#System relevant

[alles-ist-anders]

[plural-questioning]

question 48: do your sysmates have birthdays? if so, how do you decide when a birthday is, and how do you celebrate them?

[akolnoix]

Chain of Pronouns

A Partial Re-Translation Patch for Kingdom Hearts: Chain of Memories (GBA)

Kingdom Hearts is a tricky series, where the details really matter. As such, it’s a shame that some interesting elements of Kingdom Hearts: Chain of Memories did not make it into the official English release (and, from what I know, none of the other language versions). So here we are!

So What’s Changed?

The most important changes in this patch are, as you might’ve guessed from the title, pronoun related.

There is a section of the game, from the beginning of Twilight Town to a certain point in Destiny Islands, where Sora (and the NPCs in Destiny Islands) inexplicably change what pronouns are used to refer to Naminé. The official English release does not convey this element at all despite how much emphasis the game puts on this aspect, and thus loses any potentially significant implications of it.

As there’s no perfect English equivalent for あいつ aitsu, (a very informal/rough pronoun that is technically gender-neutral but leans toward masculine connotations, and is a strange way for Sora to refer to Naminé or Kairi), there are two versions of the patch.

“they” version. This is the one I recommend , as I believe it best conveys the intended experience; where there is a noticeably strange shift in language, but in such as way as to be fairly easy to write off as unimportant to the casual player.

“he” version. This one tosses all subtlety and ambiguity out the window and feels less natural, but conveys the masculine possibilities of the original that the other version can’t. Pick it if you’re feeling very daring.

Then, in the final stretch of the game, jp Naminé uses gender neutral terms in a way that seems potentially relevant, due to the pronouns situation stated in the previous section, and she is talking about two distinct people in her final conversation w/Sora, not just one. Both elements were lost in the official release.

Other Changes

Tweaked some word choice/phrasing for dialogue to more clearly convey repeated motifs (if you’re familiar with the jp terms used, 大切な / に taisetsuna/ni is generally denoted with “precious,” and 大切な人 taisetsuna hito with “dear”) as well as references to other parts of the game (primarily between Hollow Bastion and the floor 6+7 interludes)

They don’t call Sora the Keyblade master anymore, as this was sort of an impossible to predict localization misstep with the original release. (How were they supposed to know that jp script would start using the English phrase "Keyblade Master" as a distinct concept like 10 years later?) I did this just for fun.

This project was primarily built upon the contents of the essay “‘That Person’ How a Pronoun Revealed the Heart of a Story”, and would not exist without it. Read it after you finish the game (or before, if you want), it’s fantastic work.

Special thanks to this gba khcom quote generator and this transcript (both of which saved me SO much time and effort) as well as all my friends, whose excitement and input were invaluable.

Don’t want to actually play the game? Once I’ve settled on a final version, I’ll be putting up a cutscene compilation (for both versions) on youtube.

[muffinlevelchicanery]

[toffeecoco1]

A concept:

SQH is forced to reveal the system and/or his status as a transmigrator, due to a truth serum or whatever other convenient plot device. I HIGHLY doubt MBJ would just pass this knowledge on to LBH, especially if LBH didn’t ask—and how on earth would he think to ask??

So instead, I think at least part of it happens with LBH around. He watches SQH have a meltdown over being revealed, spewing nonsense about writing a book and then waking up inside it. He doesn’t even need to catch the entire mess, only fragments of it—enough to understand that it’s possible to jump from one world to the next, to end up in a world you already know.

And he starts wondering. Thinking about someone else he knows who has always known too much and brushed it off by claiming he read it in some book or another that Binghe can’t confirm exists. And though SQH appears to have found himself in this world as a child, who’s to say that’s the only possibility? His shizun’s personality changed suddenly and drastically, and he has no memories of his shizun having such startlingly extensive knowledge before that event.

