#ideally. 3 episodes. or the book

[deoidesign]

I met the me who made different choices

[whenthegoldrays]

I don’t know what it is about the Jane Austen adaptations I’ve seen recently, but they just have so much trouble sticking the landing.

[please-help-this-little-lesbian]

Animorphs literally made me like filler again. Please god give us the filler books

I think the way Animorphs would work really well as a TV show is only if it's with:

The acknowledgement that the original series of books itself included "filler episodes" and to use those. It won't work if you skip the Atlantis episode or the oatmeal episode to get to the David arc. The fact that the characters can find out Atlantis exists and has nothing to do with the aliens they're fighting and is actually a doomed misanthropic population of humans horrifically mutated into fishmen by radiation and then just open the next book like that never happened is critical to the tone of the series.

Following that, an understanding of how to write with A, B, and C plots. You don't need to skip books to cut down on the series length. Since the POVs alternate between books, most of the books are heavily focused on a single character's emotional story or development. So other than the books where all six of the main characters are sent to a remote location for a while (like the Arctic or space or yesterday or Atlantis), you could really easily adapt multiple books per episode. Have Rachel allergic reacting to alligator DNA while Tobias discovers his parentage. Hell, consolidate 37 and 31! The only reason those didn't take place at the same time is because Animorphs is a book series and not a TV series!

[utilitycaster]

Hi, would just like to say thank you for writing up so much meta on campaign 3, it is keeping me sane seeing similar thoughts to what I’ve had written down coherently.

The last couple asks you’ve answered have got me thinking about how campaign 3 ended up like this (indecisive characters, weird nonsensical themes, only setpieces and maybe a ship or two being memorable) and I remember hearing that c3 was described by Matt as ”Pulpy” and I keep coming back to that and thinking that there was never even meant to be a big decision. From what I’ve read of old pulp fiction dnd novels it's pretty much “here’s the big bad go defeat/seal/slap them on the wrist, have fun on the way there with several cool setpieces and romance!” and I wonder if there was even meant to be a god debate at all or if it was just picked up in the middle of the story by the cast. It could explain why the characters wouldn't fit the story if this wasn’t meant to be the story.

Cause a character who goes with the flow is fine in those books and a character who only looks into what is thrust upon them works, but it feels like somewhere it tried to be more and just fell apart.

Because even now the story does feel pulpy but just held down by a narrative it isn’t handling well. 119 was a great episode and having the Raven Queen show up in the middle to give boons is an incredibly cool beat that would be memorable as hell but for it to end up as another god debate just sucks. But the rest of the campaign sort of does that with cool beats that end up dragged down in one way or another so its not unique I guess

I know you talked about the “pulpy”ness of c3 a while ago and was wondering if you had more thoughts now that we’re in the endgame for the campaign

I do - this is all rather speculative but in some discussions with other people one possible explanation that's come up is that Matt genuinely didn't expect the characters to be so hesitant to save the gods or stop Ludinus or sympathize with the the Vanguard, and has kind of pivoted to make a campaign that accomodates those doubts...but in doing so sort of fucked his end premise of "we must deal with Predathos". Which, you know, makes a lot of sense! What if Hearthdell was intended as a glimpse into why people might join something like the Vanguard to introduce an element of complexity to a party that (quite reasonably I might add) had said "these people are a fucking scourge on Exandria" but instead served to fan the flames of "well the gods didn't give me things when I asked so yeah we should let them be eaten"? What if the fetch quests to the Shattered Teeth or the scouting mission were like the quest for vestiges - something that the party desperately wished to do to achieve a deeply felt goal - and not something they had to be nudged along to do every step of the way? What if the party went into the final confrontation with any consensus or intention? Because then yeah a pulpier "you're taking on the Big Bad Ultimate Threat...but your MOTHER is on THEIR side" a la vintage superhero comics plays out much more coherently. I cannot stress enough that the cultural touchstone Matt brings up about the campaign is the 2012 Avengers film. Regardless of some posts I've seen (which tend to assume anything the cast has ever read/watched/played is an influence, which is. incorrect) that is your starting point.

The thing about all the "take a third option" and "status quo" talk surrounding this campaign is...this post is actually a good description of how it plays out in real life. Like yeah there's a lot of political constructs within the world that are stupid and unjust! However it is unproductive, naive, and idiotic to act as though just because you don't like them they aren't part of a complex system that needs thoughtful dismantling (at least, if you place any value on human life) or worse, that they simply don't exist because they shouldn't. Sometimes you genuinely do have two choices and neither is ideal and if you do not choose between them because you're holding out for a better option the choice is made for you, and often, it's the worse one. Sometimes there is in fact a problem caused by something stupid that you cannot undo in time to solve said problem, and it is selfish and childish to say "well I think this shouldn't be a problem" and leave it at that. You will fail in your endeavors if you do this. People will see that's your approach and stop listening to anything you say.

Bells Hells feel like that to me and it's not even entirely their fault. I think because Matt had such a clear endgame in mind in the sense of "face off against Predathos" and the party was so ill-suited, and the early pacing was genuinely already bad, he's sort of tried to pivot away by following every dumb idea Bells Hells have to perhaps funnel them towards that endgame. And this is a problem too, because it means the plot doesn't push back on them and they do not grow as people, which means that a lot of us are getting tired with their shit. It's telling that most of Bells Hells' loudest defenders are the "well, if you're traumatized, you're excused from all responsibility for your actions ever :)" types within the fandom because like, part of why people are sick of Laudna's shit (for example) is that it's like ok I agree you shouldn't have an evil wizard in your head but you do, so like, what are you doing about it. And because she hadn't done anything about it and because they had to get to Predathos we had our Deus Essek Machina situation, which to be clear, not mad about, but it also means Laudna never really learned or grew from this. And to be clear she's not alone; part of the frustration around Ashton is it seemed like they DID have a revelation around shardgate and then immediately discarded it.

There's many more factors I'm sure but just to sum up:

Matt has a very clear overarching plot in mind [and, also, probably was creating a campaign for characters who see point 3 had more realized worldviews and goals and investment in their communities]

Matt does not give the cast much guidance in creating characters for that plot; "pulpy" is really tonal and not even genre

Cast, having played characters specifically designed for the "complex and morally gray and must be from the continent the campaign is set on" campaign last, turn to wacky and go-with-the-flow types

Overarching plot kicks in; characters do not behave as expected

Matt tries to embrace/encourage this by getting the party to follow what they want to do

Go-with-flow/take no responsibility party doesn't know what they want to do

endless loop of a DM trying to adjust the direction of flow to a directionless party instead of imposing a direction/Cast trying to take direction cues from a DM who keeps throwing more options at them in the hopes one will appeal to them which turns into a "what do you want to do" "I don't know what do you want to do" situation.

[tsukimefuku]

the event (1) ❖ nanami kento

this part → part 2 (soon) | mdni! | the nile is a river in egypt 👍

summary: after struggling for so long with the feelings you had for nanami, your colleague and closest friend, you finally decide to put an end to your misery and confess to him. little did you know there was no misery left for you to wallow in that night — none at all. alternatively: nanami was a gentleman, but holy hell, given the context, there weren't many ways he could misunderstand the phrase "I want you".

tags: jujutsu kaisen, sorcerer!f!reader, colleagues in the field, 18+, alcohol, explicit! smut (oral f!receiving, piv, squirting), 1/3 plot 2/3 filth ratio, it’s romance guys, nanami x reader, reader is emotionally stunted, they're clearly in love, angst, fluff, hurt and comfort, basically a book chapter, no beta my inner demons proofread this.

wc: 8k

notes, etc.: if i have to rewrite this one more time i will commit a felony. inspo → just like you do (carly simon) and sonnet (the verve). saved by smooth operator (sade). the bit "love is something brave people do" is inspired by fleabag's last episode. appetizers for this fic are the shorties “would you let me die?” and “where does your mind drift”.

❖ collection of stories: "jujutsu partners au" → masterlist

this is big but very worth it, i promise.

Today, you were determined to finally utter those three words and put an end to your own personal brand of misery. 

Ever since you and Nanami kind of discussed if getting involved would be a bad idea — he said it would, but you had your doubts — you just couldn't stop thinking about it. He knew you had feelings for him. Maybe. He mentioned that he believed you thought about him. 

But the thing was… nothing was actually said. It was all implied. Implied into oblivion.

You two had been working together for a good while now, and you didn't fail to notice that, in the most recent encounters you've had, be it on missions or just having a drink at your favorite bar, your heart would involuntarily throb whenever you gazed at him for too long. 

Not only that, but you were finally able to admit to yourself that your gratitude towards the sorcerer, who saved your life years ago, had become love. You were, without a shred of a doubt, in love with him, and the fact that he clearly stated that getting involved would be ill-advised — his words, not yours — was a special type of torture.

So be it — you were confessing your feelings for him today, at least to have a definitive answer. It would be better to get shot down than keep doing this little tip-toe dance around the unsaid. You just couldn't do this anymore.

Thing was… You were terrible with feelings. And words. And putting feelings into words. And also just feeling your feelings, in general.

So you decided to invite him to a bar — like you always did —, and chat the night away — again, like you always did — to try easing yourself into this conversation in a comfortable, known setting. Your drinks were downed until the middle of the night like you were filling up a Jeep tank, trying to fuel yourself with liquor-bought courage. 

Eventually you slowed down, because certainly throwing up would be less than ideal. Better to be sober and chicken out than drunk and vomiting.

You were so in your own head, though, that you failed to realize Nanami was accompanying you in the "getting completely hammered" department until about a few hours prior, partially regaining his sobriety, with a lot of things swirling around in his own mind.

Mostly, he still thought about the non-conversation you both had about thinking of each other. More specifically, the fact that you inquired, right at the end, if it would really be such a bad idea.

Would it? 

Could he dare to dream of a life beyond killing curses and hoping not to die every time he stepped his foot into a mission?

He wasn't sure about it anymore, and could feel his usual negative stance about getting romantically involved with someone while still being a jujutsu sorcerer wavering — an absolute first for him. He was hardly someone to be swayed on his stances in life.

But this time, just maybe, you were able to do that without even realizing.

He caught himself gazing at you more frequently than usual, and wondering what would be the texture of your flower-scented hair tangled in between his fingers.

Today, your hair smelled like jasmine flowers.

Unlike you, however, Nanami was unsure if he'd touch upon the subject that night, specifically, in case he ever decided to do so. He’d prefer to talk about it in an appropriate setting — dinner at a restaurant, maybe? No, you weren't someone who'd like that. Perhaps at a picnic, she does enjoy nature...

He tried shaking those thoughts away along with his feelings, but it didn’t work.

The conversation was very pleasant, and you two were reminiscing about his mission at your hometown where you both met years ago. 

”Do you remember when I tried cooking breakfast? Oh, that was a good one,” you jested, chuckling. 

Nanami nodded, resting the edge of his whiskey cup on his bottom lip. 

“I’d say that was a terrible one. You nearly set your entire kitchen on fire trying to fry eggs,” he noted, letting a smile take over his lips.

You laughed in response.

”Yeah, you’re probably right. But at least you rescued me and made one of the best tamagoyaki I’ve ever eaten.”

He put his glass down on the counter, looking at you with those adoring, beautiful, brown honeyed eyes.

"One of?"

You chuckled, trying not to stare too much.

Good God, he's looking gorgeous tonight.

“Oh, come on. According to you, I can barely taste my food the way I eat, mixing everything up in my plate,” you joked, “I don’t have the same particular taste buds of yours.”

Nanami sighed, rolling his eyes at your teasing, taking a sip of his whiskey.

The ice had melted a little, and he felt the watery coat on the drink with displeasure, grimacing a little.

Somehow, Nanami failed to see the irony in that.

You noticed, and laughed a little before continuing.

"The other amazing tamagoyaki I had was when you rescued me from starving during my first week here. But I don't think I'd really regret burning Jujutsu High down, even if it was an accident."

