#and I think your dislike of the ship is completely reasonable. You can not like something :)

[greenerteacups]

What do you think as Hermione's career would be post battle of Hogwarts? To me her being minister for magic really doesn't make sense. She does not have patience or tact to wade through murky waters of politics 😭😭

So hard to say! The Trio are so, so young when we leave them, I find it almost impossible to project their futures farther than a few years out. The job that suited me at 17 would be radically unsuited to me now. That's why of all the Trio, Ron's ending strikes me as the most realistic — he jumps straight into the save-the-world business again, burns out, realizes he's actually Done The Fuck Enough, Thanks, and pivots into a low-stress career where he gets to see his family a lot. Feels accurate! The others are weirder to me because they do seem to just... pick a lane and stay there.

With Hermione, you could spin her a couple ways. You could say that she leans into her bookish side and does research or teaching, which is not my preference for a couple reasons (namely, I don't think Hermione would like academia as a profession; she finds her classwork interesting and enjoys intellectual validation, but she'd be stifled and wasted in a DPhil program, and she'd be infuriated by the administrative politicking of your average higher-ed faculty). You could say that she gets disaffected with politics and ends up as a barrister or a lobbyist of some kind, but if anything that requires more political finesse, because you don't actually have institutional power, you're just handling the people who make decisions and trying to persuade them of your goals. This is not Hermione's preferred method of influence. She's not even particularly good at persuasion, she just happens to be smart enough (and right often enough) that people take her ideas seriously.

Or you could say her brashness fades with the years into a softened flavor of tell-you-like-it-is honesty, which some politicians actually do successfully trade on; as we see in British politics today, you don't have to be all that charming or clever to get ahead, you just need to be really driven and well-connected (which Hermione completely is; she fought shoulder-to-shoulder with the first postwar Minister and her bestie, the Literal Messiah, runs the Auror Office.) But I don't know if Hermione especially wants to be Minister, after the war. She's just watched years of horrendous bureaucratic incompetence plunge the country into a violent civil conflict. She's had not one, but two Ministers of Magic try to bully or shame her friends into complicity with fascism. Her view of government is... likely extremely dark.

But Hermione also isn't the kind of person who sees her life as a quest for happiness. Babygirl has a savior complex that makes Harry look selfish. (She basically kills her parents — yeah, obliviating is a form of murder, #changemymind — "for their own good," and justifies every batshit, vindictive, mean-spirited move she ever pulls on the grounds that it "helps" one of her friends.) She is a mean, lean, dragon-slaying machine, and she needs a dragon. After Voldemort, the Ministry is the no. 1 threat to muggle-borns and non-wizarding Beings. As a war heroine with basically infinite political capital, I'd be surprised if she didn't try to do something there. That said, Hermione is so vivacious and dynamic that she could potentially grow in a hundred different directions; it's possible that all of this, while true of her at 18, becomes completely inaccurate by 22. That's why I'm not too fussed about any particular fanon interpretation.

[alchemiclee]

i know this has been said 473773474833 times by the kavetham/haikaveh shippers and probably even nonshippers, but i'll say it again. I finally finished the genshin summer event and did the little after quest in sumeru and.....every time kaveh is sneaking around trying not to be noticed coming out of alhaithams house it's just such a gay vibe. he's basically screaming "I can't be caught being gay in a homophobic society!" even if that's not what the game writers are *actually* saying. that's just how it comes off and they can't make it come off any other way. with hoyo's gay history, it makes me wonder if it's on purpose and all a cover-up to have a technically different reason for it so they can get away with it lmao but we will never know.

[loonylupinblack3]

Period Trouble

Pairing: Logan Howlett x Reader

Warnings: swearing, nothing else i think?

Summary: you wake up with your period and are forced to go on a mission with Logan of all people

Word count: 2.4k

A/N: literally obsessed with this man rn so ofc i had to write about him. also wolverine has enhanced senses including smell but its like…. barely shown in the movies so i had to search it up to be sure, and some part of me still doubts it but for the purposes of this fic he does have it

You woke up with a groan, immediately curling into a ball. You were early. You were early and you hadn’t emotionally or physically prepared for having your period today, yet the world seemed ready to punish you, burdening you with an early cycle.

You checked the time, cursing every god and deity you knew when you realised you were supposed to have woken up half an hour ago. Wincing, you got up, your body screaming at the movement. Already your stomach was aching, the ghosts of cramps to come caressing your body. 

There was knocking at your door, quiet yet firm. You already knew it was Storm on the other side of the door, no doubt in search of a reason why you failed to get up on time. It was going to be a long day.

You yelled out to Storm, promising to be out in five minutes, and got up, groggily looking for your clothes. When you’d tamed your hair and brushed your teeth, you exited your room to find Storm waiting on the other side, leaning against the wall with her arms crossed.

She took one look at you and sighed. “What are you wearing?”

You looked down perplexed. “....my clothes?”

She raised her eyebrow. “You’re on a mission today, remember?”

Fuck. You nearly let out a whine. You were not in the mood to go skulking around doing Xavier’s bidding when you had a constant throbbing pain assaulting your stomach, unreasonable mood swings, and exhaustion weighing you down.

Storm sent you a questioning look. “You up for this?”

The mission was nothing big. Professor X needed you to collect some sort of rare herb that had recently been shipped into the nearest city, something he needed to complete a super secret experiment you weren’t privy to. He’d just asked for help and you’d volunteered.

Oh how you regretted that decision now.

“Yeah I’m fine,” you muttered. “Let me just get changed real quick.”

Getting into your previously decided upon outfit, a plain inconspicuous one intended to blend in, you left your room again, this time with no complaint from Storm. Your stomach gave an uncomfortable clench and you sighed, making a mental note to find some nurofen before leaving for the mission.

“Why aren’t you in your outfit?” you asked, just realising Storm wasn’t wearing what you two had agreed upon yesterday.

She winced slightly. “Can’t go. Filling in for some classes.”

Your face soured but you tried not to hold it against her. Storm loved her students, and given the choice of helping them or Xavier with a low level mission, she’d obviously choose her kids. You couldn’t blame her exactly, but it meant you’d have to go on this mission alone, while not impossible by any means it would make it slightly more difficult.

You sighed. “That’s okay. I can go alone.”

When Storm winced even more your eyes narrowed in suspicion, following her with caution. “Storm…..”

She sighed guiltily. “Xavier didn’t want you to go alone. The herb’s too valuable.”

You tilted your head slightly as you entered the house’s foyer. “So who am I going with then?”

Storm’s eyes darted ahead, and you followed her gaze to find Logan Howlett leaning against the wall, hands in the pockets of his jeans. He smirked at you, “you’re looking at him sweetheart.”

You resisted the urge to groan, instead sending Storm a dirty look. You didn’t necessarily dislike Logan, but he was a lot to deal with, and you were already tired from your day that had barely begun.

You couldn’t say all that with Logan standing there however, so you muttered a, “lovely,” and walked past the man to the garage.

He followed you silently, no quip or smart ass comment which was strange for him. You’d just entered the garage, heading towards one of the cars, when you glanced back at him and found Logan stopped in the doorway, staring at you with a frown on his face. Or rather, a deeper frown than usual.

“What is it?” you asked him, standing at the hood of the car.

Logan’s eyes roved your body, searching for something. “You’re injured.”

It was your turn to frown. “What? No I’m not.”

He took a step forward, almost as if he was planning on looking for your alleged injury himself. “Don’t bullshit me Y/n, I can smell your blood.”

You made a face. “What are you talking about…..” you trailed off when you realised it, perhaps the most mortifying moment in your life.

Logan could smell your period blood. He thought you were bleeding from an injury. 

You cleared your throat, feeling your cheeks heat up. “I’m fine. Let’s go.”

He scoffed, walking towards you until you were face to face. You tried to step back and felt the hood of the car against your legs. “I can smell the fucking blood seeping out of you Y/n. I wouldn’t call that fine.”

You gritted your teeth to stop yourself from snapping at him. “I can assure you, I am not injured.”

You moved to walk past him but he caught your wrist, forcing you back into your position pressed against the car. “If you think I am going on this mission with you while you’re wounded, you’re out of your mind.”

“I’m not-”

“Do you think I’m an idiot darl? Is that why you’re denying being hurt while I can literally smell it on you-”

You cut him off. “I’m on my period, Logan.”

He paused, staring at you with an indecipherable expression on his face. You waited for him to speak, feeling embarrassed and furious about it. Why should you be embarrassed of your period? He was the one who was pushing you, prodding you, forcing you to tell him the source of the bleeding. If your answer made him uncomfortable, that wasn’t your fault nor your concern.

