#a really cool concept of a monster and then they just like? didn't really do much?? and because they couldn't be killed there was almost no

[stepmom]

season 7 review

[needle-noggins]

(CW for SA, suicidal ideation) Here we go. My favorite and simultaneously least favorite panel of Vash and Knives.

I've seen a few interpretations of this scene and before we dive into the one that really struck me, let's start with the more... chill one. We're finally introduced to the third gun of Trigun, Vash's angel arm. And the way we're introduced to it involves Knives forcing him to pull the trigger. Of course, since no one knows anything about Knives, the people of Noman's Land blame Vash for Fifth Moon, and Vash likewise blames himself (this is kinda a spoiler but if you've been paying attention, it's just par for the course). However, he's not the one who pulled the trigger, Knives is. It brings up an interesting moral question of blame - do we blame the gun (and Vash, who is being used/objectified as a weapon here), or the person who wanted it to happen? Guns don't kill people, genocidal twins do!

Now for the awful interpretation, the one that makes me cry and wish Vash was real so I could hug him and pay for his therapy. And really highlights how awful Knives is and how far he'd go for his brother in his own, fucked-up way. I touched on this in a previous post about Legato and the Murder Cafe, and the whole time I was thinking about Fifth Moon but didn't want to say anything for the sake of spoilers.

So. Pay attention to the way Vash and Knives are standing. Knives, when he first grabbed Vash's head, was standing in front of him. He moves behind him to better control him and yeah, he's still controlling him via hand on head, and now he's got his other hand gripping Vash's chest, where feathers/wings are manifesting. Knives is assaulting him. If you wanna get crazy with it and say that the angel arm is kinda phallic, you could say... yeah. This is rape. I heard that specific interpretation once and while I accepted it I also don't know if that would be generally accepted or if I'd be called out for it, so I'm trying to tread lightly here.

It also doesn't escape me that of course the angel arm has feminine features like the plants - the plants that, again, humans are exploiting for their ability to create. There's a lot of feminist commentary to be made here but many people have said it better than me. Specifically I'm thinking of this one post I saw about gender fuckery and Tristamp Vash. Anyway.

Also, the atomic bomb/black hole/sun/whatever that is in the middle... It's just so powerful. It's terrifying. The eldritch body horror here is a punch to the gut. What the fuck, Trigun? I thought this was a funky space western!!!

Oh, and here's more commentary on the following few panels:

Vashussy shot, Knives is still right behind him. Yeah, I wasn't kidding about how bad this pose is for them. Knives, you sick fuck.

Vash shoots himself in the leg (a key difference from '98 trigun, lol), because of course he does, but it doesn't free him from the arm.

The arm's getting darker/the light inside is getting lighter! Stampede did an awesome job with their interpretation of the angel arm and I don't think I would have understood it without that. Also, on my first read I didn't notice that Vash is literally levitating, which is cool, but also terrifying because ?? he's not in control of that either??

Finally. A super painful, minimalist, double-page spread. Nightow loves 'em. Vash thinks he's dying (maybe?) and he wishes he had never existed. It's not suicidal ideation per se, but he wishes he didn't exist at all because he's already caused enough suffering. This is a low for him, because he believes so strongly in the concept of the Blank Ticket. (Come on, soupy brain bitch boy, get it together!) He's a monster, it's just how he was born, and he's not in control. Very specifically too, he says "we", and then changes it to "I"... he doesn't blame Knives at all, and that's very him. I want to shake him! Stop playing the martyr, Vash!

[absolutebl]

This Week in BL - Weird Strange Warmth, Thailand

Organized, in each category, with ones I'm enjoying most at the top.

Sept 2024 Week 2

Ongoing Series - Thai

Jack & Joker (Thai Mon IQIYI) ep 1 of 12 - Oh it’s fucking great. What a fantastic start! It’s a fun cast too. I adore seeing all of the familiar faces. This is a lot more fun than Kidnap (sorry GMMTV, do better). I mean both shows are serving the same kind of concept but with completely different energy. I love that War is playing phi in this series. I think it suits him much better. In fact. I really like these rolls for this pair. I think they’re gonna knock it outta the park. I am so happy this is good. I wanted it to be good. And it’s good!

Monster Next Door (Thai Thurs Gaga ) ep 8 of 12 - Oh no! He read the journal. No snooping! Well I guess they needed to get some tension for these 2 from somewhere, otherwise they are too good to each other. Meanwhile, I’m not sure about the sides in this particular series. I don’t hate them. The laundry jealousy moment was pretty well done. But I'm not sold, either.

Addicted Heroin (Thai Tues WeTV) ep 5 of 10 - I forgot that we were already on the ICONIC kidnapping section of the narrative. I miss Gu Hai's OBEY sweatshirt from the original. (Someday I will own that sweatshirt.) Hero should at least be wearing an OBEY T-shirt. Frankly I miss the harshness of the original too. Johnny Huang was just so massive, August doesn't have the physicality to carry this scene off. Nor does Thailand have the guts to push it into the creepy obsessive territory that made the first version so thrilling to watch.

The thing about the original kidnapping bit was we could feel Gu Hai's vibrating need to possess overriding everything else (including his sense of humor and frustration with himself). Gu Hai KNOWS kidnapping was an over reaction, he KNOWS he is being absurd, he just doesn't care. Because he doesn't just want to fuck Bai Luo Yin he wants to consume him.

We didn't get any of that from Hero. Hero, as a character, just isn't edgy enough to carry off a kidnapping, he's been softened too much in this new Thai form.

And then... An around the back of head not-kiss? Interesting choice. (Checks to see if BoomPeak are hanging out nearby.) Is that because the actor is under age? We in that head space for this whole show? (Pun intended.) Not sure how I feel about any of it.

It’s a much milder confession this time around, because it’s Thailand, but it’s still warped. So I’m still here for the weird strange warmth of this damn show. I did laugh a lot during this episode. 

Kidnap (Fri YT) ep 2 of 12 - Oh I am very much enjoying this.

"You’re the worst kidnapper I ever ever met" is an apt accusation.

Battle of the Writers (Sun YT) ep 7 of 12 - I kinda enjoyed the little side romance story (wealthy writer intellectual + poor local salt-of-the-earth boy = Love Seaing all over my damn screen). It came outta nowhere but... okay.

I honestly have no idea what’s going on with this show. But the kisses are nice. And I pretty much like all of the couples. It’s wild how disjointed it is but simultaneously how pretty. It’s like Star Hunter got hold of Mame’s budget and aesthetic. 

I Saw You in My Dream (Weds Gaga) ep 9 of 12 - Boyfriend era to the max. Production is still ignoring the whole "dreaming the future" POINT OF THIS SHOW.

The Trainee (Sun YT) ep 11 of 12 - Jane is VERY COOL. Like tay-style cool… as it were. I like their dynamic when they're given one to play with. It’s the rest of this show I don’t enjoy. 

Live in Love (Sun Gaga) ep 2 of 5 - It cute. Bit odd but cute. I like the language play, of course. It’s an interesting pair to watch flirt because it’s all language play so that's fun but otherwise, I'm not convinced.

Ongoing Series - Not Thai

The On1y One (Taiwan Thurs Gaga) eps 7-8 of 12 - This BL doesn’t drink from the water bottle to show off its neck. It quietly hands you the water bottle and expects you to understand that is not an act of generosity but of polite distancing. It's about the delicacy of the messaging, and the way themes are conveyed with such nuance.

This story is entirely about the two of them figuring out about each other, and then trying to be what the other person needs based on that information. It means they (and therefore we) are on this journey of discovering affection together. It's brilliant.

I must talk about the physical acting of these two for a second. That scene where they’re fighting over the book and then fall into the pool. That was one take. That’s amazing. These two are really fucking stellar not only at acting but hitting their marks. And let's be clear, that is NOT the same thing. I bet they both have stage training.

Define irony: watching two abandoned kids counsel their respective parents through abandonment issues.

Sugar Dog Life (Japan Sun grey) ep 6 of 10 - It is stupid cute and utterly charming. They are total boyfriends. It’s just that one of them wants to be and one of them assumes they already are. Actually, nevermind boyfriends, they’re married.

I Hear the Sunspot AKA Hidamari ga Kikoeru (Japan Weds Gaga) ep 12fin - It made me whimper a lot because they’re both hurting so much. But in the end it was... fine.

Summation

The compassionate story of a college kid going deaf and the one boy he can hear. I love this manga and was let down by the first adaptation (Silhouette of Your Voice), so I was expecting a lot from this BL. I expected the soundscapes in this one to be fantastic, and the were, but I didn’t expect the filming to be something special too. But it really is. The acting is great too. But the story? It was just fine. They spent far too much time on the build to a relationship, then wallowed in their separation and a problematic girl character, when they should have been showcasing Taichi's character arc and his capacity for connection. Perhaps Japan should pass this one off to Thailand, It's a soft story centering on "food as love" so they might do better with it. I am, yet again, disappointed. 8/10 but I want to give it a 7/10

First Note Of Love (Taiwan Mon Gaga) eps 9-10 of 12 - It’s fine. it’s cute. I enjoyed getting some backstory. More of the sides, please.

Seoul Blues (Korea Fri? YouTube) ep 7 - Honestly, why don’t they just call this entire series The Cheating Diaries and have done with it? I’m only watching it because there’s basically nothing else from Korea right now. But I’m generally mad about it. Including the fact that everybody is so pretty and the acting is so good in the series, but the stories are so terrible.

