#again i must reiterate

[edwardshundredyearoldspunk]

listen. I understand why the public has reacted the way it has to the death of a CEO that genuinely hurt millions of people with his policies. I understand this. and trust me, I also understand the irony of the lack of gun control leading to "One Of Them" suffering for it. I just don't think we should be gleeful about gun violence as soon as it purportedly benefits us. I don't expect many people to agree with me but I think it is in situations like these where I think it most important to demonstrate integrity and stick to one's convictions

[that-one-raccoon]

im glad my parents are able to keep an active sex life seventeen years into their marriage, but... it's 11:27 am.... these walls are paper thin

stop.

[claraoswalds]

#mrs flood who are you: time lord edition

[pinazee]

Nick mentioned in the commentary that Ruth was like saying things under her breath and now when i rewatch these scenes i watch her haha

This is where he pointed it out. You can see shes certainly mouthing something

Ruth has got shit to say and not a lot of courage to do so

And heres a few little mannerisms from the digital ticket. I love her and richies friendship

Awww look at her

Bonus: Richie telling ruth shes not meek 🥹

[waveoftheocean]

"so you can smile like that" ☺

[idkwhatimdoingbutslay]

The Hitler and KKK jokes were never funny tbh

[yandere-daydreams]

They’re like modernising the outfits for natlan, meanwhile every other region has had more or less a historical or fantasy elements within their outfits if that makes sense 😭 and then they come in and give a guy ripped jeans like please 😭 I know he would have ate if he was a fontaine or like monsdate character, I know damn well that if diluc was realeased now instead when he was they probably would have done the same tragedy to him and given him emo ripped jeans and some weird hoodie too I just feel it in my pinky toe

i think part of the problem is that genshin is actually pretty good at designing characters who, even if they don't always look good, look like they belong in the same world T-T natlan's definitely more modern than other nations we've seen so far, but i think they've been doing a pretty good job of balancing that with the fantasy elements up until ororon. i'm hoping he's,,, like,,, the breaking point and we'll be seeing more xilonen adjacent designs, which incorporate modern elements while still blending in pretty well with the fantasy setting. or just people who look like they could exist for any amount of time in south america prior to the invention of ac in general.

[ladyelainehilfur]

saying the ending was bad because Horikoshi didn't pair Ochako and Deku at the end due to being afraid of alienating the fanbase + saying Ochako's entire arc was a waste of time because she never confessed to Deku

beep WRONG try again

Ochako's arc was becoming a successful hero who could save people like Toga and to provide for her family! Her crush on Deku is *one* of her character traits and dare I say, completely separate from her motivations! she's a main character in a shonen, not a shojou!! her non-romantic feats should have as much relevance as her romantic goals.

"she didn't marry deku in the end so the writing is bad" anime bros piss me off so bad sometimes 😐 this shiz is NOT Naruto, marriage for the female lead (who is 15-17 for 99.99% of the series!!) was never on the cards. marriage. pack it up, quickly. If you're not expecting Bakugou or Todoroki or Hatsume or Jirou to get married by the end of the series, why place that expectation on Uraraka? Yes, her admiration of Deku was underlined and circled. But at most, she was going to confess to him or date him. To genuinely expect *marriage*. smh.

To be totally fair, I also believe the romantic pairings were left open-ended so as not to cause chaos, because there would definitely be fans of other ships involving Deku and Ochako that would throw a nasty fit if Dekuchako became canon. I'm no BNHA fandom hater, I'm well aware most fans are chill and the toxic minority give the fandom a bad rep.

But Horikoshi made plenty of conscious decisions when he placed the characters where he did at the end. It would've been so easy for Ochako to tell Deku she loved him when they hugged after the war, because it's clear she does. But there was no confession. It would've been *so* easy to have them hold hands in the flashforward of them walking together in the snow. But they weren't. In the last panel, where they're full-fledged heroes, Deku could've been looking down to her when she looked up at him. But he wasn't. Deku didn't make a special note of seeing Uraraka more than he saw the others, he's not wearing a matching piece of Uravity merch like some are claiming she's wearing his. There was absolutely nothing implying that between the war and their mid-twenties, Deku and Ochako ever became more than friends.