What happens then depends on when this takes place: if it’s post-canon, he probably corners SQH to ask, and is smug about threatening him, then cradles the knowledge he receives close to his chest. Whether he brings this to his shizun is hard to tell, but he’d definitely carry himself with a light, happy air. Knowing that his shizun has always been kind to him and always loved him is simply euphoric. SQQ might notice him acting different and ask him about it, which might lead to a conversation—where SQQ is terrified at first, but relieved and simply relaxed by the end. He truly doesn’t mind being Shen Qingqiu and living what is technically a lie, but it’s… lovely to let his guard down a little around his husband, even if by this point “Shen Qingqiu” is no longer a mask he has to hide behind.

(Being post-canon is also fun because binghe can think back to the mausoleum and go “wow. maybe this should have been obvious.”)

Alternatively, I LOVE the idea that this happens earlier, during the 5 years where SQQ is dead. Rather than excitement and giddiness at solving a puzzle and figuring out more about his beloved, Binghe feels only grief and a slow horror as the pieces fall into place.

Maybe he still doesn’t know why his shizun pushed him into the abyss, but if none of the abuse he suffered was actually at his hands, if shizun truly was only ever kind to him… at the least he can begin to understand why his shizun might have sacrificed himself for him.

When he corners SQH this time, it’s with real anger, laced with fear and regret. SQH’s panicked answers give him enough information to piece together that SQQ likely didn’t have a choice in pushing him into the abyss.

So he wallows. His beloved never once tried to hurt him, was always kind to him and protected him. Likely knew he would escape the abyss alive. And he repaid that with threats and coercion, and drove his shizun to his death.

Years later, when he is in a dream and suddenly realises that his shizun is real, he doesn’t slowly smirk and begin to plot. He instead falls to his knees, gripping tightly to his shizun’s clothing and sobbing—much to SQQ’s confusion. But, still slightly numb with the whiplash of being kissed clumsily without warning and then suddenly cried on by a man he’s convinced is going to kill him, all SQQ can do is gently pat his disciple’s head.

[possessed-pack]

Terrorpunk: Embracing the Horror Within.

For all those with identities that put others on edge. People with parts of them commonly used as horror tropes, people who act "unnatural" and put others off, people with stigmatized "scary" disorders and disabilities, people who have horror and fear intertwined with alterhuman identities, queer identities or anything else that people generally find off-putting or downright terrifying--but in spite of that, don't see any of it as a bad thing, and reclaim the horror that others see in you. This is for you--for the monsters and the freaks and the eldritch abominations.

This is about reclaiming the stigma placed upon you. Maybe you are scary to them, but maybe you don't care so much about how they react? Maybe you keep being your authentic fear-inducing self out of spite. Maybe you like being a little scary because it's become intrinsic to who you are. Being open about yourself and unapologetically doing so shouldn't be a fear inflicting thing, but if it's going to be that way, you're not going to change for them. You're you, let them be scared. It's not on you to become palatable. It's not on you to hide parts of yourself away. Maybe it's on them to not see anything unknown or new as terrifying. You see the horror within yourself as nothing bad, and you openly embrace who you are and who others with differing experiences from "the norm" are too.

You don't need to be anything in particular to use the label, this isn't a term to be gatekept. Terrorpunk is reclaiming the terror that others or even yourself might think of about any part of you. That's what it's about, being unapologetically you and scary by doing so, because if people see you as someone that fills them with terror, then maybe that's fine by you. You won't change for them.

Keep in mind that this is not a term to use to cause or justify harm, exclude others or further any stigma. No one by any means has to reclaim being feared, or being something that scares people. There's some of us that find power in it though, to take the stones they throw, pick them up and ask them what they have left to throw at us.

Those who exclude others on the basis of identity (transphobes, homophobes, TERFs, ableists, racists, anti-alterhumans, aphobes and anyone else who excludes those who act on good faith) aren't included under this term. Terrorpunk isn't a basis for your hate or actions to harm marginalised groups or anyone similar. It's not an excuse to harm people in general. It's simply about being you, and if being that is scary, then so be it.

[ask-whitepearl-and-steven]

(Joke question) Now that you have said that, does Steven need to take a shit? I know in actual SU one of the reasons Pearl doesn’t like to eat is because she doesn’t like peeing, but Rose managed to grow an entire baby so more efficient digestion isn’t out of the question for their shapeshifting capabilities?