Nanami shook his head lightly, the smile still on his face betraying his half-hearted chide.

Then, after the banter evaporated in the air, that moment finally came.

The absolute silence.

Arguably the perfect opportunity to say these types of things… So you began.

"Nanami, I…" words gagged. "I wanted to tell you something."

His body visibly tensed up a little, but he probably didn't realize it.

He knew, of course.

Nanami noticed all the recent instances you'd stare at him, and ever since pulling you in for a not-so innocent hug when you were both stranded on the road after a mission together, he felt dangerously close to crossing this boundary. 

Nanami's words were easily controlled, always so neatly put together with mathematical precision to express his thoughts. However, ever since he crossed the line of physical contact beyond pure platonic affection, it had been difficult keeping his hands to himself. 

Right now, he wanted to cup your face with his palms and brush his thumbs against your cheeks.

Perhaps even press his lips against you- stop that, you’re not a teenager anymore.

This comfort zone of avoiding the discussion about the feelings you both had for each other was becoming increasingly uncomfortable. 

"What?"

You gulped, and took a few more sips of beer.

"I…"

Your voice got stuck in your throat.

Your syllable had stretched long enough for this to have become a little awkward.

"I wanted to thank you," you blurted out, more for your benefit than his.

Nanami was equal parts relieved, disappointed, and surprised.

Did he actually want you to tell him you had feelings for him?

"Thanks for welcoming me to Jujutsu High, for shepherding me all this time, and for being a reliable, good friend. I was ready to face hell here, but it was… much better than I had anticipated. So, thank you, Nanami."

He looked at you, and both held each other's gaze for a moment. His hazel brown eyes were always something that lured you in, and you surely enjoyed how he'd always remove his green shades to talk to you.

Seeing them felt strangely — and endearingly — intimate.

"You're welcome," he offered in a kind note.

"Last call!" the bartender stated loudly, as you and Nanami looked at each other, feeling somewhat disappointed that the night was about to be over.

Stepping outside after paying, you both realized it was raining — something neither had noticed from inside the bar.

With half a mind to do something, definitely inebriated, and still with a declaration stuck in your throat, you absentmindedly made a question to Nanami.

"Can I wait the rain out at your place?"

He did live close by, in any case.

For a second, you realized you were probably butting in his rest hours, and felt a little embarrassed.

"Yes," he replied immediately, also absentmindedly, before you could retreat your request.

***

It was actually the first time you ever visited his apartment, and it was interesting to see his place. To no one's surprise, Nanami's pristine apartment, with his collections of books and CD's — he still had an actual stereo CD player — felt as every bit put together as Nanami himself did.

His kitchen drawers alone were surely more organized than your income tax return.

You sat on the counter and had your drenched hair haphazardly covered with a blue towel as Nanami fixed something to eat for the both of you.

The smell of cooked rice and eggs filled the air, hugging your senses, as you watched, still halfway drunk, how he skillfully walked back and forth, being somewhat inebriated himself, making way more than instant noodles, your first choice after proposing you both ate something to ease the alcohol out.

You stared at his back while he cooked, trying to push the thought of telling him how you felt to the back of your mind, at least for a while, just so you could enjoy the following moments without the sensation of impending doom.

As he finished plating the food, you were nothing short of impressed — the man mustered up the skill to cook omurice while inebriated, a feat you couldn't do sober even in one of your best days. 

"This is incredible, you're such a badass," you remarked as Nanami gave you a plate with a pair of chopsticks.

"It's a simple recipe," he replied, getting his own and taking a bite out of it as he leaned against the sink counter, facing you.

"Oh, it surely is,” you remarked, ironically.

You were getting ready to eat as Nanami interrupted you.

"Don't desecrate it," he chided, referencing the way you'd usually stir up your food on your plate until it became an unidentifiable goo before eating, "try to taste your food at least this once."

You chuckled a little, acquiescing.

"Okay. This is too beautiful to get vandalized, anyway."

Nanami huffed, the faintest ghost of a smile on his lips, before he took another bite.

"I am so going to regret this entire thing tomorrow," you stated, taking the first piece out of your plate, “I drank like a sailor.” 

It was absolutely delicious, of course. It was Nanami's food, after all.

He swallowed before proceeding.

"Me too, most likely. I hadn't drunk this heavily since… ever."

"Hah, me neither."

You both resumed eating peacefully, partaking in a comfortable and cozy silence for the next few minutes. During that time, he looked at you without you noticing, and realized just how much he wanted this small sliver of peace — sharing a good meal with you in his kitchen after a remarkably pleasant night — to keep going for eternity. 

You were looking so adorable with his blue towel over your drenched hair.

As you were finished, he took both plates and put them inside the sink, going back to his original position. Nanami had already removed his tie, his weapon holster and opened the top of his blue buttoned shirt by this point, both of his sleeves rolled up for him to cook.

It was becoming increasingly hard not to stare.

"Thank you, Nanami," you said, smiling at him.

"It's no trouble," he answered, softly smiling back at you.

His smile was much sweeter than usual, and it sent your heart throbbing against your chest.

The urge came again, to finally tell him.

However, when you actually spoke, something entirely unexpected came out of your mouth.

"Why did you come back to Jujutsu High after years of working a regular job?"

Nanami was surprised, to say the least, and pondered for a while before resuming his answer.

He had left the jujutsu world shortly after the mission where he met you and ‘failed you’ — that last part solely according to him — so, needless to say, this was a sensitive topic. 

"Well, I had known the jujutsu world, and after entering the corporate one, I realized both were idiotic. So-"

"No, not that speech," you interjected, "I want to know exactly what happened for you to come back. I mean, when we ran into each other years ago, you seemed pretty resolute in trying your retired-by-40 and moving to Malaysia plan, and from what I gathered, not long after that, you just came back, out of nowhere."

Nanami was silent, because he remembered vividly what had transpired, and that you had something to do with it.

"Well," he began, "a few days after we had that conversation, I went into a bakery to buy breakfast. It was always the same person at the cash register, and she had a small fly head curse on her shoulders for a while. It began affecting her sleep, given her complaints. I had avoided doing something about it, but our conversation kept ringing in my head."

Nanami averted his gaze, as if remembering the moment in its details before proceeding.

"After I exorcised it, her shoulder pain subsided, and she thanked me. That was it."

You remembered well how you chided him, telling Nanami to go back into sorcery because the world of jujutsu needed people who truly cared, such as himself. You just didn’t think it would have such a direct connection to the reasons he came back.

"So... you realized the importance of the job we do?" you inquired, with a half-smile pulled on your cheek.

He sighed. "Something like that."

"Oh, Mr. Nanami 'I'm just doing my job' Kento... you have finally understood that meaning is something relevant to you, it seems," you remarked, light-spirited.

He smiled, looking the other way, somewhat appreciating the fact that he had just been read like a book by you.

"But... don't say I had something to do with you coming back," you stated, "I might feel responsible if something happens to you."

Even as a joke, this snapped at your heart a little. The mere thought of losing him felt terrifying.

Nanami sighed, smile vanishing, looking back at you. 

"You always see things from a perspective of assigning responsibility and guilt... It is a perspective that usually warrants unnecessary suffering."

You scoffed, still wearing your mid-smirk on your face.

"Oh, and looking at everything from a protective perspective is any different? I mean, both boil down to us thinking we're responsible for other people's fates."

He was slightly taken aback, before smiling discreetly and crossing his arms in front of his chest. 

"I guess you're right."

Nanami looked at you, and seemed to be staring at your cheek. Under the dim light from the stove hood, you could make out the contours of his face — his sharp jaw, his chiseled cheekbones, and his now exposed forearms with taut, sculpted muscles, right under the rolled up sleeves of his blue shirt. 

If pupil dilation could be felt, you would have definitely felt it at that moment.

The urge came up again, but by this point, you were already feeling defeated enough at your pathetic inability of confessing your feelings, so you just let your mouth roll with whatever came out of it.

"I really admire you, Nanami."

You surprised even yourself.

His eyes then met yours.

"Do you?"

Pondering on your words, you nodded, thinking a little about it.

"You're such a calm, collected and responsible person. You seem to always know exactly what you're doing, meanwhile I'm usually just guessing around. No wonder Ino and Yuuji look up to you."

Even under the soft lighting, you could swear you saw Nanami's face blush a little.

"Thank you," he stated, bowing his head slightly towards your direction.

You smiled at him and sighed right after.

"Most times, I don't think I'm someone people would call admirable or actually look up to."

This was something you hadn't anticipated you'd say. You had never told that to anyone.

But, well, this was him. This was Nanami.

"Why do you say that?" he inquired in earnest.

"Because... Because I'm often hanging by a thread, just trying to survive. I'm not doing great things. I'm barely existing, sometimes."

He mulled his thoughts over for a second before answering you.

"You have a good capacity for adapting, taking whatever life hands you and doing the best you can with it," he noted, "and you keep going even if you feel like you're guessing. Even when you don't know where you're going. That takes bravery, and I find it to be admirable."

Now you were the one surprised, and you could feel your entire face burning the moment he finished uttering those words. You were never one to take compliments easily, but this was a whole other level.

You stood there, mouth slightly agape, faltering without any words.

His eyes had returned to your cheek, and in a swift movement, you heard him say excuse me as he stepped into your direction, rubbing his thumb on it to take off some food you hadn't realized that was still stuck on your face.

Nanami barely registered that the thoughts looping around his mind the entire night about touching you had finally taken the best of him.

Before he could remove his hand, though, you held it in place, lifting your eyes to meet him.

His palm felt warm against your skin, his digits rough, and perfect. Just like he was.

Nanami's expression was unreadable as he gazed back at you, and you began hearing your heartbeats against your ears, muffling the sound of the tapping rain on the window.

Words failed him too, and he was guided by his body once again.

Nanami lowered his face and softly pressed his lips over yours, still tasting like whiskey and Demi-glace, which sent waves — that you couldn't quite discern if were hot or cold, perhaps both — all throughout your body.

It was a quick kiss, though, because shortly after, Nanami backed out, still with his eyes closed, and had something resembling a frown on his face.

"I apologize, that was inappropriate," he mumbled, beginning to pull his hand out from your cheek. You, however, held it in place, and that got him to open his eyes and look at you.

He seemed taken by trepidation under his usual collected demeanor, and his lower lip had the slightest twitch to it as his eyes flickered quickly between your mouth and your eyes.

For a moment, you felt like you were looking into the eyes of the Nanami you once knew — the bangs, the uniform, the seventeen-year-old version of him.

Little did you know that your corresponding younger version was looking right back at him with the same bated breath, just like the teens-becoming-adults in the most traumatic ways you two once were.

"Stop apologizing and kiss me," you pleaded, edging your face closer to his, pulling his towel off your head.

You could feel his breath exhaling against your skin, as Nanami approached his body to yours, putting himself in between your knees, and cupped your face in his hands. His body was incredibly warm, just like his hand, and his woody, musky scent sent your senses spiraling when he finally descended his lips to yours, determined on taking his time — after all, this was a kiss ten years in the making.

His mouth felt velvety and supple, and you both melted into each other while exploring the way his head tilted against yours, how your nails would eventually find their way up the nape of his neck, how your breath would hitch every time he pressed his mouth against yours more intently. Your lips slid wetly over each other with a newfound ease none of you expected.

You were both dipping your toes in the ocean and testing the temperature before committing to dive into deeper waters, taking all the time into familiarizing with the feeling of each other's bodies.

Nanami's hands descended to your waist, leaving a trail of heat on the way, and you let out a soft moan into his mouth when he pressed them against you. He groaned lowly, a sound reverberating from the depths of his chest, as he parted his lips from yours and put some distance in between your faces with his eyes closed.

You didn't understand, but before you could ask anything, he began speaking.

"I don't mean to assume," he stated, letting his forehead rest on yours.

"Hm... What do you mean?"

