#am i wrong??? i could be wrong

[lobsterfork]

so like... do we see ram smile ONCE, outside the context of bheem? like in the whole film, clocking in at 187 minutes, is there one single instance of him smiling where bheem isn't directly responsible?

[hinamie]

trick or treat!

[officialspec]

can i say something. for years i thought the joke of the song short skirt/long jacket by cake was that he wanted a woman who was hung like a horse. like i thought when he says jacket it was a last-second fakeout because he very obviously meant to say cock. and the rest of the things in the song were just her personality and interests. which were secondary to her awesome penis

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[qweenofurheart]

timothy’s jokes don’t always land

[morganmnemonic]

I can't stop thinking about the relationship between Jon and Helen as perhaps one of the most important ones in the entire show. They are narrative parallels for each other, and they both know it. They've both known it from the very start!

Helen walks into the Archives, paranoid, unsure of who to trust, and Jon sees himself in her. And he thinks "If i can help her, maybe there's hope for me too." Then he can't save her. The next time they meet, she's a monster. They're both monsters. There was never any other way their stories could have gone, their fates entwined from the very start.

And Helen answers his original thought with one of her own: "Maybe if we can help each other, there's hope for us both." But Jon looks at her and sees everything that he fears becoming, and so he turns her away, and refuses to accept that their stories are still one and the same.

Helen went to the last person who was ever kind to her, the only person who both knew her as a human and had the context to understand what she'd become, and he hated her. He hated her because he liked Helen, and told her that she couldn't be Helen.

So she stopped trying to be Helen, and embraced being a monster. Reveled in it even. Then Jon wakes up from a six month coma, more monster than person, and tries so hard to cling to the things that mattered to him when he was human. Even with no support, even with the entire archives staff against him, he chooses humanity and compassion over and over again.

And this is a direct threat to Helen's world view. Their stories are entwined. If Jon can continue to be a person even after everything he's been through, then she could have clung to her humanity too, if only she'd tried a little harder. And that terrifies her! She wants to conceptualize herself as someone who was completely overwhelmed by forces beyond her control, who never had a choice but to become a monster. She want's to be an innocent victim. But Jon argues with his actions that they'd both had choices.

And, Jon, in turn, holds out hope that she might make better choices until the very end.

This is the conflict between them for all of season 4 and 5. Jon wants to prove that they can both be decent people, and Helen wants to prove that they were never going to be anything but monsters. This is why she's so devoted to trying to goad Jon into enjoying his newfound godhood. She knows that they are the same, and wants that to mean that he has a spark of evil inside of him, and not that she was always capable of doing good.

When Jon kills her, she loses her life, but wins the argument. Helen is nothing but a dangerous monster who needs to be killed for the good of everyone, and in the moment he decides that, Jon dooms himself to the same fate. Their stories are one and the same. "If i can help her, maybe there's hope for me too." he thought. But he couldn't help her, refused to, even, in the one moment when it actually mattered. And thus, there was never hope for him.

[stoopidstapler]

SO IVE BEEN GOIN INSANE SINCE THIS TRAILER DROPPED. JUST. SIMON. SIMON. SIMON.

[theshitpostcalligrapher]

I live in fear of more of my favourite restaurants getting tiktok famous bc I know this sounds paranoid but I haven't been able to order delivery from one of my favourite Chinese places for weeks and a tiktok gassing the place up from a few weeks back JUST came across my feeds

[taitavva]

body swap

[carnivalcarriondiscarded]

i call this one "queer silence" or perhaps "slightly judgemental stare"

[inkydiamonds]

I HAVE REALIZED SOMETHING.

So. For people who are not Ethoslab watchers, in his most recent episode he showed off these beautiful statues Joel supposedly made of Etho in front of his house.

I figured Joel built them, and it seems Etho did too, because he sent Joel a message via mail about them.

This note... honestly surprised me a bit? I didn't think much of it at first, but the tone of it felt out of place. Obviously these two have this ongoing bit of being obsessed with each other, and they've done nothing recently but yes-and to the sun about it. This note seems to almost shut this bit down, saying "this bit hasn't gone too far yet, because I'm showing this on camera, but it's getting there." Which is a possible explanation for this note! But considering all they've done recently it feels very sudden.

And then. Joel claimed to not have built the statues. "Oh," I thought. "Joel is claiming not to have built the statues because he doesn't want to seem obsessed." Makes sense. Or maybe he *didn't* build the statues and someone is pranking them. That also makes sense.

But it was only when watching Joel talk about it on Impulse's stream, when I heard Joel say "honestly, I think Etho might have done it," that it clicked.

Oh.

This motherfucker.

He 100% did. That's why the message is so weird. Ethoslab built statues of himself outside Joel's base, messaged him via mail saying "that's kinda weird bro" and then DIDN'T EVER REVEAL THAT HE BUILT THEM. Oh my god THIS MAN...

From Etho's audience's perspective it just looks like Joel was continuing being obsessed with Etho, as usual, just another example in a long list. But *Joel* knows he didn't do that and *Etho* knows Joel will figure out who did. This mischievous motherfucker. Oh my godddd I hate them. Listening to him read back the note with that little smile in his voice. I am unwell. Why are they LIKE this

[adustoflove]

Hearing about the way other people interact so easily makes me feel like there is something deeply wrong with me embedded into my soul

[hinamie]

"I'll show you every day that choosing to live was worth it"

some of my favourite scenes from @hijinks-n-lowjinks' fic things i would miss from the other side . this fic tore my heart out fr but like in a good way and i wanted to pay it homage the only way i know how <3

[themetalhiro]

I like to think Robin understands a handful of french words and this is a little game they play. :] BONUS:

note: i dont know any french so there’s probably some mistakes in here. Lol

[grimalkinmessor]

At the risk of revealing that I'm a Crazy Conspiracy Theorist I really do think that the biggest reason Hollywood seems to hate youtubers and wants nothing to do with them is because they are infinitely harder to control. People usually have to pay their dues to become famous, usually have to sign their damn soul away or do crazy awful shit in order to get a hand up—but you can't threaten obscurity to someone who already has a large fan base. Who is, in a lot of ways, already famous. A while back Mark talked about his time at a red carpet gathering and how no one would look at him or pay attention to him; almost like he was getting deliberately snubbed for being a youtuber. And yeah a lot of it is probably also the fact that "real" actors and directors don't see youtuber creations as valuable or Real Art, but I also think that a big part of that hostility is that he's not tied to it like they are. They can't make him do anything. Which, again I'm theorizing, is why I think Iron Lung is getting clotheslined. Because you know damn well that if Mark has enough money to produce it himself, then he has enough to advertise and release it himself. But he can't. For Some Reason. He's got to jump through hoops first because, well.

It really is all about control.

[dogjak]

Saw characters as lps figures (pt. 1)