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the-golden-ghost · 5 years ago

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Prime numbers for Davy!

2. Their mother? How do they think of her? What do they hate? Love? What influence - literal or imagined - did the mother have?

Davy was not raised by his mother, who left when he was two years old in order to escape an abusive relationship. She had passage aboard a ship that would take both of them far North, but the ship was not leaving until the following spring, and unfortunately, by that point, she’d given birth to a daughter. Since she couldn’t send her infant daughter and toddler son alone on the boat she decided to leave Davy since he was older and stronger. She always intended to come back for him but never was able to.

Obviously, he knows nothing of this. All he knows is that his mom left when he was a baby. As Davy’s father put it, it was because she didn’t want to put up with either of them. So Davy feels very little for her other than a quiet contempt.

3. Brothers, sisters? Who do they like? Why? What do they despise about their siblings?

He has a younger sister named Tabitha and a half-brother named Nico, but he doesn’t know about either of them. Tabitha was raised by their mother, while Davy was raised by their father. Letitia, their mother, later remarried and had Nico.

Letitia’s had a good life since her escape, but she’s never been able to get over the loss of her son. Even worse, since Davy changed his last name, she has no idea that the notorious pirate is actually her child. She has no idea where he is or what became of him.

5. Were they overprotected as a child? Sheltered?

Definitely not, no. Elvar Vandern was a neglectful man, angry, hateful, bitter, and really did not want to be parent at all, let alone a single one. Basically if Davy got any attention at all it was in the form of threats, complaints, or having things thrown at him.

He luckily found other, makeshift guardians, but they didn’t exactly shelter or overprotect him either.

7. What was the economic status of their family?

Middling. They were well cared-for by the government of Twinsgate, who gave Elvar a pension due to his service in the military and subsequent injury. So they were never exactly low on money, the trouble was the Elvar didn’t spend it responsibly and so there were times when they may as well have been in poverty. But they had a decent house, food, clothing, all that stuff.

11. How do they see themselves: as smart, as intelligent, uneducated?

He is intelligent, and knows this. However due to Elvar being a sub-par parent he was never actually enrolled in school. So he self-taught until he was fourteen, using Faith’s schoolbooks to study, and then applied to go to a private school in Swansglen, which he failed at.

13. Did they like school? Teachers? Schoolmates?

No, no, and no. A recently orphaned and chronically abused fourteen year old thrown into a foreign city with no history of previous public schooling is not going to suddenly excel. He tried his hardest, but was just too nervous, too easily stressed, and didn’t have the discipline or rule-following ability to make it.

17. Did they travel? Where? Why? When?

So, after dropping out of school, he instead turned to sailing and found his niche. Bought his own boat with his private school funds, a tiny little vessel called the Sea Dragon, and used her to deliver cargo around the Five Nations.

Soon after, he ended up in the war effort and became something of a smuggler as well as an honest cargo dealer. But he traveled everywhere on that little boat for as long as she lasted. He still goes all over by sea.

19. What were your character’s deepest disillusions? In life? What are they now?

I don’t know what this really means. He was always kinda raised on the idea that life is bitter, harsh, and cruel. So I’m not sure he had the fortitude as a kid to be disillusioned by anything.

23. What do they want from a partner? What do they think and feel of sex?

In a partner he wants to be loved, respected, and to feel absolutely safe around them, both physically and emotionally. If he’s going to live his life with someone he doesn’t want to live it on guard, constantly worried that the person he loves is going to turn on him in an instant. He would rather be alone than that.

Sex is a very weird area for him. He understands that he’s usually supposed to take control and doesn’t particularly like being submissive, but he also doesn’t know what to do during the actual practice. Mostly it makes him extremely uneasy, and leaves him feeling vulnerable and anxious. So, needless to say, his actual sex experiences are... few.

29. What is your character’s weaknesses? Hubris? Pride? Controlling?

His weird knee-jerk attack response to any perceived threat, and his tendency to isolate and shut out anyone and everyone and flee to the safety of the ocean, even if that means running away from his troubles and his friends.

31. Does your character have children? How do they feel about their parental role? About the children? How do the children relate?

This is a strange one cause I... have a theoretical ending for SotL where Davy does, in fact, have a daughter. However, this is only one of a few theoretical endings I have for the story. So Lydia may not make it into canon at all, and may be one of many characters that show up briefly during process and is scrapped in final.

Therefore, I’ll answer, but keep in mind that Lydia’s existence is not set in stone.

Given how Davy was raised and what happened with Reynard, he is absolutely terrified when Lydia is born. He’s afraid he’ll somehow become his father and damage her beyond repair, or that some terrible fate will befall his child before she’s even old enough to walk.

That said, he loves her. And even though he knows he cannot change himself or what fate may have in store for her, he IS her father and he can do everything in his power to do right by her. He doesn’t think he was ever meant to be a father, and doesn’t consider himself a very good one, but by all the gods, he adores Lydia!

And Lydia loves him too. She’s raised at sea, away from the politics and problems of land, and doesn’t even realize that her father is so hated, considered a wicked criminal by most of the world. She only knows him as her dad, the noble captain, and fearless defender of his crew, and of her.

37. How is your character’s imagination? Daydreaming a lot? Worried most of the time? Living in memories?

I don’t even know honestly. I think his imagination is probably pretty batty! He doesn’t dwell on memories, I know that, and he doesn’t daydream. But that doesn’t mean his mind isn’t a weird place to live.

41. Is your character aware of who they are? Strengths? Weaknesses? Idiosyncrasies? Capable of self-irony?

He lives on self-irony. Basically he is aware of who he is, even if his view is a bit grim and devoid of any perceived ability to self-improve.

43. Does your character have any secrets? If so, are they holding them back?

His whole life and existence is a secret. No one knows where this guy came from.

I’m kidding. People have dozens of rumors, some of them true. But Davy rarely reveals truths about his past, so the truth gets mixed in with the fiction and causes a lot of bizarre and conflicting origin stories. The only person who knows just about everything about him is Faith.

47. Do they want to project an image of a younger, older, more important person? Does they want to be visible or invisible?

He doesn’t project an image. He just is. Perhaps he wants to appear more poised, intimidating and confident than he actually is, but he certainly prefers to remain invisible, hidden in the shadows until the right moment.

#my OCs #Davy #he's popular today!#also did I put WAY too much detail into his backstory considering none of it is going in the canon? yes

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bbq-hawks-wings · 3 years ago

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Chapter 316: BBQ is capable of critiquing BNHA and… Oh boy.

Let's start this off properly, Horikoshi's typical quality of writing has been diminishing in recent chapters, but this week it was so different that it didn't even feel like Horikoshi was the one who wrote it.

To be clear, I'm not blaming Horikoshi for the issues I'm about to bring up. The man is criminally overworked, usually doesn't even get the final say in what makes it in the final drafts, and even in his other rough patches he's still produced decent chapters that hold up amongst the grand scheme of things. This feels like something else is going on behind the scenes, and while I have my suspicions on who/what might be the culprit behind it, I choose not to share it at this time because if I name names some people might go off on a crusade, and that's not what I want.

I just want to be clear that I'm not blindly firing off shots in the dark, but despite my frustrations I want to wait to see if this gets resolved down the line, and while I do I can complain about the specific reasons this chapter left such a bitter taste in my mouth.

Buckle up, buttercups, because we got a lot of points to cover.

Where's the Gun?

Not a literal gun, but I mean Chekhov's Gun. It has always been a staple of Horikoshi's writing and the reason so many of his long-standing plot lines have paid off so well.

Chekhov's Gun is a writing principal that if you see a gun on the table in the first act of a play, it will be used in the murder that happens in act 2. Basically, the author should include details that are relevant to the story and not betray the audience by leading them in one direction and at the last minute pull the rug out from underneath them to go in another direction.

Horikoshi has done this to phenomenal success in the past. Just as one example, he dropped hints about Nomu being human experiments early in the series but held off explicitly stating it for a while. He hinted at the loss of Shirakumo in the main narrative and that he was important to Aizawa and Mic as well as approved it for Vigilantes so when it was revealed that Kurogiri was Shirakumo's body, not only did it narratively make sense but it also pulled in Eraserhead and Present Mic's emotional stakes into the battle with the Doctor, and then when Ujiko reveals he was after Aizawa's quirk the whole time it made the payoff for Mic punching him in the face all that much better and brings the weight of his crimes and the impact they have on the victims full circle.

That's 3 different guns paying off in the long run: the Nomu, Shirakumo, and both Mic and Eraserheads' personal arcs past the loss of their childhood friend and that they could finally finish processing their grief and avenge him in full righteous fury instead of chalking it all up to cruel chance.

He has left details, some particularly innocuously, in plot lines like the Touya Todoroki reveal, Hawks' backstory, Shigaraki's blood connection to Nana Shimura, even with Mr. Compress's backstory, and more. When re-read, these details become more obvious and usually leaves us with a greater sense of satisfaction in the plot knowing that twists and turns were not only planned, but built up to and hinted at for us to find so the payoff is that much better and it feels purposeful instead of just shock factor.

None of that happened this chapter.

Lady Nagant has zero business being in this plotline. She was never hinted about before this arc, and her existence does nothing to tell us about the plot moving forward or the world that they're trying to change. Nothing her existence provides actually has any bearing on the universe or tells us anything we don't already know. But that's not how she was presented.

In the beginning we're given a glimpse of her helping Overhaul escape from Tartarus. The focus on her was odd enough to begin with as a new character, and the fact that she didn't look like she fit the profile of someone who belonged in Tartarus was like a flashing neon sign saying, "Pay attention! This new character is important!!!" She then shows up later with Overhaul in hand to attack Deku out of the blue. We get her talking about how she thought Overhaul might be useful and her disillusions with Hero Society. We catch her mannerisms with eery similarity to Hawks only to find out immediately after she was a senior colleague in the HPSC. Never once to my knowledge has Hawks referred to any of his senior colleagues as a "senpai" - not even his fellow heroes - and when he catches her in midair, he uses the words, "Don't die on me, senpai!" as if she's near and dear to his heart.

The entire character arc is set up for her to have known about Hawks and grapple with her desire to help people and her fear of re-creating what she hated, and this also set up Hawks to be the successor who succeeded where she failed and helped bring her to a place where she could be a hero without guilt again. What actually happened?

They're strangers.

They have never actually met before, and while he seems to know a lot about her, she doesn't even seem to have any idea of who he was - at least as far as being another hero under the thumb of the HPSC. So ALLLL that setup, all that gesturing, and all of the potential themes that would be right at home in an arc like this goes completely out the window.

Her story doesn't tell us anything new. The HPSC bad. We knew that. They're not above throwing innocents under the bus to achieve that goal. We knew that. They preyed upon young hopefuls with powerful quirks with the intent to maintain the status quo. We knew that even if the fact that Hawks isn't the only one now makes more questions than answers. We know that these young heroes can never say no under threat of steep, life-shattering consequences. We knew that already.

So what does Lady Nagant even bring to the table?! The entire "you're just a puppet doing what you've been told" angle is a little tired and out of place in this point and time with actual anarchy in the streets (not to mention hypocritical considering she was a blind puppet following orders and offers zero actual solutions that supposedly fall in line with her heroic nature), and it could have been left to any number of other villain characters who could have executed on the theme better - you know, like Shigaraki who's justification this entire time has been, "hero society doesn't make people safe, it just makes them feel safe" from the moment of his inception.

So from that angle she's unnecessary.

Her presence messes with the continuity of the series as well. If Hawks is supposed to explicitly replace her, that would mean that he wasn't just a fluke find on the commission's part and grabbed to mold into their own special superweapon; and that also would mean that her killing of the former president was before he was discovered which should put her at least in her forties. If this isn't the case, and he was meant to simply replace her in a "special agent" case, that still begs the question of how many more gifted children the commission preyed upon and are still out there.

And maybe the worst kicker for me is that something stinks. The way the art in this chapter is presented, if you completely blanked out the speech bubbles, is the same setup I had before - Hawks reaches out to his former mentor and pulls her from the brink of despair with a moving message about why he never gave up hope in being a hero who could actually make a difference.

Again, this is not what we got. He claims he knows her, and it's implied to have been a deep, personal character witness; but at best he only knows about her from secondhand sources. Even his reasoning as to how he never lost hope doesn't vibe with his character.

We have gotten so many cool one-liners for Hawks, but there has always been a consistent tone and imagery with them.

"Those who can fly, should."

"I don't belong in a cage."

"I'm free of my shackles."

"Can I be a shining light, just like him?"

What we got was, "I'm an optimist to a fault" which was the wording the official release went with and was by far the best iteration I have seen, but even this falls short of being truly in character for him and answering her question properly.

@mikeana made an edit of the titular panels for us Hawks stans this week with dialogue we and a few other friends felt was more fitting not only with the imagery of the chapter itself but internally consistent with the specific expressions Hawks uses in his heartfelt, personal dialogue. I just tweaked it a little bit more to fit what I was going for in our original conversation.

Which brings me to another concern.

2. What's the point?

There was no use for Nagant in the series as she's been presented so far. But more than that, Hawks has no business in this fight to begin with. He literally did nothing to earn this emotional moment, and this should have been Deku's moment.

We were teased in an interview with Horikoshi that Hawks was going to get a special moment as an important end-game character as a "shining light" of hope for others to follow as well as promises for Ochako to have another moment in the spotlight to make a difference.

If this was Hawks' shining light moment, it wasn't necessary, and it does nothing to move the plot forward or develop characters in any true or believable way. It just happened because plot. This should have been Deku's victory through and through, and even he is the reason BOTH Hawks and Nagant made it out alive instead of painting the street below them.

Deku's victory was stolen from him, too. It sours the other promises made to us about other characters moving forward, as well, if this really was Hawks' "Shining Light" moment.

By the way, did you forget about Overhaul? Me too!!! What was the point of getting our hopes up about reintroducing this beloved character with the implications this was a major arc setup to have him scream about pops and then get detained with no clues about what's going to happen to him besides, "Say you're sorry to Eri, and you get to see pops"?!

All this posturing and clumsy narrative flailing only actually succeeded in getting Deku in front of AFO again for plot when we already know Mr. Potato Head could summon, show himself to, or find Deku at any time he wanted. But instead we get this time skip with a bunch of heroes completely mended walking into a big, spooky mansion for AFO to evil monologue at Deku for… *counts*

FOUR PAGES!!!

Only to then give him the "I want YOU!" point over a pre-recorded message and the final nail in the coffin to me that something is off.

3. Ex-pu-LOOOO-SHUN!

It's become almost a game among friends to count how many explosions have happened since the end of the war arc - and specifically fake-out explosions. In the end of 311 we get All Might's car attacked via explosion and Deku cornered by Nagant only for All Might to be fine in the next chapter. In 315 Lady Nagant herself explodes in a blaze of glory to once again not be dead.

Gee! I wOnDeR if aLl the heroes were AcTuAlLy cornered and KiLlEd in that explosion in the mansion!

None of us do. They're fine. We're going to see it first thing next week. The shock has worn off, and it's repetitive and annoying at this point. There is no cliffhanger despite how the framing might try to tell you otherwise.

It's BAD WRITING.

The writing has been moving far too quickly and clumsily with no explanation in sight, and even character interactions are being cut short to the point of them being meaningless and empty.

This doesn't even feel like Horikoshi's bad writing. It feels like someone else is trying to call the shots and rushing him through these final bits of the series, and he's run out of things he's previously set up for months and months to reappear so someone is trying to get Dabi-reveal levels of attention with arcs and storylines that don't have the build-up to result in a satisfactory payoff.

4. At least it can get better... I hope.

Maybe those who share my suspicions or know what particular suspicions I have are with me in believing that this is a temporary disappointment and we haven't seen the last of the writing that's captivated me for years. I don't blame Horikoshi for these glaring faults that all came to a head in this chapter.

It CAN get better later, and I think it WILL- we just probably are going to have to wait for it. Until then, I'm going to enjoy the Hawks panels we got, maybe edit the last few chapters to be more in line with something more like the BNHA I know in a "fix it fic" fashion so I don't groan in anticipation of how long it might take us to get there.

See you all next week, hopefully on a much brighter note.

#she speaks #chapter review #bnha 316 #bnha chapter 316 #bnha manga spoilers

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sevenkittensinatrenchcoat · 3 years ago

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Cast Interviews From 1986 vs. 2016

So, I’ve found a podcast that’s been interviewing various Cats cast members and superfans. Most of the interviews come from the cast of the Broadway Revival, but there are also several interviews from US Tour III which went from 1986 to 1988. So we’ve got a bit of both old and new. Here’s what I’ve learned about how things have changed over the years and why the Broadway Revival is such a confused mess:

In the interviews of US Tour III cast members, it seemed like everyone was told the story of the play and had a pretty clear idea of what was going on. Some actors were given backstories for their characters, but the amount of detail varied. Actors cast as Munkustrap and Tugger were told that their characters were brothers and the sons of Old Deuteronomy. Actors cast as Demeter were given a full backstory for the character. However, Grizabella’s story remained vague. Bombalurina, Mistoffelees, and Sillabub also had no confirmed backstories, and most of their characters were improvised during rehearsals. Also, since this tour was from 1986-1988, a lot of cast members don’t remember a lot of what they were told. It’s been a while.

Out of the backstory and character information provided, Demeter’s was the most consistent. She was kidnapped by Macavity, escaping shortly before the events of the play. She’s an outsider to the tribe, but she knows Bombalurina and stays close to her. Bombalurina also had some experience with Macavity, but she enjoyed it more than Demeter did. This lines up with what Jacob Brent said about Demeter in the 1998 version.

Some character dynamics are different from more modern versions. Alonzo is Demeter’s love interest, as was typical with Broadway-based productions. Also, in most productions, Alonzo doesn’t get along with Tugger, but he’s a fan of him in this version.

Outside of Alonzo, it was made perfectly clear that Mistoffelees was played as a full adult, the same age as Munkustrap. The actor who played him throughout the tour, Randy Slovacek seemed to have made up most of Misto’s characterization in that production by himself. Misto was friends with Grizabella in the past and wasn’t upset by whatever she did to upset the others. When she first appears, Mungojerrie and Rumpleteazer, taking the place of Coricopat and Tantomile, who were cut for the tour, run up to her and try to chase her away. Misto calls them off, but Munkustrap won’t let him do anything else to help her and he respects his authority too much to try anything.

The interviews of the Broadway Revival cast tell a very different story of what was going on behind the scenes. Apparently, they were rushed for time and there weren’t as many rehearsals before the show as there usually are. That, combined with the new choreography meant that nobody really knew what they were doing. Munkustrap and Tugger were confirmed to be siblings, but very little backstory information was given outside of that. The few cast members who worked with Gillian Lynne seemed to have a better idea of what was going on with their characters. Andy Blankenbuehler was still figuring things out and wasn’t able to offer similar clarity. The few times anyone was told anything, it was usually by Trevor Nunn.

