#also i wanted to include the summaries

[talietikasero]

Been a while since I made one of these, but here’s a list of all the fics I’ve published on AO3. In order, they’re for Guilty Gear, Tekken, and Portal/Half-Life, and links to each are in the titles.

Ending // Begin // All is Different (1/?)

Aria's original wish was to peacefully pass on, despite all pleas to continue living. One key promise and changed mind later, she may have altered the future she wouldn't know otherwise.

[An alternative story based on the novel Guilty Gear Begin]

Aria of the Sol (3/3)

Five days after the Justice/Jack-O fusion, Aria finds herself waking up in a new body lying in a hospital bed. The same day, she meets her daughter, her son-in-law, and her old Flame (of Corruption.) In the coming days, she tries to make the most of this second chance at life she’s been given – and figuring out who that mysterious voice in her head is.

[Set during the three-week gap between Revelator and -Strive-]

Who Knows What Tomorrow Holds (13/?)

A trio of (unlikely) heroes finds themselves protecting the President of the United States after a hostile takeover of the White House. On top of that, there's the looming threat of an axis of time attaining godhood. It's going to be a long day. [Following "Aria of the Sol,” this is a retelling/reimagining of the Guilty Gear -Strive- story mode.]

[Current chapter (13): After Story 1, part 1]

B-Sides and Rarities (3/?)

A miniseries of extra scenes from "Who Knows What Tomorrow Holds.” The Valentine sisters visit their mother in the castle's prison, later assisting an intelligence director in footage review. The next day, a Secret Service agent shows two of the White House's special guests around the premises.

[An alternative Another Story and arcade routes (script drafts here) are in the works.]

Little (Killer) Queen (2/2)

It's Father's Day, and the daughter of a particle physicist has a surprise planned for him. Later that same year, said girl's family and friends have something planned for her. [Modern AU]

The March of the Gear Queen (1/1)

During the final battle of the Second Holy Order Selection Tournament, Sol claims victory in the showdown against Justice. It’s then that something seems off. To satiate curiosity, the winner spares the fallen.

Do You Wear the Mark (1/1)

The (former) Princess of the Gears finds the letters she addressed to her long-dead mother. Each was dated for the second Sunday of May.

Of All Places to Meet You, It Had to Be Here (2/?)

Two people chasing the same person for different reasons were unaware of how the three of them are connected. An Italian church is a weird place to find out that the seemingly random person you're fighting armed soldiers with is actually a blood relative.

Father of All Machines (1/1)

Despite everything that's happened, all one scientist wants is something he'd spend a lifetime working on.

[Set before the events of Tekken 6]

The Stardust of a Song (1/?)

The year is 192X, and an unnamed American city's home to a cross-town rivalry, with each side under the guise of a name for scientific innovations. What began as a night out takes an unexpected turn as the right hands of both properly meet for the first time. [1920s AU]

[eyrieofsynapses]

good evening, all. it is May the 25th. our lilacs are blooming, just as the ones at the Watch House did. and I am thinking about remembrance of the fallen, and GNU, and the love in commemoration.

y'know, I read Night Watch… oh, maybe a year ago and some months ago. and the lilac symbolism, the remembrance of the Watch, has always struck me with the depth of the emotion of it, the tangibility of it in the flowers. but I wasn't aware that today was the day until I saw commemorative posts, all that gorgeous artwork and more, on my dash.

I was also not aware, until now, that fans commemorated the day not only because of the book reference, but in support of Terry Pratchett and of those with Alzheimer's. which knocked me over a bit because of course, of course the group that would use GNU to honor him would do that. and… I've been thinking about GNU a lot, lately, and this caught me again.

I read Going Postal a bit ago, and reread it recently. both times, the parts about GNU made me tear up. this idea of the names, the memories, the lives of the clacks workers who dedicated themselves to ensuring that people heard each other's voices—all those names spoken again and again and again by that which they poured their souls into, winging along in the air as they could not, an eternal reminder that they were loved—how could that not touch a person's heart?

when I found out that fans online used it to memorialize him, I damn well cried. hell, I still tear up just thinking about it. do you know, there's a code for an HTTP header "X-Clacks-Overhead: GNU Terry Pratchett" written by Reddit users to put in webpages, where it goes unseen by the average user? and in 2015, when Netcraft took a survey, there were eighty-four thousand websites using it? it's eight years later—how many thousands upon thousands of websites have this now, do you think? how many little cables of light has his name flown along, now? how many times?