"I... What I mean is we can stop, in case you don’t..​. We're both still somewhat under the influence. You are," Nanami replied, opening his eyes to look into yours. The faltering restraint dwelling in them was palpable. 

In the back of your mind, you wondered if there was any way of loving him more than you already did. Even now, he was so mindful and careful with you.

"I want this," you replied, resolute, "I want you. I've wanted it all for a very long time. It's not a drunken decision, I mean it."

His gaze softened in a way you had never seen before, one of his hands ascending to brush his thumb over your cheek. Nanami snuggled his nose against yours and sighed, seemingly fluttering.

"Are you sure?"

"Yes. I'm sure. I want you," you repeated, incisively.

He let out a huff of air against your mouth, and you could smell his breath, mingled with the scent emanating from him and his clothes. Intoxicating wasn't a strong enough word — you were completely enthralled, entranced and overwhelmed by him. Every sound got muted, but the sound of his breathing. Every smell disappeared, but his. And there was no other temperature in the room other than the warmth of his body.

You had entered tunnel vision mode, and at the end of it, he was your light.

Closing the remaining inches that separated the both of you, he brushed his lips against yours, whispering, "then have me. Have all of me."

Still cupping the side of your face, Nanami tilted it, finally fitting your lips against his again, like lovely little puzzle pieces getting more and more accustomed to each other by the second. He felt around your contours, pressing the tip of his tongue softly over the seam of your mouth, and you warmly welcomed him in, his true taste lingering just under the drinks and sauces being enough to knock the air out of your lungs.

He was salty, fresh, and a breeze of cool air by the seashore.

There were a few times you wondered what he'd be like, but your fantasies were quick to pale in comparison to the reality of him.

Nanami’s broken restraint was completely done for, and just this once, he wanted to let it come tumbling down like a house of cards, as he parted to gaze at your disheveled hair, your flustered face, your slightly puffy lips.

His chest swelled full and content at that sight.

He met you once again, and the ruffling from the fall was sounding better than he could have ever hoped for, insistent heart beat pushing against his ears, encompassing your breathless kissing like a sonnet.

Nanami's hands, however, didn't dare explore beyond your waist, and all this intense make out session was starting to make your panties feel uncomfortable against your pooling arousal. You were starting to feel antsy, and your body was nearly twitching at the aching desire. You needed some kind of relief, or you'd go insane.

Nanami was a gentleman, but holy hell, given the context, there weren't many ways he could misunderstand the phrase I want you.

You put your hands over his and slip them down to cup your ass, parting from his lips for a moment.

"Stop keeping your hands to yourself. Touch me," you pleaded, with some type of simmering desperation to your voice that you hadn't yet heard — never, actually.

He looked at you, and seemed equally desperate in an unfathomable way. He pulled you in, kneading his fingers fiercely against your skin while moaning into your mouth, and pressed your bodies hard enough for you to feel him pulsating through multiple layers of fabric.

Oh, my.

You knew he was strong, but this was something else. 

Instinctively, you wrapped your legs around his hips, and drew the tips of your fingernails down his back, while grinding over his growing erection with your clothed core. Nanami let out a muffled groan on your skin and began kissing your neck intently with messy, open-mouthed kisses.

He put his hands under your thighs and whispered in your ear, "hold on to me."

That caught your attention from your hazy brain.

"I... My hair is still wet. My clothes are a little damp, too. I'm kind of a mess right now," you told him, chuckling sheepishly.

This man's apartment was the most immaculate place you had ever been in your life, and the last thing you wanted to do was to dirty it around with dripping water from the rain. In his bed, of all places.

Nanami immediately pulled himself back and held your face, locking eyes with you.

"You are beautiful right now," he remarked, not giving you enough time for an answer, as he pressed another kiss on your lips — this time, more urgent, a little sloppy, but just as passionate, if not more. You gasped into his mouth, letting your body take control.

In an instant, your arms were draped over his shoulders, your legs tightened firmly around his body, and his strong hands held the back of your thighs, as Nanami lifted you from that counter like you weighed nothing.

You squeaked in surprise, and he uttered a soft, deep chuckle before planting a quick peck on your lips. 

After walking you both into his room, he calmly descended towards the mattress, laying you down delicately and climbing his way on top of you.

When he approached his face to yours, you smiled at him, and he smiled back, sharing a tender moment of silent closeness.

This was probably your favorite shared quietude yet.

“I should get out of these wet clothes,” you stated, giggling softly, before tugging your shirt over your head.

He huffed a soft smiling hum in return, as his palms found their way towards the sides of your hips. Their warmth clashed a stark contrast against your still dampened, cold skin, and his touch was electric, making you involuntarily sigh.

"Help me take these pants off," you cooed, relaxing your legs around his body.

Nanami didn’t need to be told twice, and swiftly slid his hands down to unzip you and pull your damp pants off while you unclasped your bra.

After he was done, his eyes lingered over the drenched patch on your underwear, a realization that definitely riled him up, as his breath got caught midway out his nostrils for a second.

Nanami’s fingers swirled around your bra straps, but before he removed it, you began unbuttoning his shirt, finishing off unclenching his belt and unzipping his pants.

"It would be unfair for me to be the only one exposed here," you remarked, light spirited, while smiling tenderly at him.

He smiled back very much the same way, and pulled his shirt off, downing his pants, letting it all become a wrinkled puddle on the floor. Nanami caged you in between his arms, and pressed a quick kiss on your lips, asking, "do you ever stop?"

"Why don't you try to find out?" you slyly replied.

Nanami wasn't usually one to appreciate being teased. This was especially true when it came to Gojo annoying the hell out of him, and he could — and would — also get annoyed at your snarky teasing from time to time.

But it felt different with you. He wasn't nearly as irritated as he would've been with anybody else.

Perhaps because you teased him with love.

Your hands pulled your bra off and tossed it aside, and for some seconds, he was speechless, contouring his eyes all over your body. With butterflies on his chest, he finally cupped your face in his hands again before kissing you once more, and you couldn’t help but notice he really liked holding you like that when he kissed you — and you'd let him, every time he wanted to.

It was lovely to be held so preciously under such an adoring touch.

Letting go of your lips, Nanami began planting kisses under your jaw, descending towards your neck, and nesting his face in between your breasts, inhaling your scent with his face laid over your skin. With your encouraging hand tangling in his hair, he began kissing and licking his way around, kneading on your breasts with his palms. Your hips instantly bucked up against him, at the same time you let out a needy moan.

He noticed it, very pleased, and gave you the tiny mercy of removing your panties.

Still with his mouth plastered on your skin, Nanami descended one hand towards your folds, and groaned the second his fingers touched over your wetness, cock twitching inside his underwear.

You were drenched.

He sounded so satisfied, you couldn’t help but blush a little in between your moans and mewls, wanting to brat out just a little.

“Hah-- I did say- a-ah… that I wanted you,” you half jested, trying to fend off your fleeting embarrassment, “w-what did you… hah-- expect?” 

He stopped briefly, and lifted his face to look at you, sighing with his classic I could be eye rolling at you right now expression.

You smiled mischievously, fully aware he noticed the teasing.

Nanami brushed his fingers above your clit softly, not breaking eye contact, and you thrust your hips up again, mewling mindlessly. Huffing, you tried saying something, but he pressed his fingers a little more intently, having your words turn into incoherent moaning tumbling down past your lips.

At that moment, you just knew…

You stood defeated.

“Finally, you relentless little devil,” he mumbled, kissing his way down your body, as you huffed a few chuckles in between your pleasured sounds.

If he was so hellbent on shutting down your antics like that, you’d probably try to keep them going all night long. Perhaps you could even break his composure completely.

The idea was enticing.

However, he was the one about to break you apart completely, as you realized when his wet, hot tongue got seared-flat against your clit, and stroked on your glistened folds with the ravenous dedication of a starving man.

Nanami was delighted to have finally shut down your quick-wit tease mouth completely, especially like this.

In the back of his mind, he realized he’d gladly do it every time you got on his nerves. 

Being a pretty tactile person, with heightened senses overall, Nanami was sure that tasting you would feel amazing, but this was otherworldly.

Completely enthralled, he began dipping his tongue inside you to drink you in, having your walls clenching immediately around it.

The sounds you made — your moaning and begging, as your thighs rubbed against his cheeks and fingers tugged on his hair — would be etched in his brain for eternity, he was sure of it.

The moment his hands pressed harder on your thighs, pulling them against his shoulders, and you let out a mixture of a squeal and a moan, something inside him snapped, sending his mouth into a feral quest against your cunt.

Groaning and panting into you, he lapped relentlessly on your folds, nuzzling your clit so intently it nearly sent you crawling over the walls. Your vision was white, starry, black, and then white again, and you wondered for a minute if this was all pleasure or if the light of the room was actually flickering. 

Mouth agape, your moans bounced off the walls, and your back arched desperately, while your entire body tightened with the tell-tale signs of an intense orgasm. Your toes were curling, your ears were ringing, and your face contorted in desperate need for release.

“D-don’t stop- don’t… Hah-- I-m… I-I… Hah---!“

Upon hearing your pleas, Nanami latched his lips on your clit and sucked on it so powerfully you didn’t get tipped over the edge, but was effectively thrown from it with no parachute or lifeline. 

Your entire body tensed and jolted. You came with a desperate cry, tightening your grip on his hair with bruising force. He let out a loud moan, trying to hold himself together as you fell apart on his mouth, and started to lick you softly to wean you off your high.

For a few seconds, your entire body stopped answering any voluntary movement signals from your brain, and you could’ve sworn you forgot your name.

You were sent to heaven and returned unscathed. 

Coming back to Earth, your grip on him loosened, and Nanami brought his mouth up to one of your thighs, pressing gentle kisses over it. 

When your vision wasn’t all abstract colors anymore, you looked down to see Nanami with hooded eyes, resting his chin over your mound, gazing at you like you were the most beautiful creature in existence.

Given what had just transpired, you found it to be incredibly absurd that this — him gazing at you — was what had you blushing violently.

But here you were, hiding your face under the back of your hand, as you chuckled sheepishly solely from the way he looked at you.

This beautiful, adoring man.

The urge to tell him how much you loved him came back, but even like this, so unclad and vulnerable, it was incredibly hard.

Nanami was barely blinking, wondering how he had allowed — or better, forced — himself to live without this, without you, for so long.

“I’m starting to feel embarrassed,” you said, equal parts joking and genuine, as you finally managed to meet his glance again. 

He blinked a few times, being pulled from his thoughts, whispering a half-hearted apology as he crawled his way back to you. 

His hair was a mess, his lips were rosy and puffy, and his eyes…

His eyes.

Trying to keep yourself from becoming a fluttering chaos all over again, you shook your head lightly as you resumed speaking.

“There’s nothing to apologize for,” you cooed, sliding your fingers down his face, pressing your lips to his. Nanami pushed his tongue inside your mouth, and you moaned in response, tasting your essence mixed in with his own flavor.

God, you could kiss him and taste this for hours on end.

His mouth and tongue flowed and veered softly, with no rush other than to imprint your flavor in him. Nanami clearly was a kisser — a very good one —, and was delighted to keep exploring you like that for as long as you’d let him. 

Suddenly, you had a little wicked idea creeping up on you, as you made some effort to finally part your lips from his and uttered, “you know what, I’m sorry.”

Nanami was puzzled.

“What do you m-“

With your strength back, you locked your legs on the sides of Nanami’s waist and rolled his body over, landing on top of him. 

His breath was caught for a moment before he smiled at you. Smiling back, you straddled yourself back, diving your fingers on the edges of his boxers to slide them down.

Nanami helped you by raising his body, and the moment you removed the piece of clothing, his cock sprang out, bearing a flushed, bulbous, red tip that mutely slapped against his belly. It was bigger than you anticipated, thicker too, and you wondered if you could fit it all in your mouth.

Probably not.

You also didn’t fail to notice the very evident damp patch on his underwear from his pre-cum alone.

He must be desperate right now, you thought to yourself, enticingly amused.