Basically, Nunn and Lynne invented Cats, and nobody else seems to know how the fuck any of it works.

Tyler Hanes and Sara Jean Ford knew each other before being cast and they came up with a lot of backstory for their characters, which everyone else got drawn into. Ford played Jellylorum as the same age as Tugger. Since the actors are best friends, so are the characters, even though that makes little sense with their personalities. Jennyanydots, Bombalurina, Demeter, and Grizabella were in that same age range as well. It appears that nobody was anywhere between Munkustrap and Old Deuteronomy in age, for some reason. Jenny and Skimble are a couple in this version, so Skimble’s probably also in this group. They have kittens together. Electra and Rumpleteazer are among them, though nothing was said about Mungojerrie. The merge with Coricopat and Tantomile in the US Tour implies that they’re twins in that version. In the Broadway Revival and the tour based on it, they’re apparently unrelated.

Grizabella ended up with a far more detailed backstory, all made up by the cast. She’s Jellylorum’s sister and she stole a man away from her and Jelly never loved again. None of the kittens are Jelly’s, though she’s sort of the nanny to all of them. Griz also had some sort of affair with Tugger and broke his heart, which is why he doesn’t do commitment. Then, Griz ran off with Macavity, got dumped for Bombalurina, and then she got dumped for Demeter who decided that Macavity was bad news pretty early on and ditched him. The relationship was abusive, but no one mentioned a kidnapping. After leaving Macavity, Griz was no longer welcome in the tribe, even though Bomba and Demeter were because Reasons. Forgetting that these characters are not human, she then got addicted to drugs, was driven to prostitution to support her drug habit, had a bunch of kids, and then left those kids to be raised by Jenny, who resents her for it. Nobody says which kittens are Grizabella’s. Portions of this backstory were used in the 2019 movie.

Also, I can say that some of the characterization issues with Tugger were, in fact, a direct result of the choreography changes. Tyler Hanes wanted to play up the sexuality of the character in a way that the new choreography didn’t allow. If Gillian Lynne’s choreography had been used for the number, Tugger’s characterization probably would’ve turned out very different, but the changes meant that what Hanes knew about the character, and how the audience perceived the character, were altered by the new choreography putting emphasis on vanity instead of sexuality.

So, that’s the story so far. Compared to at least one early production, the Broadway Revival was rushed and poorly thought out. The actors were given little information and left to fend for themselves, and they prioritized their bonds with their irl friends over what made sense for their characters. Interviews of cast members from both the revival and the following tour reference Andy Blankenbuehler as the one who had all the information, who the cast looked to for instructions. But, he had no idea what he was doing and couldn’t really help them.

Most of the problems can be traced to Blankenbuehler not knowing what he was doing and never really figuring it out. Though, some blame has to be placed on the cast who, left to their own devices, had a lot of bad ideas. Hanes and Ford in particular, though it was good that someone was trying to take charge, created a bit of a mess. None of Jellylorum’s character resembles any other Jellylorum characterization I’ve ever seen, and it doesn’t even come across clearly on stage. The young cast all seemed to struggle with the idea of playing older characters and nobody told them that they couldn’t age them down. The generation gap between Tugger and Jenny and Jelly is character information that’s now completely lost on the audience. You need older characters disapproving of Tugger to show that he’s a controversial figure to the tribe, not just an annoyance to Munkustrap.

But, some of the worst characterization problems were not entirely the fault of the cast. As I mentioned before, Tugger’s characterization was changed by the choreography. Grizabella had already been aged down by her redesign. Since Demeter’s kidnapping backstory wasn’t explained, this affected how Demeter was portrayed. Her sympathy for Grizabella came from having been on that side of town as Macavity’s prisoner and seeing the condition she was in. Without that backstory, Kim Faure may have not known that Demeter was supposed to have sympathy for Grizabella and interpreted her part differently. This was the result of unclear direction.

What We’ve Learned Today:

1. In the 1980s, Mistoffelees was, in fact, played as older than Jacob Brent played him in the VHS.

2. Munkustrap and Tugger (and not Mistoffelees) have pretty much always been the sons of Old Deuteronomy.

3. The backstory Jacob Brent gave for Demeter was the standard backstory for the character well before the VHS was filmed.

4. Mungojerrie and Rumpleteazer were considered twins in the 1980s and most likely continued to be seen as such until the revival era, though I haven’t exactly checked in with every single production.

5. The Broadway Revival was a behind the scenes and nightmare and it’s mostly Blankenbuehler’s fault.

6. Gillian Lynne wrote Cats. Andrew Lloyd Webber wrote a concept album.

7. There are no middle-aged cats in the 2016 revival. I think Sara Jean Ford started it.

8. The idea that Grizabella’s backstory involved Macavity started with the 2016 cast improvising.

9. Kim Faure’s Demeter was most likely OOC due to a removal or lack of explanation of backstory.

10. Sometimes it’s okay to do things the same way they’ve been done before.

#cats tour iii #cats 2016 #andy blankenbuehler is bad at cats #i hate being mean to the 2016 cast #but theatre is a team sport #and most mistakes are made by the team #rum tum tugger #tyler hanes #who i like but also blame #sara jean ford #who is in the same boat as hanes #though i'm admittedly very picky about jellylorum portrayals #kim faure #she tried her best #but basically #gillian lynne #was what made cats a hit #and nobody knows what they're doing without her

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ladyyatexel · 3 years ago

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I Went On A Manga Binge

So you don't have to

For those of you who have wisely avoided the shreds of it I've left around the blog thus-far, I had some weird notion to go re-experience Yu-Gi-Oh uuuuuh a week ago? We'll go with that. Time is meaningless.

I'd been able to read a good portion of the early manga at the end of highschool, and somewhere in my stacks and stacks of paper is fanart from this dark time, so you know I cared. I also still own a Dark Magician action figure somehow, so. I'd also watched a large portion of the anime with my brother because it had been laced with some kind of crack and we couldn't look away? I remember when we both were just like shit, wait, don't change the channel, I can't stop looking at it. And the next thing we knew we were waiting for new episodes and I was doing research on the Japanese original because I was that kid.

Anyway, unnecessary backstory out of the way, here are some... let's call them Observations and Consequences of having read somewhere in the neighborhood of 300 chapters (and growing) of a manga primarily hinged on card games from a spectrum of sources ranging from boringly lawful to sketchy as fuck.

Surprise actual character that develops in typical shounen fashion being Jounouchi. My limited experiences with the 4Kids dub and only early manga had not painted him in a particularly good light. I don't know if episodes were being aired out of order or if I had just missed the ones that established that he was making shit up as he was going along, but Wow I liked him a lot more going through the manga than I ever did watching the (dubbed, heavily edited and censored and thrown into a slurry machine) anime. I'd managed to come out with the impression that he was just as reasonably experienced with the game as Yugi back in the day. Wild.

I'm now reading every single comic-style post on Tumblr backwards.

Striking inverse to first point, wow, I don't like Seto Kaiba. Though he gets points for his general philosophy of the future, and the line I read in my sketchy online combo of scans and scanlations in which he said, "If God is in your way, you run him down," was Metal As Fuck. I somewhat shame-facedly admit to enjoying him a lot more as an Abridged Series character. (I watched Abridged as it came out back in the day! The experience of watching the anime with my brother had been so fresh that I got all the in jokes about the way things were edited and dubbed, it was great. Series remains influential part of my life to this day, which is hella weird.)

I almost understand how Duel Monsters works now. I don't want this.

That said, wow a lot of the decisions made in the anime made everything a lot more ridiculous than the admittedly already ridiculous original. I got the distinct feeling in the manga that the Duelist Kingdom stuff we were seeing was designed to be used and exploited in ways that don't make sense in an actual cardgame just played on a table like a normal person and this was part of testing everyone to think higher, differently. Maybe this is obvious to everyone already, I don't know. I had always liked that it was very, 'Not so fast, I'm going to blow up the moon to change the tides,' but I'm not really sure the anime gave enough explanation that this was an extra layer added to things for that event? You can see people actively getting used to it in the books, and people who aren't considering the real or 3D nature of it getting owned, but my memory of anime version is everyone just like, 'oh, shucks, fuck me, I forgot to consider the phase of the moon before i played this card, can't believe I forgot.' No one calls Yugi on any of this stuff because it's valid play in that situation. Plus Yami Yugi had mad trickster energy in the beginning and it suited him to think of ways to do things inside these little simulation boxes the way it suited him to set perverts on fire. I imagine the real card game trying to emulate this element as something that would be to its detriment, but I neither know nor particular care haha

Ryou Bakura.

Really, though. I think he became kind of casualty of 'wow, we have a lot of characters who really aren't able to do anything in this story anymore,' despite the fact that his whole inner life could have been as interesting as Yugi's. I always like thinking about the possibilities of stories in which main character falls into magical world and is given magical item and told they're the hero and then they find out they've been the bad guy the whole time. The first several volumes of manga were about the quiet weirdo kid that no one talked to who was always blacking out and turning into a fucked up version of himsef because he was so attached to his ancient Egyptian jewelry, so like, Bakura could have much the same shit going on. I want to know what's happening with him so much. He clearly doesn't love being possessed, but he's also so drawn to the ring. Despite it having stabbed him at least twice and him knowing it's a danger to him and his friends, he keeps being pulled back into it. You see so much more of him being like, 'Oooh, a creepy thing, I love that! :D' in the manga than ever in the anime, which I'm all about. Also more blood. I'm very about that as well. Though my memory of the anime also made it look very much like normal regular daily Bakura was just a weird facade in places before he ever would have been. I think that was it trying to compensate for what people didn't see from the Toei anime, but okay whatever, that I love everything about this guy is not news, I don't need to talk about Bakura excessively here, I'm pretty sure that's gonna show up on my blog by itself

On a related note though, damn, more of these people need to talk to each other. Can we have some existential crisis support clubs or something. Can we get like some apologies or something? "I respect you as a duelist." "Cool, but you literally built a tower designed to specifically assassinate me and my friends? You were supposed to get Better after I retaliated by putting you in a coma, but you kinda didn't." "Why would the coma have made it better" "I just told you it didn't" ---- "Sorry I went along with the plan of your evil parasite stabbing you, misled you, and then also jumped in and took up some real estate in your head too." "I understand, I also have an evil thing inside me that does things while I'm blacked out." "...no, I was conscious for all of that." "Oh." "..." "..." "..." "Do you like Ouija Boards?" "sure okay" ETC. Like damn we are reading shounen manga because no one is talking extensively about their feelings here and I'm tapping my foot angrily.

Holy shit there are so many mythologies happening at once. The ancient family guarding the Egyptian Pharaoh has a surname that's a Mesopotamian goddess. None of the god cards make any Egyptian sense except Ra, and just like. Baaarrrrely. Somewhere either Evil Ring Bakura or Mar/lik makes a reference to cremation and spirits being taken to heaven with smoke which several things, but definitely not Ancient Egyptian. Marik/Malik meanwhile is clearly trying to head Arabic, along with Rishid, but then, hey, our sister is just Isis. Goddess McGoddess. Sometimes they're the same goddess! Her name could be Isis Isis or Ishtar Ishtar. Meanwhile, all the obviously 'occult because Christians think it is freaky' stuff. ~ancient egyptian pentagrams~~~This isn't a complaint, I guess so much as a 'Wow, I can kind of see the cultural spot the author was coming from and where he was aiming' kind of thing.

Wonder where things would have gone if the card games had not been latched onto the way they were.

Managed to forget how gross the pre-cardgames stuff was on the sexual harassment front. I'm glad there was a sort of explanation of everyone drifting away from being dick heads and that that decision was made. It got way more comfortable to read after no one was bringing Yugi p*rn on VHS.

Yugi looks better with a nose, glad we got that upgrade.

Interesting to watch the series style shift as it goes away from being horror to being over the top cardgames and friendship (with blood!). The first picture of Mokuba is fucking Jarring. Also noticed that the nicer a character is, the less their teeth are defined.

Glad manga did not go as completely off the fucking the rails about Marik's face. I never got as far as seeing him back in the day because college occurred, but I remember seeing pictures and stuff and being like, "what in the Fuck happened to that dude, I think the house style has collapsed in on itself"

Things the author Really Likes: motorcycles, belts, SHOES, holy shit the shoes. These are some of the most lovingly rendered sneakers I've ever seen. All the detail on his characters goes straight to their feet and then it's stretched upward until it forms stiff peaks. Gently fold in 3000 years of trauma and bake face down in a crumb coat of scattered mythology. Remove when you roll two zeros.

Where the fuck am I going to put the extremely large omnibus volumes of this comic I purchased in order to balance out how much I would be reading for free on the internet. I should have grasped that a three in one edition would be Thick and yet somehow I was still :O when it arrived. Have I strategically purchased volumes that contain my favorite parts, maybe, what's it to you will i eventually get the whole thing because incomplete book series gnaw on my soul? yes

Wish the transition from "I've murdered several people in delightfully karmic ways" to "all you need is friendship in your heart and cards in your hand" Yami Yugi/Pharaoh had been discussed more/transitioned better. Buddy, where did you get this approved for television high horse? Please go back to strangling people with yo-yos or at least tell me why you stopped.

I still can't tell anything that looks like a big robotic monster apart from any other big robotic monster. My dude, I can't tell cars apart, all these monsters look the same.

Yami Yugi fascinated me way more in highschool? Maybe because it was still super early and the anime was like 'we need to torture you about his origins WeEkLy. Now I'm just like 'wait hold on, can we go back to Bakura and Marik for a minute, there's some extreme unpacking to do here?' Those two are paying so much more in baggage fees here my guy wow

Violently uninterested in any of the spinoff media

#yugioh #yu gi oh #ygo #there you go i can't imagine any other way you would decide was necessary to tag this #perhaps now that i have thrown this up i can #something #i don't know how i was going to finish that sentence #shut up lady

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galloperthompson · 3 years ago

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Regarding Galloper Thompson’s clothes

Including his (slutty, thigh high) boots

It’s been brought to my attention that galloper’s slutty thigh high boots actually look like ankle boots with the thigh high part tucked into the boot. So I’ve decided to go beyond my jokes about him being a slut anyways and make this post going over his clothes. And buckle up folks, it gets long.

I’ll be honest, it’s pretty difficult to find details about 13th century (and 12th century) Scandinavian life specifically, especially since I’m using google. For this post, I have just used general European fashion, but in the future I’ll be mixing viking things with general European things from this time (but I’ll mostly try to keep the general European things to German and English/Irish stuff). I’ll also be referencing things from both the 13th century and the 12th century, since galloper “lived” during the early 13th century (and every website seems to think the 13th century started in 1250).

But anyways, an English knight from the mid 13th century apparently wore something like this on his bottom half (underneath other layers):

Now as you can see in this terrible quality picture (sorry about that, but I did try to label it), the hose are thigh high just like galloper’s leg coverings, which is what gave me the idea that maybe it’s hose he’s wearing. So let’s begin.

I would explain the whole system they used, but this does it better than I could (you only need to read until it starts talking about chausses since we’re only talking about the hose). The linked text is a bit weird and may (or may not) be unreliable, but it’s compact, explains things well, and has pictures (it’s where I got that *stunning* photo I labeled). However, keep in mind that it depicts a mid 13th century English knight, and galloper is from early 13th century Scandinavia, so while there may be similarities, there’s also definitely differences in how he would’ve dressed. Braies were apparently longer in the first half of the 13th century, for one, and didn’t really become “underwear” for everyone until the second half and later. Hose were also referred to as stockings, and apparently hose and stockings didn’t really refer to different things until later on. Additionally, clothing differed between class, but we’re not going to go over that today.

So how does this relate to galloper? Well his lower half actually sort of resembles the picture above, doesn’t it? His “hose” are thigh high, with ankle high shoes over them, just like the picture. Despite the similarities, though, there are differences. His “hose” aren’t pointed, and so there are no ties for them. Apparently, hose didn’t have to be pointed, and those thigh high hose that weren’t pointed were held up with pins.. but there are no pins to hold them up either. Without one of these mechanisms to hold up the hose, they would not stay in place. And considering we can see where the thigh high part ends, we should also be able to see at least part of what’s holding them up. The thigh high part could also theoretically be “leg bandages” that extend above the knee. However, his “hose” don’t look like wrapped or crisscrossed cloth, they look solid, so leg bandages are unlikely.

Now, I wanted to present hose as an explanation based (somewhat) in history, but I don’t actually think he’s wearing hose. We’ll go over why later in this post, but let’s keep going for now.

On to his tunic and coat. Well I say tunic, really it isn’t a tunic by medieval standards. Back in the 13th century, tunics didn’t have buttons—at least not on the front. And his coat.. well it’s not something you’d find in the 13th century. Longer coverings, down to the knee or lower, were the style then. Shorter coverings with buttons down the front didn’t appear until the 14th century in the form of things like doublets. Those “things” were usually very padded and form-fitting, however, and neither galloper’s shirt or coat seem to be padded or exceedingly form-fitting at all.

The history of gloves (in everyday wear, at least) is surprisingly complex, so I won’t be touching his gloves. I’m also ignoring his belt because I don’t have much to say on it, but they did have leather belts with “single-looped” buckles (whatever that means) in the 12th and 13th centuries.

Moving on to his cape. Ah yes, his tattered little cape (which matches his mare’s tattered little saddle blanket!). Who knows why the fuck he wears it. There doesn’t seem to be a hood (like the medieval chaperon) or a part that comes around to cover the shoulders, and it’s too short to be a cloak. My best guess is that it was a design choice based on the fact that such a short cape doesn’t need a fluttering animation. Why not axe (lol) the whole idea of a cape? Well, all the coolest characters have capes!

His weird ass shoulder pad I can’t come up with an explanation for, though (or at least a medieval one). If he had a neck, the shoulder pad would be digging into it based on the position. Maybe it’s supposed to be like those shoulder pads with tassels on some formal military uniforms (technically “epaulettes” with “fringe”)? Except instead of tassels it’s feather looking things and also there’s only one shoulder pad for some reason?

All of this is to say that none of what he’s wearing can realistically pass for 13th century clothing, except maybe his lower half, and that’s still stretching it.