Steven is, in fact, obligated to go to the bathroom once in a while. I will not hide this very important, plot-relevant fact from you.

[indigochromatic]

Some Basic Advice About EMDR for Systems

(drawing on our own experiences, reading about it, and comparing notes with our therapist)

This is mainly aimed at systems who are considering doing EMDR or planning on it, but want to know what the process is like and what to look out for, with some personal experiences sprinkled in.

Under the cut, because I talk a lot:

General Concept

I think the big picture in our experience is that EMDR is/was like…an intensifier for the kind of headspace/internal system interaction processing work that a lot of systems do naturally, at least a little, especially if they have decent internal communication. This has both upsides and downsides/areas to be cautious about.

A lot of EMDR pre-work (often called “resourcing”) is about making sure you have a good toolbox of “mental tricks/techniques” to be able to handle unexpected intense emotions, feelings, and/or imagery etc that often comes up when you get into trying to work with traumatic stuff. This is in my opinion very important, and something your therapist should take at least a few sessions to talk with you about even if you already have good tools for it already, just to make sure they know your strategies and you’re all on the same page. Also super common and normal to spend some time developing extra ones if needed—stuff like “the box” for temporarily containing crisis emotions when needed, having a mental “safe space” that you can come back to, etc. Also, EMDR specifically tends to often be a little rigid/scripted in the types of visualizations and metaphors you’re “supposed” to use, but in my opinion a good therapist should be flexible enough to adapt to equivalent images/techniques you may already have (like, “imagine you’re viewing the traumatic memory on a movie screen, or out the window of a train going through a tunnel” is a common instruction; if, say, your headspace has a lot of fantasy elements and it makes more internal sense to be viewing the memory via…scrying in a dish or something, your therapist should be down with you doing that instead, if you want to).

As for the sessions themselves, a big thing we don’t hear articulated a lot is that, in our experience  and that of some other folks we know, EMDR has a tendency of being…like, sneakily intense: It doesn’t necessarily hit you all at once in the session, which may just feel like “ok, that was Some Therapy Work but I’m chill”, but then over the rest of the day and maybe even the next few days, it’s not uncommon to keep feeling a lot of emotional intensity/vulnerability, having more intense “internal conversations and/or realizations”, etc. For this reason, EMDR is generally supposed to start with a very mild memory-to-process, like 4-5 out of 10 max.

Notes of Caution and Stuff to Keep In Mind

Especially for folks who already heavily dissociate from emotional trauma, it’s super easy to think you’re “going too easy” only to find that the memory has a lot more emotional baggage than you realized—really go easy on yourself when you start, EMDR is like psychology power tools and you absolutely can hurt yourself. (We’ve heard from plenty of systems who had bad therapists who did not adequately support them in doing EMDR, and absolutely fucked them over by starting too big and retraumatizing the hell out of them— this isn’t meant as fear-mongering, especially if you really like and trust your therapist, but just genuine “hey, EMDR can be very volatile stuff, which is part of why it can be so helpful, but also means that it’s important to not skip out on the safety precautions and self-care”.) What this means in practice is often stuff like: (our recommendations at least) - trying to schedule breaks/easy days immediately after - possibly getting someone to drive you home, especially if you know you’re going after a Big Thing, because the dissociation hangover immediately after can be pretty real - start with a memory that feels "too easy", and scale up if a week later it still felt trivial/like you’re fully over it, because it’s way easier to ramp up than try to do damage control.

Our personal experience, in tl:dr form, was that it felt like the core of the technique was really useful for us, and mirrored some of the most useful instances of self-processing we’d had before while also kind of serving as a “shortcut” to it—but, it was pretty intense and we didn’t really like/fit well with the therapists who we were working with at the time, which is why we stopped (didn’t want to keep doing an emotionally intense thing with folks we didn’t trust).

