#So yeah I suppose this is the name

[would-holden-caulfield-like-nge]

One of Gary's possible futures

So this is an idea we came up with on the Bully Discord, and I got a bit possessed.

Imagine: After the events of the game, Gary decides to give up on society entirely. And so he locks himself in his room. He spends his days on early 2010s internet, making uber edgy cartoons on Newgrounds.

I imagine he would be similar to Shadman and Emily Youcis (Alfred's Playhouse). Just spending all his time making stuff that makes it really obvious there is something wrong with him. I really do think he would love being on the internet, because he could spread his gospel to as many people as possible (and maybe get some admirers willing to feed his ego). Though, a lot of his stuff would probably be standard edgy schlock.

Of course, all of this would make him even more mentally ill, which would lead to him spending more time online, leading to a pretty vicious cycle. Even when he wouldn't be animating or talking to people online, he would be writing manifestos, or sometimes, reading the same few books over and over again. All of that on his bed.

If you wanna be optimistic, maybe he could turn things around and eventually become an animator at Nickelodeon or something. But that would require him to re-enter that gosh darn western society, which would be the last thing he'd want. Or maybe Jimmy could come stage an intervention for him, who knows!

Textless version of the first image

Gary's profile picture. Later on, I made the bright green outline bigger, so the picture would read better even when small.

[palskippah]

I LOVE BROPPY

*gives them babies*

[gongedtornado]

this is super rough but…. gummigoo’s mom interpretation

(more ramblings in tags)

finished interpretation here!!!

[bandtrees]

they would get divorced in one universe just to find eachother in another one

alternatively titled: sometimes you're the level-headed token flesh-head impulse-control-and-polycule-member of a stubborn, eccentric, and hearty telephone-headed drug addict, and there's cruelty in the world you deem fit to suicidally fight, and that either goes about as well as you'd expect it to, or you learn about love and the value of your life and junk along the way

[moderndaypandora]

The LAYERS needed in a modern/human Dreamling au.  Some level of Endless family dysfunction, obviously.  Hob's family can be be dead or not, it's all good. Are they old enough to have individually gained the awareness they are off-puttingly intense and should hide it a bit at first, or still in that "no, why would I need to Elsa this" stage?

Option A is both of them trying to play it cool, like "don't scare him off" except they so badly want to go from zero to sixty.

(Death and Desire have ruthlessly drilled Dream with flashcards about how to react appropriately in situations.

Desire: it's your one-month anniversary, what do you do?

Dream: [hesitantly] NOT propose?

Desire and Death, conferring, because that's technically correct but the delivery was suspect.

Death, encouragingly: Good start. And?


Dream: a nice dinner and maybe a walk?

Desire: well done!

Death: and for a three-month anniversary?


Dream: give them a key to my flat.

Desire: [airhorn] NO. RED CARD.)

Option B makes them the classic anecdotal "my grandparents got engaged within seven days of meeting each other and still are happy together".

(Death, rubbing her temples: so you met this guy--

Dream: Hob

Death: -- Hob, and within 1 day you gave notice to the Registrar's Office and figured out the best day to get married. And Hob agreed to this?

Dream: NO.

Death: oh thank go-

Dream: Hob SUGGESTED this.

Death: . . .

Dream: are you going to be a witness or not?

Death, 29 days later in the Registrar's Office, to Hob's witness: Is he sane?

Johanna Constantine, drinking heavily from a large flask: unfortunately yes, by all legal definitions.

Death: fuck

Johanna: [passing the flask over] if your brother's even a tenth as intense as Hob, they'll be fine. Probably.

Death, brightening: Is Hob that bad?


Johanna: You know how sometimes you meet somebody and think "oof, they're a bit much, best give them a wide berth"?


Death: yeah.

Johanna: Hob's like a camouflaged hole in the ground of muchness. Except he's done the hole up all nice and he knows that sometimes you just want to be left alone in the hole to sulk and rattle the spikes for a bit, and occasionally get a F&M hamper tossed in.

Death: [hmmmmmmm'ing approvingly]

Johanna, morose: the bastard.

