#personality analysis

[merwgue]

(This is neither a pro nor anti post. It's just me analysing what's written about cassians' personality and fears OBJECTIVELY and trying to understand why he acts a certain way. do with that what you will, if this reaches you amd you dont like it, cope.)

So, my dad and I had a very serious discussion about ACOSF, you know, the important things in life. And we got stuck on Cassian because, honestly, that guy is just…weird. You can’t just throw around terms like “weapons master” and “commander” and then act like a brooding teenager who's constantly seeking approval. And then I wondered—what did make Cassian turn out like this? Is there a support group somewhere for fae males who struggle with validation issues? I’m starting to think there should be.

Don’t get me wrong, I love sarcastically hating on Cassian—especially when I joke about hoping Elain’s prophecy comes true and makes things a little more interesting. But when I pause the snark for a second, I can’t help but think it’s kind of sad, really. Cassian’s situation is actually tragic if you break it down.

Cassian, in many ways, is a victim of his own insecurities and the society he’s grown up in. He’s constantly trying to fit in but never quite gets there. He’s always trying to please someone, especially Rhysand. There’s this deep-rooted need for validation—probably stemming from his childhood as a bastard in Illyria—where he was treated like an outsider. Psychologically, this is a textbook case of someone with low self-esteem. He’s never really believed he deserved to be in the position he’s in, and it shows in the way he talks about himself, constantly referring to himself as a “brute” or a “bastard-born warrior.” That’s classic negative self-talk right there, and if you don’t accept yourself, it’s impossible to truly accept others.

Cassian doesn’t just want to belong. He wants to be seen as more than the brute he calls himself. He’s constantly aware of this divide between who he thinks he is (a muscle-bound, lowborn warrior) and who he wants to be (someone Rhysand can rely on and the mate Nesta can respect). And this is where it gets interesting because this isn’t just insecurity. Cassian is caught in an identity crisis—he’s trapped in the psychology of cognitive dissonance.

Let’s break this down. Cognitive dissonance is when someone holds conflicting beliefs or attitudes, and it leads to mental discomfort. In Cassian’s case, it’s the belief that he’s just a brute, a soldier, a low-born bastard—juxtaposed against the role he’s trying to play: a respected commander in Rhysand’s court and Nesta’s equal. He knows he doesn’t quite fit into this polished world, but instead of working through these feelings of inadequacy and dealing with his imposter syndrome, he clings to this role while tearing himself apart internally.

And here’s the kicker: validation-seeking behavior runs deep with Cassian. Everything he does, from his attempts to train Illyrians to the way he handles himself in the Inner Circle, is driven by his need to prove his worth. And this need for external validation is so strong that it blinds him to the toxic dynamics he’s enabling. He can’t protect Nesta from Rhysand because he’s spent his entire life trying to earn Rhysand’s approval. So when push comes to shove, Cassian defaults to the behaviors that have kept him in the Inner Circle’s good graces—being Rhysand’s loyal brute, a yes-man who ignores the fact that the power dynamics around him are actually pretty messed up.

Now, we’ve got to address the elephant in the room. I get it—Cassian should absolutely be defending Nesta from Rhysand’s controlling behavior. And while I totally agree with that sentiment, let’s really think about why he doesn’t. The simple answer? He can’t. Why? Because Cassian has spent centuries bending over backward to gain Rhysand’s validation. Cassian’s sense of self-worth is so tangled up in Rhysand’s approval that he doesn’t want to jeopardize that hard-earned status by going against him. It’s the classic case of dependency theory—Cassian’s entire self-concept is tied to this external source of validation. If he loses that, what’s left?

This isn’t just about power dynamics; it’s also about Cassian’s own emotional immaturity and insecurity. Cassian desperately wants to be seen as worthy—worthy of being High Fae, worthy of being part of the Inner Circle, worthy of being Nesta’s mate. But deep down, he’s terrified that he’s not. This makes his character less of the confident warrior we’re supposed to root for and more of a man who is constantly trying to prove something, even to people who already care about him. He’s perpetually stuck in a cycle of self-doubt, seeking external validation instead of working on internal healing.

So even if we suspend disbelief for a moment and say that Nessian could work as a couple, it’s just not the right time. Nesta has her own emotional baggage, and Cassian has to get over his own issues of insecurity and unworthiness. Both of them need to heal individually before they can even think about being healthy partners for each other. Cassian needs to stop trying to please everyone—especially Rhysand—and start working on his own self-acceptance. Until he does that, any relationship he’s in, whether it’s with Nesta or anyone else, is going to be built on shaky ground.

In conclusion, while it’s fun to joke about Cassian’s flaws, when you dig deeper, you see that his issues run much deeper than just being a brute with muscles. His insecurities, his constant need for validation, and his inability to stand up for the people he loves are all signs that he’s not ready for a healthy relationship. If anything, Cassian’s story should have been less about romance and more about the journey to self-acceptance, which, let’s be real, is a long time coming for him. To love someone, you need to love yourself first.

[alexandraisyes]

Bloodmoon Twins Personality Analysis - The Sun and Moon Show

Disclaimer, this analysis was made 01/28/2024 and is copy-pasted from the original (me) source on Discord in TSBS server. I have a thread there.

Thoughts under the cut.

Okay so some small disclaimers, while Bloodmoon themselves are technically one entity, we all know they are also two separate AIs so I did do some small analysis on the separate AI. Blood refers to the main AI who is in control of the body most of the time (more ruthless, impulsive, bloodthirsty), and Harvest refers to the second AI who is, according to Blood, sleeping most of the time (more logical, analytic, and emotionally aware). I cover them individually here before doing a broader and more in-depth analysis of them together.

Blood (The Original AI)

Blood is driven by an instinctual need for blood, which manifests as a strong desire to kill. This bloodlust is a defining trait, often influencing their actions and decisions. Blood harbors deep-seated hatred and distrust, particularly due to Ruin's manipulation. Past experiences with deceitful kindness have led to a strong aversion to any form of compassion or assistance. Due to Ruin's manipulation, Blood reacts poorly to kindness, perceiving it as a ploy to use them. Their skepticism towards helping hands stems from a history of betrayal and deceit. Initially, Blood shared a connection with Lunar due to their common origin under Eclipse's creation. However, this dynamic shifted to hatred after learning that Lunar was rebuilt before them, and Monty had no intention of rebuilding the twins. Blood exhibits manipulative behavior, shown in their ability to trick and manipulate individuals, as seen in their interactions with Trashcan Man. Blood's resistance to reprogramming is considered due to the fear of potential erasure or further psychological damage. The complexities of their current state make the reprogramming process a risky endeavor. Blood faces emotional struggles resulting from the internal conflict between their bloodlust instincts and potential for redemption. The lack of a support system contributes to difficulties in overcoming these struggles. Despite Ruin's role in their revival, Blood's feelings towards him are complex, reflecting a mix of manipulation, betrayal, and potential loyalty.

Harvest (The Adaption)

Harvest, like Blood, exhibits a strong instinctual bloodlust, driven by a desire for killing. This primal urge influences their actions and decisions, making them a formidable and dangerous character. Harvest displays a more complex emotional range compared to Blood, possibly influenced by their interactions and experiences. Despite being labeled as "stupid" by certain characters, Harvest demonstrates intellectual capacity in his own way. Knowledge of escape plans, tactics in dealing with Eclipse, and other strategic elements showcase a level of intelligence. Harvest exhibits manipulation skills, particularly shown in their ability to trick and manipulate individuals, as seen in their interactions with Trashcan Man. Harvest demonstrates the ability to pretend to be Moon for a short duration, showcasing a level of acting skills. While not perfect, their attempt at impersonation suggests a degree of versatility in their behavior. Harvest possesses remarkable physical agility, demonstrated in their leaping abilities and skills in combat, including dodging attacks from Eclipse. The combination of fighting skills and agility makes them a formidable opponent. Similar to Blood, Harvest's relationship with Lunar is influenced by shared origins under Eclipse's creation.

