#about writers game

[anotherdarkiboi]

List of Astarion's Terms of Endearment

This is for the fanfic writers haha. Tell me if I'm missing any so can add it in!

Darling (his most used)

My love, love

My sweet

“You sweet, generous thing”, “you sweet little thing”

Lover

My dear, a dear, dear

Beautiful

Cheeky little pup

My little treat ("-with their cheeks all flushed")

Sweetie

Pet

You wicked little thing (affectionate)

"You're a sweetheart", "you sweetheart"

Delectable little pet (not directed towards Tav but it easily could be)

My friend (yay, we're his friend)

My favorite traveling companion (not a pet name but it's nice to be his favorite)

My leaking blood-bag (technically you refer to yourself as that first and he calls you his one after, but it counts)

You little scoundrel

Edit: Thank you everyone in the comments for adding the Dark Urge ones!

Bhaal-babe (I'm dead, this silly pun I swear)

My sweet, bloodthirsty friend

My precious little Bhaal-babe

My conflicted villain

My dagger-happy friend

Bonus: Ascended Yandere Astarion

My pet, pet

Little love

Precious thing

My treasure

My consort, My Dark Consort

My favorite spawn

Insolent little- (the Dev's notes say that the full line is "you insolent little brat" which, um...)

Insolent little pup (the line was in EA, although I’m not entirely sure if it’s Ascended Astarion. Full line: “you are an insolent little pup, aren’t you?”)

"You ingrate" (When you try to break up with him. It's not really a pet name, but-)

"Property I cherish, but still my property" (his thoughts)

[ink-ghoul]

hermit fanon swap - an art game!

Reblog this to let your followers know they can send art requests to your ask box

if you are a writer you can also reblog this and make little snippets about hermits and their new traits

Vex!Grian and Avian!Mumbo as fun examples

Artless version behind the cut:

[joanofexys]

can we all keep it together and promise that we're not going to go back to the "i love these dumpster fire books" mindset with aftg and with tsc when tsc comes out? i'm tired of y'all pretending the writing isn't good and like the character arcs and plot and subplots are bad when they're actually beautifully structured and they deserve our attention and our praise without a "but it's sooooo bad haha" being added to everything. these books are good. and if you can't admit to yourself that you're reading them because you like them and they're good then maybe you aren't ready to pick up the story that we've been waiting for for years.

[ewwww-what]

The world isn’t over, you just need to have a double birthday party and sleepover with your best friend

[feelingthedisaster]

The King's Men's plot structure is genius.

TKM has been critized a lot for not following the conventional plot structure, because it doesnt end inmediatly at the resolution of the climax, like they taught us in class. But it actually has a reason behind it and it think that is what makes AFTG unique and Nora Sakavic an amazing writer. I'll explain.

So, we all know AFTG has a lot of chess metaphors, however i think it doesnt contain the metaphors, it is the metaphor. Each character represents a piece of the board (Riko king, Kevin queen, Neil pawn, Andrew knight, etc) and exy is the chess, but but but, a chess game not only involves the pieces, the game cannot exist without someone playing, the chess masters (which would be Kengo, Ichiriu, Nathan and all the mafia stuff).

So, AFTG is divided into two plots happening at the same time: what happens on the chess board (exy season) and what happens outside it (the mafia mess).

Of couse, the climax has to be about the outside out, because who cares which one of pieces move in which way if the players are pointing guns at eachother under the board? The guns are more more important. So who cares? The pieces on the board care, the ones that are being played with. And who is the narrator? The character that represents the pawn, the less important figure of the entire room.

Yeah, the 'outside of the board' plot is over half way into the book, but it doesnt matter because that happens outside the board, the chess game has not ended yet. The pawn cannot go back to rest in the box until the game is over, until the king dies. The book cannot be over until the chess game our protagonist is a piece of ends. The books have to end with the king's (Riko) death and that is exactly what happens.

If this isnt excellent writing and one of the best examples of know the rules so you can break them, i dont what is.

[jasonsbruce]

[n4b3]

games radar and oni press recently posted an interview with the writers of the cotl comic that is being developed and THE LORE thats coming seems quite promising

so excited to see how the lore expands!! go check the Kickstarter out!!

[citrusai]

taash said "they were doing it" and people ran with the interpretation of an npc that doesn't know solas or the history of the elvhenan even when bellara interjected and said, no, that's not right. that's not how it was for the elvhenan. they formed bonds before they had physical bodies. and people ran to doompost or create weird anti-solavellan shit even though mythal & solas refer to each other as old friends and when she releases him there is no tenderness or love in it. it is the act of unchaining a dog from his post, the stepping down of a general. but to each their own ig.