Finally, a bit about EMDR and "maybe I'm plural but I'm not sure, and/or may not have great in-system communication": yeah, this is a case to be especially slow and careful, for all the aforementioned reasons; what my instinct/recommendation would be in those cases is to: 1) make sure you learn a lot of resourcing techniques 2) try to check in with yourself(s) frequently and with compassion/intent-to-collaborate, "ask the inside of your head how it's feeling" and even if you're not sure whether the "reply" was just your own thoughts or a headmate, listen and try to engage with/respect those responses and emotions 3) if you start getting warning signs/back-off signals/sudden intense feelings, listen to them and lighten up, pause the session if you need to, do some self care etc, even (especially) if you don't know why you felt that way and it seems 'odd/random', and really you're super curious about what's going on and just want to figure it out. Like...you and the inside of your head and/or other system members are trying to navigate a complicated D&D maze together, in the dark, and you each only have part of the map--so you have to work together and trust each other, especially listening to warning signals even when your "part of the map" doesn't show anything to worry about there. And the more you work together and trust each other, the better everything gets, including therapy work.

When it's "Death By A Thousand Papercuts"-type Trauma Instead

If you're not sure where to start because there aren't a lot of obvious "Big Bad Memories" that feel like they adequately explain the issues you're having, some recommendations:

-> First, note that "no Big Bad Memories are immediately coming to mind, idk" is super common in systems and also in CPTSD, way more than I think most folks realize, so know that you're not alone and also that it doesn't mean you don't necessarily have stuff deserving of help and support.

-> So yeah, there's kinda two things imo you can try. The first is, if your therapist is on the more flexible side, you can try doing EMDR with either "this specific memory wasn't too bad, but it's representative of an ongoing pattern or theme that wasn't great" (say, loneliness at school or something, and you pick a specific lunchtime memory, which wasn't really That Bad in the moment, but you were kinda sad and/or upset about it and it feels representative of the overall trend you're trying to process/heal). Or you can try just doing the EMDR process on the theme itself, at the abstract level, and see what comes up--again, I'd really recommend starting with a much lower-stakes issue/theme than you think you need, just because it's really easy to underestimate, especially for systems and other folks whose brains dissociate a lot. (And especially if you know your system has episodic amnesia--e.g. event-amnesia/blackout amnesia--as well as emotional amnesia.)

The second is, there are other "more flexible" types of similar somatic therapy techniques (brainspotting is the name of another one, and there's more I can't think of rn) that might fit better instead-- tldr, totally worth asking your therapist about the whole situation, and asking what they'd feel most qualified for/comfortable with, in my opinion. You don't need to be doing Specifically Exactly EMDR to do somatic trauma therapy, even though EMDR is one of the more well-known modalities for it, and finding a version that feels right and not like you're forcing anything is really valuable (and you're not 'being picky' if it takes a while to find one; you're allowed to want to find one that feels right).

[johnskleats]

Also?? Is this a real perspective? Katara being 14 creates a power dynamic between the cannon couple that's balanced out by the fact he's a tantrum-throwing supernova? Really?

[hot-claws-420]

[AFTER ACTION REPORT]

[UPLOAD DELAYED BY: {29}DAYS]

[NOTIFYING COMMAND OF OPERATION: @albatross-lancer]

[GREETINGS. I AM OMA, ONBOARD MEDICAL ASSISTANT TO CALLISIGN {SINGED WHISKERS}. WHILE DOING ROUTINE MAINTENANCE, I HAVE PARTIALLY RECOVERED {1} FILES DAMAGED BY REACTOR STRESS DURING OPERATION {SIEGE OF ERDAF}. DESPITE THE DELAY, I AM REQUIRED BY MY DIRECTIVE TO RELAY THIS REPORT TO COMMAND {ALBATROSS}. NOTE, INFORMATION ON PILOT AND MECH STATUS IS OUT OF DATE AS OF NOW. PLEASE STAND BY FOR FILE UPLOAD...]

[CALLSIGN: SINGED WHISKERS; STATUS: ALIVE]

[MECH DESIGNATION: SLAG KITTY, ENKIDU UNIT; STATUS: DAMAGED, STRUCTURE FULL, REACTOR STRESSED {1} TIMES, SINCE STABILIZED]

...<UPLOADING MISSION RECORDING>

[An ever growing view of the side of Pirate Vessel "Direption." Its hull has been punctured by some manner of breach charge. More and more debris floating around the massive hole becomes clear as the mech rapidly moves closer. SLAG KITTY appears to be carried by another, mounted mech, boosting to build speed.]