that alone is absurdly and unimaginably lovely in its own right, but… there's something else to it. there's something about remembering with the lilac sprigs every year, just as Vimes and those who were there remembered their dead. something about how, when we take up our lilac sprigs, we carry a little piece of the characters in our hearts, too. I kept trying to put my finger on why that makes me tear up the way it does. the conclusion I came to is this:

what greater way to honor a writer is there, but to honor them the way they did the characters they poured their heart and soul into? what better way to say we know you and you are not forgotten and your work and words and gifts to the world are held in our hearts forever than to remember them by their own words, their own vision? how else could we say you embodied all the good you believed in and wished to see in the world, but to memorialize them after the little pieces of their soul they wrapped in ink and put upon the page?

it is a knowing of the writer, to remember them in their way. it is not a worn-out faceless platitude, but a reminder that their work has been read and will continue to be, that the characters and world they loved enough to bring to life last just as their name does. such remembrance is warm and loving and delights in their memory even as it grieves.

and now Pratchett's name has been written in his tradition, over and over and over, across the vast plane of the Internet, where it will—with any luck—continue to fly for generations to come.

there is no way to truly express the beauty of that… but perhaps we can catch a glimpse of it in the lilacs, both ours and the Watch's.

[rabbiteclair]

a while back my mom discovered that the owner of the company was stealing basically all of the money that he was supposed to submit for things like 'taxes' and 'health insurance' and 'court-mandated payments' for the employees, listing them on the pay stubs but then pocketing the money to help keep the company afloat

she then made sure that everybody in the company knew, submitted her resignation effective immediately, and spent about the next week calling government offices to report every crime, regulatory violation, and breach of employment contract that she could think of. and now it looks like the series of investigations that she kicked off might be the thing that finally destroys this man's company.

sometimes I'm proud of her

[crossbackpoke-check]

do you guys um. mods asleep anyone on the dash want to read 1.5k of roman history (tatd) fic i would be christening (haha) the tag for. and also help brainstorm with me to make it more than a scene but not an entire Plot 🙏

[kenobihater]

just saw a fic tagged both as a #fix-it fic (for the noncanon gay pair) and as #widowed character (implying the character's beloved canonical wife died somehow). motherfucker, spousal death is NOT a fix-it! STOP fridging women just bc you find them inconvenient for their husbands' relationship statuses!! give me lavender marriages, infidelity, miscommunication, polycules, or any other form of complex dynamic but for the love of GOD stop killing them off for the combined benefit of avoiding unconventional and/or uncomfortable dynamics and also allowing you to focus on that sweet sweet man pain in your shitty fic. the next person to do this owes every wife on earth $500

[no-light-left-on]

hot take but taking every hearsay or rumor or book in a fictional universe for fact is bad understanding of the world as the story presents it, actually

[juustozzi]

happy new year and new art opportunities in 2024! this year was delightfully fun art-wise, after a biiig slump in last third of 2022.

here's also the summaries from the years I really wasn't posting in here, to keep everything neatly in one place! (and let's pretend I remembered to edit the year on 2021's one, haha)

[broke-on-books]

☕

The live action Scooby-Doo movies?

I did not see this ask until RIGHT now (first time on desktop since crab day, second time since Nov 5 2020 [which was DOUBLY experience since I got my phone taken the same day]) so I'm going to assume this ask got eaten on mobile because tumblr, HOWEVER you poked a bear with this ask anon (as I'm sure you knew when asking) SO without further ado: my Scooby Doo live action opinions

So when you say 'live action Scooby-Doo movies' I'm assuming you're talking about the James Gunn films, starting with Scooby-Doo (2002) followed by Scooby-Doo 2: Monsters Unleashed, just due to like, generally popularity and also the fact that I have actually seen those films. However shoot another ask if you wanted me to include Curse of the Lake Monster in this (because I will if anyone cares and turn this into a live-action scooby dissertation, i'd just need to like. watch the movie first) But anyways where I'm going with this is that this post is about the Gunn movies aka the ones with SMG, Freddie Prinze Jr., Linda Cardellini, and ofc our #1 man, Matthew Lilliard.

Okay so my take on these movies is... complicated. I wouldn't say it's as complicated as my feelings towards SDMI, because I watched the live actions way less as a kid and generally care less about them, but still no matter how much shit I throw at these two movies there are parts that I generally like (even love) that stops me from totally condemning them wholesale. Like the fact that these movies are FUNNY! There's so many moments from this duology that are just beyond iconic "like, that's one of my favorite names!" the whole thing with Scooby in the dress at the airport, ET. CETERA (like I can go on!)

The Gunn movies are genuinely SO fun and I can 100% see and understand how they've stood so well in the public view as a representation of Scooby. HOWEVER, this is where you start to see my problems with them. For the general American, (because that is the audience I'm familiar with) ESPECIALLY millennials and younger, who happen to make up the majority of both people on this site AND people I talk about Scooby with in real life, these movies, and the elements they introduced as "quintessential scooby tropes" are the base of their understanding of the Scooby franchise, along with likely some miscellaneous WAY episodes and maybe SDMI.