[minoan-ophidian]

Looking back at the interviews and articles leading up to release, the devs talking about how "plenty of players might not even remember Inquisition’s story", how this is the "first Dragon Age game where the combat's actually fun", how the companions this time around "feel fleshed out", "they’re complicated, they have complicated problems, and that’s what’s interesting" - all that was a red flag to me rather than sth to make me excited

[enobariasdistrict2]

i want to see more of thg/everlark fandom obsessing over how peeta can't leave katniss here because if he dies, she will never go home and instead spend the rest of her life in the arena trying to think her way out

[a2zillustration]

Having a little heart-2-heart with Minsc and Boo

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[[ All Croissant Adventures (chronological, desktop) ]]

[[ All Croissant Adventures (app) ]]

[icewindandboringhorror]

I made a few new wax seal stamps out of clay (like the ones I did for my worldbuilding stuff forever ago), this time just of random symbols that I thought might look good done in the style of painting over the raised part of the wax or etc. :0c Some of them aren't carved deep enough to really show up that well, but overall they worked okay for being clay lol

[spenglernot]

STORIES TELLING: NED LOWE AND THE DEATH OF POOR REPRESENTATION IN OUR FLAG MEANS DEATH

In history, Ned Lowe was one of the most sadistic and violent pirates in the early 18th century, so he’s an obvious choice for a villain for season 2, episode 6 – Calypso’s Birthday.  What is interesting is what the OFMD writers chose to do with him.

Lowe announces himself to the crew of the Revenge with great fanfare (cannon ball attack) and gets right to the point.

Ed is thoroughly unimpressed.

Cut to Ed and Stede tied up while Ned attempts to set the mood so he can monologue about why he wants to kill Ed.

Ed knows what’s coming. He is going to suffer but he still can’t be arsed to meet Ned with anything but vaguely bored dismissiveness (and Stede is happy to play along).

Up on the deck, Ned prepares the crew for his big, dramatic moment of symphonic torture.

Note that the Revenge crew is tied down, braced by vices and generally unable to protect themselves from imminent torture and possible death, but their spirits are up. They don’t seem terribly fussed.

Then Stede uses his people positive management style to happily orchestrate a worker uprising in Ned’s crew.

Ned’s crew responds instantly; severing their allegiance to Lowe and telling him off.

The crew sails away and talks profit sharing while Ned dully threatens to hunt them down.

Ned is now a prisoner of the Revenge crew and seems entirely disinterested in his own survival.

And Ned sinks to the depths, without struggling at all.

There is a lot going on in this episode: pay and labor equity direct action, gay love engagement bliss, kink humor, Stede being a hero and saving his crew by playing to his strengths, then having to decide whether to kill in cold blood and feel the consequences of that choice. Ed having one more reason to be done with piracy (while being so impressed with and fond of Stede), and then watching his man make a fraught choice and having to deal with the fallout from that. (And, damn, I haven’t even mentioned the passionate sex bit.) Anyway, back to the point.

Now for the the meta part

The Ned Lowe sequences are perfectly in keeping with OFMD’s signature blend of madcap violence, humor, and big emotional gut punches. But something about Ned Lowe just strikes me as off for this show.

Ned is seriously threatening the crews’ lives, so why don’t they take him seriously?

Why does Ned have such a boring, throwaway backstory?

Why is Ned so nonchalant about his own death; like it’s a foregone conclusion?

Why does Ned have a silver violin and silver spurs on his slip-on dress shoes?

Why is Ned sartorially monochromatic?

And then I realized who Ned reminds me of.

This guy,

Earnst Stavro Blofeld in the James Bond film Diamonds are Forever (1971)

And this guy,

Scar in Disney's The Lion King (1994).

And this guy,

Xerxes, 300 (2006).

And it sure seems like Ned Lowe isn’t just an episodic villain. He is an archetype of the one-dimensional, stereotypical queer-coded villain that has been endemic in film and television throughout history. The OFMD writers have a lot to say about what to do with this kind of character:

Don’t respect him.

Feel free to openly mock him.

Don’t let him take your joy, even though he will hurt you.

He won’t disappear on his own. You have to throw something at him (take action) to make him go away.

Once he’s in the water, he’s content to drown. He’s not into what he’s doing any more than you are.

Oh and, just to be clear,

The LGBTQIA+ community has a very long history of turning shit media into better stories. So, hey, big media, prepare to have your crap characters wrecked (improved).

Now, back to our transformative pirate show with rich, complex queer characters and a multi-layered plot that surprises me every week and makes me feel big feelings - most of all, joy.

Final thought: I do wonder if Ned Lowe is monochromatically silver as a tribute to/poke at, Hollywood and the silver screen.

This meta was written before OFMD season 2 has fully aired. No idea what’s going to happen in the finale (and I’ve generally fled social media to avoid spoilers). I’ll be back, looking at everyone’s fascinating posts after episode 8 airs.

[thenonbinarydetective]

Things batfam stans need to leave behind in 2023:

Jason's Lazarus pit rage

Thinking Tim's parents were horribly abusive and hated him

Only caring about Stephanie in terms of her relationship to another person (ex: Tim's bestie/ex/gf or Cass' gf/bestie)

Treating Jason or Stephanie like they're stupid

Feral Demon Child Damian

Permanent sunshine boy Dick Grayson

Any "[blank] was the real violent Robin" discourse

Really just any reducing or sectioning of certain traits to certain batfam members and not allowing other characters to exhibit those same traits (ex: see sunshine Dick Grayson)

But also stealing traits from other characters and projecting them onto someone else (ex: Jason getting Dick's personality in fics. He is not the same type of big brother Dick is canonically)

Purposefully mischaracterizing characters for angst (ex: Dick sent Tim to Arkham, my beloathed. also again see Tim's parents)

Trying really hard to nuclearize the family. They are an unconventional family for many reasons, and that's why they're interesting.

