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#art#painting#oil on panel#architecture#gothic#nocturne#night#moon#full moon#moonlit#church#cathedral#ruins#atmospheric#perspective#1810#antonio basoli
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Court Suit
c.1810
France
This three piece suit is exemplary of skilled French embroidery and the silhouette of men's court wear during the time of Napoleon Bonaparte (1769-1821). Bonaparte revived the importance of court traditions when he crowned himself Emperor in 1804. This revival necessitated the recreation of acceptable court dress, which had been defunct since the elaborate and costly court of Louis XVI (1754-1793) prior to the French Revolution. The intricate embroidery pattern is intriguingly mimicked between the waistcoat and coat, reinforcing its status as a full suit. (The MET)
The MET (Accession Number: 2009.300.1001a–c)
#court suit#menswear#mens fashion#1810s#empire#19th century#purple#floral#embroidery#france#first empire#napoleon#1810#silk#the met#popular
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South America, 1810.
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Ivory silk dress with silk embroidery, English, 1805-10
From the Philadelphia Museum of Art
#I am in love with the embroidery on this#dress#fashion#fashion history#history#1805#1810#1800s#1810s#19th century#regency#georgian
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Pauline Auzou: Arrival of Archduchess Marie-Louise in Compiègne, 1810 (detail)
#Pauline Auzou#auzou#Marie-Louise#1810#French#art#French art#napoleonic era#empire style#19th century#19th century art#pretty#neoclassical art#french empire#neoclassical#neoclassicism#empire#1800s#first french empire#napoleon#dresses#dress#women’s art#female artist#women artists#fashion#historical painting#history#flowers
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Diameters. of elastic atoms. A New System of Chemical Philosophy. 1810.
Science History Library
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Christoffer Wilhelm Eckersberg (Danish, 1783-1853) View North of Kronborg Castle, ca.1810
#Christoffer Wilhelm Eckersberg#danish art#danish#denmark#1810#1800s#regency#art#fine art#european art#classical art#europe#european#fine arts#oil painting#europa#landscape art#landscape
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Journal des Dames et des Modes, Costume Parisien, 20 novembre 1810, (1103): Redingote de Lévantin Rattachée par une Echarpe. Collection of the Rijksmuseum, Netherlands
Standing woman dressed in a 'redingote de Lévantine', fastened with a scarf (belt) of the same material. Stand-up serrated collar. Scarf, with fringes at the ends. Further accessories: earring in the left ear, pointed toe shoe. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839.
#Journal des Dames et des Modes#19th century#1810s#1810#on this day#November 20#periodical#fashion#fashion plate#color#description#rijksmuseum#dress#redingote#collar#Mésangère
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White muslin day dress, ca. 1810, Italian.
Uffizi Gallery.
#uffizi gallery#womenswear#extant garments#dress#cotton#19th century#Italy#1810#1810s#1810s dress#1810s Italy#1810s extant garment#muslin
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Portrait of Mirza Abolhassan Khan Ilchi (c. 1810), ambassador for the Shah of Persia, by William Beechey. Compton Verney House.engglish artoist
#william beechey#compton verney house#compton verney#compton verney art gallery#peter moores foundation#warwickshire#19th century art#19th century#19th century aesthetics#19th century fashion#early 19th century#1810s#1810s fashion#1810#history of art#art history#artwork#art#oil painting#oil on canvas#persian#persian empire#diplomacy#diplomat#persian art#iran#iranian#middle east#male portrayal#male portrait
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“The Abbey in the Oakwood”, by Casper David Friedrich (1810)
#The Abbey in the Oakwood#oil painting#casper david friedrich#1810#graveyard#loneliness#cemetery#romantic art#romanticism#Art#german art#Alte Nationalgalerie#landscape art#landscape painting#nature art#Turner#goethe#edvard munch#symbolism#fritz lang#f. w. murnau#The stages of life
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Pastille Burner
Meissen Porcelain Manufactory (German)
c.1810
Indianapolis Museum of Art (Accession Number: 80.9A-C)
#pastille burner#furnishings#fashion history#art history#1810s#1810#empire era#19th century#enamel#porcelain#germany#meissen porcelain manufactory#blue#white#gold#indianapolis museum of art#think of a pastille burner as like ye olde wax melt burner
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French States Dinghy built in Antwerp in 21 days for Napoleon I in 1810, who had announced his intention to visit the mouths of the Scheldt and Antwerp's defense works. The Emperor only used this vessel once, on this occasion. It was over 18 meters long: the aft third was dominated by a spacious deckhouse designed to accommodate VIPs, while the oarsmen took up the rest of the space.
It was then transported to Brest and used a second time by Napoleon III in August 1858, when he visited the arsenal, and again in 1903, when the President of the Republic visited. In November 1922, it was launched again for the Minister of the Navy, Raiberti, on the occasion of the "Triumph of the Naval School".
Finally, in 1943, it was transported to the Palais de Chaillot in Paris.
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Wool Pelisse with Cotton Braid, English/French, 1810-20
From the National Gallery of Victoria
#pelisse#coat#fashion#fashion history#outerwear#history#1810#1820#1810s#1820s#1800s#19th century#regency#empire#english#french
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Copy of the Goods of Montpellier
France, c. 1810
Napoleonic era
This book illustrates the huge variety of intricate patterns printed in vivid colors on cotton textiles for fashion during the early 19th century. The book comes from Montpellier, a town on the southern coast of France that is not known today as a center of textile printing. Thus these samples indicate how much more widespread the textile industry was in Europe during the Industrial Revolution. This book contains more than 2,300 small samples.
Source: Art Institute of Chicago
#textiles#colors#farbric#Montpellier#book#napoleonic era#napoleonic#19th century#1800s#1810#cotton#textile#fashion#style#pretty#empire period#empire style#first french empire#french empire#french#art#France#fabric#french art#empire#napoleon#19th century art#history#women#pattern
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