#also i do think this painting legitimately slaps

[onyxthelion]

hey, do y’all remember that painting in the background of one of the opening scenes in Goncharov? When Sofia arrives at her hotel?

this one?

I had always figured it was just a random piece of art that was already on location, or just something they pulled to fill out the set.

silly of me to assume anything in this movie was done by chance, because guess what I saw at the museum the other day.

yeah, it’s an actual museum-worthy painting by…you may not believe this…

Natalia Goncharova.

And this, combined with the info about the painting and the fact that the replica they used seems to be more cool-tinted, actually adds a lot to this scene. Specially, the idea that Goncharov remains this ever present installation in Sofia’s mind (especially poignant since she doesn’t explicitly talk about him a lot), and that Goncharov is present and watching throughout the movie, but - just like a painting - is ultimately unable to be a full participant in his life, ending in his death.

[princessefemmelesbian]

Maybe I’m just being dramatic but it does legitimately scare and sadden me to see that a lot of transandrophobia truthers are literally just…young boys. Like, actual children. Like you’re not even old enough to vote yet and you have your whole life ahead of you and yet you are being manipulated into joining an mra group that hates trans women with a passion and thinks that men are oppressed in society for being men, and constantly uses Black men as their talking point in order to sound diverse and inclusive, meanwhile they’re also appropriating and misusing terminology specifically created by Black women to talk about our own oppression in order to get their misandry point across…to say nothing of the fact that the largest people in this group(including but not limited to its creator!) have misogynistic rape/detrans kinks centered specifically around preying on lesbians and trans women and this is something that is normalized and defended by the vast majority of transandrophobia truthers, or at least defended viciously by every single transandrodork that I’ve ever encountered who argued with me(a lesbian!!!) that actually there’s nothing wrong with getting off to the corrective rape of women because two consenting adults can do whatever they want in the bedroom(yeah right)! Not to mention I have yet to come across a transandrophobia truther who wasn’t also a raging die-hard Zionist.

And that’s why it disturbs me so much to see young trans boys jumping onto this transmisogynistic hate train like you guys realize these men don’t have your best interests at heart, right? They’re only going to manipulate you into being a sexist entitled asshat who shuns and bullies the trans women in your community and sees them as oppressing you. Like I know you’re still in middle/high school but you can still think for yourselves, you can choose to be better than this, you can choose to actually learn about feminism and realize that it’s not actually misandry that oppresses you, it’s transphobia. Misandry doesn’t suddenly become real because you slap a trans paint over it that’s not how it works that’s not how intersectionality works that’s not how any of this shit works. There are better trans men to talk to about trans issues who know that the patriarchy is real and don’t shit on trans women in order to speak out about trans topics, so go seek them out, okay? You absolutely do not have to listen to shit that the “male supremacists but trans” group of lowlives has to say. Hell, tell them to fuck off instead! Please, I promise you that there are much better options, there are ALWAYS better options, and you still have time to escape before they fully radicalize you into basically being an incel. There will ALWAYS be another way. ❤️

[silver-psychopath]

So as I read the Hannibal books for the first time, I've noticed that dialogue from the show isn't always quotes from Red Dragon but also from the other books in the series (which I'm sure is news to nobody)

But here I am, on the last page of Silence of the Lambs, and in the last line of the letter Hannibal is addressing to Clarice, it is written: 'Orion is above the horizon now, and near it Jupiter, brighter than it will ever be again before the year 2000. (...) But I expect you can see it too. Some of our stars are the same.'

Am I just insane or is that not what Will was originally meant to say to Hannibal when he finds him again in the museum in front of the Botticelli painting?

The Silence of the Lambs book, page 421:

The script, season 3 episode 6 Dolce :

To have Will be the one to say it, is further proof that he can see the way Hannibal feels and takes in the world, it shows how his mindset has changed since season 1 episode 1. But to have Hannibal still be the one to definitively say that 'yes, we do share the same stars' is proof of them acknowledging Will as Hannibal's "love interest" (I know they legitimately say Hannibal loves him with the whole "could he find nourishment at the very sight of you? Yes." Which is another line from the book series and which is also implied to be about Clarice), and they are acknowledging Will as Hannibal's Clarice (as much as you can call Clarice his "love interest" anyway, I don't think a man like Hannibal loves in the conventional methods)

Is this news to anyone? Probably not.

Am I going insane over this? Absolutely yes.

(And I genuinely do not understand how anyone could call Hannigram queerbaiting when it's slapping you in the face almost every episode of season 3. Like, sure, we didn't see them kiss or fuck nasty style in the literal sense, but they literally held eye contact with the other and put cocks in their mouths during the ortolan scene in season 2. If that's not flirting or metaphorical fucking, then I don't know what is.)

[lakesbian]

alright this one is getting its own post instead of a reblog on a post that is Entirely Not About That. presenting the 'what if we put amy and alec in a room together' manifesto because the thing is that it is interesting but not in the way amy/alec shippers think

Amy shook her head, talking over her, “She’s always been emotional, passionate, unrestrained, and she’s channeling all this new emotion into hate, because it’s the closest equivalent.” “New emotion?” Regent asked.  “You mean you mindraped her.” Amy looked like she’d been slapped across the face.  I wasn’t surprised, but hearing it said out loud was unsettling.

“Nice,” Regent said.  “She could be a human-spider hybrid.  Add some insult to injury with the mindrape thing.” I could see Amy tense.

it is relevant to his character that he's the first person to cut through amy's euphemisms (and everyone else's avoidance of saying the unsettling part out loud) and outright say "you mindraped her." he calls the euphemistic language out and then intentionally repeats it a second time for no other reason than to bug her about it. it's vaguely reminiscent of something he says to sophia during his interlude:

“You and I are more alike than you’d suspect, I think,” he said. “We’re both arrogant assholes, yeah?  Difference is, I admit it, I don’t dress it up and tell myself that I’m a bitch and that that’s a good thing.”  He burned Emma’s face out of another photo.

he has a repeated habit of making people uncomfortable by calling something out for exactly what it is, whether it be "yeah sure cape groupies, my dad's girls, people i used my power on towards the end" or "you mean you mindraped her." he's desensitized enough to really all forms of violence to be unbothered by committing or witnessing them, but he seems to harbor a genuine pet peeve for people who obscure or unreasonably justify what they're actually doing. as uncomfortable as he can make taylor, it's often not that he's doing things worse than the other undersiders, but that he's the person most willing to openly admit what he's doing--or to pettily call out what someone else is doing.

i think it more or less boils down to the fact that he's never gotten to be the person on the peripherals of violence making up neat and tidy ways to talk about it: he spent his entire childhood being hurt in every way imaginable & being coerced into doing the same to others. i think it left him with a sort of genuine distaste for being expected to talk in circles around the viscerally awful things he had done to him or did to others, and subsequently, for people who have done similar things but can't fucking fess up to the reality of it. it's like he's been walking around his entire life just absolutely drenched in blood, witnessing so much else get covered in it, and he's starting to get legitimately bothered over people standing around twiddling their thumbs and pretending it's red paint. he knows it's blood. he's been tasting it since he was 6. he would really like if everyone else could also grow up and admit it's fucking blood.

it's always funny to me that amy/alec shipping is, like, a Thing--a niche thing, but a Thing, because i could not think of a rapist more hand-crafted to piss amy dallon off than alec vasil. he cannot go Three seconds in her presence without going "oh you raped her? you mean you raped her? with your mind? like she doesn't just have new feelings you specifically mean you mindraped her?"

she, on some level, views herself as someone who did harm because she's irrevocably, ontologically evil, and is sort of desperately obsessed with minimalizing or half-justifying her actions to herself so that she can avoid recognizing that she feels like she can't be better. she's clinging to the idea that she can be "redeemed" if she does something of equal measure in the opposite direction (e.g 'spending the rest of her life healing people' as she mentions), but because she can't even directly acknowledge how bad her actions actually were without crumbling under the weight of the idea that she's doomed to be that bad, she's fundamentally incapable of looking directly at what she did at this point in the story.

alec, on the other hand, is really fucking upfront and fairly objective about his actions--he never ties them into some Inarguable Truth About His Soul, and he's pretty honest about whether or not he thinks they're justifiable. in 14.1, he has this dialogue with cherie:

“When daddy had you practicing your powers, you ‘hijacked’ a few people at a time, used their bodies to get high with no consequences for you, you threw orgies for yourself…” “Again.  I was a kid.”

but despite the fact that sophia is, on some level, justified in his mind by his "eye for an eye, this is a favor for taylor" rhetoric--he's fine with admitting that he's also just doing it because, yeah, he's an arrogant asshole and he feels like it. some of it was because he was a kid being groomed, and some of it was because He Felt Like It.*

*sure, he only Felt Like It because he has a comically large cocktail of unpacked psychological issues--but he doesn't know that, he just knows he felt like it.

in other words, he doesn't subscribe to the idea that any of his actions are, like, Ontologically Predetermined By His Inner Being or even necessarily all related. he's like the fuckin' "might do it again, prolly not" dude from the sex offender shuffle. okay, sorry for saying that in my seriouspost. but his philosophies would clash hilariously badly with amy--he insists on accepting his own & others actions for exactly what they are, he's generally very invested in not being his father (being asked if he intends to turn out like his dad is one of the only times something briefly upsets him), and he's actually doing pretty okay at that. he's like...shockingly well-adjusted given the circumstances. his entire arc is more or less a slow upward climb.

i think having to be around someone who both believes and would outright admit "yeah i raped people, no i dunno if i feel that bad, no i'm not raking myself over the coals for it, yeah some of it was because i was a kid, yeah some of the other stuff wasn't, no i'm not Predestined To Suck," would like. clash with her beliefs abt 'ontologically evil' being a real thing, abt punishment as justice, etc. in a way that would really bother her. she spends a lot of her time in her head trying to twist things around until they feel salvageable to her, but alec is 0 amount concerned with rationalizing to make him feel alright--he just does things, some bad, most shitty attempts to be better.

it's, funnily enough, far more functional for improving than what amy has going on--he operates on material actions as opposed to her Self-Flagellating Thought Labyrinths, and the fact that he's busier moving on from things he can't materially change than he is kicking himself in the face means he can actually achieve some form of progress towards more functional approaches wrt human interaction. i think if amy had an extended conversation w/ him about the subject, she'd both be disgusted with him for not thinking thoughtcrime is real and deeply resentful that this fellow ontologically evil villain is doing better at moving forwards as a person than her despite not 24/7 flagellating himself + yearning for "redemption" like she is. it'd throw a disturbingly large wrench in her worldview, and she would not be happy about it.

oh, and alec would think she's weird and mopey and dumb and annoying and "why do it if you can't even admit it." and he would probably tell her as much. which is the point where i unlock the door to the room so alec can sprint out to escape amy's attempt to put tastebuds on his asshole.

[romeoisalesbian]

I'm not qualified to give mental health advice but something that legitimately helped me get out of the rotting lethargy of my cocktail of mental issues was to take a bunch of inconsequential activities I knew i usually enjoyed and slapping them on a wheel of fourtune style wheel and spinning it a few times each day. Like bam write a poem bam paint something bam write a nice letter to a friend bam go for a walk. and I gave myself imaginary points for each task so i made it possible to WIN.

Obviously this isn't a one size fits all solution -- I still struggled to motivate myself to do the wheel-mandated things-- and I certainly found it more doable when I paired it with actual other mental health treatment, but it helped me feel less like I was wasting my time or my days.

For me, a lot of my anxiety and my urges to do nothing but feel bad all day stemmed from issues with wasting my time and being so overwhelmed by what I should be doing that it was impossible to start. using my Dumbass Wheel kinda gave me permission to say that any task is porductive if I enjoy it or it gets me moving, and that was a whole big deal for me!

I also noticed that, over time, it became a lot easier to get some agency in what I wanted to do with my day. Sometimes I would spin the wheel and get something I absolutely didn't want to do, and I would think about what activity I wish I had spun and do that instead! For me, it almost gave me permission to WANT to do inconsequential, fun shit without all the guilt!

I don't know if this would be helpful for everyone, and I know this post is probably pretty obvious and honestly a little dull, but I felt like I should share because it has been a game changer for me and my cocktail of mental health issues

so anyways GAMERS GAMIFY YOUR MENTAL HEALTH MAKE DOING THINGS INTO A GAME THAT YOU CAN WIN

[ragequitezekielrants]

Suicide Squad: Kill it with fire

Alright, let’s get this over with. I just spent more time than I’d care to admit slogging through Suicide Squad: Kill the Justice League, and let me tell you—this game makes me question not only the state of the gaming industry but also my will to continue existing. Rocksteady, what happened? You went from the Arkham series, which was legitimately great, to this? How does a studio go from delivering masterpieces to producing this colossal mess? It’s like watching a Michelin-star chef burn instant ramen.

Let’s start with the most egregious problem: the live-service, loot-shooter nonsense. Because apparently, we’re still pretending like these games aren’t already circling the drain of irrelevance. This is a Suicide Squad game, right? I’m supposed to be leading a group of misfit anti-heroes on a chaotic, high-stakes mission. So why does it feel like I’m playing a watered-down, paint-by-numbers, grindy loot shooter where I’m swapping out Harley Quinn’s baseball bat for a slightly better bat with +2 damage every five minutes?

And of course, they had to include the obligatory battle pass, microtransactions, and all that other corporate-approved garbage. Yeah, because that’s exactly what I wanted in my Suicide Squad experience—a bunch of cosmetics and power-ups locked behind endless grinding or a paywall. Nothing screams “immersive narrative experience” like buying Harley Quinn a new outfit with real money, right? I miss the days when you bought a game, and it came with everything. What a radical concept.

And the gameplay itself? Monotonous doesn’t even begin to describe it. I’m supposed to feel like I’m in control of some of DC’s most chaotic and dangerous villains, but instead, it feels like I’m playing a shooter where I can’t tell the difference between any of the characters. Harley, Deadshot, King Shark, Captain Boomerang—they might as well be the same person with different skins. The combat is boring, repetitive, and somehow manages to make shooting mind-controlled versions of the Justice League feel like a chore. How do you manage to make fighting Superman boring? That takes a special level of incompetence.

And don’t even get me started on the tone of the game. It’s like Rocksteady forgot how to do storytelling. The Arkham games were dark, gritty, and had this incredible atmosphere. This? It’s like they took the most generic superhero movie tropes, mixed them with some dollar-store Deadpool humor, and slapped the Suicide Squad logo on it. The story feels like it was written by someone who Googled “how to be edgy” and just went with the first result. It’s trying so hard to be funny and irreverent, but it comes off as cringey and forced. I found myself rolling my eyes more than laughing.

Let’s talk about the Justice League members you’re supposed to be hunting. Brainiac’s taken over their minds, right? Cool premise, I guess, but the execution? A train wreck. You’d think fighting corrupted versions of Batman, Wonder Woman, or The Flash would be epic. But no, it’s just the same recycled boss fight mechanics you’ve seen in every other half-baked live-service game. There’s no real tension, no clever design—just the same boring bullet-sponge battles that make you wish they’d just kill you and get it over with.

And the open-world? Oh man, don’t get me started. We’re in Metropolis, but does it feel like Metropolis? Not really. It feels like a lifeless backdrop to more grinding. I remember when open-world games used to be filled with interesting things to do, secrets to find, and genuine moments of awe. Now it’s just “run here, shoot that, collect this” in a dead, soulless city. It’s as if they spent all their time designing the buildings and forgot to fill them with any actual content. It’s not immersive; it’s just a checklist of uninspired objectives.

Even the visuals, which should at least be one of the game’s redeeming qualities, feel dated and generic. We’re talking about a game that was supposed to release on next-gen consoles, and it looks like something from the last gen with a slightly shinier coat of paint. I don’t need everything to be hyper-realistic, but at least make the art direction interesting. Everything in this game feels like it was put together by a focus group trying to appeal to the widest, most generic audience possible.

And you know what really grinds my gears? The fact that Rocksteady clearly has the talent to make something great. They did it with Arkham. But instead of giving us a character-driven, single-player Suicide Squad story that explores the psychology of these iconic villains, they gave us this soulless cash grab. It feels like a boardroom of suits sat down and said, “Well, the kids love Fortnite and Destiny, right? Let’s do that, but with Suicide Squad slapped on top.” And now we’re left with this Frankenstein’s monster of a game that tries to be everything to everyone and fails miserably at all of it.