Eventually he spoke. “Alright then. Get in the car. I’m driving.”

You scowled at him. “Says who?”

He didn’t even bother looking at you, already in the driver’s seat. “Says me.”

You sighed but didn’t argue further, silently getting into the passenger seat. Logan started the car, reversing it out of the garage and driving down the long winding driveway till you got to the street.

“It’s an hour's drive to the city, give or take,” you told Logan, setting the GPS up on the car.

Logan barely glanced at it, eyes on the road, a firm grip on the steering wheel. He didn’t even respond to you. You sighed and turned away, looking out the window as the scenery passed you in flashes.

As the drive continued, you noticed Logan sending you glances every now and then. If you really focused on them, you’d almost say they seemed worried, concerned even, but they were always too quick for you to tell for certain. You were too preoccupied with your cramps that had started up anyway, and the lack of nurofen you’d forgotten to grab.

Finally, you arrived at the city, driving into the hustle and bustle of the crowded area. Logan’s hand tightened on the steering wheel, obviously not a fan of the traffic the city provided. You watched the stream of people through the window as Logan looked for a space to park, muttering under his breath.

You were mildly entertained at the amount of road rage he had, cursing every car that wasn’t at least 10 metres over the speed limit. His jaw was clenched, hand fisting the steering wheel, yet he still looked at you here and there, like you were actually wounded.

When he eventually found a parking spot the two of you got out of the car and you looked at the address Xavier gave you.

“Should be somewhere along this street,” you murmured, eyes flicking from the piece of paper to the busy street.

Logan moved behind you, so close you could feel your back against his chest, and looked at the paper in your hand. He let out a grunt and moved past you, walking forwards. You frowned and hurried your pace, not wanting to lose him amidst the crowd of people.

Luck was certainly not your side, because soon enough you’d lost him, unable to see his black leather jacket in the throng of people. You hesitated, wondering if you should look for him or just go straight to the address, when you felt an arm around your waist.

“Stay close to me,” Logan murmured into your war, his voice gravelly. “Don’t wanna lose you again.”

You glanced at him as he continued walking, not moving his arm from your waist. “How’d you find me?”

He gave you a smirk. “Followed the smell of blood.”

Again you felt your cheeks heat but you glared at him defiantly, refusing to be embarrassed. He smirked at you, flashing his teeth, as you arrived in front of the address, a plain building home to some sort of florist. 

Logan finally took his hand from your waist, walking to the door with you trailing behind him. A bell gave a little jingle as you entered, and you were immediately assaulted with the smell of flowers. Different sorts of plants took up every corner of the room and Logan’s face soured as he looked around, obviously not pleased with the environment.

An old woman sat behind a desk, watering a plant with a mini watering can. You walked up to her, Logan hot on your heels. When you stopped in front of the desk Logan was so close behind you you could actually feel his chest against your back.

“Mrs May?” you asked.

The old woman looked at you with a smile, her eyes crinkling. “That’s me. What can I help you two lovebirds with? Bouquet of roses? Lilies?”

You opened your mouth, surprised, and tried to find something to say. Being mistaken for a couple shouldn’t have affected you so much, especially while on a mission, but you were flustered and could still feel Logan’s chest right against your back, his warmth almost dizzying.

“We’re not here for flowers unfortunately,” Logan spoke, saving you. Except why didn’t he specify you weren’t a couple? Did that not matter to him, what some old lady thought, or did he enjoy the idea of being thought of as your boyfriend?

Oh god. What were you thinking? Stupid period hormones. 

The old lady looked at you two curiously. “Then how can I help you?”

There was a pointed silence and you realised Logan was waiting for you to speak. You cleared your throat and spoke the random sequence of words Xavier had you memorise, that would inform Mrs May just what type of buyers you were.

The woman’s eyes lit up with recognition and she nodded her head slowly. “Ah, yes, let me just go to the storage room quickly, I’ll be back….”

Mrs May tottered around the desk and through a side door, half hidden behind the multitude of plants covering the area, leaving you alone with Logan.

You took a step away from him and turned around to look at him, finding him staring at you with a frown on his face.

You frowned back at him. “What’s up with you today?”

He raised his eyebrows at you. “What is up with me? I don’t know if you’ve noticed Darl but you haven’t exactly been up to par yourself.”

You rolled your eyes at his words. “That’s not what I meant, and besides, I’m on my period.”

Logan stared at you, arms crossed. “What did ya mean then?”

“You’ve been acting strange. Less talkative and annoying like usual.”

Logan snorted. “Ever the lady.”

“I’m serious. What’s up with you?”

Logan sighed and took a step forward until he was towering over you and you had to crane your head up to look at him. “You are what’s up. I can constantly smell you bleeding, and I can’t get it out of my mind that it means you’re hurt. You’re driving me crazy sweetheart.”

Well…. That certainly wasn’t what you were expecting. Logan smirked down at you as if he knew that, and enjoyed surprising you. You cleared your throat as your eyes darted to the floor. “Well, that’s hardly my fault.”

Logan chuckled. “Not your fault no, but it is your doing whether you mean to or not.”

You swallowed, looking back up at him. “Well…. Don’t you constantly smell when people are on their periods?”

“It’s different with you. Smelling your blood just drives me crazy, plain and simple. Can’t get the instinct out of my head that blood means injury.”

The way Logan was admitting all of this, with such calm, made you think he’d been wanting to say this for a while. The unspoken confession was there, and it was up to you to decide what to do with it.

“I’m glad you care,” was what you landed on, unsure of what else to say.

Logan chuckled again, one hand snaking to your waist. “I do a lot more than care, Y/n.”

You smiled softly, looking up at him. With his other hand he brushed your cheek, tucking a strand of hair behind your ear. The sound of a door closing brought you out of your little bubble and you took a step back, Logan reluctantly letting go of your waist.

Mrs May, either not having seen you two or graciously deciding to ignore it, passed you a package, informing you the herb and all information involving it was inside, and to handle it with care. You nodded and thanked the old woman before exiting the building, Logan again right on your heels.

As soon as the shop’s door closed behind you Logan’s hand was back around your waist. “Not losing you this time.”

You tried not to smile, though internally you were grinning like a maniac, and let Logan lead the two of you back to the car. You didn’t even get to argue your case of driving this time, Logan already in the driver’s seat. You sighed and got into the passenger seat, resigning yourself to another hour of silence as Logan started driving, when you felt his hand on your thigh.

You looked at him but he didn’t say anything, just gave it a light squeeze as he kept his eyes on the road. You looked away, grinning. So maybe the world didn’t have it out for you after all.

[rie-092]

CHILDHOOD FRIEND

✶﹒ yandere! kim raebin x childhood friend! reader

honestly, i can't see kim raebin getting close to a woman who is completely stranger to him. so, let's just say that you were the daughter of their neighbour who is also his childhood friend.

we all know how introverted kim raebin was, so you had a hard time on getting close with him. because he always avoids you, or if you ever found a perfect time to talk to him, he always hisses making you blink. because for someone who looks like a bunny, kim raebin sure acts like a cat around you.

but wanna know how the two of you got close to each other? it's simple. it's because kim raebin accidentally saw you playing a guitar at a school event back when the two of you were in third grade. and boy, he was overjoyed! because this was the first time that he saw someone interested in music just like him!

at first, kim raebin was really shy when the two of you played or rather spent time together while playing various music instruments or making songs. but expect that after that, he would be so clingy. clingy to the point that he would follow you around like a damn puppy. at first, you thought that it was cute— not until you knew that he started stalking you around when you didn't hangout with him for a few days because you were too busy with school works.

what did you do? of course, you confronted him. but look, even though kim raebin has a problem when it comes on socializing with other people. it wasn't the same with you, because this guy knew everything about you. from your likes and dislikes, your habits, hell, even your measurements! that was the main reason why he easily changed the flow of the argument. he easily made you think that you are the one who's imagining that he was stalking you just because you missed hanging out with him, damn this smart guy.

kim raebin is so damn good when it comes to manipulating you into thinking that you were always the wrong one. forcing you to hang out with him without you thinking that he is actually forcing you. but, don't worry because kim raebin will never hurt you, he swear.

that's why when you heard that he got scouted on a certain entertainment company. you were overjoyed about this. because raebin will finally be able to achieve his dream and of course, you will be able to escape his clutches.