His entire outfit actually most resembles military uniforms from the 18th and early 19th centuries, as @inkowl13 pointed out in this post. When he floats, you can even clearly see his tattered coattails, which are his trademark green on the underside. In the case of 18th century garb, his shirt would be a waistcoat (he doesn’t seem to be wearing an 18th century shirt underneath his “waistcoat” at all, but maybe we just can’t see it or distinguish it from his “waistcoat”), and his jacket-thing would be a uniformed soldier’s coat. His lower half would be breeches with either a. ankle boots and over-the-knee stockings, b. ankle boots and thigh high gaiters (those things with buttons that go over the top of the shoe), or c. thigh high boots, which appeared as riding boots in the 15th century and remained common until the 19th century—including in military uniforms (in fact, some cavalry units today still use them in their ceremonial dress uniforms). His shoulder pad would, in fact, be a strange attempt at an epaulet/epaulette (which were used in the 18th century (and beyond) to denote rank) with fringe the color of his trademark green. The fact that there’s only one also makes sense within this period; whether the epaulet/epaulette was on the right, left, or both shoulders indicated rank (Galloper’s “epaulet/epaulette” is on his right shoulder, our left). The issue of glove history is also eliminated since it seems military uniforms in the 1700s made use of gloves. Men’s capes/cloaks at this time went to the knee or below it, so my explanation for his cape is unchanged. Through this lens, things start to become clear.

This is a mannequin (is that what you call the fake models of historical clothing? does mannequin apply in this context?) wearing an 18th century cavalry uniform:

As you can see, he looks incredibly similar to galloper, despite the many differences.

And these are two sets of 18th century soldiers (again, sorry for the less than ideal quality):

On the left there’s a pair of soldiers with over-the-knee boots and on the right there’s a pair with over-the-knee gaiters (see how they go over their shoes). Thigh high boots would make more sense for a horseman, but thigh high gaiters would explain some things about his lower half, like how his boots and the thigh high part are different colors. However, there are no buttons on the sides (like gaiters have) or garters at the knee (like both stockings and gaiters had), and the thigh high part is tucked into the shoe, more like stockings rather than gaiters. In these pictures you can also see how his upper half looks incredibly similar to all four soldiers, again, even with the differences.

Now, unless galloper was keeping up with fashion until the 18th century when he stopped (he gave up I guess? said “fuck that shit” and hasn’t changed clothes for the past 300 years?), he shouldn’t be wearing an 18th century military uniform. Especially since he was shown wearing the same clothes in his execution scene (which I don’t put too much stake in considering the Jarl was in his ghost form and even the soul riders don’t have 2 sets of clothes in game).

So why does he look like this, then? The reason why he looks like a revolutionary war soldier can be traced back to the inspiration used for his design. According to Jorvikipedia, his “...design takes direct inspiration from author Washington Irving’s Headless Horseman from The Legend of Sleepy Hollow...” which explains why he looks the way he does. Jorvikipedia has been wrong before (they list his place of birth as “Jorvik (presumably)” which doesn’t fit with his backstory), but if Galloper’s design was based on the headless horseman of “The Legend of Sleepy Hollow” (which it very likely was), it would provide justification for the 18th century look of his clothes. Washington Irving’s horseman was, after all, (alleged to be) killed during the revolutionary war in the 18th century.

It’s obvious his upper half is based on 18th century uniform, but the intention behind his lower half remains a mystery. Whether it’s meant to be stockings, gaiters, or boots, I don’t know. Theoretically, his lower half could even have been intended to be hose, braies, and shoes. But considering his entire look and the inspiration behind his design, an 18th century explanation seems more likely (I just don’t know which 18th century explanation, exactly). It would be pretty strange if half of him was medieval and the other half was from the revolutionary war era. Though, I’ll admit, it’s not completely impossible.

My theory for the contradiction between his design and his backstory is that his backstory came after his design. The 18th century look of him, along with his inspiration, and the lack of medieval elements in his design all make a compelling case for this theory. The only thing I can think of that may disprove it is his mare’s y-shaped bridle, but even that could be explained if she was designed after galloper, while his backstory was in its first stages of development (I’ll probably do another post on his horse’s tack, since this post is already long, but that’s for another day). But that’s just a theory; the star stable team could very well have just not done any research on 13th century attire, instead modeling his look on depictions of Irving’s headless horseman and adding the bridle as an indication of the origin they had already established for him.

Ok, but what about the rest? The other parts of his and his mare’s designs (color scheme, hanging pumpkin jack-o-lanterns) can be attributed to the fact that he is the halloween event character. Though his color scheme could be inspired by the headless horseman in World of Warcraft, who was introduced in 2007 (I found out about this horseman while looking into other possible inspirations for galloper’s design), all the colors seen on him and his mare (black, green, red, orange) are general Halloween colors. The hanging jack-o-lanterns are not historically accurate for the Middle Ages (or the revolutionary war era, actually) as pumpkins were not introduced into Europe until Columbus “discovered” the Americas, and did not become commonly carved into jack-o-lanterns until the 19th century in America -which was when and where “The Legend of Sleepy Hollow” was published (though the pumpkin “head” was not even carved in the original story). I suppose galloper could have developed an affinity for pumpkins (and for carving them) later on (Jorvik seems to have a lot of them), but it’s more likely that they added them (to the keep and his mare’s design) based on modern halloween practices instead of historical halloweens or consideration of galloper’s feelings on pumpkins.

Ok, so we’ve established he’s not historically accurate for the 13th century, but what would his clothes look like if they were actually historically accurate? The answer is: I don’t know! Maybe I’ll do another google deep dive and make a post on that, but for now we’ve come to the end.

All of my information about historical clothing came from sorting out google results, so take the historical bits with a hefty grain of salt (more like a bowl of salt actually). If you have any actual knowledge about history, please feel free to correct me.

#i am planning on doing more of these little deep dives into what life was like back then #a large chunk of this post is a bit of a mess but oh well #sso #star stable #star stable online #galloper thompson #gunnar thrymson #tagging this #googling history #separate from the ‘me overthinking’ tag

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athena-is-a-chaotic-lil-shit · 4 years ago

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Getting back at writing, is, well, hard. My grammar and vocabulary and basically everything is messed up so I apologize in advance for that. It's been, almost a year ever since my last written fic. That time I was still crazy with Kimetsu no Yaiba and the KyoTan ship. I'll post it some other time ^^.

Anyways, I present to you my attempt in making a plotted work from a random thought that came over me this morning.

Pairing: Tai'chi Kashharzol (Orc) x Pearl Blackbell (Human OC/Reader)

Warnings: Basically none. Except for some curse words.

UD 01/10/21: Cleaned and revised some parts! Tried my best, hope it was enough.

•

Of Ice and Blood

Part 1

Quick backstory and some details I left out in the main work.

It was in summer, 28th of July, when Pearl Blackbell turned 19. She left her home and moved closer to the university she’ll be going to. She rented an apartment about five blocks from the school. Albeit small, it was cozy and proper, having what she needed: a kitchen, a decent-sized bedroom, a small living area with a worn but comfy couch, and a bathroom.

When she was younger, her parents started training her in martial arts and the use self-defense weapons. They needed to make sure she knew how to protect herself against assaulters and dangerous people, she was after all, their only child and baby girl . They want their daughter to be strong, both inside and outside, by the time she sets out on her own and leaves home.

Her favorite self-defense weapon was brass knuckles, despite her parents’ protests. She enjoys punching nasty people and feel the crunch of their bones beneath her fists, especially racists, sexists, bullies, and the lot. The main reason why she got into detention multiple times.

Painting it with a ruddy color, she keeps it in her person, no matter where she goes. She has two, one is for extreme situations, while the other has only two knuckles. It stills maximizes the damage dealt but it is relatively less dangerous than the full dusters. The second one is usually a spare, though she rarely uses it.

She also occasionally carries a pair of retractable nunchucks, which she designed to be hidden within her regular baggy clothes. Her father had trained her vigorously with them and she even bested him in a match before she left for the city.

Selkoth, the city of marvels.

Distant sounds of buzzing cars reached my ears as I opened my eyes and blinked away the sleepiness, the light shining from the spaces in my curtains rather helping, together with the warmth it brought to my chilled tawny skin.

[Start of the actual work]

I fully woke up as I registered the sound of my phone alarm, shortly getting up to prepare when I realized what day it was.

Monday, the first day of my college life.

I stepped into the bathroom and took a quick shower, knowing I bathed thoroughly last night to save some time today.

Time management is key.

I dried myself down, turned to my closet and started putting on the outfit I picked out the night before.

Prioritizing comfortability over appearance, I wore my favorite orange cotton shirt, my blackish-blue hoodie (that had been stained with blood some time ago, but don’t worry, I know how to clean out blood. Mama raised no fool.) over it, together with a pair of black skinny jeans. And of course, tight black sports bra and boxers, even mentioning my underwear yes?

I looked over to my mirror and it was—

Simple. And I loved it. The more simple it is the better.

'“Keep a low profile over there, sweetie. Don’t get into fights when you can help it okay??? We already taught you and prepared you to the best of our abilities. Promise to us that you’ll stay safe, and healthy. Okay? And don’t forget to call sometime.”' I sighed, remembering my mother’s words.

"Yes mama, I will.”

With a smile, I did my hair and went for a tight Dutch braid, it going down between my shoulder blades and ending a little above my waist. I ran to my kitchen to eat breakfast, satisfied with my look.

I eat fast okay

Backpack, check. White sneakers, check. Phone and keys, check. Airpods on, playlist shuffled, I bolted out of my apartment and jogged all 50 blocks to school.

Exercise is always important, and what other way to utilize time for exercising than to do it while heading to your destination, right?

I snickered.

As I made my way to the university, I saw bizarre creatures and monsters of different sizes, coexisting, and interacting with humans. Even so, I noticed other people’s disdain and bitterness towards them when I passed by. My nose is awfully sensitive to scents that sometimes the ones their body releases tells me what they feel at the moment. It’s all science, I guess. I was made extra susceptible to these, so I wear a mask everywhere and every time I go out just to partly block most of the smells.

My first day at a university open to everyone across the country gets my blood pumping with excitement. To think that I’m going to study at Ernestine State University, the Ernestine State University!

I first heard about the uni back when I was a child. News broke out about Victor Ernestine, committing suicide by driving his car off a cliff because he couldn’t accept that his daughter was one of the major leaders who made the unity of all people, of all races, possible.

Dramatic.

Months after Mr. Ernestine died, all his properties and riches were passed down to her daughter, who took over as the new founder of the university and rebuilt it to accommodate everyone, no matter the size and shape.

The strictly all-human school, renovated, reshaped, and repurposed, was now the first university to open its gates to everyone in the country of Yundomia.

I’ve always yearned to get to know other species in this world. I didn’t get the chance previously because my parents sent me to an all-human, local high school. Which sucks. I hated how everyone had a certain hatred for the other races, especially orcs. They keep talking about how they are wild beasts and savages that aren’t meant to be in society.

They treated them like animals that are void of emotions and intelligence.

Come to think of it, I mostly fought with humans who were either racist, bullies, bastards trying to hit on me, or a mix of all of them together.

I chuckled, remembering how many times I got counseled on not punching people in the face.

High school was pure torture, being a human-exclusive campus making it worse, considering how everybody smells so horrible and the principal was an egoistic dumbass I was a hair away from gutting him. My poor nose.

But now I’m done with that! I’m starting anew in this school, in this city. Perhaps make some friends along the way.

Which is kinda problematic.

I’m not the social type. I tend to keep things to myself and hardly open up to anybody. I wanna make at least one friend that isn’t human! Or just, one good friend. I didn’t have or made any friends in the past since people tend to shun me out just because I can tell how they are feeling and find it creepy.

Or they’re afraid to get punched in the face.

Entering the campus gates was like stepping into another world. I was met with the sight of humans and monsters walking together and conversing! It was nice, and I don’t get to see this much often.

I walked around and took in the landscape of the campus. It was huge! And beautifully designed to have a great number of trees and plants, while also having space more than enough to accommodate every student going to their respective classrooms.

I was minding my own business and it was all serene, until some bastards pushed past through me and knocking me to the side. I stumbled but didn’t fall. I was gonna say something, but I shut my mouth. I didn’t want to cause any trouble on the first day for goodness’ sake. So I brushed it off and went straight to the gym for the orientation.

*************************************

The orientation was, intriguing. The dean seems nice, though I couldn't smell him from where I sat. There's also a student council made up of both humans and monsters which is a good sign. The student council president was a Minotaur with a dark brown coat and horns curving front and pointing up. The vice-president was a male student who looked decent enough. The secretary was an elf. The treasurer, a dwarf. And the rest were humans. I couldn't scent any of them to tell me what they were feeling at the moment, but the Minotaur looked uncomfortable, his hands behind his back, body going stiff when they were introduced to the freshmen. There was a larger numbr of humans than monsters, which was expected. I also noticed how both were grouped, a white line in the middle of the gym separating us from them.

Maybe to avoid any misunderstandings?

We were informed that today will be for introductions to your classmates and subject teachers so there will be no lessons at all. Hooray!

I was walking to my first classroom when a damned familiar smell attacked my nose. I stopped to stand for a moment and adjusted my mask. I looked around to spot the one emitting it and of course, saw a human. He looked, well, the typical playboy cool boy who used too much body spray on himself.

Not wanting to stand there like an idiot and prolong my suffering, I speed walk to my classroom and planned to sit at the back hoping no one would notice or ask why I’m wearing a mask.

That's always what they ask first. Not my name or how I was doing.

I expected to find no one inside since it was still early, but I was startled to see a massive orc sitting at the back looking out at the window. He was wearing a dark gray knitted sweater that was hugging his hulking frame very…well. Along with what looked like thick cargo pants and black boots.

He turned to look at me when I let out a small yelp, greeting me with his piercing, blue eyes.

Beautiful.

The orc had long, braided, jet-black locks. Two of them had distinct beads that trailed down from the side of his face and down to his chest, the rest of his hair behind him braided with intricacy and tied and ended halfway down his back.

I was pushed out of my trance when a person entered and crashed into me, swearing under my breath that it was intentional, nearly making me plant face-first on the trash bins if I hadn’t changed my footing at the last moment.

“Watch it, bitch, you’re gonna ruin my make-up,” she snapped.

Wow. She dared to call me that and not apologize like I’m the one who shoved her. Just wow. Usually at this point, I would have planted her face on the floor, but I stopped myself.

Low profile! Low profile Pearl! You’re in college now! You definitely don’t want to get suspended on the first fucking day of class now do you?? Keep it together.

Straightening up, I walked towards the back and sat beside the orc. Whose gaze fell on me, curious, when I wasn’t looking.

I made myself settled in my seat before the professor came in.

There were other races in my class. A blue tiefling sat three rows in front, wearing a casual outfit. A black-haired elf who looked and dressed clever, a row away. A cute pink pixie on my far right. A satyr wearing glasses, two seats in front of me, and a female lizardfolk a seat from of the pixie.

"Are you...alright?"

I almost jumped from my seat when the orc beside me spoke. I couldn’t help but admire how deep his voice was. I tried not to appear flustered, my mask helped with that.

“Uh…yes?”

The orc regarded me for a second before continuing.

“You were pushed earlier.”

Oh. He saw that?

“Oh, yeah, I’m okay.” I smiled at him. Then I remembered he can’t see my face. But I hoped the crinkling of my eyes gave it away.

“I’m Pearl, by the way.” I reached out my hand to him, socializing not my best suit but at least I tried.

He paused for a second before taking it into his bigger one, engulfing mine and shook it slowly. I was again, surprised by how gentle he was.

“Tai'chi.”

Interesting.

“Nice to meet you, Tai'chi.”

He lets go of my hand when the professor started talking up front.

“Nice to meet you too, Pearl."

***************************************

Thoughts? I am wide open for constructive criticism :D

Part 2 Part 3 Part 4 Part 5 Part 6

Check pinned post for latest chapter updates💕

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still-a-morosexual-help · 3 years ago

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OBEY ME! LESSON 46 DETAILED SUMMARY + THEORIES

This lesson’s got two locked chapters that I can’t unlock :’)

D takes them to the casino where they meet Mammon in the Lamp event outfit. When he laughs and tells them that they must have forgotten who he is if they think they can take the money MC ignores all of this to ask him wtf he’s wearing. Mammon blushes and tells them that they have no right to criticize what he’s wearing considering what they’re wearing. Then he says also Lucifer wtf happened to you!? He laughs and teases Lucifer about getting shrunk and how he could accidentally step on him and kill him rn or how Beel might eat him as a snack. I saw someone say that Mammon was a little shit who was also BabyTM and like Yess!??? I love when we get to see more of the asshole side of him specially when we already know how soft he is. Man’s an onion :’) Beel says he wouldn’t do that unless Lucifer hid inside a piece of cake and Beel swallowed him whole without realising. Lucifer, off screen: “You’d better realise I was there!” And Like??? That’s the point Lucifer wants to argue? Not the fact that he wouldn’t hide inside a cake? Mammon says whatever and that he’ll take Lucifer from them so he can have fun with his new toy anyway RIP to Mammon who dies after this lesson. “Mammon, Avatar of Greed, Appears”- gonna have Pokemon Battles from now on, I can’t believe this what this dating sim has evolved into :D Mammon uses wind to lift Lucifer up and bring him towards him. MC has a flashback to the previous night and commands Beel who transforms into a demon and whose body starts moving on its own, Beel then cancels out Mammon’s spell and uses a wind spell to send Mammon flying. Beel transforms back to his human form and is shocked by what happened. Solomon says MC did a good job commanding Beel though they weren’t able to draw out all his powers. They get the armour, which Beel thinks is too flashy but MC tells him it looks great which he is happy about. D tells them about a rumour of Satan attacking a town up north.