It's airing but...

The Hidden Moon (Sat WeTV) ep 1 of 10 - This is a supernatural romance (my ghost boyfriend trope) by Violet Rain (I Feel You Linger). A man is hired to write an article about an old mansion in Chiang Mai being converted into a café. He sees the ghosts of people who died at the mansion, falls in love with one of them. Was substantially recast. I loved IFYLITA except the ending so I think I'll let this one run it's course you can tell me if it's work tracking down... if they managed to land it. I have my doubts.

Happy of the End (Japan Tues Gaga) - A boy is disowned for being gay, dumped by his boyfriend, and ends up in a dysfunctional co-dependant relationship with his would-be kidnapper. We were due for another messy JBL and it's exactly as expected. I do not like it at all. And ya know what? There is plenty airing. DNF 

In case you missed it

The Time of Fever (Korea iQIYI & Viki) 6 eps - Side couple from Unintentional Love Story, HoTae & DongHee, return for a spin off backstory show.

It started out fantastic. And it was a relief to have a good Korean BL finally back on my screen, even a high angst one. But I did spend a lot of time trying trying to figure out whether they’re going to rehash or reboot from the previous series. Are we in Between Us territory or Don't Say No or (heaven forbid) To My Star 2?

None of the above, it turns out.

This was a pure prequel about lost first love. As such, it has no real finale beyond what we got in ULS. Which, for this pair, wasn't satisfying. Putting my disappointment over this aspect aside, it is enjoyable on the strength of the characters, actors, and chemistry (if not story). Yes I said chemistry, the kissing is fantastic, sometimes KBL can do that. This one featured the "teach me to kiss trope"!!!! Plus language play. Both favorites of mine. It is all angst, ache, repression, and miles of subtext. It did fudge the ending by not skipping forward and over the events in ULS to depict what happened next (what, no year long time jump when we actually need it, Korea?) It's a worthy companion piece, but should be watched BEFORE ULS for maximum satisfaction, and even then you're going to be left feeling like HoTae & DongHee's relationship was never adequately discussed or depicted in order to achieve resolution.

The little cameo of my baby in ep 5 was much appreciated. But the motorcycle should’ve been set up a little bit more. Of course I wanted it to be about them getting together after the events in the first series. But this was all backstory from start to finish. And while it was good backstory, it wasn’t ultimately satisfying for these characters. Still it’s a good little series. 8/10 

Meet You at the Blossom (China) - I'm eating crow, binging the fucker, and live blogging. It's just taking me some time. This isn't really a bingable show, not for me anyway. It's A LOT to take all at once. No new one this week.

4 Minutes (Gaga) Ended - Spies reported in to say the ending was not-exactly-unhappy and mostly lackluster. I'm torn over whether to watch. My natural disinclination to binge, meets my dissatisfaction with wishy-washy, is going up against my love for fabulous high heat and pretty pretty men.

Mitsuya-sensei no keimakutekina ezuke finished and it’s reported to be solid. Age gap treated with respect. I'm curious, so I'll check it out. Not doing very well on binging and catching up but it's on the docket...

Next Week Looks Like This:

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

Still Coming Sept 2024:

9/15 Love Sick 2024 (Thai Sun iQIYI) 15 eps - Remake of the original. I'm scared too.

9/15 Bad Guy My Boss (Thai Sun Gaga) 10 eps - Assistant to a player boss who is in love with that boss decides to quit to save himself. The boss then makes a move. (A gay What's up with Secretary Kim?)

9/17 Love is Like a Poison AKA Doku Koi: Doku mo Sugireba Koi to Naru (Japan Tues Netflix?) 10 eps - Lawyer and a con artist meet at a bar, pair up, fall in love.

9/28 Teenager Judge (Vietnam Sat YouTube) ?? eps - oh I don't know just Ba Vinh doing his thing with pretty boys again.

THIS WEEK’S BEST MOMENTS

Love a teach me to kiss, teach me to fuck, whatever moment. (I Saw You In My Dreams sides)

Not gonna lie. I laughed. Addicted.

(Last week)

Streaming services are listed by how I (usually) watch, which is with a USA based IP, and often offset by a day because time zones are a pain.

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @sunflower-positiiivity @rocketturtle4 @blglplus @anythinggoesintheshire @everlightly @renafire @mestizashinrin @bl-bam-beyond @small-dark-and-delicious @saezurumurmurs

Sigh, Tumblr in its infinite wisdom doesn't like too many at-ings.

[mirai-e-jump]

Animage December 2024 Issue Kamen Rider Gavv ft. Hino Yusuke Interview (translation below)

Publication: November 9, 2024

Letting his fighting spirit "melt" into his bullets

Even within the Kamen Rider series, which has enjoyed a history spanning over half a century, there are only a few who have been chosen to become a Kamen Rider with as much tragic resolve weighing on their shoulders as Karakida Hanto. Hanto's mother was kidnapped by a Granute when he was a child, and while investigating the Granutes, his mentor, Shioya Soji, loses his life. In order to avenge Shioya's death, he decided to accept the offer to undergo a life threatening remodification surgery from Suga Kenzo, someone who's researching a method to exterminate the Granutes. The result of his suffering is that he obtained the power to transform into Kamen Rider Valen.

Sometimes, he guesses a Granutes true identity based on the slightest bit of evidence, other times, he shows his kindness in order to support a girl who's chasing her dreams, and at other times, he shows his playful side by instinctively posing when the cameras are pointed at him……Being able to calmly consider the situation and remain open to one's emotions like that may be what's needed to confront the "monsters" that prey on people's happiness.

Although allies like Suga are currently present, Hanto's still pursuing information about the Granutes on his own. Will he be able to reach the enemy responsible for taking his mother from him? We hope you'll watch as Kamen Rider Valen's battle intensifies. _

-This also expands the range of Hanto's feeling-

"Since his first transformation in episode 6, Hanto's also been active as a Kamen Rider."

Hino: After the first transformation episode, I received heartfelt messages from tons of people, such as, "I'm looking forward to seeing what Valen will do going forward." I was also impressed by the response to the sequence of events leading up to the transformation, with comments like, "They're depicting a setting similar to a Showa Rider in a Reiwa Rider."

"It was a very unrefined first transformation scene."

Hino: It was my first transformation, and I was just trying to keep up with the flow of the performance, so I acted with conflicting feelings. I think it was because of the way Director Morota Satoshi said, "Let's make it this kind of taste," and created it on the spot that a sense of liveliness was born. This is one of my personal favorite scenes, as since I started this job, I've been working hard and doing my best, and I felt as though it connected me and Hanto.

"The avant garde exchange with Kamen Rider Gavv in episode 7 was also funny. He calls himself Valen, a name he associates with Valentine (laughs)."

Hino: That scene was fun to act out (laughs). I got into it as best as I could imagine, and the "In the end, the concept is still chocolate….." scene was given the OK with just one take. Still, I had a hard time at first deciding on which of the emotions from my previous performances to keep consistent. For everyone watching, a week has passed, but Hanto's just fought his mentor's enemy out of revenge, and he's still physically damaged. However, Sugi-san (Director Sugihara) told me to go all out, and since I myself like comedic scenes, I didn't hold back.

"Is there anything memorable from filming the transformation scene?"

Hino: For the fixed transformation pose from the second time onwards, I couldn't close the lever of the gun (Valen Buster) fully, or the Gochizou would pop out when I swung it downwards too aggressively, so I had to do alot of retakes until I got used to it (laughs). I remember having to work at it until I could make cool gestures and movements like a Kamen Rider. One of the Directors gave me some advice about the transformation, and it really struck me. It was, "It's a privilege for the chosen ones to be able to say "Henshin," and the word transformation must convey how the character is feeling as they fight." So, every time I transform, I'm conscious of how to convey my emotions in that moment.

"Once again, please tell us your impression of Hanto."

Hino: Hanto became lonely after losing his mother, met his mentor when he was acting like a delinquent, became his apprentice, and is looking for monsters in his work as a writer. He's someone who's had many experiences that I haven't had. I was conscious of this past before we started filming, and I thought that he was nothing like me. But as I talked with Screenwriter Komura Junko-san and Sugi-san, it was almost like Hanto came to me. While respecting what was different between me and him, I began to draw from my own clumsiness and roughness in order to become closer to Hanto.

"Considering he has a passionate side, and a serious backbone despite being silly, Hanto seems to have a wide range."

Hino: That's right. Shouma's pure and Sachika's a gyaru, but I think there are situations and relationships that are created by each and every one of Hanto's "faces." I'm challenging myself to widen my range, and not settle for, "This is just how Hanto is."

"You're thinking, "If this isn't Hanto, then this is," right?"

Hino: Yes. If I perform as Hanto, then I become Hanto, or to put it another way, it's my job to create Hanto, and I consider it rewarding.

"In episode 9, the most recent episode, we got a glimpse of Hanto's more mature side in a scene with Kirari."

Hino: I wanted to express Hanto's clumsy yet passionate attitude toward children in the scene where he consults with Kirari-chan in a friendly and helpful manner. In the scene before that, when the safety buzzer is set off, he's mistaken for a suspicious person even though he didn't mean it that way, which is typical of Hanto (laughs). I think it's a funny scene that shows off Hanto's cuteness.

-We hope that Hanto will be rewarded one day-

"What are your impressions of Kaji Kotaro-san, the Suit Actor who plays Valen?"