but, boy! kim raebin is a smart guy. because a year after kim raebin became a trainee, you got scouted too, by the same company that scouted kim raebin. how did that happen? you have no fucking idea. the only thing that they said is that they liked the song that you sent to them when you didn't actually send them one of your pieces. but who in the hell did sent it to them? you couldn't helped but to wonder. of course, it was a certain black-haired bunny who was overjoyed when he saw you confusedly stepped onto the company. and kim raebin— along with cha eugene who pestered raebin to introduce him to you welcomed you with the usual excited expression of his.

fast forward, when raebin debuted on testar, you also debuted and became the main vocalist, main rapper and lead dancer of your group. raebin liked the fact that everyone shipped the two of you. when does it start again? when you and raebin got invited to a certain variety show where the two kpop artists got partnered with each other and do certain tasks to see how compatible they were with each other. and seeing how the two of you easily do those tasks without even getting shy with each other, the host couldn't help but to ask the reason behind it. and when the two of you said that you were childhood friends. the internet got into chaos, fuck, childhood friends? everyone loves that kind of trope!

and now, he can visit you anytime he wants. seeing you and him eating together? it's fine, you were childhood friends after all! but seeing you getting partnered with a kpop artist who is not raebin? expect that everyone will criticize that idol because of that.

and raebin was satisfied with what was happening. he loved the fact that he was able to tie you down with him without you realizing it. it's fine even if you get into a secret relationship with other famous people. because once that was discovered by the public. he just needs to act pitiful and his and your fans will do the work to force you break up with whoever that guy was.

look, he likes you. he respects your decisions and choices but seeing you with other people makes his skin crawl. so, can you stay with him and do him a favour just like the old days, will you? because if you do that, he will gladly remain still and take care of you and protect your career.

“ i'm doing you a favour, you're just too irrational to see that right now, (first name).”

[scurvyboy]

Not to beat a dead horse or whatever, but you don’t see fiddlestan being healthy at any point? I feel like your version of them would have most of their issues figured out by the time they’re old and stuff. Can you talk about their dynamic a bit more pretty please? (I know you just had an ask about this so sorry to keep bringing it up aha 🤪. I’m obsessed with them, and I love your art/au and want to understand them.)

the basis of why i like the fiddlestan ship is strictly because it doesn't work and is doomed to fail. it's a relationship between two extremely damaged people that are only together for transactional reasons.

the way i see it starting: fiddleford comes back to gravity falls after being kicked out by emma may in hopes that he can patch things up with ford. he finds stan there instead and decides to help him fix the portal despite his crushing anxiety about it because he has nowhere else to go. they're both stuck alone in this situation and urges become apparent. things are awkward for a while before they start banging fuck nasty brokeback mountain style.

fiddleford wants stan because he's delusional and still in love with ford. sure he grows to appreciate differences between them and has a separate chemistry with stan, but he is also completely out of touch with reality and rebounding off of his failed marriage with a man who looks just like the one he cheated on his wife with. working on the portal triggers intense panic attacks, which makes him use the memory gun more, which makes him less and less stable.

stan is working himself to death trying to get ford back and just needs affection. the sexual aspect of their relationship helps him blow off steam, but fiddleford also treats him like a person with a brain and allows him to be emotionally vulnerable for the first time in a long while. having someone finally break down his walls is equal parts frightening and addictive for him; he wants to be loved so badly but knows deep down that fiddleford doesn't actually love him, just the person he represents. he's just second best again.

things start to fall apart when it becomes clear that fixing the portal will be impossible without the other journals. fiddleford basically gives up trying to do the work in earnest and just lives in a domestic fantasy world. stan starts to get more and more impatient about the lack of work getting done and the stress makes him a lot more irritated and volatile. the two enter a vicious cycle of violent fights and honeymoon phases until things boil over: stan confronts fiddleford about the memory gun and kicks him out after he tries to use it on him.

post break up fiddleford, now with his cult and savior complex, murder suicides the portal and their affair from both of their memories. however, stan gets his portal memories back being at the shack and goes on to do what he does in canon.

the whole relationship takes place over the course of a few weeks and is as canon compliant as i could manage. i think it's a really fun concept and i think about it all the time.

to be real, i really dislike the idea that all relationships in media have to be healthy and resolved in order to be compelling. the idea that characters NEED to end the story happy and together is just plain unrealistic. i prefer when stories go outside of the limits of "and then they got together and everything was great after that", especially if being in a relationship isn't necessary to a characters arc.

i do think that them getting together when they're older could work and be very nice. however, i also don't think it's entirely necessary, especially since i did make their relationship rotted gutted awful bad. it is cute though, they can kiss and watch tv and marry for taxt purposes i guess.

[wisteria-lodge]

And now for a HP fandom question - do you have any thoughts on queercoding in the series and if JKR ever actually intended it, and then backtracked, or if it was always completely unintentional? I'm thinking specifically about Lupin and Tonks (as individuals, not as a ship) Inspired by your post about the intention vs how fans perceived Draco Malfoy. Thanks!

So the first thing I want to do is make a distinction between femme-coding and queer-coding. They're tropes with very similar histories, and a lot of works treat them as the same thing. But Harry Potter doesn’t, and I think we can chalk this one up to JK Rowling’s habit of grabbing aesthetics and visuals without really thinking through the history behind them. 

(Like - the goblins. She says she didn’t mean to write an antisemitic thing, and I actually do believe her. But did she use a lot of tropes and images with a long history of being tied to antisemitism? yes.)

So when I say “femme” I mean giving a male character traits stereotypically associated with femininity. Heightened sensitivity/emotionality, an interest in hair, clothes and being attractive, a love of lace/pink/frills, a dislike of violence and physical confrontation, and a preference for the soft power of manipulation, character assassination and poison - versus the hard power of direct confrontation and physical prowess. Are these things super stereotypical? Yes. But they’re ALSO traits you see all the time on male villains, especially ones that you don’t want to seem that threatening. Femme-coded villains show up a lot in children’s media, or as the Big Bad’s #2. They’re not meant to be heroic or sympathetic (since all these feminine traits are not desirable, especially for guys.) But they also aren’t scary, and you can pretty much always play them for comedy. 

For example: see almost every male Disney villain. And JKR was writing children’s literature in the 90s, so of course she’s pulling from the same zeitgeist as the Disney Renaissance. 

JKR loves herself a femme villain. The absolute gold standard is of course Lockhart - who wears pink, wants to start his own line of hair care products, is self-centered, vain, obsessed with popularity… but he sucks in a fight. His entire MO involves manipulating people into thinking he has these traditional masculine qualities when he just doesn’t. But there’s also fussy, prissy Percy wearing his prefect badge on his pajamas. Bitchy, emotional mean-girl poisoners Draco and Snape (especially early book Snape - which is Snape at his most villainous.) Draco, Percy and Snape are also unusual for being male characters who we see crying for reasons other than grief. 

Lucius Malfoy is an interesting case because he starts off quite masc. He’s threatening to curse people, the governors are scared of him, etc. But, as the books go on… and he gets less powerful… he also gets more femme. When we meet him in Book 5 he’s no longer threatening people, but bribing them, spreading rumors, and giving interviews to the Prophet casting Arthur Weasley in a negative light. He's also getting really into peacocks. In Book 2 he was a major threat, but as he gets recast as Voldemort’s #2 he becomes a more femme, soft-power villain. When he leads the attack on the Department of Mysteries, he absolutely bungles it, which defines his character (and relationship with Voldemort) for the rest of the series. And it makes sense that Lucius is given this kind of treatment! It’s a way of communicating that there's a new villain in town, a real villain. 

So, are any of these femme-coded villains additionally queer-coded? I’m actually going to say no. Queer-coding is (like it says on the tin) finding ways to imply that your character is specifically gay. Like maybe giving them a same-sex relationship that is written romantically, but not explicitly called out by the text. Or pairing up all of the characters except them. Maybe have other characters joke about them being gay, and use that as a way to talk about the subject with some plausible deniability. Or they could just play suggestively with a cigar, or a walking stick. There are different strategies.  

But Lockhart doesn't get any of that. Honestly, I think that if JKR actually thought of him as gay, she would have been a lot more wary about a scene where he keeps Harry alone with him in his office for way longer than he’s supposed to. And she might have skipped this joke: 

“Harry was hauled to the front of the class during their very next Defense Against the Dark Arts lesson, this time acting a werewolf (...) “Nice loud howl, Harry — exactly — and then, if you’ll believe it, I pounced — like this — slammed him to the floor — thus — with one hand, I managed to hold him down — with my other, I put my wand to his throat (...) he let out a piteous moan — go on, Harry — higher than that — good —” 

Like. At least she would have picked a different word than “moan,” right? Which unfortunately has slightly sexual connotations. Especially if she wanted to keep Lockhart a buffoon, to properly set up the twist at the end. 