Here’s the worst part: I wanted this game to be good. I like the Suicide Squad. I think they’re interesting characters with potential for a unique, chaotic, and fun game. But Suicide Squad: Kill the Justice League just doesn’t deliver on any of that promise. It’s not chaotic; it’s not fun; it’s not even remotely satisfying. It’s just another shallow, repetitive, mindless grind that I’m sure will be abandoned in a year after they realize no one wants to pay for another “season” of pointless cosmetics and minor stat boosts.

So here’s my final word: Suicide Squad: Kill the Justice League is a cautionary tale about what happens when you take a beloved IP, strip it of everything that made it interesting, and shove it into the soulless machine that is live-service gaming. It’s a game that could have been great but instead feels like it was designed by an algorithm and polished by a committee of people who don’t actually play games. If you value your time, your money, and your sanity, avoid this one like a plague.

Until next time, let’s hope Rocksteady figures out how to make games again.

And stop playing bad games.

– Ezekiel

[djregular]

X-Post from my Cohost: Friday's Garbage

[If you'd like to follow me at Cohost, I've been trying to put stuff there when I wanna have a think about things and go long. As an example, I wrote a little bit about JPEGMAFIA and Danny Brown's collaborative album. This was just when I was raw about bad stuff happening and Cohost just happened to be where I landed. I still stand by all of it, and got a little spicy about TTRPG/D&D Twitter discourse.]

In personal work news, which I very rarely divulge, my team has become the victim of workplace politics, and I've been informed that among my org, there's a smear campaign in progress against us. I'm unable to provide any additional context, but know that this is essentially like the bullied kid in class finding the only kid with less status than them, then picking on them. (Editor's note: I'll add a little bit of context to note that I'm actually in a position that is very directly being threatened by tech's insipid, short-sighted rush to embrace AI. I won't say where I work, but if you know, it's especially embarrassing for the company.)

Waypoint was a victim of the Vice layoffs, and they'll be shuttering after June 2nd. One of the last bastions of great video game writing among news orgs, but also a bunch of great thinkers and a (via their successful subscription service) proven draw as personalities. They beat the odds by hanging around this long, but in a just world they wouldn't have to worry about the odds at all.

TTRPG Twitter are all slap-boxing with each other over WotC's/Hasbro's usage of Pinkertons to track down and intimidate a YouTuber over "stolen" Magic cards. I've seen people speaking on behalf of influencers and freelancers (but never actual full-time employees, who also don't seem to be targets ever) that work with WotC regularly invoke "harassment campaigns" and "smear campaigns" when given the lightest criticism about continuing to take opportunities from the company in the wake of bad actions. Essentially painting anyone who might point out the ethical problems inherent in working for WotC as bullies who are punching down. On the other side, I've seen plenty of people who've made "spitting vitriol at anyone who's ever looked at Wizards" their entire personality online do things like make up people who say things like, "I think it's okay that WotC employs the Pinkertons to harass YouTubers" to get mad at. My take:

It should go without saying that for influencers and the like, y'all should be able to sit with the idea that you can't "no ethical consumption under capitalism" your way out of every time someone critiques your choices, and that people maybe not being willing to absolve you of what they perceive as an ethical lapse isn't the same as harassment.

For the folks who are doing the criticizing: 1) Acknowledge that there are assholes who are legitimately harassing people who're influencers, not because of any fervor for ethical standards, but because of all the normal shitty reasons they pick at highly visible (but often not well-paid or protected) people in the nerd hobbyist space. Don't be willfully obtuse, and maybe consider turning the bulk of your ire on people whose cheques from Wizards/Hasbro are salaried. 2) Don't lie and claim these people are really out here throwing up gang signs for WotC and explicitly advocating for their bad actions. You can pretty eloquently draw the line to them being knowingly or unknowingly complicit in them without making shit up so you can talk spicy on Twitter. "I think it sucks that you continue to associate with Wizards, even as they continually do things that are actively harmful to the hobby and its community" is pretty easy to say without making shit up. 3) Again, maybe consider what good engaging these folks does vs. actually taking aim at the C-suite folks who are really making this shit happen. But as we all know, the latter aren't nearly as visible on Twitter as the former, are they?

I hate today more than words can express, truly.

[spite-and-waffles]

"Why do you want Jason to keep killing and why are you so down on Bruce for not killing the Joker?? Do you really think vigilantes should take it on themselves to kill people?"

I think that wealth hoarding is an act of brutality, crime is the result of systemic violence and is also a social construct, legality has nothing to do with morality, and all cops are bastards. I think anything that tries to "fight crime" instead of addressing its systemic causes is copaganda, and society's most heinous atrocities on a mass scale is inflicted by the pen pushers in mega corporations and government, in perfectly legal ways. I think that it is the very function of the state as an entity to create marginalization and poverty. I think that having minors as sidekicks, super-powered or not, is reckless child endangerment.

But we have decided to fuck all of that and agree to the conceits of the Batverse, i.e cops are good but underpaid and underfunded, billionaire philanthropy is a thing that exists and Bruce's wealth isn't directly correlated to Gotham's poverty and crime, child superheroes are fine, and Batman doesn't permanently maim or accidentally kill people on a regular basis.

But Batman still doesn't ever resolve anything. Arkham and Blackgate both have revolving doors, organized crime still flourishes. The Joker regularly gets out and murders hundreds of people before being corralled and taken in. Rinse, repeat. It's the same unending grind of real life, except nothing works like real life. Whom is this empowering? Where is the satisfaction or vindication? What is the fucking point?

Given this state of affairs, why is it wrong for real life abuse survivors and marginalized people used to being collateral for profit or ideology, to want our own power fantasy? Why shouldn't Jason shoot rapists, decapitate mob bosses and actually protect and avenge innocent people? Jason, who, unlike Bruce, is a survivor of poverty and abuse himself and comes from the same community he wants to protect. Why is it wrong for him to kill his own murderer and give his audience the vindication and justice we deserve?

And in what universe is it wrong for a child to want a parent that will kill for them?

I suspend both my disbelief and beliefs to engage with the Batverse, but "if you kill a serial killer, you become as bad as a serial killer" is NOT A THING. There is absolutely no moral philosophy or ethical foundation you will find anywhere that will make that a legitimate argument. DC Comics pulled that one out of their ass for the express purpose of trying to justify the Joker's continued existence, which DOES NOT WORK because it has no narrative coherence. It is BAD STORYTELLING to overpower both your protagonist and your Villain Sue, paint yourself into a corner, and then slap on whatever rationale you can to keep that cash cow spinning for decades more.

TL;DR Batman should maybe solve some actual problems once in a while instead of expecting an A for effort, and Jason Todd should get to kill whichever scum of the universe crosses him. The end.

[gallusrostromegalus]

Some More Secret TPOFATGIF Lore:

I concussed a tooth, something that I did not know was possible, and am coping with the "lmao just take ibuprofen" of the situation by slapping the WIP with a fish and making more Lore up. This episode: "We All Know Bakura Collects Cursed Shit, Let's Explore That"

This post got LONG so now it's Under The Cut:

You can only have ONE (1) curse on you at a time. For instance, if you've got lycanthropy, you can't be afflicted by mummy rot. This is also applies to things like: having a cursed artifact attatched to you, being posessed or haunted by a ghost, Magical Illnesses, Bad Luck, Suffering from Illusions, and Blessings (Which are just curses that you like). A curse can be removed, and A More Powerful Curse CAN replace a pre-existing curse, under the right circumstances, but this still requrires significant effort on behalf of the new curse/curser. A Cursed body tends to remain Cursed.

There's basically four ways to make a Stupidly Powerful Magical thing: 1. Make a Normal Magical Thing, then have it last a really long time- it will acquire more magical energy over time, like compound interest. 2. Do something with extreme consequences to make the Magical Thing- Think "Permanent disfigurement" or "Economic Disaster" or "War Crimes". 3. If a lot of people BELIEVE it's extremely powerful, it will become so, like Warhammer 40K orks. 4. Fuck Up Real Bad.

Since He's already cursed with the Millenium Ring (Old as balls AND made with War Crimes AND a classic case of "Fucked Up Real Bad"), Bakura is pretty much immune to curses and his fear response burnt out years ago. So he has a part-time hobby of going to the Los Osaka Public Library System, assorted Museums, estate sales and so on to look for Cursed Shit. He's built up "quite a lovely little collection" of Grimoires, Hands of Glory, Monkey's Paws, Evil Little Dollies, Homonculi, a little gallery of cursed paintings, some fucked up mirrors and even a very nice murderous rocking chair. Sometimes, all that needs to happen is for an object to be returned to it's owner, and he's gotten quite adept at determining the provenonce of, legitimate owners of, and navigating the Postal Service regulations regarding the shipment of Magical Objects.