Hino: I feel that Kaji-san has a passionate kindness within him, and that he's pulling me along. Valen's actions are also broken down into a fighting style that's typical of Hanto, and I realized that we were creating one role together. We sometimes talk over a few drinks, and in a positive way, we have friendly competition, where we can say what we want to say to each other.

"What do you find important when doing post recording?"

Hino: Hanto has a wide range of expressions, but when he transforms into Valen, he's fighting a Granute, so I'm aware that he's in a state of hostility and wanting revenge. I try to avoid feeling strangely calm, I always act with the feeling that I'm risking my life.

"Maybe it's like you're switching over into battle mode."

Hino: That might be it. When I speak as Hanto, I go back to my natural self, so I think that this is fine.

"How's the atmosphere on set?"

Hino: Hide has a strong sense of responsibility as the main character, and thanks to his leadership, we were able to communicate with each other from the very beginning, and as filming progressed, the vibes between Shouma, Sachika, and Hanto were established. Hide and Miyabecchi tease me in a nice way, so I think we've established an equal relationship. In regards to Hide, I've always played younger brother characters, so I was alittle nervous that "the younger generation has appeared" (laughs), but he has a pure, brotherly cuteness to him that naturally makes me want to spoil him.

"Speaking of Hanto, we think the presence of his mentor, Shioya Soji, who was mentioned earlier, is significant."

Hino: Komatsu Toshimasa-san's performance gave me goosebumps…..! It's natural, subtle, convincing, yet very unconstrained. I feel a sense of respect for him and thought that I'd like to do a performance like that in the future. He's someone I truly want to call "mentor," and I think it was thanks to Komatsu-san that I was able to cry real tears in the scenes where Hanto cries thinking about his mentor.

"Now that Shioya's passed away, his interactions with Suga Kenzo at his lab are striking."

Hino: Suga's making a mess out of Hanto's life (laughs), but the scenes with Suga are also interesting to perform. The very beginning of the show is focused on Shouma and Sachika, and Hanto and Suga, but it was a valuable experience for me to be able to perform one on one with Asanuma Shintaro-san, as I learned alot from him. I'd seen some of the anime that Asanuma-san was in, but when I looked up his appearances, I was shocked and thought, "He was in this one too?!" I'm happy that we communicate with each other on set, talking about all sorts of things, from matters relating to personal life and acting.

"He's a reliable senior who's the complete opposite of Suga."

Hino: That's true (laughs). I think the gap between him and his role is interesting. I'm working together with him with alot of respect.

"Do you have a favorite anime?"

Hino: Most recently, I like "The Dangers in My Heart." Once I became an adult, I stopped watching romance series like that out of embarrassment, but when I watched The Dangers in My Heart for the first time in awhile, it made my heart skip a beat! I'd say that it gives off a sense of purity that only a middle school student can have, and injects you with emotions that we can't get in the real world….it's a really good series. I myself used to play soccer, so I watched alot of sports anime and manga such as "Haikyu!!," "Ace of Diamond," "SLAM DUNK," and "Major." Those are what got me addicted to watching real sports like the NBA.

"If you had to pick an anime that you especially like, what would it be?"

Hino: I love Kyoto Animation's "Beyond the Boundary," and not only have I seen the main TV series, but I've also watched the movie more than 10 times! I was in middle school at the time, and I used to imitate Kanbara Akihito, the main character who's obsessed with glasses, and say, "Pretty girls with glasses are nice, huh?" (laughs). I was so absorbed in it, that I even established a glasses research club at school using my authority as the student council president.

"Isn't that an abuse of power? (laughs)."

Hino: Of course, but it was an unofficial club, okay? (laughs). Now, I'll often watch live action movies and TV dramas in order to study acting, but before I became an actor, I was exposed to various works to the extent that I had a modest interest in them.

"In the future, are there any situations you'd like to perform as Hanto?"

Hino: Things like explosions are areas I haven't experienced yet. Falling into water……isn't a challenge I'm actively looking to take on (laughs). Personally, I'm interested in what would happen if Hanto were to experience something like love being directed toward him. Hanto lost his mother, and he's the type to have narrow, but deep relationships with people, so along with friendship and human affection, I think he's hungry for love. What I imagine is that in a peaceful world where he doesn't have to fight against the Granutes, Hanto will most likely develop a longing for family and a desire to overcome the trauma of losing his loved ones.

"Only painful things happen to him, so we hope it all works out for Hanto."

Hino: I really hope so. On the other hand though, there's something appealing about being unrewarded (laughs). While being the spice that enhances the excitement of Kamen Rider Gavv, I hope that Hanto will continue to be loved by everyone, and I too will continue to devote myself to Hanto with love and care every day!

[irisintheafterglow]

friends can i hs journalist!reader x bachira brain rot on main real quick because i really need to get this idea out of my head

it's no secret that bachira meguru did not have friends. elementary school into middle school was essentially spent in solitude, and only when he reached high school did he attempt to connect with others.

luck, he figured, placed you two at the same lab table for a science class whose concepts he's long forgotten. you were uncharacteristically warm to him and possessed the patience of a seasoned kindergarten teacher, letting him doodle in the top right corner of your notebook and worksheets. you were always ready to build on whatever joke he muttered, but equally as quick to steer him onto the right task. you countered him so easily that it unnerved him. he found you perplexing, listening to him rattle on about soccer with an interest that only his mother had shown him. there was a monster inside of him, he'd revealed after a few months of knowing you, and you nodded in understanding like you could see it too.

"i feel the same way when i'm photographing a game. it's hyper-focus, right? like someone is whispering in your ear what the best shot is, though i guess 'shot' means different things to each of us," you added, barely glancing up from your notebook. you picked out a yellow highlighter from your pencil case and carefully ran it over a vocabulary word, only stopping when you saw bachira staring at you. "what is it?"

"you're in yearbook?"

"yearbook and journalism class, yeah. i write for the school paper, but it's mostly the sports columns," you say with a nonchalant shrug.

"oh, so do you do, like the-" he holds his hands in the shape of two L's, wiggling the top joint of his pointer finger like he was pressing the shoot button on a camera. "the this thing?"

"mhmm. i take photos at the games and i also write about the result afterward. it's pretty cool, especially during nationals season." another highlighter is chosen meticulously from your bag, the same shade of blue that he liked to draw raindrops with. bachira could probably match a doodle to every writing material you owned, if he tried.

"huh, i bet. why've i never seen you at a game, hmm?"

"they usually assign the same people for each sport, and i've been covering the basketball and volleyball teams for a few years." orange, you pick, for something about homeostasis. "why?" he catches a mischievous sparkle in your eye, like you were teasing him. "you want me to go to your games?"

"absolutely," bachira replies without hesitation. "you don't even have to ask."

so, you do go to the next game. not as a school journalist, but just as a spectator in the stands. you find a seat next to a very passionate mother cheering for the other team, somewhere in the middle of the bleachers. it's close enough that you can spot bachira as soon as he's on the field, and he spots you too. he raises his hand in an excited wave, mimicking the same 'shooting a camera' gesture that got you into this situation. during the game itself, you realize bachira's talent is impossible to ignore, especially when he's finding you after every goal and assist and doing the camera movement like it was your own private joke. you find yourself in the stands again and again, catching his eyes and finding that he's already looking at you.

"i can't believe they actually let you switch," he said, breathless after he sprinted across the field to find you during half-time of your first game as acting journalist. "what'd you say to convince them?" you shrugged, a small smile playing on your lips.

"i just told them the truth," you murmur so that only you two could hear, "that i like watching you play."

"right," he stutters, unsure of what to say. "yeah. well, i'm glad i look cool to you!" he considers it one of the biggest mistakes of his life, leaving whatever was there between you two unsaid. he didn't respond how he wanted to, truthfully, because you'd caught him off guard. bachira meguru wasn't used to having friends, nor was he used to the airy feeling in his forehead and the lightness in his stomach. bachira meguru was not good at being in love.

when he left for blue lock, he felt like he'd left a part of himself with you.

"you're-you're leaving?" he knew you were trying to keep your composure, but it was slipping. he explained the implications of being a certified athlete again and you nodded, your mind anywhere but present. "i see. do you know when you'll be back?" bachira shakes his head. "i see."

"but it'll be good! it'll probably make me a better player and get me one step closer to my dream!"

"right. i'm excited for you, meguru." there was something off in your tone that he couldn't place. the monster was telling him he was...hurting you.

"i'll send you letters or something like we're in shakespeare!" you crack a pained grin, forcing out a laugh that was no more than a nicety. most of the characters die or hate each other in shakespeare. "and i promise i'll come right back to you when i'm done." it seems to be the wrong thing to say since he spots the tremble of your bottom lip as you swallow thickly. what was he doing to you?

"i hope it's everything and more," is the last thing you say to him before he leaves for blue lock. when you're completely removed from his life, he finds his mind drifting to you as a safety net when he had trouble sleeping or hits a low during training. it is everything and more, being at blue lock, but his fingers want to become the shape of a camera every time he makes a goal.

"'mock press day' my ass," raichi declared during a training day before the u-20 match. according to ego, the five-on-five scrimmages would be observed by various reporters to increase interest in the blue lock vs u-20 game. "they just want an excuse to gawk at us."

"the existence of this program is riding on that game," isagi points out. "they're probably trying to prep us for the other scrutiny that comes with being in the public eye." raichi's eye twitches, his grip tightening on the laces of his cleats.

