#no lang symbols

[the-skyplex]

some pluralkit display names for u!

e name ⁺ prns prns

★ NAME !? . PRNS PRNS

name ₒᵣ name • prns prns

e ◟ name name prns prns ◝

♪ name ! prns prns ~

❯❯ NAME ⁰¹ NAME ⁰² . PRNS PRNS

name ｡ prns¹ prns²

e NAME ! PRNS + PRNS

e ⁔ name ₊ name ﹐ prns prns

❛ e ﹐ name prns prns ⊃

any system origin can use this!

[random-brushstrokes]

Dominique Lang - Le mort en visite (1904)

[yourlocalabomination]

Ashes to Ashes, Dust to Dust.

[roomba-mangga]

thoughts on thistle and yaad's dynamic that i vomited in the tags of another post but will now try to articulate here: they're not actually family, or at least they shouldn't be. not in a conventional sense anyway. framing them as uncle and nephew (even in a non-literal, silly fantasy world way) rides more on technicality than anything concrete.

what i mean by this is yaad calls thistle by name and says he and delgal were raised "like" brothers. he talks about thistle like he's an outsider imposing himself into the melinis' space, and it's clear that thistle was never legitimized as a member of the family. for thistle's part, though we don't know how he would treat yaad pre-demon brainrot, it's safe to assume based on the way he punishes him—turning him into a doll—and how little is shown in the way of any sort of relationship between them that thistle only cares* about yaad as an extension of delgal (otherwise i'd expect something like kabru and milsiril, because it's not like another complicated interspecies family dynamic would be out of place, yet there's next to nothing on them even in bonus content, just their scant interactions in the main story).

in essence, they're strangers to one another. thistle's desperation to preserve the illusion of a family, a model where he doesn't even fit, was the snare they were caught in for the past thousand years of stasis. yaad-as-nephew is a prop to uphold that illusion, and thistle is playing a role he's unfit to play. in the context of post-canon interactions, attempting to reconstruct that facade would only be a reenactment of trauma for them both (in a deeply compelling way i'd love to watch unfold, tbh), as that "uncle and nephew" framing places thistle in an implicit position of power over someone he's already traumatized through misuse of authority in the past, a role which also perpetuates his adultification and yaad's infantilization in turn. it'd mostly be an obstacle to any real connection.

best to burn the melini family bridge, i think, and if there's still anything salvageable left in the rubble, let something different supplant it.

[chicago-geniza]

Took so much codeine I had a psychoanalytic insight about the nature of eroticism while processing, answering the phone, and operating the register at the same time. I need to start taking edibles again

[revel-inbluehues]

Oh my goodness gracious, I am several different types of broken rn. I just watched episode 7, and I NEED TO RANT AND I'M PROBABLY GOING TO LEAK A SPOILER OR TWO.

Okay, firstly, the first half was hilarious, just FX and MQ being absolute comedic gold. I completely forgot that FX was afraid of women since I read the novels a long time ago, but it was hilarious. He looked so disgusted. Them getting in funny situation is good as it is, but the animators did a fantastic job at the facial expressions of FX, MQ and the background heavenly officials who were hearing all of this play out. I laughed at it all, and poor SQX being embarrassed, tired, and exasperated at the dice shenanigans that he had to deal with earlier.

But, funny as it was, the second part was my favourite bit.

I literally froze when I saw Fang Xin. It was beautiful and terrifying at the same time. Knowing what that blade had done, the history it has made it so much more impactful since this is the first time since this is the first time XL is seeing it in 600 years or so while this is the first time HC is seeing it in around 800 years if I remember it correctly. It is such a metaphorically heavy blade, and seeing its design and animation is so very beautiful.

Meanwhile, LQQ commented on how different XL seemed, and XL responded on how this is how he always was, just that LQQ never knew it. Even still, XL felt like a teacher to LQQ, so I feel like no matter how separate XL tried to be, he did very much care for LQQ as I'm sure the next episode will show.

But I think the major part that got me was LQQ's speech about not becoming full of resentment or like XL, which is one hell of a gut punch. Once again, bravo to the animators for that little cut to XL's eyes widening. I always knew LQQ was a parallel to XL, and it is most clearest here. In that moment, XL knew that he was LQQ's White No Face, and that, in LQQ's perspective, where he started the worst moments of his life in a twisted attempt to make LQQ just as resentful as him. It was a fantastic comparison and a terrible irony to XL, something he clearly acknowledged as he laughed and tried so hard not to cry. XL's comparison to the White No Face is something that will probably hurt every time, since to XL, only he and JW know about it, and he's unable to share the burden of what happened, which probably just hurts even more. The parallel between LQQ's words to XL and XL's words to White No-Face is so painful, especially to XL, who thinks that it's his burden to bare, and it probably hurts more when you consider that he literally just got Fang Xin back.