In the background, Hob and Dream are pressing their foreheads together and basking in each other's presence)

[cruel-hiraeth]

WHAT COULD HAVE BEEN ꒰ ajax tartaglia childe x reader ꒱

cw: a little angst, a little romance, a lot of ambiguity. wc: 777. notes: this is based on a prompt—childe x the last time you see each other, but only one of you is aware of the fact—suggested by my loveliest bitti @rabbbitseason and leigh @sugurei.

Snow flurries dot his lashes, kissing the freckles that dust his strawberry cheeks as he knocks on your door—nearly too short of breath for his dimpled smile to be convincing. While he knows the news (held it as a secret from you, one which putrefied and festered until it nearly rotted his organs), nothing could prepare him for this meeting.

The door creaks open. Behind it, your face is wan and drawn up, funerary. Once lively and headstrong, the sunny candlelight of your eyes—a balm that soothed his soul in foreign lands, an omniscient presence in his fondest memories—has been snuffed.

“I take it you’ve heard the news?”

For perhaps the first time in his life, Ajax doesn’t have a biting or witty remark; he simply stares at you for a beat too long, then nods. He wishes you would tease him, now, just like you used to. 

The scoff that leaves your lips is a comforting, familiar sound. Yet it’s ephemeral—over before he can appreciate it. He steps inside your room. 

A private dwelling on the Fatui base is sought-after, and your friend was able to pull some strings as a Harbinger to secure you your own space. Your quarters are exceedingly cramped, and have only the necessities: a standard cot, a wet bath, and a kitchen with a sink, a hot plate, and a narrow counter. There’s a table attached to a wall in the entryway—unusable during the lingering, frigid winters—accompanied by a pair of folding chairs. 

You treat him too formally, he thinks mirthfully, as you busy yourself brewing tea that he gifted you after a trip to Liyue. It’s your pride that keeps an appropriate amount of distance between your bodies, that firmly measures your tone, that keeps your heated glances brief. But it’s also your pride that drew him to you. 

(Ajax was never good at backing down from a challenge.)

Tears silently slip down your cheeks as you work with your back to him, swallowing any noise that threatens to bubble past your lips, though—unbeknownst to you—he understands what the telltale tremble of your shoulders means. With a delicate hand, you pour boiling water over the precious tea leaves and watch as they slowly bleed into liquid amber.

The quiet in your small home stretches uncomfortably thin. Words catch along the curve of your tongue and the tip of his; neither of you can vocalize your emotions. His boot taps against the floor, your fingers against the counter. 

When you serve Ajax his tea, his ultramarine stare pins you in place, unfurling your wings and your worries. He soaks in your watery gaze, and wishes (cruelly, selfishly) that he could revel in the beauty of your sorrow; perhaps he should—before it’s too late. But he can’t bring himself to hurt you further, no matter how desperately he wants to taste you, salt and spit and skin. 

“It’s just for a few years,” you reason aloud, absentmindedly worrying with the side of your porcelain cup—another gift from your companion. Your voice is thick with all that remains unsaid; it quavers.

“The Chasm is a treacherous place,” you say between sips of scalding tea that burns your tongue, “but I have faith in the Tsaritsa’s infinite wisdom. She will see to the safety of our expedition.”

No blade could cut through the tense air between you. Ajax clears his throat and musters a smile that feels like a lie. “It will be over before we know it.”

He reaches for your hand—palm upwards, welcoming—and you take it. The lambskin of his glove is soft, warm from the blood thrumming through his veins. You rest in silken stillness for a few moments, intertwined like that, chests rising and falling in unison. Then, he brings your hand to his lips, and brushes a kiss against your knuckles. It’s as brief and gentle as the flap of a crystalfly’s wings, yet the caress steals your breath—as does the flame-blue burn of his eyes. 

Before you can say anything (and before he does something he shouldn’t), he rises to his feet and grasps the doorknob. A rushed “I’ll miss you” is all he can utter before ripping the door open and slamming it shut.

Tsaritsa forgive me.

He repeats the words over and over like a mantra, tears blurring his vision, though the archon isn’t the one he should be asking for forgiveness; she’s not the one who is about to embark on a mission that’s as good as a death sentence. 

But you? 

Left to your fate, thoughts of what could have been prickle your flesh, steam curling up from the cup of Ajax’s untouched tea.