Callsign Photon: Releasing you in T-15 seconds. Ready?

[RELEASING COMBAT STIMS DOSE ONE]

Callsign SINGED WHISKERS: HHRRRHMMMM fucking KILL!!!

Callsign Photon: That... sounds like a yes. Dropping. Slowing myself and covering your six. The rest are just behind us.

[CALCULATING TIME TO IMPACT...]

[10 SECONDS...]

[5...]

[4...]

[3...]

[2...]

[The vacuum devours the sound of impact. Metal silently bends, rips, tears. SLAG KITTY lands claws first on a pirate chassis with the speed of a missile. With the momentum, SINGED is able to halfway bisect the mech vertically as she crunches it against the ground.]

SINGED: HEY, HEY!!! AHAHAHAHAHEHEHEHE!!!

[A hail of gunfire rains in both directions as Albatross forces begin landing in her wake.]

Photon: Three hostiles pointed your direction, SINGED. Covering ya. Pick 'em off.

[Sparks shower the deck as SLAG KITTY and the remains of the destroyed chassis scrape along and bounce back up in the zero g. The enkidu leaps from the wreckage towards an incoming pirate mech armed with some sort of integrated chainsaw. The weapon is torn from the chassis in seconds as plasma claws rip across the machine's arm.]

SINGED: GRaAAHH!!!

[As the mech's arm is shredded, a war pike streaks past SLAG KITTY'S head, striking one of the remaining two in the shoulder and knocking the aim of its rifle off target from SINGED. She takes the opportunity to latch her claws under the head of the chassis and pull upward, tearing it from the body.]

Photon: Seems we scared them off.

[SLAG KITTY digs its claws into the deck to bring its momentum to a screeching halt and keep from floating off. SINGED turns to see the remaining two attackers fleeing towards a set of hanger doors.]

Photon: I say we pursue. If they call for reinforcements, that pulls guns away from our folks working towards the bridge.

SINGED: Aye aye! HeheHEE!!

[SLAG KITTY grips its claw into the deck of the ship and throws itself, floating in pursuit of the targets. The pair of pirates stop at the doors. An emergency light flashes yellow when the first of the two slams its fist onto the chassis-scale console. The door does not open immediately.]

Photon: It's depressurizing. There'll be two sets of doors. Looks like we have time to pick one of- t---- o-- f-- f-- f

[A pair of antennae atop one of the pirate chassis produce a series of blinks, and the sensors of the SLAG KITTY are occasionally interrupted by static.]

[REACTOR HEAT CAPACITY {16%}.]

SINGED: PPFFFT AHAHAHAHAAHHAHAAHAA!!!! U FUCKIN CALL THAT HEAT??? I BURN MY REACTOR HARDER THAN THAT CUZ ITS FUNNY!!!! WATCH THIS!!!

[SINGED gives a triumphant roar: the only thing audible over coms as there's a single, brief flash from the muzzle of SLAG KITTY. In an instant, the entire middle of the tech mech simply ceases to be, cockpit and all. The legs of the doomed machine begin to drift in either direction, just in time for the door to begin slowly opening behind them.]

[WARNING: REACTOR HEAT CAPACITY {97.8%}. STABILIZATION RECOMMENDED.]

Photon: Nice shot, kid.

SINGED: HEHEHAHA!! BYE BYE!!!

[The remaining pirate flees through the barely open doors, which close behind them. As they do so, SLAG KITTY pursues.]

[ENGAGING RAPID HEAT VENTING...]

[SLAG KITTY reaches the doors as it cools, immediately throwing itself against them and clawing like a caged animal.]

SINGED: Let me IN!! LET ME IIINNNN!!!!

[A Nelson, presumably Callsign Photon's mech, flies into frame on its mount.]

Photon: Kid. You just need to hit the button.

SINGED: Oh.

[Photon does so, and the yellow light begins flashing again. Eventually, they begin to open once more.]