However, the moment you were about to wrap your fingers around him and descend, Nanami held your hand and sat up. He seemed slightly… Embarrassed?

“Hm… what is it?” you asked, pressing against his hand.

He cleared his throat.

“I’m… very wound up. Could we…” Nanami mumbled, words dying on their way out. 

Truth was, ever since the moment you were grinding your clothed cunt against him, his mind was boiling to the thought of burying himself inside you to the hilt.

There was no sugar-coating it. 

“Oh…” you let out, “so… you want me too?” you asked, a hint of amusement to your voice.

You weren’t the only one needy tonight.

He sighed from the depths of his soul.

“Stop teasing.”

His voice came out raspy, more of a plea than an actual chide.

The man was crumbling down, and it was delightful to watch The Nanami Kento, always so unflappable, falling apart like this.

You chuckled and planted a quick kiss on his lips.

“I’m sorry,” you offered in earnest.

He exhaled gently, gaze towards you softening as he did.

You blushed a little before proceeding.

“Where is the…”

“First drawer.”

Everything happened quickly. You snatched the condom from his nightstand and opened it. Nanami took it from your hands and slid it down his length. A soft sigh escaped his lips as the rubber snapped at the end.

Softly crawling your way towards him, you put both hands on his shoulders to straddle on his lap. Nanami locked his gaze on you, not breaking eye contact even for a second, right up until you both finally kissed again.

His hands began making their way down your back, and then…

You felt it.

The tip of Nanami’s fingers pressed against the scar you had right over your spine, and you gasped in pain as it hit the bundle of tangled nerves bumping over your skin. You instantly backed your face away with an aching grimace.

Nanami had witnessed how you got that scar in the fateful mission in which you two met years ago.

The sound of the blade piercing through your skin and flesh still lingered on in his nightmares.

His hand retreated so quickly you barely felt it leaving your body.

Following the aftershock, you opened your eyes to see him with his own eyes sealed shut, and Nanami appeared to be crawling his way back into his mind. His expression, usually so calm and collected, was replaced by a pained frown of his brows.

“I apologize, I… I’m…” he muttered, and you realized this wasn’t an apology for what just happened.

He still blamed himself for what had taken place then.

It broke your heart to shambles to see him like that, knowing full well nothing that transpired that night was his fault.

You cupped his jaw in your palms, and pressed your forehead to his.

"Hey, stop it. Stop apologizing, you haven't failed me. You never failed me."

Nanami's eyes were still very much sealed, and he seemed to be pulling even further away from you as the memories swirled around in his mind.

"Please, look at me," you pleaded, nuzzling against his face.

After a sigh, he answered, "I… I can't."

And he truly couldn't, still feeling the shame eating away at his chest like a parasite.

You scrambled your mind after something that might help, and finally realized the only thing you could say to pull him back.

Shit.

You were still terrified, and your entire body tensed up.

This is it. Now. I have to tell him now.

According to Nanami, you were brave.

And love, apparently, is something brave people do.

Still cupping his jaw, you sighed before letting the words come out of your mouth.

"Nanami Kento, I love you."

Your voice didn’t falter or stutter. Your declaration smoothly left your lips as naturally as breathing — the same way loving him came to you.

His breath caught halfway out, and he finally opened his eyes, soft and bare, gazing into yours.

"I love you, I have loved you for so long, I…" you repeated, sighing greatly, "I love you."

Nanami opened his mouth, but for a second, nothing — not even a huff of air — would pass. Knotting away in his throat, the words also struggled to form.

Should he? Could he? How deep in trouble would this launch the both of you?

Surpassing his worries, eventually, the words finally came out.

"I love you too."

The guilt and trauma had taken a backseat in his mind, at least for now.

When you heard Nanami’s words — heard him say that he loved you too —, your heart immediately began fluttering, and you could've sworn there was a ringing sound around the both of you.

There wasn't, though, just as much as the honeyed dewy warm rain that prickled over your entire skin was a manifestation of your love ridden excited imagination.

Smiling, you pulled him in for a kiss, and he intently pressed his lips against yours, no exploration left to be done — your tongues, by this point of the night, had met and familiarized themselves with every inch of each other's mouths, breaths, and moans.

Mindlessly, his hands plastered themselves back into your body, and brushed up from your hips, to your waist, over your back all the way to your shoulder blades.

Nanami brought you even closer, and kept kneading his hands against you, almost as if he was trying to touch your entirety all at once.

His fingertips ghosted softly around your scar accidentally again, and your breath hitched for a second. You pulled your mouth from his, just long enough to say, "lay me down."

Nanami understood it, and acquiesced. Swiftly, he supported you from your shoulders and hips, laying you down like a porcelain treasure, and caged you in with one hand to each side of your head.

You both took a few moments to admire each other.

Nanami was a tall and broad man, but from underneath, he seemed even more mountainous. His angular face, his wide shoulders and muscular arms, everything about him was just grand.

In a second, though, interrupting your gazing, his hand pulled a pillow from the top of the bed, and he gently lifted your head to put it underneath.

That was it.

In the end, you knew that his kindness, just as grand as he was, was what stole your heart.

Nanami slowly descended over you, and supported himself with his forearm to the side of your head, using his free hand to part the slightly sweaty hair on your forehead and press a fleeting, soft kiss in between your brows. Your heart skipped a beat, and his mouth came down pecking at your face in the most delicate fashion, until it rested on one of your cheeks.

You guided your hand down and positioned his tip towards your entrance, noticing Nanami shuddering with the sensation of your fingers clasping around him. His hand got down to the side of your hip, and Nanami let out a soft huff as he began to slowly push his length inside. He could feel himself gliding along your slick folds, and scrunched his eyes shut as the tip got past the resistance of your ring, eyelashes brushing over your skin with a feathery lingerance.

To say he was savoring this down to the last infinitesimal tactile sensation would be a gross understatement.

You dragged the tips of your fingers down the muscles of his abdomen, seeing how he deliciously flexed himself inside you, as you savored this in your own way too.

Sinking inch by inch, you could feel all the muscle stretches while his girth accommodated inside your walls, widening and filling you as he slipped in further. Your mouth opened in a muted moan, and with a hazy mind, you turned your face towards his, having the tip of his nose brushing over until your noses bumped against each other.

You captured his lips haphazardly, and Nanami stroked his tongue over your mouth, groaning the moment he bottomed out inside you.

You felt him almost kissing your cervix with the tip of his cock, and your mind was sent spiraling with the shivers that shot up from your lower abdomen to your entire body. It got you fluttering around his shaft, and Nanami's grip on your hip suddenly tightened, as a strained groan fell from his lips.​

It took you a second to realize exactly what was going on.

"I-I… need… a second,” he mustered up to say in a cracked, coarse voice. His length was throbbing strongly inside you, and his expression looked almost pained. You noticed his fist beside your head was strongly clenched around the bedsheet.

Nanami wasn't lying when he said he was very wound up.

You planted a small, loving peck over his cheek and drew your hands to the back of his head, gently brushing your thumbs against his hair until you felt Nanami’s body relaxing, and his pulse inside you evening out to something calmer. He eventually let go of the bedsheet and drew his hand closer, tangling his fingers in your hair.

In an easy, gradual pace, Nanami began dragging his length out from you, and did so completely, pushing back inside the same way, robbing you of a gasp the moment he bottomed out again. His hips began in a steady, calm rhythm, and from your mouth, came out what he could only say were the best sounds he had ever heard.

“Fuck-- y-you feel… so good…” you purred for him, sending pleasured shivers all over his body. You were both completely covered in sweat right now, and your bodies slapped against each other, sounds only covered by your begging whimpers.

However, as good as it was, you needed more. Greedily, you felt the increasing need of being completely taken apart, and this slow love making was not doing it for you.

“Harder…” you pleaded, and Nanami picked up the pace as soon as he heard you, thrusts becoming more intense. It was better, no doubt about it, but you still wanted more.

Your hungry desire had become something indescribable, and all you could do was mumble softly in between mewls, pleading him to go even harder.

Nanami was also feeling himself grow more and more intent on satisfying your pleas, and realized this might not be the best position to do so. 

He stopped for a second, and you muttered in complaint.

However, your disquiet was short-lived, as he propped himself up, manhandling your hips to accompany him and pulled one of your legs straight, letting your ankle rest on his shoulder, supporting your leg with his arm's length and hand cupping your ass. Your other leg kept hooked around him, and this shift sent his cock even deeper.

“Harder?” Nanami asked, almost as a dare, with his disheveled hair falling over his forehead, a few golden strands tangling with sweat. There was something remotely playful in his eyes, and it sent your heart pounding inside your chest to see him in a way you had never seen before.

Oh, how you coveted to freeze this moment in time.

In answer to his question, you nodded, half-lidded eyes and an anticipation smile, only to be surprised with a thumb making its way to your bottom lip, softly asking its way in.

You obliged, and put your lips around it, sucking on his thumb, basking in the view of this boulder of a man completely shuddering to the sight and sensation of that.

Nanami pulled his hand back, resting his digit over your clit.

“Hold on to something, darling” he warned, having a cheeky smile pulling on his face. 

In sweet anticipation, you pressed your hands against the wall on which the bed rested, and locked eyes with Nanami, just to see him admiring you for a moment before he made a complete mess out of you.

In a sharp motion, he thrust his cock into you so intensely his tip bumped fully against your cervix, trembling the bed on its foundations. Your head launched on the pillow, your mouth falling open to let out the loudest moan — if that sound even be called a moan — you had ever uttered in your entire life.

Not sparing you a moment to recover, he retreated and plunged again and again inside your cunt, sending wet plap sounds bouncing over the walls. Nanami began rutting into you, kissing you deeper and deeper with every thrust, and you were nearly yelling from the pleasurable pain with which he had you finally crumbling down.

“Fuck,” he let out, “is this-- hah- hard enough--?” Nanami asked half in jest, knowing full well he didn’t need an answer. The way your back began arching so deliciously as you yelled and mumbled incoherently was enough of a response.

Every time he’d thrust, your body would tense up, and your walls would suck him in. It was sending his mind into a wild spiral.

Nanami was mesmerized by your face, and had the faintest feeling that he might cum from it alone. You looked and sounded like you were having the most delicious, toe-curling, gut-wrenching, blissful-stupor inducing sex of your life.

And well, up until at that moment, you actually were.

Dear God, he could die right now, and he’d die the happiest man alive.

You were having shock waves of stupor-filled pleasure shooting through your body, and Nanami began circling his thumb over your throbbing, sensitive clit. Oh boy, did he have you seeing the entire Milky Way in a split second behind your eyelids. Your mind distantly registered the noise of dragging wood and your fingers starting to struggle reaching support behind your head.

Is the bed pushing away from the wall? Are we literally rocking the bed? Holy shit.

A heat you rarely felt began to burn like incandescent molten lava in your belly, and you looked at him wide eyed, holding out onto some kind of desperation.

Nanami barely registered that you were looking at him like that when he felt the warm spurts, getting his entire crotch completely greased. You squirted so intensely that for a second you felt like you actually fell unconscious, before coming back to the second wave — the continuum of earth-shattering, convulsing orgasms that always followed it.

He wasn’t ready to have you squirt all over his cock so fervently, letting out the most heavenly, luscious, indecent and pornographic sounds he had ever heard.

He could never be prepared for that.

The sheer scent alone sent shivers throughout his entire body. Your scent was completely smeared over him, slowly dripping down his thighs.

With your walls tightening around his cock, his own peak took him by surprise, as much as he had tried to hold it away. The most animalistic and ferocious groan came out of his mouth as thick strands of white cum filled up the condom. Nanami's entire body jerked, making it incredibly difficult to keep pumping himself into you without risking pulling out too much by mistake, so he just let the convulsing waves finish washing down his body before collapsing on the bed by your side.

You both took a moment to breathe, then two, then three, still panting like you had just run a marathon.

Hell, you were probably panting even harder than that.