[ask-the-rag-dolly]

For 00, how do you pronounce that??

I've been flip-flopping between 'ooo', 'double zero', 'agent double oh', 'zero zero', 'oh-oh', 'mother', and 'greenie gremlin'. Are any of those correct?

they're all correct though i generally go for ' zero ' or ' number zero ' for convenience .

not really sure about ' mother ' though . they're more like ' fucked up cousin ' .

[s735]

Here's my goober!!

He's my only Transformers OC at the moment, so I am quite attatched to the guy.

Here's some old full body pics from December

[front-facing-pokemon]

[iceinherheart-kissonherlips]

“That old reflex never died; the little pang of Don't go, just stay. Settle over me like the tide, cover me like a blanket, wrap around me like the sun. 

Don't go, don't go, don't go.” [x]

[faeriekit]

Health and Hybrids (VI)👽👻💚

[I can't remember the original prompt posters  for the life of me but here's a mashup between a cryptid!Danny, presumed-alien!Danny, dp x dc, and whatever prompt made the one body horror meat grinder fic.]

PART ONE is here PART TWO is here PART THREE is here PART FOUR is here and PART FIVE is here and this is part six💚 Ao3 Is here for all parts

Where we last left off... Danny and Bart are bros now. The Speedsters chat about the horribly injured entity their kid has decided is like a...pet? Theydk?

Trigger warnings for this story:  body horror | gore | post-dissection fic | dehumanization (probably) |  my awful attempts at following DC canon. On with the show.

💚👻👽👻💚

Danny wakes up to an unbridled wave of nostopdon’t.

…He rouses. His lungs flutter.

Danny flinches. 

There’s something— it’s large and it’s green in a way that humans are not and it’s taller and wider than Danny’s human and the space it makes in Danny’s senses—

The red human Danny is too attached to now buzzes to his bedside, spilling worrywor/rynerv/ous all over Danny’s section of this abandoned hospital. His muscles tighten up to compensate; and when the green not-human adult gets closer, Danny pushes himself forward on his elbows— closer to his vibrating human, closer to a defensive formation. 

The green thing moves and Danny can’t see the gesture. He bristles. 

And then

Danny’s skull spl

                                its

                                                down the middle. 

Everything hurts and everything is on fire. 

Danny screams. 

                        And he screams. 

                                                        And he screams. 

And—

Danny isn’t moving— everything else moves when Danny screams but he isn’t moving— the fast human has gotten even faster and they’re zooming through the building, through rooms and past adult humans that Danny has never seen, and all Danny can do is sink his claws into the human and hope that it stays. That Danny stays. In its arms, and not next to— that. 

The fast-buzzing human finds a dark room. 

It shoves Danny and itself inside. Good. 

They hide. 

Even better. 

Someone comes to the door, and Danny can feel the frigid heat of a blast forming in his fingers. But it’s only two of the humans Danny has already met. And another young human.

This one has light hair, he thinks. It shines in the light spreading out from the cracked doorway. 

They talk and they don’t crowd his space but to be honest Danny would rather they did. There’s something horrible out there, and he knows these humans aren’t that bad and whatever green thing out there certainly is. They should all be safe in this nice dark room. 

He makes a grabby hand. Come here. Get closer. 

…One of them does. Great! Danny gently bats at it with his knuckles until it joins them underneath the table. Danny puts the buzzing human in front of him and his new human behind him, so that he’s in the middle. There’s layers now. They can’t all get wiped out at once. 

Danny makes grabby hands at the other. It makes a huffy sort of vibration. Probably a laugh. Stupid. Doesn’t it notice that they’re in danger?? 

Danny whips a very sharp comehererightnowbetween them— not lashing, but not gentle. They are in danger. Come here. 

Thankfully, the last two obey—Danny’s pretty sure he’s being humored, but that doesn’t matter. Not as long as they’re all under the table. And safe.

The buzzing human’s anxious vibrations slowly move out into a slower, calmer boredom, and that’s fine, because boredom means that it doesn’t think they’re in danger. No one has found them yet and the humans are twitchy and nervous.

One of the darker-dressed humans says something. Danny can’t tell what it says, exactly, but he can turn his head to listen. The words flow around him like water. Someone else murmurs something else.