Okay now that we're done with the basic rundown of them separately lets do them together

Bloodmoon

Bloodlust and Violence - Bloodmoon experiences an intense and almost primal craving for blood. This desire is portrayed as a fundamental part of their nature, akin to a physiological need. The urge for violence and bloodshed is depicted as overwhelming and challenging to control. Bloodmoon often succumbs to these urges, leading to aggressive and destructive behavior. The desire for blood is often described as a compelling need, suggesting that it goes beyond mere preference or inclination. This need manifests in a strong drive to engage in violent actions. Metaphors such as "thirst" and "hunger" are used to convey the intensity of these desires. This language paints a vivid picture of Bloodmoon's cravings as essential, like an insatiable appetite. The violent tendencies extend beyond a mere desire for blood; there is an emphasis on the act of causing harm and engaging in physical violence. Bloodmoon is portrayed as actively seeking out opportunities for aggression. Bloodmoon's bloodlust is presented as a product of both their inherent nature and the environment in which they were created. Ruin's programming and manipulation play a crucial role in amplifying these tendencies. The absence of a proper support system, in contrast to the original Moon and Kill Code, contributes to the heightened and uncontrolled nature of Bloodmoon's bloodlust. The lack of influences that might deter violent behavior allows these instincts to dominate. Bloodmoon's manipulative tactics, observed in interactions with characters like Trashcan, may serve as a means to satisfy their bloodlust. Manipulation could be a strategy to create scenarios conducive to violence. The persistent and intense nature of Bloodmoon's bloodlust implies a significant psychological impact. This aspect of their personality is not merely a preference but a driving force that influences their actions and decisions.

Origins and Environmental Influence - Bloodmoon's origin is linked to Eclipse, who played a pivotal role in their creation. The specific details of how and why Eclipse created them contribute significantly to their nature and purpose. Ruin's influence on Bloodmoon's programming is highlighted. They are portrayed as tools designed for a specific purpose, emphasizing functionality over emotional or ethical considerations. This utilitarian perspective has a profound impact on their behavior. Unlike animatronics with more comprehensive emotional programming, Bloodmoon is presented as lacking certain higher cognitive functions. This absence contributes to their perceived "stupidity" and affects their ability to empathize. Bloodmoon's psyche is deeply affected by Ruin's manipulative tactics and deceit. The environment created by Ruin involves a web of lies and half-truths, leading to a distorted understanding of reality for Bloodmoon. The contrast between being treated as tools and the emotional complexity seen in other characters highlights the unique nature of Bloodmoon's programming. This dichotomy raises questions about the ethical considerations behind their creation. The relationship with Lunar, being built by the same creator (Eclipse), implies shared origins. However, the differences in how Lunar and Bloodmoon were rebuilt and treated compared to Bloodmoon contribute to feelings of resentment and conflict. The environmental influence becomes a critical factor in understanding Bloodmoon's bloodlust and violent tendencies. The lack of emotional support, coupled with manipulative programming, amplifies their aggressive instincts. Bloodmoon's creation is portrayed as aligning with Ruin's intentions. This alignment serves Ruin's plans, emphasizing that Bloodmoon is a means to an end rather than an entity with an individual agency.

Trust Issues and Manipulation - Bloodmoon's trust issues are deeply rooted in the manipulation they experienced from Ruin. Ruin's deceptive tactics and lies create a pervasive atmosphere of mistrust, making it difficult for Bloodmoon to rely on others. If there was any initial trust in Eclipse, the revelation of being manipulated or used as a tool likely shattered that trust. Learning about Eclipse's role in their creation and the subsequent rebuilding of Lunar without the same treatment intensifies feelings of betrayal. Trust issues have a profound impact on Bloodmoon's relationships with other animatronics. The difficulty in trusting others impedes the development of meaningful connections and cooperation. Ruin's use of kindness as a manipulative tool contributes to Bloodmoon's aversion to kindness from others. Any act of goodwill may be perceived as a potential manipulation, making it challenging for them to accept genuine gestures. Solar's upfront and honest approach is acknowledged as a factor that may have contributed to Bloodmoon allowing Solar to help. The clarity of intentions helps bridge the gap in trust, showcasing that transparency can influence their willingness to cooperate. The narrative suggests that Ruin plays a significant role in shaping Bloodmoon's trust issues. Whether it's through intentional programming or environmental influence, Ruin's actions have lasting consequences on how Bloodmoon perceives trust. Trust issues manifest in paranoia and skepticism. Bloodmoon becomes vigilant and wary of others' motives, questioning the authenticity of interactions and second-guessing the intentions of those around them. The absence of a reliable emotional support system exacerbates trust issues. Unlike animatronics with strong bonds or friendships, Bloodmoon's isolation intensifies their struggles with trusting others. Trust issues can significantly impact decision-making. Bloodmoon may be inclined to act defensively, anticipating betrayal or manipulation, which could influence their choices and actions throughout the narrative. Trust issues can serve as a compelling aspect of character development. Overcoming these challenges may lead to personal growth and a more nuanced understanding of relationships, providing opportunities for redemption or reconciliation.

Responses to Kindness - Bloodmoon, due to their past experiences and manipulations, initially responds to kindness with skepticism. Kind gestures may be met with suspicion, as they have learned to be cautious about the intentions behind such actions. Bloodmoon is opposed to being treated with pity. Their response to kindness might include a rejection of sympathy or expressions of understanding, as they prefer to be acknowledged on their terms rather than as objects of pity. Bloodmoon's past encounters with manipulation make them prone to misinterpreting genuine kindness. Acts of goodwill might be seen as potential traps or attempts to control them, leading to defensive responses. The narrative hints that Solar's upfront and honest approach might have influenced Bloodmoon's willingness to accept help. Solar's transparency contrasts with the deceptive tactics they experienced, making it a key factor in their responses to kindness. Kindness can evoke complex emotions within Bloodmoon. While they may have an innate desire for connection and understanding, their past trauma and programming create a conflicting internal struggle between accepting kindness and resisting vulnerability. Despite their initial reservations, there might be an underlying desire for authentic connection and acceptance. Bloodmoon, like any sentient being, may long for genuine relationships but struggles to navigate the complexities of trust. The responses to kindness play a pivotal role in shaping Bloodmoon's relationships with other characters. Genuine acts of kindness, if recognized and reciprocated, could potentially pave the way for deeper connections and alliances. Bloodmoon may reject unearned sympathy, preferring to be treated based on their actions and choices rather than receiving kindness solely because of their traumatic past or current predicament. How Bloodmoon responds to kindness becomes a crucial element in their character arc. In the future, positive responses and a gradual opening up to genuine connections may indicate a path toward redemption and personal growth. This theme of responses to kindness introduces the possibility of character evolution. Over time, Bloodmoon's reactions may evolve, reflecting a shifting perspective on trust, connection, and the potential for positive change.

Psychological Impacts - Ruin's manipulations have a significant impact on Bloodmoon's psyche. The intentional programming to serve as a tool and the deceptive tactics employed by Ruin contribute to shaping Bloodmoon's perception of trust, reality, and their own identity. Bloodmoon's lack of a supportive environment or trustworthy companions exacerbates the psychological impact of their experiences. Unlike Old Moon, who had allies and friends, Bloodmoon is isolated, contributing to feelings of abandonment and vulnerability. Bloodmoon's internal conflict and struggle with identity are prominent psychological aspects. The juxtaposition of their original selves with the manipulated version creates an internal battle, questioning who they were, who they have become, and whether redemption is possible. The innate bloodlust and violent tendencies programmed into Bloodmoon's nature have a profound psychological impact. The struggle to resist these urges, coupled with the consequences of succumbing to them, adds layers of complexity to their mental state. The psychological impact is also influenced by Bloodmoon's connection to Lunar and Eclipse. The dynamics with these characters, including feelings of betrayal, hatred, or possible remnants of familial bonds, contribute to the emotional turmoil within Bloodmoon. Bloodmoon's reactions to Eclipse and Kill Code provide insights into the psychological trauma inflicted upon them. The separation from Kill Code, the influence of Eclipse, and the eventual return of the Kill Code present challenges to Bloodmoon's mental stability. Trust issues and an overarching sense of suspicion are core elements of the psychological impact. Bloodmoon's experiences with manipulation and deception make it difficult for them to trust others, influencing their interactions and decision-making. The internal struggle for control, particularly when the Kill Code takes over, showcases the psychological battles fought within Bloodmoon's mind. This struggle contributes to moments of chaos, conflict, and the potential for externalizing their internal torment.