Which is where I get pissed off. In the pushing of the narrative of "breaking away" from the Scooby norm, Gunn basically invents (aka totally makes up) an idea of what classic era Scooby was like, cementing an idea of classic Scooby into the public mind that is totally disingenuous and just straight up false. For example, in attempting to portray Daphne as having taken strides to be seen more seriously in solving mysteries and defending herself, it pushes the narrative that in the classic era she WASN'T taken seriously, and only existed as a damsel-in-distress prop of a character, which is just not true??? Like yes, Daphne is clumsy, that's a part of her character, and her friends (because, fun fact, the gang ARE friends) joke about it sometimes because that's what friends DO. Framing that in some kind of sexist "that's all she does" lens is just total bull, especially as gang members fall into secret passageways/get lost etc. in WAY ALL THE DAMN TIME because that's how the plot functions! Like are we calling Velma ditzy for losing her glasses every other episode? Of course not, and Fred falls into passageways all the time, not to MENTION Shaggy and Scooby and all they get up to. Also one last thing on the topic of Daphne, like this idea of her mystery solving skills not being respected by the gang is just so supremely bullshit it amazes me sometimes, especially when she was the LEADER (or leader adjacent) through pretty much all of her appearances in the 1980s [Not that James Gunn could look at '80s era Scooby without spitting on it, but I digress]

AND THIS IS JUST DAPHNE! Like the perceptions pushed towards Fred (and Velma, but mostly Fred) through these movies are just as bad! Like okay, with Fred---In these movies Fred is just an asshole. I hate Gunn Movies!Fred. I mean yeah he can be funny but it's almost always so mean! Almost nothing makes me madder than a mean Fred by the way. If he's putting other gang members down (even halfway, like with his whole "dorky chicks like you turn me on too" line, which... ew) then to me something has gone very, very, VERY, wrong in your basic understanding of Frederick Herman Jones as a character. Like he's the cheerleader! He puts himself in between his friends and danger! He loves nets, and traps, and Elvis impressions, and wrestling, and the trapeze, and cars, and most of all he LOVES sharing the things he loves with his friends! (Sometimes to a bit of an extreme. No one wants to hear about your net facts, Fred) And the live action movies just don't understand that at all. And I know there's maybe something to say I suppose in that some of those aspects of his characterization hadn't been "established yet" by the time "Scooby-Doo" came out in 2002. But it's there if you look. For Fred Jones, being the leader means being the caretaker, (he's the Mom friend what can I say) and any version where he's cruel and arrogant and just DOESN'T CARE about his friends in the way he's shown to in the Gunn movies is just so far from Fred to me it's not even funny. And what makes it even worse for me is that this (or at least something similar) is the idea of Fred that has really spread to the popular culture. Just the "leader", the jock that makes the rules, the one that [insert X adaptation here] finally gave a personality and made interesting (something that has been said more times than I can count for pretty much every gang member, save Shaggy and Scooby).

And I haven't even touched on Velma, and how they gave her a bit of a early 2000s smart superiority girl complex against Daphne, plus the whole makeover thing and etc. etc. The Gunn Movies are pretty much what would happen if you took someone who hadn't seen Scooby since they were 7 years old (and honestly had a pretty negative outlook against it then) and tried to "fix" it, only his memory was so bad he just made up problems (and threw in a good helping of early 2000s style sexism with it) convincing pretty much the entirety of the popular culture that said problems exist and that Gunn was absolutely brilliant for fixing them (and then bringing up said "problems" whenever anyone wants to talk about Scooby) and this entire rant has been without even fucking MENTIONING what is probably the reason you, anonymous tumblr user sent this ask in the first place, to I, Swishy "Scrappy Doo Redemption Arc" Broke-on-books (dot tumblr dot com), which is his HIGHLY SUCESSFUL and utterly sadistic character assassination of my number one man, Scrappy Doo.

And I am going to try my damnedest here not to get totally into my highly passionate opinions over what James Gunn did to Scrappy in the first of his Scooby movies and how thoroughly it has pissed me the fuck off because I have been writing this post for over an hour now and if we start to really get into my feelings on this topic it will certainly be a couple of hours more but like. That Fucking Bitch. I give James Gunn personally a solid eighty-five percent of the blame for making my life as a Scrappy Doo fan UTTERLY unbearable with this stupid fucking movie alone, and just his Scrappy crimes would honestly be enough for me to say that I hate this movie, not even considering the numerous Scooby crimes I've been talking about here for the past million paragraphs, but the part about this movie that makes me the MOST mad the most pissed off is that it's actually a good fucking movie. James Gunn wrote two hilarious and entertaining movies that have become beloved in the popular culture for their successes in that arena, while at the same time pissing all over the core themes and messages of the franchise of which it was based, that of friendship.