Slughorn also gets femme-coded in a similar way: he loves his candy, his parties, his smoking jackets, his lilac silk pajamas, his web of connections he can use to get stuff (Lucius style.) We are introduced to him squatting in specifically a “fussy old lady’s” house. He’s also unusually emotional, getting weepy at Aragog‘s funeral. But I don’t think we’re meant to read him as actually gay, or else his relationship with Tom Riddle might’ve read a little too close to Tom seducing/trying to seduce him. Which is a beat JKR does subtly play out with Hepzibah Smith, but idk. by that point at least Tom is a legal adult.

(As a side note - the Harry Potter series got so lucky that all of its adult characters are played by absolutely top-shelf actors who are aware of the connotations and history behind various symbols, and do consider these things in their performances. Kenneth Brannagh and Jim Broadbent are good enough to make sure there’s not even a hint of iffy subtext when they play Lockhart and Slughorn.)

Draco, Snape, and Percy all have a case of the not-gays. Percy has a girlfriend (we don’t really see her or anything, but we’re told she’s there.) Snape of course gets his whole thing with Lily, and Draco… after one too many beats where it’s clear that Pansy is into him, but he’s not into Pansy…  gets a scene where he’s talking to his buddies with his head in her lap. (JKR uses “no one‘s good enough for me” beats with Blaise, Draco and Sirius, and the idea there seems to be more that they have undeservedly high opinions of themselves, and less that they don’t like girls.)

But, I do agree that a lot of JKR's characters do come across as a little more queer than intended. It boils down, I think, to the general lack of any kind of romance in the Harry Potter books and JKR being generally bad at/uncomfortable with writing male attraction directed at women, BUT being perfectly happy writing attraction directed at pretty guys. And because of that… yeah, it can sometimes feel like maybe Harry has a thing for Cedric. Especially when Dudley goes on to tease him about Cedric being his boyfriend, which I believe is the only actual mention of gay people in the entire series.  

So is there any intentional queer-coding in the book? It’s really subtle, but yes. I think Dumbledore is queer-coded. He is unusually emotional/cries unusually often for a Rowling guy. He is also given a scene which emphasizes his “flamboyantly” cut plum-velvet suit, and his relationship with Grindelwald is implied to be romantic for one book and two movies before being actually confirmed in Fantastic Beasts 3. (With the line of dialogue “I was in love with you.” Big step up from “We were closer than brothers.” which is an odd thing to say about someone you are interested in romantically.) 

But you brought up Tonks and Lupin, two characters very commonly interpreted as queer. So let’s get into that. JKR has said that she considers Lupin’s lycanthropy to be a metaphor for stigmatized diseases like AIDS. And… as incredible as it is to say… I actually do not think that she made the jump from there to thinking that maybe the character suffering from AIDS should be gay.

Because the narrative places so much weight on Lupin being bitten young and then on maybe not being allowed to attend school, I’m pretty sure that he’s not intended to be queer so much as he’s meant to be Ryan White, the literal poster child for AIDS activism who got infected via blood transfusion when he was two. Tragic, absolutely. But not gay. Honestly, I hope JKR was thinking of ‘lycanthropy’ as a metaphor for stigmatized illness in the abstract and not as a comment on gay people specifically. Because otherwise, Greyback’s thing about biting children becomes a mash-up of two of the biggest homophobic boogeymen from the 80s: gay men infecting people with AIDS on purpose because… idk, they hate the world or something. And the influence of gay men somehow “turning” children gay. Both absolutely real, if ridiculous, moral panics.

On top of that, Remus and Sirius do get a pretty clear case of the not-gays early on (“He embraced Black like a brother.”) Buuuut Alfonso Cuarón did think through those implications for Movie 3, absolutely saw Lupin as gay, and directed David Thewlis to play him accordingly. No reports confirming or denying whether Alfonso Cuarón ships Wolfstar, but I think that if I’m an actor trying to make sense of Lupin’s motivations… and I know he didn’t show Dumbledore the Marauders’ Map and didn’t tell anyone Sirius was an animagus… and then I’m told my character is gay… well. Anyway, I think there are absolutely hints of Wolfstar in that performance. 

And there's Tonks. Tonks is introduced during a very spooky segment in Book 5: Harry has been going through it, been left alone at the Dursleys while having what sounds like a depressive episode. It’s dark, he hears intruders. It's a really good piece of writing. But JKR knows that it’s the good guys who are coming and thinks, okay. Let’s make that as clear as possible from the word go. And so the first thing Harry sees is Tonks' pink hair. And what kind of person has pink hair? A young adult. A punky young adult. And what power would a teenager think was cool? Well, the ability to change the color of their hair at will. That, by itself, would have worked perfectly fine for this character.

But then (for reasons best known to herself) JKR goes further. Even though Tonk’s hair changing color is easily 90% of the transformations we see and there is no plot reason her appearance needs to change more than that, we see her drastically change her age and body type. When you think about this power for more than five seconds, it becomes kind of OP. For worldbuilding reasons alone, my instinct would’ve been to tone it down a bit. 

But no, we have this counterculture character who seems interested in her career and not in a relationship, who can easily change anything about her body, and (if her ability works anything like Polyjuice) that means she should definitely be able to change her gender. Cool.

Then, in everyone’s least favorite romance, Tonks and Lupin are paired up. I have heard the argument that this was meant to walk back queer-coding, or to punish people who thought they were queer... but I don’t think that’s the case. I don’t think JKR expected these two to be fan favorites, and then was kind of surprised when everyone wanted to hear about their continuing adventures. 

(There are a handful of characters who JKR clearly really enjoys - and really enjoys writing - that fandom honestly could not care less about. Mundungus Fletcher and Ludo Bagman spring to mind. But the reverse is also true. She had one story for Lupin and people wanted to see more. Tonks is probably supposed to be her comment on immature young adults: she is loud, in your face, causes mild destruction and is “a little annoying at times.” But the fans fell in love with her.) 

So JKR has these two fan favorite characters and nothing for them to do. A romance is something for them to do. JKR also has a kind of weird pattern where good people need to either have kids or take care of kids. It’s not good to be a woman who isn’t involved with taking care of children in some fashion: see Rita Skeeter, Dolores Umbridge, Bellatrix Lestrange. This is also (I think) why Harry names his kids specifically after Severus, Sirius, and Albus. Since they’re good men, JKR had to find a way to give them kids after the fact. 

So yeah. I think we were meant to read Tonks and Lupin having a kid as kind of a reward, or at least as proof of their intrinsic goodness. There also just isn’t another guy in the right age range to ship Tonks with. The only other option is Sirius. 

(Harry in the books and Lupin on Pottermore both suspect that Tonks/Sirius is a thing. Completely forgetting, I guess, that they're cousins.)

[olderthannetfic]

I'm so glad that nobody in my native language pulls the "write for yourself! don't want comments, feedback, hits, bookmarks, or interaction!" thing. In English language fandoms it's apparently a big character flaw or a sign of immaturity to want someone to read what you wrote. Meanwhile in my fandoms we're all completely honest about the fact that... yeah. If you post it, you would like someone to read it. Otherwise, you wouldn't post it in the first place. And there's never this competition to be the least interested in what other people think that USAmericans feel the need to do. Irony poisoning isn't much of a problem in our country so you can outright say, "It makes me happy when someone comments." You're allowed to be proud of your work and think it's worthy of being looked at.

Idk, I'm sure it's cultural. Pride is a sin in Christianity and the US is very Christian. But it sounds rough. I don't think I'd enjoy having to constantly tell people how much I don't care what others think and how I don't care if anyone reads my work. It sounds so insincere to me. I doubt it's much fun to constantly have to act unenthused in order to seem cool. And it's definitely an act. People who actually believe something don't have to chant it like a mantra at every opportunity.

A part of me is honestly really sad for people who get this angry backlash whenever they want interaction with their works. Fandom may not be a social hobby in the US. It's more mainstream, so it's not the same as it is here. But I love gushing about comments. I love replying to comments. I smile when I see something of mine that I worked hard on has been thoroughly bookmarked and loved. My friends feel the same. We gush at each other about comments and responses. We don't have to act indifferent and uninterested and go, "I don't care if I get comments, I write for myself" at others so they know we're indifferent and uninterested and write for the 'right' reason. I feel sorry for writers in the US. Imagine being sad no one likes what you've made and the response is that not only are your feelings wrong, your very intentions as the writer must secretly have been to seek validation and praise and fame, otherwise you wouldn't admit to liking comments.