"they can shove all their eyes up my-"

"what kind of press do you think they'll be?" chigiri's question unconsciously catches bachira's attention. "news channels? maybe interviews?"

"don't be thinking they care about what we're doing here," rin deadpans from across the locker room. "it'll be yelling and flashes and that's it, so ignore them and move on." from a dark corner of his brain solely focused on preparing for a match, a childish hope consisting of two words popped into the back of bachira's mind. what if?

when the kickoff whistle is blown, the other players don't understand why he keeps looking toward the spectators as if he's trying to find someone. the even more perplexing bit?

why bachira apologizes in advance for 'needing to show off' before pulling the nastiest dribbling the program has seen since its conception.

--

there's a buzz in the visiting group of reporters when the match you observe ends, compliments and awe revolving around the striker with the outlandishly good dribbling skills. he was really fired up, they comment. and he's only your age, they say to you with wonderstruck faces. can you believe the talent of that striker? i'm not sure what he was doing with his hands after each goal, though. was he taking a picture of us instead? while they continue to recount their favorite plays, you smile and wait for him to come and find you, your star player and his favorite photographer.

--

later heard in the locker room: "why the fuck was bachira kissing one of the press people after the match?"

"call it unfinished business," bachira replies with a satisfied smirk, "you better be scared of me, next time that reporter is in the stands. i have a lot of time to make up for."

if you enjoy my writing and would like to support me, you can buy me a coffee on my ko-fi! you can also check out my full masterlist here :)

[factual-fantasy]

25 Asks! Thank you! :}} 🐬

@stargirldrawsx3

Oof, that's a tough thing to answer/explain.. Motivation to draw OCs.. uhhhh..

I guess I sometimes just picture them in my head and think "man that would look really cool if I drew it" And then I.. draw. it. 💀

idkkkk-- my apologies, I'm not the best at explaining art stuff. My motivation for drawing/creating OCs just comes and goes. Idk what sparks it or haw to spark it artificially. If I'm not feeling motivated to draw OCs I just draw fanart or other OCs that I do feel like drawing.. sorry i cant be more helpful here! <:(((

Thank you! :DD And I've been drawing for literally as long as I can remember. Some of my earliest memories are drawing stick figured in my school notebook in my back yard.

Of course though I cant really tell you the estimate of years without revealing my age <XD but I can say that its a very long time! :))

YES SIR MR ANON SIR! WILL DO SIR! 🫡🫡🫡

He's an interesting character to me. :0 Aside from his voice being a bit annoying at times. (He sounds like Finn the human but more theatrical.)

Something I've noticed is that it seems like a lot of other characters dump a lot of stuff on Gingerbrave and depend on him to help them. I always wonder/feel like he's got a lot on his plate. I'm surprised he doesn't act more stressed or seem tired at all..

This has made me think of angsty scenarios where Brave gets hurt or sick and has to rest for a few days. But he just cant. He's gotten so used to helping people and always being asked for help that he doesn't feel like he can just sit around and do nothing.

I wonder how much of his self worth is pinned on being the helping hand or the hero. I wonder how he would feel if he suddenly became a "burden" to his friends or Pure Vanilla..

Over all I don't mind his character. He's pretty neat! :))

@wolfie-777

Tbh..? I didn't really like them <:(

The characters voices in Indigo park were so theatrical and annoying to me that I could hardly focus on the game. I just kept thinking "pleasestoptalkingpleasestoptalkingSHUPUPLLOYD" Also I wasn't a fan of the characters of indigo park being.. living creatures..? They looked uncanny and unrealistic.. how did they even get there-

I would have liked indigo park more if their voices weren't so theatrical and if they were big animatronics or something instead..

Secondly Finding Frankie. I liked the concept actually. Having this fall guys type gameshow thing with a grand prize was cool! And all the parkour gamplay was really unique and fun!

But then Frankie came along and broke the fourth wall. "I'm here to make the game more interesting and spark fan theories!" It took me right out and made the game feel cheap. Then of course the characters are these big monsters with blood that makes no sense... I would be more immersed if they were just big animatronics that went rogue.

All in all, not the biggest fan of these two games 😅

Thank you for all of this <:)) I'm trying my best to get past these bad health days and get back to drawing. Its been really tough but i hope to come back soon.. Just not to the Octonauts fandom <XDD

@vivicantdraw

:000 You like my handwriting?? :DD Why thank you! That's very sweet of you to say! :))

Also, that's a great drawing of Barnacles! :00 And akjwendfjef XD The thieves just on fire in the background XDDDD

I wouldn't count on it <:( I never even finished the show when I was really into it... but hey its always possible I suppose-

Thank you.. I'm trying my best to just move on and keep drawing. But ngl this has really sucked. My health has been weighing me down so much for months, and now all this art theft and blatant disrespect on top of it? I've tried drawing on my own time but this art block has just not let up.

@chromchill

I'm doing my best to draw privately, but I hadn't realized how much I relied on peoples nice comments for motivation. This art block has been killer.

@bred-by-insanity

Awe! Cute dog! :))

And thank you.. I'm doing my best. But man this just sucks.

I will never accept anyone's excuses for disrespecting my, or other artists boundaries.

And yeah, thank you.. I miss people interacting kindly with my Octonauts stuff.. But its not worth all the theft. Same with FNAF. I've decided to just draw those in private.

Well don't get me wrong, my FNAF stuff gets stolen, traced and copied a lot too. The Octonauts ones just happen more frequently. 🙄

(Referencing this post)

XD Yeah he got out eventually

I do not, I'm only found on here on Tumblr! (And my YouTube channel that I never post to)

Remember, if you find my artwork anywhere else, it is 100% stolen every time. No exceptions.

@misfortuneandflamingos

AAAA THANYOUU!! :DDDD

<XD Thank you. And yeah the world just be broken like that 😔

I've seen fanart of those things, but haven't looked into it myself :00

Also thank you!! :DD

(Link in ask)

Thank you! I'm hoping to find ways to post some TADC stuff soon <:)

Also wow- I see the resemblance! But this is the first time I'm seeing this character, its purely a coincidence :0

Link in ask

Aww!! I love Sylveon 😭💞💞

Thank you, and don't worry- I see what you were getting at <:)

I'm doing my best to move on from this and I'm working on getting my confidence back. I think I just needed a big break from Tumblr to just indulge and games and stuff.. I'm hoping to return soon.

(Referencing this post)

XDD I'm glad you like it! :DD That one was really fun to draw 🤣🤣

@smil3y-f4c3

Hmmm... good question.. Well, my favorite is Dusknoir. I can see Bibi liking Sylveon... hmmm.. Jangles probably likes weird or funny looking Pokémon, mayyybe Mr Mime..? I can see Cici liking Mimiku.. as for Gerald I can see him having a surprising interest in pokemon like Xerneous, Dialga and Deoxys. Maybe Xerneous being his favorite.

@smg6-the-memer

I'm hanging in there as best I can <:/ I hope you're well! :))

@neo-metalscottic

Oof, been there buddy! I hope you have a speedy recovery. <:) As for me I haven't been doing so great. Have had some rough health days recently and lost a lot of my confidence about posting my artwork online. It feels like every time I check here someone has sent me yet another stolen piece of art I made. I've spent my time just screwing around on Roblox to get away from it all 😔

Now Mario and Luigi: Brothership.. I've heard of it but haven't played it myself. I've been meaning to watch someone do a playthrough of it sometime <XD

[a-confused-spoon]

Jinx's haircut: how Powder and Ekko's story comes full circle

Hi! So, it appears Jinx will be cutting her hair short in season 2 (which is cool as fuck), and I’ve been seeing a lot of discussion on it, so I wanted to share my two cents 😊

I might refer to Jinx and Powder as if they are different ideantities, but I'm aware that's not how that works; it's just an easier way to express myself. Also english isn't my first language, so apologies for any possible wiritng mistake (this is a bit of a mess 😅)

* deep breath in *

As it has already been pointed out, this choice must have a deeper reason other than esthetic (I've been seeing the phrase "hair holds memories" used a lot), and what's even more interesting is that her new look resembles a lot how she used to look like as a kid; a bit bizarre, given how the entirety of season 1 showed us how Powder and Jinx's coexistence only brings the girl pain. As a matter of fact, the finale makes it clear to us that even she sees these two sides of herself as mutually exclusive.

So why and how exactly would this happen now?

What I keep going back to is the idea that maybe, just maybe, this has to do with her possibly "taking the lead" in Zaun; whether she actively becomes a leader or if she just "leads by example" (therefore passively), it doesn't change the fact that for better or worse she will be depicted as a leading revolutionary figure.

And fair enough: she singlehandedly killed half of the Council, the people who hold decisional power and have contributed to the misery on the other side of the river. After Vender's failed attempt on the bridge and Silco's focus on his own business dealings with Piltover among everything else he did, Jinx's attack on the city - something she does to ultimately solidify her identity as Jinx - opens a door that the Undercity was waiting to be opened for decades.

Here's the thing:

Being Jinx doesn't just mean acting on unbridled rage and being a menace to society; it means being feared by most, if not all, with the only possible exceptions being those who also accepted their inner monster. To put it in Singed's words, "If you take this path, they will despise you".

Being Jinx fundamentally implies loneliness.