To me, that's Horikoshi letting Ochako be more than a love interest. She went head to head against Bakugou in the sports festival and almost won, she helped save countless lives during her tenure at UA, she managed to befriend and disburden a villain who idolized her, AND she founded a successful nation-wide quirk program. And yet people are complaining that she's a waste of a character and the open-endedness of her romantic relationship with the main character spoiled the series. I think maybe people like that are reading the wrong manga.

[sonicdesolation]

OMG! IT USED TO BE HIS! IT USED TO SHADOW'S! HE GAVE IT TO HIM!!!! SONADOW RULES!!!!!! I LOVE MY GAY HEDGEHOGS!

fellas is it gay to wear your rival's jacket for emotional support??

[sirenofstyxx]

This isnt new or original at all but i gotta say some of my favorite characters are always those absolutely awful charismatic bastard villians who in fiction I enjoy but if I met in real live I would punt into the stars. Bonus points when they get their inevitable and extremely satisfying comeuppance and get their ass handed to them

[xxplastic-cubexx]

your art got me back into x men…. (cherik specifically) i was in denial abt losing my previous hyperfixation but your art was the final nail in the coffin (NOT DEROGATORY BTW I ABSOLUTELY LOVE YOUR ART)

WELECOME BACK MY FRIEND you can never escape !!!!!!!!!!!!!! not if i can help it ....

[shubbzebubs]

Some late night doodle, but go crazy with me-

[shriggy-the-rat-king]

Hello, my name is Shriggy and I make art :)

I do sfw and nsfw, canon or OCs. If there's something you aren't sure I'll do, don't be afraid to ask about it!

If you're interested or just want info, you can DM me here @shriggy-the-rat-king or send an email to shriggyinfo@gmail.com

I'm on other social media too, find my links here.

Buy me a coffee if you want!

[sisterdivinium]

Finding "the meaning" to a show that could have had up to five or seven seasons but was cancelled after the second is somewhat like trying to understand a novel composed of seventy chapters by having read only twenty — there is a whole wealth of information which we do not possess that could alter our reading of any given element or of the entire thing in itself.

Still, there are always patterns that weave a story into a cohesive unit and they can help us to better grope in darkness towards comprehension. One such pattern in Warrior Nun appears to be how the consequences to mistakes, "sins" or evil deeds committed by characters manifest.

Basic storytelling usually requires characters to act on something so that complications or resolutions may arise from their choices and move the plot forwards. In Warrior Nun, many of these actions are quite tragic in nature: Suzanne's arrogance and pride lead to the death of her Mother Superion; Vincent's allegiance to the higher power he believed Adriel to be inspired him to kill Shannon; Ava's flight from the Cat's Cradle ends up damning Lilith as she is mortally wounded and taken away by a tarask... All of these events have negative outcomes and heavy repercussions on all characters directly or indirectly involved. Something changes permanently because of them, be it in the world around them or within the characters themselves.

And yet, it would seem that all of these dark deeds not only move the story forwards but might also have overall positive results. We would have had no protagonist without Ava — and she would arguably never have received the halo to begin with had she not been murdered. What's more, on a personal scale, the horrifying crime she suffers is, in the end, the very thing that allows her a second chance in life, a new life.

An act of outside evil permits Ava to grow and develop, shows her a path she would not otherwise have found. Without her own season in some sort of hell, Lilith would not have been able to advance towards other ways of being and understanding beyond her very strict limitations. Vincent and Suzanne would not have embarked on their own journeys of enlightenment without having caused the pain they are responsible for.

Beatrice might have been paying for someone else's mistakes, but she, too, is given the chance to grow into herself through it. The afflictions that torment these characters advance the overall plot, but they also advance them, as individuals, as long as they are willing to learn and keep going despite the calamities large and small that they are faced with. Beatrice keeps going after parental rejection, Mary keeps going after losing Shannon, Jillian keeps going after losing her son (in part through her own actions, adding insult to injury)... Trouble and the adaptation that follows it, if one is open enough to learn from the experience, motivates the characters, propels them forward, teaches them.

The problem of evil has occupied the minds of many a thinker throughout the ages, given how the very existence of it, evil, might call into question that of God (a good, omniscient, omnipotent one, anyway). A common way of justifying suffering (and also God), then, is by claiming, as Saint Augustine, that "God judged it better to bring good out of evil than not to permit any evil to exist".

