#Symbolic Language

[blueheartbookclub]

"The Initiates of the Flame: Illuminating the Path to Esoteric Wisdom"

In "The Initiates of the Flame," Manly P. Hall takes readers on a captivating journey into the profound realms of esoteric knowledge and spiritual enlightenment. Hall's meticulous exploration of ancient mystical teachings serves as a beacon, guiding readers through the intricate tapestry of secret wisdom. With eloquence and depth, the author unravels the symbolic language of the initiates, revealing timeless truths that resonate with seekers of spiritual understanding.

Hall's narrative is a tapestry woven with threads of mystery, unveiling the sacred rites, hidden symbols, and spiritual allegories passed down through the ages. The book becomes a key unlocking the doors to higher consciousness, inviting readers to contemplate the esoteric principles that underpin the universe. As Hall delves into the teachings of the initiates, he sheds light on the transformative journey one must undertake to unlock the secrets of the flame—the eternal source of spiritual illumination.

The Initiates of the Flame is not merely a book; it is a profound meditation on the esoteric traditions that have shaped humanity's quest for spiritual enlightenment. Hall's insights are a testament to his deep understanding of the ancient mysteries, offering readers a glimpse into the hidden dimensions of existence. This work is a must-read for those who seek to unravel the mysteries of the flame and embark on a transformative journey toward higher knowledge and self-realization.

"The Initiates of the Flame," Manly P. Hall is available in Amazon in paperback 10.99$ and hardcover 18.99$ editions.

Number of pages: 167

Language: English

Rating: 9/10                                           

Link of the book!

Review By: King's Cat

[blueheartbooks]

"Reflecting the Alchemist's Soul: Unveiling the Mysteries in 'The Mirror of Alchimy' by Roger Bacon"

In "The Mirror of Alchimy" Roger Bacon takes readers on a mesmerizing journey into the enigmatic world of alchemy, unraveling the veiled mysteries that have captivated seekers of esoteric knowledge for centuries. This seminal work, written in the late 16th century, serves as a timeless portal into the alchemical tradition, offering profound insights into the transformative processes of both the philosopher's stone and the adept's soul.

Bacon's narrative is a tapestry woven with allegorical threads, blending practical laboratory instructions with symbolic language that transcends the material realm. As the alchemist-author, Bacon speaks to readers across time, inviting them to contemplate the union of opposites, the refinement of base elements, and the pursuit of the elusive Elixir of Life.

The Mirror of Alchimy serves as a guide for those daring enough to tread the intricate labyrinth of spiritual transmutation. Bacon's prose, though rooted in the medieval context, resonates with universal themes— the quest for enlightenment, the cyclic nature of creation and destruction, and the pursuit of the divine within the earthly vessel.

At its core, this alchemical mirror reflects not only the external processes of laboratory experimentation but also the internal journey of self-discovery. Bacon intricately intertwines the art of transmutation with the science of the soul, urging the seeker to alchemize their own consciousness in tandem with their laboratory pursuits.

The brilliance of Bacon's work lies not only in its practicality but also in its poetic invocation of the alchemical quest. Each chapter unfolds like a mystical incantation, beckoning the reader to delve deeper into the alchemical opus. From the stages of calcination to coagulation, Bacon demystifies the alchemical process, making it accessible to both seasoned practitioners and those new to the alchemical tradition.

"The Mirror of Alchimy" is an illuminating testament to the enduring allure of alchemy—a profound exploration of the interconnectedness between the earthly and the celestial. As readers gaze into this alchemical mirror, they are not only confronted with the reflection of laboratory apparatus but also with the hidden recesses of their own spiritual landscape.

In a world where the pursuit of wisdom is often obscured by the mundane, Bacon's mirror serves as a timeless reminder that, like the alchemists of old, we are all engaged in the grand work of refining ourselves, transmuting the leaden aspects of our existence into the gold of inner enlightenment.

Roger Bacon's "The Mirror of Alchimy" is available in Amazon in paperback 12.99$ and hardcover 20.99$ editions.