Silco was consistently reminding her this: "I am your family; everyone else betrays us" / "Everyone betrays us Jinx! Vander! Her! They will never understand, it's only us".

In the official clip 'Enemy of my enemy' we find out that he only saw her cry twice, the two scenes we also witness as an audience, meaning he didn't see her cry once during the timeskip, and I'm sure it's safe to say that she most definitely did cry a lot given how she goes from episode 3 Powder (scared, couldn't grasp the concept of killing someone, heartbroken by the nickname jinx) to episode 4 Powder (a beast, kills in cold blood, has taken Jinx as her actual name)... it must've been an ugly transition, and it definitely didn't happen overnight; if Silco, who was the closest person she had all that time, didn't see it, then I think it speaks a lot on how alone Jinx really was in her darkest times.

For all the love he had for her, he reinforced this idea of isolation as an unescapable consequence of the right path, and I think this is also reflected in the lair that (supposedly) he found for her, especially when you compare it to the Firelights’ one:

The Firelights (this is important for later) are all about community and sharing joy as well as struggle and pain; they live in a place of healing, filled with life, without a roof so the sunlight can reach them during the day, and at nights living bugs that shine a light of their own fill up the hideout.

Jinx's place is diametrically opposed to this: it’s dark and looks cold, it's completely made of metal, the roof’s blocking any natural light and it hangs above an abyss with no bottom to be seen; the only company she consistently has are the puppets of her dead brothers and the only living thing that knows his way in is the only one that can understand, the only one she can rely on - aka Silco himself.

However, as Jinx herself knows, this may have worked for him, but it wasn't working for her for the longest time: she never stopped yearning for affection, love, friendship- that part of her never really went away; it was only being suppressed, suffocated, maybe unintentionally, and I strongly believe that it only worsen her trauma, and it's one of the things that made her spiral so bad into her depression, to the point of hallucinating.

I think that Silco's line in the baptism scene is particularly relevant here: "You need to let Powder die, so the fear of pain will no longer control you", where the fear of pain would refer to the fear of being on her own, of always failing and disappointing others, of being weak and never satisfying the desires, expectations, hopes that Powder carried within her to be “a valuable member of the team”.

If she lets Powder die (which again, she does in the final episode of season 1), this is no longer a problem: if she doesn't do teams, because teams don't want a jinx to begin with, that fear can't get to her; if she's a solo player, a self-sufficient loose cannon, she won't need to rely on anyone but herself because she's strong on her own and does not need the support of others.

If her power lays in the monster she is, the one everyone condemns her for being, then that childhood wish of hers just isn't a realistic option.

...but then this happens.

We know from the teaser trailer that in the operation Caitlyn's leading, 'finding Jinx' and 'neutralize any agent still loyal to Silco' are separate objectives. Which makes sense, since as far as they know Silco was the leader of a group of people, and now that he's gone Jinx is an individual under her own agency and her own agency alone. If initially she fights by herself, for herself because she can and fuck Piltover, then it all falls in line with what I stated so far.

But then we hear Sevika, who has hated Jinx's guts and who Jinx has hated back since day one, telling her to get the people together, to unite the Undercity as one because she can do that. Mind you, the girl has lived in Zaun all her life, she knows damn well that the end of Piltover is something the entire Undercity has been waiting for (“Imagine what the whole of the Lances could do!” from episode 2); yet despite this she needs to be openly told what is going on, that she’s not sizing the opportunity she’s created. She isn't, cause... her? Leading? A group of people? No. Not after the last time she tried to help, and most importantly, not after everything she learned under Silco.

Jinx can't fathom the idea of herself as a part of a part of a team. How can she? She literally just came to terms with isolation as ever present- and now, for some reason, the people of the city, who always either ran away from her or wanted her gone, are dying their hair blue in her image, trusting her, following her, painting murals of her as the bringer of revolution.

She isn't taking power forcibly like Silco did; she's just doing her thing, her Jinx thing, and Zaun, on its own, is choosing her as the leading figure.

Imagine how frustrating it must be for Jinx to look back and realize that Silco, her father- who has loved her, forgiven her, raised her, called her perfect, defended her, was there for her, saved her, guided her- was wrong, and put her in a condition of never ending existential pain when she could’ve had it differently the entire time; imagine how confusing it must be for her to look back and realize that it never mattered whether or not others understood her, 'cause she wasn't as unlovable or unforgivable as she thought herself to be in the first place, that Silco and Vi were never her only options.

Imagine how painful it must be for her to look back and realize that for all this time she could’ve had friends and be accepted and be trusted and rely on others because she never HAD to be alone.

...keeping this in mind, let's talk about Ekko and the missing flashback from episode 7 for a moment.

Admittedly we don’t have a lot of information, other than it took place not too long after the events of episode 3 (then again, to be fair, we don’t know a lot about their relationship as enemies as well: it’s all between the lines; I surely have my own opinions of how they feel about each other being on the enemy side, but I don’t believe it’s super relevant here). What’s for sure about this flashback is that it was a defining moment in both Ekko and Powder’s journey, especially for the latter. Someone surely died, and it 100% was Powder’s fault. It could be both the result of her very first crisis or her first intentional murder; in both cases it results in her deciding for herself to align with Silco as opposed to her best friend.

The way I like to see it is that, since the trauma was still very fresh, she might have been too scared of the idea of fighting alongside others after what happened last time, and she pushed herself to kill someone on purpose just to push Ekko away and prove a point (Silco’s point). I love the idea of the tragic irony of Ekko being the one person Powder managed to really save, and Powder being the one person Ekko couldn’t.

Personal headcanons aside though, the last part is the most important one here: Ekko couldn’t save Powder from Silco, and by extension everything he represents.

I’d like to point out that one of the most tragic aspects of the two becoming enemies (to me) is that, throughout those years, they reciprocally were the only living person the other shared a past with (well, Vi too, but she was in prison the entire time).

Silco not only takes over by force, he also marks as his all the places of said past: the Last Drop, Vi and Powder’s house… one line that always stuck with me from episode 7 is when Ekko tells Vi “All that’s left is Jinx, and she belongs to Silco”.

Not with Silco; to Silco. As if she too a piece of the past he turned into his property.

It’s like he understands that while yes, Powder made the decision by herself, that she wants to stay with Silco, he also knows that the man is the one to blame for... well, all of it; the kid was there when Silco showed up unprovoked at Benzo’s place, he knows things went downhill from there.

Ekko knows that he is the bigger problem and the bigger enemy. Even Vi, without knowing a thing about the past few years, can tell Silco put some shit into her sister’s head; Ekko can probably guess the same, difference being that Ekko has the responsibility of keeping other people safe, and he can’t risk it all for someone that, while possibly manipulated, ultimately isn’t collaborative. Ekko can’t jeopardize all he’s built and done for his former best friend, no matter how much it hurts him to be her enemy.

Back to season 2.

Like the entire fandom has already pointed out, there’s a 99.9% chance there will be an alliance between them and Jinx, especially when looking at Ekko’s new outfit.

Of course, this will not be immediate: my guess is that while Jinx works alone at the very start Ekko will be with Heimerdinger and following the arrest of the Firelights we see in the trailer maybe there’s a split. And even after Jinx takes charge so to speak, and possibly frees them, among others, from Stillwater, it’s possible there will be (and there should be) stages in the alliance: initial distrust, potential fight within the community- like yeah, let’s not forget what Jinx did to these people.

Even if they do go ahead with it, it is probably out of necessity more than anything else, with not one but two military forces against the whole of the Underground. It’s not like they’d be the most ecstatic faction about it, and the same goes for Ekko, which is why the new look will probably come in later.

But exactly like he could see Powder for a brief second on the bridge clearly enough for him to stop himself from beating her, he will, most definitely, see her again through Jinx's inner turmoil... that, and she also can’t keep her shit together when it comes to what she's feeling, the girl really is an open book.

And yeah, the situation would be pretty emotionally disorienting: she's being as Jinx as ever, but people like her now, which is something she used to want as Powder, who is supposed to be dead, and they're willingly following her like they willingly followed Vander and there's murals of her with him, though she's pursuing what aligns more with Silco's dream, but also turns out Silco was wrong about Powder, who might still be alive deep down- the whole thing is a big big mess.

Despite everything that I said about him, it’s not like Jinx would start to resent Silco. She could never, not after his last words to her. They mean the world to her, he means too much to her, and let’s not forget she probably hear his voice now too, along Mylo’s and Claggor’s; it might even be a calming voice to her, one she’s happy to hear even if she knows he’s not real… which makes it all worse and more painful to deal with.

In this scene from the trailer, it seems like Ekko’s talking to her (some have pointed out the blue hair out of focus). Since this is still the look in season, at this point in time Ekko (and the rest of the Firelights) are not truly committed to this alliance with Jinx, and vice versa, Jinx is still figuring out how to deal with all this unexpected appreciation.

If there’s one thing we’ve learned about Jinx’s way of dealing with inner conflicts, especially ones that deal with the memories of the past, is that it often leads to disaster. This is a bit of a long shot, but what if the reason Ekko’s so beat up Is because she unintentionally sabotaged one of their own attacks on Piltover? Or perhaps they were caught up in a tough situation because of something she did or didn’t do? My point is that if he really is talking with her while in this condition, she probably is in a similar one.

Regardless, they are on the same side, and they are having a conversation. This is very likely the first time they reach out for each other since the day she chose to not go with him.