As they walk through the woods Lucifer talks about how much he’s gonna love beating the shit outta Mammon when he’s back to normal and waves MC off when they ask him to go easy on Mammon. Beel says that Lucifer used to be a lot nicer to Mammon in the celestial realm and how the two of them would team up to go argue with Raphael. Solomon asks if it was Diavolo who got Lucifer to change and what exactly Lucifer had to do to reach the status they now enjoy in the Devildom. Beel seems shocked at this and ask Lucifer if it’s true. He says he doesn’t remember. There’s growling & they’re suddenly surrounded by ghosts. Solomon: Oh yeah lol this is called the Black Phantom Forest. Everyone else: WHY the FUCK didn’t you say so before!? They run from the ghosts and set up camp beside a lake, MC & Beel talk. Beel says how they’ve all changed from their time in the Celestial Realm and he can’t remember when he stopped resisting the urge to constantly eat. But how somethings are still the same and how the brothers have always been together and how they always will be. He brings up the three things the butcher said to maintain a long relationship and how even though they may sometimes falter at the “respect each other” part when it comes down to it the brothers have all three things with each other (Not me sobbing like a baby. It’s the found family trope for me guys). Beel says how he doesn’t know if he’ll be able to fight Belphie if they meet him in the game and how he has so many people who he loves that he doesn’t know who to put first and that he knows many people would kill to have that kinda problem and that as both an angel and a demon he’s being lucky to have the people he loves. MC gets to hold his hand, lean on his shoulder or say nothing and guys I love Beel so much he’s just so pure god. Okay so theory part: I 100% believe (& it’s implied in canon and in the chats too) and the main reason Lucifer is so mean to Mammon now is because he’s scared if he doesn’t discipline him then Diavolo will and he’ll end up with another Lilith situation. That being said I NEED to know how Lucifer came across Mammon in the celestial realm and what he said to make Mammon so loyal to him. PLS om! Give me the boys backstory? I like to think Lucifer raised Mammon the same way Simeon is raising Luke and that’s why you can see some of Lucifer’s traits in Mammon whenever he becomes serious about something and why Mammon sometimes slips up and calls Lucifer “Dad” and why Lucifer becomes so happy about it. I also think the others would have been older than Mammon was when he first met Lucifer, when they eventually joined the family which is why they share far less traits with Lucifer and why (as far as we know) none of them have called Lucifer ‘dad”. If this is true it also brings up a real interesting dynamic between Satan and Mammon that would be useful when writing fics. You know a little deeply buried resentment and envy about Lucifer having been more of a father figure to Mammon than to the person who is technically his actual son, and since we know for a fact that right after arriving in the Devildom Lucifer starts going through an existential crisis and Mammon’s the one who steps up to look after the others I 100% believe Mammon’s the one who did most of the work in raising a newly created Satan and who taught him how to control his anger so well (cause lets be real it definitely couldn’t be any of the others) which also gives backstory to Satan’s “do you think Mammon’s actually the most decent of us” homescreen comment and more importantly adds spice to the relationship dynamic you can work with in fics.

When they wake up Beel is thankful that they didn’t get eaten. Solomon: not like you would have noticed with all the fun you had *wink wink* Lucifer: wtf Solomon:*WINK WINK* Me: bro they were just talking… they find out game time and real world time pass differently and come across a treasure chest in the middle of their path. Solomon: Lets open it! :D Lucifer: Expect that’s definitely a trap… Solomon: Exactly! Which is why we should open it! :D MC: Lets open it! :D Lucifer: Why is the entire human species so fucking stupid!? Why were you created without any self preservation!? Who approved this!? They find medicine, a warding bottle and cat ears. …They put Lucifer into the bottle and Lucifer’s really going through it in this huh. But opening the chest pulls up an inescapable battle with the final boss, and Satan pops up fully immersed in the villain role with an evil laugh and everything. Luci asks MC to use something from the chest and they use the cat ears and Lucifer’s disappointed when they actually work. But it only deals 222 damage to Satan’s 870k HP. Satan paralyses them all and steals bottled lucifer and calls Belphie to finish the others off. I can’t remember if I mentioned this before but how did the brothers know that Lucifer was gonna be mini before they even got home, it would’ve had to be quite a bit in advance for them to so perfectly set up everything… And you know Solomon was really determined to open that chest (I mean so was MC but the whole of season 1 was establishing that their curiosity was gonna get them killed) so…

MC tells Belphie they don’t want to fight him and Belphie says he doesn’t want to fight either but at the same time Satan agreed to give him mine lucifer for a whole day if he defeats them. Beel’s still reluctant and Belphie says Beel doesn’t have to worry cause Belphie isn’t the same small/weak person that Beel always had to protect (and holy shit I need more info on this too?). Beel eventually agrees and says that Belphie’s strong, he tells MC that they weren’t able to use his entire power against Mammon cause he was holding himself back unconsciously but that he was ready now. MC makes Beel do a bunch of wind attacks and they defeat Belphie who’s impressed. Beel says that the magic was actually MC doing it not him (even though he was the one that executed it). Belphie says he’ll join their party if MC promises him that he’ll be allowed to poke at mini luci. MC tells him there’s a damned line and he’ll have to wait his turn. Solomon wonders if MC should be going around giving the right to annoy lucifer to others but also he wants that right too. Even though Lucifer was kidnapped since he’s still in the bottle he’ll be protected so MC’s test is still ongoing. Odd that there was a bottle that would protect Lucifer should he get kidnapped in the chest that was a trap… look we all know Solomon is shady enough that he’s probably behind this right?

During dinner at a tavern the twins are sickeningly soft with each other and Solomon watches them with a smile. For the night the twins end up sharing a room with each other, with Mc and Solomon alone together. In the middle of the night MC wakes up to Solomon still up and looking sad. They ask him what’s up. He says despite how much they walked he still isn’t tired and that seeing the twins together made him lonely. Seeing how much they love and care and understand each other and how they were always together made him wish he had something similar but how when you didn’t age it was difficult to from lasting bonds like that in the human world. MC tells him that all of them care about him and he says he hopes so. Solomon: Lol just the two of us in a room in a game, wouldn’t it be crazy if we made out? MC can either kiss him or kinda stare awkwardly. If they choose the second he apologises for suddenly putting them on the spot and says he won’t try anything else. So this might be kinda an unpopular opinion and I’m genuinely really happy that the side characters are getting more screen time and development because I desperately needed that but I’m not really onboard the romancing option with them? I’m happy they’ve got their own cards now and I love the devilgram stories and romance options in them but I don’t think it makes sense in the context of the main storyline? Barbatos has almost no interaction with MC and though they haven’t shown it yet it’d be weird if he was suddenly into MC. Diavolo spent 2 whole seasons simping over Lucifer why is MC suddenly an option? Besides Diavolo always seems so lonely and I really want him and MC to be really good friends, I want Diavolo to have a friendship where there isn’t some condition that hangs over it like there is with his relationship with Barbatos and Lucifer. The same goes with Solomon. I just want him to have a good solid friendship where there isn’t expectations or power between them. He also initially only seems interested in MC for their power and as a way to train them and eventually genuinely softens up to them, Just the request to kiss seemed outta nowhere? I don’t know why but with Simeon he seems above crushes? I always imagine him seeing MC as another cute kid Lucifer picked up (despite MC being an adult) and having a sort of soft indulgent attitude towards them. I don’t know I think I just want MC to have some friends who aren’t trying to sleep with them.

Solomon is extremely chipper the next morning and Belphie grumpily makes a comment about him having fun and sdfjdvnsjdokd they just talked. Belphie uses his magic to teleport them to Satan’s castle and Beel asked why he couldn’t do that the previous night, Belphie says grumpily cause then Solomon would have missed out on the fun and Solomon agrees and THEY JUST TALKED!? Satan has managed to transform Lucifer into wolf Lucifer and is shaking his bottle hard enough to make Luci wanna puke while Lucifer asks him to stop. MC tells satan to stop and he tells them they won’t be able to defeat him cause they skipped right to the boss battle without taking the long route and levelling up. MC says they’re not gonna fight him cause this whole thing is fucking stupid. Satan says it’s not cause he’s having fun. MC gives him one of their free therapy sessions about how important the bonds between he and his brothers are and how they don’t care more about helping the brothers all get along than some stupid star. Beel comes out spitting facts, saying they all know that Satan actually cares about Lucifer and how that embarrasses him and how he needs to stop hiding it by lashing out. And how Lucifer needs to get his shit together and be honest with satan. That he needs to tell Satan that Lucifer knows he’s his own demon and a really good demon at that. Lucifer says FYI but I never said you weren’t your own great person and Satan blushes and says that unless he wants to look childish he has no option but to accept the olive branch. He tosses Luci to MC. Belphie complains about having stupid older brothers and Solomon says he’s disappointed in Satan and reveals himself as the true secret final boss and FUCK YEAH! I CALLED THAT SHIT! Kinda – I thought he might have just given them a heads up about Luci’s condition. On a different note, Satan needs serious therapy. They all do tbh.

Solomon congratulates MC on what they’ve done so far but says they still haven’t accessed Beel’s full potential and that he’ll give his ‘adorable apprentice’ one more shit at it. Solomon summons Asmo who complains about how long he was made to wait and how he nearly gave up and went to the spa and that no one likes a selfish man. Solomon tells Asmo that he can tell him all this after they get back to the real world and I genuinely want the backstory of how they met and just more about their relationship. At Solomon’s command Asmo uses charm and paralyses Beel and at MC’s Beel uses another wind attack. Asmo says he’s never seen beel do something of this calibre before and he seems more powerful, even more than he was in the celestial realm, Asmo yells at Solomon for just standing and seeming impressed instead of helping him. There’s a bright white light.

Back home with everything back to normal Beel, Lucifer and MC are hanging out by the pool. Lucifer is in an unexpectedly good mood and MC has earned a star, which glows slightly from its place on the symbol etched to the back of their hand. Inside Solomon is feeding the other brothers as punishment. Mammon is sobbing his heart out and Levi is out cold (possibly dead). Satan is given Levi’s remaining share of food and Asmo is in tears. Belphie had made a run for it the second they got home and is nowhere to be found. Solomon talks about how nice Lucifer actually is and how he really loves his brothers cause he just made Solomon make them dinner instead of punishing any of them…. Love that the canonical reason why none of these demons tell Solomon about his food and allow themselves to get tortured is cause they don’t wanna be rude and hurt his feelings. And he thought no one cared about him. If that isn’t love I dunno what is. Beel and MC take a walk while Lucifer sits by the pool and in his words basks in “their screams of agony” While blushing beel says he’s grateful for what happened and how that star is proof that they got closer. Mc can either thank him or say that the star belongs to him. I think they kiss after the second option? For the first Beel says MC’s the one who did the work of drawing out his power. Over the echoing screams from inside Beel asks if they feel like they forgot something and ndfjkfjkdjfefjkn THEY FORGOT DIAVOLO I’M!!!!???? poor baby

#my posts #my theories #obey me spoilers #obey me!#obey me #swd obey me #shall we date? obey me!#obey me shall we date

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maxwell-grant · 4 years ago

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You are your top 5 Shadow agents

I don’t talk about the Agents as much as I should, even though I constantly try to stress their importance, because I’m working on essays for them individually. To be honest, I think about the Agents practically every day to the point I have a hard time separating my headcanons from the actual canon material, but I have to stay true to it, and the lack of material regarding them means that the only way I can truly talk about their characterization is by diving deep into the novels and taking notes, which I don’t have much time to do, and then finding the right books or moments to talk about, which is even more difficult.

This by no means constitutes my big thinkpiece on them, but it’s a start, and ultimately narrowing it down was a lot harder than I expected. This order is by no means final, if you asked me this question next week or next month I’d probably have a different answer, but it’s the 5 that I find myself thinking on the most.

Honorable mentions: Jericho Druke and Myra Reldon, who are incredibly awesome characters conceptually and who have great moments each, and whom I definitely think deserve big turns on the spotlight if the Agents ever get put on the spotlight again, but are held back by issues with their presentation and lack of prominence. Margo Lane, whom only just narrowly missed the cut because, as much as I like her and think she gets an underseved bad rep and definitely has great things going for her, I sadly have to concede isn’t as consistently great or well-written as she should be. Clyde Burke, whom I definitely like a lot based on what I’ve read and consider an integral part of the line-up, but haven’t read enough of the novels he’s in to really solidify him as one of my favorites just yet. And Slade Farrow, who is a bit too complicated to talk about superficially.

Allright, so here they are

Number 5: Burbank

As the center of all communications within The Shadow’s network and the only character in the series who is even more mysterious and elusive than The Shadow himself, Burbank is fascinating and the kind of character who simultaneously seems to be both begging for an in-depth exploration and yet who also should be dead last on the list of mysteries about the series we want spoiled, because nobody wants the mystery ruined. He’s a bit of cipher personality-wise compared to the other agents, but he kind of has to be, and I think it helps to illustrate the many forms the agents of The Shadow can and should take, that one of them is this total mystery whom we know nothing about and yet is so vital to the whole thing. And it’s interesting also because, for all the many variations we’ve had on The Shadow’s life and thoughts and feelings and etc over the years, Burbank has stayed more or less the same. Whatever variations he’s had in design aside, Burbank just is.

The pulps did often have moments where we would get to see moments that told us a little more about Burbank, gestures he did, capabilities he had and didn’t have, little details Gibson would sprinkle in to keep people fascinated. Several scenes with Burbank are almost presented like you’re watching a movie, in the way Gibson keeps describing his face being mysteriously blocked from view by objects or lighting, like not even in your mind you are supposed to know what he is. And it’s all the more fascinating because, unlike The Shadow, as far as we know, Burbank is just some guy who’s good with tech, who was only recruited in the 2nd story but apparently knows The Shadow from before it, and whom The Shadow entrusted with virtually every secret necessary to keep his operations running.

It’s kind of a sign as to how utterly neglected the agents are that, to this day, few writers who’ve ever touched The Shadow has ever come close to giving us any sort of explanation or backstory or anything on Burbank, and I refuse to believe these people had that much self-control. Of course I have my own ideas for Burbank, but even I would hesitate to put them on a story, because Burbank epitomizes that double-edged sword that comes with a solid narrative mystery. Burbank just is, and hopefully he will stay that way.

Number 4: Dr Roy Tam

Mention of Dr. Tam meant much to Sayre. He was acquainted with Roy Tam, the Chinese physician. He knew that Tam was a power in Chinatown; one who worked for good

Unrolling a map, Tam showed the entire Manhattan area, studded with tiny dots in districts quite remote from Chinatown.

"These represent my outposts," he said soberly. "They are places, owned by Chinese - restaurants, laundries, curio shops, other places of business. In each of these places, I have a friend."

The Shadow understood. Dr. Tam was the motivating factor among the Chinese who adapted themselves to American ways. His mission was to create good will among races, to put an end to prejudice and superstition.

A newer and more sober spirit had replaced the old and dangerous festivities. Feuds in Chinatown were a thing of the forgotten past. Dr. Tam and his associates had done much to bring about the present sentiment; but there were persons - even among that group - who felt regret at the passing of old traditions.

Dr Tam is a remarkably layered character for one that only appears in about ten stories, and he’s one of the agents I’m most eager to discuss in-depth. He’s another one of those agents that Gibson introduced by tricking you into seeing him as a villain, as a Yellow Peril cliche, until he is revealed to be in fact a good man. Not just good, Roy Tam is presented as a powerful, influential and cunning Chinese man with a lot of assistants secretly working for him, and who is consistently presented as a progressive, pacifistic, benevolent civic leader and ally, even friend, of The Shadow.

Tam is very much westernized and the stories paint that mostly as a good thing, and this is one of the areas that I think could very much result in an interesting story that looks at the ramifications of his role, because of course not everyone is going to agree with his viewpoints, of course him being an advocate against superstition and tradition isn’t necessarily a good thing (and it’s not how Yat Soon, The Shadow’s other major Chinese ally, works, which puts the two at odds), and of course it’s a complicated situation, but the fact that Tam invites this kind of debate at all I think is something very interesting

Largely because of the movie, Dr Tam is one of the few agents of The Shadow who’s managed to sustain appearences in modern stories, and none of them have ever really went with his original angle as a powerful civic leader. Instead he’s been largely painted as either a scientist, like in the movie, a general practitioner, and a psychiatrist, and his age has been all over the board.

I prefer him in his original form but I also very much like the idea of Roy Tam being, like the Chinese supervillains he was created to be a subversion of, an incredible genius who’s got skills in all fields that can fit under the “Dr” part of his job and is also an incredibly capable leader able to unify splintered communities under a cause of unity and cooperation, someone who absolutely could be the adventuring genius so many other pulp heroes are, except he dedicates himself wholesale to his community and the fight against prejudice and the betterment of lives, even if he’s misguided or wrong at some of the causes he takes up. I really think this character could partake in really great stories if ever brought back.

Number 3: Cliff Marsland

(Fan-art by @cryptixcreations)

Cliff may have actually been the first agent I really fell in love with based on concept alone, even before I read the stories he was a part of and started loving all of the others. He’s one of the few agents who has prior history with The Shadow and we get ever so tantalizing hints at his background that we ultimately never get to learn about in full. He’s the resident tough guy and underworld contact of The Shadow, which in any other series might have made him the biggest badass and a loner action hero who’s too cool for things like thinking and relying on others for help. But here, trying to be that only gets Cliff into trouble, and circumstances gradually morph him into the series equivalent of a Team Dad.

He was one of the agents who we got to see develop as a character. As he appears more frequently past his introduction, he grows from a headstrong, careless jackass, mostly interested in the action parts of the job, who “resigned himself to an adventurous career with violent death as its inevitable termination”, into one of the most reliable and capable agents, taking the lead during action scenes but otherwise fully defering leadership to Harry, and being the agent most likely to partake in gunfights and rescue The Shadow out of trouble, joining in missions like infiltrating circuses or high-society clubs and forming very strong friendships with Harry, Clyde & Hawkeye, who almost kills a man with his bare hands when he thinks Harry’s been killed. He’s the hardass, square-jawed ex-con who plays the reputation of a brutal killer, and is in reality a great friend, ally and husband (Arline has sadly only been mentioned in three stories), on top of being an invaluable fighter and secret agent.

Cliff could have easily been the protagonist of a long-running series all his own and that’s one of my favorite aspects of The Shadow’s agents. They are people with agency, goals and dreams and relationships and lives beyond the roles they play, they all have strengths and weaknesses and faults and positives that bring them much closer to us than The Shadow could ever be, with no end to the variety of roles they can take, and Cliff in particular is a character I’m very attached to.

I do hope that he eventually found peace in a quiet life with Arline once his business with The Shadow was over.

Number 2: Harry Vincent

The Shadow as a franchise has been vastly worse off as a result of Harry Vincent being completely sidelined and mischaracterized in virtually every adaptation since, and the sheer love that Shadow fans hold for Harry purely may be the closest thing to a true universal opinion in the fandom.

Harry is a lot of things: the audience surrogate, the protagonist of much of the early stories, the leader of the agents in field duty, the dude in distress who gets kidnapped far more than even Margo, a hopeless romantic, an action hero, the one who gets sent to recruit agents because all The Shadow has to do is send Harry on an assignment and wait for him to come back with a new friend. He is a competent, resourceful, strong, extremely kind ball of sunshine who's got the potential for greatness, even if he can't see it.

And for this post I’m going to highlight this: Harry is, on top of all that, the ultimate embodiment of what The Shadow strives to protect, help and uplift. He is the living proof that The Shadow's mission has a good, positive effect in the world, long after criminals are brought to justice and plots are failed and victims are rescued, purely by the fact that he’s alive and helping others who were once like him. Someone who, despite having so much to offer, could have easily been swept away by the world’s callousness and cruelty, if The Shadow wasn’t there to rescue him and uplift him.

I liked The Shadow pretty much at first sight after seeing the character’s design and listening to episodes of the radio show, and my appreciation for the character grew after reading The Shadow’s Shadow, but it wasn’t until I encountered @oldschoolcrimefighters and her brilliantly informative writings on The Shadow and Harry that I not only fell in love with the series, but decided to do everything in my power to try and get other people to love it too and see the potential it has. I think a lot more people should at least be aware of why Harry matters.