Number of pages: 163

Language: English

Rating: 8/10     (Old English and Challenging Reading just like many alchemical works!!!)                                      

Link of the book! (Hardcover); (Paperback)

Review By: King's Cat

[sapin7]

daffodils

[gothpossums]

last words of a shooting star

[class1akids]

"I like food"

I saw many posts people saying how random Shouto's line is about praying at Touya's altar and realizing that he likes food - and I wanted to point to how it helps wrapping up his arc.

Shouto is saying: "When I was praying at Touya's butsudan (Buddhist altar), I suddenly realized something, I liked eating food. I realized there's more to me than just the person I want to become."

Food was a "negative space in the Todoroki family, so liking food was not evident to Shoto growing up.

In Shouto's flashbacks with his family, we never see him eat food. His only memory tied to the kitchen is the kettle incident. We know from Natsuo that Shouto ate alone, a diet prescribed by Endeavor, no doubt all geared towards maximum performance, rather than enjoyment. Not even knowing your siblings favorite food is the ultimate symbol of how dysfunctional the household was.

2. Food was a positive space in Class A - tied to comfort, bonding, friendship

In class A, Shouto starts eating with Iida and Midoriya after the Stain incident. Food becomes comfort, connection, sharing, caring, teamwork, etc. He experiences things like using his fire to prepare food together, eating together, cleaning up.

Many memorable Shouto-scenes are tied to Class A eating together (e.g. heroes cry too) and he connects to Inasa over a discussion about favorite foods (udon vs soba) which is a theme that carries over to his endgame with Touya

3. As the Todoroki family tries to reconnect, food plays a central role

As the family changes, they attempt to reconnect around the family dinner table (the famous sluuurp scenes). But Todoroki dinners end in a disaster - still they are useful bringing to the surface important conflicts and trying to communicate about them (another important theme discussed in Shoto Rising).

There is more in the light novels: Shoto's and Rei's decade late reconnection as Rei offers him a little kid strawberry milk that she remembers he liked when he was 5, and their attempt to connect with Natsuo ending up in a mush of ruined soba - it's all out of sync.

4. Food as a symbol of lost time and broken futures

Food is also very central for the hopes of a happier future: Enji's dream of his family at the dinner table, Natsuo's regret about years of missed meals, Shoto wanting to share noodles with Toya, all culminating in the heartbreaking realization that they have the same favorite food they'll never get to share.

5. Food as a symbol of processing grief and healing

Praying at the butsudan (the Buddhist altar at home set up for a deceased loved one) involves the preparation of offerings of food and drinks, which then the family eats afterwards. We see this practice referenced in Ch 249 when Enji prays at Toya's altar.

So Shouto making a reference to it is a shorthand for telling us that Touya died at some point, Shouto is still grieving him and just like Deku and Ochako, he's trying to make sense for himself out of their short encounter. So wanting to learn how to make chopsticks and bowls (a traditional Japanese craft of woodwork and applying lacquer, often involving intricate patterns) implies that he wants to bring Touya the perfect offering, but also that he's finally stepping outside fully of the framework Endeavor created for the family, where children are cast into roles of heroes, villains and by-standers, masterpieces and failures but never human beings. He's thinking about what connects him and Touya together and who they would have been in a different story.

6. Shouto's personal arc

Shouto's character was always about balance. Balance between past and future, ice and fire, duty and family, etc. So crafting chopsticks and bowls to elevate good food connects the grief and survival guilt with healing and growth. It is both a tribute to Touya's memory and a new possible hobby to express still undiscovered sides of himself.

It fits the theme of the chapter "More" - as it focuses on what lies beyond being a hero, reaching a goal, working hard and how Izuku, Ochako and Shouto have been transformed by their experiences of trying to save their villains.

But it also fits Shouto's personal arc that was about discovering who Shouto really is. Earlier in the chapter, Shouto refers to being constrained into the framework of a bigger story, where his choices are bound to happen. As a hero of the sidestory of that manga, Shouto has no choice but decide what kind of a hero he wants to be (not-Endeavor, like All Might, reassuring, family hero). Encounters with his family helped crystallized this image of himself.

But now that he's being released from this story, he can look outside of the framework of a hero manga and discover those "more sides than just a hero". And Touya was the last encounter - the last piece of that puzzle. I think there is a parallel in how Tomura destroyed much of hero society - Touya also destroyed the foundations of the Todoroki family, so something different can maybe built.

