#Should be tied but whatever

[fallenangelkitten]

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[rollercoasterwords]

yeah u can put "i hate jkr" and "fuck terfs" in ur tumblr bio but. can u listen + reflect when a trans woman criticizes hp fandom without immediately getting defensive.....

[batsplat]

It's a thing I already knew but all your beautiful analysis really made obvious (to me) how much of a grudge holder vale is. That man is never letting it go he's gonna hold his grudges into his grave

you know, I do think this is an interesting issue, because I'm not sure this is true of all his grudges. just sticking here with the grudges he accumulated in his capacity as a competitor, rather than just his general approach to life or whatever... how you judge this will kinda depend on how you feel about the 'reconciliation' he's experienced with some of his rivals - and whether you read the whole thing as sincere or not. now, personally I reckon he still dislikes biaggi, but also you are allowed to just dislike people so I'll give him a pass for that. some of the others, I'm a little more convinced by the whole reconciliation schtick

let's get valentino's take:

interesting that he mentions those three together, isn't it? and like, he's still not messaging biaggi or inviting him to his home - "even with max" kind of tells you all you need to know - but the other two? they said some proper nasty things to each other over the years!! I mean, the casey rivalry, there's some remarks from both sides where quite frankly I think I would struggle just a touch to get over it

I don't know, obviously this could all be pr stuff, but I kind of feel like... y'know, why bother? it's 2022, you're retired, who gives a fuck? sure it's a good look to be all magnanimous, sure it can be a bit of a way of twisting in the knife to the guys left in the cold, but also, who would care if you don't play nice? I think especially with jorge, you surely don't need to do all that, inviting him to your home and dancing with him... (which, again, some of the spats those two had...) and with the casey rivalry, if there's one guy who's still hung up about what happened between the pair of them, it's obviously casey (speaking of blokes who can hold a grudge). maybe this is giving valentino too much credit, but personally I buy it's more or less sincere. there's nothing to really indicate he's still particularly bothered by any of their past disagreements - he's basically going for the 'all's fair in love and motorcycle racing' approach. he knows he was an asshole, he accepts they were assholes too, whatever, that's how these things work. he's generally a fan of drama in rivalries, unsurprisingly, and he was happy enough to contribute his fair share - but he does see it as fundamentally being part of the game

to point out the obvious, check out who he's left out: sete and marc. that's where he can't let go of the grudges... because it's not about the offence itself as much as it is about the betrayal. this is the thing with valentino, right, it's about what kind of bond you had with him. if you weren't his friend in the first place and then piss him off as a rival then, y'know, whatever. obviously he's going to be vicious in trying to get back at you, but also he's really not going to waste his time feeling too aggrieved by it. I mean, think about how all the bullshit between him and casey dropped off sharply post-2012... from valentino's end anyway. think about how jorge and valentino pretty quickly got on again whenever they weren't fighting for supremacy within yamaha. they weren't friends in the first place, then they were enemies for competitive reasons for a while there, then it's over and valentino is basically happy enough to call it bygones

but... if it's a certain kind of bond you had with him and then you wrong him... that little mental list of all his past grievances, all your past transgressions, that's where it comes in. that's where he ices you out. denies you any emotional warmth. ensures that any interaction going forward is conducted entirely on his terms. where even any public 'reconciliation' won't truly be sincere.... or, certainly he's not going to forget what happened. if something else happens... it's like you've always got the potential of triggering this lingering resentment, in a way, where all that past stuff is still primed and ready to be called upon. he certainly doesn't just let it go

or, as he puts it in his autobiography:

Biaggi and I never talk to each other. I mean, we've never had a real conversation, anything that's lasted more than the requisite time to insult each other or put each other down, in the nastiest way possible. In any case, I don't hate him. It's true, we've never been friends, but hatred is something different, and that's too serious a word to describe our relationship. Far too serious. No, we have a reciprocal antipathy. No doubt this is a result of what we do for a living and the fact that we both want to win every single time. And perhaps it's also a function of the fact that we have very different personalities and very different ways of seeing things. Still, I don't think this means we hate each other, as some journalists have written. I think I could feel hatred for someone, but only for someone far worse than anything Biaggi has done. For example, if I were betrayed by a friend, then, yes, I could hate him. But Biaggi will never betray my friendship for the simple reason that we are not, and never have been, friends. Our relationship is very clear: we compete on the track - outside the track, each goes his own way. You could say we detest each other cordially.