"I'm… I’m s-sorry about… the mess," you apologized, huffing and puffing, face blushing as you rolled your eyes back, still recovering from the aftershock.

Nanami instantly turned your face to his, mouth agape and gaze locked onto your lips, as he, without uttering a word, thrust his tongue inside your mouth in an open-mouthed, wet, sloppy kiss. All while still panting heavily.

Pulling back, you smiled, asking, “nothing to apologize for?”

He huffed, smiling back at you, “nothing.” 

You both felt like you'd have the best night of sleep of your lives.

Nanami would not, however, as the thoughts he shoved away to the back of his mind earlier that night were about to take him into unwanted nightmares.

End notes:

I can’t reread this again. I just can’t. Hope I got all the typos out, lol. Old version of this fic is here. When I read it a few weeks ago, I came to the conclusion that I didn’t quite like it, so I decided to give it a go on rewriting it. Three rewrites later, here it is, hope you guys enjoyed it.

-

Tag list (for this fic + current AU tags):

@jadedjane @senseifupa @nikos-a-clown @fairy-corno @ldrcvlt

@magical-girl-b @montyrokz @hexrts-anatomy @g-kleran @otomesass

@redlikerozez @yammy-yammy-yama

[secriden]

So I made a post theorising about Style before episode 1 dropped and I'm both pleased by how much I got right and enamoured by all the extra details we have about Style in this episode.

Style is so obnoxiously overconfident and full of undeserved swagger that it somehow flips around to being winsome. He's the very definition of "empty-headed" but in a way that makes him innocent and guileless.

Narratively he functions as a bit of a foil to Bison because they are both impulsive and naive and blunt, but where Bison's past is steeped in blood and deception and it feels like he's got tricks up his sleeve, Style is an almost painfully open book. This also stands in contrast to Kant who seems very capable of manipulation.

And while he's nearly annoyingly self-assured, who can blame him; I mean look at him. Pretty boy is so fucking pretty. I bet he rocks up to the club, leans with his back against the bar so his shirt rides up, and immediately has 3 drinks being offered to him.

I'm so glad the show makes it clear that Style was flirting with Fadel well before the deal with Kant. It both establishes how genuine his interest in Fadel is, whilst also telling us that the unhinged behaviour was all Style - he didn't need any incentive to pull the "my nipples are sensitive" line.

I also love how he's demonstratively SO BAD at flirting! At the diner, its clear he's just trying things out to see if anything will stick. He's dressed to make himself alluring: arms and side bared in that loose tank top, and he keeps making these big gestures that show his arms off. (I wonder if he drinks as much as he does partly because he starts to get nervous when nothing seems to be working. xD)

All this is good, though, specifically because Fadel would probably see more sophisticated moves as deception. Instead, I think Style's unpolished and unpredictable flirting winds up being accidentally effective because it leaves Fadel feeling unmoored.

Fadel, who is so in control of his life; who (thinks he) knows exactly what he wants and how to get it. Style makes him feel things he probably hasn't in a while. Attraction, embarrassment; but also, anger and violence. His little dramatic knife-clench moment is such a contrast to the calm, clinical way he assassinates the mob boss and I think it shows that Fadel feels his lack of control around Style - and that frightens him a little.

I like how the show signposts the ways both characters are going to have to grow as people for them to be in a relationship: Style needs to learn how to take things more seriously, to mature and temper that arrogance, and slow down and read the room/people better; Fadel needs to allow himself to let go sometimes, to have some fun for once, to face and accept the reality of his own emotions.

They both have to learn how to love and be loved, and its fascinating how ideally suited they are to teach each other these things.

And in the mean time, well, the chemistry is undeniably electric.

[electricsoul-rpg]

Netflix's 3 Body Problem

I tried watching Netflix’s American adaptation of Three Body problem. I watched five episodes and boy, is it painful.

(Full disclaimer: I really liked the Chinese adaptation by Tencent, I read the book after I watched the drama, and I am a European of Chinese descent, so I am definitely biased.)

The general whitewashing and westernization of the story is already pretty bad. Why take a Chinese story if you’re going to make it so blandly American?

Everyone is horny and thinks about sex, relationships based on ideals are reduced to attraction and sex. Everyone is so vulgar and crass. IQ seems very low.

Ye Wenjie. What did they do to Ye Wenjie. She’s a brainless horny fanatic woman now. And Shen Yufei is replaced by a generic unhinged lady. All the scientists seem supremely dumb.

White characters explain or emphasize things in Chinese, for Chinese people, when their Mandarin is bad. Not gibberish bad, but still pretty bad. Please just use English, your white actors clearly can’t speak Chinese. Your Chinese characters can understand and speak English. Don’t hurt our ears like this. It might be cool and exotic for the average Western audience who doesn't understand Mandarin but it’s cringe and painful for us.

A small thing but since I lost my father a few months ago, it struck me pretty hard. What was that altar in Clarence Shi’s house? Just two big pricey candles and one stick of incense? This is so cold and lifeless. Where is the FOOD??? The drinks??? The flowers/plants??? You're calling your wife and you're leaving her starving and depressed!

(For info, a normal small home ancestor altar should look more like this. As you can see : FOOD. Take care of your ancestors!)

The cast and setting is supposed to make this adaptation more "international"...but two British dudes decide everything when, in the novel and the Chinese adaptation, it is truly an international decision and an example of global cooperation. Five Oxford alumni of different skin color does not make this more international!

And so so so so many more things that are wrong. I feel like there is not a single Chinese brain cell in this.

All in all, I did not expect anything good, but I am still disappointed. It is so bland. No build-up. No mystery. No menace. No ambiance. Nothing. Everything is said straight to your face. They must think the audience is stupid, I guess.

Watch the Chinese adaptation

Did you like the ideas behind the Three Body Problem, either the book or the Netflix series? Are you ok with reading subtitles and watching something not in your language? Are you ok with seeing something set in another culture, with another culture's codes, not simplified and westernized for your sake? Are you ok with not being able to binge-watch it in one weekend? Are you ok with more complex characters, a slower-paced plot? Then try the Chinese adaptation. It's on Youtube and Viki, with subtitles. Legal and free.

[siriusly-the-best-bi]

wow so I have like 3 analysis in progress that touch on this topic but I really need to just talk about it rn with its own spotlight.

Aziraphale has this entire life that he's built for himself on earth, after armageddon he's thriving. When we catch up with him in Season 2 his first scene is literally him going to check in with one of his tenants, and throughout the season we see that he has a decent relationship with nearly Everyone on the block. He has an entire life for himself all hashed out and pretty.

Crowley... does not. His cold open in Season 2 is back in St. James park, checking in with Shax, finding out the gossip on Hell. He doesn't have his apartment, he only has his Bentley and the few plants he could fit in it. He doesn't have any other human friendships. His entire life and everything he loves to do is built entirely around Aziraphale.

This is something that I just find so fucking thrilling because when it comes to their characters and where exactly they are in their arcs right now, it's essentially like looking into a mirror.

Aziraphale knows exactly who he is when he's on his own. He nurtures his own relationships with humans he sees often, he's a nice landlord, he loves books and classical music, and hot cocoa. But, Aziraphale still holds onto the ideals of heaven. He still cares about doing good and being forgiving. He still cowers and jumps at the opportunity to help heaven, not because he wants to but because he's supposed to because he's still an angel.

Crowley has nothing. He has his car, which he drives to a secluded location to park every night, only to drive it right back in the morning. He's only even vaguely recognizable because people associate him with Aziraphale and this is fine for him, he could care less. He doesn't really need to know who he is or process his traumas, why would he when he can put all his attention and focus and love and care directly into Aziraphale? His friend, who has always been his friend, the one person who has always stood by him. Who cares about heaven and hell, he has Aziraphale.

When we finally see them on their own and without the influences of their head offices, we see the opposite of what we'd expect, and nearly the opposite of the outcome we see in episode 6. Crowley is the one constantly checking in with Hell (wether he likes it or not), and Aziraphale is the one who's living care free without even thinking about heaven. When he does something good that he wants to report, he just calls Crowley.

this whole dance of Crowley not knowing who he is without Aziraphale and Aziraphale knowing who he is fundamentally but not knowing how to break free from the confines of Heaven that stop him from truly embracing Crowley in the end, it's just so delicious.

[tastywormfood]

Ive tried to get my feelings about Moominvalley s4 into words, but im having a really hard time even accepting them. But ill try!

So here's my thoughts in Moominvalley s4.

Im 23 now and i remember being 12 - 15 figuring out my identity, and the only "representation" in mrdia being basically either "Bury your gays" trope or just queerbaiting. I grew up on a base level thinking i wasnt allowed to exist, and if i still dared to, tragedy would be my only birth right.

I believed i wasnt allowed to live a happy, soft AND queer life, cause no media i had seen had ever showed me that, that was a possibility.

Both the 90's Moomin series and Moominvalley 2019 are my comfort shows. I fall asleep to them at night, i listen to them like a podcast while im working or outside, they even calm my panic attacks. I collect cups, plushies, i collect the Comics and even some of the books.

I have 3 Moomin tattoos. This universe means a damn lot to me, and to thousands of ppl world wide.

As a queer person i find incredible comfort in Tove Janssons work, and you have to be a fool to be unable to see the way Snufkin and Moomintroll are written together.

I have been following this show since early 2020 and have watched interview to interview, ive listened to the podcast more times than i can count, and they knew what they were doing.

From the beginning of the show they deliberately wrote Snufkin and Moomin to be something more, they even confess In a BTS that their Moomin might like Snufkin more than Snorkmaiden. Even the podcast talked about it!! We are not crazy!!!

I feel incredibly gaslit by the entire situation, and suddenly im 14 again being told im reading too much into it.

Idk what happened inbetween S3 and 4, but it felt like all the love and care that came from the show, just disappeared?

Ignoring Snufmin for a second, every episode this season felt like a filler. It has no plot, followed up on nothing from the last seasons, and had an extreme amount of loose ends.

The former seasons, especially s1 and 2 has such amazing writting, character development and just a feeling of patience and of softness, i would watch it and think everything would be okay... But this season felt stripped of every inch of the care Tove Jansson put into her universe.

I want to talk a little about Moomintroll.

One of Moomins character Arcs is his want to grow up, its his need to be taken seriously and his need for independence and adventure. His need to step out of his dads shadow, and to be his own moomin! The character development he had built up through out the seasons, completely and utterly disappeared. There is no trace of anything in s4.

He is right back to where he started in s1, not being able to stand up for himself and say no, not having the confidence to go on adventures and right back to idealizing his dad. If anything this entire season felt like a prequal! Cause at least s1 Moomintroll wanted to learn, and was activily trying to change.

Moomintroll truly felt like a side character this season, i dont even think he has any important moments. Unless you count Comet in Moominvalley (which i dont), where all his independence has disappeared. Moominpapa literally has to push him out. He made one decision that eps, which was to float down the river instead of walking, which ended up being the wrong and slower way.

The regression Moomintroll went threw this season is heartbreaking, and thats not my Moomin.

Focusing for a bit on Snufkin, this season felt like a slap to the face.

They know that Snufkin is one of their most popular characters right? If not the most popular. If anything he is at least in the top 3, not only in Moominvalley but in the rest of the moominverse.

So why did this season feel like Snufkin erasure?

He was barely in it, and when he was all of that glow that normally radiats from him was all gone. He felt like the husk of a character.

This version of Snufkin was on of my favs, cause you could actually see his flaws and disagree with his actions. He had room to grow, and he did, he truly did.

He learned from Moomin just like Moomin learned from him. Their characters Arcs co align witch each other, their relationship and interactions are the pillars of the entire show. Snufkin and Moomintroll are what make the show proceed.

Finding the 2019 show for the first time as an 18 year old gave me confirmation and trust, that i was allowed to live a soft and slow life as a queer person. If Moomintroll and Snufkin could have that kind of beautiful queer slow burn romance, then i had a chance to as well.