The first time The Gang sees his apartment post-Duelist Kingdom, there is a collective FIT. Tristan can't BELIEVE he's created a magical superfund site of cursed shit, did you even WARD this place?? Joey is just sitting in the living room crying because he hates all this crap, Yugi is mad that he's been doing this ALONE he could have gotten really hurt, and Tea is mad he's been doing this ALONE, she's always wanted to fistfight a Demon.

So now the gang has Scooby Gang Saturdays. Every third saturday of the month, they go somewhere to see if someone left something arcane and dagerous out where it might be messed with.

Seto Kaiba Very Much Does Not Believe In Magic, but he does believe The Compettition Is Up To Something Shady As Hell, and keeps inviting Yugi And I Guess Your Friends Can Come Too to various high-society functions so they can snoop around rich people houses so Seto knows if he needs to call the SEC or a Priest.

Yami and TK alike love this shit. Yami likes doing Acts Of Public Service and Matching Wits With the Supernatural and TK loves stealing things.

All the Millenium items can sense other magical Items, and in the case of the Puzzle and the Ring, it manifests as a sensory expirience for thier respective spirits. Yami is a very civilized hunter, either sharing Yugi's body like when they duel, or staying in ghost format and pointing at things. TK is a feral little gremlin and Bakura has to clip a leash to the Ring while it scuttles about like the worst possible combination of bloodhound and tarantula.

Tristan's job on these little hunts is to act equal parts Ghost Hunter and Home Inspector, keeping an eye out for mundane explanations in addition to his extensive knowledge of the supernatural. Joey is indespensible because like Miss Marple, he has an excellent criminal mind and can work out how some jackass might be using the cursed thing to work an angle. Tea is there in case something needs to be beaten to death with a chair.

[qqueenofhades]

Oh look, it's exactly what I was saying in my Bush v. Gore explainer post that went pseudo-viral and got a lot of people Big Mad at me in the notes for pointing out, even in briefest passing, that Nader took votes away from Gore and in an election as close as 2000, that probably cost him the presidency. According to my independent math, Gore would have netted approximately 18.9k extra votes in Florida in a Nader-less election, so 20k fits almost exactly in that ballpark.

By the way, the guy who liked that tweet/posted the original question, Michael Beschloss, is an acclaimed and prolific presidential historian. Which means that we are on the same wavelength here as people who study history professionally and draw similar conclusions from it, and also that this news of "former Republicans and Democrats forming a 'centrist' third party!" has both of us facepalming, groaning, and wondering if people really never learn anything. Also, this so-called Shiny New Centrist Party literally has... no policies....? Just a stupid slogan?? ("How will we solve the big issues facing America? Not Left. Not Right. Forward.") As if they're hoping (they are hoping) that you'll notice it makes, uh, no fucking sense.

Milquetoast Moderation!!! is generally bad as a political strategy anyway, since a) it pleases nobody, especially in a hyper-polarized environment, and b) acting like the far left and the far right are equally dangerous extremists, who should both be equally shunned, is an absolutely idiotic claim that casts serious doubt on whether these clowns want to do anything aside from continue to suck votes away from Democratic candidates. In a political environment where one party has gone full masks-off fascist death cult and won't even commit to protecting BIRTH CONTROL, not to even mention that they don't want to provide veterans with health benefits no matter how much they claim to love the military, anyone who looks at that, looks at the Democrats, and screams THEY ARE BOTH THE SAME, ONLY WE HAVE THE CENTRIST ANSWER!! should not be given the time of day.

There are far left elements in society, and as I have posted about, they're the usually terminally online types who have stupid ideas on Twitter and discourage civic engagement in others. Yes, those people are dangerous, but that is not at all what is at issue here or what these New Centrist Third Party-ers (oh Andrew Yang, you perpetual disappointment) are reacting to. If you actually think the current institutional Democratic party is too far left and this is bad, then you want to maintain the system pretty much exactly as it is, while slapping on a nice coat of "socially tolerant!" paint to attract a few ex-Republicans who have finally hit their limit with the crazymaking Christofascists and think the most important thing about politics is that it should be "nice!" and "respectable!" Who cares if we actually fix anything; gotta make sure the kids on the playground are being civil!

Anyway, as ever when it comes to so-called Moral Third Party Alternatives in the current American political system, this is a profoundly stupid idea, could split the anti-authoritarian vote in 2024 and thus elect said authoritarian (as Beschloss also worried about), and literally... offers... no strategic plan. On top of its false equivalence (Republicans want to destroy democracy, Democrats explain their pronouns and what they are wearing to blind and visually impaired people, EQUALLY BAD DON'T VOTE FOR EITHER!), it reinforces the media "bothsiderism" that is already destroying the country and any accurate coverage of Biden's presidency, legitimizes right-wing and Online Leftist propaganda alike, and deliberately undermines the only actual organised political faction (the Democratic Party) that is currently keeping outright fascism in the USA at bay. Don't fall for it.

[itsclydebitches]

I kinda wonder, what could bakugou do (hori write bakugou to do) to make him less popular with the "anti" crowd. Like He was a horrid child no doubt and people who try to put blame on Deku or lessen the terrible shit bakugou did aren't great. But as we don't rly see it, we have to assume bakugous behaviour wasn't stopped, we only ever saw his mum "punishing" him when he was being rude after getting kiddnapped. Nothing will excuse what bakugou did, but he has stopped? He's overall a harsh person but he's not harrassing and bullying people anymore, specifically not deku, he's trying to attone for what he did to deku and has now apologised for it. His behaviour was never viewed as justified or good in the series, he's a scary figure in middle school, we're not meant to like his behaviour, so the series itself hasn't justified his actions.

As someone who relate to both bakugou and deku more than I'd like to admit (never told someone to jump tho, that's fucked lol) so I can 100% understand not liking or even hating bakugou but as someone who's not 15 anymore, looking back I also made a lot of really shitty decisions and like bakugou have tried to make up for it, and like deku I was 'friends' with people who hurt me.

Is there anything he can do for the "antis" to just dislike him rather that be "anti"?

(I'm very sorry if you've talked about this somewhere, you can just tell me to look for it if you have, I'll continue to look for your posts on the subject)

Hey there, anon! I think I’ve spoken about this only tangentially and/or in my main Bakugo meta, which is too big for anyone sane to read. So yeah, let’s chat here!

For me personally—and that’s all I can ever do: speak personally. I think it’s important to keep in mind that there is no single solution to please the “anti” crowd. Each fan will be looking for something slightly different in Bakugo’s character, much of which might contradict what a “stan” is currently enjoying. Given how charged a character he is, I'm not sure it's possible to get the entire fandom to like him—what I’m looking for hinges on having a different reading of the story than you seem to. Meaning, I think the series does justify his behavior. Not in any overt, super obvious way like having all the characters go, “Wow, Bakugo! I sure do love how you threaten people all the time. That’s super cool and heroic!” Things are rarely that straightforward. Rather, it’s in a more subtle, but consistent manner that paints a rather conclusive picture across hundreds of chapters.

Simply put, Bakugo is continually rewarded for his actions. Or, if not outright rewarded, his actions are ignored in a way that implies silent acceptance. Characters may not always like what he does... but they're willing to let it slide because Bakugo's heroism was always treated as a given, not something he had to earn and prove.

With the ever necessary disclaimer that I’m not fully caught up yet, here’s a list of some of the things that stood out to me in the first half of the series:

Bakugo’s bullying made him the most popular kid in school.

Bakugo’s bullying was ignored by/outright supported by the teachers.

Bakugo’s bullying did not hinder him from getting into U.A., one of the most prestigious hero schools around.

Despite acting horribly throughout his time at U.A. too, this behavior was continually ignored by the teachers and other authority figures around him.

Bakugo’s struggle to realize that other people aren’t “trash” doesn’t hurt his achievements in any way. He still gets top scores, still wins the tournament, etc.

Bakugo’s behavior gets him special attention from All Might, the greatest hero and Bakugo’s personal idol.