A human hand bats at Danny’s. Danny flinches. It—is it fighting?? Are they fighting??

They don’t start…hitting. But they keep batting at Danny’s hands, very carefully avoiding his claws, and—oh. They want to play. And they probably want to play quietly, so they’re being smart about not getting caught. Ugh. If Danny had his toys, they wouldn’t be so bored. This is almost worse than boredom.

…Fine. Danny’s claws don’t exactly retract like an animal’s, but they’re not so essential to his being that they’re formed and present all the time. The sharp shapes of his claws shift in the darkness, until they’re only blunt nails: suitable for playing.

All the humans make very excited noises under their breath. It’s all very interesting or something. It can’t be that special. Danny sees other ghosts reshape little bits of themselves all the time.

The quiet human in red gently lifts up Danny’s hands with its own. It gently tosses Danny’s hands in the air, so that they clap together very quietly once they fall down onto its own. Danny lets it happen. They’re this close to him anyway. They’re probably not a threat.

(The real threat is outside, anyway.)

Then his hands get flipped over. The human gently bats its hands against Danny’s, extremely careful not to anger him enough to claw. They do this a couple times before Danny figures the game out.

Oh. It’s a hand game—Danny even knows this one. It’s Ms. Mary Mack. The quiet one whispers the right tune under its breath.

Once Danny knows it, it’s easy to gently follow the motions. He surprises them when he knows the motions as well as they do; his wrists hurt when he goes too fast, or when the human kids do—when they push too hard, Danny makes himself intangible, to their delight—but he can be gentle, and eventually everyone else is gentle, and they carefully plot out Mrs. Mary Mack and a veeeery slow version of Concentration.

It’s all very fun, right up until the Large Green Not-Human pushes itself through the floor.

Danny pulls his hands back, unsheathes his claws, and shrieks.

Everyone yells and everyone gets closer—it’s a defensive formation and that’s good but it’s not enough if he needs space to help defend them—and everything is loud and upsetting and Danny’s already hurt but he can fight and he will—

—Apology, Apology— something whispers, infinitely quieter than the attack Danny had suffered.

He bolts upright. What? Oh, oh no. It wants to talk to him. Danny does not want to talk back. NonononoGoAWAY.

The giant green thing backs off. Danny gets a distinct sensation of —Questions, Answers— sent to him. The feeling is accompanied by a procession of Danny’s own memories: the stars from the base, the container he’d woken up in, his bed nest and all the waste in it.

Danny winces further back under the table. Just because he likes his cot and feels safe in it doesn't mean it isn't gross. It is gross. But everything is going to be gross until all of his insides are actually inside of him again, and not squished up in his more liquid form.

The quickfasthuman darts in front of Danny, as if it is going to be any defense against whatever this creature is, and starts yelling in its little human voice. Danny keens.

—Care, Concern— flows towards him. With it comes Danny’s memories of the buzzing human bandaging him, a flesh-tone bandage stretching across the hole where more of his nose ought to be.

…Danny stills. It’s. That’s.

It’s a very gentle emotion. Maybe the thing is…lying…? But if it was, Danny would be able to feel it. Right?

There are more thoughts and feelings that come by, first very quietly and softly, and then a little too fast to track as the being get ahead of itself. When Danny pulls away, it slows down, and the flow becomes manageable again.

The Earth. Green and peaceful.

Space. —Home. Home—

This base that Danny is on. On it are faces that the green being can see, that Danny can’t— but in its memory it shares, all of them are welcoming and friendly with…their coworker. This being.

(Is this an alien?!)

(The being pauses in its recollection. It feels distinctly —Amused, Amused—. And then Danny gets space memories!! Of Mars!!!)

He carefully eases his claws out of the carpet. Okay. This is pretty cool. Danny’s getting the hang of this.

He (thinks? Successfully?) bounces back a memory of his first room, his first shuttle model of the Atlantis, the glow in the dark stars on his ceiling.

The alien (Alien!!!) treats him to a memory of his own offsprings’ resting places in his home. On Mars.

Danny doesn’t even argue when his buzzing human tries to pick him up. They can break formation. It’s fine. Danny purrs and purrs with his core. For the first time in months and months, someone can speak to him properly. Someone wants to speak to him.