Now, it would be rather ridiculous to say of Warrior Nun that it follows in Leibniz's footsteps, also because this philosopher, expanding on the augustinian concept, attempted to defend the goodness of a real God with his "best of all possible worlds" while all we have is... Well, whatever/whoever Reya is.

But there seems to be an inclination towards some sort of optimism as a worldview nonetheless.

Betrayals reveal truth and grant knowledge (Vincent's culminates with the coming of Adriel, which allows us to know of the threat of a "Holy War" and thus prepare for it; Kristian's gives Jillian much needed insight, William's lights up the fuse for the fight to be taken more seriously...), crimes committed willingly or not open the way for Ava (Suzanne's killing of her Mother Superion causes the loss of the halo, which is transferred to Shannon, whose death opens the gates for Ava to walk through after being herself murdered by sister Frances)... The magnitude of these positive outcomes is perhaps not "balanced" when compared to the evil that brings them about, but there is still something to take out of the catastrophe.

However tragic the tones of a given event, the show itself appears to shun the predetermination that makes tragedy as a genre; if everything is connected, here it at least appears to not necessarily drag everyone into their horrible dooms.

What's more is that this lurking "optimism" matches really well with our own protagonist's personality.

And it makes perfect sense that Ava would do the best she could with whatever she is given.

Life for her, in the conditions she experienced after the accident, would have been unbearable without some sort of positive outlook on life. However deadpan, the joking and the "obscene gestures" and whatever other forms of goofing around beside Diego are a way of turning a portion of the situation in her own favour. Proverbial eggs have, after all, already been broken right and left — might as well make an omelette of whatever remains.

Humour is just another way of looking at the bright side of something, or, at the every least, of mitigating the utter horror it might bring. If the show allows for moments of lightness, if it lets us laugh, if it takes us through a perilous voyage which still bears ripe, succulent fruit instead of the rot of pessimism and its necessary contempt for humanity, it is because Ava herself sees things in this way. It isn't gratuitous or naïve in this case, but a true survival strategy, especially as it is confronted with the morbidity of Catholicism.

Here is a religion that soothes its faithful with the promise of reward in the afterlife — how else does one charge into battle against the unknown, risking one's own death along with that of one's sisters, without the balm of believing that we shall all meet again eventually, "in this life or the next"? How else does one come to terms with the ugliness and the pain of this existence if not by looking forward to a paradise perfect enough to make all trials and tribulations here worth it?

True nihilism would have annihilated Ava. Her present perspective is what avoided the abyss.

And there is nothing Panglossian to her attitude or what the show might imply by giving us her view on things. This isn't about "the best of all possible worlds", but of making the best of whatever situation we're in, of taking what we have and doing something with it, something good, something of ourselves. It isn't God making good out of evil, but our choices.

Killing innocent people and feeling no remorse will never be the best someone can aspire to do. Sister Frances, cardinal William, Adriel all learn this the hard way.

Those who do their best find that, somehow, they can move on from whatever it was that paralysed them. Ava, most of all, knows what it is to be stuck, frozen in place; she can never be the character who refuses to grow, even through pain, lest she condemns her spirit to the same fate her body is all too familiarised with. Those around her wise enough to let themselves be touched by her, by the dynamic power she carries, walk forth with her and live.

It says very little about "God" that Warrior Nun should adopt its heroine's views and seem "optimistic" as it progresses — but it speaks volumes about the values it presents for pondering, of the inspiration its protagonists provide, and of the multiple reasons why this is a story unlike most others.

[megarywrites]

out of context tag game

tagged by @zmwrites (thank you!). the snippet is taken from the final chapter of Part I of Seafoam, and since the last time I did this it was Zeno talking trying to talk Thala into marrying him, it feels only right that we revisit that lol

“Listen.” His voice was measured. Quiet. I preemptively shook my head. “No, really listen, this time.”  I met his gaze again, wincing at the pain watering in his eyes. “You…you’re like a brother to me. It just…wouldn’t work.” I tried to shift away from him so I could sit up again, but the tangle of constellations twinkling behind him began to swirl dazzlingly, so I laid still as my stomach lurched. “I don’t understand why you can’t…can’t accept this.”  “You know why.”  My brow knit together. “Do I?”

tagging: @thewriteflame @daisywords @pinespittinink and @at-thezenith (no pressure!)

[desire-mona]

ill see u later guys (gets picked up by the floating trapezoid from the five doctors)