Number 1: Moe Shrevnitz

I was honestly a bit surprised when I rounded up all of the agents to make this list and Shrevy here ended up in Number One, but in hindsight, it may have been obvious all along.

My reasonings as to why Shrevy is my favorite agent do get a bit too personal, especially because of something that happened to me as I was writing this post, so I’m putting it on a separate post here.

#the shadow #pulp heroes #pulp fiction #replies tag #harry vincent #moe shrevnitz #roy tam #cliff marsland #burbank

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bluemoonbeam15 · 3 years ago

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CTA: Hopper

CTA is short for Cognitive Task Analysis. It's essentially a method of unravelling the inner workings of a person's mind and seeing how their thoughts affect their actions.

I'm starting with Hopper -- obviously -- because he isn't given much, if any, backstory in the entire movie. His actions were written purposefully for the audience to not feel any remorse for his demise. If he had been given a backstory, there would probably be more people who could defend his actions, which isn't what the directors wanted.

However, just by analyzing his dialogue and actions -- no matter how small of screen-time -- we can get a rough sketch of his true personality.

I've spent the last hour completing the 16Personlaties test online and reading through the results. For those of you who aren't familiar with it, it's a website that has you go through a series of questions and by the end of it presents you with whichever personality type your responses most align with.

To the best of my ability, I have gone through each question and replayed Hopper's scenes in my mind to get a feel of how he would've answered them. The results showed him to be an ISTJ-A.

I = Introverted (52%)

S = Observant (95%)

T = Thinking (98%)

J = Judging (78%)

A = Assertive (69%)

I'll put a link to the website at the end of this post so any of you who are interested can read through it. This will also be the site I use for the other characters I analyze.

So since the link is available -- and the personalities can be read about, anywhere -- I will give my reasoning for how the result above fits his character.

BY THE WAY, NONE OF THIS IS CANON. I AM NOT STATING FOR A FACT THAT THIS IS HOPPER IN HIS ENTIRETY. IT'S ALL SPECULATION DRAWN FROM SMALL AMOUNTS OF EVIDENCE.

First off, let me brag on him for a moment for his incredible work. I know he's the bad guy and all, but let's give the man some credit. Only extremely powerful people in human history were able to convince a whole nation of people that they were in the right. Hitler, being one of those people.

While Hitler obviously did unforgivable things, everything he did was done thoughtfully and carefully. He analyzed the people, the children, and understood how their minds worked. This is what Hopper does in the movie.

By the time we are invited into this world, Hopper has already established a system within the colony. Despite not holding any true authority in their own monarchy, he had managed to set himself above the Queen. Even she is in fear of his capabilities and fights to keep him appeased.

He also manages to uphold his authority within his own gang. The fact that none of them -- aside from Molt -- have the boldness to question his decisions speaks volumes about how assertive he is.

But the only way he can keep his position is by applying his cognitive talents. We see in the movie that Hopper doesn't take the details for granted. He remarks that Atta didn't smell like the Queen -- implying he took note of which ant was in leadership. When he first lays eyes on Flik, he watches the ant's demeanor and takes in every detail. This allows him to recognize Flik when he reveals himself from the fake bird near the end of the movie. When the Circus Bugs arrive while Hopper is at Ant Island, he notices the empty box by the end of their act and demands to know where the Queen is.

We can even see that in almost every scene he is in, he does more observing than talking. In the beginning, he walks around and takes note of the ant's countenance around him, looking for any sign of rebellion as the source of his missing offering. He watches Atta carefully as she tries to explain that Flik is the reason it's missing. After punching the random gang member instead of Molt, he looks around at the colony to take in their reaction and adjusts himself accordingly. When Molt comes to tell him his "great idea," Hopper doesn't immediately rant off. Instead, he watches his brother carefully as he advances and takes in the sincerity and fear of Molt explaining himself.

As he walks around The Resort, addressing his gang, his eyes are pinpointing every grasshopper until they land on the three at the bar. He makes offhanded remarks and observes how the three react suspiciously overly supportive. By the time he lets them have it, he watches the grain fall and proceeds to keep his eye on every member as he makes his speech. When they get to the Island, Hopper manages to pinpoint the Queen in the midst of the crowd of ants. As the Circus Bugs first reenter the scene, Hopper silently follows his gaze as they pull up in front. Not once does he say a word until they make themselves fully shown. When the pill bugs appear, he watches them for a good while before finally allowing the Circus Bugs to entertain them.

Throughout their performance, Hopper is silently watching -- maybe laughing once during the entire ordeal. You can especially see it when Manny offers to let the Queen be a part of the performance and Hopper follows his every move as he does so.

As he gives his speech to the ants, he walks around and makes it a point to make eye contact with as many as he can. He observes their gradual return to submission. When Flik speaks up again, Hopper does not yell, summon Thumper, or try to interrupt him at all. He advances -- like he did Molt -- and observes how the ant will react to his closing proximity. It's almost as if he's gauging how much damage has been done to his influence before he decides on which course of action to take. In fact, for the remainder of the movie, Hopper maintains this way of decision-making. While in the canon, he's keeping his eye on Flik. When it rains, he pinpoints Flik in the crowd.

When he lands in front of Flik by the bird's nest, he begins advancing again and uses that time of observation to unsettle the ant. While Hopper uses analyzation as a way to base his decisions, he also uses it as a way to unsettle his opposition. In nearly every situation he quietly observes, the adversary becomes nervous and backs away. They mess up on their train of thought, try to explain themselves, or beg for mercy. It's more than Hopper looking intimidating, it's the way he looks at them to make them feel transparent. As if he knows every little thing about them, and in a way, he kind of does from the time he's observed.

The only hole in this is when the real bird finally makes an appearance and Hopper is so caught up in his rage of the previous bird that he neglects to fully analyze the creature before him. Of course, let's also take into account that he is blind in one eye, it's dark and raining, and his perception of reality has been slightly altered thanks to the fake bird from earlier. In his defense, he had good reason to believe the bird before him was also a fake.

His observations play hand-in-hand with his tendency to base his decisions on rationality rather than emotion. As well as being more judging than perceiving. For the record, the word "judging" in this sense is not used in a social manner. It is being able to make faster-paced decisions and to stick by them. People who are judging will be clean-cut and look presentable to others as a means of influencing others to agree with their steadfast decisions.

As also mentioned, Hopper does not act on his emotions. You can base an alternative opinion saying, "Oh, but he gets mad and threatens his brother," or, "what about when he killed those three grasshoppers?" and so on. However, acting on your emotions and acting on rationale are two different things. They look different too.

Consider this: had Hopper, the moment Molt opened his mouth, yelled or swung a punch at him, then he would then have acted on his emotions. Had he outright put those three grasshoppers in their place instead of going through the foreplay, he would have acted on his emotions. Flik was also not immediately killed when he first spoke up and when he continued to defy Hopper. Even at the end of the movie, when the real bird appears, Hopper halts his strangling long enough to realize that the bird is real.

After re-watching the movie with these characteristics in mind, it doesn't seem like there is one time where he acts on his emotions. Impulsively, is one way to put it. He never acts on impulse. Every move is calculated according to how he needs the situation to play out in his favor. Perhaps the only time he acts on emotions is when he punches the nearby grasshopper instead of his brother. And, even then, he lets enough rationality in to redirect his anger onto someone else.

Now let's dive more onto the hidden side of Hopper the movie doesn't shed much light on.

Despite giving off this hard, rough exterior, we know that the gang he surrounds himself with was on purpose. While he probably gathered them for the sake of enforcing the ants more into submission, I think it might be safe to say that they're there for his own mental stability. Let's be clear, Hopper doesn't need them to accomplish his goals. Flik doesn't spare a glance at the other grasshoppers once Hopper comes into the hill. All eyes are on him. Even when Hopper has taken control of the Island, Atta and Phyllis are constantly glancing to see his reactions.

It's especially significant when Atta notices Flik and the girls climbing the tree to the bird and the only grasshopper she looks at to see if they noticed is Hopper. Because in the grand scheme of things, his awareness of the situation is what will make or break their plan.

Notice with me too that the other gang members have the IQ of a rock. Any opinion they have is shown to be based on little to no evidence. And although they were on the right track to not go back to the Island -- which ends up being one of Hopper's downfalls -- they didn't necessarily understand the true power the ants could have over them. Basically, their desire to stay the The Resort was not based on truth but more their own personal wishes.

Personally, I believe that Hopper only keeps them -- and Molt -- around for the sake of keeping himself distracted. With his observations, it can be seen that he does more time thinking rather than acting. Imagine having a whole colony under your control and your mind running 24/7 to maintain that power. Imagine how stressful it has to be for him to know that in a single instance, all that work he put into molding the colony could be in vain. No wonder he needs some time alone for a massage.

But then imagine having others around you to keep your mind off of those stressors and anxieties. With the gang partying and having a good time, it would be hard for Hopper to dwell on all the ways everything could go wrong. I believe that's why he keeps Molt around. Hopper never said he promised their mother he'd let him join the gang, or that he'd watch him 24/7. He merely stated he promised not to kill Molt.

Molt is simply that happy-go-lucky persona that Hopper can not only release his stress on, but also someone who can distract him from everything storming within his own mind. It may seem in the movie like he's a lazy freeloader who uses the ants to avoid doing any work himself, but let's look at it this way:

> He's "babysitting" his brother constantly

> He has to travel a great distance back and forth at least once a year for the offering

> In that little time he sees the colony, he has to assert his authority to keep them obedient

> He has to keep his own gang members submissive

> It seems that he also runs (or at least co-runs) The Resort

> Just as all insects do, he has to protect himself, his gang, and his brother from bigger predators

Most of these have a lot of psychological weight that would wear Hopper out with all the stress it adds on to him. There's so much responsibility that has not only been forced on him, but also ones he's chosen to take. And some of those responsibilities were chosen for the sake of distracting him from everything else. It's a vicious cycle that he's gotten caught in where he ends up putting more on his plate than he can handle, all in a vain attempt to have something to redirect his attention from his other anxieties.

Hopper has a very self-destructive mindset in this term. It ends up getting to the point where, by the end of the movie, when everything begins to unravel before him, his anxieties kick in and he doesn't know how to handle it. He's spent so long trying to avoid those fears that he never established an escape for them other than the other self-destructive behaviors. He never found the right way out of his own torment.

In reality he influenced himself to be subdued just as much as he had the ants. He has convinced himself that he is weaker when mulling over his anxieties and letting his emotions get out of control. Therefore, he's put chains on them and has put an emotional muzzle on himself. And all of it is in an attempt to stay rational and maintain his position. In a way, Hopper has become so skilled at overpowering others that he has subconsciously overpowered himself. He's convinced himself that he is who he wants to be. He wants to be in control, calm, collected, strong, and powerful. And he has convinced himself to believe that he can be all those things so long as he pushes back the characteristics and emotions that would hold him back.

And he reflects this inner pain on the ants as he convinces them to be what he wants them to be. Submissive, mindless, fearful, and obedient. And so long as he pushes back the ideas and rebellion, they can be all those things.

If any of you want me to continue this analysis -- God knows there's still more to unpack about his personality -- feel free to ask! I will be doing the other characters (Flik is next).

Here is the link to the website I used:

https://www.16personalities.com/istj-personality

#a bugs life #CTA #personality analysis #hopper #psychology #pixar #ISTJA #analysis #hopper is a very complex person #this was so fun to do tho #briggs personality types

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mc-critical · 4 years ago

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What are your thoughts on Ibrahim? For me it went from indifference and dislike in season 1 to liking in season 2 and becoming my favorite male character in season 3 tbh. Actually the only good male character by season 3 (season 4 has many other options too). He is probably the most complex and well written character and I really sympathise with him. His arrogance was his downfall but if Suleyman wasn't such a bitch it wouldn't have been lol. He wasn't wrong in that imo. He was a slave, a fisherman's son but his intelligence and skill took him farther than anyone else and it's not wrong to be proud of such a feat. He deserved the pride more than just about anyone, even Suleyman. What I dislike the most about him is his treatment of Nigar after their relationship ended. She's my favorite character and although their relationship itself was my favorite in the whole show (other than Nurbanu and Selim) it ended really badly

Ibrahim is one of my most conflicting characters on the series: one time I feel like I don't get the appeal, especially not the stans in one Bulgarian forum, he doesn't elicit such a strong emotional reaction in me as he does in others, but then once he hits an incredibly strong arc and I begin to analyze his character and all its dimensions, I come to love him for what he is and realize how much effort has gone in conceiving and developing him. He's certainly the most well-written male character that isn't a sultan or a prince in the entire franchise. (the sultans aren't the brightest, but the bar is so high when it comes to their writing. There isn't any of them that is badly written. The princes are also well developed, but now that I think about it, Ibrahim surpasses some of them as well!) He's delightfully fleshed out with every detail; his actions, while morally ambiguous at times, are very understandable and you can clearly see the deeper, nuanced reasons why he does what he does. His arc was a sight to see from beginning to end and watching it reach its inevitable tragic conclusion was heartwrenching. At a point he became so important to the narrative, whether it was intentional or not, that the show (or actually, S03B in particular, because S04 was absolutely fantastic!) began to lowkey miss something without him. He had such a strong presence that couldn't be matched by anyone else after him.

[To be brutally honest though, I find his dynamic with Hürrem in terms of screentime to be kinda overrated. Not that it's bad or anything, quite the contrary - their chemistry was great, they were consistent and fun to watch, they had quite a few great scenes that were definetly more than Hürrem and Mahidevran's, I dare even say this is one of the most solid antagonistic dynamics of Hürrem's writing-wise, but I just find it sometimes gets way too much credit? It's weird, I know.]

The most interesting thing about him is, without a doubt, his fatal flaw that I... actually don't think is arrogance. It's not up for argument that Ibrahim can definetly come off as arrogant, but the arrogance is rather a manifestation of his fatal flaw, not his fatal flaw itself. I believe that it's precisely his inferiority complex that is the root of his vulnerabilities: as you said, he's been only a fisherman in Parga, and his background is both a source of memories where he can recall his more "innocent" days with his family and a tough spot for him where he is consistently reminded of something that is already in the past after all he has achieved. He did want to return to Parga, to see who he used to be one more time, but after that it's as if he never gets a chance to forget, to put it behind him. He pretends he has forgotten, but that consistent reminder of how he has started seems to be constantly haunting him to the point he begins to remind himself of it. It's not only people like Figani, Iskender Çelebi or the other members of the divan in early S01 that don't let him forget, it's as if he himself doesn't want to forget. It's undeniable that he had climbed up to heights he wouldn't dream of and the role of a grand vezier needed getting used to and to be dealt with with care. On one hand, we could argue that he reminds himself of Parga as a way to preserve his moral compass, in a way, to realize when and how he has screwed up or remind himself of the limitations of how far can he go, for Süleiman is his friend and companion who he wouldn't want to disappoint. But on the other hand, the more he rose in the hierarchy, the stronger became a wish for him to exceed these limitations placed upon him by everyone around. Süleiman is able to give him everything if he wishes, so why not let it happen? Then he's going to prove to everyone, prove to his inner demons, this sense of inferiority that he, in fact, can not only become the most politically adept grand vezier there is, but a person who has his own country within the country and can rule it with ease. The political arena ultimately becomes a target of his inner conflict where he projects more power than anyone else, is most influential and does the best in order to gain the goal, not only to gain SS's approval, but show that, yeah, he can do his best for the role he's put in, fixating on the Ottoman country he claims to be a ruler of and his apparently endless rights. It turns into a coping mechanism where he can escape his past and background and he gets so sucked in it that his self awareness becomes less and less. That's where his arrogance comes from and I feel that if he didn't possess that complex of his, he would've managed things way better and had more self control, as a result. He was a very good politician in the show, setting in motion many good strategies (his strategy gave them the Mohacs victory after all), having a strong, pragmatic mind and many innovative ideas and if he didn't try his hardest to convince himself he's worth something that isn't just the story of the fisherman in Parga, Hürrem wouldn't stand a chance against him.

This inferiority complex is the reason for his infidelity, too. He loves Hatice dearly and he never expected that she of all people would do the very thing he dreads the most. Her pulling rank on him came as such a shock for him that it seemed he would never forget or forgive. It put infinetly more salt to the wound, deeply hurting his ego and the self-esteem he was just beginning to gain. That's why he let himself in Nigar's hands for so long, for she would only want to please him, for that relationship would have no limitations whatsoever and wouldn't restrict Ibrahim in any way. It was something that was his, something the dynasty would never touch or learn about. I love Nigar and Ibrahim's relationship, too. Principally, I'm not a fan of love triangles at all, but that one is a notable exception for how wonderfully, but crushingly psychological it is. It wasn't added in only for the sake of the drama, it was set up for very long and it was like the characters actually got there through their own actions and they had to truly face that struggle to flesh out and evolve. But there wasn't genuine love there, not in Ibrahim's part. That was his biggest weakness speaking, causing the illusion of love, not the real feeling of it. He wanted to preserve this relationship as the fisherman in Parga, but to me, it felt like he showed something more similar to his own confident assertions of the power of a grand vezier than actual regard for Nigar's feelings. It all was a lie he wanted to believe, because of his ego's denial, and he believed it so much he told Nico that Nigar was the person he truly loved in E51. And when he did get out of the lie (the monologue in E57), see how he reacts differently in front of her now - he turns off every single try of hers to give him affection, he reacted very badly when he learned she was pregnant, it was as if he wanted her to wake up from the dream and move on, too? And due to his inner conflict that perpetuates his arrogance grew even more in S03, he got over Nigar, but not over her child. Esmanur's birth made him return to and enforced his old habits that made him consider that child as another piece of solace, something out of the dynasty, also only his, trying so desperately to have her live with him and Hatice. The infidelity and the way he treated Nigar after he realized the error of his ways are ones of the worst things Ibrahim did, along with Leo (now, I get he wanted to knock Hürrem down a peg, but that was admittedly much for me.) and while I understand why these events and interactions came to fruition, I can't justify him for them.