And I think it’s believable that of all the people she now has beside her, she’d talk to Ekko: he has this leader stuff already figured out. He has and still is taking care of people and keeping them safe better than she ever will, and on top of that, he still is the only one in Zaun (again, aside from Vi) who has known her since before she was Jinx, and he spared her on the bridge. He’s the perfect person to open up to.

And, get this, not only Ekko understands the pressure of taking the lead: he knows what it means to look back at someone you were fond of and feeling the pain of being wronged by them. He knows what it’s like to look back at old memories of someone you trusted and wonder if all those moments together really were what you thought they were, he knows what it’s like to wish it could all go back like it was, just so that candid version of them you have in your mind can still be true, present and untainted by the ugliness that now ruins all those precious moments.

He knows, 'cause he went through it with her... and now he can finally reach her.

Ekko may have not been able to save her from Silco then, but he can save her from Silco now.

And since he has built a community that grieved together, went through pain and joy together, he simply does what he’s always done with the Firelights. Sharing.

He tells with her what has worked for him: “Sometimes, taking a leap forward means leaving a few things behind”- in the Franch dub he says “leaving a part of oneself behind”- meaning it doesn’t have to be all or nothing: she has the power to choose what to kiss goodbye and what can stay…

…and then she cuts her hair.

I think it’s important to note how these two moments are very similar in setting. I kid you not, the first time I watched the trailer I was convinced this was a scene where Jinx was burning Silco’s body after she killed him- which frankly could still be the case. I’ve also seen discussions being made for the little girl we see in the trailer being burned here, or Sevika, but I don’t think it’s either. Jinx is completely desensitized to death, even when Silco died her makeup isn’t this ruined. My guess is that this is something much deeper:

Jinx never properly grieved the past. Ever. So, maybe, she’s burning the part of herself she’s leaving behind. The hair she cut.

The hair Silco used to braid for her.

These two scenes parallel each other because “nothing ever stays dead”, but Silco must stay dead, for her own sake. For her own happiness: she is leaving him behind for good.

Only after this moment we get the new look for Ekko: he can work with this new Jinx, the one that now knows she can work within a team, even to the point of committing to the outfit (lol).

If in season 1 Jinx accepted her identity as it was defined by Silco, in season 2 she's re-inventing it under her own conditions: she gets to choose what "being Jinx" may or may not include. And it will always include a little bit of Powder.

Thanks for reading! 💚💙

[csolarstorm]

Yeah, I don't know what to post about the Pokemon Teraleak yet. There's just so much, I haven't sorted it out in my mind yet.

And to tell the truth, some of the big revelations about Gen 3 and 4 are just confirming things the Pokemon theorists already thought. Theorists already mapped the three trios in Gen 1-4 to the Arceus circle - it's just really neat to confirm that GameFreak intended it this way. And that there are Pokemon in the circle that we didn't know about, some that haven't been translated yet. And apparently the circle confirms the idea of psuedo-legendaries though, which is cool.

I think one thing it proves is that GameFreak developers can be a lot more hardcore and weird than the easily predictable, pattern-based company we've browbeaten each other into accepting for decades. The...um...furry fics...? Canalave "extended lore"?...proves that. And then there are the more monstrous Gen 3 concepts that I wouldn't even connect to Pokemon if not for the Unown rock monster (the first Regi?) and the Cacturne. I kinda hope this is the origin or Cacturne and Metagross, and they were just refined down to versions that fit the other art style.

That's what I'd like to think of each generation being: a collection of very different designs from different perspectives that they came together to brainstorm before refining them into one coherent artstyle.

I'd also like to think of the Unown rock monster as the first inspiration for the Regis, with the Unown evolving into the Braille used with the Regis in the final build.

I'm seeing a kind of synchronicity phenomenon here, where the vibe of the beta Pokemon is still communicated in the final build somehow. Not only do the betas reflect the style of their era, but because the fans are inspired by the games, their fakemon somehow synchronize with the vibes of the betas through the final build. I'm not sure how to explain it better than that? The fakemon that my friends and I worked on during Gen 3 and 4 resemble some of these Gen 3 betas. I think there was a style of the time, and I think that a lot of GameFreak's intentions for the design elements of the game are successfully implied through the experience, so fans tend to reconstitute that as their own headcanons. Does that make sense?

It's a miracle I got to sleep last night, after fiendishly tracking every leak I could from the afternoon to the early hours of the morning. I think I might be finally be ready to take a break from the leaks (besides sleeping). I mean, I thought I'd be one of those people to immediately post the leaks and my opinions about them as they came out, but for whatever reason I didn't feel like it, maybe because they haven't stopped coming out. So I'll get to sharing my opinions at some point.

Have fun with the leaks!

[thosetrollkids]

MONSTOBER: DESIGNS

Part 1: Teen Cast!

HELLOOOOO everybody! Welcome to my project, Monstober! A series of several posts with large, in depth looks at different aspects of my AU, Monster Kids, that I wrote during October this year. Special thanks to @eurazba for listening to me ramble over all this and helping with the AU over the years <3

This post will be going over the general monster designs for notable teen characters, as well as some thoughts as to why I chose said designs :D

There will be a second post for the main adult cast, and once posted, you can find it linked here :)

Jim / Toby / Claire

Jim Lake Jr (Sphinx): It's him! The poster boy! Wahoo! Honestly, I don't have many notes for his design process, because his design has stayed relatively similar since the early drafts. His was the very first design, and other than being a typical lion/eagle sphinx for like. two drawings, and then a panther/blackbird for two more, once the snow leopard/blue jay combo was struck, he's only really changed in small ways. I chose a blue jay, because they're one of my favorite birds, they're blue, and I'd used them to be an accent to Jim in a previous drawing. Snow leopards are also my favorite big cat! So similar reasoning for that particular aspect. If I were to design him today, blank slate, I miiiight have changed his cat species, but I still am way too attached to the leopard/jay combo.

Toby Domzalski (Gargoyle): Toby's design also hasn't changed much! The main trio haven't, other than minor adjustments. He originally had yellow eyes, but they're back to standard green. He also used to have larger wings, and while I liked the idea of the main three being able to fly together, I decided to go with a different route as I leaned into his design looking more aquatic, and he instead has wing shaped back fins! They fold down and sit under his clothes, as he only really can use them while swimming.

Claire Nuñez (Harpy) Also another design I haven't changed since conception! Harpies were always something cool to me, and I was inspired by an illustration of harpies in a mythology book I had bought at the time. Her design was originally just 'bird' until I tired to find a more specific species that fit. I landed on barn owls, and coincidentally, they are also associated with brujeria/witchcraft in Mexico! Win-win. With her stronger connection to magic overall, she's also the only member of Team Trollhunter that can fly reliably; her magic feeds her energy enough to keep in the air (Jim's wings are too small for anything besides light gliding and cushioning falls).

Steve / Eli / Krel / Aja

Steve Palchuk (Faun): Steve's design was always pretty formed in my head. For the guy that tries so very hard to be an all-American boy, an icon of that is the whitetail deer buck, and it very quickly fell into place! His design is fairly simple, which is why it works so well for him, IMO. Fun fact, he has a set of scars on his cheek from the equivalent of the fight he had with Jim in S1. More to expand on in a later comic, >:3c

Eli Pepperjack (Bat Humanoid): Eli was actually also a sphinx originally, but I wanted Jim to stay fairly unique among the main teens, so my follow up design was something more batlike! I did do plenty of research for monster bats, or hybrid bat monsters, but what research I could do didn't produce much (then again, could always be wrong!), so I went with 'attributes'. He's based on a Little Brown Bat. He little >:) His wings are also not capable of flight, they're basically large hands, all the better to hunt down creepers with, my dear.

Krel & Aja Tarron (Amphibious humanoids): WAHOOOOO!!!! I'm very proud of these, because you have NO IDEA how many months I struggled to find a design I liked for them. They have been (checks notes) spidertaurs, a few other passes of various insectoid tries, I was going to attempt something more seal like, because I knew the main group's designs were already mammal-heavy, and something aquatic or insectoid was what I wanted to balance the group out. Then my beloved @eurazba, listening to me ramble one night, helped me come to the idea of their 'human' transductions looking closer to old monster movies! Creature from Black Lagoon was an easy pick, I did some research about CFBL and Shape of Water (thanks Del Toro), and bada bing, bada boom! My fishy twins! Also Krel is the only one wearing shoes. Just realized this...

Mary / Darci / Shannon

Mary Wang (Dryad): Mary has also gone through a lot of changes (turns out, I was very indecisive outside of the main trio, AJDJSBSJFHB). She was actually a -taur alongside Darci! Specifically a unitaur (saw a lot of alternate Monster Falls art of Mabel Pines as one, and I really liked the idea. The overall AU was inspired by the Gravity Falls AU, now you know!) She stayed that for a while, then also went through some bug-like redesigns, and then a couple months back, I decided on a dryad! Before that point, I was trying to stay strictly to animalistic monster designs, but it became a little too confining, so she exploded into my sketchbook and became real. Her tree is a california redbud, and her 'antlers' are like the branches of the tree, and leaves/flowers bloom in time with the season on them. The hooves were based on a Zelda design from an artist I liked a lot (truffe.art on IG!)