What Danny thinks matters.

The stranger invites Danny into a mutual conversation, and Danny accepts.

Danny sinks himself into a memory of the earth, as seen from the upper atmosphere. The stars were all-encompassing there. He misses flying. 

The Martian sends him a memory of a crashed…

…Oh. Danny squeezes further under the table. That’s the Specter Speeder. From the stranger's eyes, his crash into the dirt looks so bad. That’s…that crash hurt him. He’s still hurt. Still so bad. 

Even the alien’s —Concern, Fear, Worry— isn’t a comfort. 

The Martian replays the memory of the bandaids again. And then a new memory: the laboratory where Danny woke up. 

The room was full of nervous humans in scrubs and lab coats, all of whom were nervous, nervous, fussing over problems like safe food and adequate oxygen and sanitary environment and please, please be okay. Danny’s empathy is limited to other empathetic beings, but the humans' thoughts and worried faces are bare and transparently clear to the alien. 

…Oh. 

Danny thinks of the young humans crowded around him, trying to keep him comfortable and safe, even when the alien knows that the humans know that he isn’t a threat. But that they worry for Danny anyway, because he’s scared and unhappy and in pain. 

Oh, Danny thinks. …Oh. 

[saturngalore]

she’s so darling to me honestly <3

[ophiliaclement]

and all the light in the world converges on you.

[demigod-of-the-agni]

Spider-Man India, but... where from India?

A SUPER long post featuring talks of: cultural identity, characterisation, the caste system, and what makes Spider-Man Spider-Man.

I’m prefacing this by saying that I am a second-generation immigrant. I was born in Australia, but my cultural background is from South India. My experiences with what it means to be “Indian” is going to be very different from the experiences of those who are born and brought up in India.

If you, reader, want to add anything, please reblog and add your thoughts. This is meant to be a post open for discussion — the more interaction we get, the better we become aware of these nuances.

So I made this poll asking folks to pick a region of India where I would draw Pavitr Prabhakar in their cultural wear. This idea had been on my mind for a long while now, as I had been inspired by Annie Hazarika’s Northeastern Spidey artwork in the wake of ATSV’s release, but never got the time to actually do it until now. I wanted to get a little interactive and made the poll so I could have people choose which of the different regions — North, Northeast, Central, East, West, South — to do first.

The outcome was not what I expected. As you can see, out of 83 votes:

THE RESULTS

South India takes up almost half of all votes (44.6%), followed by Northeast and Central (both 14.5%) and then East (13.3%). In all my life growing up, support towards or even just the awareness of South India was pretty low. Despite this being a very contained poll, why would nearly half of all voters pick South India in favour of other popular choices like Central or North India?

Then I thought about the layout of the poll: Title, Options, Context.

Title: "Tell us who you want to see…"

Options: North, Northeast, Central, East, West, South

Context: I want to make art of the boy again

At first I thought: ah geez. this is my fault. I didn't make the poll clear enough. do they think I want them to figure out where Pavitr came from? That's not what I wanted, maybe I should have added the context before the options.

Then I thought: ah geez. is it my fault for people not reading the entire damn thing before clicking a button? That's pretty stupid.

But regardless, the thought did prompt a line of thinking I know many of us desi folk have been considering since Spider-Man India was first conceived — or, at least, since the announcement that he was going to appear in ATSV. Hell, even I thought of it:

Where did Spider-Man India come from?

FROM A CULTURALLY DIVERSE INDIA

As we know, India is so culturally diverse, and no doubt ATSV creators had to take that into account. Because the ORIGINAL Spider-Man India came from Mumbai — most likely because Mumbai and Manhattan both started with the same letter.

But going beyond that, it’s also because Mumbai is one of the most recognisable cities in India - it’s also known as Bombay. It’s where Bollywood films are shot. It’s where superstar Hindi actors and actresses show up. Mumbai is synonymous with India in that regard, because the easiest way Western countries can interact with Indian culture is through BOLLYWOOD, through HINDI FILMS, through MUMBAI. Suddenly, India is Mumbai, India is a Hindi-only country, India is just this isolated thing we see through an infinitely narrow lens.