His behavior doesn’t make others dislike him in any manner that’s taken seriously. Everybody is still willing to not just put up with Bakugo, but—in time—start treating his behavior as a quirk (no pun intended lol) that they’re secretly fond of, rather than something he should legitimately be striving to change. Kirishima is the most overt example of this.

This is compounded by his behavior constantly being framed as humorous. Much like with Mineta’s perverted actions, characters might superficially go, “No, that’s bad!” but the story never demands any significant development because then we’d lose the “joke” of Bakugo screaming in rage at the slightest inconvenience, threatening to murder someone over nothing, constantly belittling everyone around him in a “funny” manner, etc. When fans talk about development of a manga character as archetypal and extreme as Bakugo, most don’t really want to see significant change to his base personality. Because then that would result in someone who doesn’t look like the “real” Bakugo: someone nicer, more even-tempered, more mature, etc. But for those of us who were never drawn to that personality in the first place, the continued acceptance of his rude, egotistical, and violent behavior is discomforting. The easiest comparison I can draw is between this and Bakugo’s mother slapping him. That slap is meant to be another “joke”—we see it constantly in shonen anime, something "humorous" you shouldn’t take too seriously because haha, it's just an overprotective mother—but many fans do take it seriously, using it as the basis for a whole “Bakugo was abused and this explains his behavior” reading. Well, I take the “joke” of Bakugo’s threats and insults seriously, especially in a story that starts with something like telling Izuku to jump off the roof. In the same way that many fans want others to treat Bakugo’s mother as a serious topic that has had a negative influence on his development, I want the series to take Bakugo’s everyday actions seriously as a negative influence on… well, everyone around him. But it doesn’t. His base personality is grudgingly adored.

The above two points are seen most overtly in Izuku, who never wavers in his respect for Bakugo despite how Bakugo treats him. Not just prior to U.A., but during their training too. Izuku, as the protagonist, is the emotional heart of this tale, so when he talks about how inspiring Bakugo is, it encourages the reader to see his behavior as inspiring too. Rather than, as said, something that needs to change. Izuku's continued friendship with Bakugo, his adoration of him, and his acceptance of the way he's treated has severely warped how the entire story sees Bakugo's actions. After all, if #pure Izuku can see the good in Bakugo, why can't everyone else? He must not be that bad after all.

I could get into detailed analyses of all the above—like how Bakugo was the one comforted after attacking Izuku outside the dorms at night and how the messed up relationship he has with Izuku is upheld as something to nurture; how the remedial courses he had to take were made to be rather silly, thereby undermining their supposed importance to his development; how Bakugo’s kidnapping had nothing to do with his flaws, but much of the fandom uses it as a way to dismiss any appropriate consequences because, “Hasn’t he suffered enough?” etc.—but in the interest of keeping this within a readable length, I’ll leave it at that. The point is that Bakugo has always been privileged when it comes to his behavior, resulting in others either outright praising it, ignoring it, or demanding that he change a miniscule bit, which always keeps him far below the standards of both his peers and the expectations of a hero. Everyone in 1-A must learn to be even better than the good people they already are... Bakugo needs to learn that other people aren't dirt at the bottom of his shoes. It's never been a particularly impressive development when pit against the rest of the class. All of which can make something like an apology feel pretty hollow. Yes, he’s apologized and I say with all seriousness that that’s great! But how does that apology stack up against 300+ chapters of content? As Bakugo’s words highlight, he's been a really awful person up "until now": he was consumed by Izuku being “miles ahead of [him],” he “looked down on [him]” because he didn’t have a quirk, he “didn’t want to recognize that,” he “hated that,” “grew distant,” “tried to beat you down,” “opposed you and tried to show my superiority over you,” and ends it all with, “it probably doesn’t mean anything telling you all this” before finally getting to the “I’m sorry.” This is basically a laundry list of how horrible a person Bakugo has been for the entire series, with an acknowledgement that this apology is coming really, really late. This is the moment where I could START to like Bakugo, depending on how he acts form here on out, but that pivotal moment arrived after six years of content and in the final arc of the story. It’s too late. Bakugo needed this kind of self-reflection and positive action 250+ chapters ago so he could (hopefully) grow into a better person across the story, not at the story's end. What we got instead is 322 chapters of him being a really horrible person, but the story going out of its way to excuse or even praise that behavior the majority of the time.

As a quick comparison to end on, I think what Bakugo needed was what Soo Jin got in True Beauty. You don’t need to have seen the drama to follow along. The tl;dr is that she has a lot of the core qualities of Bakugo: an all-consuming drive to win that was created due to abusive parents with high expectations, resulting in her bullying a peer to a pretty horrific extent. The difference between them is how the story frames their actions. When Soo Jin becomes the bully she loses everything. Rather than succeeding academically, her grades plummet, making it clear that this anxiety and self-doubt (things the fandom keeps insisting Bakugo is struggling with, but that rarely ever show up in the text) is actually impacting her day-to-day life. Her best friend drops her because she’s not going to support her choices. The boy she likes rejects her. She’s eventually forced to start over somewhere new - which importantly separates her from the girl she was bullying - and get some distance from her parents, resulting in the growth needed to become a healthier, happier, good person again. So when Soo Jin apologizes to the girl she hurt, it feels earned. The story continually recognized how horrific her actions were and put her into a place where she either had to change, or continue losing at everything else that was important to her. Bakugo? Bakugo doesn’t lose. Oh, he claims he does because he’s comparing himself to Izuku constantly, but that’s just him thinking in extremes. He still wins academically. Still wins many battles. Still wins at having friends. Still wins by maintaining the prestige of being a U.A. student. Still wins by getting All Might’s attention. Still wins by receiving Izuku’s respect and an agreement to maintain this rivalry that Bakugo is so obsessed with. Bakugo comes out well 99% of the time, he just thinks he's "lost" because he can't stand not being the absolute best.

For me, the story needed to have Bakugo face consequences for his behavior, not receive rewards and/or have others ignore it, and that revelation/apology needed to come way, way sooner. For me the issue is not a specific action that Horikoshi can have Bakugo do in the next chapter and them bam, I like him now. The problem is Bakugo’s entire concept, how he’s received by the entire cast, and his run across this entire series. "Entire" is the key word there. Which is why the “But he’s apologized. What more do you antis want?” reactions don’t sit well. What we wanted is a better written redemption arc across those 300+ chapters, not a single scene that’s meant to have us forget all the other problems inherent in the story. At this point it’s a far more complicated situation than, “Bakugo just needs to do X, Y, and Z and then we’re golden.” At the end of the day, Horikoshi failed to make me like him as a person and I’m pretty sure he isn’t going to change Bakugo enough to make him likable to me. Bakugo was never the sort of character I’d be inclined towards without a serious, nuanced redemption arc, but sadly, a core, crucial part of that redemption arc took six years to arrive. At this point there’s no way to change the problems in Bakugo’s writing for that huge chunk of the series and not enough time left in the series, it seems, to do the work we should have seen across the entire run. Honestly, idk if the Bakugo we'll get going forward is someone I can just dislike as opposed to being really uncomfortable with, but my money is on there being too little story left and too much investment in upholding Bakugo's base personality for that to happen. I could absolutely be proven wrong! But I think the problems are structural and needed to be better dealt with from page one, not hastily patched over in the final hour.