Darci Scott (Praying Mantis-taur): HERE COMES THE BUG PAYOFF. Some of you may remember my design for Darci hasn't changed for quite some time, and while I liked the look of the cervitaur (a centaur, but deer), it didn't feel... as unique as I wanted? And I was still missing my BUG. So, debating over this, I did a few passes of her mixed with a bee, spider, etc etc... and then once again, @eurazba was like "hey! praying mantis." and I fell in LOVE with the concept. (Very quickly sketched her up as I was doing these sheets, actually NDJSNJKJD)

Shannon Longhannon (Gorgon): Last design of the group, another that has hardly changed since conception. Nagas, gorgons, lamias- whatever they're called, I love the visual of a reptilian character slinking around gracefully, and she helped balance out all the mammalian designs as well. She was originally a typical green/yellow snake, but when I inevitably color her, I picture something more ruddy, reddish brown, to match her hair :) She indeed is able to turn someone to stone, but as she was not born a gorgon, this ability is dulled, and only lasts for a few hours, working only if she focuses completely on doing so to someone. She's taken to wearing shades more often to not scare people who don't know this.

[dunmeshistash]

I find the whole, familiars (like the fairies) can also turn and work as a magic staff really interesting and it makes me wish we had more about that, like I really want to know more about that concept and whether or not it works kind of like Ambrosia (since it's essentially a living staff)

Not sure why I didn't answer this before, sorry!

It is pretty cool but it also just suddenly happens? And it's never mentioned again?? Chapter 54 (edit: and also in chapter 75)

Because the explanation Kui gave for Mithrun not having a staff is because he lost his all the time, but wouldn't his fairy fix the issue? Since they can follow their masters and become staves?

In her monster eater card Pattadol is also holding her staff while her fairy is there too, are there scenes in the manga where they're both there? Is this something only Pattadol does for some reason? Did Mithrun lose his fairy often? Is fairies becoming staves no longer canon? Kui come here I just wanna talk, answer me

I don't think ambrosia could do this tho, since Marcille weaved it herself? The changes ambrosia goes thru like when resurrecting Falin or when it gets overcharged with magic are pretty minimal.

[bogleech]

THINGS THAT WERE GOOD IN THE ORIGINAL "DISGAEA: HOUR OF DARKNESS:" This game helped further popularize the trope of "this is an ADULT demon fellas it just incidentally looks 13 ;)" and ran with that even more as the series went on, but in my late teens I had a lot of fun with the game itself and the following things were great:

This unbeatable ghost design, look at that face

I thought the "treant" was really cool!

The badass pumpkinhead monster type that's always smoking. Of course a pumpkinhead smokes!! Its basic attack animation had it take the cigarette out and hold it out of the way while it stabbed with a big ass knife. Amazing.

The generic male dark mage just called a "skull," with his outfit sewn into him?! He was voice acted with weird "MMMMPH!!!" noises because of his face stitched shut. DO NOT look up what they did to this design in later installments.

The shark dragons oddly translated as "serpents"

It wasn't even normal in-universe for a succubus to look like a prepubescent kid and the normal succubi performed all bite and drain attacks with a hidden snake head that morphed out of their tails; biologically speaking that makes it their "real mouth" doesn't it??? But then what's that make the one on their humanoid head :( Is this a situation where the whole creature is backwards and the "tail" is even the real head or are they like girafarig with a brain at both ends?! Anyway they don't let you put away the core main characters, but I actually had them hang back and stubbornly played the whole game with a Halloweeny Monster team of just all these.

I guess the series mascots the Prinnies bear mentioning because if you didn't know what was up with them, these weird peg-legged penguin dolls, which explode when anyone throws them, are canonically the vessels human souls or defeated demons have to occupy in hell. I don't know if there's a Japanese pun behind their concept or it was just a lolrandom marketable animal

[windvexer]

what's your opinion on pop culture witchcraft? i think it seems really fun and cool im just not sure how exactly a fictional god will manifest in the "real" world? i was just curious on what you thought :p thank you for your time!

I think that pop culture witchcraft is beautiful and sacred and I think more people should get into it!

My views on the intersection of popular culture (aka, the dominant cultural beliefs and creations at this moment in time) and witchcraft originate from the fact that when I began doing a lot of energy work, I saw a lot of stuff as video game characters & assets.

If I would binge any video game, for the next little while, a lot of my energy readings would be output in the symbols and lore from that game.

E.g., a pokemon binge, seeing Gengar near the querent: "Yes, you're being haunted by a ghost."

A DAO binge, seeing a dryad writing a letter to the querent: "A tree wants to talk to you."

These experiences have deeply influenced my beliefs on the nature of psychism, communing with the spirit world, and divination as a whole. It has inspired my beliefs on how to work with divinatory tools, especially my concepts of choosing your own symbol sets to work with.

After all, an upright triangle is so abstract, but a charmander? For many of us, that is a deeply rooted symbol of fire indeed! And I can't imagine how a triangle might act if it needs to be revived and balanced in my life, but I can surely visualize a charmander feeling sick and cold, or desperately trying to stack and balance heavy boxes.

This inspired me to consider the intersection of popular culture and the experiential nature of witchcraft. After all, aren't so many of us deeply imprinted on and influenced by what culture has told us about magic and spirits? Where is the line in the sand between how culture makes us interact with magic (path), and how culture makes us interact with magic (practice)?

Let me tell you a story!!

There is some internet monster named Momo. Momo has a *very* scary face (to me at least) so be warned if you google.

But when this story starts, I had never heard of Momo. I had never seen a picture of Momo or heard her name. Yes? Yes.

Now one time, I was doing an energy reading for a person, and I saw a horrifying monster woman with huge eyes and a twisted smile like a V slashed across her face, and not only this, but the horrifying monster woman was standing over the querent's bed, watching them sleep.

As a reader with about an ounce of wisdom, I knew much better than to say, "hey, a horrifying monster is watching you while you sleep." Because that is a dick thing to say to anyone.

As I continued watching to try and gain more information, it struck me that this monster woman wasn't threatening at all. She didn't have bad vibes. In fact she seemed neutral, or perhaps even an ally. She was just watching the person sleep.

I couldn't help but notice, however, that I could see her face so clearly. So distinctly. So I googled something like, "big smile scary woman face."

And there she was: Momo! The exact monster I was seeing. It was a startling moment, made all the more strange by the fact that this wasn't some monster of mythical lore or legend. It was like, a TikTok trend or something.

Finally I had to tell the querent something. Now y'all this happened some years ago and I don't remember exactly how it went down, but it was like this:

"Hey, someone is watching you sleep. The form is scary looking but they don't seem threatening at all. I googled it and it looks exactly like an internet urban legend named Momo."

"What? My cat?"

"No, it's a woman, an urban legend named Momo."

"No, my cat Momo. My cat is named Momo. She watches me while I sleep."

So to answer your question, Anon:

I expect that a fictional god can manifest at least as bizarrely as a real cat, I believe that the simple phrase "real world" is an artifact that fits into few reliquaries of the occult, and I think that pop culture witchcraft is absolutely fabulous.

[bubamarra]

here's my mlp g6 cast! Some of the characters are inspired by G5 characters (most notably Lightning Bug, Starsong, and Misty--whose design I basically just copied because I love Misty), but I took most of the names from earlier gens. Some of the concepts from my older posts are here, some are slightly edited, and some are new. If there were to be a G6, I think a lineless style like this would be a cool way to differentiate from previous generations. I might make some fake screenshots in this style later :)

Razzaroo: Razz was born in the human world and used to work as a circus pony. She's optimistic, creative, and loves making new friends. Even when life seems dark, Razzaroo always holds onto the hope that she and her friends will be okay. Finding Equestria was her fillyhood dream, and she'll do anything to protect it.

Meadowmoon: Meadowmoon was also born in the human world, but she's a regular pony and has no magic. Meadowmoon didn't interact with many other ponies growing up, and basically just spent her days pulling farming equipment. She doesn't trust easily, and she's very practical. She's spent so much time working in the human world that she doesn't really know who she is outside of...horse.

Starsong: Starsong is the oldest daughter of the queen and the golden child. By the queen's rule, "no pony is allowed to shine brighter than the queen or her daughter." Starsong's mother forces her to perform to entertain the bored ponies of Equestria. Starsong wants to live up to her mother's high expectations, but something doesn't feel right about using her music to distract ponies from the queen's tyranny...sometimes she wishes that she could sing the songs that truly come from her heart.

Lightning Bug: Lightning Bug is the queen's younger daughter. She doesn't get noticed much by her mother, despite all the trouble she gets into. When Lightning Bug was little, she got into an accident and lost part of her wing. She managed to construct a prosthetic and discovered her love for building things. Although she's a daredevil, she's also very crafty.

Puzzlemint: Puzzlemint is an actor and a bit of a magician. He puts on secret plays at night to entertain bored ponies. He's silly and sometimes it seems like he doesn't take anything seriously. Puzzlemint loves making costumes and props, and knows a lot about Equestrian history from his collections of old plays. Since he's an actor, he's also very good at lying.

Misty Shores: Misty gets introduced later, but she has the ability to transform into a seapony, and might be the helper of some kind of sea monster-ish villain...

[superkooku]

Favorite character from Greek mythology + favorite myth from Greek mythology?

Favorite characters

I'll turn this into a tag game : @margaretkart @dootznbootz @sarafangirlart @aliciavance4228 @katerinaaqu @hermesmoly @go-rocksquadsfan @sanska @vint-knight .

And @anon (you can give your answer in another ask 😉).

So, I have a loooooooot of faves. This list is long.