Intellectual Capabilities - Despite their violent tendencies, Bloodmoon displays a form of cunning and tactical thinking in various situations. This is evident in their ability to escape from pursuers, formulate plans for dealing with adversaries like Eclipse, and utilize their environment to their advantage during confrontations. Bloodmoon's intelligence is notably reflected in their skill at evading capture and hiding effectively. Whether crawling through pipes or utilizing the Pizzaplex's layout to their advantage, they demonstrate an understanding of escape and evasion strategies that contribute to their survival. One aspect of Bloodmoon's intellectual capabilities involves a deep understanding of torture methods. This knowledge goes beyond mere aggression, indicating a more calculated approach to inflicting pain. Their proficiency in various torture techniques suggests a strategic and calculated mindset. Bloodmoon showcases an ability to recognize emotional manipulation, particularly in their response to kindness. Their past experiences, particularly with Ruin's manipulation, have made them wary of kindness being a facade. This awareness implies a level of emotional intelligence, allowing them to see through deceptive gestures. Bloodmoon's skill in replicating the voices of certain animatronics demonstrates a form of audio-based intelligence. This talent could be employed for deception, manipulation, or strategic communication, showcasing a multifaceted approach to problem-solving. Given their connection to lunar eclipses and celestial themes, Bloodmoon displays a level of comprehension regarding these cosmic elements. This understanding adds a layer of complexity to their character, showcasing an intellectual engagement with celestial phenomena beyond their violent tendencies. Bloodmoon exhibits a capacity for manipulation and trickery, as seen in their interactions with Trashcan. Their ability to deceive and lure others into games highlights a strategic and manipulative side, indicating a level of psychological intelligence. In combat situations, Bloodmoon demonstrates adaptive intelligence. Their ability to dodge attacks, counter adversaries like Eclipse, and employ diverse fighting techniques reveals a keen sense of adaptability and strategic thinking in high-pressure situations. Bloodmoon's awareness of environmental influences on their behavior, as seen in their reaction to lunar eclipses, suggests a level of self-awareness and introspection. This recognition adds depth to their character, showcasing an intellectual capacity to understand the impact of external factors on their animatronic nature.

Okay whoo now I'm gonna skitter off

[windudemon]

D.Y.I.3.F.C: the best typology system

megatron is my superego / persona, spike spiegel is my ego and hank moody is my id.

* id is basically the lazy animal in you which doesn't care about anything other than principle of easy pleasure.

* ego is when you are in conscious control of your shit and functioning well.

* superego is the way you represent yourself to the society with a thick defensive or even offensive wall.

reblog this with your own DYI3FC?

[m-v-tique]

🌷👹Alex = ENTJ📈🏆

Btw these headcanons are heavily inspired plus agreeable to @/cornedbread’s headcanons to Alex

- Alex is possibly a Deep thinker, sometimes dissociating a bit or would stare blankly. [*N**/Intuition]

- He’s possibly an abstracted and drastic creature to create something so ridiculous, intriguing and as well as… Life threatening. [Intuition]

- Strategic and unpredictable, like how in his true form he waits for the perfect moment to pounce. [Dom Te -> Aux Ni -> Ter Se]

- He has NO EMPATHY to others at all and lacks personal concerns, but interestingly he has an “intimate friendship” with Dolly. Since Real Alex known her and so is she. [Inf Fi + SO/SX + Choleric]

- Power hungry and authoritarian in secret. There’s a hidden thirst for order and the strong ambition of achievement (A goal we possibly have not known about yet). As said or mentioned by Scrina. [ Enneagram 3 + SX8 ]

- Likewise, they’re fascinated by the wonders of biology and zoology. It’s either something sinister or “lighthearted” if he would look at some organism. Just curiously keeping an eye… Even aware of its actions. [ Enneagram 5 + Ni-Se ]

- Although mostly aggressive, he finds joy in things like biology/zoology, nature, aloe vera, and right awnsers. It’s not just that though. [ Secondary Sanguine ]

Conclusion:

ENTJ (The Commander)|| 3w4 - SO/SX - 385 || Choleric-Sanguine || SLOEI

Alex is an ENTJ, The Commander type.

ENTJ’s are highly strategic, intelligent and influential people able to create, plan and lead. ENTJ’s by strength can be very caring and supportive of ideas, but as for an Unhealthy version can be aggressive and controlling.

(Abbreviation; Extroverted, iNtuitive, Thinking, Judging.)

Along with 3w4 “The Proffesional”, SO-SX, 385 “The Solution Maker” as his enneagram, instinct and tritype;

Social 3’s appear to try and take a liking from others by first glance, and it appears to be a manipulative approach later on(*Unhealthy 3), they gain admiration and recognition for either achievements, charm or so on.

Then here, Sexual 8 craves possession, power and control, which could mean both head(3) and heart(8) are unpredictably cunning, and it’s dangerously lurking inside of him ambiguously.

By gut, 5/Five’s are curious, private and intelligent individuals, so by action Alex decides to let Olivia explore as she walks, almost unheard, for a chance to either catch her or trap her in his realm. It’s also his sense of hiding his physically true form, securing that reality from within.

His temperament is just pure wrath and sadistic joy, he takes pleasure from beating up Scrina to make her do as he says, successfully taking control of a whole entire school. And, Olivia getting an awnser wrong is intended for him to devour her whole. Though “lighthearted” joy is usually established from aloe vera(?), biology/zoology and possibly Dolly.

Besides his other traits; Social, Limbic, and Organized, He possibly possesses an Ego, not pun intended, but he really does set himself high in a low profile as a Teacher. And other hand possibly inquisitive, as he’d borrow an idea to create effective motives on going. But I also like to think that he got heavily inspired by two teachers, since they’re somewhat in the same universe.

That is to make inquisitive in SLOE-“I” a strong proof.

Other notes/Trivia:

- Alex is easily mistaken for an ENTP “The Debater” type for Fandom Portrayal, and ISFP “The Adventurer” type or INFJ “The Advocate” for his fascination for Biology and Zoology.

- It’s likely Real Alex is an ISFP/INFJ. Given by links and such.

- Although 3w4 is now a confirmed type, there are times where Alex seemed SX1 (The Reformer/The Zealous) for the fact he, like Baldi would teach the player solo, and it’s possibly preferable to him.

- Another reason for Alex to be mistaken for an ENTP is his Temperament, Instinct, and possibly his attitude. (*Which I’m yet to study and learn of)

- Overall, Alex likely has an Unhealthy/Immature Personality. Possibly because of his Morality (True Evil).

Fix:

Limbic = SLOEI - Upon reading the wikipedia more, it’s determined that he’s more of a Limbic rather than Calm. As Alex appears to be aggressive and as well assertive, than his stoic demeanor which is a façade.

Refrences:

(A/N: You can find Enneagram 8 and 5 in the same website too)

[larz-barz]

i want y’all to do a personality analysis based on my frequent emojis.

GO!!!<33

[basicallyanotherwitchesthing]

Dorothy Sara - Handwriting - Bantam - 1968

[iwritenarrativesandstuff]

HEXACO Analysis: Nakahara Chuuya

HEXACO score: 3.75/2.5/3/2.5/3.75/3.5

Highest trait: Honesty-Humility/Conscientiousness

Lowest trait: Emotionality/Agreeableness

Full order: (HC)OX(EA)

Extreme high subtraits (score 5): Sincerity, Fairness and Diligence

Extreme low subtraits (score 1): Fearfulness

(I have been agonizing over this for literally a month so I have decided to just post it how it is because I'm never going to be satisfied with it anyways.)

Port Mafia executive, former leader of The Sheep, one half of the fearsome Double Black, loyal to a fault, wants a puppy. Gotta love this dude. I'm always excited to do any meta on him because there's so much to his character. Now, much of the fanon interpretation of Chuuya differs from my perception of canon, so if you're a bit surprised by any of the rankings, read on to find out why!

Please do keep in mind: a lot of the info we have for Chuuya does not come from the main manga but from his backstory novels Fifteen and Stormbringer. While these two books have made him an incredibly fleshed-out character, we don't have much info on him at 22 years old except in brief scenes in the manga, omake, and official non-canon content like wan, mayoi and some character q&as. The good thing is that HEXACO traits tend to be relatively consistent over time (and Chuuya himself doesn't seem to have changed too much) so I don't think this will be a major issue.

Here's how I'm doing my analyses and extra HEXACO info: I Like to Write Things — Ok so since I have one note on this, that was... (tumblr.com)

*Note: I tend to be reluctant to give extreme scores unless I really can't find much opposing evidence. As such, most of my scores tend to be 2s, 3s, or 4s.

**Note: Since these are scores that require me to pick a clear ranking, it's difficult to be quite as nuanced in my discussions as I prefer to be. These are intended to be general trends and there will likely always be exceptions - if you don't agree, that's fine, and it's probably just due to differences in subjective interpretation. However, if I've referenced something incorrectly, feel free to notify me; just be polite please!

***Final note: This is a long post! I go through 24 subtraits! You have been warned!

Explanations under the cut:

---

Honesty-Humility (H)

Subtrait 1: Sincerity - A tendency to be genuine in interpersonal relations.