Without Touya, I think the family would have kept at trying to piece themselves together in a tense, fake kind of peace to keep up appearances. If nothing else, Touya's actions tore through that need of saving face - leaving them all exposed and grappling with the harsh realities of their actions. But I think it also allowed the younger siblings to step outside the cage their parents created for them and build things better from scratch. It allows them to find more sides to themselves outside of the logic of the Todoroki household.

[processes]

George Mayerle's "international eye chart"

(positive) ca. 1907.

One of many immigrants to live in early 20th-century San Francisco, Mayerle — an optician originally from Germany — invented this chart which allowed anyone to do an eye test regardless of what language they spoke.

[ignocubo]

my favorite part of the monster high fandom is getting blacklisted by the 'accepting and diverse community' for agreeing ghoulia is not good noverbal rep because it's been confirmed by two different creators that that wasn't the intent for her and because zombese is an ACTUAL LANGUAGE in the monsterverse, meaning that the grunts are not substitutes for words, they are ACTUAL WORDS.

[nerdlingmerchling]

Crows and plant symbolism (1/3: Wesper)

[the-skyplex]

some pluralkit display names for u!

e name ⁺ prns prns

★ NAME !? . PRNS PRNS

name ₒᵣ name • prns prns

e ◟ name name prns prns ◝

♪ name ! prns prns ~

❯❯ NAME ⁰¹ NAME ⁰² . PRNS PRNS

name ｡ prns¹ prns²

e NAME ! PRNS + PRNS

e ⁔ name ₊ name ﹐ prns prns

❛ e ﹐ name prns prns ⊃

any system origin can use this!

[entelodante]

Wanted to figure out how chimera’s wrote and ended up starting on their written language proper. MASSIVE info dump below! 

Writing

They write using four fingers of one hand, usually the right, coated in ink. Think like a stamp almost. The three middle fingers draw with the tips of the teeth whilst the thumb will alternate between tip and back. All words are written simultaneously inward. The remaining fingers grip the source of ink, usually a length of hardened pigment only wetted on one side OR those who write often could invest in a pen. A pen for a chimera is a fanning brush saturated with ink that the writing teeth brush through when needing to reink. It allows for much faster wetting of the teeth, but can be messy when learning or refilling. 

Most chimera are right handed but left handed individuals exist, they will simply need to learn to use the two fingers opposite the middle in reverse of how someone who is right handed would! Luckily all fingers can move pretty independently of each other and it is an easy task.  As chimera mostly communicate through direct broadcast most find the written word lacking, so it is a common occupation among Chimera to write for others. It is an impressive skill to eloquently convey ideas/feelings through writing. Though their language set up lends to it MUCH more than others. 

The Nitty Gritty

All subject to change as this is very first drafty. 

Chimeric is a logographic language, there is no set alphabet and all ‘words’ stem from symbols representing things and ideas. Sentences are kind of two sentences atop one another, with one being the literal and the other the reactionary. It is read from out to in and sentences are written in a circle divided into 4 quarters. We’ll start with the top moving counter clockwise. 

Quarter 1 (Red) is the subject area, now subjects function the same as nouns for the most part, people, places, and things. But something important to note is that there must always be an ‘audience’ for the words being spoken. An audience basically means pronouns though they are a lot more encompassing with: I, You, Us, Them, Them excluding me/you, Us excluding you, Everyone, and a bunch of others. These are all acceptable audience subjects to top off your sentence. For instance you wouldn’t say “This pizza tastes good!” you would instead say “I enjoy the taste of this pizza” or “Everyone enjoys the taste of this pizza” the opinion/emotion needs to be applied to a source to make sense grammatically. 

Quarter 2 (Green) is all about emotions and opinions. Chimeric language is an exchange of ideas but also importantly emotions and feelings. Q2 is dedicated to how the sentence is supposed to be interpreted or felt by the reader, as obviously in ‘spoken’ chimeric speaker and listener technically feel the same about what is currently being said. Listener opinion is very distinct from speaker and in writing the speaker takes priority. So for example the statement “Who finished the box but left it in the pantry?” would instead have to be translated into something akin to “I am pissed and questioning who had the audacity to finish the box and did not care enough to remove it from the pantry thus leaving me to find it and become disappointed?” Basically chimeric lends itself to very long translations due to their feelings.  