Here are mine :

Nobody. Yeah, in reality, I hate mythology and just pretend I like it. Or I just love making puns about my favorite lying war criminal. Who didn't cheat btw.

Penelope. These two are soulmates, no ifs or buts. I always found her underrated and @dootznbootz 's ramblings on her confirm that. Cunning and sassy half-naiad queen.

"The delian twins", as I like to call them. Idk I really love their multifaceted natures of protectors and deadly huntress/inflictor of illnesses (with an affinity towards plague). And their familial bond is precious. And I like them both equally, even though I talk about Apollo a bit more ig.

Leto. She's precious. They're always ready to defend each other. Like when Apollo and Artemis killed Niobe's kids because she was disrespectful to Leto. Or when Leto came in to save her son from being thrown in Tartarus by Zeus. Or when baby Artemis helped her mother deliver her brother. She fought for her children and now they fight for her.

Hestia. Too bad there isn't more about her because I relate a lot to the concept of chilling at home and staying away from drama.

Ariadne. Because of her family's tragic history, her healing from it with Dionysus (in most versions) and overall, she's great. Also, it's funny how Theseus wanted to marry a child of Zeus but his ex girlfriend actually succeeded 😂. Speaking of her family tragedy...

Asterius. I bet most adaptation authors don't know who I am referring to 🤣. He's a man-eating monster, yes, but he grew up isolated, trapped and unloved. I feel so bad for him.

Perseus. The GOAT. Partly thanks to @sarafangirlart. I already liked him since I always knew he wanted to save his mother, but he genuinely grew on me since I read her posts. That and when I learned of his war against Dionysus. Extremely underrated story.

Athena. Idk I don't think I need to elaborate on why she's cool.

Hades. In retellings, I often hate him because he's either woobified or made into "Greek Satan" (at least in Disney he's fun), but he's genuinely cool in mythology. Morally gray Hades save me.

Hermes. From birth, he was always a little trickster. I love how many functions he has (messenger of the gods, god of merchants, thieves, communication, also a psychopomp btw). A very energetic and helpful god.

Asclepius. I think I should make a post explaining why he's great because, yeah, I don't talk much about him even though there are things to say (yeah it's because I did a lot of research on him).

And... finally... Dionysus 🤣. Of course he made it in this list. I dedicated a whole essay series about this god, come on !

Honorable mentions : Hector, Andromache, Menelaus, Demeter, Telemachus, Hephaestus, Hippolytus, Danae, Ares and many others.

Favorite myths/plays/poems

I already answered that but can't find the post. So I'll do it again, with some new answers in mind. Basically "the myths with the characters on the list".

It's either because they're that compelling or just hilarious.

The homeric cycle. Ok, an easy one.

The Bacchae by Euripides (mandatory reading if you want to understand Dionysus imo. No excuses).

The frogs by Aristophanes. Because it's funny.

Asclepius' story. Seriously I'll elaborate on it one day.

Hermes' birth story. Him stealing Apollo's cows and Apollo getting mad at his scallywag of a brother 🤣🤣. And then just him winning Apollo over with the lyre.

Pirithous and Theseus getting their asses stuck on a chair (yes this is my title for this story). I love to mock these two, especially Pirithous because... give this man a Darwin award please. No thoughts and no survival instincts in his brain 😂.

Orpheus and Eurydice. Simple but powerful.

The Argonautica. Aka a huge crossover. Seeing more interactions between all these heroes would be awesome (especially if we take every version into account 👀. So many faces...). It's funny how I love the Argonautica but never talk about Jason himself 🤣🤣. The embodiment of the protagonist who's less interesting than the other characters.

Perseus' war against Dionysus. A potential retelling about this myth would go so hard !! Especially since we could get a scary Dionysus. Hopefully it doesn't get ruined :(

Edit : some English mistakes I had to correct.

[kuradex]

I wanna know about your art style. How you draw like that??

i tried putting down considerations as well as a (very) general step by step of what i do; if there's anything more specific you want me to explain lmk i guess?

first off, general (self imposed) constraints / purpose of project -- this informs what i draw & how i draw it

i.e. "kuradex" is pretty different from my normal art (my 5 latest rough illustrations):

or my monster hunter charms:

or my pokemon tcg contest illustrations that im not allowed to show until june (😉):

although i've said its for merch purposes, ive started drawing these because i wanted to practice conveying "liveliness" and noticing key features / nuances of a given design, but i didn't want to spend a large amount of time on each one.

so what i came up with is

i want to draw things on-model in terms of proportions ( + take note of weight / tapering of shapes / etc )

no backgrounds & minimal "props"

experiment with / practice line/texture/color/flow/rhythm/etc

spend <1 hr on each pokemon on average (this is a bit more difficult for me to track, but for example, the cyndaquil line took me less than 42min to color, combined, and means at some point in time instead of focusing on cleaning up the art as much as i can, i stop after cleaning up most of it)

that said, the pose & the rhythm/flow of lines are key in conveying liveliness, and if i have a concept in mind i usually end up going with it, but i may go thru a few if i dont.

i consider pokemon origin / lore or a key point in its design, and if i'm particularly stuck, i try looking up pokemon card illustrations for inspiration. (i noticed the research i do is essentially a truncated version of how Atsushi Furusawa does research before doing an illustration.

(& even despite all this i do get stuck sometimes and don't exactly understand a pokemon and just opt for "as cute or cool as i can make it i guess?", but i think it's part of the process...?) (theoretically things that are A Shape should be really easy to draw but with what i want to practice in perspective i find them difficult...)

this is from my latest paid req but these are my first sketches of chesnaught -- i was thinking of how one of its inspirations is a warrior / tanker from RPGs, so i drew a pose where it's shielding its face.

i do another pass and take note of details.

in general i draw overlapping shapes and erase (it's a bit visible on one of the spikes)

because i opt for quickness i start coloring at this point -- i just use a colored "color burn" sketch layer for the "lineart" & colorpick official art & lay down messy flats & set the color layer to 60%

60% multiply layer for shadows. i tend to use both hard and soft brushes

for bigger projects i would use 2-3 shadow layers to create more "layered" shadows

here i use overlay layer (60%). this is just throwing colors at it and seeing what works and doesn't work. i personally prefer to throw red under the eye and a yellow or blue near the top of the head. this is mostly done with a soft brush

before this point, everything is under the rough lines, but now i start drawing/painting over it

i just color pick the colors that have been laid down from the previous steps and clean up / render textures (making the green on its arms look fuzzy) / fixing anything that i forgot or looks too off (i.e. the spike on its shoulder and the way the tail curves)

I could potentially keep cleaning this up, but this is where i usually stop 🫡

[comfiestreader]

Had this random thought but what if it was Luke that died on HalfBlood Hill when Thalia, Luke and Annabeth first arrived at Camp Half-Blood…

I saw really cute fanart of young seven-year-old Annabeth sleeping on Thalia and, for whatever reason, my brain went, oh yeah, that's Thalia comforting Annabeth after Luke dies. And then I was like, mm, no, it's not because it's young Annabeth, Luke isn't dead, like what?? this is clearly before they get to Camp Half Blood and it’s just Annabeth resting on Thalia. And then I started thinking about this little concept:

- imagine if it was Luke that died when they got to Camp Half Blood and not Thalia, just think about this one. Luke becomes the magical protective boarder of Camp Half Blood because for whatever reason, Hermes decides, Yeah, I'm gonna, preserve this kid, okay? And Thalia becomes Annabeth’s soul family, except she never turns to the Titans like Luke did (As a result of all of this like in PJO), she doesn't necessarily stay loyal to the gods (because I personally don't think she ever was loyal as such except for her loyalty to Artemis), but she didn't want to destroy them because she knew that would be worse.

Annabeth always thought that Luke was always going to be there for her, that he would never have done what he did, but in this case, Thalia actually never does do what Luke did. So everything that happens with Thalia, her joining the Hunters still is in this little head canon, but pre-TLT Thalia is the one at Camp Half blood with Annabeth, Thalia is the one that introduces and welcomes Percy to camp, is the one that that shows Percy around and all of that (takes him in, becomes a sibling figure and a friend for Percy) and for whatever reason, like in the sea of monsters, Luke, whatever he is as the protective boarder, gets poisoned, whether that's by a different demi-god that was tempted by Kronos or just monsters trying to get into camp half blood, he gets poisoned so they still need to go find the Golden Fleece. fine, whatever, that’s all the same (Thalia stays at camp for that quest so all of sea of monsters is basically the same).

So when Luke does wake up, he is beyond angry about what happened (because how could his father let those monsters attack them like that, and cause all this to happen? Basically his anger stems from the same place as it does in the PJO books). Sure, he's super happy to be back with Annabeth and Thalia. but, because of technically being dead while being the magical boarder, he's now younger than he should have been at this point, which is weird for all of them because he was this super cool older guy that totally knew what he was doing because he’d had more experience because he was older. But now he’s not, he’s the same age as Thalia, but with so much less experience than her. he's so angry about all of this happening that he ends up turning to Kronos and all of the betrayal etc. then happens. So Annabeth and Thalia lose him three times:

- they lose him when they get to Camp Half Blood the first time and he sacrifices himself for their safety

- again when he betrays them and joins Kronos’ army

- and finally when he realises what he did was wrong ultimately dies because of everything that he did.

Just think on this. Feel free to add to this, I think there is so much potential with this head canon and I really want to explore more ideas with it!