romeoisalesbian

[romeoisalesbian]

I just love that canon Watson has Holmes’s different moods categorized, memorized, and named. He’s like: Ah yes, Holmes is smoking his wood pipe instead of the usual clay, that means he’s on his period.

[romeoisalesbian]

i have an art blog now :)

here kitty kitty!

[romeoisalesbian]

I got too excited while playing chess and told my opponent that I was going to slit his throat and slaughter him like a hog. something to work on for next time

[romeoisalesbian]

its going great in headquarters

[romeoisalesbian]

Tim Curry with his GameBoy on the set of The Three Musketeers (1993)

[romeoisalesbian]

love the word “rapscallion”. like not only are you a rascal but you’re also kind of spring onion about it too

[romeoisalesbian]

Childhood can be scary.

A collection of some of my hand-drawn horror looping animations!

[romeoisalesbian]

okay notes on the romeo & juliet production i saw the other day:

set in modern-day appalachia and going in i didn't think too hard about that beyond "oh cool" but it worked really really well. gave the whole thing an intense vibe of "this town has been left behind by the rest of america and everyone thinks we're backward assholes and we're clinging to all the pride we have left in our families and our history even when it's history we should actually probably let go of." like rewired my brain for real i had not considered the degree to which the city of verona can be a character in itself

also they played live music!!! mostly folk/country; the show opened with mercutio on guitar singing "ain't no grave" & everyone else joined in

the cast also did a very short reprise at the end which did something to my brain. something about how the play opens telling you what's going to happen and then ends with it happening, but this version of the play opens with a promise of life beyond death and ends with the actors standing up and shaking themselves off and smiling

looooots of folksy singing at the capulet ball. mercutio and benvolio got romeo to do a very dejected drum accompaniment, which he did like he was being tortured UNTIL

juliet did a banjo cover of nina simone's "when i was a young girl" and it was incredible and lovely and also lyrically devastating in context

and THAT was what got romeo's attention and got him to start engaging socially with anyone

romeo was wearing a tina turner shirt :)

tybalt meanwhile was wearing a natty lite shirt

paris looked exactly like a pedro/napoleon dynamite lovechild. i'm sorry for saying it that way but there's no other way to put it. he had the curly hair and the doofy mustache and these dorky overalls and probably a pocket protector. normally i have very few feelings about paris but i really felt bad for this paris; he was clearly just another kid emotionally in over his head and he didn't seem to know what was going on at ANY point which emphasized how much he was just collateral damage in the violence

all of the actors were amazing but the absolute standout was juliet. this juliet was SO good. this juliet is going to be the defining juliet interpretation in my head until the end of fucking days

she was soooooo thirteen years old. so angsty shy gangly teen always hovering between being brilliant + still being the girl who hugs her parents and clings onto their arm and hides her face in their shoulders. the actress was SO good at hitting the exact mark of displaying how bright and determined juliet is and also how she is soooooooooooooo scowly little preteen

also her pajamas were PJ shorts and a britney spears shirt

very good tybalt. he was hot-headed as any tybalt would be but he honestly felt a little hotspurcore--at the capulets' ball when he saw romeo, everything about his body language and tone of voice was very clearly communicating not JUST anger but deep confusion/frustration about why he was the only person taking shit seriously. the feud runs everybody's life and yet in this scene he is the ONLY person who seems to understand that and he looked genuinely disoriented that lord capulet told him off

which lord capulet did do. loudly. to the point where everyone else at the party started looking nervously in their direction even when lord capulet was like "aha no keep partying <3"

i know i'm saying this about every character but fantastic mercutio. he hit the exact right note of being 80% dickhead teen who causes problems on purpose and 20% Abruptly And Darkly Intense In A Scary Way. also he carried the guitar around all the time and sang lewd jokes at people

during the queen mab speech he got benvolio to act out being the fairies' charioteer, which benvolio did by hunching down in a carriage-driver pose and making a gargoyle sound

i thought they weren't using fake blood because sometimes you just have to imagine the blood with your beautiful mind. and then the duel scene hit and ohhhhh man. mercutio did his first “i am hurt!” like when you stub your toe. and then he turned around and i heard someone in the audience make a sound because it was GUSHING. romeo rushed over to hold him up and mercutio collapsed into him with this sort of desperate exhaustion and you could hear the blood continuing to dribble and slop around on the floor it was NASTY AND LOUD

his wound was just your generic actor's faked stab wound. but romeo slit tybalt's throat. and tybalt had been intense and scary up to that point but after killing mercutio he was clearly wobbly and as romeo held the knife up he went "no, wait--" very small

and then, unlike mercutio (who died offscreen), he thrashed around on the floor for like a full thirty seconds

juliet's "tybalt is dead that would have killed my husband so i gotta stop crying" was transparently her trying to convince herself not to mourn tybalt but then she broke down sobbing again

that ^ scene was intercut with romeo and the friar talking about banishment so both of them were on stage at once but still unable to reach each other. very good

my beef with the friar + nurse is always "how are you THIS reckless with leaving these kids to their own devices when you have each had to talk each of them down from suicide like three times" and in this one. when the nurse found juliet "dead" in her coma. she thought juliet was sleeping until she found the empty vial of sleeping draught. and for a second she didn't yell for the capulet parents she just stared at the vial in total devastation. not surprised at all. just horrified.