We’ve gotten a little better in recent years, but boy I will tell you how uncomfortable I’ve gotten when people (yes, even desi people) come up to me and tell me, Oh, you’re Indian right? Can you speak Hindi? Why don’t you speak Hindi? You’re not Indian if you don’t speak Hindi, that’s India’s national language!

I have been — still am — so afraid of telling people that I don’t speak Hindi, that I’m Tamil, that I don’t care that Hindi is India’s “national” language (it’s an administrative language, Kavin, get your fucking facts right). It’s weird, it’s isolating, and it has made me feel like I wasn’t “Indian” enough to be accepted into the group of “Indian” people.

So I am thankful that ATSV went out of their way to integrate as much variety of Indian culture into the Mumbattan sequence. Maybe that way, the younger generation of desi folk won’t feel so isolated, and that younger Western people will be more open to learning about all these cultural differences within such a vast country.

BUT WHAT DOES THIS HAVE TO DO WITH SPIDER-MAN INDIA?

Everything, actually. There’s a thing called supremacy. You might have heard of it. We all engaged with it at some point, and if you are Indian, no matter where you live, it is inescapable.

It happens the moment you are born — who your family is, where you are born, the language you speak, the colour of your skin; these will be bound to you for life, and it is nigh impossible to break down the stereotypes associated with them.

Certain ethnic groups will be more favourable than others (Centrals, and thus their cultures, will always be favoured over than Souths, as an example) and the same can be said for social groups (Brahmins are more likely to secure influential roles in politics or other areas like priesthood, while the lowers castes, especially Dalits, aren’t even given the decency of respect). Don’t even get me started on colourism, where obviously those of fairer skin will win the lottery while those of darker skin aren’t given the time of day. It’s even worse when morality ties into it — “lighter skinned Indians, like Brahmins, embody good qualities like justice and wisdom”, “dark skinned Indians are cunning and poor, they are untrustworthy”. It’s fucking nuts.

This means, of course, you have a billion people trying to make themselves heard in a system that tries to crush everyone who is not privileged. It only makes sense that people want to elevate themselves and break free from a society that refuses to acknowledge them. These frustrations manifest outwardly, like in protests, but other times — most times — it goes unheard, quietly shaping your way of life, your way of thinking. It becomes a fundamental part of you, and it can go unacknowledged for generations.

So when you have a character like Pavitr Prabhakar enter the scene, people immediately latch onto him and start asking questions many Western audiences don’t even consider. Who is he? What food does he eat? What does he do on Fridays? What’s his family like, his community? All these questions pop up, because, amidst all this turmoil going on in the background, you want a mainstream popular character to be like you, who knows your way of life so intimately, that he may as well be a part of your community.

BUT THAT'S THE THING — HE'S FICTIONAL

I am guilty of this. In fact, I’ve flaunted in numerous posts how I think he’s the perfect Tamil boy, how he dances bharatanatyam, how he does all these Tamil things that no one will understand except myself. All these niche things that only I, and maybe a few others, will understand.

I’ve seen other people do it, too. I’ve seen people geek out over his dark brown skin, his kalari dhoti, how he fights so effortlessly in the kalaripayattu martial arts style. I’ve seen people write him as Malayali, as Hindi, as every kind of Indian person imaginable.

I’ve also seen him be written where he’s subjected to typical Indian and broader Asian stereotypes. You know the ones I’m so fond of calling out. The thing is, I’ve seen so much of Pavitr being presented in so many different ways, and I worry how the rest of the desi folk will take it. 

You finally have a character who could be you, but now he’s someone else’s plaything. Your entire life is shaped by what you can and can’t do simply because you were born to an Indian family, and here’s the one person who could represent you now at the mercy of someone else’s whims. He’s off living a life that is so distant from yours, you can hardly recognise him.

It shouldn’t hurt as much as it does, yeah? But, again, you’re looking at it from that infinitely narrow lens Westerners use to look at India from Bollywood.

AND PAVITR PRABHAKAR DOESN'T LIVE IN INDIA

He lives in Mumbattan. He lives in a made-up, fictional world that doesn’t follow the way of life of our world. He lives in a city where Mumbai and Manhattan got fucking squashed together. There are so many memes about colonialism right there. Mumbattan isn’t real! Spider-Man India isn’t real!! He’s just a dude!! The logic of our world doesn’t apply to him!!!