Whenever I see a post going "I write for myself but I wish people commented" it kind of reminds me of US cosplayers. They slather their pictures over every social media platform on Earth. They clearly would like recognition for their work. But they have to start any complaints with the disclaimer, "I cosplay because I love the character, but-" so everyone knows their intentions are pure and so are their actions. There's a level of nervousness, of 'what will people think that I think if I don't use a disclaimer?' that looks miserable to live with.

--

You know, I'm getting awfully tired of you puling infants repeatedly misinterpreting "write for yourself".

As I said here quite recently, it's standard writing advice from outside of fandom. It means that you should make aesthetic decisions based on what you like rather than on a hypothetical audience.

The observation underlying this stock advice is that writers who write what they themselves think is good produce art that is more likely to hook an audience. Writers who are chasing after some audience whose taste they don't even share usually produce limp, uninspiring work.

Yes, there are some wackadoos who are like "I have no feelings! Community is a lie!" and think that makes them sound grown up. This isn't an American problem but an edgy (wish-they-still-were-a) teenager problem.

I dislike stats-chasing nonsense because it's a hallmark of the people who want to turn fandom into influencer garbage. I suggest people obsess less over stats because caring too much about the numbers tends to make people sad when they look at some juggernaut ship from the first peak in some fandom and then have unrealistic expectations. But finding community through fandom and liking to know other people enjoyed your work is commonplace everywhere.

[wyzzze]

One (slightly horrifying) thing I've learned from playing ZZZ is that the staff is VERY good at making characters that look one way but act in a completely unexpected way that has the ability to charm me.

For instance, before I started playing, I thought I wouldn't like Nicole. I thought she was going to be an overly shallow, snotty type that would be very "ohoho~" and annoying in a tropey way. And..she is "ohoho~" af but she's actually in a very delicate balancing act of being an absolute queen and a huge girlfailure and she steals the show whenever she's around. She's indeed vaguely all of the things you expect her to be but she does it in such a...charming way that she has me laughing and I'm ride or die w her now.

I didn't expect to like Lucy either! I thought she'd just be a normal tsundere but the one thing I've always really hated about typical tsunderes is their inability to be reasonable and how out of pocket they can be and Lucy...isn't like that. She's actually super reasonable and she sorta drives that ship. Calydon as a faction balances her traits out so well that when she barks orders it's like "ok yeah finally someone with common sense 😌✨️" if anything. She's still a princess-y tsundere but she missed the one trait I can't stand and that's kind of impressive to me tbh.

I didn't expect to dislike Seth per se but I didn't expect to like him that much either...he's a cop (his biggest sin) and he's...peppy. Which...isn't a sin...but it makes me (who is fucked up and evil) soooorta wish for him to uhh. break. 😇 Just a little bit! As a treat!! But he got me too okay....like fuuuck whatever! Whatever!!! Wet sad catboy with No Friends and his family problems that keep making him say "is my family normal? 🥺 it's normal right?" whateverrr!!! Just get in the car, loser!!! 🤧 god!!

I didn't think I'd like Harumasa! I have complete trust issues with characters that look like him! I expected him to be more of a ~sunshine on the outside but dark on the inside~ yandere-leaning kind of trope based on looks. But he's actually one of my favorite character archtypes instead...he's literally a sleepy guy with a billion nuanced problems and a fucked life. My favorite fucking food!! I owe you an apology, Mr. Harumasa!! I wasn't familiar with your game!!

But perhaps the most surprising twist of fate is me liking Wise. Like, I did NOT have high hopes for this boy, okay. I was NOT a believer. I didn't expect either one of them to have that much personality. When I first saw Wise's design with my working eyes I thought ZZZ devs fucking hated him. I thought he was going to be stale bread in terms of personality.

But like, Look! Look at us now!!

He's like a brother to me.

On god, the other day I blocked somebody for saying he was ugly with no love in their voice.

This game is so dangerous is what I'm saying bc the writers know how to get me to like characters that I have an allergy for. I am a Hateful Hateful person and it just keeps happening. They're like my little meow meows now, watch out or it could happen to u!

[orieriee]

How Dabi Falls in Love ˖⁺˚♡˚₊

author's note: Man, is he attractive! If he had become Dabi the Hero instead of Dabi the Villain, I can only imagine how different things would be. I almost bawled my eyes out when I saw the panel of Touya. It got me thinking about what he would be like if his dream had been supported by Endeavor.

Warnings: grammar errors (?), bad pun, it's fluff!

I also made one for Hawks!

masterlist

ProHero! Dabi would only focus on becoming the top hero, surpassing his dad and surpassing All Might.

So he wouldn’t have time to think about love and dating, although I feel like he would feed his fangirls with flirts and winks whenever they came near him.

He'll have this sort of cheeky, flirty attitude, fluent in sarcasm, lowkey looks tired, basically like the villain!Dabi but is actually passionate about being a hero.

Essentially, he's a big tsundere who hides his real feelings behind playful, flirty banter with you, and neither of you ever takes it seriously.

When hero!Dabi falls in love, the genre would be slow burn.... continue

But when Dabi falls in love, unlike Hawks here, he's not going to approach it with a logical mindset but rather he would refuse to admit his feelings, choosing to shove them into the furthest corner of his mind.

He never wants this flirty banter to end, and and he knows he only does it with you. He feels most comfortable around you.

Other fans have been making ship posts about you two since his fanbase is massive, considering how charming he is (and he's the son of Endeavor, duh!).

And he knows he doesn’t dislike it. In fact, he has even created a fake fan account to stalk the ship edits made by fans, quietly giggling before going to bed.

Yes. He's falling in love. Or maybe he already has.

But he’ll never admit it in front of anyone; he’ll only show it through subtle actions when it’s just the two of you

Because of his childhood, he's actually scared of being and committing to a relationship. Poor baby was traumatized.

The reason why he wouldn't admit or pursue a relationship with you because he's afraid of hurting you, afraid of being like his father.

He can also get jealous and possessive.

So when Hawks come up to talk to you, he'll feel jealous for no reason even though you two aren't in a relationship.

You do notice his softening gaze when you talk, the way his tone will be much gentle when he's talking to you. Although he probably tease you a lot too.

It's that oogly googly glazed eyes, the softening and lingering eyes when you're talking with him, like he's tattooing your lovely face into his mind.

But there’s one moment, just the two of you, when he knows he can’t hold it in anymore. You’re just talking, and it’s so nice hanging out with you that he accidentally blurts out that you’re beautiful, completely out of the blue, with those googly blue eyes of his.

It took him a while to process, thinking it was just the usual playful flirt banter. But when he saw you all flustered, it stirs something deep within him.

He quickly apologizes, the tension suddenly shifts with just the two of you there. He's like a nervous middle school boy confessing to his crush for the first time.

You confess to him, telling him that despite having a burning quirk, it doesn't have to be this slowburn (that was kinda a lame pun gosh I'm so sorry)

In fact, Shoto, his brother, has actually told you that Touya definitely has real feelings for you, although he probably won't act truthfully on them.

And oh how all the worry in him evaporates right away—the thoughts of not being good enough for you, that he might end up hurting you, that you might not actually like him that way.

Although I feel like he still has to work on healing his trauma, he eventually wants a relationship with you. He dreams of getting engaged, going on a honeymoon trip, and have ki—

Yeah, he's already thinking that far actually. He just never shows it that he's madly in love.

And so that's how you ended up being a Todoroki in the end.

fin.

ARGHHH this was an old draft I wrote after I read the manga and saw that panel of Touya with his dad 😭 I hope this isn't too bad or too out of character :/ I apologize in advance if there was any mistakes or if it's cringey 💔 thanks for reading, have a lovely day! 💗

-orie

© posted on 10/1/25

© written and published by orieriee | do not copy or repost in any other platform!

[scaramionee]

A long rant about something that's been eating my mind from the inside out so here we go (TW: Might be Controversial)-

Sometimes, I'm just very normal about James Potter and Lily Evans but then I'm not. So growing up, I watched the hp movies first so I never quite had any interest in their relationship, they just seemed like a tragic straight relationship to me so I never bothered with it. But then I read the books and I went immediately like this- "No wonder James Potter worshipped Lily Evans, I would too." Like, this woman is the legit reason why the whole harry potter thing started, and to see the fact that most of the time she's just blatantly ignored or being stripped out of her original identity to be a strong independent lesbian (I don't have any problem with her sexuality, people can imagine her with whomever they like but it kind of ridicules Lily's motherhood in some way) who absolutely either hates James Potter or Insults him for fun just bcz he has a crush on her or being a side chick for James's steamy cheating romance flings hurts me more than I think it should.