Quarter 3 (Blue) is the action section of the sentence. The verbs if you will. This is where things are happening and is VERY tied in with Q1. Subjects in Q1 and Q2 will be linked together with lines that follow the same slice through the circle.

When a subject is linked to an action that means that the subject is the one performing the action, whereas subjects closer to the center and unaligned with an action are what is being acted upon. Like with the audience conundrum though an action needs a subject to actually act, whether it is an individual/s or an object or place. This is usually the least word heavy portion of the sentence as it is almost supplemental to Q1, and in contrast to the thin, crisp lines of the other quarters, Q3 will often be smudgey and more messy due to being written mostly with the back of the thumb. 

Quarter 4 (Yellow) is generally not going to have any words written there, as it functions as the anchor point for the hand. The outmost finger rests here on the page to stabilize the hand as it closes during writing. When writing in a ream of papers this is where the hole to hold them all together is punched through. However in modern fanciful writing styles Q4 is also used as a secondary emotional quarter. This style will use Q4 as the reactionary emotion of the reader, more so the expected reaction and emotion from the reader. This is an EXTREMELY class based writing style and it is a GIANT NO NO to write like this for someone of higher status to read. Typically only Clan heads will freely use this writing style, especially towards each other lmao. The writing style of the passive aggressive power struggle. 

All together Quarters are read at once! And I mean that there is no one word the chimera will start with. Every word of the sentence is absorbed at the same time, no following along a line like how I’m currently typing. But what indicates the order of which things are meant to be perceived is how close they are to the outside of the circle. Things closer to the center come later in the sentence and will be understood to be lower in the hierarchy of words. However only subjects and actions are directly linked to each other, emotion/opinion words are to have a more natural seep throughout the entirety of the sentence with only a loose idea of where they are to be felt. In this way while a subjects actions may be concrete, the writers feelings about them are more fluid and organic. 

Chimeric conlang yay! I wanted to make modern Mirum script but decided I needed to start at the roots. So technically two written languages originate from Mirum, but they are extremely similar with one directly branching from the other. Chimeric is the original and Miran is the derivative, they mostly share characters but their sentence structure is different. Chimeric keeps the circular structure whereas Miran is a zigzagging horizontal and completely drops quarters 2 and 4. Leading to modern Miran being a very literal language vs Chimeric’s emotion heavy focus. But if you know one you can pretty much read the other, albeit with some culture shock. 

[blueheartbookclub]

Illuminating the Arcane: A Deep Dive into The Hermetic Museum by Arthur Edward Waite

Arthur Edward Waite's "The Hermetic Museum" is a mesmerizing journey into the depths of esoteric knowledge and mystical wisdom. This collection of alchemical and hermetic texts, compiled and translated by Waite, offers readers a rare glimpse into the arcane traditions of Western occultism. Spanning centuries of mystical exploration, the texts included in this volume delve into the secrets of alchemy, astrology, and ceremonial magic, presenting a tapestry of ancient wisdom that continues to captivate seekers of truth and enlightenment.

Waite's meticulous curation of these texts provides readers with a comprehensive overview of the Hermetic tradition, drawing from a wide array of sources including medieval manuscripts, grimoires, and alchemical treatises. From the enigmatic writings of Hermes Trismegistus to the alchemical allegories of Paracelsus, each text offers unique insights into the mystical underpinnings of the universe and the quest for spiritual transformation.

One of the most striking aspects of "The Hermetic Museum" is its ability to transcend time and space, offering readers a timeless glimpse into the perennial wisdom of the Hermetic tradition. Whether exploring the symbolic language of alchemy or delving into the mysteries of the Philosopher's Stone, each text invites readers to embark on a journey of inner alchemy, guiding them towards a deeper understanding of the self and the cosmos.

At its core, "The Hermetic Museum" is a testament to the enduring power of esoteric knowledge and the timeless quest for spiritual enlightenment. Arthur Edward Waite's masterful compilation and translation breathe new life into these ancient texts, ensuring that they remain an invaluable resource for seekers of wisdom and truth for generations to come.