and then when she screamed for juliet's parents she shoved the vial in her coat so they wouldn't see it. maybe to protect juliet or maybe so they didn't have to know

my shocker dark horse second favorite role interpretation was honest to god lord capulet. which is incredible because i've hated him violently since i read this play in high school english. but the actor very obviously had an EXTREMELY clear picture of his motivations and also that he loved his kid so fucking much

like far be it from me to defend the guy who screams at his daughter and threatens to throw her out on the street (he was frightening in that scene. really well-acted) but in every interaction between them up to that point his pride and adoration for her shone out of his body language. and at the start of that scene before he started yelling juliet (sobbing) ran up to him and grabbed him in a hug and he looked distraught

very painfully clear that he was trying to make her feel better. and also stressed out of his mind, especially after tybalt died, but mostly that he was really really really fucking worried about his daughter and trying desperately to make her better but always picking the exact wrong thing. STILL AN ASSHOLE! but devastating!

and when everyone thought juliet was dead the nurse + lady capulet were screaming but lord capulet just sat next to comatose juliet and very gently put her head in his lap and started stroking her hair murmuring "shh, shh" like man it takes a LOT for me to believe that man sees juliet as anything but a bargaining tool but THEY SOLD ME ON IT!

and then the nurse FUCKING SANG THE NINA SIMONE SONG AGAIN AS THEY CARRIED HER BODY OUT

romeo died very peacefully. he drank the poison + he kissed juliet + then he settled down next to her like he was falling asleep. but juliet. ohhhh god. juliet stabbed herself because that's what juliet does and it wasn't an easy hollywood-shakespeare one-pretty-knife-movement-and-she-gasps-and-dies stabbing. it was slow and agonizing and she twisted the knife in her own stomach and then she was sort of thrashing around on stage hyperventilating in violent terror like she was reaching out for someone to rescue her

has anyone noticed that they both have the same last word which is "die." the word being die honestly matters way less to me than the two of them having the same last word. after their first conversation made a sonnet. always on the same exact page in their language

this ^ was the point at which i started bawling and then i did not stop for I Shit You Not A Real Human Hour

[romeoisalesbian]

At the risk of sounding anti-intellectual, I think that college should be free and also not a requirement for employment outside of highly specialized career fields

[romeoisalesbian]

Both Selfish; you each lose 2 points

You Selfish, prev Cooperative; You gain 2 points

You Cooperative, prev Selfish; You lose 1 point

Both Cooperative; You Each gain 1.5 points

(ps make sure to say what you voted)

Making this post long so you have to scroll to see prev's tags.

[romeoisalesbian]

I actually like it when ships hurt each other in long lasting and unforgiveable ways. I like it when they leave vicious, glaring scars. I like when they leave traumas. I like when they stab each other and torture each other and ruin each other’s lives and violate every inch of each other’s values. and I like it when they fucking kill each other permanently dead. 

[romeoisalesbian]

what if she was called chappel loam and she was composed of rich crumbly soil

[romeoisalesbian]

every pokemon is someone's favourite and i'm determined to find a person for every pokemon so please reblog this and tell me what your number one favourite pokemon of all time is

[romeoisalesbian]

Dracula and Jonathan’s Tango - from The Polish National Opera production of ‘Dracula’.

With Choreography by Krzysztof Pastor and Music by Wojciech Kilar.

[romeoisalesbian]

i also think some of my hamlet takes/interpretations are somewhat inseparable from the fact that i read hamlet as at least fairly young, regardless of exactly how old he is, because the way the older characters in the play treat him resonates very deeply with my experience of being a mentally ill teenager. like, you know something is wrong, you know this thing you're experiencing (in hamlet's case, grief, but also the knowledge of the murder) is real and it's unimaginably painful and it might actually kill you, and yet not ONLY are the people around you telling you to just Be Normal and Get Over It, they are ALSO?? acting like everything is FINE?? they're walking around and living their lives like everything is perfectly normal and the same it's always been, and they're interacting with you like they expect you to live that way too, and at some point you inevitably hear the siren song of "just how much do i have to act out before they're FORCED to acknowledge it?" and then you put on an antic disposition and kill your situationship's dad, you know how it is.

this doesn't mean hamlet has to literally be a teenager. like, hell, you could have your thirtysomething hamlet and still lean into this reading, because it would be really compelling to highlight that a thirty-year-old hamlet is a fully grown adult being shoved into the role of a teenager/youth because the generation above him refuses to treat him like an adult or allow him autonomy. but i do think this is why hamlet as, like, Traditional Handsome Brooding Protagonist man almost always falls flat for me, because your average traditional handsome brooding protagonist man isn't being constantly infantilized, denied, ignored, told his emotions are meaningless, told he can't possibly be an authority on his own experience, etc. obviously some of this is stated in the text (particularly claudius's get-over-it speech), but in performance it falls flat for me if he's just stalking thirtyfiveishly around the castle as Some Guy Who Also Lives Here. no!!! they put that prince in the INCONVENIENT TEENAGER WE DON'T WANT TO DEAL WITH box and you're gonna ACT LIKE IT

[romeoisalesbian]

every single person you know has something in their life and past that is probably worth collapsing to the ground in an uncontrollably sobbing heap over, so be nice to each other and tell good jokes