[butchhamlet]

OKAY SO I GOT TO SEE SHAKESPEARE IN THE PARK ANDRE DE SHIELDS KING LEAR YESTERDAY AND IT WAS FUCKING AMAZING SO HERE’S A POST ABOUT THAT

first off here’s the shitty picture i took of the set! the entire thing was set in “a north african nation” (words theirs; in quotes because i don’t want to seem like they named a real one and i just didn’t bother to remember askdfhdskhfds) & the entire cast was people of color! i am staring at this picture thinking about how blurry it is but trust me that it was SO fucking cool... it was visibly gorgeous but also visibly crumbling which. like. foams at the mouth about the symbolism yknow

ALSO the winged thing is the throne! during intermission (which was after 3.6), some crew members took the wings off and laid them down at the back of the set like the whole thing had come apart, and when edmund entered in 5.1 he had a moment of staring out at the audience with his foot up on the top wing

the entire production went hard on drums; there was a note in the program about how the director wanted to center the african setting & also the rhythm; the trumpet herald at the end was replaced by drumming, and during the storm scenes, the drums represented the thunder! (complete with flashing lights for lightning; it was cool as fuck)

& now i’m gonna describe my beat-by-beat staging notes that i scribbled down from where i was sitting in the grass. no attempts to make this coherent bc the show was so fucking good and i just feel insane <3

 edmund came out in literal jade-colored glasses which felt like a WONDERFUL character bit

everyone in this cast was so well cast btw and not to be a lesbian but like. the lear sisters. 😳

they cut the cordelia asides in 1.1, which made it slightly harder to get a read on her but also made it slightly more startling when she said “nothing, my lord” (goneril and regan both got up to take a literal microphone from lear, while cordelia didn’t take it when he held it out and literally turned away to face the audience instead)

there were three little stools laid out for each sister to sit on & lear was so infuriated by what cordelia said that he started throwing them around (not at her but close)

and lear never looked particularly Legitimately Threatening (he looked very small, actually; idk how tall andre de shields is lmfao but he definitely looked like an old man), but cordelia flinched near-instinctively when he threw the stools, like this wasn’t the first time

WHEN LEAR LEFT NEAR THE END OF 1.1 GONERIL GOT UP AND SAT IN THE THRONE WHERE HE’D BEEN SITTING AND STAYED THERE WHILE SEEING CORDELIA OFF

she was also the only lear sister in a pantsuit 😳

on that note they were color-coded! goneril was dressed all in purple, regan was orange, and cordelia was pink; all of their households followed this (eg cornwall was orange, oswald was purple), but when cordelia came back in act four, it was in soldiers’ clothes without any pink on her

andre de shields lear was fucking incredible and is anyone surprised about that like he was so good

he did SO much yelling. man has some lungs on him. not even yelling words all the time but a lot of just flat-out yelling (which was alternately funny and distressing depending on the moment)

like in 1.4 he stumbled back in to deliver “50 of my followers at a clap?” heralded by his own flat-out scream which made everyone laugh a little. grandpappy off the shits

EDGAR CAME IN ON A SKATEBOARD WITH HEADPHONES ON AND WHEN HE STOPPED AND LIFTED UP HIS SKATEBOARD SHAKESPEARE’S FACE WAS ON THE BOTTOM

this edgar was so fucking perfect btw like. everything about him. i think he was my favorite part of the show

lear and his knights busted in playing loud music, waving guns, and drinking from beer cans (white claw? idk what it was i’m a weenie). lear was wearing the brightest orange shirt ive ever seen. kent received entry to the group by busting some sick moves to the music despite being an oldass man

the fool was SO fucking funny he interacted w the audience constantly and the entire time (even during the storm scene) he was lugging around a suitcase and a little folding stool

after “have more than thou showest” the audience started clapping and he looked at us and said “not yet”

and then proceeded to deliver the sweet and bitter fool speech as a full-on rap with the audience clapping the beats in after each line

at the end of which he said to us “good job! give yourselves a hand. the king’s mad at y’all now though” and then he turned around and lear had his gun aimed at him and AUDIBLY clicked the safety off and there was a tense second where the fool had to talk him down

GONERIL SLAPPED LEAR AFTER THE BARRENNESS CURSE

1.5 hurt because the fool was VERY clearly trying his best to cheer lear up, like, he kept glancing around for ideas and trying to joke while lear sat pathetically on his folding stool

the stage was outdoors (duh) and there were ramps on either side for the actors to come on and off into the crowd, and when edgar ran off, he sprinted down the ramp, then turned, sprinted BACK, hugged edmund HARD, and then ran off again and around the back of the stage

this was after edmund FULLY punched him in the face on “pardon me” :(

at the end of 2.1 edmund was the last one to file off stage and he turned and gave the audience the cheekiest shrug

edgar tripped and ate shit while he was absolutely tearing around the side of the stage for 2.3 and idk if it was on purpose but it felt in character AKHSDFKHDSSFH

he delivered “poor turlygod! poor tom!” like he was acting, and then looked up and went “that’s something” kind of like he’d just realized

the fool delivered his merlin speech like he was making it up on the fucking spot. “and then the realm of albion...” [PAUSE.] “will come... to great... con-fu-si-on” emphasizing the non-rhyme. same with the non-rhyme of “see’t” / “fee-eet.” then he looked at us and said, “i didn’t write it. ask the author” and scrambled offstage

in 3.3 gloucester hugged edmund! ...and edmund picked his pocket for his key

“nay, he reserved some white flowers in the crook of his elbow, half a pair of pants, and a nasty ratty baseball cap, else we’d all been shamed” (im filling in the wording i forgot but that’s near verbatim and i cackled out loud)

(he was, indeed, wearing nothing but some white flowers, a ragged pair of pants, and a nasty ratty baseball cap. and a lot of dirt/paint)

when gloucester entered during the hovel scene edgar was skittering across the floor and looked up and the whole set paused as they made EXTENDED eye contact and it hurt INTENSELY

and then edgar snatched gloucester’s flashlight and hurried to the opposite end of the stage to focus entirely and intently on warming his hands over it like a fire and he did not look in gloucester’s direction at all but he got VERY still when gloucester mentioned him

i made an AUDIBLE noise when lear stabbed the fool. like. i knew it was a possible staging but it happened so fast and so viciously that it caught me totally off guard

and edgar got the “i’ll go to bed at noon” line :(

genuinely it is hard to emphasize how perfect this edgar was. how do i kin a character but just one specific version of that character that i saw one time

(intermission happened here!)

while interrogating gloucester, cornwall was very deliberately putting on medical gloves and then he picked up a power drill and my friend and i in the audience looked at each other exactly like the fucking monkey puppet image

however. only one eye went out with the power drill. because regan took the other one out WITH HER NAILS in a fit of rage when her husband was injured. full on stuck her hand into his eye socket

goneril and edmund kissed for a LONG long moment in 4.2. long enough that oswald coughed pointedly. which did not stop or affect them

gloucester tried to pay edgar and edgar immediately turned around and chucked the payment off stage

gloucester used a cane the whole show and he dropped it off the “cliff” before he fell, and edgar swooped down and silently caught it and held it for a moment before he let it clatter to the floor

at this point he was also wearing leggings and like. three mismatched layers of flannels and jackets

lear came out in act four in a tropical dress, white face/chest paint, and a flower/fruit hat

he threw money into the crowd multiple times during his speech, including one point where he specifically leaned over the edge of the stage, motioned at the closest audience member, said, “come here,” and then threw money at them

he also mooned the guards who came to get him

and nearly hugged someone in the crowd while the guards tried to drag his half-tranquilized body away

oswald was so fucking funny for the entire play. so funny. in 1.4 he came in with goneril and pointed at lear with the air of a small child tattling to the teacher; when kent attacked him he fell on the ground whimpering;  he came in to kill gloucester a moment before lear left and ducked back into the wings FAST before creeping out again

when the guards brought lear and cordelia in, someone set out the fool’s little folding chair, and cordelia ended up sitting on it during lear’s speech :( felt very my-poor-fool-is-hanged y’know

curan from 2.1 was the captain in 5.1! so he & edmund already had a bit of a relationship established

REGAN THREW HER WINE IN GONERIL’S FACE WHILE THEY FOUGHT OVER EDMUND

edgar and edmund dueled with two swords each

AND WHEN HE WAS INJURED AND ALBANY CALLED THEM BOTH OUT. GONERIL TOOK EDMUND’S SWORD AND WENT AT ALBANY WITH IT AND NEARLY GOT HIM BEFORE RUNNING OFFSTAGE

they cut “yet edmund is beloved” which is always a cardinal sin HOWEVER when he got the news about regan and goneril edmund stabbed himself which. pain and suffering!

much like albany himself, i literally forgot about lear and cordelia because i was so enthralled by gloucester brothers duel like. i was so caught up in the agony of edgar killing edmund that i forgot the other fucking bomb that had to drop and it was like getting bricked in the face

my last note literally reads “cannot believe i forgot abt the other bomb to drop jesus christ i hate this shit ass bitch ass play it really just fucking ends like that huh fuck off”

it was the first time i’ve ever seen live shakespearean theater and it literally could not have been better and i am terminally insane now.

[intergalactic-padawan]

Season 2 Ezra with a S/O who is super forgetful? (I’m an Ezra simp so get ready for many asks)

Relics - Ezra Bridger x reader

Requested: yes!

