure to them and their purpose (if I could help it.) Sometimes I feel like I have this story structured within an inch of its life, which is one reason that I have been able to post as I go without needing to make any retroactive changes to already done chapters.

Chapter one: establishes the central problem in the story, introduces the main characters to each other, and introduces Grian's goals. Honestly, I think this is a great first chapter since it introduces everything it needs to. It swaps time periods more than any other one but that is because I specifically modeled it to reflect the intro of the game Firewatch.

Chapter two: introduces fire as a major plot element, and serves as character development and relationship development between Scar and Grian. Also introduces more of Grian's grief, his thoughts about search and rescue, and specifically (vitally, to the plot) allows Scar see just a glimpse of what's happening with Grian that Grian isn't telling him.

Chapter three: mostly vital character development (especially for Scar) and relationship development; I've got to set them up as becoming friends before the big stuff kicks in. also, fire lookout knowledge!

Chapter four: first big clue (found by chance, not by Grian, which sort of emphasizes the idea of things being out of anyone's control that comes up in the narrative a lot.) Bigger spotlight on Grian's emotions (understatement of the year.) Scar gets officially looped into the Real Story. From this point on the plot progresses relatively regularly.

Chapter five: more character development, and another backstory hint about Scar. also, now that Scar is looped in, he gets to contribute information to the plot by bringing the newest clue (that builds off the information revealed in chapter four) (hey grian, it turns out when you communicate to people they can assist you)

Chapter six: this chapter is mostly a flashback section, which i wanted to avoid in chapters but IIRC it was simply too long to include with chapter five. This section with Pearl serves to emphasize a few different self-destructive tendencies Grian has (isolation, his living space, his financial situation, etc.) And finally, more information Scar gives him since he has contacts from working there so long. Also, from here on out Grian's conspiratorial thinking grows.

-> side note, one part of this story being a mystery that was difficult was that like. without internet research being available in the 80s, most "detective" actions would naturally involve talking to people, interviewing, looking at documents, etc. but since grian is Alone, in the middle of the Wilderness, he has none of that. it's, uh, difficult to introduce clues when the main character has little ability to find them. I had to sit down and be like, realistically HOW can he solve this without just wandering around in the woods endlessly? It's not a fun story if all he does is hike around the forest. In the game Firewatch, that sort of worked, but that's because you're controlling Henry. It doesn't translate well to reading. But with Grian entirely on his own, exploring the forest is the only "tool" he has. So Scar is a useful addition since he actually knows people to talk to that Grian doesn't and can move things forward by bringing more information to the table. But I have to proceed carefully to ensure he isn't just a deus ex machina for any hard parts of the plot. Scar talking to someone off-screen can't solve every problem in the story or else it's a bad story.

Chapter seven: some conflict/roadblocks introduced, because Scar cannot just endlessly poke around and find information without repercussions. also, the govt loooooves to make information available only to specific people. you can and will get slapped on the wrist if you consistently overstep the boundaries of your job. also, i need Grian to contribue his own piece to solving the mystery without Scar, so with his boots-on-the ground he finds the trail Mumbo took to get to from point A to point B. He gets a dangerous idea that will later escalate the plot closer to the climax, since we're officially in the second half of the story. There's a flashback that is purposefully the first part of the story so far to have someone outright state they think Mumbo is dead (and of course it's Jimmy.) Ends with more character development for Scar.

Chapter eight: WOOOO SCAR CHAPTER! but not before some egregiously obvious foreshadowing and a distinct reminder that this is a story about fire. i break from my deep character pov for the first time just to give the readers some scientific and historical background. we finally learn more about Scar, which should in theory retroactively piece together why he specifically wants to help Grian so much: because he sees his own experiences reflected in what Grian is living through now. also, since so much of this story is Grian isolating himself and pushing help away, it is vital for him to be shown someone else Does understand him

Chapter nine: beginning of the end pt 1 of 3. we re-center fire as a risk in the story again. grian commits a few crimes, because his main motivation this whole time has been information. and he simply can't get that information sitting in a tower by himself in the woods. he is desperate to find puzzle pieces to slot together so that everything makes sense. this is also the height of his conspiratorial thinking and there's a big disconnect between how he views other people, and their actual actions. I initially didn't want the story to "leave" its main setting, I wanted it to be a bottle. But that just didn't work in practice when plotting this out.

Chapter ten: beginning of the end pt 2 of 3, and we bring the flashback scenes full circle by including grian's decision to become a lookout in the same chapter we learns he gets fired. a somewhat anti-climactic reveal of there not being all that much conspirarcy to Mumbo's disappearance, in a way that hopefully is not disappointing since hopefully everyone reading realizes Why grian was convinced of this and Why he's wrong. woooo fire again! the return of the mystical bike location that was introduced early in the plot! grian finally being forced to reckon with things he's been avoiding thinking about all story! a fallout between our beloved main characters at the 11th hour!

Chapter eleven and twelve: ???? coming soon but you can guarantee they'll deal with the loose ends here since this story is standalone in its plot

So, idk if that type of analytical breakdown is useful to you. But you can kind of see how my plot was guided by the constraints on my narrative--a lot of my choices involved either needing different characters to help grian, or needing grian to go somewhere else. but i constantly wanted to make sure that it made sense for Scar to help Grian, that Scar never overstepped his place in the narrative by being "all-knowing", and that all of Grian's decisions are driven, even to the point of Problems, by his grief. Also, to kickstart the plot, I needed at least one major shake-up to happen (in this story, finding the bike) or else Grian probably would have been just as doomed as everyone else to look in the wrong places. Since it's more or less a cold case, a breakthrough needed to happen to move things forward. So I suppose what I needed was: first, to know the ending I needed to get to; second, to know where I was starting; and third, to provide at least one major clue to give the characters an opportunity to unravel the rest.

Also, this is less about mysteries and more about characterization, but when writing Grian I put Mumbo at the highest priority in all situations. This means he is willing to tank his financial situation, his jobs, his relationships with his friends, and even commit crimes for Mumbo. He consistently does not consider his own future when making decisions. He's reactive and more than willing to take things to the extreme, which I think makes him honestly more fun to write about. I think his Drive pushes the story even when there's just dialogue sitting in a fire tower. One thing I never wanted to do in this story was soften characters' emotions or actions into something "easier."

anyway, this is a story about trying to find logic in places where there is none, coping badly and learning to cope, accepting support from others, grief, and finding closure <333 thank you for your ask it was very sweet to be asked for advice and hopefully SOMETHING in this essay helps <333

[fauvester]

iskra can dunk on her father for sleeping with his therapist all she likes. she MARRIED hers

[poisonouspastels]