I agree that had Süleiman not given him as much power, his inferiority complex would be highly downplayed, at the very least. He underestimated the possible consequences of Ibrahim's rise and it really doesn't look like he knows him as much as he thinks he does. Whether he did it to test him (SS's lasting reminders that Ibrahim gets closer to death) or because he loves him dearly and wants to embrace his potential ("I want you to use that mind only for me!") or both, it's like he gave him both too much freedom and too many boundaries at once. I mean, I understand why SS executed Ibrahim: his affirmations, no matter their backstory and how metaphorical they are, pose a definite threat for a padişah and along with his growing paranoia of betrayal, he couldn't be sure how far he was going to go anymore. It's as if Ibrahim crossed every line, openly acting like he controls the padişah and his state in front of the fellow pashas, efendis and ambassadors and that couldn't be controlled anymore. It's as if he had done his best efforts to bring him down to earth, but since none of it was working, he decided to act accordingly. The many "failures" of Ibrahim have been piling up in the narrative in the span of 81 episodes and I get why SS would finally snap for what was the final straw. However, doing so much unprecedented stuff for a grand vezier was bound to bring disasters for the padişah due to the chance in his mind that he would try to question or prevail over him, hence Süleiman should've realized that it was only natural one would want more and more. And that happened with S03 Ibrahim - he fought more and more with his inner demons, hence wanting to have more and more to be validated by the others and by his own ego that perhaps wouldn't feel satisfied regardless.

While his fatal flaw underlines his complexity, it also gets complimented by his many positive qualities: his love for Hatice was very sweet in the beggining and after the Nigar plot, it turned out to be really genuine - their reconciliation was very telling in that aspect; his relationship and loyalty to Süleiman deserves respect, even though his inferiority complex came in the way, he still would never give him up and never once lost hope in his recovery when he was in his deathbed and while that may become up for debate in S03, he would never openly stand against him and would gladly try his best to please him; his bond with Mustafa is amazing, too - I love how he practically raised that kid and gave him sound advice as well as his mother; that said, his relationship with Mahidevran deserves more appreciation and it is one of the most reciprocal and understanding, soft and "carefee" dynamics of the show; I love his dedication to his family and how he loves them as much and remembers them with the same fondness as ever before. In short, when going in depth, this multifaceted character has so much to offer, like, wow!

Okay, when I first watched the show, there was that point where I felt Ibrahim overstayed his welcome and I even wanted for Hürrem to finish him already (heh, those were the days! 😅) but now when I've rewatched and reexamined MC many times, I see that despite of his few negative traits, everything about this character flows so well and so organically and it's one of the characters in the series that have aged really well with time in my eyes. And I respect him so much for that.

#magnificent century #ibrahim pasha #ask #illusorybeing

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cometcrystal · 4 years ago

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anyway i finished Family by ffn user The Middle Warner Sibling today. i’d link it, but tumblr hides posts with links; you’ll find the fic easily if you sort on fanfiction dot net by highest amount of favorites for animaniacs LOL

here are my thoughts which i am making a Post about because this fic is literally 760,000 words long and if it’s not a touchstone of the fandom, it should be. ALSO if you care about spoilers for this story, this post will have spoilers in it.

things i liked:

the warners themselves are written very well. i’m not a huge fan of the “they’re actors and animaniacs is the show they film” idea myself, but it’s done in the best way possible here that feels very believable

i watch riverdale and thus i enjoyed all the melodrama. this fic is very dramatic but that’s not always a bad thing

the adult fear was very powerful. as a 24 year old and also an oldest sibling, reading about how during their TIS days, dot was adopted off to a few different homes and yakko and wakko didn’t even know it??? and she was only returned because she wouldn’t stop crying out for yakko??? was INCREDIBLY unsettling to me. the fact that it’d even happen. also my favorite arc was probably the TIS arc alongside the car crash/coma arc

the sibs being descendants of bosko was an interesting detail that i liked. there are SO many animation history references throughout this ENTIRE fic and i’m positive i missed some but i recognized a lot. op obviously knows what they’re talking about

the implementation of toon theory and “schlesinger syndrome” is BRILLIANT. i’ve seen lots of fics explore toon theory stuff, but none as in-depth as this. i LOVED IT and i want to read just an entire manual on toon theory. i wanna take an entire course

the sibs’ mentors and chaperones are all wonderful. i’m very firmly a “scratchy is the warners’ parental figure” truther, but bugs bunny being that in this fic worked very well. yakko calling him “da-doo” in his perspective is VERY fitting and i liked that detail a lot. it’s extremely cute. also foghorn’s relationship w wakko and porky’s relationship with dot are both extremely cute as well. also: chaos vodka aunt slappy nation rise

hello nurse is given a real name and some agency thank god

the character of penelope goose should be a real thing. i love her SO much.

i have never watched a single episode of talespin in my life but i love mrs cunningham, kit, and molly now

i cried three times at this fic, which is an accomplishment because i have NEVER cried at a fanfic before: once when ophelia died, once when goose comforted yakko after they got caught by TIS, and once at goose’s funeral

normally i don’t care for overly-dad-like yakko. he’s protective of his siblings ofc and would die for them but he’s still their big brother, not their dad. BUT in this universe, dad-like yakko makes perfect sense, and i really enjoyed it, so points for that

every good thing that happens to the warners feels completely earned. we see them from the very beginning, when dot can’t even walk yet, all the way up to yakko’s 16th birthday. it all just feels very rewarding to see them succeed, and their backstory/buildup to working for warner bros is just. really good. the familial love and sibling relationships are IMMACULATE

things i didn’t like:

i know that teenage boys are just Like That but also i did not like how the author put yakko in so many situations where he was allowed to act on it, especially considering he’s like, 12 or 13 when his first makeout session happens, and then maybe a year older when the next thing happens. really did not like that.

also really did not like the author’s homophobia and transphobia showing in SEVERAL instances. it was just weird because the fic’s weirdly progressive in a lot of places but then its just like. yakko explaining that gay people exist to wakko is suddenly a “weird conversation”. like. ok

Plucky Duck Epic Racist Moments. THIS WAS SO JARRING FJDSKLFJSDLK DONT DO PLUCKY LIKE THIS AND DON’T DO MARY MELODY LIKE THIS EITHER. EVIL

pinky and the brain and straight and brain is straight with GADGET HACKWRENCH

this fic is so mean to scratchy. be nice to him :(

it’s also mean to skippy hes just a boy!!!!!!!!!

things i am neutral on but still found noteworthy:

the author has a very very strong vendetta against darkwing duck for some reason and its just so baffling. he is SO yucky nasty to the warners and FOR WHAT??? and gosalyn is a lil bitch in this fic too its SO weird to see. ive never watched darkwing duck so maybe theyre just like that but i doubt it

anyway i enjoyed reading this story despite the problems i have with it. it managed to cut off at the best moment it could: yakko getting reassurance from bugs and giving him a hug after wakko and dot have decided to try new interests out. it’s unfinished, and was last updated in 2014, but that’s a much better cutoff point than a lot of unfinished fics get, and i don’t feel a need for closure on anything.

just be warned, this fic has a LOT of heavy subjects in it. feel free to ask me if you need any specific warnings, but otherwise, i say go for it

#animaniacs #animaniacs 93 #animaniacs 1993

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whitewolfofwinterfell · 3 years ago

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Harry Potter re-read: thoughts and ranking my favourite books

In 2020 I completed a full re-read of Harry Potter for the first time since I was a child. It was a rollercoaster experience of highs and lows; excitement, nostalgia, frustration, joy, boredom and everything in between. It took the whole year (in between reading other books) and I hit a wall in the sumer, but I’m glad I persevered and made it to the end. This series will always hold a special place in my heart and as much as I love the movies, there’s so much detail that is missed from them. I didn’t realise just how much my memories of the HP universe had been shaped by the movies until I read the books. I feel like I’ve reconnected with the universe and characters in an authentic way and lots of my opinions have changed as a result.

Before we get to the ranking, some disclaimers:

If it wasn’t already obvious SPOILERS BELOW FOR THE HARRY POTTER SERIES (at this point I’d be surprised if there’s anybody that needs this warning, but better safe than sorry!).

This ranking is completely subjective and very changable. I love all of the books and I’ve based the ranking solely on my enjoyment of reading them.

In writing this post I am in no way supporting or endorsing J.K. Rowling’s works. Her ignorance and hatred is intolerable and abhorrent. I discuss this more in the conclusion of this post.

None of the images or gifs featured were made by me, all credit goes to the creators.

7. The Goblet of Fire

One of my favourite movies, but my least favourite book. This one hasn’t aged well for me. It’s too long, there’s much too filler and it has the disadvantage of coming after The Prisoner of Azkaban. I like the idea of the Triwizard Tournament in theory, but the execution is dull. We spend chapters upon chapters upon chapters with Harry and Hermione researching and preparing for the tasks and the tasks themselves are very anti-climatic. It’s also difficult to ignore the fact that the second and third tasks take part underwater and in a maze, and the audience can’t even see what’s going on. Apparently there’s no spell that can allow the audience to see underwater or inside a maze, not even those Muggle inventions called cameras *face palm*

The sub-plot with S.P.E.W was equally dull and didn’t add much to the story. I also found it deeply uncomfortable and upsetting to read about the enslavement of elves and the way that slavery was portrayed in general. The one positive I took from it was seeing Dobby with his crazy jumpers and socks. Dobby is The Best.

(credit to xbirdyblue on DeviantArt for this wonderful fanart image of Dobby)

The reactions to Harry’s name coming out of the Goblet of Fire is what infuriated me most in this book because it doesn’t even make sense. Firstly, does anybody really believe Harry’s capable of overcoming such powerful magic to put his name in? Secondly, why the fudging hell would Harry want to put his name in the Goblet? He’s a 14 year old child who has endured endless trauma; he’s spent most of his life living in an abusive household and the 3 years he’d been at Hogwarts fighting against Voldemort. He doesn’t want fame or glory, he just wants to live a normal, peaceful life and hang out with his best friends. Ron’s reaction is particularly annoying because he of all people should know Harry wouldn’t put his name in the Goblet. I understand why Ron felt that way and I love him but...

The one thing I did enjoy about this book is the evolution of Harry’s friendships with Ron and Hermione. Hermione is fiercely loyal to Harry and devoted every waking second to helping him succeed in the tasks. Despite Ron’s silly tantrum and their divide through most of the book, their falling out really does cement Harry’s love for Ron.

"He thought he could have coped with the rest of the school's behaviour if he could just have Ron back as his friend."

Harry liked Hermione very much, but she just wasn't the same as Ron. There was much less laughter and a lot more hanging round in the library."

"The thing Harry Potter will miss the most, sir!"

"Harry didn't care, he wouldn't have cared if Karkaroff had given him zero; Ron's indignation on his behalf was worth a hundred points to him."

What can I say? Ron is Harry’s platonic soul mate. That is all.

Barty Crouch’s escape from Azkaban and transformation into Moody is more cunning and intelligent than it was in the movies - this dude switched places with his mother and left her in Azkaban in his place!!

Fred and George were by far the highlight of this book for me. Their characters are great in the movies, but in the books they’re just--

Their antics, wit and banter are top notch. I’d actually forgotten that Harry gave his prize winnings from the Tournament to Fred and George, and it seems like such a huge injustice!! This act of kindness and selflessness on Harry’s part is largely why Fred and George are able to set up Wizard Wheezes. It’s a testament to Harry’s love for Fred and George that he gave them his winnings. Harry may not have needed the money but he could’ve done literally anything with it, and chose to give it to the twins because he believed in their ideas and wanted to give them the opportunity they needed.

GOF was always one of my favourite movies because of this moment:

Voldemort’s return was one of the most chilling, terrifying and shocking moments for me as a kid. The scene in the graveyard still stands out as being one of my favourite scenes from the movies. In the books, it didn’t have the same impact, unfortunately. In fact, this is what was noticeable to me all the way through reading this book - I like the movie more. The movie cuts out the filler, takes the interesting aspects of the book and does them better.

Overall, despite being at the bottom of my list, I still like GOF. It’s a huge step up in world-building and is an entertaining book with a great premise; I loved the Golden Trio’s friendship, the appearances from Dobby and Fred and George’s antics. Unfortunately, this book is let down by the sheer amount of filler, the underwhelming execution of the main plot and too much focus on sub-plots like S.P.E.W.

6. The Sorcerer’s Philosopher’s Stone

It was really difficult to rank Phliosopher’s Stone, because it holds a special place in my heart because it’s where the series began. This book does a great job at introducing Hogwarts and it captures those nostalgic, magical Hogwarts vibes unlike any of the other books. This book is all about the wonder and the joy of Hogwarts, and Hogwarts lives in my heart, so stepping into this magical world with Harry for the first time again was a joy to read.

I love the time spent in this book on experiencing the smaller wonders of the magical world with Harry - Platform 9 3/4, Hogwarts Express, Diagon Alley, Ollivanders, the Sorting Hat, Great Hall feasts, ghosts etc. It’s exciting and fun to read about, and truly a gem of a book for children.

Seeing Harry go from living in a cupboard and suffering abuse and neglect to an incredible world full of wonder and people who want to get to know him and show him kindness was a joy to read. I love the development of Harry, Ron and Hermione’s friendship and how, despite how short the book is, it’s developed properly. Their friendship with Hermione doesn’t happen overnight, but by the end there’s a genuine bond and trust between them.

But of course, as the first book in the series, the plot is lacking and the writing isn’t at its strongest. Also, despite how short it is I did feel a little bored reading the second half. It’s a great entry to the series and does a wonderful job at establishing the world, main trio and other characters, but in the grander scheme of the series it’s quite bland a forgettable.

5. The Deathly Hallows

Now this one came as a big surprise to me, because before my re-read I considered The Deathly Hallows to be my favourite book, but I just didn’t enjoy it this time around. The first 50-60% of this book got me like:

I was bored as hell. The travelling, the hunting for Horcruxes, Dumbledore’s backstory, the bickering between Harry, Ron and Hermione...it was tiresome. Fortunately, amongst that there were a lot of isolated things that I enjoyed.

Firstly, I adore the Tale of the Three Brothers, it’s interesting and I love the depiction of it in the movies - it’s just so cool!

Secondly, Ron and Hermione are very cute in this book, and for the first time I appreciated them as a romantic ship.

Thirdly, Harry looking through Sirius’ room and finding a letter from Lily broke my heart. This moment is so touching and completely unexpected, since I’d forgotten about it over the years.

(credit to alessiatrunifo for this stunning fanart)

Fourthly, LUNA LOVEGOOD. You know what? I have no qualms in saying Luna is one of my new favourite characters since my re-read. I always liked her, but she never stood out to me, and that’s changed. It’s not just that she’s unique and wacky, but that she’s fiercely independent, moral, kind and loyal. Luna has such a strong sense of who she is and she doesn’t let anyone or anything contradict that.

Can I also admit that I might slightly ship Harry and Luna now? 🙊 Luna seeing through Harry’s disguise as “Barney Weasley” based on his facial expressions alone and their reactions to the possibility of the other being in danger touched my heart.

"'She will [survive],' said Harry. He could not bear to contemplate the alternative. 'She's tough Luna, much tougher than you'd think. She's probably teaching all the inmates about Wrackspurts and Nargles.'"

"Oh, no, I didn't want you to be caught!"

They’re cute, okay?

Finally, Kreacher! This was perhaps one of the biggest surprises from reading this book, because I’d completely forgotten about Kreacher’s story. And boy, oh, boy did this pull on my heartstrings. Kreacher has one of the most tragic backstories in the HP universe and he absolutely deserves the redemption he got in this book. I loved seeing him develop a genine relationship with Harry, Ron and Hermione, and the fact that they never went back for him made me so sad. Poor Kreacher!

I enjoyed all of these elements of the first half of the book, and then I got to The Sacking of Severus Snape and it was like:

This is where the book finally took off for me (unfortunately, it took 30 chapters to get there) and as soon as Harry, Ron and Hermione are back in Hogwarts I couldn’t put it down. There are so many brilliant moments and things I loved that all I can really do is bullet point them:

The character reunions.

Percy finally redeeming himself!!!!

McGonnagal being the most badass to ever badass.

Neville Longbottom owns my heart ❤❤❤

Neville's grandmother's response to finding out Neville was fighting in the battle - "Naturally [he is]. Excuse me, I must go and assist him."

Ron and Hermione's first kiss!! and Harry’s reaction to it - "Is this the moment? OI! There's a war going on here!"

Percy handing in his resignation whilst Stupefy-ing his boss - "Hello, Minister! Did I mention I'm resigning?"

The Forest Again was such an emotional chapter. It got me good.

"You'll stay with me?" "Until the very end." 😭

"Harry, you wonderful boy. You brave, brave man."

"Perhaps those who are best suited to power are those who have never sought it. Those, who, like you, have leadership thrust upon them, and take up the mantle because they must, and find to their own surprise that they wear it well."

Did I mention that Neville is bloomin' amazing?

Kreacher!!!!!! "Fight! Fight! Fight for my master, defender of the house-elves! Fight the Dark Lord in the name of brave Regalus! Fight!"

Reading The Flaw in the Plan was soooo much more satisfying than watching it play out on-screen in the movie.

In many ways DH has some of the best, most satisfying moments of any of the books. It’s a strong conclusion to the series and there’s so much that I loved about it; so many memorable and emotional moments (Dobby and Fred’s deaths still hit hard 20 years later). Unfortunately, it was dragged down by the first half of the book and the epilogue. I tried so hard to keep an open mind about the epilogue, but the truth is it still BLOWS. And the more time that passes the more I resent the decisions that were made about character deaths. I understand that the stakes were high and we needed to lose characters close to our hearts but Fred?? Dobby??? Remus??? NO! Just no, okay? I don’t accept that.

4. The Order of the Phoenix

Now, The Order of the Phoenix had similar issues as DH for me - it had a very slow start but a great ending. I did take a couple of months break in the middle of reading this one and distinctly remember slogging my way through the first half and devouring the second half.

I’ve made no secret over the years that Sirius and Remus are two of favourite HP characters, so I expected to enjoy OOTP a lot for that reason. I did really enjoy all the smatterings of Sirius and Remus we go throughout this book. Unfortunately, there wasn’t enough for me. This book really highlighted for me how limited Harry’s POV was, because I wanted more of an insight into the Order but Harry was kept in the dark the entire time which was frustrating.

One of the main character highlights of this book is the legend Minverva McGonnagal. Her sass, strength and determination to defend Hogwarts and its students against Dolores is astounding. Here are some of my favourite McGonnagal moments:

"Well, usually when a person shakes their head they mean 'no.'"

"Can I offer you a cough drop, Dolores?"

"I should have made my meaning plainer. [Harry] has achieved high marks in all Defence Against the Dark Arts tests set by a compotent teacher."

Defending Hagrid against Umbridge.

And of course:

(Still can’t believe the movie robbed us of this!)