... I mean. he said it, not me. and given this book was first published in '05... biaggi can't betray his friendship because they were never friends... I'm not saying he's thinking about sete, but it has to at least be a possibility, right? he's talking about one rivalry here and refusing to even mention the other... and the one he's refusing to mention is the one where he was friends with the other bloke. I don't know, maybe that's reading too much into it! and anyway, even if this passage wasn't really about sete, it's obviously still revealing. "detest each other cordially" is essentially what he was doing with casey and jorge (or from his point of view in any case, not entirely sure they'd agree with that). the grudge comes when he feels let down by you... and then, yes, he'll never let it go

of course, he's willing to set aside his grievances for a while if there's sufficient motivation for him to do so. in 2009, when he had so definitively won that rivalry with sete, why bother kicking up a fuss? in 2016, quite frankly it was just too much, and it was getting to the point where it was obviously hurting him too. on the one hand there was the media furore that had been going on non-stop since sepang, on the other hand it was also hurting his own approach to racing. there's reports from the time how visibly aggrieved he still was in the first few races of the season, and it took until they got back to europe for him to... y'know, have fun again. it's not sustainable to be walking around with a constant dark cloud over your head and broadcasting burning resentment towards your two main rivals. certainly not for someone like valentino - he needs to be having fun! the slight rapprochement needed to happen, in a way, because otherwise those years would have been even worse for everyone involved. but that doesn't actually translate to forgetting any of those grudges. this is about convenience more than anything else

goes to show, really... most of the time he doesn't take these things personally. I talked about it a bit in this post, how maybe it's also something that changed over time for him: the question of whether he was willing to develop these kinds of bonds in the first place with competitors... because he does possess a certain level of self-awareness in terms of what these kinds of rivalries are like and what they do to interpersonal relationships. ideally, you don't want to be hurt by a friend like that, right? better not to have that kind of emotional attachment with your competitors in the first place. how unfortunate it'd be if all those years after sete the circumstances aligned for him to see a competitor as something like a friend again... because, after all, those are the only people who could betray him. those are the only people where he thinks he could truly hate them

[bogkeep]

can my hare fursona be an arctic hare even if they aren't native to northern europe.......

[sieglinde-freud]

anyways actually reading through awakening’s story and i really wish they had like owain or morgan or literally any other kid be a mandatory recruit because lucina has absolutely no one to talk to in the main story? and its like “well chrom is there” but then. thats it. i get to the part after the basilio vs walhart scene and lucina is just off in a corner while everyone was else talks and the dialogue is literally just

Lucina: Gods, I could’ve stopped him… I should’ve stopped him…!

Chrom: ok so castle next?

Lucina: Is everything I’ve done for nothing? Twice now, I’ve failed to change fate!

Flavia: yeah we have to go hit walharts castle

Say’ri: it’s what my brother wouldve wanted

Lucina: Maybe all I’ve done is prolong the inevitable… Maybe the future is doomed no matter what…

Robin: real ok check out this sick strategy

and then the scene fades to black. NO ONE IS TALKING TO HER its honestly really sad like. oh my god. owain is in my party just let him join or something. why is she even here right now

[piosplayhouse]

Guy yuri finals is bingqiu versus hualian I'm sorry tgcfers but there is a correct answer to this and if you still want to give hualian a chance I'd better only see ONE, maximum, piece of propaganda about how "they're yuri because the 800 years of yearning!" Some of us yurists believe in UHAULING and HARD PHYSICAL GIRLSEX

[keirientez]

lesbians on a different post because the girls need their space ok

[nectarine-neuroticism]

having fun working on a commission for arturo. he wanted one of his ocs (angel, left) included in the commission, and another oc (paulina, right) that we brainstormed together for the sake of this fic.

i decided to let my computer charge a bit after writing for a while, so i decided to make picrews of the ocs (couldn't resist with makowka, long time fave tbh) just to help make the visualizations of them "tangible."

then i decided to make the rest of the mcs as picrews lol. take this as you will.

anyways,,, enjoy.

also, before you ask, yes. i did give benji a little gay boy earring. i asked simon if it was okay and he said all things are as they should be.

[zahri-melitor]

Look, one of the fundamental things I keep an eye on for DC writers these days is "is this person plotting a story arc that has sufficient escape valves in case of cancellation".

Because, realistically, even if you've been handed a headline title and an ongoing run, any writer should be tying off their story every 12 months and immediately before every major company-wide event. They shouldn't need to yank that cord, but you can always tell the difference between someone who has figured out how to exit their arc in advance and has just had to compress the story, and someone who's been caught on the hop (for active examples of this, go read literally any comic leading in to either Infinite Crisis or Flashpoint, as everyone got shuffled on their titles after both. You can see when teams were informed they were about to lose their books and when books were needed for the event in terms of how the stories all suddenly pivot to Getting Stuff Done ASAP).