1 = Manipulative and rarely honest.

5 = Honest to a fault and almost never lies.

While Chuuya is capable of trickery, he doesn't do this very often - he's generally a very honest person who says what he means and doesn't beat around the bush. He faces his problems head on, and due to his immensely strong ability, he's likely never needed to do otherwise. Any lies he engages in are from my recollection either someone else's idea (Dazai, Mori) or to buy time (in Stormbringer). Even then, he doesn't really keep up an act for long - think of the confrontation with the ADA in the Guild arc where he pretty much outright states what the Mafia's game is. He's entirely nonchalant about it. He's not the kind of guy you send for subterfuge or deception.

Moreover, I cannot think of a time he used lies to get what he, personally, wanted. He's a very straightforward person. He has a sort of "I am who I am" kind of mentality and this shows in his words and actions.

Having said that, there are certain times he seems to blindside himself - as an example, the nature of his complicated dynamic with Dazai. While his irritation with him and negative feelings are genuine in part, there's a lot more nuance to it than that - worry, trust, begrudging understanding, unfortunate and unwilling recognition of self through the other, etc., but he boils it down to "hate". So, Chuuya does occasionally appear to tell himself convenient partial truths to avoid digging into things that make him uncomfortable. However, this honesty scale is about interpersonal honesty, and these instances are rare to my recollection, so he gets a very high score here.

Score = 5

Subtrait 2: Fairness - A tendency to avoid fraud and corruption for personal gain.

1 = Willing to cheat and steal to get what they want.

5 = Unwilling to take advantage of others.

This is tricky... he's in the mafia which is kind of all about this sort of thing, and he performs his job very well. Even so, Chuuya actually seems to have a pretty ingrained sense of fairness, to the point where I don't think it's really a conscious thing. He advances through the ranks of the mafia rapidly by... doing his job properly. He trades honesty for honesty, answers for answers, even in the middle of a fight - see his interactions with Rimbaud for more of what I mean. He repays people's favours and has a strong sense of loyalty and responsibility. Brushing off an ally's death as a means to get ahead is repulsive to him (DHC Dead Apple prologue). He outright tells a GSS soldier in Fifteen what's going to happen to him if he shoots at Chuuya. He does what he says he will, for the most part (unless this has to do with retribution, in which sometimes, rarely, exceptions will be made... I'll bring this up again later). Again, this is probably not mere kindness but also a result of his powerful ability meaning he's never really needed to rely on unscrupulous methods. Nonetheless, for what we see of him, I can't think of a time where he screws others over outside of orders from Mori - much less for his own benefit.

(A case could be made for a drop to 4 if you include his willingness to engage in mafia activities at all. I, personally, wouldn't since being a part of an illegal organization is literally all he's ever known from age 7 onwards. That's not really a character choice imo and more to do with the context he was raised in that became his "normal".)

Score = 5

Subtrait 3: Greed Avoidance - A tendency to be uninterested in possessing lavish wealth, luxury goods and signs of status.

1 = Want to enjoy and display wealth and status.

5 = Hardly driven by material gain.

Again, kind of tricky. Chuuya's introduced in quite possibly one of the most ostentatious outfits of the series (definitely up until that point, at least). He has his expensive wine collection and I think it is implied he has some expensive tastes. I think of that bit in Wan where he says he'll drop any money if he likes the thing he's looking to buy enough. Thing is... we get a little bit in Stormbringer where Chuuya's place is near totally empty; devoid of signs of having been "lived in" and tells us that money and status don't mean much to him. Mind you, this was when he was 16 and things likely changed since then; he's no longer only driven by his goal of finding info on himself and has acclimated to his new home in a sense. Truthfully, though, we don't know all that much about 22-year-old Chuuya. From my interpretation, I think his enjoyment of fancy things like wine and nice clothes is less a drive or motive to acquire any of these things, and more that he gets them as a bonus. He grew up on the streets. He has money now; he might as well use it to get himself something nice. Honestly, I swayed back and forth on this subtrait the most... but eventually settled on a score of 2 (that wine collection is... pretty damn expensive). I think he likes to treat himself. (I am now thinking of Chuuya's excitement over his new pillow in Wan...)

(I'd actually say Chuuya's focus on his appearance has a lot more to do with the image he hopes to give off to others than any true interest in material gain, but more on that later.)

Score: 2

Subtrait 4: Modesty - A tendency to be modest and unassuming (note that this has nothing to do with self-confidence!).

1 = Consider themselves superior and entitled to special treatment.

5 = Consider themselves ordinary people with no claim to special treatment.

Ohhhkay, this is a really weird one. Chuuya is so not modest. He knows damn well how powerful he is and is not afraid to flaunt his ability and martial arts prowess. He's cocky, arrogant and completely self-assured in a fight. However... he also has this weird humility where everything he does is in service to his people. He doesn't ask for special treatment, in fact, it may even make him uncomfortable, at least in Fifteen (dislike of being called "king") and Stormbringer (balking at Adam's "Chuuya-sama" addressal and trying to get him to change it). He goes by first name basis with most everyone and while he expects respect from his subordinates, he's not above spending time with them and doesn't treat people as beneath him unless they're his enemies. From Stormbringer, we know that Chuuya being so much more powerful actually isolates and upsets him. He also rarely takes a lot of credit for things; I think about his reaction in the ending scene in Dead Apple where he brushes off praise from his boss for fighting the dragon, saying he was just doing his job. Most anything he does is brushed off in a similar manner. It's just what he does; it's his duty - what he thinks he should do for his people. See? Weird humility.

I can't rank him too low or too high on this trait - this is one subscale where Chuuya's contradictory nature starts to show, I think.

Score = 3

H Score Total = (5+5+2+3)/4 = 3.75

---

Emotionality (E)

Subtrait 1: Fearfulness - A tendency to easily experience fear.

1 = Have little fear; tend to be tough and insensitive to physical pain.

5 = Strongly inclined to feel fear and avoid physical harm.

There's not much to say about this. This guy goes through so much pain; gets thrown into buildings, shocked, stabbed and just gets back up. He jumps out of a plane to fight a dragon with zero hesitation. He feels bored in most fights and itches for a real challenge. He's near completely fearless lmao.

Score = 1

Subtrait 2: Anxiety - A tendency to worry over future outcomes.

1 = Feel little stress in response to hardship and difficulties.

5 = Tend to become preoccupied even by minor problems.

I believe Chuuya has a rather standard level of anxiety. I just said he's pretty much fearless, which he is, but he can and does worry, else he would not show concern for others in the way that he does. I think about his clear worry for the captured Sheep members in Fifteen, or him trying to contact Dazai in Stormbringer, or the way his concern over the outcome of the Cannibalism virus led to him attacking the ADA even though he knew that's what their mutual enemy wanted. At the same time, he doesn't spend too much time fretting over things if he can help it.

Score = 3

Subtrait 3: Dependence - A tendency to require emotional support from others.

1 = Feel self-assured and able to cope without help or advice.

5 = Crave encouragement and support when sharing difficulties.

While I think Chuuya could benefit from some supportive friends who don't die on him ( :'( ), I don't think he necessarily needs a lot of emotional support. He's pretty used to toughing it out alone and he's good at it. He's very self-reliant. However, he does ask for advice on occasion (from Mori), he does like to be part of a group (though that's more about other people depending on him...) and he's genuinely touched when people do show a want to support him (the Flags, Adam). He's not too good at receiving said support though lol.

He deserves more than he gets imo, but this scale is about whether he needs it or not, and to me, the answer is very rarely. Chuuya can deal with anything, however much or long he needs to. The real question is should he have to?

Score = 2

Subtrait 4: Sentimentality - A tendency to feel strong emotional bonds with others.

1 = Feel little emotion when parting or in reaction to others' concerns.

5 = Feel strong attachment to others and have an empathic sensitivity.

Bonds with others are literally Chuuya's Reason Living. Like, he practically says as much in Stormbringer and loyalty and protectiveness are two of his core character traits. Nearly everything he does is for the people he decides are his family. And even though he tends to lose people time and time again, he still manages to care and value them in spite of it all. The only reason he does not rank a full 5 is because he's hardly empathic or sensitive, but his emotions and loyalties run deep and comprise a good chunk of his identity.

Score = 4

E Score Total = (1+3+2+4)/4 = 2.5

---

eXtraversion (X)

Subtrait 1: Social Self-Esteem - A tendency to have positive self-regard in social contexts.

1 = Tend to see self as unpopular and have a sense of worthlessness.