“But his surname originates from ______” okay but does that matter?

“But he’s wearing a kalari dhoti so surely he’s ______” okay but does that matter?

“But his skin colour is darker so he must be ______” okay but does that matter?

“But he lives in Mumbai so he must be ______” okay but does that matter?

I sound insensitive and brash and annoying and it looks like I’m yapping just for the sake of riling you up, so direct that little burst of anger you got there at me, and keep reading.

Listen. I’m going to ask you a question that I’ve asked myself a million times over. I want you to answer honestly. I want you to ask this question to yourself and answer honestly:

Are you trying to convince me on who Pavitr Prabhakar should be?

... but why shouldn't i?

I’ll tell you this again — I did the same thing. You’re not at fault for this, but I want you to just...have a little think over. Just a little moment of self-reflection, to think about why you are so intent on boxing this guy.

It took me a while to reorganise my thinking and how to best approach a character like Pavitr, so I will give you all the time you need as well as a little springboard to focus your thoughts on.

SPIDER-MAN (INDIA) IS JUST A MASK

“What I like about the costume is that anybody reading Spider-Man in any part of the world can imagine that they themselves are under the costume. And that’s a good thing.”

Stan Lee said that. Remember how he was so intent on making sure that everybody got the idea that Spider-Man as an entity is fundamentally broken without Peter Parker there to put on the suit and save the day? That ultimately it was the person beneath the mask, no matter who they were, that mattered most?

Spider-Man India is no less different. You can argue with me that Peter Parker!Spidey is supposed to represent working class struggles in the face of leering corporate entities who endanger the regular folk like us, and so Pavitr Prabhakar should also function the same way. Pavitr should also be a working class guy of this specific social standing fighting people of this other social standing.

But that takes away the authenticity of Spider-Man India. Looking at him through the Peter Parker lens forces you to look at him through the Western lens, and it significantly lessens what you can do with the character — suddenly, it’s a fight to be heard, to be seen, to be recognised. It’s yelling over each other that Pavitr Prabhakar is this ethnicity, is that caste, this or that, this or that, this or that.

There’s a reason why he’s called Spider-Man India, infuriatingly vague as it is. And that’s the point — the vagueness of his identity fulfils Lee’s purpose for a character that could theoretically be embodied by anyone. If he had been called “Spider-Man Mumbai”, you cut out a majority of the population (and in capitalist terms, you cut out a good chunk of the market).

And in the case of Spider-Man India? Whew — you’ve got about a billion people imagining a billion different versions of him.

Whoever you are, whatever you see in Pavitr, that is what is personal to you, and there is nothing wrong with that, and I will not fault you for it. I will not fault you for saying Pavitr is from Central due to the origins of his last name. I also will not fault you for saying Pavitr is from South due to him practising kalaripayattu. I also will not fault you for saying he is not Hindu. I also will not fault you for saying he is a particular ethnicity without any proof.

What I will fault you for is trying to convince me and the others around you that Pavitr Prabhakar should be this particular ethnicity/have this cultural background because of some specific reason. I literally don’t care and it is fundamentally going against his character, going against the “anyone can wear the mask” sentiment of Spider-Man. By doing this, you are strengthening the walls that first divided us. You’re feeding the stratification and segmentation of our cultures — something that is actually not present in the fictional world of Mumbattan.

Like I said before: Mumbattan isn’t real, so the divides between ethnicities and cultural backgrounds are practically nonexistent. The best thing is that it is visually there for all to see. My favourite piece of evidence is this:

It’s a marquee for a cinema in the Mumbattan sequence, in the “Quick tour: this is where the traffic is” section. It has four titles; the first two are written in Hindi. The third title is written in Bengali*, and the fourth title is written in Tamil. You go to Mumbai and you won’t see a single shred of Bengali nor Tamil there, much less any other language that's not common in Maharashtra (Western India). Seeing this for the first time, you know what went through my head?

Wow, the numerous cultures of India are so intermingled here in Mumbattan! Everyone and everything is welcome!

I was happy, not just because of Tamil representation, but because of the fact that the plethora of Indian cultures are showcased coexisting in such a short sequence. This is India embracing all the little parts that make up its grander identity. This scene literally opened my eyes seeing such beauty in all the diverse cultures thriving together. In a place where language and cultural backgrounds blend so easily, each one complementing one another.