I get it, the marauders fandom wholly embraces the fanon so dearly to them like a warm blanket because of many obvious reasons, but sometimes I think we just totally miss the point of this whole franchise. It's obvious that jkr sucks at writing romances which is why most people don't get the spark of canon ships like romione, hinny and remadora but completely missing the point about Lily being a mother figure in Harry's life and as a lover figure in James's life truly pisses me off a lot. Even though everybody is allowed to dislike certain ships because not everybody has the same taste, but I think we miss the fact that Lily was always more than just a mother and a wife in a way that molded her into what she wanted to be.

The reason why I'm completely enamored by Jily is not because it's just a canon ship which literally started Harry Potter, but because the way Lily Evans just had an effect on everyone who crossed their paths with her. Professor Slughorn himself was so besotted with her, Professor Minerva McGonagall teared up at the news of her departing because who wouldn't like her? She's so brave, so full of joy and laughter that she always forgot her own pain in favor of sucking the pain out of another. James was indeed quite taken aback by her beauty and charm, but I'd like to think it developed into something more after seeing the way she treated her close individuals. Lily was the younger sibling, and because she was a witch, she constantly faced harsh behaviors from her elder sister for being a "freak" according to her sister's standards. She may have had an inferiority complex, and she also hanged out a lot with snape, despite facing discriminations in Hogwarts for being friends with a half-blood poor Slytherin. She was willing to change snape, always defending him left and right but it never worked out in the end. Which left her feeling very defeated, she gave up because she felt like she was not worth it, maybe those bullies were right and she really was just a mudblood. And James, developing a crush on her while continuously harassing snape didn't help either. But if we analyze James's character, knowing that he literally took in Sirius just so that he could escape his abusive family, he knew that Lily was downrightly getting used and snape was taking advantage of her kindness and her stubbornness, he knew it because Sirius was in Lily's place once too, always constantly reminded of how they were never enough, so he wanted to save her ( in his own pathetic loser way ofc ) I think there are many hints of Lily noticing James quite a lot because if you really claimed to hate your enemy then why were you so bloody obsessed with the way how their hair looked like after playing quidditch hmmm 🤨🤨

But not just that, let's also talk about how she literally single handedly MADE THE JAMES POTTER, the absolute arrogant toe-rag quit bullying and hexing people for fun, knowing that he's been like this for the most of his life, but he decided to change for her just like a snap of a finger! Not only that, but she also quickly befriended Sirius in a way that he literally turned out to be her future son's Godfather and the secret keeper. The absolute hold she had on the marauders really needs to be studied!

The love James and Lily had for each other was an act of rebellion in it's own way, because back in that time, muggleborns were seen as scums of the earth and inferior to the wizarding society. But James literally went against every single pureblood tradition just to be with someone he loves and believes with his whole heart. That was always the main point. The reason why both of them were so cherished. He literally went up against Voldemort without a wand not just because of his son, but also for Lily, who he absolutely trusts with his whole life, the only person worth loosing the pureblood title for, the only person worth taking the risk of taking the Avada curse to his heart, he just loved her so beautifully, just like the way she always deserved. And Lily, oh lily, always saw the good in everyone, but saw the best in James, decided to sacrifice her life for their one and only son out of pure love and devotion. And the sacrificial love was so strong that the strongest dark wizard of all time succumbed to his own curse and it tore apart a piece of his soul in revenge of separating the two soulmates whom were always destined to find each other and get woven together in every single timeline. It changed the tide of the entire war. She ended it single handedly.

Yes, she was depicted as a girl who was just a close friend of snape, as a sister who's facing discriminations from her own elder sister's profound jealousy, as a lover and wife of James Potter, as a mother of Harry Potter- the boy who lived. But I think there's so much beauty in every single role she was depicted in. It gives us a glimpse of how much impact she had on everybody around her, how much she meant dear to everybody who cared for her, of how much diverse and forgiving person she was, of the way she was always a reassuring shadow around harry even though she was no longer present in the mortal world. No, motherhood doesn't make her one dimensional or boring, it only enhances her ability of loving people the way they deserve. It makes her so complex, but so powerful at the same time. She was a proud mother, and a lover, a friend, and a woman.

Lily Evans, what an absolute Goddess you were. And you'll always be. No other fictional character ever had a hold so strong on me the way she has.

[s-wave-entertainment]

Okay I'm doing it I'm making that long-winded post about N-

Your honor, this boy never Actually Wanted to kill.

Now for most of you, I'm sure you already knew this. It's not all too hard to perceive, seeing as we've really only seen him in full blown kill mode twice, and there's a hypothesized good reason for the first and an ACTUAL good reason for the second. But I'm making this post anyway because this little murder robot has a heart core of gold, and he makes me so fucking sad sometimes so I just have to scream about it. MOVING ON:

Exhibit A: The Landing

Both times we see N in full blown (worker) kill mode* were in the pilot; once when he first landed back at the spire and attacked Uzi, and the other when he raided the bunker pursuing her. I'll refer to the first time here as "The Landing (TL)." In this sequence we watch him slam down onto the ship, finish off the oil in some poor sap's head, then attack Uzi as soon as he realizes she's there. What's my reasoning for this? Hunger.

N says, a little more than 3 minutes later, that he kills for one of two reasons:

1) If he doesn't, he dies.

2) It's his job, and he wants to be useful.

Now take this next take with a bit of salt, as it's completely headcanoned, but I personally think that N dislikes hunting as a whole. Despite his desire to be useful, it still means he has to kill - which I think if he CAN avoid at a given time, he will. Thus, in my opinion, N only hunts either when J forces him to, or when he knows he's at risk of overheating. Overheating does shit to robot brains, as we saw with Uzi in episode 4, so if N was out HUNTING - which he does when he's close to overheating - when TL occurred, it's only NATURAL that he sees a worker in his space and his first thought is "kill." He was ALREADY in hunting mode - I imagine it doesn't just "turn off" the second they satiate the initial urge. If it did, that wouldn't work too well for The Solver, now would it (yes I know that when the Earth AND the gala massacre occurred none of them had any jurisdiction over their bodies/actions, but the Solver openly admit to allowing them to keep their personalities, and knowing N I think the whole "killing for sport" thing doesn't work too well with his)?

So of course he attacks Uzi - he was likely still hungry, and hungry means risk for overheating, which can translate to death. I will admit, he did seem to toy with her just a little before going for the kill, but actually I think the whole "throwing her across the area with his tail" was more to disorient Uzi, as from the dodge he had just witnessed her perform could signify to him that she's more competent in a fight than the first appeared, even disarmed. Thus, the need to both injured and discombobulate her arose. I'll talk more about N's fighting style in the second incident here:

Exhibit B: The Bunker

Now the bunker has a different reason altogether: protection of his fellow squad mates. Don't believe me? I was hoping you'd say that:

He only goes AFTER Uzi after he realizes that she's made off with the weapon that took his head off. Yes, she missed and he was able to regenerate, but if Uzi had hit just a little bit lower, she would have hit his core - which would have permakilled him. Surely realizing this, he runs off and attacks the bunker with what given reason?