And throughout all of this, the one other person who knew all of this, and wanted to share the burden was standing right next to him, looking hurt and about to cry as he watch his most loved hurt. HC knew the significance of it all, and it was a stark reminder of all the times he failed to protect the one he loved the most, and since this right after he accidently hurt XL as well, this must be painful for him too. There is so much foreshadowing for all the donghua-watchers only and so much tragedy underlining this scene.

The part where XL hesitated to hold Fangxin, when you know everything, hurts so much. It caused him so much trauma, wielding it would have just been such a painful reminder.

Let me move onto fangirling before I cry.

Firstly, I was waiting for the daruma doll bit for a while. He looks so cute and angry at the same time. It's adorable, and I laughed when LQQ side-eyed HC in the daruma form.

Secondly, why do HC and XL still look so HOT EVEN AS THE WEIRD CANDLE DEMONS, OMG???? HC with horns, blue skins, and black sclera is going to haunt me for DAYS, and XL looks so good with it as well. The candles on their heads look so funny though.

The next episode is for the Qi Rong simps, and I would like to remind everyone that Qi Rong, heathen that he is, is still physically hot, even if I have the visceral desire to punch him.

[mejomonster]

Modu by priest was truly such a good read. If you like romance? It has a sweeping romance, with a well done bisexual and gay lead (and straight best friend) all written in ways that manage to feel realistic, it's got features people likely found it for when looking for a danmei - rich manipulative younger man, older investigator who's got a hero streak, and yet those categories don't really do justice to them (and of course tao ran is the more grounded detective story lead who keeps his theories to himself and worries about dragging others into his mess).

They're so much more... Fei Du is a traumatized young man who's worried he's as monstrous as the people who scarred him, who is preparing to take the leap and cross the line to become an even more terrifying version of himself if it will destroy the corruption poisoning this city and harming so many, Luo Wenzhou is a cop that used to want to be a hero and learned he will fail people and be unable to save people and holds onto Fei Du as someone who reminds him he DOES fail but also reminds him why he wants so hard to keep Trying to help people even when it seems impossible... why trying and putting in effort to care and help Even when its too late to fix things is Worthwhile. Tao Ran is a contrast to them both, Fei Du living in a world where there's only monsters and victims and Luo Wenzhou desperately trying to force the world to be a place where justice CAN prevail and win even as he sees it fail over and over, trying so hard to believe all people have the capacity for everything and are worth trying to save. Even though Fei Du doesm't believe that, being around Luo Wenzhou makes him want to consider it. Tao Ran, their contrast? Believing the world can go either way, and its up to people like him to create any justice at all, any structure at all, or else everything is just meaningless suffering chaos. As characters, the three of them serve to explore how the world works and views on it in terms of a detective murder mystery encompassing the whole city, the small scale version of the world. Modu is a romance, but its also fully commited to being a murder mystery that wants to tackle the kind of themes that come up in the setting it's created. Its characters are so much more than Insert Character Ship types here. These characters were made this way to explore these ideas (just as the villains are all made to parallel and contrast Fei Du to explord these ideas in comparison to our point of view Fei Du moments, our impressions of Fei Du from Luo Wenzhou and Tao Rans varied perspectives, all of them are different lenses to view humanity and how it works, if the world is just or if we have to make it good, if we can be inherently good and if good people will reach out to us if we just keep treading water to survive, if its luck and chaos, and how much... and much more frankly).

Modu is like. If you want a story about a corrupt city and its victims, symbolizing a corrupt world and all of us at its mercy, and you want to see the heart of the people doing something about it. First the main trio, but also every victim Fei Du recruits to help, every murderer recruited to the corruption, all the people in the cases swayed to some side. Thats what Modu is about.

The romance is just one facet of exploring that, the personal debate about what these things mean about the world as told through two people who view this world incredibly differently. Yet find some way to exist in the same space, same mutual world, when together. It hooks you in and doesn't let you go and youre wondering right there with them, left to draw your own meaning in the end. Hopefully that its worth trying, that doing something is worth trying even when its just the trying you can do and not the succeeding, at least thats what I got from it (at least in regards to Fei Du and Luo Wenzhou meeting each other, unable to live up to the pillar they put each other on but trying anyway, is what I felt from them).

Then like? Modu gives you THAT story, which in its own right is enough to make you contemplate.