They knew that a big part of their viewers are queer, and they knew how popular Snufmin was. They knew what kind of ppl they attracted, or they wouldnt have made it like that.

All the soft moments, the longing, the zoom in on eye contact, the zoom in on hand holding. They said trust us, they said be patient, and then they threw everything they had been building up out and set fire to it.

We got Queerbaited, and i truly havnt felt this feeling for a while. We got actual queer shows now, ofc they all end up being cancelled! But they exist!

This show felt like it was crafted with so much love and care, that i completely let my guard down. The entire queer Moomin community did a 5 year long trustfall, just to hit the floor the last second.

Season 4 of Moominvalley felt empty. It felt lost of all care and love. The first 3 seasons felt handcrafted by warm hands, season 4 felt machine made. Easy to digest, with no real soul.

Season 4 of Moominvalley feels souless.

I have chosen to live in a world where Comet in Moominvalley is a prequal to s4 and that s4 is a prequal to s1. The true last season was S3 and Moominvalley ended with Snufkin and Moomin walking arm in arm. Thats the only way i can Rationalize everything.

I have so much more to say, but ill stop here for now. Hope all of you are doing okay<3

[fkapommel]

Etymology of TLT Character Names

Wanted to provide a fandom resource for analysis and theorizing. Since House names are explained in GTN, this list will just focus on first names. DM me for sources. Enjoy <3

Gideon

Biblical prophet, military leader, and judge, meaning "feeler," "hewer," or "one who cuts down." According to narrative, the Israelites had forgotten their god for 40 years and were punished by assaults from enemy tribes. After Israel turned back to God for aid, Gideon, an unnoteworthy Israelite, was delivered the message by an angel that he should lead Israel against its enemies. Gideon requested three miracles be done by God to prove his and God's ability to do this task, which God then performed. Gideon then completes God's tasks, including destroying an idol of Baal in the Israelite camp and displacing a much larger enemy encampment. Gideon delivered 40 years of peace for Israel during his lifetime and refused kinghood and dynasty when offered by his people. However, upon his death, the Israelites returned to worshipping Baal. A "Gideonic victory" can mean winning a battle against the odds.

Harrowhark

Harrowing - to use a piece of farming equipment to level soil, break rocks, and kill weeds to ready the dirt for seed growth. Also refers to the Harrowing of Hell, a non-Biblical, early to middle English traditional episode in which Jesus, upon death by crucifixtion, enters the Underworld to preach salvation to souls interned there before his birth, thus allowing them to enter Heaven. This tradition has been canonized by Catholic theology.

Hark - the first word of many ancient texts or announcements, meaning "listen." Biblical angelic speeches often begin with "hark."

Judith

The feminine of Judah, a Biblical Hebrew name meaning "praised," "woman of Judea/Jewess." The name Judith appears twice in the deuterocanonical Bible: once as one of Esau's wives and seperately as the titular character in the Book of Judith (a book not part of the canonized Bible). In the Book of Judith, Judith is described as a widow who uses her wit, charm, and skills of seduction to be invited to the private tent of Holofernes, the general of the enemy Assyrian army who had laid siege to her city. Judith is able to get Holofernes drunk and overpowers him, decapitates him, and steals his head to show to her city. She is of the few illustrations of the "ideal Jewish woman."

Marta

Derived from Aramaic, meaning "the daughter," "the lady," and "dedicated to Mars"

Isaac

Meaning "he laughs," referring to the father of the Biblical character's laugh of disbelief when God told him, Abraham, that his nonogenarian wife would conceive his child. Isaac is one of the three patriarchs of Israel, grandfather to the 12 tribes. When Isaac was a child, God commanded Abraham to take him up a mountain and sacrifice his child in His name. When Abraham proved his obedience, God provided a ram to sacrifice instead of Isaac. Isaac went on to marry Rebekah; though they eventually believed her to be barren, after Isaac prayed to God, Rebekah concieved twin boys, Esau and Jacob, at an old age, just as his mother did. Rebekah grew to prefer Jacob. Later, due to Sarah and Jacob's scheming, Isaac gave Esau's birthright to his second-born son, Jacob. Jacob would live on to father the twelve tribes of Israel.

Jeannemary

This specific spelling seems to be an invention of Tazmuir, but the duel components of the name are significant. Firstly, "Jean-Marie" is a French masculine name. Jeanne is the feminine form of the English "John." "Jeanne"  can be traced to a Biblical Hebrew name, meaning "God is gracious." The most notable historical character of the same name is Jeanne d'Arc, a young female military leader who acted under divine guidance. Upon instruction of archangels and saints, Jeanne fought in pursuit of the coronation of Charless VII during the 100 Years War. Her leadership led to multiple military victories but was punctuated by multiple failures. The unsuccessful relief of a besieged city led to her capture and deliverance to the English, who tried her for blasphemy by wearing men's clothes and refusing submission to Church authority. Found guilty, Jeanne was burned at the stake at 19.

Mary is the most notable feminine name of the Christian Bible, referring predominately to Mary, mother of Jesus Christ, Mary Bethany, and Mary Magdalene, a female disciple of Jesus. Mary was born immaculately - without sin - so that she would be a pure vessel to carry Jesus, who she concieved as a virgin. Mary Bethany was a friend of Jesus and sister to Lazarus. She was deeply emotional about her brother's passing, which persuaded Jesus to resurrect her brother from the grave. Mary Magdalene was a probably wealthy Jewish woman who aided Jesus' teachings. As a loyal apostle, she was a witness at both His crucifixtion and resurrection.

Coronabeth

"Coronabeth," like "Jeannemary," is an obvious Tazmuir invention. "Corona" refers to both the part of the body that resembles a crown and to a colored circular frame around a stellar body, usually caused by its atmosphere.

"Beth" is derived from both "Elizabeth" ("God is my oath") and "Bethany" ("House of Figs"). The suffix -beth comes from Hebrew origins, meaning "house."

Ianthe

From the Ancient Greek, meaning "violet flower" or "she who delights." She was one of the 3,000 water-nymphs called Oceanides, daughters of the Titans. Ianthe and her sisters served as a companion to Persephone when she was in Hades. She is also a character in Ovid's Metamorphosis as the beautiful fiancé to Iphis, a character who has her/his gender changed by the goddess Isis.

Note on the Tridentarii: Coronabeth was almost called "Cainabeth" and Ianthe "Abella" after the two Biblical brother characters, Cain and Abel. In the narrative, God preferred Abel's divine sacrifices and loved him more than his brother. In a jealous rage, Cain killed Abel and hid from his crime, his family, and his God. When God asked him, "Where is your brother?" Cain returned, "I am not my brother's keeper." Angered, He cursed Cain with the Mark of Cain. Separately, the first fratricide cursed the Earth to never turn over its vegetation to Cain, the first murderer. His Mark symbolizes him as a wanderer, a person who belongs nowhere; however, it also protects him from the curses and abuse of others, returning scorned words and abuses back to the harasser seven-fold. Though Coronabeth and Ianthe received their names elsewhere, the lusty, jealous, murderous themes of Cain and Abel's narrative were present at the time of their creation and thus should not be dismissed.

Naberius

Though I can't find the meaning of the name, "Naberius" is rooted in Latin. It first appears in Johann Weyer's 1583 manuscript, "The Deceptions of Demons." Naberius, or "Cerberus" - relation to the same named three-headed dog of Ancient Greek theology unknown - is a Marquess of Hell, directing 19 legions of demons. He provides cunningness of the arts, sciences, and rhetoric in man through vocal instruction and can restore lost honors and dignities. His semblance is of a man with three dog heads or a raven.

Abigail

Biblical Hebrew name meaning "my father's joy," "my father is exalted." Abigail is a Biblical figure, being the third wife of King David and mother to one of his sons. She is a strong believer in the prophecy of David's ascension and his great dynasty. Abigail is considered to be one of the seven Jewish woman prophets and, in the Talmud, of the four women "surpassing beauty in this world." The word "Abigail" can refer nonspecifically to a waiting woman or handmaiden.

Palamedes

There are two notable historical fiction characters that share the name "Palamedes." Palamades was an ancient Grecian prince who joined the battle of Troy, according to the Aenid. After Paris had taken Helen to Troy, Palamedes was sent as envoy from Agamemnon to Odysseus because the latter man had previously vowed to defend Helen's marriage. Odysseus, however, did not want to attend the war, but Palamedes was successful in proving his fitness for war and ultimately delivering Odysseus to Troy. According to some traditions, Odysseus never forgave Palamedes for this and eventually killed him. In the Apology, Plato characterizes Socrates as looking forward to death in order to speak with Palamedes.

Secondly, Sir Palamedes is a knight of the round-table, a Saracen pagan (or probable Muslim) who converted to Christiantiy later in life. He is introduced dueling another knight, Sir Tristan, for a lady's hand, which he loses; these two fight several more times but with unclear victories, leading to a hate-love relationship deepened by their love for the same woman (the woman of their first duel). Many stories have Palamedes as the hunter of the Questing Beast, a fearsome animal the target of many a fruitless hunt. After years of pursuit, it is ultimately his freedom from wordly material granted by his Christian conversion that allows him to slaughter the beast. He remains loyal to Sir Lancelot after his affair with Queen Guinevere is revealed and follows Lancelot to France. Sir Palamedes is later killed by Sir Gawain. Except in matters concerning his love and Sir Tristan, where he often lost control of his anger, he was one of the most chivalrous and honorable knights.

Note: The story of Sir Palamedes, as a product of Arthurian legend, is nearly impossible to summarize properly due to its expansiveness and document fragmentation. If interested in the topic (such as the wink wink homo-erotic love-hate relationship he has with Sir Tristan,) i encourage futher research.

Camilla

"Camilla" is the feminine of "Camillus," a Latin term meaning acolyte, a helper of the Priest during religious processionals and ceremonies. In the Aeneid, Camilla is a queen gifted to the goddess Diana as a handmaiden who became a virginal Amazon warrior.

Dulcinea

"Dulcinea" is a name created by Don Quixote for his character, derivative of the Spanish word "dulce" meaning "sweetness." Princess Dulcinea was invented in the titular character's mind to be the most perfect, beautiful, and regal woman since he believes chivalry requires such a lady of him. To refer to a loved one as like Dulcinea is to express your idealistic devotion and love to her.

Protesilaus

"Protesilaus" may come from the Ancient Greek "protus" for "first." Protesilaus was a hero in the Iliad. According to an oracle, the first Greek to set foot on land after sailing to fight the Trojan War would die. Protesilaus was the first to dare step off ship; he sealed his fate then, later dying in combat. His widow was so devoted to his memory that she built a bronze statue with his likeness. She later self-emulated when the statue was burned and destroyed.

Silas

Latin in origin, "Silas" means "of the forest." Notable figures named "Silas" include first century St. Silas, who accompanied St. Paul on his second mission. He is credited as co-author of the two letters to Thessalonians and the Book of Hebrews; however, authoriship is disputed. St. Silas is sometimes depicted with broken chains due to an episode in which an earthquake freed him and St. Paul from imprisonment.

Colum

From the Gaelic word for "dove"

[bluedalahorse]

The Season 3 Erik reveal + four coming of age books with similar emotional gut punches

A post written for YRFavesFest2024, graciously hosted by @youngroyals-events. This is in response to prompts #16 and #12.

credit to @scatteredpiecesofme for the screencaps

Disclaimer: I know not everyone feels the same way about this scene. This is not meant to be a persuasive essay about why you should like it. Instead, I am explaining why I liked it as a dramatic moment. If this is one of your least favorite scenes, this might be a good “scroll on by” post, or one where you put on your “agree to disagree” goggles.

I never trusted Erik. Perhaps it is more accurate to say, I never trusted the version of Erik that was a sunny memory. I was too suspicious of the way he laughs at August’s misogynistic jokes in the first episode, the way we know he was involved in the Society, and so on and so forth. I could feel in my gut there was more to know about him, and I knew that we were going to learn something big in season 2 or 3. This was a moment I was waiting for, but in that way where you wait in dread.