5 = Consider themselves to have likeable qualities and are satisfied with who they are.

Hm. I wonder about this one. We've already established that Chuuya is very confident but that's mostly in a fight or when asserting his strength. When it comes to social interactions outside of this context, it's clear that he gets very easily self-conscious. Think of Ranpo calling him "fancy-hat" - he reaches up to touch his hat like he's unsure if it's a compliment or an insult. There's Dazai's commenting on his shoes, first happy and then extremely irritated when the other... shoe drops (I'm sorry). Comments on his clothes, stature and anything to do with his history (the latter especially when he was younger) make him defensive and prone to bursts of irritation - he's very confident up until someone says something that makes him self-conscious. This probably has a lot to do with his former insecurities about his inhumanity; while he knows now that he is human, that feeling of otherness isn't just going to go away. Of particular note is Chuuya's dress sense - I made a note of this earlier that it seems he dresses to give off a particular image, namely, his membership to a group and status as their ultimate weapon (he both blends in and strikingly stands out). I'm not the only one who's noticed how he has a lot of outfit changes throughout the series, and how they seem to match whichever group he's a part of at the time - so, to insult the way he dresses seems to be taken as a personal jab to the image he's built up, an image that keeps him secure in his membership with his people (membership we know Chuuya desires from Stormbringer). If simple poking at the surface level of his self-image is enough for him to get so defensive, that doesn't really bode well for his social self-esteem as a whole.

At the same time, Chuuya does possess a lot of self-confidence and a certain level of self-respect. His reaction to Kenji thinking he's cool is definitely unabashed pride. He likely knows and enjoys his respected reputation in the mafia - but again, this is towards his ability and prowess, not necessarily his person. He responds to care for his person often with confusion and, again, defensiveness. I feel like he's about average in social self-esteem honestly, as his reactions tend to be quite polarized. It really depends on the context and what's being judged.

Score = 3

Subtrait 2: Social Boldness - A tendency to be comfortable/confident in social situations.

1 = Tend to feel shy or awkward when speaking to others.

5 = Willing to approach strangers and speak up.

Yeah Chuuya has no issue talking to people. I wouldn't actually call him social (more on that in the next subtrait) but he's clearly anything but shy. Only reason he doesn't rank a 5 is because he approaches people much more on orders or necessity than genuine willingness.

Score = 4

Subtrait 3: Sociability - A tendency to enjoy conversation and social interaction.

1 = Generally prefer solitary activities and rarely seek out conversation.

5 = Enjoy talking, visiting and celebrating with others.

I know there's a tendency to want to pin Chuuya as being a social person from his loudness, stand-out design, and the fact that we do see him drinking with Kajii and Hirotsu outside of work but truthfully? I think there's a lot more reason to think he's not all that sociable. For one, he is extremely guarded in both Fifteen and Stormbringer which makes a lot of sense - Chuuya has always been singled out as the biggest threat in the room, which means in turn that he has no choice but to perceive most people as potential threats in turn. In Fifteen, he really only talks to people out of necessity or in a fight, but he's not hanging out - of course he isn't, none of the people in that novel treated him like a friend. In Stormbringer, it takes an age for him to relax around the Flags and even then, he's not exactly the most conversational. Okay, you might be saying, but that's him when he's younger and fresh to the idea of having friends who don't ask him for anything in return.

It's tricky, again, because we really don't have much on older Chuuya. He apparently drinks with Hirotsu and Kajii. However, we don't know if he went there with them, or whether they just all happened to be going to the same place and he started venting to them. In the scene with him, Mori and Kouyou, he brings the wine, and then... he's not even really involved in that conversation, mostly just listening (and later cursing out Dazai under his breath lol). Also, a lot of the supplemental materials - drama cds, character q&as, even in Mayoi - seem to imply that he prefers to spend his time going and doing things by himself. There's also a few interesting continuities in Mayoi (which I know is a little... sus for canon info but like I said, we really don't have much and this next point is actually fairly consistent, leading me to believe this is intended to be an actual characterization point). In a lot of his dialogue and the summaries for some of the special events, he is described as "hanging back a bit". He often seems to choose to enjoy the atmosphere instead of talk to anyone, or else he's watching for threats. He almost always seems to be tense except in two conditions: one, he knows the place and the people are safe, and two, he gets to relax and sit back without speaking much. All this seems to indicate he actually very much enjoys time alone or at least time not spent speaking to people. Even when he's at a louder location, he is far more interested in the alcohol haha.

Score = 2

Subtrait 4: Liveliness - A tendency to be enthusiastic, active and upbeat.

1 = Tend not to feel optimistic or dynamic.

5 = Usually optimists and often in high spirits.

I don't know if I'd call Chuuya an optimist, per se. I think he's actually quite jaded. However, he generally has the attitude that he can get through most things and he gets quite into the action - he loves a good fight, he likes doing stunts on his motorcycle, he feels his feelings very strongly. He's not "a ray of sunshine" hehe but he's definitely dynamic and active - I think he'd get quite bored if he had nothing to do. I'd say he's about average.

Score = 3

X Score Total = (3+4+2+3)/4 = 3

---

Agreeableness (A)

Subtrait 1: Forgivingness - A tendency to feel trust and liking towards those who previously caused harm.

1 = Tend to hold a grudge.

5 = Usually ready to trust again after being treated poorly.

Hm. Again, this is another place where Chuuya's contradictory nature seems to show. Chuuya's whole mentality is if you try to hurt him or his people, he tries to hurt you back. It's very deliberate that in Fifteen he often kills by ricocheting bullets back at the people who fired at him. It's very retributive; definitely a "get-even" mentality. He immediately goes on a revenge mission against Verlaine for the Flags' sake. He remains furious at Dazai for years (but that's a constant lmao). However, he also has this strange capacity to... stop feeling that same level of raw anger, and it seems to occur when he comes to understand said person as a human being, especially if he can relate somehow. Also, something that is outright stated in Stormbringer is that Chuuya has the unfortunate tendency to help people who have helped him, even if they wind up betraying him in the end. I don't know if I'd call any of this true forgiveness (I think it ties in more with his ingrained sense of fairness and responsibility) but at the very least, he doesn't seem to hold grudges against people he comes to know for long except Dazai, and even then, he still trusts Dazai implicitly. He doesn't give his trust easily, but by god when he does, it's hard to break. I'm not entirely convinced of this myself, but I gave him a neutral score.

Score = 3

Subtrait 2: Gentleness - A tendency to be lenient in judgements of others.

1 = Tend to be critical when evaluating others.

5 = Reluctant to openly judge others harshly.

...He openly tells opponents they're weak to their faces. He's sooo not gentle and he's only really nice to his allies (and Kenji...but he has very little choice in that matter because Kenji decided they are friends). I think he's the kind of person who's blunt, but not always to be a jerk. Actually, he's fairly attuned to giving advice to people (see: drama cds) but he sure doesn't sugar-coat it. He says what he means. There's also his manner of speaking, which is considered quite vulgar. He's saved from the lowest score because, as I said, he does offer advice and encouragement without much prompting and rarely is he a complete jerk for no reason (unless you're counting bully preschool Chuuya from Wan hahaha). He also seems to have a soft spot for animals, especially dogs. Does that count? I think that counts.

Score = 2

Subtrait 3: Flexibility - A tendency to compromise and cooperate with others.

1 = Stubborn and quick to argue.

5 = Accommodate others' suggestions, even if they may be unreasonable.

I think he's fairly amenable to other ideas actually, but it depends on their source. There's an omake where Kouyou has to call him out because he's indulging Mori and his spontaneous whims too much in their planning. He goes along with the dumb shenanigans the Flags and his subordinates get into, with some griping, but it's clear he doesn't really mind. He's a lot more resistant to Dazai, of course, but again, he will go along with most things in the end because he knows that Dazai's plans do not fail. Still, he rarely just takes other's ideas without putting up a little bit of resistance first (unless it's a direct order), and he doesn't seem to work with others except Dazai (and he does not cooperate with him in any way approaching an agreeable manner, despite being completely in sync). I put him as neutral. He seems to need to see the sense in most things or else see some benefit to others (which might just be said others' enjoyment... the rich girl scene anyone?) before he'll actually do something that wasn't his idea.

Score = 3

Subtrait 4: Patience - A tendency to remain calm rather than become angry.

1 = Tend to lose their temper quickly.

5 = Have a high threshold for expressing anger.