Warnings: preprare for some strong feels if you catch the reference! It came to me in a dream and now you all have to deal with it. You're welcome.

A/N: It's no problem at all, please, fill my asks with as many ideas you want! Sorry this took so long as well, i wanted it to turn out really good but my teachers had other ideas. Hope you like it?

Pronouns of reader: she/her

*ENGLISH IS NOT MY FIRST LANGUAGE! I make mistakes just like everybody else 😉*

-"And you did all of that just for one meiloorun?" - You look back at Ezra, guiding him through the packed streets of the open market in a strange planet Hera had landed to refuel, and he gave you a smile. Your question was very serious, though: there was no way that was really the origin story of the 'Commander meiloorun' inside joke he and Zeb shared.

-"Funny enough, that's exactly what that trooper asked" - you snort at his reply and stop at the front of a busy stand of off-world fruits, grocery list in hand and bag of credits at your side.

-"welp, hopefully this time we can find some that are actually avaliable for buying"

Their selection was truly impressive. Not just the stand, but the market as a whole: jewelry, souvenirs, toys, books and foods all found themselves mixed and admired by people who had to yell louder than their neighbour to sell something today.

Ezra continued with his story, examining the apples as you'd instructed him, but you only paid half-attention this time: something had caught your eye, and you couldn't believe how lucky you were that no one had found it sooner.

A genuine DC-17 hand blaster was sitting beautifully two stalls to the right of you. For the looks of it, it was genuine, at least. The sign also advertised it as such, so it was truly a wonder no one with the minimum of firearms knowledge had grabbed it before.

Ezra said something that vaguely sounded like a question beside you, and you nodded, absent-minded. He then handed his shopping bag to you - probably to be able to bend over the table and get a few kiwis from the back - but you didn't turn to him.

-"I'm going over there, take a look at something real quick" - you announced, but didn't wait for an answer before navigating the sea of people to meet the woman selling the blaster.

Firearms weren't reallly the only thing she was selling, you noticed. There were holo-shields, vibro-blades, shoulder paudrons, darts and- was that a kama?

-"It's a nice arsenal you've got here" - you strap Ezra's bag to your shoulder and carefully take the folded fabric to analyze its flexible leather. It was lacking a utility belt to secure it, but seemed to be in very good conditions for something that old; you notice how the style didn't match with any of the ones you'd seen mandalorians wear, much less one of the native fighters from Rotas V. Which means it must have been worn by a clone trooper of the old republic back in the Clone War.

-"It's a keen eye you've got" - the lady retorts, setting down her datapad -"but that's not a skirt, you know that, right?"

She looks amused, almost like she's testing to see if you know the real value of the things offered here. You've got to hand it to her, everything seemed legit; wich only makes you question even more how did she get those things in the first place. She stares at you for a few seconds and briefly reaches for something from below the small counter, placing it on top of a pile of restraining bolts.

It's a dark grey and blue kama, the same size as the one you're holding, though it seems like it has seen better days. The pattern's more detailed in this one: diagonal lines that meet in the middle, forming an arrow-like shape framed by a black seam. The colour reminded you of a worn-out shade of blue similar to the one Captain Rex uses to paint the last pieces of his armour - and you wonder if it's just a sad coincidence or probably the last remainings of a fellow soldier from the 501st.

-"Straight from Coruscant, my great-uncle got a hold of it few days before the Empire became... well, the Empire" - her tone was something you'd been told to avoid using in public when speaking of the Empire. Perhaps it was that courage that had gotten your full attention in the end. Was she with the rebellion in some way as well?

-"Hasn't been worn ever since it was stripped from a dead clone's body" - she continues, checking you up and down - "and maybe it's a bit more your style".

-"Looks decent enough" - you comment and she nods her head in aknowldedgement - "but it does raise the question: how and why are you selling these things... here?"

-"Well, for starters, it's harder to get caught out here. Some of these aren’t exactly... legitimate purchases, as one would say.” - you raise an eyebrow and she chuckles - “this is a legitimate business, I swear. It’s just that my family’s been having difficulties and we're having to sell some relics.”

You can see she's telling the truth as she takes back the kama you'd first grabbed to the side, folding it again. You reach for a different credit pouch out of your pocket: your personal credits.

-"I see. Well, I do need a new blaster, and this one looks like the best i've ever seen in months. Despite the clogged barrel, of course."

-"shall we start negociating a price, then?" - she takes the datapad back and types a few numbers. Before you can say anything, however, you turn back to see Ezra rushing towards you looking desperate.

-"Oh, thank the Force, there you are!" - he brushes the long hair out of his forehead, not sparing a glance to the lady behind the counter -"you just walked off! I didn't know where you were!

Faced with a confused expression from the both of you, he scowls

-"I was at the bathroom! You didn't hear me telling you to wait for me?"

You look at him, suddenly tuning back to reality. All of those relics seemed to have filled you with a melancholic sadness you didn't know, but you managed to snap out of it the moment Ezra came back.

-"Can't believe you forgot me just because of this old junk" - he grumbles, a bit offended. You take his hand into your own.

-"I didn't forget you, Ezra, I swear. I was just distracted for a moment, that's all" - you reassure him, placing some credits on the tray where the lady collected them.

-“I'll be taking this, please” - you take the purse back off of your shoulders and hand it back to Ezra - “you can start taking this back to the ship. I think the list is over, I'll just be taking this and go."

-"wait, Hera didn't tell you to buy this, did she?"

-"It's a personal purchase, with my personal credits. I think I'm allowed that much, right?" - you give him the money bag again, and he shoves in his jacket.

-"Well, can you at least get me something as compensation for forgetting all about me back there?" - you scoff and let go of his hand to slap him on the shoulder

-"Just go along Bridger. I'll be there in a minute"

You turn back to the vendor, who's placing the pistol in a bag with the holster that came along in a slightly larger bag ithan necessary. You also notice the shape of the folded kama peaking though it.

-"Wait, wait! I didn't buy that, I don't have enough credits for that!"

-"Just... consider it a gift" - she smiles and winks - "this specific piece here doesn't really fit anyone's style, anyway. It's better off with you, trust me."

Before you can mutter any type of 'thanks', Ezra calls for you again, making sure you didn't forget your own head back there. You run off to him without looking back, ready to smack him Zeb-style before taking his hand again, reminding him gently he'd never have to worry about being abandoned by you.

[myheartissetinmotion]

OH MY LORD THAT WAS A PHENOMENAL EPISODE.

I’m not even gonna try to go chronologically I just have so many Emotions

EMotions

I have to join that elite woodworking club so I can handcraft an emmy and personally deliver it to Alice Lee

this was the first time that the emotion of a heartsong overtook the production value, and it was the perfect one to do so-the performance was completely raw and real and it affected me so much

only this show can have me crying with laughter (JCS also gets one of my handcrafted emmys) and crying with sympathy in the span of an hour

also side note right while I was writing this I got the email that my attack magic shirt just shipped!!! I’m about to get a painted bunting!!! wooooooo!!!!

speaking of anyone, Skylar’s performance was also incredible-the best songs on this show are often the ones that are sung live, and, again, vulnerable and raw and real and AHHHHH

I loved the new insight we got into Rose’s character

the glitch in the title card was fabulous

the maximo’s set is just stunning, I keep being reminded of that

that opening scene was legitimately the most adorable thing I’ve ever seen

they were so cute this episode I simply cannot (although I feel like the other shoe is about to drop and I’m Very Scared)

while we’re on the zimon topic ZOEY MA’AM I SWEAR IF YOU DON’T TELL HIM I WILL BREAK THROUGH THE SCREEN AND YOU AND I WILL HAVE A TALK

not even only to yell at her about it. I just want to talk to her, I think we’d be good friends

given that their whole relationship started when she heard his first heartsong and was built off of that point and now she kept it from him AGAIN when she had a PERFECT CHANCE and he would have been VERY OPEN-MINDED...I’m scared yall I love them so much and don’t want them to hurt, I love them together and while I understand why Zoey wouldn’t want to ruin it it would be ruined even more if she kept lying

aaaaaanyway

Mary Steenburgen duetting with herself is everything I never knew I needed (and now I want to see Kap and Morgan do that number too)

the choreo for One absolutely slapped, I’m still living for the McTobin banter, and the costumes were impeccable (Kenzie’s tights!! Tobin’s sweatshirt!! the return of The Classic L.D. Tight Pants™️!!)