(I will admit the dread was tempered with interest; imperfect, potentially harmful Erik was always a more interesting idea to me than saintly, perfect Erik.)

My first time watching season 1, I was primarily orienting myself through the first three episodes. It wasn’t until Erik’s sudden death at the end of season 1 episode 3 that the series clicked into place for me. That’s when I felt I knew what it was about.

I actually think Wilhelm’s arc is not as much about falling in love with Simon as it is about Wilhelm grieving Erik, often in ways that leave him angry and confused. Wilhelm’s love for Simon is tied up in this—it takes root at the beginning of the series, and then it blossoms in a moment when Simon can be there for Wilhelm in his grief. And Wilhelm loses Erik more than once over the course of the series. There’s the obvious loss that happens in 1.3, but 3.4 is where Wilhelm loses the sense of security he feels around the memory of Erik. As viewers of the show, we can probably guess about Erik’s role in the initiations from the beginning of the season. Even though we know what’s coming, we still hold our breaths as we watch the revelation hit Wilhelm.

And then there’s August. August, like Wilhelm, is also grieving Erik, and it’s here we learn that Erik presided over the initiation that traumatized August and others as first years. This scene recontextualizes so much of what we see from August in the first and second seasons. So many of the things August does are driven by him running away from that moment, or attempting to bury it deep in his memory.

Like many fans, I wish we’d learned more about August’s relationship with his father, but I also wonder if we’re seeing it filtered through the prism of August and Erik’s relationship. Both Erik and Carl Johan were role models for August and influenced his sense of masculine ideals. They were people who made him feel as if he had a role and value—as the heir to Årnäs and as a trusted relative to the royal family. At the same time, they also harmed him in ways that taught him how to harm himself and others. We know what Erik did more explicitly, whereas how Carl Johan treated August is more subtly hinted at. But we can also make some educated guesses.

I don’t think the point of this scene is to pull the rug out from under viewers and say, “See, Erik was the evil one all along; August has a Freudian Excuse for his behavior.” We see plenty of indicators that even Erik struggles within the system he’s destined to rule. We know Erik went to Boris for support, but not what he sought support about. We see him day drinking and wonder if there are reasons behind his reckless driving. And yet, he’s gone before he can give us honest answers about who he is and what his true values are. This is what makes August and Wilhelm’s grief for him so difficult for them to process (not that grief is ever easy.) Who is Erik outside of the crown? And who can they feasibly become, if they’re expected to replace Erik in his absence? The system wants to push them one way, but is that going to bring them happiness?

To me this scene captures so much of what I like about coming of age stories like Young Royals: the moment when a protagonist learns that the world is not as clear-cut as they once imagined it. The person they love is imperfect and did something harmful, the person who harmed them is suffering in their own way, and all of them are caught up in systems much bigger than themselves that laid the groundwork for harm to happen. These are the stories that bring me the most catharsis, especially when it comes navigating thornier, more conflicted emotions.

In the spirit of this post, I’m also going to share four favorite coming of age novels that impacted me the same way this reveal did. These stories are often mentor texts for me when I write Young Royals fic. They’re also damn good reads!

Girl Made of Stars by Ashley Herring Blake

Deposing Nathan by Zach Smedley

A Sitting in St. James by Rita Williams-Garcia

Patron Saints of Nothing by Randy Ribay

I’m not going to summarize each book (I’ve mentioned them in other posts before, and you can easily look them up) but they all feature stories with nuanced characters navigating fraught family dynamics. Most deal with cycles of trauma and abuse. They don’t ignore the influence of systemic injustices, and how power and hierarchy enable abuse and make it easier. And yet, as heavy as these novels are, they also uplift positive connections between humans and the way people find healing and catharsis in the wake of tragedy.

Let me know if you get one from your local library and read it. Maybe we can book club together!

[deoidesign]

"I'm the dog they put with cheetahs to keep them from going crazy in captivity" x "I'm the cheetah that is threatening to go crazy" 4 ever

(I make a webcomic about them)

[franzkafkagf]

The fact that Aegon loving his children it’s even book canon. TGC is describing Aegon’s personality as it is hinted in the book and yet people is mad.

Tom literally acknowledges he is not a good parent but he loves his children.It makes total sense that he would have a complicated relationship with fatherhood based on how his father treated him. Or that in his mind, he wants to be better than Viserys.

Thank you anon! You're exactly right, we've always known from the book that he loved his children. Adding onto that is that we have barely seen 20 minutes of Aegon until now, if the early reviews are true we'll get 15 minutes of Aegon in the first episode ALONE. Of course we find out much more about the character, we barely know anything about him!

This made me wonder; what do we know about Aegon?

We meet Aegon for the first time in episode 3 of season 1. He is just a two year-old who plays with a wooden dragon toy and yet the older characters around him only see him as a threat, a pawn or, by his father, as a replacement— watching the episode it's clear to me that Viserys wanted Baelon, Aegon cannot be Baelon. It's pretty telling that the only positive on-screen interactions Aegon has with his father are in this episode. He is a little kid still, Viserys can project his wishes and fantasies about Baelon onto him, something he isn't able to do once his son is grown up.

I think it's pretty crucial to understand this part of Aegon's and Viserys' relationship— the perfect ideal of Baelon (he killed the only woman he ever loved for the perfect son; you cannot come back from that) stands between them, like a shadow Aegon could never escape and a standard he could never meet.

We don't really see Aegon again until episode 6— he is a teenager now and thus a completely different person. The little baby from episode 3 has been shaped by years of neglect, unfulfilled expectations, and the toxic dynamics within the family. What has he become? He is a 15 year old with problematic relationship to alcohol that is used as the punching bag of the family. He jacks off from windows (welcome back Roman Roy!), leers at maids and bullies his younger brother.

Teen Aegon is perceived as a disappointment by his grandfather, who sees him just as a weakling and a pawn to be controlled (a belief he still holds at the start of season 2 apparently). His mother projects her own ambitions, resentments and fears onto him.

These behaviors are all very troubling and someone should've done something to prevent these habits from festering within him; no one did. I honestly feel like no one really cares about him that much.

And yet, there is also so much postitive to be said about this iteration of him too, glimpses of Aegon's potential for goodness and his capacity for loyalty. You might call it naivety, but Aegon seems to believe in the good in people— he trusted Rhaenyra not to hurt him or his brothers if she was to become queen (something I agree with). He also seems to treat his nephews well enough, he doesn't seem to care about the bastard-allegations -> he also seems to be friends with bastards as an adult! Eddard Waters belongs to his entourage, this informs his character— yes he is an entitled prince, but there's also an element to him that is endearingly down-to-earth.

Another notable example is in episode 7, he decided to protect his mother after Aemond blamed him for spreading rumors about his nephews' legitimacy . He never cared about the rumors, yet he stood his ground and shielded his mother when faced with his father's wrath.

Ty Tennant does such a great job here. The scene highlights his complexity— he is not simply a drunken disappointment, a villain or a victim, but a young man trapped in a situation he doesn't seem to be able to get out of.

When we next see Aegon, he is in his early twenties, and the toll his upbringing took on him is evident. His introduction in episode 8 is a hefty one. He is shown sleeping off a hangover, his drinking habit from his youth has fully established itself in him. His mother yells at him, tries to get him to understand the consequences of his behavior— he has raped a maid, something that, disturbingly, is not new for him. This moment speaks volumes about the man the little boy from episode 3 has become: flawed, morally compromised, and numbed by his vices.

Further even, Aegon engages in activities that reflect a deep-seated cruelty and a disconnection from others— watching toddlers rip each other apart in brutal fights shows his general desensitization and apathy to everything. These behaviors are obviously unacceptable, but this is a fictional character we are talking about and you know what these behaviors tell me about him? These are just manifestation of the dehumanizing effects of his upbringing.

He is desperate to be loved but destined to be hated — Tom Glynn Carney

Because characters can be multi-faceted and complex, Aegon fights off insecurities and still yearns for love and acceptance from those around him. Him acting out like this can be read as misguided attempts to drown out the background noise, to try to assert control in a world where he feels constantly undermined and unloved. However, his actions only serve to alienate him further from the people he wants to be accepted by.

Aegon's aversion to the throne and his rejection of the responsibilities that come with it are just other manifestations of his deep-seated apathy. He despises the very idea of kingship and what it represents. He doesn't want to take up responsibility become a pawn, he yearns to run away but he himself knows that he will never be able to run.

The carriage ride to the sept and the coronation are gifts that keep on giving. It's all so horribly tragic. He never wanted this. Crowning him will kill him, he knows this is his end deep down!

He is so preoccupied with what his father wanted, Baelon is absolutely still haunting the narrative— his father's desire for him to embody virtues he never possessed or could aspire to (BAELON) are still at the forefront of his thoughts.

As he walks to receive the crown, he is literally crying, this single moment encapsulates it all so well. He is man who, despite his privileged position, is trapped by the very power and responsibility he was born into but never desired for.

But then, at the very end of episode 9, we see a shift in Aegon— something else to him that will be at the forefront of his character in season 2. He finally gets the adoration and the purpose he always sought after with the crown. The moment he realizes that the smallfolk is cheering for him is the moment the apathy that defined him up until now begins to lose its grip, replaced by newfound determination.

This change in Aegon will be furthered by the death of Jaehaerys, a source of pride and a reminder for him that he is capable to create and care for something precious and pure (thank you TGC) -> I won't go into this deeper, let's wait until the season airs.

In conclusion, a wise woman once said that apathy is death. For so much of his life Aegon embodied apathy, only for the very thing he feared most (kingship) to make him rethink everything. Aegon will be driven by his determination, but this path will lead to his destruction, consuming him until there is barely anything left of him. It will ultimately tear him apart; he is both redeemed and ruined by the weight of a crown he never wanted.

[onceuponathyme]

Daisies

The daisy (etymology: day’s eye) traditionally symbolizes innocence. It is also associated with a game/ritual of plucking the petals to determine whether the person you love loves you back.

There are a lot of flowers, floral-pattern clothing, botanical ornamentation, etc. in Season 2, presumably for garden metaphor reasons. We see various meaningful flowers, but daisies and daisy-like flowers are especially significant.

Let's take a look at the daisies of Season 2.

The restaurant Marguerite’s may be covered in ivy and roses, but marguerite is the French word for daisy.

Justine’s dress at Marguerite’s has a daisy pattern.

Maggie’s episode 1 cardigan has stylized white flowers that could be read as daisies. (Note when we first see her approach Nina we also see the word "pure" in the coffee shop mural.) Maggie's episode 3 shirt has a couple large daisies with another flower, rainbow, and sun.

Marguerite is the French version of the English name Margaret. Maggie is almost always a nickname for Margaret, so presumably Maggie’s name is Margaret. 

The hitchhiker has a daisy-pattern headband. When Shax morphs back into her regular face/body she continues wearing the hitchhiker-disguise clothing while in the car with Aziraphale.

A dress hanging beside Aziraphale throughout the celebration scene and then the Furfur scene in the dressing room has a floral pattern that includes daisies. The large flower head on the mirror is a cousin of a daisy.

A dress hanging beside Crowley throughout the dressing room scenes is painted with small white daisies.

At the ball, Nina’s shirt has a daisy on the back left shoulder and Mutt’s hat has white and red daisies.

The Give Me Coffee or Give Me Death mural has a daisy. I think the daisy is only visible in this one shot of Nina opening shop the morning after the ball. (The menu on the wall also looks like it has some little daisies in the flower decorations.)

I'M SORRY EXCUSE ME. ARE THOSE LIGHTNING BOLTS STRIKING THE DAISY THROUGH THE WORD LATTÉ?! Or maybe the lightning is striking the latté?

In Maggie and Nina's talk-to-him intervention, there's a little daisy pattern in the chair fabric visible by Crowley's head.

The clock's four spandrels each have a red daisy.