In conclusion, "The Hermetic Museum" stands as a profound testament to the enduring legacy of the Hermetic tradition, offering readers a rich tapestry of mystical wisdom and esoteric knowledge. Whether you are a seasoned practitioner of the occult arts or simply a curious seeker of truth, this volume is sure to inspire and enlighten, inviting you to embark on a transformative journey into the hidden realms of the Hermetic tradition.

Arthur Edward Waite's "The Hermetic Museum" published in two volumes is available Amazon in V1 paperback 24.99$ and hardcover 32.99$, V2 paperback 23.99$ and hardcover 32.99$, editions.

Number of pages: V1 350 pg; V2 302 pg

Language: English

Rating: 10/10                                           

Link of the book! V1

Link of the book! V2

Review By: King's Cat

[blueheartbooks]

Illuminating the Arcane: A Deep Dive into The Hermetic Museum by Arthur Edward Waite

Arthur Edward Waite's "The Hermetic Museum" is a mesmerizing journey into the depths of esoteric knowledge and mystical wisdom. This collection of alchemical and hermetic texts, compiled and translated by Waite, offers readers a rare glimpse into the arcane traditions of Western occultism. Spanning centuries of mystical exploration, the texts included in this volume delve into the secrets of alchemy, astrology, and ceremonial magic, presenting a tapestry of ancient wisdom that continues to captivate seekers of truth and enlightenment.

Waite's meticulous curation of these texts provides readers with a comprehensive overview of the Hermetic tradition, drawing from a wide array of sources including medieval manuscripts, grimoires, and alchemical treatises. From the enigmatic writings of Hermes Trismegistus to the alchemical allegories of Paracelsus, each text offers unique insights into the mystical underpinnings of the universe and the quest for spiritual transformation.

One of the most striking aspects of "The Hermetic Museum" is its ability to transcend time and space, offering readers a timeless glimpse into the perennial wisdom of the Hermetic tradition. Whether exploring the symbolic language of alchemy or delving into the mysteries of the Philosopher's Stone, each text invites readers to embark on a journey of inner alchemy, guiding them towards a deeper understanding of the self and the cosmos.

At its core, "The Hermetic Museum" is a testament to the enduring power of esoteric knowledge and the timeless quest for spiritual enlightenment. Arthur Edward Waite's masterful compilation and translation breathe new life into these ancient texts, ensuring that they remain an invaluable resource for seekers of wisdom and truth for generations to come.

In conclusion, "The Hermetic Museum" stands as a profound testament to the enduring legacy of the Hermetic tradition, offering readers a rich tapestry of mystical wisdom and esoteric knowledge. Whether you are a seasoned practitioner of the occult arts or simply a curious seeker of truth, this volume is sure to inspire and enlighten, inviting you to embark on a transformative journey into the hidden realms of the Hermetic tradition.

Arthur Edward Waite's "The Hermetic Museum" published in two volumes is available Amazon in V1 paperback 24.99$ and hardcover 32.99$, V2 paperback 23.99$ and hardcover 32.99$, editions.

Number of pages: V1 350 pg; V2 302 pg

Language: English

Rating: 10/10                                           

Link of the book! V1

Link of the book! V2

Review By: King's Cat

[purple-iris]

So, I was thinking, these flowers Jim touches in Unification really look like camellia, since they are a bit rose-like but grows in tree rather than bushes.

My phone seemingly agreed, and I also looked up pictures of camellias online to confirm my suspicions.

Now, here is the symbolism of camellia flowers :

Devotion, pure love, longing, everlasting love, loyalty, inner strength.

It feels quite fitting.

+ sources and added symbolism under the cut

[gothpossums]

hand in unlovable hand

[ddeck]

you know. just like with specific terms and nicknames like clanker or shinie, clones must've come up with unique meanings for their armor paint. like with different meanings assigned to colors of mandalorian armor except since the choice of color is out of their control, all the importance lies in shapes and placement

[danandfuckingjonlmao]

the way that i can always tell if dan is saying “phan” or “fan” rattles me to my core every time. he aspirates the FUCK out of that voiceless labiodental fricative so violently it’s practically a voiced consonant am i right, ling phannies 😝