It is so easy to believe that, from this colourful palette of a setting, Pavitr Prabhakar truly is Spider-Man India, no matter where he comes from.

It’s easy to believe that Pavitr can come from any part of India, and I won’t call you out if the origin you have for him is different from the origin I have. You don’t need to stake out territory and stand your ground — you’re entitled to that opinion, and I respect it. In fact, I encourage it!!!

Because there’s only so much you can show in a ten minute segment of a film about a country that has such a vast history and even greater number of cultures. I want to see all of it — I want him to be a Malayali boy, a Hindi boy, a Bengali boy, a Telugu boy, an Urdu boy, whatever!! I want you to write him or draw him immersed in your culture, so that I can see the beauty of your background, the wonderful little things that make your culture unique and different from mine!

And, as many friends have said, it’s so common for Indian folks to be migrating around within our own country. A person with a Maharashtrian surname might end up living in Punjab, and no one really minds that. I’m actually from Karnataka, my family speaks Kannada, but somewhere down the line my ancestors moved to Tamil Nadu and settled down and lived very fulfilling lives. So I don’t actually have the “pure Tamil” upbringing, contrary to popular belief; I’ve gotten a mix of both Kannada and Tamil lifestyles, and it’s made my life that much richer. 

So it’s common for people to “not” look like their surname, if that’s what you’re really afraid about. In fact, it just adds to that layer of nuance, that even despite these rigid identities between ethnicities we as Indian people still intermingle with one another, bringing slivers of our cultures to share with others. Pavitr could just as well have been born in one state and moved around the country, and he happens to live in Mumbattan now. It’s entirely possible and there’s nothing to disprove that.

We don’t need to clamber over one another declaring that only one ethnicity is the “right” ethnicity, because, again, you will be looking at Pavitr and the rest of India in that narrow Western lens — a country with such rich cultural variety reduced to a homogenous restrictive way of life.

THE POLL: REINTERPRETED

This whole thing started because I was wondering why my little poll was so skewed — I thought people assumed I was asking them where he came from, then paired his physical appearance with the most logical options available. I thought it was my fault, that I had somehow influenced this outcome without knowing.

Truth is, I will never really know. But I will be thankful for it, because it gave me the opportunity to finally broach this topic, something that many of us desi folk are hesitant to talk about. I hope you have learned something from this, whether you are desi or a casual Spider-Man fan or someone who just so happened to stumble upon this. 

So just…be a little more open. Recognise that India, like many many countries and nations, is made up of a plethora of smaller cultures. And remember, if you’re trying to convince Pavitr that he’s a particular ethnicity, he’s going to wave his hand at you and say, “Ha, me? No, I’m one of the people that live here in the best Indian city! I’m Spider-Man India, dost!”

(Regardless, he still considers you a friend, because to him, the people matter more to him than you trying to box him into something he’s not.)

*Note: thank you dear anon for letting me know that the third title was Bengali, twas my mistake for literally completely forgetting

[danieyells]

before I went to bed I popped open the game and was reminded that it was, in fact, my birthday lmao

("Maeve" is my PC's name btw, not mine if it was somehow unclear.)

SO MANY BIRTHDAY WISHES. I think Yuri's is my favorite simply because he's like "your birthday present is that you get to be my lab rat for the day now come on" lolol and Taiga's because he says you can take any one thing from his room and

my guy just has a loose pile of gold coins in his room can i say "a stack of gold coins" is one thing and pocket a few of them or. . . .

I also love that Haku is like "hey. c'mere." like he's trying to sell you drugs in a back alley. like why do you have to be so subtle about this? who is hunting you down?

also Jiro who just DOES NOT KNOW WHAT TO DO so he's like. I'll spend time with you I guess? Is that good? LIKE YES BBY YOU'RE DOING GREAT SWEETIE. . .and Leo who's either going to use you to spy in on something or actually give you some kind of cool present. Or give you a birthday livestream.

JUST. GOOD SHIT ALL AROUND. I was really startled when I got the birthday message because my brain had not processed that it was Friday yet lol

[hello-galad]