The names Marguerite and Margaret can be traced to a root word meaning “pearl” and the names are listed as meaning pearl in baby name books. Is there a possible connection to the seashell on the clock case door? Or to the collar of Aziraphale’s Job outfit that was missing a pearl? There are pearls in several scenes in the show including the ball and the 1941 dressing room.

Literary connections:

Skip the square-bracketed summaries to avoid spoilers for the stories.

Daisy is a main character in The Great Gatsby, one of the books on Jim’s shelf.

[Daisy is a wealthy socialite who ultimately chooses her cruel husband over her infatuated lover Gatsby. She also hit-and-runs someone in Gatsby’s 1920s yellow Rolls-Royce (which in film adaptations looks very similar to the yellowified Bentley). Her greater significance to the book is as a symbol to Gatsby, so idealized in his mind that she is his entire dream and driving force. Gatsby also associates a strange green light with Daisy although the source of the light is not actually known. (In Good Omens, strange green light is associated with Hell instead.)]

There are a couple fictional bearers of the name Marguerite who are not in books from Jim's bookshelf, but who seem highly relevant:

-Marguerite St. Juste (note that the restaurant Marguerite’s is owned by Justine), wife of the Scarlet Pimpernel.

[Unhappy in her marriage to a dull British fop, she is thrilled to figure out that he is secretly the dashing hero saving French aristocrats from the Reign of Terror, but horrified that she has accidentally betrayed him. She bravely pursues him to France, and now knowing they’ve underestimated each other their love is rekindled. There have been many film adaptations of the story, one of which is by Powell and Pressburger whose films are referenced extensively in Good Omens Season 2.]

-Marguerite, heroine of various opera and film adaptations of Faust. (Margarete, diminutive Gretchen, in Goethe’s Faust.)

[Faust seduces Marguerite with the help of the demon Mephistopheles, she winds up in prison for killing the resulting baby, Faust tries to rescue her but she refuses to go, and then a voice from Heaven announces her salvation.] 

[jjs-brainrot]

2024 is coming to an end, all my anime from the current season finished up and next season has yet to be begin. it's time for me to actually sit down and figure out what my top 10 anime were for this year!

God damn was this an amazing year of anime for me. Every season had multiple shows I was hardcore obsessing over with a surprising amount of them outright entering into my top 10 of all time. I'd say I'd be surprised if 2025 can match it, but a lot of the shows I was obsessing with are getting continuations next year so I might end up with back to back peak years.

10. Yuru Camp S3

The greatest propaganda camping has ever received is back again to try to convince you that you should totally buy some camping gear and drive out to the nearest camp ground. You will surely not regret both of these decisions!

Yuru Camp feels like it's the platonic ideal of the iyashikei genre. It has just the right mixture of beautiful scenery, slow and chill vibes, the right amount of goofy humor and some really delicious looking food to make you feeling rejuvenated (and a bit hungry) every episode.

Season 3 has been particularly notable as its the first season being handled by Eight Bit instead of C-Station. While I'd say it's still as strong as previous seasons, the environmental backgrounds definitely felt like a step back compared to the previous 2 seasons and movie. It wasn't bad enough that it put a damper on my enjoyment of the series but it was a noticeable downground. The rest of the animation was pretty solid though with some of the later episodes (7 and 8 in particular) being incredibly creative and fun.

It's Yuru Camp. You should watch Yuru Camp if you haven't already…. You will not regret any purchases you make after watching Yuru Camp…

9. Spice and Wolf: Merchant Meets the Wise Wolf

The classic medieval fantasy/economic/romance/drama series has returned to once again lure unsuspecting otaku with the promise of a cute wolfgirl, only to lock the door behind them and reveal that they've been signed up for an econ 101 class.

It's an updated adaptation that's much more faithful to the light novels then the first anime was. Not too much to say until we get season 2 as it covered a lot of the arcs the first anime covered. The one exception being that it actually animated book 3 which the first anime skipped over in order to cover book 5 (or rather 90% of book 5… I'm still salty about that…)

Holo is still a complete charmer, Holo and Lawrence still have excellent chemistry together and the economic drama is still top tier.

8. Dungeon People

Dungeon Keeper Yuri or the other show from this year from a mangaka thinking long and hard about how a fantasy dungeon would actually work. Though Instead of looking at it as an ecosystem like Dungeon Meshi, it approaches the idea as a workplace with its own logistical and management issues that need to be addressed in order to function.

It's mostly a pretty chill series but it also doesn't shy away from exploring darker topics like how the dungeon management deals with sexual assault and murder amongst adventurers.

Both of the protags (Clay and Belle) are fairly morally grey characters with neither having any qualms about killing when the job calls for it. There's also some strong coworkers yuri going on between them as well.

Kinda got overshadowed by Dungeon Meshi, but it's another really interesting examination on the idea of fantasy dungeons with some light yuri elements on top.

7. 'Tis Time for "Torture", Princess

The princess will be pampered, cared for and provided more friendship then she's ever experienced in her life until she divulges state secrets of frivolous quality.

An extremely chill little comedy that manages to be both extremely funny and incredibly relaxing as the same time. The closest series I can think of to compare it to is Sleepy Princess in the Demon Castle (and maybe The Helpful Fox Senko-san to an extent). Just a nice series of skits about a character getting pampered.

Each of the "torturers" having the own niches (i.e. the titular Torture Tortura (yes that's her name) being a foodie, Krall being an animal lover, Youki and Inki basically playing around as the princess' best friend, etc) does a good job of making skits varied enough to never get stale.

Very good series to chill to after long day at work. Also has a season 2 on the way.

6. Dungeon Meshi

It's Dungeon Meshi, one of the best fantasy and foodie series to come out in decades.

In truth, the fact that I've been keeping up with and recommending this series for like 8 or 9 years now kinda does lower it a bit on my list since most of the novelty has faded over the years and most of the stronger moments of the series will be in the second season.

That being said, this adaptation has been fantastic so far with it easily being a contender for one of Studio Trigger's best works.

5. Mayonaka Punch

Desperate simp vampire girl wants to suck a cancelled youtuber girl('s blood) dry, the cancelled youtuber wants to reach 1 million subscribers. Win-win!

An absolutely hilarious comedy that also manages to pull out some pretty strong emotional guy punches when it feels like it and has an absolutely exquisite cast of girls who suck (pun intended).

Easily up there with Shirobako and Ya Boy Kongming as one of PA Works' best anime.

4. Shangri-La Frontier

A trash game loving birdman plays an actually good game for the first time in his life. Alternatively: LetMeSoloHer the anime.

One of the very few VRMMO anime that's… actually about the joy of playing an MMO? Honestly it feels weird to say but it feels like almost ever other anime that takes place in an MMO is either an isekai or a romance where the MMO aspect is just a forgettable backdrop. The only other series I can think of that did something similar to Shangri-La Frontier is Bofuri. So it's weirdly an untapped aspect of the genre.

Shangri-La Frontier really does nails every aspect of enjoying an MMO excellently though. The fun of first loading into a game and trying to figure out the basics, gushing about the game to one of your old gaming buddies and getting them interested in it, finding another old gaming buddy you didn't realize was also playing the same game as you, learning and mastering a raid with your friends, getting real into the lore of the game and even taking a break from your main game to play other games to recharge your love for the main one.

The entire cast is a wonderful collection of gamer cryptids with the main 3 protags being up there as one of my all time favorite trios as they're just as easily likely to help each other out when it counts as they are to stab each other in the backs for the laughs. They absolutely nail the "gaming buddies who've known each other for years" vibes.

It easily has the most stellar fight scenes this year with The multi-episode Weathermon fight alone absolutely deserving to top everyone of those "top x anime fight scenes" lists people put out there.

It's painful how under talked about this series seems to be for how good it is.

3. VTuber Legend

Lesbian VTuber gets drunk and loudly talks about how much she loves to fap to women. Proceeds to awaken a new fetish in every one of her coworkers (never the same one).

Hilarious, unhinged, gay af, probably the second kinkiest yuri this year and is the gold standard all future VTuber anime must be compared to. It gets it. It fully understood the level of unhinged insanity it needed to be to represent what watching VTubers is actually like and does so with flying colors.

Awayuki Kokorone is my oshi of all time. May she forever suffer the consequences of being a human lightning rod of fetishes by becoming a chew toy for every woman in her life.

Easily the one of the funniest comedies to come out this year and is well worth watching even if you have 0 interest in VTubers.

2. Gushing Over Magical Girls

Girl who really, really, really, REALLY loves magical girls gets black mailed into joining the evil organization that fights them. This turns into an unexpected positive for her as she finds out that she really, really, really, REALLY loves domming magical girls.

As wild as "the extremely smutty, borderline pornographic bdsm yuri magical girl show was one of the most compelling and interestingly written shows this year while also being the most hilarious" is to say… The extremely smutty, borderline pornographic bdsm yuri magical girl show was in fact one of the most compelling and interestingly written shows this year while also being the most hilarious.

It's easily one of the most kink positive anime series I've seen, and I think out of every anime from this year, this one might well have had the biggest impact on me. The general themes of self-accepting ones own perversions and kinks genuinely got me accepting and being way more open with my own and others'.

The bdsm magical girl show made me a better person which is a hell of a thing to say.

1. Girls Band Cry

RAISE YOUR MIDDLE FINGERS WITH ME! (or at least you pinkies as we sadly can't have the actual members of TogeToge flipping their audience off every live show…)

Hands down the best band anime yet, easily a rival to Studio Orange's work as one of the best 3DCG anime out there and without a doubt the best completely original anime released this year. It's writing was consistently strong from beginning to end with a few episodes outright being some of the best 20 minutes of anime this year (episode 8 and 11 in particular). The entire cast was super fun with Nina in particular being an incredibly interesting protagonist. And god the music is some of the best out of any band anime with Togenashi Togeari easily being up there in my top 3 bands of all times and I've basically not gone a single week without listening to every one of their songs on repeat.

Girls Band Cry might be the most near perfect anime in years and is easily the series I'd most recommend everyone pick up from this year (now that you can actually do so legally cause god damn was it a crime that this one wasn't picked up by streamers when it aired).

[hauntedselves]

Judith Herman introduced the concept of Complex Post-Traumatic Stress Disorder in her book Trauma and Recovery (1992). Here is her diagnostic criteria:

1. A history of subjection to totalitarian control over a prolonged period (months to years).

Examples include hostages, prisoners of war, concentration-camp survivors, and survivors of some religious cults. Examples also include those subjected to totalitarian systems in sexual and domestic life, including survivors of domestic battering, childhood physical or sexual abuse, and organized sexual exploitation.

2. Alterations in affect regulation, including

persistent dysphoria

chronic suicidal preoccupation

self-injury

explosive or extremely inhibited anger (may alternate)

compulsive or extremely inhibited sexuality (may alternate)

3. Alterations in consciousness, including

amnesia or hypermnesia for traumatic events

transient dissociative episodes

depersonalization/derealization

reliving experiences, either in the form of intrusive post-traumatic stress disorder symptoms or in the form of ruminative preoccupation

4. Alterations in self-perception, including

sense of helplessness or paralysis of initiative

shame, guilt, and self-blame

sense of defilement or stigma

sense of complete difference from others (may include sense of specialness, utter aloneness, belief no other person can understand, or nonhuman identity)

5. Alterations in perception of perpetrator, including

preoccupation with relationship with perpetrator (includes preoccupation with revenge)

unrealistic attribution of total power to perpetrator (caution: victim's assessment of power realities may be more realistic than clinician's)

idealization or paradoxical gratitude

sense of special or supernatural relationship

acceptance of belief system or rationalizations of perpetrator

6. Alterations in relations with others, including

isolation and withdrawal

disruption in intimate relationships

repeated search for rescuer (may alternate with isolation and withdrawal)

persistent distrust

repeated failures of self-protection

7. Alterations in systems of meaning

loss of sustaining faith

sense of hopelessness and despair