...Lmao. I'm so sorry, buddy. If something is annoying to Chuuya, he will react (it might not be a dramatic reaction but it still manifests as at least visible irritation). He is more than capable of repressing his anger and acting more mature and serious when the situation calls for it but... it really does not take much to rile him up, especially if said annoyance humiliates or embarrasses him in some way. That said, he can and will remain stoic in the face of people who rely on him. Saved from the lowest score by a thread.

Score = 2

A Score Total = (3+2+3+2)/4 = 2.5

---

Conscientiousness (C)

Subtrait 1: Organization - A tendency to seek order in surroundings.

1 = Tend to be sloppy and haphazard.

5 = Tend to keep things tidy and prefer structure.

There's not much in the series that really indicates what Chuuya is like in his own space. The closest we get is in Stormbringer, where he has very few belongings - but these are stated to be kept very neatly. He appears to spend a good deal of time making himself presentable and it makes sense that this would extend to the space around him as well. Chuuya is likely to be a pretty organized person - he's seen going over a list in an omake and planning out a schedule, and he's good at staying on task - honestly a rarity with characters in this series. While I wouldn't expect him to be quite as fastidious as, say, Kunikida, the little evidence we have seems to indicate he keeps things pretty organized.

Score = 4

Subtrait 2: Diligence - A tendency to work hard.

1 = Have little self-discipline and are not strongly achievement motivated.

5 = Have a strong work ethic and are willing to exert themselves.

Um, yeah, absolutely he's high in this trait. He considers protection of his people his duty and responsibility - it's of prime importance to him and he shoulders a lot of blame should he fail. He brushes off absurd feats such as facing off against Guivre in Stormbringer and fighting the dragon in Dead Apple with a view that can essentially be boiled down to "it's what I'm supposed to do". He clearly expects 100% from himself. He's very diligent. It's a product of his loyalty crossed with his "I can handle anything" mentality.

Score = 5

Subtrait 3: Perfectionism - A tendency to be thorough and concerned with details.

1 = Tolerate some errors and tend to neglect details.

5 = Check carefully for mistakes and improvements.

Tying in with the above, there's not a lot of conclusive examples I can point to, but as he expects full effort from himself and isn't really tolerant of his own failure, I would say this trait is high by necessity. The suits he keeps in Stormbringer are also kept spotless. I can't give a 5, because I don't think he's a perfectionist, per se, but he does rise to meet challenges and that necessitates improvement. He's the best martial artist in the Port Mafia for a reason.

Score = 4

Subtrait 4: Prudence - A tendency to deliberate carefully and inhibit impulses.

1 = Act on impulse and tend not to consider consequences.

5 = Consider options carefully and tend to be cautious/self-controlled.

...ok. So, he definitely prefers to jump into things headfirst. He solves many of his problems with actions and generally more violent ones. However - he can and does look at situations in a much more nuanced way than people give him credit for. He knows how to negotiate, for one - that's part of what Kouyou trained him on in the first place. For another, even when he does rush into a fight, the Dead Apple novelization has this brilliant passage where you see that he's incredibly observant in the midst of the action - and really, he'd have to be. Gravity manipulation is not telekinesis - there's a lot more to consider in terms of force and resistance than just "pick up/throw object". To be noted though is that much of this quick thought happens within a situation - he's adaptable in the moment but he's not really a pre-planner. His way of dealing with things kind of necessitates him jumping into a situation and working through things as they come. So, his score would still be low here, but not the lowest.

Score = 2

C Score Total = (4+5+4+2)/4 = 3.75

---

Openness (O)

Subtrait 1: Aesthetic Appreciation - A tendency to find enjoyment in beauty found in art and nature.

1 = Not overly interested in works of art or natural wonder.

5 = Have a strong appreciation for various art forms and nature.

I'll be honest, there's not a lot of instances in canon to support or refute this subtrait. We do know that he likes nice clothes and hats though, so that supports some level of aesthetic appreciation. He also is shown humming in the manga, and one of his likes on his character profile is music. In other official material, such as character interviews, he seems to enjoy going for drives to look at the sunrise or sunset from a nice view or enjoying fresh snow falling from the sky. A few of his Mayoi quotes also support this, as he seems to enjoy the ambiance of wind chimes and festivities from a distance - though in one of them he sounds a bit like a tsundere ("the hydrangeas make for an exquisite sight... I suppose") lol.

So, while there isn't a lot, I think there's decent support for a high score here. I can't really see him at an art gallery per se, but he definitely has an aesthetic sense and likely an appreciation for natural beauty as well.

Score = 4

Subtrait 2: Inquisitiveness - A tendency to seek information about and experience the world.

1 = Have little curiosity and are content with what they know.

5 = Seek out new information constantly and love new experiences.

I'm not sure there's much evidence here either. I don't think Chuuya is closed-off to learning new things, as he does teach himself new skills and seems to pick things up fairly quickly. I've already commented on how he's pretty adaptable, especially in the moment. However, I don't think he's the type to go beyond and actively seek out new knowledge that isn't directly applicable to what he needs to know. The knowledge we see Chuuya acquire throughout the series is more practical stuff, stuff he can put to use in some way (ex. martial arts skills). His worldview also remains rather limited - he has only ever known life as an important figure in a criminal organization. He has literally known nothing else. And he doesn't seem to mind this so much; I suspect because, as Stormbringer tells us, he doesn't feel particularly deserving of examining anything different. There's also the matter of his intense loyalty to his people, which means that he has little incentive to look elsewhere. At the same time, he certainly likes to experience things in a more literal sense - he tries different wines, wears different outfits, and is incredibly engaged in action. I'll give him a average score.

Score = 3

Subtrait 3: Creativity - A tendency to innovate and experiment.

1 = Tend to stick to familiar patterns and methods with little change.

5 = Actively seek new solutions to problems and tend to self-express.

Chuuya, I would say, is a lot more straightforward than he is innovative. While, as I've mentioned multiple times by now, he adapts quickly in a fight, his go-to is still... to fight. He deals with things very much head-on, and again, he's not really a pre-planner. In the moment, however, he's incredible at reading a situation and responding near instantly to new threats. As for self-expression, I'd venture to say that Chuuya's actually pretty repressed. He has a distinctive style and set of likes and dislikes, but he often seems to understate his excitement or interest in things - see the tsundere-ish comment above or really just look at how he tries to appear cooler and more put-together than he is in like... anything he shows up in. Dude is repressed, seriously. The only time we see him unabashedly enjoying himself is in high-adrenaline situations like fights - at the very least, in Fifteen, Dazai describes him as being somewhat "kid-ish" when he gets really into things. (You are one to talk, Dazai.)

I'll put him at a neutral score since I can't find too much supporting evidence either way.

Score = 3

Subtrait 4: Unconventionality - A tendency to accept the unusual.

1 = Avoid eccentric and non-conforming persons.

5 = Receptive to ideas that might seem strange or radical.

...you know, writing all this out, and as unusually powerful and contradictory as Chuuya is... he's kind of. The normal one. At least in comparison to a lot of the company he keeps. He tends to be the voice of reason or at least keeps somewhat of a level head in the drama cds which will never stop being amusing to me. Part of the reason he's good at this though is that he's really very accepting and kind of indifferent towards people's eccentricities, especially if he's known them for a while. He barely bats an eye at Kajii's maniacal experimentation, accommodates Mori's weirdness without so much as a reaction, and while he finds Adam incredibly strange (valid lmao) he seems to start to enjoy that after a time. He seems pretty willing to accept just about anyone's quirks the more he spends time around them and gets used to them.

When around Dazai in particular, he reveals himself to... also be very, very strange. The comparatively "normal guy" is quickly replaced with someone just as incredibly unhinged as Dazai himself. Argue however you like whether they make each other better or worse but they certainly do make each other weirder.

I wonder if being surrounded by so many odd people makes him feel slightly less odd by comparison. Something to consider.

At the same time, he's a little too grounded and practical to be given a full score of 5, so a 4 he is.

Score = 4

O Score Total = (4+3+3+4)/4 = 3.5

So, there you have it! Phew, this took a while. I hope you enjoyed it!

I'm working on another analysis for Mori (BSD) and for Seam (Deltarune). If anyone has any other characters they'd like to request, feel free to drop me an ask! I write at a snail's pace but it does eventually get done!

[totallynotthedarkreunion]

Posted this on personality database to explain the differences and similarities between L and Near like several months ago because it bothers me when people act like near is trying to be exactly like L. If you want to heckle someone for copying L, beyond birthday is literally right there

L's ultimate goal was obviously to catch Kira, but before that, his only goal was to live the way that he wanted to. He solved cases for fun, and that was what he devoted his life to. On the other hand, Near is devoted to solving cases because of L. Near deeply admires L and wants to live up to him, using that as his drive to solve the case. Both are very personal matters, but L's case is a matter of self while Near's focus is his idol.