TLDR; The Live Action Scooby Doo movies (written by James Gunn) are highly entertaining and fun pieces of media to watch, and are widely loved by the general public and looked at with fondness and nostalgia because of that. However, as a hardcore Scooby Doo fan (writing that phrase sounds so ridiculous but oh well) the existence of these movies and their impact on the popular culture can be extremely frustrating (despite any personal nostalgia said fan may have) due to their spreading of a misinformed picture of what "typical Scooby Doo" looks like. This picture is especially frustrating due to the fabrication or exaggeration of problems present in classic Scooby (such as sexism in regards to the girls), as well as giving more ammunition to other problems in Scooby fandom (such as oversexualization, and sexualization in general, which no one wants to see in regards to their children's cartoons, like HONESTLY.) Discussions of sexism and sexualization in Scooby (both of which ARE present and are issues, although not at their worst in WAY) can often lead to an overlooking of the issues that are very present and clear in WAY and have continued since then with far too little resistance (I'm 100% talking about the racism here) HOWEVER that topic deserves at least a dozen posts of its own that I am no way informed or qualified enough to even begin to think about writing. The Gunn Movies are frustrating to many longtime Scooby fans because of these reasons, but for me, and fellow Scrappy Doo fans there is also the added aspect of the demonization of Scrappy Doo in the live action movies and the affects that has had on the popular culture as well, making it uniquely inhospitable to like or enjoy the character of Scrappy. End post.

[gwinverarrouz]

And heeeere are this year's traditional art summaries! :D

That was a good art year for Bisig!! I feel like I've finally developped an art style for her after all. Back in February I wrote that I "wasn't always 100% consistent with Bisig’s art style" but look where we are now! I'm sure it'll keep on evolving over time but I think the semi-lineless flat colours look finally settled and I'm really happy.

AND I MADE SOME COMIC PAGES AND THEY LOOK VERY NICE. MY PROUDEST DRAWING ACHIEVEMENT THIS YEAR. HURRAY. The mini-comic has 1822 notes as of writing and it's still absolutely wild to me. I've never had so many notes on original art before ;v;

January - February - March - April May - June - July - August September - October - November - December

Bisig’s summary: January - February - March - April May - June - July - August September - October - November - December

Previous years:

2016 - 2017 - 2018 - 2019 - 2020 - 2021 - 2022

[altruistic-meme]

keeping my sister updated on the fic I'm reading. we've decided torture is the proper response to unwanted flirting.

[raisy-archive]

ooh, you make me live now, honey

for @slightlymad <3

[blaiddraws]

Wait I have no idea what is going out in the gunsmoke au, all I know is nobori is wanted, I have no idea what’s going on, can you give me the stupidest summary you have?

weird kinda-alien guy forgets he's an alien and lives in denialtown for decades when the nonhuman aspects start becoming obvious

[caitlynmeow]

kinda sorta finished the first chapter of the Diary sequel and kinda sorta want to post it either tonight or tomorrow but I still don't have a title and I want to bash my head against the wall

[vialae]

'Amongst the nightmares which plagued Bhaal's Chosen each and every night, visions would sometimes come to him.

Visions of death; of his own and of innocents.

Embodiments of hope that were to be snuffed out in the Murder Lord's name.

Kaidos would have no choice but to obey his Father's unholy orders, lest he himself is struck down.'

Explicit Rating | 6.4k Words

[specialagentartemis]

The problem if I want to write an epic poem about Polites that is kicking around my brain is that based on the way we form Ancient Greek Epic names by adapting the genitive form of the name of the topic it’s about (Troy = Ilias -> Iliad; Odysseus -> Odyssey; Aeneas -> Aeneid) then logically the name for an epic about Polites would be either the Polito, which sounds stupid, or the Polity, which I couldn’t take seriously because as I am both an archaeologist and a Murderbot fan “polity” is just straight up a regular word I use almost every day

[apricot-the-apricat]

Zephy's ref sheet!!

Quick summary on him: Zeph is Harold's husband and Rivulet's brother. His job issss basically being an assassin, both working for the kingdom and for anyone who pays him enough, given he doesn't get tasked to kill someone he actually cares about. He's nice tho, kinda quiet, kinda selfish, not really into the whole murder thing but it's his job and he's stuck with it. Will defend his 'decision' to have this job if asked so he can justify his actions to himself.

There's more info on him in his art fight page :]