SINGED: Hrrgh... Hmm... HRRGH GRRRR.

Photon: What are you doing?

SINGED: It's too SLOW!! My PREY'S gonna get away!!

Photon: Patience. We want them to get help, remember?

[SINGED growls again but says nothing, the enkidu staring at the doors like a cat staring through a window at a bird. After about twenty seconds, the door opens wide enough for the duo to get through, and SLAG KITTY immediately slams the next button. As the first set of doors seals behind them, SINGED begins clawing at the next set.]

SINGED: OPEN OPEN OPEN OPEN OPEN

Photon: SINGED. The chamber has to depressurize before that'll happen.

SINGED: I CANN MAKE IT GO FASTER!!!

[Before Photon can protest, SLAG KITTY has backed up, and another flash escapes the displacer in its maw. A large circular portion of the doorway is erased. Both mechs stagger backwards as the vacuum rips air from the next corridor into the chamber. With the doors behind the pair sealed, this lasts only a moment.]

SINGED: NO MORE FLOAT!!!

[She quickly scurries through the hole.]

Photon: Well, if it works it w-

...<ERROR. FILE DAMAGED. SCRUBBING VIDEO FILE FOR INTACT FOOTAGE>

[A number of short, disjointed clips follow, ranging on average from 1 to fifteen seconds. They show Photon and SINGED working through the ship, chasing the fleeing pirate, and SINGED subsequently tearing through mechs like a rabid beast. It seems that at some point in the chaos they engaged their second round of stims. Photon's plan was to draw fire from the main team, and the two certainly seem to have succeeded by that measure.]

[Finally, the footage begins to come in longer intact clips again. SLAG KITTY appears to have have just reached the end of a catwalk, before...]

Photon: LOOK OUT!!!

[Photon's mech slams into SLAG KITTY, bringing it out of the line of fire of a shotgun at the last second. There's hardly time to make out the shape of the mech rounding the corner before more gunfire sprays the catwalk from elsewhere.]

Photon: Intercepting long ranged hostile.

[Photon leaps over the side and into flight. More gunfire follows. SINGED's focus returns to the shotgunner. Examining the frame, it appears to be a modified blackbeard.]

SINGED: HeheEE. Get in CLOSE so I ca- AAUGH!!

[The blackbeard obliges, too quickly for the SLAG KITTY to tear into it with Primal Fury. The pirate slams the shotgun into her like a club, sending her flying a great distance backward. She claws into the ground to gain traction and retain her footing.]

SINGED: GRRRRrRR!!!

Blackbeard: Heheh.

[The pirate, looking over the SLAG KITTY, drops his shotgun, pulling from his back a long, two-handed axe.]

SINGED: OHhhh I like u. IM GONNA EA- GAHH!!!

[The pirate's grapple catches SLAG KITTY and reels him in close. AS SINGED takes a step back, caught of guard by the speed, the axe is brought down into the enkidu's shoulder.]

SINGED: AUGH!! GRRRRRAAA!!

[The pirate twists his axe, using the leverage to throw SLAG KITTY to the side and off of the catwalk. SINGED does her best to tuck and roll, but from the crunching sound of the impact, it's clear she isn't able to avoid damage entirely.]

[The blackbeard leaps from the catwalk after her, engaging a jump jet and descending upon her. Seeing an opportunity, her burning claws engage, and like a cat with a bird she latches them into the flying opponent.]

SINGED: GRRR GET DOWN!!!

[The plasma talons rip through the chassis, but aren't enough to stop it from landing atop SLAG KITTY and pinning it to the ground.]

Blackbeard: Time to put ya down, ya feral fuckin dog.

[He swings the axe overhead towards the ground, and SLAG KITTY has just enough time to move its head aside before it can chop through. Instead, it embeds itself in the ground. As the pirate pulls, it's not released immediately.]

[RELEASING COMBAT STIMS DOSE {3}.]

SINGED: I. AM A CAT!!! MRRAAAAAAAAHH!!!!