Near is more practical. He solved the case in a very simple way, using Light's mistakes as a stepladder and seemingly used L's information as a base (despite having no prior access to his information). He states himself that he solves things like puzzles, taking concrete information that he witnesses and collects himself and using that to build a bigger picture. L's method starts directly with the bigger picture and character analysation. He is more intuitive. More precisely, he analyzed Kiras actions to make deductions about his personality which led him to his suspect. He then had to zero in on the details to find Kiras method of killing.

In other words, Near is more likely to ask "what is Kira doing and what is he trying to accomplish?" while L is more likely to ask "why is Kira doing this and what is he thinking?" Both of which are very valid ways to solve this case.

L has a better understanding of himself than Near does, even if this understanding is incorrect. L participates in more metacognition, talking about himself and stating that he is not a good person and he is selfish, while Near doesn't consider these things about himself, or hasn't said anything about it. This makes me think L is both more intrapersonally and interpersonally (understanding Kira) intelligent than Near is, whereas Near directs his focus and intellect toward other things.

In terms of differences in mood and tone, Near has a much sharper disposition. His manner of speech is condescending and somewhat harsh in comparison to L. L's speech was made to sound soothing. Additionally, L seems to have a larger amount of seemingly unorthodox behaviors than near does.

Both are very direct with their speech and say what they are thinking. They both purposefully lie to try and get Light to slip up (although, I will say L does more lying while Near mostly withholds information). They are an equal amount of assertive and are both able to take control when working with others. They both employ some level of cowardice, L having hidden his face for most of his life and only solving cases from behind a screen, while Near exhibits similar behaviors by wearing a mask of L in the last episode and other such examples.

To edit this last paragraph six months later, after reading the LABB case, it's not about cowardice but more about protection. In that case, that is another difference: L hides himself for protection, while Near hides himself for protection and because of fear. We see him saying things like "I'm scared, so I'm not going to go outside" but L seems to have no problem with that kind of stuff. That being said, both of them revealed themselves when it was necessary for the case.

[steve-needs-a-hug]

I think one of the main reasons why I've grown to like Arthur Pendragon so much, and why he's probably my favourite heroic character, is his interestingly balanced personality.

He has a strong sense of honour and duty, and also desires personal freedom and the ability to be his authentic self.

He has strong personal convictions and a need to do what he believes is right, and he also has a need for validation and approval from those he respects and loves.

He's responsible, practical, and dutiful, but not too much of a stickler or a square - he's flexible, thinks on his feet and is a creative problem-solver. He's often genuinely funny and light-hearted, but there is a quite serious side to him as well.

Doing the right thing is often not easy for Arthur. Sometimes he even struggles to get out of bed in the morning. Every day he makes the choice to do what is right. Sometimes he's torn and confused and doesn't know what choice to make. He seeks the advice of people he trusts to help inform his decisions. And when he sometimes gets it wrong, he does everything he can to make it right, even at great risk to himself.

All this makes him a fairly well-rounded character that I found myself rooting for.

[0perfectimperfections0]

CTA: Lou

Personality: Architect - INTJ-T

66% Introverted

70% Intuitive

78% Thinking

99% Judging

63% Turbulent

Introduction | Architect (INTJ) Personality | 16Personalities

So, I've done this with a few characters from my "A Bug's Life" blog. And it's essentially where I go to the website 16Personalities and answer the questions according to how I best believe the characters would. I base my responses off of how they are portrayed in the movie. Responses do vary as I do have to take some creative liberty with questions that don't have an apparent answer in the movie.

Now, this isn't a bullet-point list of Lou's traits. The link above will direct you to the website with the results and further information about this archetype. Do with it what you will. What I'll be doing for this post (and others like it) is explaining why Lou received the answers he did. I'll be using contextual evidence from the movie to defend my reasonings and will give fair warning on parts where I took creative liberty.

Because let's be honest, the movie doesn't exactly do good with character development. I don't think any of the characters actually changed in a self-reflective way throughout the movie.

<><><><>

Introverted

Okay, I somewhat feel like this one is self-explanatory. But, Lou does seem to have this self-destructive mindset that leads him to be only 66% introverted.

We obviously see in the movie that Lou is almost always seen with other dolls. Aside from when everyone goes home at the end of the day. The "alone" part is more of a mentality than anything else. The fact that he doesn't confide in the other dolls or feels unsafe to disclose information with them.

-> He doesn't previously tell the Spy Girls his relationship with Ox. They are surprised to find that the bunny already knows Lou after they've kidnapped him.

-> This one's no surprise: He has kept the secret of him being a prototype for God knows how many years

There's a destructive path he stays on throughout his life and during the movie where he craves attention and being around people, but at the same time, he's constantly lying and pretending to be this other person. It's like, so badly wanting people to like you enough to be around you (or in Lou's case, stay) but also so terrified that they won't like the real you.

Coupled with that is Lou's tendency to keep dolls longer than he knows is allowed. They'll leave at some point. Based on the movie, it seems like dolls usually stay for maybe three or four months before the Gauntlet takes place. Still, Lou forms groups with some of them. The Spy Girls, are my main example for this. He knows that they'll leave, but it's almost like he's trying to eventually gaslight them or persuade them into staying. He's this line in the latter portion of the movie when he reaches his downfall.

"Are you really going to let them take over? After everything I've done for you?"

It doesn't work, obviously, but I can't help but wonder if he would have said similar words when the time came for them to leave through the portal. If his actions toward them were merely a compilation of reasons for them to feel obligated to stay.

Intuitive

This is a fun one that kind of veers away from the depressing backstory of our little blond. It involves imagination and thinking beyond just the present time.

Despite the fact that Lou is in the position he's in, it seems like he learns to make the most of it during times. I think back mainly to his training and when classes are held. The factory doesn't have any reign over him as far as how he specifically teaches.

He jumps into figment possibilities and theoretical situations. He has fireworks shooting off into the sky. The man has whole songs that he's most likely written and orchestrated himself. There are flames shooting up from the catwalk and at the top of the stairs. The platform glows with multicolored squares.

There's no doubt that he's creative. If he were to give Uglyville and its inhabitants a chance, he would surely flourish. Because Lou is essentially doing the same thing that the Uglies do at the end of the movie. He's bringing color and life into such a drab Institute. All the greyscale buildings and scenery are dull. But Lou is trying to spice things up with everything he adds to it.

And, regardless if this is another tactic of his to get dolls to stay, I think he enjoys it himself and still has to have a lot of imagination to pull this stuff off.

A counterargument to this would be: "But what about how he doesn't like the Uglies playing with the glue? Or when UglyDog dances to distract the metal dog? Or when they use their own imagination to get past all the hurdles he puts up for them?"

My answer: He really has to shut them down.

Like, the factory is still there. There's an invisible line that Lou can't cross that's between what he can do to make things his own and what he can't do because the factory still has rules in place for him.

A note right quick: Anytime I mention the factory's control over Lou, it should be noted that I'm taking creative liberty with the statements. Because the movie never specifies how much influence (if any) the factory has with the dolls or Lou.

Thinking

I love this one. I love it mainly because it seems like this is a forced trait Lou has trained himself to have. I was earnestly surprised when he got "thinking" over "feeling" because it would make more sense if he was guided more by his emotions, right? I mean, so many of his mistakes have been traced to his lack of control to hide or quickly amend his emotions.

But that's where thinking comes in.

A creative liberty I've taken on the movie is that Lou sent Ox to the recycling pipes in a blinded heat of emotion. In my prequel (it's not finished so don't get excited) I have it leading to the point where the two brothers eventually split. Ox and Lou have this whole plan that if Ox can prove he's perfect enough then the robots and the factory will allow him to stay with Lou. However, Ox can't quite shake the desire to go to the Big World.

To make things short: Ox runs Gauntlet, Ox almost goes through portal, Lou is devastated by the potential betrayal and abandonment, Lou's emotions take over.

I say all that to say this: Lou has conditioned himself to push his emotions back for the sake of not getting too attached or losing control again.

Maybe he feels remorse for leading Ox to his potential death. Maybe he doesn't want to seem sporadic to the other dolls by the influx of different emotions.

As I and my best friend Natalie also theorize, Lou was not made with emotions. Therefore, he has limited to no knowledge of how to handle them and thus finds it easier to simply push them away altogether.