Time for a less popular opinion - I loved Harry in this book. In general, this book made me feel very protective of Harry, because Harry is bloomin’ incredible and deserves so much better than what he gets in this book. He’s always had a bad rep in OOTP for being an annoying, angsty teenager, but in my opinion, this is Harry at his most relatable and lovable. After everything Harry went through, he’s entitled to be angry with the world. He endured everything that he did and took the responsibility of the world onto his shoulders with little complaint, and in OOTP he reaches breaking point. Honestly, I’m surprised it didn’t happen sooner. The adults in Harry’s life are glaringly irresponsible in this book. Not only do they force him back to the Dursley’s after the hugely traumatic events of GOF based on some bull about “blood magic”, but they purposefully hide the truth from him even though that puts him at greater risk and adds to his emotional distress. Everyone around Harry expects him to be mature and act like an adult when he’s fighting against the darkest wizard of all time, yet don’t give him the courtesy or respect of telling him the truth about significant things that impact him and the people he loves. Sirius os the only person that refuses to belittle Harry, but in some ways, his behaviour is just as damaging as those that tried to shelter Harry from the truth, because he expects too much of Harry and projects James’ personality onto him. The adults around Harry fail him to such an extent in this book that he establishes the DA because he can’t even rely on the adults around him to keep him and his friends safe. Harry’s emotions in this book aren’t only understandable, but justified and I felt an even deeper connection to him as a result. His vulnerability shows his strength and courage more than ever before. This is the point where he goes from the Chosen One to a true champion, because even when he reaches rock bottom and wants to give up, he doesn’t walk away. I love Harry so much.

The Department of Mysteries is by far one of my favourite sections from any of the books. I love the friendship dynamics, Luna, Neville and Ginny are given the chance to really shine, the stakes are high, the action is great and despite the trauma of Sirius’ death, that moment is so hard-hitting and memorable. This section of the book just took it to a new level for me. It was really great.

The emotion of Sirius’ death was captured so perfectly, and is such a huge turning point for Harry. Like I said above, choosing to go on even after losing Sirius proves that Harry is a true hero; that he isn’t just doing what he was doing out of obligation or has been told to but because he believes in doing the right thing. I best move on before I continue to speak about how amazing Harry James Potter is.

Now we come to Neville. Can you believe that I’d actually forgot the details of Neville being the Chosen One? It was a blast learning about that again and how he’s connected to the prophecy. I also loved that we got to see his family and not just be told about it via dialogue. Neville is by far one of the most loveable and interesting minor characters in the series. He has so many great moments in books 1-4, but he really shines in OOTP.

The more I write about this book, the more I find things to love. It’s just a shame that the first half lets it down, because overall, I think there’s a lot of great material here in terms of plot and character development.

3. The Chamber of Secrets

I know that The Chamber of Secrets is generally ranked low amongst most fans, but I love it. At this point, the books were more simplistic and just fun, and I like that. I also have to acknowledge that I have a deep affinity for the COS movie - I grew up watching it over and over, and of all the movies it’s still the one I know best and always come back to (still can’t believe the “Why couldn’t it be follow the butterflies line?” wasn’t even in the books!)

I love all of the different elements in this book:

Dobby

The Burrow

The flying car

Whomping Willow

Moaning Myrtle

This idiot

Gilderoy Lockhart is one of my favourite antagonists in the entire series, because he isn’t intentionally bad, he’s just an arrogant fool. His primary concern is his image and reputation and he was willing to go to any lengths to maintain it. He’s a bad person in a subtle and hilarious way.

Generally speaking, there are too many fun and entertaining moments to count in this book. I love the childish-ness of this book in comparison to the darker tone the series adopts from POA onwards. For me, COS still has the silliness and merriment that I really associate HP with. Entertainment value aside, the plot in COS is actually well executed.

As a short, concise and effective plot, Tom Riddle’s diary and the Chamber of Secrets works incredibly well. I liked the mystery and suspense of the culprit of the Muggle born attacks, and the big moments connected to it - finding out that Hagrid might be the perpetrator, Ginny being possessed by Voldemort, Hermione being petrified, Harry speaking Parceltongue. The stakes are high and this plot is strong enough to keep momentum going between the more light hearted moments.

Overall, COS is a quick, easy and fun read. It may not be the best written or complex book in the series, but I’m a huge advocate for it. Not only is it highly entertaining, but it also introduced a lot of great and important aspects to the series (Horcruxes, Tom Riddle being the heir of Slytherin, Harry being connected to Voldemort, polyjuice potion and Dobby), and built very well on what was established in PS.

2. The Half Blood Prince

The biggest surprise of this re-read was how much I bloomin’ loved Half Blood Prince. It has the perfect balance of plot, character development, mystery, humour and emotion. Out of the bigger books in the series, this was the one I finished the fastest (2 days), because it was quite literally un-put-downable (yes, that’s a word).

First, let’s talk about the plot, because wow, it’s a good ‘un. In my opinion, it’s the strongest and best written plot from any of the books. There’s Voldemort’s backstory, the development of Harry and Dumbledore’s relationship, Snape’s backstory, the mystery of the Half Blood Prince, Harry’s rivalry/suspicion of Malfoy, hunting Horcruxes and Dumbledore’s death. This book feels like an incredible pay-off for things that have been built up in the previous 5 books. We learn so much about certain characters - Dumbledore, Snape, Malfoy, Voldemort, Ginny - and regardless of whether I liked those characters or not, I was invested. The clues that Snape is the Half Blood Prince are cleverly interwoven within the narrative and the mystery keeps you guessing, even when you know who it is.

The last part of this book from Chapter 26 onwards was just explosive. Although I knew what was coming, I was surprised at the level of emotion I felt when Dumbledore and Harry were in the cave and when Dumbledore died. My heart was racing and I had tears in my eyes.

This book just doesn’t let up for a second. If we aren’t learning more about Voldemort, we’re following Draco to see what he’s up to or unravelling mysteries around the Half Blood Prince or trying to get information from Slughorn about horcruxes. Even the down time is enjoyable to read in this book (Chapter 9 was one of my favourite chapters to read) and the friendships and banter are stellar.

In terms of character development, this is also one of the strongest books. Dumbledore is finally developed beyond the omnipotent Gandalf-esque archetype and we learn bout his past and his flaws.

"I have already proven to you, I make mistakes like the next man. In fact, being - forgive me - rather cleverer than most men, my mistakes tend to be correspondingly huger."

The focus on Dumbledore also sets it up for his death, and you know what? It works. If we’d lost Dumbledore prior to HBP, I would’ve been shocked and upset, but losing him at this point hurts that much more because we learn so much more about him, see how important he is to Harry and how vital his guidance is in defeating Voldemort. Dumbledore’s death feels like all hope is lost, and so soon after losing Sirius it feels even harsher.

Insight into Snape’s back-story finally explains some of his motivations and actions (though it does not condone them).

Although Voldemort’s backstory doesn’t necessarily add to our understanding of him, it’s interesting to see how he came into the world, and learn about his family background. What this demonstrated most to me is that a lot of the time there is no reason for evil. Voldemort didn’t really have any motivations for what he did. Sure, he didn’t have the perfect, happy childhood but there isn’t really enough substance there to try to explain how or why he became the monster that he did.

More could’ve been done with Malfoy, but I enjoyed him having a bigger presence in this book and how the idea that family shapes who we are isn’t always true. Draco does what is expected of him from his family, but ultimately, he has his own conscience and inner turmoil that forces him to question things.

As for Harry...he goes to a dark place in this book. OOTP has always been cpnsidered as the “angsty Harry”, but HBP takes Harry to new places. Harry feels more ruthless, reckless and determined in this book than any other. There’s an underlying sense of apathy that lingers from Sirius’ death. He obsesses about his mission to extract the memory from Slughorn and his lessons with Dumbledore, and fixates on his hatred for Draco and Snape. The fact that Harry uses Sectumsempra on Draco is honestly the most alarming thing that Harry does because it shows how dark a place Harry has gone to. He knows the spell is going to inflict serious harm and yet he uses it anyway.

Generally, Harry abuses the potions book and manipulates, lies and takes advantage of almost everyone around him. I really see his dependency on that book and his choice to exploit it for his own benefit as adverse effects of the grief and trauma he endured. For once, he has the upper hand and I’d even argue that despite the Half Blood Prince being anonymous stranger to him, he relies on him as a mentor or parental figure. Yet despite it being a dark book for Harry, he also seems to get some genuine peace with Ginny. Although I’m not a Hinny shipper, it was so nice to see Harry experience some normality and contentment. No matter what he goes through, he remains kind hearted. I actually feel like this book more than any other emphasises that point - Harry could just as easily have gone down the same path as Vodlemort, but he made a choice not to.

“In spite of all the temptation you have endured, all the suffering, you remain pure of heart, just as pure as you were at the age of eleven, when you stared into a mirror that reflected your hears desire and it showed you the only way to thwart Lord Voldement, and not immortality or riches. Harry, have you any idea how few wizards could have seen what you saw in the mirror?"

Plot and character development aside, the comedy in this book is gold and I appreciate the movie (and Daniel Radcliffe) for maximising on that to create some of the best and funniest scenes in the movie franchise. Chapter 18 in particular was hilarious.

Now I have to speak about one of my favourite moments from this book:

Since GoF, Fleur was grossly mistreated and discriminated against by the Weasley’s (Molly and Ginny in particular). The way they treated her was sexist and xenophobic pure and simple. They had no reason to dislike her and all of their reasons seemed to be built on some flimsy notion that she was full of herself (why, just because she was beautiful? and even if she was, what’s wrong with confidence?!) and that she was annoying and loud because she was French. Seeing Fleur finally stand up to their bigotry was fantastic. It’s a moment I’d been waiting for for so long and I’m so glad we got it, because frankly, Molly and Ginny’s beahviour towards Fleur needed to be addressed because it was disgusting.

Overall, HBP demonstrates the strengths of HP as a series. In comparison to the other books, I don’t really have anything to crituqe I enjoyed all of it from beginning to end, which is why it almost took the top spot in this ranking.

1. The Prisoner of Azkaban

It was really close between first and second place, but Prisoner of Azkaban just managed it. This is where the HP series truly takes off and starts to shine. In comparison to what we got in PS and COS it’s richer - the plot is complex, the world building is more developed, the characters are great and it’s generally an entertaining read but with added complexity in comparison to its predecessors.

I like that POA allows us to spend so much time in Hogwarts hanging out, but that the plot comes to the forefront more. We’re all so familiar with HP at this point that it’s easy to forget the impact the plot-twists must’ve punched the first time we read them. But for me, it’d been so long since I’d read the series, that it really was like reading them for the first time and POA was one of the ones that surprised me at various points.

I’d forgot details like:

The Shrieking Shack got its name and reputation because Lupin locked himself up there during transformations; The Whomping Willow was planted to hide the secret passage to the Shrieking Shack and prevent Lupin from escaping and hurting people in his werewolf form

Crookshanks was Sirius’ ally

Sirius escaped Azkaban in his dog form

Unsurprisingly, Remus and Sirius were the highlight of this book for me. I know it’s basic but I really love them and the two of them having such a focus in this book really makes it.

Remus truly shines in this book. He’s a lovable character – a great teacher, a supportive mentor and a loyal friend. His tragic backstory only adds to his character. Snape tries to villainise Remus for being a werewolf, but the reality is that he’s a victim. He was an innocent child that was bitten by a vicious, cruel monster and has to live with the consequences of that for the rest of his life. He carries so much self-loathing, fear and insecurity because of what he is and he doesn’t deserve it. Dumbledore is the only one that separates the man from the wolf and takes Remus on his merits. He knows that Remus is a genuinely good person and a talented teacher, and he’s willing to make the necessary adjustments to enable Remus equal opportunity. Not only does it benefit Remus for Dumbledore to do this, but the students too, because let’s face it, Remus is a bloody damn good teacher.

Remus is arguably the most decent and responsible adult character in the entire HP universe. He respects Harry’s agency but also acknowledges that he’s still a child that needs protection and guidance. Instead of lying to Harry or throwing him into dangerous situations, he does perhaps the most helpful thing any adult ever does for Harry – he teaches him how to defend himself. I love that Lupin and Harry’s relationship in this book foreshadows the formation of the DA in OOTP; Lupin is the only one that teaches Harry practical DATDA skills and in the absence of Lupin as a teacher, Harry then takes on that role as a mentor and provides his friends with the skills to defend themselves.

Now we come to Sirius. Introducing Sirius as the enemy – a dangerously, mad criminal who is conspiring with Voldemort and wants Harry dead – and then revealing him to be the complete opposite was genius. Part of me wished I could completely forget so that I could experience the utter shock of finding that out for the first time. The fact that Harry saw his parents in the Mirror of Erised in PS and then finds Sirius and Lupin in this book touches my heart. Sirius is a direct link to Harry’s parents unlike anything he’s ever had. Although on the surface, their bond develops too quickly, considering that Harry is 13 years old and all he wants more than anything is to have parents and/or a connection to his parents, his quick attachment to Sirius makes sense. The thought of living with Sirius makes Harry so happy that he used it to power his patronus!!! Likewise, Sirius clings to Harry knowing that he’s the son of his best friends. He spent the entirety of his time in Azkaban knowing Harry was still out there somewhere without James and Lily and in danger from Voldemort. Immediately, Sirius provides Harry with the type of comfort about his parents that he’s never received before.

“You think the dead we have loved ever truly leave us? You think that we don't recall them more clearly than ever in times of great trouble? Your father is alive in you, Harry, and shows himself most plainly when you have need of him. How else could you produce that particular Patronus? Prongs rode again last night.”

One of the highlights of this book is the scene where Snape catches Harry with the Marauders Map. That quote is just legendary.

"Mr Moony presents his compliments to Professor Snape, and begs him to keep his abnormally large nose out of other people's business. Mr Prongs agrees with Mr Moony, and would like to add that Professor Snape is an ugly git. Mr Padfoot would like to register his astonishment that an idiot like that ever became a Professor. Mr Wormtail bids Professor Snape good day, and advises him to wash his hair, the slimeball."

Admittedly, the time travel in this book is problematic as hell. I’m grateful that Harry and Hermione were able to save Buckbeak and Sirius due to time travel, but if it was up to me, I’d remove time travel from the universe completely. It doesn’t fit, it’s too complicated and creates too many issues. McGonnagal condones the use of time travel for Hermione to attend extra lessons and yet won’t use it to tackle real, important problems, like I don’t know, war, death, disease, disasters etc. Not to mention the entire Voldemort problem and Harry becoming the Chosen One could’ve been resolved by going back to the night of James and Lily’s deaths.

One of my favourite elements of this book was seeing Ron and Hermione’s friendship with Hagrid. A lot of emphasis is placed on Harry’s friendship with Hagrid. but this book shows how devoted Ron and Hermione are to Hagrid. They both spend a lot of their time comforting him and helping him to prepare for Buckbeak’s trial.

This book has a great balance – it’s still on the shorter side but it doesn’t suffer for it. and here’s plenty of plot and character development. Ironically, whilst HBP is my favourite because of the emphasis on the main plot, POA is my favourite because it takes a break from Voldemort. It’s refreshing to take a step away from Voldemort and put the focus onto a new villain in Sirius, and then for the twist to be revealed that he’s not actually a villain but Harry’s godfather. The time-turner is the biggest draw-back in this book, but I can overlook that because there’s so much more to love in this book. It’s definitely the most re-readable book in terms of the length and plot. This book is a happy medium which incorporates the strengths from all of the other books in a smaller package than HBP - it’s fun but expands on the universe, introduces brilliant new characters and has a depth and complexity that the first two lack whilst not having the filler that books 4-7 have.

Conclusion

It’s hard to read these books without it being mingled with childhood nostalgia, so that undoubtedly informed my ranking. Despite being a children's series, the books still hold up reading them as an adult. I enjoyed rediscovering the smaller details I’d forgotten over the years and feel much closer to the universe as a result. The characters and their dynamics are by far my favourite thing about HP. I also enjoy the whimsical magic and how this is offset against the darker tone later in the series. However, in light of JKR’s hateful rhetoric, my attention was drawn to the problematic elements of the books such as the portrayal of slavery in addition to:

Lack of major/well-written characters of color

Anti-semitic caricature of goblin bankers

Cho Chang’s name (which many consider offensive), stereotypical placement in Ravenclaw (the smart house) while being the only East-Asian character in the books, and she functions almost exclusively as a love interest

Ableism all-around

Nagini, an evil snake who gets chopped in half, is actually an Asian woman according to Fantastic Beasts, making her the second of two named East Asian characters in the franchise

“Magic in North America,” a history of magic in North America published on Pottermore that grossly misappropriates and misconstrues Native American cultures

Anthony Goldstein, retconned token Jewish character, also stereotypically named

General stereotypical naming of non-Anglo-Saxon characters

Remus Lupin’s werewolf status as an AIDS metaphor while depicting his condition as making him monstrous, and the man who bit him goes around biting people for kicks

Declaring that Dumbledore is gay with exactly 0 in-canon references, and no other LGBTQ+ representation (article credit: Separating Art from Artist - Thoughts on J.K. Rowling written by Melina List on Medium)

This is the last time I will read these books, partly because I’ve outgrown them, but mostly because I can’t, without a heavy conscience ignore the relationship between JKR’s hateful views and her works. If you want to learn more about this, I’d recommend checking out a post from my_weird_bookish_heart on Instagram which explains why we couldn’t and shouldn’t ignore the problems in these books by adopting a “art is separate from the artist” mentality (if you would like the link to this please message me and I’l be happy to share it. We can all still love and enjoy HP, but we all have a moral duty to acknowledge and take responsibility for this and not feign ignorance. Views like JKR’s directly harm individuals and groups, not just in the trans community but also the Jewish and LGBTQIA+ communities and people of colour. I can’t and won’t accept that in silence. No matter how special HP was to me as a child, the lives of real humans are unquestionably more important.

Thank you for reading.