[SLAG KITTY's maw wraps around the pole of the axe and bites with all its might. Heat builds in the frame's mouth, and metal softens as teeth rend. The axe-head is snapped violently from the pole.]

[WARNING: REACTOR HEAT CAPACITY {86.4%}. STABILIZATION RECOMMENDED.]

SINGED: I DOTN CAREE!!! RAAAAAGH!!!

Blackbeard: Oh fu-

[The jaws' next target is the leg of the frame, and the teeth sink in just as deep, producing even more slag. In short order, the blackbeard is wrestled to the ground, leg mangled to the point of near removal.]

[WARNING: REACTOR HEAT CAPACITY {EXCEEDED}. POWER PLANT DESTABILIZED.]

SINGED: I SAID I DONT CARRRE AAAAAAAAAAAHHHH!!!!!

[SLAG KITTY's claws rip into the chassis, leaving a wide, molten gash with each strike.]

...<ERROR. FILE DAMAGED. SCRUBBING VIDEO FILE FOR INTACT FOOTAGE>

Blackbeard: FUCK NO NO NO!!!

...<ERROR. FILE DAMAGED. SCRUBBING VIDEO FILE FOR INTACT FOOTAGE>

[The cockpit of the Blackbeard is torn open just enough for SLAG KITTY's head to fit through. SINGED gives a horrific roar, and the pirate inside goes ghostly white.]

...<ERROR. FILE DAMAGED. SCRUBBING VIDEO FILE FOR INTACT FOOTAGE>

SINGED: AHAHAHAHHHAAA

[SLAG KITTY looks over the unmoving wreckage of the blackbeard, then to Photon's side of the battlefield, which has gone quiet. Photon holds his lance trained on the remaining enemy frame, which was disarmed, raising its hands in surrender.]

Photon: Just got word, kid. We've taken the bridge. It's over.

SINGED: Wha? BUt. KILL. KILLLLL!!!!!

[RELEASING POST-COMBAT SEDATIVES]

SINGED: Wha... Wh... hrrn. eepy...

Photon: You did good, you little maniac. Get some rest. You've earned it.

...<RECORDING ENDS>

[alles-ist-anders]

[lezbenezer-scrooge]

I was not expecting the silly 80s action season to make me cry, especially not this hard. The way they just disregard the rules and any kind of logic in favor of their own joy or the needs of the story is so deeply healing and cathartic.

Like, oh, you're about to be injured by an unfair situation? No worries, *actual rapper J-KWON* crashes into the scene to give you 2 of his 75 turbo tokens so you succeed on the roll.

[tarantula-hawk-wasp]

At a certain point blaming the school system for failing to teach you every fact becomes an excuse to absolve yourself from learning on your own time as an adult. Maybe you had bad teachers and curricula, maybe you never did the assigned reading, maybe you were taught propaganda, but it’s okay to start now. It’s okay to learn geography from online games. It’s okay to get entry level books from the library on a subject. It’s okay to explore Wikipedia and other reputable websites as a start. You can learn as an adult. You should continue learning as an adult.

[unordinary-diary]

Seraphina and Arlo: The Brainwashing of High Tiers

Exposition:

— Remi, Episode 50.

There is a heavy implication that Seraphina and Arlo were raised in much the same way. The pressure on Seraphina comes from her parents, so I’ll extrapolate that the same goes for Arlo. This raises the question: how do the authorities create such a strong societal pressure on such a small percentage of the population? Most high tiers will probably not know any other high tiers besides their parents. Take Wellston Private High School for example: it’s the most prestigious private school around, and canonically has the “highest concentration of high tiers in the region”. There are six high tiers in Wellston. Apply this to god tiers specifically, and there are only three. Not to mention that this current group of students is uniquely strong, even for Wellston. In Rei’s senior year, he was the strongest at 5.8 max.

So much of this brainwashing relies on the parents to do all of the work, and it only takes one or two people to break the cycle. So how are the authorities creating this immense pressure? One tactic could be by isolating high tiers. There is a very widespread concept that one shouldn’t associate with those outside their level range. A caste system like this that affects everyone is much easier to create and maintain than an expectation for a small group, and it also means that high tiers are only being influenced by those who are also high level. This creates an echo chamber. I’ve researched cults and how they brainwash victims, and the first step in the process is isolating them in exactly this way.