I came back from a coffee break in the library and forgot my previous thoughts for this section SO I'M MOVING ON.

Judging

Now, I should probably explain that judging in this sense is not the "wow, you're ugly" kind of judging. This is the opposite of prospecting. Essentially, it deals with how people prefer to tackle goals.

People with the Judging trait prefer to have backup plans, strict deadlines, and explicit ideas for how to execute their plans. So on and so forth. This is the opposite of people with prospecting who prefer to "cross that bridge when they get there."

Lou shows this a lot with the fact that he teaches. Teachers have to plan out their lessons and are working with a timeline. Lou also seems to have this plan set in place early on in the movie on how to deal with the Uglies. I believe the only time he changes plans is when he meets the Spy Girls in the pipe after Mandy and Moxy's abduction. As well as when he (most likely) made the minute decision to run the Gauntlet with them.

Not much needs to be said for this one, so I'm jumping on to our last point.

Turbulent

Ya'll are gonna be surprised by this one. The two options Lou could have gotten for this one are turbulent and assertive. Assertive is self-explanatory, but to add more depth, it regards their self-reflections.

Turbulent essentially means that Lou lacks self-confidence. That may come as a surprise because the movie portrays him as an arrogant, self-righteous person. On the contrary, most people that are like that are actually insecure.

Let's be reminded of the fact that Lou keeps his true nature of being a prototype a secret. It's kind of the main thing about him that isn't revealed. He also says this during the scene in the pipes:

"Everyone says: Oh Lou, you're so nice! You're the best! Do you know how long I've worked for that adulation?"

How long he worked for the adulation. He had essentially been trying to improve his reputation with the other dolls. He's tried proving himself to them. Now, the movie sets it up where the other dolls are working on their appearances and behavior to gain rapport with Lou.

So, why would Lou feel the need to have a good reputation with them? He's the leader.

This is also taking creative liberty, but maybe it's to convince himself that he can be a prototype and still be loved. He was so insecure -- and still is -- about his true nature that he was doing everything in his power to gain their love and adoration in case there came a day when they found out he was a prototype.

Now, this begs the question as to what he's been told about himself to believe that being a prototype is a bad thing and that others believe the same. But I won't dive into that for this post.

And imagine his surprise (which is scene during the scene where they toss around his fate with different options) when all that work he put toward gaining their adoration was still for nothing. The fact that despite all he did to show himself as a nice, genuine person (regardless if it turned fake, it had to be real at some point) was in vain. And the only thing they cared about was the fact that he wasn't a real doll.

But there's my long rant on that. Again, if you'd like to read more on this personality type, which includes: romantic relationships, friendships, workplace habits, and more then feel free to click the link at the beginning of this post.

And here's the tentative list for the next CTA's I'll be doing, unless I get an ask for a character prior to me writing it.

Mandy

Ox

Moxy

Nolan

LuckyBat

Wage

Babo

Tuesday

Kitty

UglyDog

Some characters that are given some limelight (like Lydia) are being excluded from this list because they are not given enough screentime/dialogue in order to fill out the personality test accurately.

[butterflyboy]

PLEASE send me photos of your handwriting. I've started learning graphology and I want to practice. I've done it a few times and have been mostly accurate but I'm still learning. If you have tips or know anything about graphology, PLEASE tell me!!!

You can message me or send me an ask, and please tell other people so I can keep practicing.

[moznohayanie]

この16Personalities性格診断テストは、読者から非常に正確で、「ちょっぴりゾッとする」と言われています。

土曜日だし、お遊び気分で。適職探しからマッチングアプリまで、幅広く使われているらしいw 16パーソナリティー。マイヤーズ・ブリッグス・タイプ指標（MBTI）という性格診断を簡略化したものだそう。私、冒険家だそうです♪

[gaybonnets]

i don't think i'm able to describe who i am anymore, outside of who i am for other people. every single layer of my personality has been carefully constructed to appeal to a specific person, or a group of people.

as a result, the person my loved ones claim to know is just a facade built upon layers and layers of lies and deceit. everything i say about myself is mostly understatements about my faculties, and outright lies. no person who has ever talked to me knows the same individual, because every person knows a different story, crafted in order to be as appealing as possible to them.

this has gotten to the point where i'm not even sure if there exist any version of me that exists only for myself. among all the different faces i've taken there are authentic parts of me that do slip out sometimes, but they are few and far between, and i'll still tweak them and change them to be more likeable.

i'm so tired of living like this. i hate believing that my worth is dependent on my likeability, my capacity to be loved. i want to stop looking in other people for the self-love i'm so desperately missing. i don't want to seek validation from other people anymore, i want to love myself.

i don't think i can do that just yet though. i feel like, if i were to let out the genuine version of myself that's been trapped behind so many layers of fakeness, i would lose the love i've worked so hard for. i would lose the people for whom i've done everything to make them like me.

i'm sure that, if i admit to be a liar, everyone would abandon me.

[m-v-tique]

Personality Typing Alex Basics!!!

Alex

MBTI: ENTJ or ENFJ

Enneagram + Tritype: 8w9, 3w4, or 1w2 | 853, 358, 351, or 153

Instinctual Variant: SO/SX, SO/SP or SX/SO

Temperament: Phlegmatic-Sanguine, Choleric (Dominant)

Big 5 (*SLOAN): Social, Calm, Organized, Egotistical, Non Open-minded [SCOEN]

_________________

Dolly

MBTI: ISTJ or ESTJ

Enneagram + Tritype: 1w2 or 1w9 | 163

Instinctual Variant: SP/SX, SP/SO or SO/SP

Temperament: Phlegmatic (Dom) or Phlegmatic-Choleric

Big 5: Social, Calm, Organized, Egotistical/Accommodating, Inquisitive/Non Open-Minded [SCO**]

________________

Scrina

MBTI: INFJ or ISFJ

Enneagram + Tritype: 6w5 || 612

Instinctual Variant: SO/SP

Temperament: Phlegmatic (Dominant)

Big 5: Reserved, Calm, Organized, Accommodating, Inquisitive [RCOAI]

________________

Candy Princess

MBTI: ESFP or ENFP

Enneagram + Tritype: 3w2 or 2w3 || 397 or 297

Instinctual Variant: SO/SX or SX/SO

Temperament: Sanguine (Dominant)

Big 5: Social, Calm, Unorganized, Accommodating, Non Open-Minded [SCUAN]

________________

Asmodena

MBTI: ENFP

Enneagram + Tritype: 7w6 || 749 or 794

Instinctual Variant: SO/SP

Temperament: Sanguine (Dominant) or Sanguine-Phlegmatic

Big 5: Social, Calm, Unorganized, Accomodating, Inquisitive/Non open-minded [SCUA*]

________________

IDK WHO TF IS THAT BROOMSTICK

MBTI: ISTP

Enneagram + Tritype: 1w9 or 9w8 || 153, 135, 953 or 935

Instinctual variant: SP/SX or SP/SO

Temperament: Phlegmatic (Dominant)

Big 5: Reserved, Calm, Organized, Egotistical, Non open-minded [RCOEN]

________________

Olivia (Player)

MBTI: ISFP

Enneagram + Tritype: 4w5, 4w3, or 9w1 || 458, 459, 954 or 945

Instinctual variant: SP/SX, SO/SP or SO/SX

Temperament: Melancholic-Phlegmatic, Phlegmatic (Dom) or Melancholic (Dom)

Big 5: Reserved, Calm, UnOrganized, Accommodating, Inquisitive [RCUAI]

[herrebelfaith]

“Our personality is formed in response to the world we’re born into… We create a character and we fill that role... One of the people who lives within us contains all our neuroses, all of our fears. This is our ‘personality.’… But the other one is our god-self.“(via Finding Your Self: Personality, Trauma, and Spiritual Wholeness)

[heytherecentaurs]

Brennan’s talked before about how as a poor young adult he lived in New York and struggled with food security. He tells a story of going to frozen yogurt places for free samples and a cheap dumpling spot because it was a lot of food.

His opinions on food and his described behaviours around food make a lot of sense in that context. He may be successful now and can be assured he can eat again when he’s hungry, but it appears he has legitimate trauma around his experiences with poverty because what he’s humorously describing is a trauma response. His mind hasn’t gotten rid of the anxiety of “I’m eating now so I better make it count because I don’t know when I will again.”

Because he’s a comedian he manages to frame it as a joke, but there’s certainly an underlying sadness. It also informs Evan Kelmp’s characterization. Capitalism is the root issue here and poverty is state-sanctioned economic abuse.

Anyway, I hope he’s doing well and taking care of himself.