It wasn't about him. It was NEVER about him. It was about V. He wanted to keep HER safe, he wanted to make sure Uzi wouldn't shoot HER with that gun. Now, why all the unecessary carnage then? In THIS case, I think he defaulted to wanting to be useful and thus making all of the kills that he did. Though, it could also be argued just as fairly that he was consuming so much oil/matter to ensure that if she DID shoot him again, he would be able to get back up faster. The gun has a cool down, yes, but I don't know if he knew that. Or if he did, he couldn't have known that it only lasted for 30 minutes. Now about that fighting style I mentioned - this is why I think the reasoning here was purely for utility: N appears to have a very cut-and-run fighting style. If he has a choice, he doesn't prolong his kills - the first guy he stabs through the chest then immediately takes his head off, the second dies via missile, the third N just tackles and kills himself (we only hear the guy scream fir a second before N is seen drinking oil from his neck, which leads me to believe that the death was quick), and Braxton dies via super accurate cutting-you-in-half laser (which was probably meant for Uzi, but he couldn't see them when he fired as he was too busy drinking, so he probably just latched onto the voice that he heard and fired). All deaths which were extremely fast and without any toying, despite the multitude of weapons used. Now to me, this implies that he has a style, and he sticks with it. And that style is just to /get the damn thing over with./

And that's it! Those are the only times we see him in worker kill mode. Now we do see him switch into a "general" kill mode when he takes "Tessa's" head off, but it's pretty plainly obvious that that took every ounce of his mental strength to do. I mean shit, he basically collapsed as soon as it was over and didn't regulate until Uzi took his hand. Now I guess it could be argued that that was "his friend" so of course he's more hesitant to kill her, but I think part of the reason it was So Hard is because he ALREADY doesn't favor killing, and now he has to behead the only human who ever showed him any kindness. AND THEN IT WASN'T EVEN HER, SO-

And don't bring up the episode 8 fight - OBVIOUSLY he's gonna fight to kill, he's recovering the memory of everything this thing has done to him and now he has two new motivators: love, and WRATH. I make exception for that fight because quite frankly if he WASN'T fighting to kill at that point I would be worried. Though I do wanna bring up that he was very obviously conflicted about the whole thing. And before you argue:

Even against THE SOLVER ITSELF, he was still incredibly conflicted about killing. Again, that used to be his friend (and is wearing the SKIN OF THE ACTUAL HUMAN HE THOUGHT HE KILLED NOT EVEN A CANON 20 MINUTES AGO FOR THEM), but even still, my earlier point of "already doesn't favor killing, forced to kill" still stands.

In conclusion - your honor, N is a sweetheart. Always has been, despite everything he's been forced to do. And the amount of guilt he probably feels for the oil (and blood, now that he remembers that) on his hands is probably so, so much. Too much. Why do you think he copes with repression and positivity?

*"Worker Kill Mode" specified because I acknowledge that he kind of has two kill modes - one where he's in control and one where he's Not, as the Solver's puppet.

[lillified]

I'm so curious on the ship you care the least for, I wanna know your thoughts

honestly I feel like I haven’t been that secretive about it, I’ve probably offhandedly mentioned it once or twice here

it’s not like it’s something I’m grossed out by, or I think of them as strictly platonic or anything like that—it’s just a pair of characters I think work better with a completely impersonal relationship. IMO the reason most people like their dynamic is because the way they’ve been written in modern iterations is transparently copied from the relationship between a different iconic pair of characters. The original is a pair of characters whose relationship I like, but the way it’s implemented in transformers ends up just coming off as a worse version.

I’m a nerd and I like the overly complicated and sometimes loaded politics of transformers—that’s what’s interesting to me! so for me personally I prefer the read of those characters that is more impersonal and political. You can have both (I do love political space opera) but there are some character relationships that really don’t interest me, especially when I think the relationship in question has already been done so much better by other things.

That said, I understand why people like it, and I think I just have a very different set of preferences than most people. I have a very particular taste and I’m mostly interested in bending the world and lore of Transformers to align more with that taste, which it inspired—it’s an Ouroboros of robot soap opera. I don’t want to alienate people who like a certain ship because I am so deep in disinterest for that specific character pair, as romantic interests or as friends, that I end up actively disliking it whenever it appears. That’s on me and my taste! So that’s why I probably wont talk about it too much.

Sorry if this was hard to understand, I’m tired right now but I wanted to give you at least a little bit of what you asked for. I’m very amused by the act of finding creative ways to talk around revealing the transformer ship I don’t like, like it’s something that matters at all

[animentality]

I've always harboured a mild dislike for x reader stuff. I never really held it against people because I don't have the time to antagonise them, but it was so upsetting when every time I opened the fandom tag and all I saw were posts and posts and posts of bland x reader stuff that clearly is ooc with no real substance to them at all. So many of the RP blogs seem the same way.

As someone who tries to make analysis posts and art for the same fandom, it is disheartening when I spend hours and hours on an analysis post about a character and it maybe hits 120 notes while an OOC x reader of the same character soars to the thousands. Maybe it's selfish of me to say but I say it anyway.

The fandom is full of youngsters and I never felt comfortable voicing my opinion for the same because it just felt wrong to tell kids to stop existing in communities. But the amount of times I've been put down for shipping characters with each other rather than myself is an honestly surprising number.

Um. I don't really know where I was going with this.

But your post definitely opened my eyes a little bit on even why I dislike x reader so much. It's sinking in a little bit. My hatred for OOC stuff seeps into this, I suppose. So I wanted to say that. Yeah. I agree with you.

Thank you for saying it.

Signed,

A fellow analyser / artist / fanfic writer lmao

— @lunarcloak

I get you, man.

I know self shippers have always existed.

I don't mind them. If that's how you enjoy the media, then fine.

However.

I just don't think that the sudden rise of self shippers over fan analysis and shipping is a good sign.

I think it comes from a lack of media literacy and willingness to actually engage with a piece of fiction. At least shippers and fan analysts actually talk about the world and plot itself.

self shippers imagine themselves dating a character in an au that is completely disconnected from the story, and acting in a way that's not even close to how they are in canon.

which to me is like... you have a creative writing prompt but it's not a story you're actually engaging with. someone showed you a picture of a handsome man and said write a story about how he'd kiss you.

and it's like... ok. there's no crime in just being horny, but... when that's all a fandom is... I don't consider it a fandom, it's just a masturbation fantasy.

I thought the whole point of fiction was to dive into the human experience and try and understand ourselves better. See the perspectives of others. Live vicariously in another person's shoes.

Fan analysis about themes? Perfect. You're thinking. You're feeling. You're articulating. You're growing as a person as you decide what you like or don't like, or try to put together puzzle pieces so that the whole picture makes sense. Shipping? You're imagining scenarios. You're bending canon to fit your interests. You are developing your own ability to write characters, and growing as an artist and a writer.

But self shipping...?

Eh.

You're writing, I guess, but when you reduce yourself to just... idk, some generic girl that Gojo decides is the Bella to his Edward... I mean I'm glad you're happy and all.

But how happy are you

Are you happy at all, or are you frustrated by this aching loneliness deep in your gut that you just don't understand, and it never quite feels whole bc you keep cramming nothing into it.

And it's not the loneliness or the social awkwardness that I'm criticizing here ok, shippers and fan analysts can be just as lonely. I just think that the human relationship to art should be confusion and appreciation.

you should be trying to understand others or yourself.

you can insist well what's so wrong with escapism? why does everything have to be an intellectual exercise?

it doesn't have to be ... but there's a reason people feel so hollow watching marvel movies.

art without substance is consumption. it's a distraction from your own humanity, it is not anything more.

not to you, anyway.

and I don't know.

that's really sad.

I've made so many friends through ships and babbling about canon and gushing about narrative beats.

I feel like I got something out of fandom, if other people force me to see the world in another light. I feel like a story has done its job if it's made me feel something. and it's really done a great job if I feel invested enough to hope two characters smooch.

but self insert?

eh. so you just like the character and think they're hot. that's fine.

not that interesting to talk about either. requires very little analysis on your part.

they just provoke sexual feelings or romantic feelings , which are easiest for you to process, and then you can move on to the next pretty boy you can turn into a Dom.

it irks me, man.

just a tad bit.

[fallershipping]

You ever think about a general fandom perception of "Het" or M/F ships?

In my circles, and for a long time since I was very very young, there was always contention with them, and not without reason. Anime and cartoons often depicted female characters as just the "love interest" meant only for romantic interactions, or that the (typical male) MC would crush on another different-gendered character almost obsessively. Back then, some people considered these characters as "getting in the way of my yaoi!!" but the reality was that writers didn't give female characters the same deep and interesting character dynamic an MC would have with a rival. I think this is still happening in fact, especially in the anime that the circles i'm in consume.

And beyond that, hetero-oriented dynamics are forced upon everywhere in media. From advertisements, to movies even where romance isn't necessary, shows, cartoons, video games, anime, everywhere. People who grew up with this have grown to write more queer relationships in media because-- it is tiring to see hetero content being so forced and shoved in your face. (which it is)

And often did I grow up on tumblr and twitter seeing artists grow tired of M/F, joking about it being boring, appealing to only the heteronormative especially if someone else (or canon) gives them kids. People aren't afraid of expressing their dislike or exhaustion with M/F especially when they want to see their favorite characters with dynamics more personal to them.

I can completely understand this.

I was even affected by fandom culture and the exhaustion of media. I was, still kinda am, nervous of things feeling too hetero. Too dull and you never want to stray anywhere close to the archaic 1950s past of a loving housewife and the man of the household. But I do like a lot of M/F pairings, especially this one. I like the concept of two equal partners, I like that it's not about gender roles or that "man has to like woman" but that they are a bit of an odd couple no one expected. And I want to show them off RIGHT, yknow?