But, if there are so few high tiers, how the hell are they supposed be isolated from other groups? The answer is that high tiers are just isolated in general. Take a look at Arlo: his only friend is Remi, and even her, he keeps at an arm’s length. Arlo is only close with Remi in the first place because he was close with Rei, who, at the time of meeting Arlo, was presumably close in level with him. [EDIT: I forgot about Holden, which I think says a lot about his relevance. He is kept at more than an arm’s length and doesn’t seem to have any actual influence on Arlo, let alone a deep relationship. He is also not presented as an equal.] Take a look at Seraphina: before meeting John, she didn’t seem to have any friends other than possibly Arlo. Seraphina and Arlo pre-John seemed to have had more of a professional relationship, and while they were not close in level, Arlo did fit the bill of being a fellow god tier, and strong enough to also be brainwashed.

Now let’s look at Remi. In episode 60, Cecile says to Remi: “And yet here you are... Always hanging around those two monkeys, Blyke and Isen. Letting them treat you as an equal even though you’re in a completely different league.” This struck me as odd because, aside from Cecile herself, the Wellston students closest in level to Remi were Arlo, Blyke, and Isen. And who is she friends with? She actually was doing a pretty good job at following that social convention, unless Cecile wanted to be friends with Remi, which she clearly didn’t. But... her friends were still not close enough to her level. Was she supposed to just not have friends at all? The answer seems to be a resounding yes. Can you think of any genuine friends that Cecile has either?

Friendship simply isn’t considered a necessity for high tiers.

But... why is it that Arlo and Seraphina were brainwashed differently? Creating a societal norm for an isolated group of people is one thing, because those people’s mindsets feed into each other. Putting pressure on individual families to keep them in line, but doing it all in different ways? That would be near impossible. My theory is that Seraphina recieved the typical high tier brainwashing, and that Arlo was raised differently because he was being groomed to work for the authorities. Seraphina didn’t have a set career path planned out for her, but if she’s trying to be “perfect” by the standards of those controlling her, she’s bound to end up going in a direction that pleases them. Arlo on the other hand was specifically planned to become an authority figure. That’s why his brainwashing is so centered on leadership. Also, growing up with direct contact to the authorities makes it more possible for them to customize his brainwashing in this way.

But does all of this apply to high tiers in general, or is it specific to god tiers? Let’s take a look at the high tiers in Wellston. We have Seraphina, John, Arlo, Terrence, Remi, Cecile, and Blyke. John is a unique circumstance because he wasn’t raised by high tiers, so we’ll cross him off the list. Terrence was also unique, so we can cross him off as well. Remi was different from the norm as well. Why is that? Well, Remi actually wasn’t raised by high tiers either. Rei said on screen that both of his parents were elites. We can cross Remi off. Blyke doesn’t fit the bill either, but that’s easy to explain. He was an elite for a large part of the story, and he shot up rather quickly. We don’t know much of his family, but he probably wasn’t expected to be a high tier at all, and was raised as an elite. (All of this also serves to emphasize how much of this brainwashing comes from a person’s parents.) That leaves only Seraphina, Arlo, and Cecile to look at.

Cecile does seem to have high tier brainwashing, but it’s not nearly as intense as with Seraphina and Arlo. She doesn’t seem “obsessive”, and she wasn’t one of the examples Remi mentioned in chapter 50. It’s clear that high tiers are brainwashed in general, but god tiers are kept on a much shorter leash. This makes sense, obviously, because keeping a population in control like that is less necessary the lower the level. However, it’s also a chicken an egg situation: god tiers are both more important to keep in control, and also easier to keep in control. It’s important to note just how many exceptions we had to cross off. People like Remi and Blyke aren’t actually that unusual— a lower leveled high tier is much more likely to have non-high tier parents, or to have not always been a high tier themselves, or just in general, to have way more day-to-day interaction with non-high tiers. The brainwashing gets more and more diffused the lower down the ladder you go.

[hedonicghosts]