And if you're like me and care about people, about characters? Well it gives you, like I said, those big themes and a city's nightmares symbolizing the world, and brings them down to an individual level. You read from the mind of the little girl who grew up in this (one of my favorite scenes and when I felt this novel was going to not shy away from dark psychological moments and bringing them to you). You read from the mind of Fei Du when he knows himself, when he doesn't. You read from the minds of all kinds of people, and the heart of much of the investigation is peoples motives and things they'd gone through and how that shaped what they'd do next. Why they'd do it. Leaving you to wonder who's right. Jaded idealist Luo Wenzhou who wants to believe in the goodness of the people he loves, but also is willing to risk that strangers may have good intent? Fei Du who thinks theres only victims and perpetrators and everyone is going to fall into one in the right circumstance? Tao Ran, who feels the world is too messy to dare declare predictable, who thinks even your closest can betray you and even you can accidentally hurt them, nevermind strangers, and the only thing you can control and rely on is your own choices? Some mix? None of them? The side characters as they come up, grow and evolve, do they understand the world better or worse, and is the world they experience different than anothers and justify why their worldview is likewise different? Modu gives you that up close and personal, over and over. Im still thinking about it. And the way its done, they all get to feel like lived in people. Not structures to tell the themes only. But on their own, there's a personal struggle between Fei Du feeling like a monster who'll destroy Lup Wenzhou if he loves him, like his dad destroyed his mom, and Luo Wenzhou carrying the guilt he could never save Fei Du and desperate to believe in Fei Du (and keep trying to save him in that way if only that way) as person who can do good despite not being saved and despite Fei Du's fears. You could cut the entire city's plot away, all of the crimes and make the city calm, and still that core of their plot would be carrying a Lot of weight. Theyre playing a game of "enemies" to lovers sure, or whatever romance story structures they fit into. But they're also made to be deeply rooted into each other, their personal beliefs tied into the outcome of what they hope or fear happens if they are close together. Modu made me care about that. Its like the fears many people might have, abiut theur own flaws, about getting close to others, about trusting and being unsure if that trust is safe to give. Its that and magnified into bigger form, in this landscape of a fucked up city and the tragedy of Fei Du and Luo Wenzhou's meeting and former lives.

Its like. Id love to to read another danmei (Ive got a lot on my to read list). But what's going to give me roo

[hva1ian]

"I am forever your most devoted believer"

- Heaven Official's Blessing

[tilbageidanmark]

“The Abbey in the Oakwood”, by Casper David Friedrich (1810)

[minayuri]

Diabolical criminal mastermind, Dr. Mabuse

Rudolf Klein-Rogge in Dr. Mabuse, der Spieler (1922) | dir. Fritz Lang

He's devoted to the devil fascinated by crime Glamorous death is his destination - eternal passion his gain Sell him your soul - sell him your soul - sell him your soul Never look back - never look back

"Dr. Mabuse" by Propaganda

[acting-pterygii]

die as many times as you want, but you’ll always come back again and again and again… lady fortune.

[the-skyplex]

non themed system pk template !

┈┈┈┈┈ ❛ `[system name]` ❜ ┈┈┈┈┈

**na**me ﹕

**pr**onouns ﹕

**bo**dy age ﹕

**ge**nder﹕

**se**xuality﹕

**ot**her ﹕

┈┈┈┈┈ ❛ `sys info` ❜ ┈┈┈┈┈

**or**igin ﹕

**ty**pe ﹕

**he**adcount ﹕

**sy**s tag ﹕

**ot**her ﹕

┈┈┈┈┈ ❛ `frq fronters` ❜ ┈┈┈┈┈

**na**me ⁺ prns prns ⁺ __role__

**na**me ⁺ prns prns ⁺ __role__

**na**me ⁺ prns prns ⁺ __role__

┈┈┈┈┈ ❛ `other` ❜ ┈┈┈┈┈

**li**nks ﹕ [link]() ⁺ [link]()

**ot**her ﹕

**ot**her ﹕

no credit needed!

example of it filled out:

[random-brushstrokes]

Dominique Lang (Luxembourger, 1874–1919) - Death and the Maiden

[sicimore]

　　　　　　☞　　　　⫒　　　　⚹　　　　🌵 　　　　　　⌦　　　　 ❱　　　 　⛕　　　　🪱 　　　　　　↷　　　　⛁　　　　⛻　　　　🍈 　

[pwippy]

i just realized lang has the same birthday as one of my old friends 🧍‍♂️

[antvnger]

🍺 - How does your muse feel about the consumption of alcohol? Do they drink? Are they a heavy drinker, or are they on the lighter side? What's your muse's favorite alcoholic drink?

I mean, I’ll drink a beer or two, but hangovers aren’t worth getting drunk. And I have bad hangovers. I get migraines on my own; I don’t need outside help.

I’m not a lightweight, but I’m definitely not heavy either. I’m somewhere in the middle, I guess. Now Asgardian mead on the other hand…

I like Heineken or Corona the best.

Miscellaneous Symbol Headcanons