#also what the hell is lighting

[kaisollisto]

hi 😳😳

[000marie198]

I don't care how excited it might make some people, I don't like this remake

[hinamie]

alongside someone like you

[dotcircledot]

practice stuff idk

[deoidesign]

I met the me who made different choices

[frozen-seagrass]

Morning glow

[listles-s]

man laios and toshiro's/shuro's dynamic is incredibly compelling to me on multiple levels

when you look at them, you can see the cultural and personal barriers that drive almost every single aspect of their relationship, both positively and negatively. laios is incredibly outspoken and driven by his passions, which he expresses freely even in the face of annoyance and/or criticism- he's allowed to be as authentically himself as he pleases, and it's this drive that allows him and the others to survive as long as they have, especially due to the fact that these passions and interests are intertwined with his skills as a dungeon diver. toshiro, in contrast, is incredibly reserved, not only due to his eastern upbringing but also his status as nobility- a combo of cultures that both demand that one save face, to avoid conflict at any cost, even at the expense of one's own feelings and individuality. this, in turn, has made toshiro the perfect samurai, as he's politely-spoken, agreeable, and an honorable, skilled man. both are also incredibly devoted to falin on different levels, having come to accomplish the same mission of her rescue despite drifting apart from the party.

on the flipside, it's these same strengths that cause them to clash- laios is outspoken but unable to truly decipher the emotions of others, leading to a lot of false assumptions and frustration from those who interact with him. toshiro is stoic but to the point of complacency, leading to a aggressively neutral disposition that's ushered by the needs and wants of others, rather than himself. neither man truly knows where they stand with the people important to them in their lives, and hold the ones that they do know how they feel with a fierce admiration expressed in ways that aren't always traditional.

in the end, they both share a growing feeling of isolation from other people that comes to a head when they meet again in the depths of the dungeon, and they both have different ways of coping with the frustrations that arise, seeing the other as only the things they have seen face to face.

it's laios' ability to express himself emotionally without consequence that sparks jealousy in toshiro, leading to a physical fight born out of miscommunication and envy. while toshiro is a driving force in the conflict, it should be noted that the actual fight is started by laios, breaking the dam of indirect communication through force. nothing is more direct than a slap to the face, and it's only after they start hitting each other that toshiro's true feelings come to light.

however, at the end of it all, toshiro is the one who stops torturing himself, listening to laios and giving him the bell, allowing laios and his party entrance into his homeland should they need it, and ultimately giving him support in his mission to defeat the dungeon mage, albeit in his own way. despite it all, they're still good friends with a conflict that boiled over, but came out the other end with a slightly better understanding of each other. the fight was painful for both of them, but it was a necessity for their dynamic to improve, and for them to be made aware of their faults and improve as individuals as well.

but also, if you think about it, their dynamic is literally just this

[hadesknockedupintheunderworld]

The world if people stopped applying their understanding of "conservatism" and "religion/christianity" through a very modern, deeply American view onto Death Note (a manga from the Early-mid 2000s which is very much set in the cultural and societal context of early-mid 2000s Japan and all that entails):

[omegalawliet]

Colored a bit of this Light doodle

[redhotarsenic]

@nowfallc PICTURE!! FOR YOU!! PLEASE TAKE IT!! <3

[kbsd]

does anyone else hear this music whenever they watch The Church Scene

[13eyond13]

Here is why lawlight's chemistry works- L always has to be right and Light always has to be special / the best. L thinks Light is special / the best and Light thinks L is always right for thinking he's special / the best. Rinse and repeat for all eternity while everybody else is just being like omg get a room

[hinamie]

august

[camels-pen]

ponder for a moment, zosanuso with Zoro realizing he likes pet names

Sanji and Usopp get together first. They are very lovey dovey and sappy because Sanji is lovey dovey and sappy and Usopp loves it, gets very swept away with it, and does his best to reciprocate. This shit is practically the bane of Zoro's existence. And that's not even getting into the pet names.

Some time later, he's got the realization that oh, huh, he likes Usopp. And oh, ugh, he likes the Cook too. And he might lament his own feelings about it, but eventually he tells them and then Zoro has two boyfriends.

And then one morning, Usopp comes to breakfast looking incredibly sleepy, and casually gives a "Morning, babe" to Zoro before taking his seat.

And Zoro finds he likes that. He really really likes it. And he's definitely showing it on his face somehow because soon after Sanji is ranting and raving about Zoro being an absolute hypocrite, because how dare he complain all this time about Sanji and Usopp calling each other honey and cher and darling, when he was just as bad as them-

Usopp is more awake now and trying not to laugh, for Zoro's sake. Zoro is very red and keeps trying to interrupt Sanji, but Sanji just talks louder over him. Zoro would start a fight, but Sanji hadn't finished serving breakfast yet and his arms are full of plates so he's forced to suffer.

[satsuha]

the journey ends

[cannibal-nightmares]

let's make trouble in the dream world, we'll hijack heaven with another memory now; i make the most of the turning tide, it just split what's left of the burning silence