#hp #harry potter #hp books #harry potter books #hp review #hp book review #hp meta #mine #my meta #reposting from my sideblog cos i spent legit HOURS writing this and adding gifs and don't wanna lose it when i delete the blog

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legionofpotatoes · 3 years ago

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alright here’s ma thoughts on that flick I mentioned

we hatewatched a*my of the dead because we were CONVINCED “zombies in las vegas” would be an impossible concept to screw up, but in so assuming we obviously invoked a holy wager with the universe and got reminded, once again, that hoping for improvement from someone who’s dependably put out bad art is never a wise choice 😐

but we were honestly kinda roped in by the marketing??? and expected a goofy fast-paced flick with the odd traditional undead metaphor thrown in, framing some sort of relationship drama maybe or hell even nothing at all! we’d have taken pure indulgent storytelling, idk italian job with zombies in las vegas, I don’t know fucking anything but??? whatever this was???? spoilers below for it is time for One Of My Rants

I mean the main reason I really want to write all this and complain. this film here probably has the most unappealing cinematography I have ever experienced in my life and that is saying something. who the fuck signed off on that CONSTANT shallow-ass depth of field that imprisons your eyeline and turns every shot into bokeh paste???? and I mean every shot almost!!!! I promise if you think I am overreacting just throw a dart at the seek bar and watch twenty seconds from wherever it lands. it is horrifying to look at. at least it gave my girlfriend a good visual shorthand for what it’s like when I lose my glasses

why was sean spicer in this movie. did they pay him to be here. was sean spicer paid hollywood money for his scene in this film because fuck everyone who was involved in that decision

the legitimately baffling hints at the extraterrestrial origins of the infection that went absolutely nowhere and had no dramatic or plot-level bearing. we love to see the franchise sprouts fellas

yet another big budget waste of everything hiroyuki sanada has to offer. and bautista too I guess? I like him but man was this an odd career move

what was the crux of his conflict/resolution with his daughter btw. I understand it was rooted in miscommunication over their forms of grief irt mom but uhh… it was all rather clunky and didn’t land for me. I tried I really tried to buy in but something was wrong fundamentally with the groundwork there, it did not click and their catharsis felt unearned. I know there’s massive amounts of tragic baggage being projected there from the author so I’m not slapping any judgment down really;

but again it would be an easy thing to wave off if they just had a vibrant cast of lovable simpletons with good chemistry and the kinetic sense of plotting the trailers promised (and this premise never discounts good drama, either). but instead it was just two and a half (!) hours of meandering into situations the filmmaking instincts had no idea how to flow in and out of

to wit. I know talking about “bad pacing” is associated with armchair bullshit but consider the example of the scene were dieter does an out of nowhere little dance after childishly screaming but then still-killing a zombie, with the film framing this as a micro character triumph, and not a second later the bg soundtrack instantly fades into an orchestral score dramatizing a nearby mcguffin reveal, completely 180 degreeing the tone without a semblance of deft insert shot stitching or even I dont know a fucking jump cut maybe. now imagine this whiplash for 2.5 hrs uninterrupted

I will keep complaining about the length yeah because this was not a story requiring this much real estate to be told. Uhh in my humble and personal opinion, of course

[man sees zombie tiger] “this is crossing the line!” you can in fact write dialogue that is not utter nonsense that falls apart once you drill down its single fickle layer of referential meta winking. what line are you talking about. you have rules in this insane situation you’re in? total nitpick moment I know but it got burned in my brain for some reason. like a microcosm of the mismanaged dramatic instincts paired with weird writing that dots this movie. I am sure the director calls this either satire or genre deconstruction. I am SO sure

tumblr domino meme that goes from “dude getting sucked off while driving” to “entire las vegas literally nuked”

tig notaro is always great to see but once you know she’s been filmed as a separate greenscreen plate months after photography wrapped - cause she had to apparently replace some abusive asshole but that’s a whole other pig not worth fucking - it becomes impossible to unsee her odd detachment from everyone else in the movie lmao. it doesn’t really “ruin” anything on its lonesome but it is hard to unsee

why. was. sean. spicer. in. this. movie

a very simple key ingredient missing from fully turning lip service sympathy for main uruk hai dude into actual empathy that would generate meaningful conflict with hero family would be to spend a bit more time articulating what he internally wanted the most. because he was obviously trying to do something here with pointed agenda. a family, to have kids, build a caste system, save his wife’s head, return to his planet??? all of these could represent the bigger context in his psychology that spurred his vengeance but none of them are dramatically emphasized long enough for you to cheer him on. I’m not asking too much I promise. Articulating interiority of a mute character is pretty doable with deft cinema language, just gotta linger and hold a shot here and there for a few seconds, frame as his POV, donezo. I know this is also one of those like. “who cares” moments but the movie does, very evidently so, in making this guy an actual character. you can kinda piece it together and create a framework of sympathy for him, sure, but then again he ultimately becomes a foil to be killed and not defeated, so. Ehh whatever

quarantine zone stuff was not a wildly childish covid allegory quarantine zone stuff was not a wildly childish covid allegory quarantine zone stuff was n

the rooftop helicopter fakout at the end was such an ass-backwards, manufactured moment of what could be a simple setup/payoff it just pissed me off??? you gain nothing by giving sad dad five seconds of pointless crisis that flips right back to previous status quo ANYWAY, except for a weaksauce waste of runtime, which could be used instead to get inside notaro’s head and actually SHOW the remorse form as she took off, literally maybe even a frown playing on her face as she’s headed for safety right before we cut back to drax and the kid. just a simple-ass, minimal, momentary setup for what is the most basic filmmaking trick of creating macro catharsis moments. Just???? g o d if you can’t even land that shit why are you even doing any of this

that lil run final pam did was very very charming and super choreographed in a way that was the tiiiniest bit overdone

the whole intro with the simul-backstories and posing with family photos was just… oddly motivated. what was the goal? “here’s what we’re fighting for” vignettes? why? it’s not a functional setup in that vein. what was all that

also I am sorry if this is insensitive but the reasons most characters end up articulating to justify going back into the hell that destroyed their lives makes them sound seriously insane

I dont like complaining about CGI (honestly) but so much of it in modern movies can achieve higher fidelity if the animation is simply subdued. Do not overengineer and over-apply 2D cell methodologies and kinematics to each tiny twitch and movement in a hyper 3D model and I promise you. it will look a thousand times more natural. look at thanos in those last two movies. your rendering and detail are absolutely perfect with the tiger you just have to let stuff sit instead of constantly simulating swaying hair strands and firing off all facial muscles at once. great moment at one point where makeup zombie horse and CG zombie tiger are both in one shot together and just by unnecessary amounts of movement alone you can tell who doesn’t belong. again; detail, rendering, compositing, lighting, all picture-perfect; but y’all just gotta let the animation breathe sometimes, and chill it out

plot holes don’t really matter to me but it was kinda funny how lilly decided not to mention the enormous wrinkle in intel pertaining to an actual territorial tribe of intelligent zombies that require human offerings to let you pass, just so that reveal could play out in real time through the joyous punishment of the cartoonishly misogynistic dude

total chad move for mister uruk hai and final pam to rule from a rusted swimming pool complex

the ending with vanderohe oh my god. with the. cash stacks at the airport register. and specifically them working in his favor. that is literally something you do to get arrested under suspicion of theft. it was almost played for laughs and I respect that. coulda been goofier. make these movies goofy ya dorks

anyway, weird, weird movie. bad marketing. message unclear (something something sins of the father???), baffling editing instincts, literal worst-looking cinematography I ever laid eyes upon. Confidently dying on that last hill

#text #long post #aotd spoilers #aotd critical

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sevenkittensinatrenchcoat · 3 years ago

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Cats 1986 (and Others) vs. 2016

A post I made a few months ago comparing information gathered from interviews with different Cats casts has come up again recently and I’ve heard even more interviews since, so I want to add on to that a little and elaborate on the things I’ve already said.

CW: Some of the language regarding Demeter’s backstory is a bit darker than I’ve previously mentioned

So, I’ve now heard interviews from US Tours III, IV, and V, spanning from 1986 to 2012. They’re all Broadway-based, and the Broadway Revival went in a very different direction, but the three tours were all very similar to each other.

In both the tours and in 2016, the cast was sat down before rehearsals to hear the “story of Cats”. However, this meant two completely different things. The Tour casts were told the plot of the show, who their characters were and what they were meant to be doing. The 2016 was told the story of how the show Cats was created, how ALW had the idea and made a show out of it. No mention of the story and characters. This means that the Tour casts were given useful information for building their characters, while the 2016 cast got something that was interesting but did nothing to help them do their jobs in the present. More emphasis was put on the show’s legacy than on how to actually perform it. Trevor Nunn did the 2016 explaining, I believe, and it sounds like he was on an ego trip, talking about what he did instead of what the cast was supposed to do. Trevor Nunn is one of the few people who knows how the show works, so this is quite frustrating.

Though the Tour cast was given a whole story, most of them only remembered the perspectives of their own characters. The point of learning the plot was so that they knew what they were doing. It wasn’t supposed to matter to the audience. So, everyone mainly focused on their own jobs. But, everyone knew Demeter’s backstory, because it was the first thing they were told and it caught their attention. It almost became a meme that the first sentence of the plot was “Demeter was raped by Macavity”.

The story begins with Demeter having just escaped from Macavity. He kidnapped and raped her. Though she didn’t want it, she kind of enjoyed the sex, which messed with her head quite a bit. Bomba went through the exact same thing, but because she enjoyed it, she acts like the whole thing was nothing more than an annoyance. The two react to the same situation in different ways.

Jacob Brent was either given a toned down version of the story (he mentions kidnapping, but not rape), or he chose to give a toned down version to avoid the uncomfortable subject.

The 2016 knew that Macavity and Demeter had some sort of backstory, but they weren’t very clear on exactly what happened. They decided that they’d had an abusive relationship, but that the whole thing was consensual and there was no kidnapping, because the only element of this story that the audience can pick up without context is that there was some sort of sexual relationship between Macavity and Demeter, but she’s now afraid of him.

At least one cast member said that Macavity was a rapist, but she didn’t elaborate.

This messed with Demeter’s character far more than anyone expected. The rape element honestly isn’t necessary. Demeter and Macavity had some sort of sex, but it could’ve been consensual, with Demeter enjoying the sex but hating the man. That’s actually what Gillian Lynne seemed to have implied in interviews. However, the kidnapping part of the backstory is important, because it establishes the connection between Demeter and Grizabella. While hiding from Macavity, right before the story begins, Demeter sees Grizabella on the Bad Side of Town. Due to not being a Jellicle before this night, she doesn’t know who she is, and therefore has no bias against her. She just sees this woman living on the streets, humans wondering aloud why she isn’t dead, and felt sympathy for her.

So, when Grizabella appears at the ball and everyone hates her, Demeter wants to intervene, but she doesn’t want to upset her new friends. She came to the Jellicles for protection and is afraid of them rejecting her for siding with their enemy. Still, she tells the tribe what she knows about Griz, possibly trying to convince them to be nicer to her, but it doesn’t work and Demeter just starts following the crowd.

The lyrics Demeter sings, by themselves, are musical exposition that doesn’t imply sympathy. A line like “You’d really have thought she’d ought to be dead” sounds like it could be played as an insult. The words can either mean “I’m surprising the poor thing’s still alive in her condition” or “Why can’t the bitch fuck off and die already?”. Without the context of Demeter’s backstory, Kim Faure picked the latter, when with the context, it’s clearly meant to be the former. So, Demeter’s delivery of her lines in Glamour Cat in 2016 is venomous, almost sadistic.

Later on, towards the end of act one, 2016 Demeter reaches out to Grizabella like she does in most other versions, despite the earlier delivery. What made her change gears? I have no idea.

So, there was a lot of insight on Demeter. She’s the character with the most detailed backstory, making her the closest thing the show has to a protagonist.

Another character that gets a lot of attention, as he demands, is Tugger. Many Tugger actors were interviewed. I think he’s the favorite character of the host of the podcast. Different Tuggers from different eras responded to certain topics differently. Tuggers from the 1980s were unaware that Tugger was commonly interpreted as Not Straight and that Tuggoffelees is a thing. But, the more recent the show their from, the more they’re aware of and interested in the topic. The Tour V Tugger joined very late, during the last few years of the tour. He had access to the internet and could see what the fandom was up to. He played Tugger as ambiguously bi and, though he hadn’t thought of it at the time, liked the idea of the Tuggoffelees pairing. Tyler Hanes, 2016 Tugger, was the only one interviewed who played Tuggoffelees on purpose.

Tyler Hanes was very interesting. He watched the 1998 film while preparing for the role and didn’t seem to like it very much. He wanted his version of Tugger to be his own and avoided taking inspiration from any other version. John Partridge’s Tugger and Hanes’ Tugger being so different from each other might’ve been deliberate.

But, the choreography is what really messed with Tugger’s character. The host of the podcast mentioned Tugger’s pelvic thrusts and Hanes said that he wanted to do that sort of thing, but the new choreography removed all of it. He couldn’t make Tugger as horny or sexy as he wanted to. It was a key part of the character, but the choreography just wouldn’t let it happen. The result is that a bunch of queens fangirl over Tugger, but because Tugger’s defining trait in his number is being vain and obnoxious, the reason why he, of all toms, is considering the sexiest is completely lost. He’s just a dick to everyone (except Misto) and they love him anyway.

Other Tuggers do act like assholes during the number, but it’s not the focus. The lyrics are about Tugger being difficult, but the choreography, often to a comedic degree, isn’t about that. The message of Lynne’s choreography is that DESPITE Tugger being obnoxious, he’s a sex god and that’s what matters to his fans. Blankenbuehlers’s choreography mainly focuses on Tugger being obnoxious, which is a better match to the lyrics, but it makes the character less likable.

Also, I’ve said it before and I’ll say it again: The two most sexualized numbers are Tugger’s and Macavity’s. Tugger’s number is about a man being sexy. Macavity’s number has two women being sexy. Blankenbuehler redid Tugger’s number, toning down the sexuality, but he left Macavity alone completely, so it’s as sexual as it always is. Male sexuality needs to be toned down, but female sexuality is fine. This is what happens when a woman is replaced with a straight dude. I doubt it was done on purpose, but there was definitely some subconscious bias going on there.

The way the casts talk about the two choreographers is also different. Both of them are treated as the experts on the show, more like how a director is normally treated. But, how well they filled that role varied. Lynne could explain what every single move meant. Those who worked with her knew exactly what they were doing. Nobody has ever described any of Blankenbuehler’s choreography with the same detail. In numbers in 2016 that Blankenbuehler left alone, even without Lynne present at all, everything was clearly explained. Skimble actors, since Skimble’s number wasn’t altered much, describe people who’d worked with Lynne talking them through the choreography. No one talked about Blankenbuehler’s work like that. Every move of Lynne’s Jellicle Ball apparently represented something. Blankenbuehler’s Jellicle Ball looks fine, but there isn’t that level of detail.

The rehearsals of the the choreography were paced differently as well. 2016 was apparently put together in something of a hurry. Most Cats rehearsals begin with several days of the cast studying cats and learning how to move like them. 2016 devoted only a few hours to this. Gillian Lynne reportedly visited a rehearsal and was upset the none of the dancers knew how to move like cats. Cats has unique choreography in a unique cat-like style, but the 2016 team had no time to practice it, so they often come across as a bit too human. They’re talented human dancers, but they’re not very cat-like. Blankenbuehler’s choreography is often in a different, more modern urban style, that doesn’t seem like it was done with cat-like movement in mind.

I don’t hate Blankenbuehler. In behind the scenes stuff, he seems like a nice guy that the team liked working with. But, I don’t think he really understood what his role was. He was a choreographer and he did choreography. This would’ve been fine, even great for any other show, but not Cats.

Most modern musical theatre is based on opera. Characters sing about their feelings and that tells the story. The added element of dance takes the feelings of the song and amplifies them. The actors are emoting with their entire bodies in a larger-than-life way that creates an emotional intensity that audiences can empathize with. The music makes the audience feel what the characters are feeling in a way nothing else really can. Music is kind of magical. You hear a certain melody with certain instruments, and suddenly you’re happy, or sad, or angry.

This, by the way, is why going for realism in musicals is a terrible idea. Musicals don’t exist in physical reality. They exist on an emotional level that realism takes away from.

Cats rarely works like opera. The lyrics are mainly just adaptations of whimsical poems, so they don’t tell you much of anything. Memory, which features original lyrics and no dancing is an exception to this rule. In general, because they’re not dance roles, Grizabella and Old Deuteronomy have to use music and song lyrics to play their parts in the story. Jemima also does this whenever she does something connected to either one of them.

But, Cats is normally more of a ballet than an opera. Ballet tells a story purely through dance. Because the lyrics in Cats matter so rarely, it ends up working like a ballet, because the dance, unrelated to the poems, means something. It’s still a heightened reality where music invokes emotions and actors emote with their whole bodies, like in other musicals, but instead of the dance being an amplifier, it’s the storyteller.

ALW really liked a bunch of poems and wanted to put them to music. The result was a bunch of songs with a similar them but no real connection to each other. That works as a concept album, but Webber wanted a musical, an actual show where people danced to his concept album. He didn’t care about the story and didn’t expect anyone else to.

But, other people cared about the story. No one knew how to make a musical that’s not about something. Trevor Nunn added Memory and the storyline with Grizabella as an emotional centerpiece. There wasn’t a clear plot, but, on an emotional level, it now felt like something was actually happening. Gillian Lynne had no idea how to choreograph a musical about nothing, so she didn’t. She came up with her own interpretations of things and made the show about something. Several somethings, in fact. Victoria is going through puberty and discovering her sexuality. Demeter is recovering from an abusive sexual experience, with Bomba having a different attitude towards being in the same situation. The women in the story were given detailed story arcs that often revolved around their sexuality.

How sexuality is portrayed in Cats could be its own essay.

Anyway, Cats tells its story with a unique style of choreography. Because the choreographer is the story teller, Lynne had a lot of influence over the show. She was the one who knew all the details. Blankenbuehler was brought in to choreograph a show, like a normal job for him, not knowing what that would actually mean. He came in to have dance amplify the emotions in the song lyrics like in any other musical, not knowing that that’s impossible to do with Cats. The role of choreographer meant a level of knowledge and control that would normally belong to the director, composer, and lyricist. He didn’t realize that the show having any story at all depended on him.

So, he did stuff that looked cool, but didn’t tell the story, or that took the story in a direction that it wasn’t supposed to go. Tugger dancing in front of a giant mirror is funny in the moment, but that sort of narcissism, though funny, isn’t likable, and Tugger needs to be likable. He’s a major character and he helps save the day at the end by hyping up Misto. But, 2016 Tugger hypes up Misto because if feels like Misto is the only cat he truly respects. He has the same respect for Old Deuteronomy that the others have, but he doesn’t sound quite as sincere when he sings about him. He spends so much of his number antagonizing Munkustrap in particular that it’s hard to believe that he has any respect for him.

What can be learned from these interviews is that Blankenbuehler didn’t know what his job truly was and was there because someone important thought Cats would be more popular in 2016 if it was more like Hamilton and got the Hamilton guy to give it a make-over. Nunn was so proud of the show’s success that he neglected what made it successful in the first place, and the 2016 cast was rushed through rehearsals without proper instructions. Everyone tried their best, but they were all stuck.

For the most part, I blame whoever decided to have Blankenbuehler rechoreograph the show. Blankenbuehler did what he thought his job was and the cast did their jobs to the best of their ability. What really ruined Cats 2016 was an executive decision to fix something that wasn’t broken, believing if they made the Old Big Show more like the New Big Show, that would make people love it again. But Hamilton is no more like Cats than a cat is like a dog.

#cats 2016 #lots of cats tours #really long post #andy blankenbuehler is bad at cats #but it's not his fault #a cat is not a hamilton #gillian lynne #don't let her legacy die with her

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