Katie Findlay ma’am how do you do that. how. do you. do that

Maggie with the pot step-touching behind Zoey...classic

Rocco Morris is Winning At Life. HIT THOSE RIFFS BUDDY

Marvin is adorable. I wouldn’t be surprised if nbc started selling those stuffed foxes as merch (and yes I would buy one)

I’m so invested in Mo and Perry’s relationship at this point (although I always have been)

turns out my favorite type of country music is Alex Newell country music

the message of this episode, flawlessly delivered by one of my favorite new characters, is so incredibly touching and needed and beautifully pulled off

and, as always, all the little one-liners and character moments were fantastic; Zoey at the science center, Mo’s crime drama obsession, the furby anatomy room, etc

Jane’s facial expressions were off the CHARTS, this woman is seriously everything I want to be as an actress and a person

WE GET MORE DEB NEXT WEEK WOOOOOOOOOO

this episode was just utterly phenomenal in every way as always; can’t wait for more (although I am Scared but hopefully things end up okay)

this is. probably my longest thoughts post yet. enjoy

[saschagemruler]

Aight so I’m almost done with season 1 with #killstagram and here’s my thoughts on the transphobia (spoilers ofc)

Yes it’s transphobia. It paints trans people in a bad light. Do I think it’s intentional? No. Do I think the author is being a dumb cis person? Yes. For context, basically a girl undergoes a sex change surgery to appear as a man and stalk (and kill) Remi Do. That doesn’t really sound right does it? Trans people have been seen as predatory and mentally unstable for a v long time, so having ur character undergo a sex change surgery just to manipulate another character is rlly not a good look

Also (and I’m also v hesitant to say anything like this in most cases) the character is not trans. Like seriously, the character as far as my understanding is, is legitimately not trans and only ”transitioned” to stalk and kill someone. Which kinda seems like a slap in the face when surgieries are hard to get. :/

Don I think it’s on purpose? no. But it’s obvious the author didn’t really put a lot of thought into the consequences of having a character go through a sex change surgery just to harm another

[merlinmyrddin]

Hello!

Can you recommend me some very underatted gay movies? (I prefer comdey or happy ones if it's possible)

I recently came to realize i am a 23 man who happens to be gay. I don't know what took me so long.

Hello! I am sorry for the time it took me to answer you, but your ask has been playing constantly in my head now for weeks and I had to go down nostalgia lane film-wise...!

I'm also sorry for how long this answer is, I got carried away!!!

So first of all, I am damn proud if you. I know it sounds like empty words but whether you're 13, 23, or 45, being able to say you have found your inner truth is always something to be proud of! And what took you so long? It didn't. We are living in times where people want you to believe you are meant to have your sexuality and/or gender figured out by 18 when in reality, I know more people doing their coming out in their 20's/30's. Because when it comes to being gay, lesbian, bi, trans and queer : this last decade has seen some major changes. But it's ok for people born late 80's and 90's to come out "just" now. We grew up in a time where homosexuality was still taboo in most places. And when I say taboo, I mean that "homosexual" was barely pronounced, sometimes only whispered. A time where "gay panic" was a legitimate defense in court. (Talking from a Western European point of view here again. Many places in the world, including the USA still consider the murder of an homosexual or transgender victim as a legitimate act. And these last years has proven that there was not only the "gay/trans panic" crippling our streets, but also a "black panic" and more recently, an "Asian panic". Short aparte here : "gay panic" doesnt mean "omg, that person is making me question my identity!?" nor is it a term used when thirsty over an actor/actress when openly gay such as "[actor name] oh wow...*gay panic intensifies*... this term is a serious concept a murderer can use in court as a defense when taking the life of someone from the community. This is the law enabling hate crimes.)

To any younger people reading this right now : gay marriage has been legal in France since 2013, in the UK since 2014 and, allegedly, in the US since 2015. This is recent history. People who are mid-20's are historically closer to the HIV/AIDs crisis than of the legalisation of same-sex marriage.

As such, we are made to believe than coming out in our twenties or thirties is doing a late coming out. No, it's not. We are a generation who suffered through systemic homophobia in our formative teenage years. When we were trying to figure who we were, people were marching in the streets calling us names, and trying to defend the idea we did not deserve basic humans rights. (As a side note, I am not implying that such issues are not currently happening. This is mostly western European centred again as I am, well, European. This is also targeted towards sexuality orientations, excluding any gender talks as this is still currently a very real societal issue for which the fight has only just begun. Double side note : I'm not yet fully caffeinated. But hopefully you get the general idea despite my flagrant lack of eloquence on this fine morning.)

Alright, let's move on to films then!

I searched for a long time for happy / comedic films but then I realised I was definitly not the right person to answer that. On a general basis, I enjoy dramas. That's my thing.

So instead, I thought I would list you the first LGBTQ+ Films I ever watched, hoping they'll find you well.

-Stonewall (1995). Not my favourite film, but as a kid, it was great first jump into lgbtq+ history. Sad note : The director of this film died of AIDS shortly after.

-Another country (1984) Based in the 1930's in a public school. Starring Rupert Everett (who just a few years ago came to direct "The Happy Prince", a great take on Oscar Wilde and Alfred Douglas, casting himself as Wilde, and Colin Morgan as Bosie...fantastic film, highly recommand), and starring Colin Firth. Teenagers discovering themselves, from homosexuality to politics. (The parralele made is quite interesting as both young men are misfits...one for being gay, one for being Marxist.) Great watch, but a heavy one.

-Maurice. (1987) God, I love this film. It explores not only coming to term with your sexuality but also what it means to be homosexual for the people around you and the impact it can have on your life, depending on your social background. Starring James Wilby, Hugh Grant and Rupert Graves, this is an other drama which leaves you feeling almost raw. I always had an affinity for British film because of how...real they feel. Best example would probably be Danny Boyle himself. You know what I mean... you grow attached and you feel for these characters. And Maurice does just that. Memorable quote : I am an unspeakable of the Oscar Wilde sort. (And you might think : "Oscar Wilde? Again??" And oh boy, yes. Oscar Wilde again. Yes, he is one of the most well known author, mostly because of The Picture of Dorian Gray, but he is also a major part of Queer history. After all, "queer" has been used as a derogatory term for homosexuals for the time...directed at Wilde during his trial for posing as a somdomite. (No typo there.) Being an unspeakable of the Oscar Wilde sort is an other one of the euphemism like "being a friend of Dorothy") And talking about Wilde...

-Wilde (1997). Biopic, Stephen Fry as Oscar, Jude law as Oscar's lover : Bosie. Incredible. Superb film. I can not find words.

-An Englishman in New-York (not the Sting song. Actually yes, kinda the Sting song. Because both the film and the song are about the same man : Quentin Crisp). Biopic. An artist, writer, actor, Quentin Crisp has always bothered. Painting his nails, wearing make up, criticising the royal family. He was a character. John hurt is magnificent as Crisp, who he had already played in 1975 in The Naked Civil Servant, an other great watch.

- A Single Man (2009). With Nicholas Hoult and Colin Firth. This film was a slap in my face. And it has, in my opinion, one of the greatest speech of all time, during a scene in the classroom :

"[...]Let's leave the Jews out of this just for a moment. Let's think of another minority. One that... One that can go unnoticed if it needs to. There are all sorts of minorities, blondes for example... Or people with freckles. But a minority is only thought of as one when it constitutes some kind of threat to the majority. A real threat or an imagined one. And therein lies the fear. If the minority is somehow invisible, then the fear is much greater. That fear is why the minority is persecuted. So, you see there always is a cause. The cause is fear. Minorities are just people. People like us."

-Pride (2014). [TRAILER] Bloody hell, that film. When we talk about lgbtq+ history, we often thing about the pink triangle and the holocaust, Reagan, Stonewall, AIDS and... fucking Maggie. Margaret Thatcher, the Iron Lady. Again, funny how the past is closer than we think, as I still have friends of mine talking to me about that period in British history that they lived through. The minors strike. The poverty, the crisis of the working class and the HIV crisis. But if you are looking for a film full of hope, from tears to laughter, this is the one. Bread and Roses. Bread, and Roses. And a message, which I believe is the essence of our community to this day : solidarity forever. After all...there is power in a union.

If anybody has other films to add, you are more than welcome to do so.

Love you all xx