"Alfred solos the batfam"

Making Duke "the normal one" and completely forgetting to give him an actual personality.

Cass using sign language because she can read body language (note: does not apply to YJ Cass who has damaged vocal chords)

Cass being used as a prop for her brothers

Tim being weak, woobified baby

Feel free to add on ~~

Don't send hate over these things because idgaf, they are harmful mischaracterizations, and many are built on total ignorance and often racism, classism, ableism, and sexism.

[someiicecube]

I had this post sitting in my drafts for a while and I was suddenly reminded of it haha. 

Anyway, we all know this line from the main character synopsis, right? 

Only humans?

Is this purposeful on the writer's part to specifically mention the curse can only affect humans? Or are humans the only creatures mentioned because that's all the main character has had the chance to... curse with their touch?

Can the curse affect monsters?

Currently, we can't know one way or the other. 

Even if we did touch Leander, bare hand and all, it's Leander. The main character is under the impression that, because he's such a strong and powerful mage recommended to us by the mysterious doctor Kuras himself, it's just something he can do apparently—  although, we as the players know that's not all there is to it... just what is it? Is it part of his supposed monsterous-ness? Does he really know a spell that can protect against our curse? What's Leander's Jungle Juice really made out of? We can't tell yet...

Chosing Leander in this context is such a strategical plot point because he cannot answer our initial question. Is Leander not affected because he cast his little protection spell? Or is Leander not affected because he is/has become a monster?

However, we still can assume that the main character doesn't have full knowledge on what they are capable of with their curse— ya' know, probably being mostly surrounded by humans and such. So, the idea of touching even a monster is probably not a theory anyone wants to test (unless you're a mage, then please do it on some random monster and not the LIs for funzies... unless you want to).

Could this be a seed the writers are planting? Maybe, maybe not. But leaving the question unaswered (by Leander), again, makes the player and main character cautious by nature.

But what if they did slip up?

What if they slipped up and it happened on accident? 

Your bare fist colliding into Ais' chest, skin-on-skin but still a solid blow. Your hand desperately reaching out for Kuras' own, just wanting to feel his warmth once more only for a moment. Your palm sweeping against Vere's shoulder, pushing him away, your skin brushing along the thin translucent fabric. Or your fingers digging into Mhin's wrist as their dagger hovers right above you, their pulse hard against your uncovered touch.

It's startling. It's something you didn't mean to do. Fear grips you immediately; dread rises as your stomach falls. You are as quick to let go of them as your eyes are to look them in the eye and...

Nothing.

While, it wouldn't come as a shock to either Vere or Ais. Kuras, who the main character wouldn't know is an angel at this point, and Mhin are another eyebrow raiser for sure. It didn't affect them, when you know it should. If it doesn't affect them... that would only make the MC raise many more questions about Leander in turn. Ah, what a dramatic way to reveal the fact that the person you fancy is a monster.

Other notes and thoughts:

While, yes, an interesting idea to think about. I'm torn between wanting the monsters to be immune and 'fuck it, this curse affects everyone, even your pet rock ain't safe'. I can't help but feel this idea also lowers the stakes of the MC's curse... if done wrong.

Let's say this, the curse doesn't have an effect on monsters, right? But for each monsterous LI there will be a catch. Say, Vere, for example; a monster who lusts for power beyond him... having a human like yourself with such a deadly curse, well, who's to say it wouldn't give him a few ideas on how to use you it. What? You're still planning on finding a cure? Oh no, but you have him now, don't you? Why need a cure when you have him, your curse, and your soon-to-be mindless worshippers at your feet?

(Won't lie writing some of Vere's points made me think of Leander, but that's manipulation for you)

Or think Kuras, a doctor, an angel who passed through the shroud to watch over humanity. How would Kuras feel if the person he's grown so close to decides their curse isn't worth getting rid of now that you have him— can't you see the danger in yourself anymore?

Or try with, like some previous theories once said for us touching Leander: it doesn't affect him now... but eventually he will devolve into madness like the rest of everyone. But don't just apply that to Leander, now think of everyone else. Imagine finally finding someone you can touch without consequences. It's something that gets your blood rushing and heart pounting with a feeling your haven't felt in a while! However... the more and more you do so, you've noticed they've changed. They're more irritated, they've been having more headaches than normal, and their once beautiful smile twists into something dreadfully familiar. Congratulations, you've made your beloved mad with love! Here's the bad ending! Yipee!

Really, in the end it's all a balancing act, the stake were there and you don't want to take them away before the climax. If you do, place something else in its steed— something to raise them even further than what was initially thought possible.

[blueskittlesart]

at a certain point i think we need to acknowledge that art is very rarely created accidentally. if you can see a theme in a work than that theme was, more likely than not, at least somewhat intentional on behalf of the creator. you don't put a piece of yourself out into the world without thinking about what it means at least a little bit.