At the same time, I'm glad that the perception is somewhat changing from "all het/female love interests are bad" to "bad writing is bad, and I would prefer the author to write a female character just as well as how they write male characters."

How about you? What is your personal opinion when it comes to M/F content shipwise

[total-drama-brainrot]

Alenoah AU, where Noah says this in London instead:

Owen: "Why don't you like Al? He's great!"

Noah: "I like Alejandro and I agree that he's great, but I still don't trust the guy."

Owen: "Why?"

Noah: "I have my personal reasons... One of them being that I don't like how he treats you, Owen... So, please be careful from now on..."

Owen: "Okay, Noah... You do have a point."

How would Alejandro react to Noah liking him, but not truly trusting him? 😲

See your first mistake is assuming Noah would ever give up an oppertunity to shit-talk someone. /j

But for real, if Noah did clarify that he doesn't dislike Alejandro but does distrust him, I can't see things playing out too differently from canon - save for Alejandro being a bit less openly hostile towards him post-challenge. Noah would still be eliminated, because having a teammate who distrusts him doesn't align with Alejandro's game plan.

Especially if Noah divulges why he doesn't trust Alejandro. If Noah tries to out the fact that Alejandro isn't as altruistic as he wants to appear, that makes Noah himself a direct threat to Alejandro's plans and schemes. Again, he'd be eliminated as soon as possible.

Regardless of any potential feelings between the two, Alejandro can and would always prioritise the competition over any budding relationship he has with Noah... at least in London. Further on in the competition, if/when the two of them have gotten to know each other better (and when mutual feelings have had time to grow and develop) it's a different story.

It would, however, mean there's a lot less bad blood between the two post series. At least on Alejandro's end. If anything, he'd probably have a smidge of respect for Noah, since he's one of the few people who had caught on to Alejandro's false geniality pre-merge and/or pre-elimination.

Meanwhile Noah would still be justifyably salty that Alejandro got him eliminated, but I imagine he'd pin most of the blame on himself. After all, it was his big mouth that once again dropped him into hot water with his team. Plus, in this scenario, Noah admits that he does like Alejandro, so even considering his elimination I doubt Noah would be too upset with Alejandro himself.

So, in the case of this hypothetical AU, I'd suggest that the main meat of the story here would be post-World Tour, which plays out canonically (or as close to canonically as you'd like). Alejandro gets Drama Machine'd, and Noah - as one of the few people in the cast who doesn't actively hate Alejandro - questions his whereabouts when he fails to show up on the cruise boat the Gen 1 cast are seen on at the beginning of RotI.

He's likely the only person to do so since, barring Heather, Noah's one of the select few who Alejandro didn't royally fuck over. Not directly, at least. And Heather's too preoccupied with the loss of her million to think about Alejandro's wellbeing. And Chris tells him straight; the robot on the cruise ship? Alejandro's chilling in there, healing from the lava burns in almost complete isolation.

Noah is understandably horrified. He's even more horrified when Chris reveals that the Burromuertos signed over custodial rights for Alejandro and disowned him, so Chris is full within his legal rights to keep Alejandro in the Drama Machine for however long he deems fit. Unfortunately, he's also sworn to secrecy about the whole deal; Chris can't have Alejandro's situation reaching the press, it'd be bad for the show's publicity. (Add some legal jargon here, or something about non-disclosure agreements being in the casts' contracts, or whatever.)

But he can't just leave alejandro to suffer in an indefinite mechanical imprisonment. So Noah bargains his way back into his old position as a PA, if only to keep tabs on Alejandro's wellbeing.

Something something you end up with one of those Assistant Noah x Drama Machine Alejandro AUs, which eventually evolves into a "Noah works as an assistant on All-stars" AU, or whatever.

[neverenoughmarauders]

Hi! what are your thoughts on the ever present fanon idea that James repeatedly asks Lily to date him before she finally concedes (he pesters her tbh)?

I feel like this throws a lot of people off of Jily as it just adds a bit of creepiness to the ship and makes it weirder for Lily to get with James considering this behaviour, after what must’ve been a fair amount of reckoning since he tormented her childhood best friend for years. Like even if Lily hated Snape at this point I don’t think she’d forget how James treated him easily and let James off the hook without a proper reckoning so adding pestering behaviour to that dynamic just makes their relationship more unlikely ya know. Honestly just tryna find reasons why fandom in general dislike Jily more than jegulus atp.

Hi anon

This idea that James repeatedly asked Lily out I think far precedes Jegulus. In my youth, the few fics I engaged with (often because my best friend kindly helped translate them) seemed to position it as a very cute thing - although it always annoyed me even then, because it has no basis in canon. The day and age where James persistently asking Lily out was seen as cute are over, and now this fanon idea is presented in favour of Jegulus or Snily.

Actually, as an aside, in general the marauders' story is one that has aged poorly... You can't really view the marauders without the lens of it being the 70s and during a wizarding world war - but people do and it completely changes everything.

How do I feel about it?

I feel the same way about this as I do with all fanon ideas that get presented as evidence. It drives me up the wall no end. We all get carried away with our own interpretations and that's fine, but if people cannot separate canon from interpretation of canon /headcanon from fanon, how can we have an informed debate?

Canon:

"Why are you so obsessed with them anyway? Why do you care what they’re doing at night?” “I’m just trying to show you they’re not as wonderful as everyone seems to think they are.” ... “I didn’t mean — I just don’t want to see you made a fool of — He fancies you, James Potter fancies you!” The words seemed wrenched from him against his will. “And he’s not ... everyone thinks ... big Quidditch hero — ” Snape’s bitterness and dislike were rendering him incoherent, and Lily’s eyebrows were traveling farther and farther up her forehead.

My interpretation of canon:

The conversation between Snape and Lily to me indicates that it is a relatively new development (which means sometimes not long before/after the whomping willow incident). At this point I think it's hard to argue that James has asked Lily out - why on earth would Snape feel the need to point out that James fancies her if this be the case.

Canon:

“I will if you go out with me, Evans,” said James quickly. “Go on ... Go out with me, and I’ll never lay a wand on old Snivelly again.” ... “I wouldn’t go out with you if it was a choice between you and the giant squid,” said Lily. “Bad luck, Prongs,” said Sirius briskly, turning back to Snape. ... “There you go,” he said, as Snape struggled to his feet again, “you’re lucky Evans was here, Snivellus — ” “I don’t need help from filthy little Mudbloods like her!” Lily blinked. “Fine,” she said coolly. “I won’t bother in future. And I’d wash your pants if I were you, Snivellus.” ... “What is it with her?” said James, trying and failing to look as though this was a throwaway question of no real importance to him. “Reading between the lines, I’d say she thinks you’re a bit conceited, mate,” said Sirius. “Right,” said James, who looked furious now, “right"

Also canon: Lily found James attractive at this point, despite not liking him very much. It was confirmed in an interview, in response to whether or not Lily hated James, but as we know even from the source text:

“How come she married him?” Harry asked miserably. “She hated him!” “Nah, she didn’t,” said Sirius.

My interpretation of canon:

James is being an immature d***. That aside, nothing about this dialogue suggests to me that James has ever asked Lily out before. Why? James looks FURIOUS at the rejection, he does not give off the vibes of someone who has routinely been rejected by Lily.

There's also the small stuff which doesn't by itself mean anything but which adds up, such as Sirius' and Snape's reaction. Sirius doesn't come across as someone who has seen this a hundred times. He's obviously far less affected or surprised by the outcome, but that's not the same thing. Snape completely loses it with Lily - why? It's not the first time James and Sirius has bullied him, but if it's the first time Snape has listened to James ask her out - worse still, use him to ask her out, he might be furious. He told her so, didn't he? James Potter fancied her.

My headcanon:

We know Lily found James attractive, and that James is shocked to be rejected. We also know Snape is nervous that Lily might be falling for James: 'I’m just trying to show you they’re not as wonderful as everyone seems to think they are' Why? Probably because by now Lily and James have flirted a little on and off. If Lily spoke the way she spoke to James by the lake - if James routinely asked Lily out - then the conversation between Severus and Lily makes no sense.

If people want to like Jegulus, they can. Personally, I think Jily holds everything I want from an "enemies" to lovers trope, and if I want another trope it's usually best friends to lovers, and I've got prongsfoot for that. Or if I am feeling like I want both, there's always Jilypad <3