There is also the evil cousin, 'run extended beyond expected plotting and ideas' which can show up but obviously is a rarer beast to spot.

[acidicpenumbra]

they get to dance. or. whatevers up with them. this was already sketched like right after finishing the last art wirh the two of them so i had to finish it. i think the dynamic idea is interestinf actuallt irs a shame that like. nothing fuckinf exists but alas i have tje power to create and boy did i do that. erm. hey guys. more infinadow before i fixate on another pairing i suppose

[bunnihearted]

i cant fully control my emotions during a breakdown and then i come out of it and im like oh fuck........ ._.

[crows-of-buckets]

Guys. I think that Aviae/Morrigan may be endgame... I'm romancing her with the bi companions mod and this shit got me kicking my feet... I'm only at the very very beginning but

THEY MAKE ME ILL IM GONNA THROW UP OUYGHGGH

[lucalicatteart]

Finally finished my weird hanging painting thing (originally a secondhand partially-done 'paint by numbers' kit that I found at a thrift store and kept to repurpose lol)! Imagery somewhat based in my own worldbuilding projects, and text written in my constructed language for one of my fantasy species, but also vaguely inspired by old tapestries and illuminated manuscripts and etc. I've never been great at neat clean patterning or text, but it looks cool from afar, and I always enjoy making "props" or things that are somewhat like real objects that might could exist in my world. :0

(additional pictures/info under the readmore)

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Here's what it was originally! I probably didn't have to actually have a river running down the middle because it further makes the composition of the whole thing weird (various connected yet separate locations and things happening, instead of one unified event being portrayed), but I wasn't sure if I'd be able to fully cover up the already existing paint that was there.. and I can also kind of justify it by going with a more "all the imagery is just symbolic so it doesn't have to make exact sense" approach lol.. How is one half of the grass green and the other is suddenly snowy? shhhh.. it's not literal.. shhh...

Made a vague sketch, then painted over it, and then added more distinct lines in black pen. Center image first and border second.

The very last thing was the text, which actually took forever to translate because my conlang is still only like.. partially done, and some of the grammar is not worked out exactly how I would like it to be, so a few sentences I had to think about for a long time before just going "eh, this is probably not how I would do it if I considered it more, but I'll go with it for now" lol . I also am not entirely satisfied with all of the characters for the writing system, but again, it's good enough for a quick project, it doesn't have to be 100% accurate and perfect because it's a fake language that nobody knows anyway lol.

I thought about breaking down the text and translation here like I have for some of the tidbits of Avirrekava (the language) in things I've posted in the past, but I think it would take too long and is not interesting to anyone but me ghghj, so for the sake of getting the post out quickly, I shall not spend an hour typing All That lol.

The general jist of the writing though is that it's just about the Avirre'thel being cast out from the other elves, after abandoning their magic for immortality as a means to truly attain perfection (an important concept in elven culture), the usual, blah blah blah, but how it's Actually A Good Thing, because the gods are wrong and immortality is Cool actually and they like the shitty frozen lands they were sent to, so it's fine that everyone else is being a Hater about it lol

Lastly, here's a few photos outside in the sun to TRY and show the gold detailing actually shimmering or showing up! It really doesn't come through in photos, but there's plenty of little golden spots to highlight light or Importance.

Mostly the fire, the pink sparkle that represents magic, the red drop that represents blood, the light behind Inaashi's hands and head (common symbol for the elven religion/one of their main gods, shout out to anyone who read the ancient elven religion post and recognized that lol), the sun, and the symbol for the Avirre'thel/country of Navyete at the very top. I did a few other gold bits, but they're not highlighted because they're Significant, more just that it looked more symmetrical to have some gold on the border too lol.

Other things of note: The animals are not actually significant to Avirre'thel culture really, I just wanted to put a cat and a bird because I like them lol. (I also wanted to have a few funny looking creatures, as I was slightly trying to go with the 'in some old medieval painting the anatomy and perspective is very weird' vibe, though I think some of the other parts of it look too Normal to pull it off entirely). Same with the four leaf clover, which means nothing in their culture - but these are the only areas where stuff was just added self-indulgently .

Bligabata (giant cabbage that grows along rivers in Navyete) making an appearance! The architecture of the building IS based on actual concepts for ancient elven/older Avirre'thel architecture and metalwork. The Avirre'thel who's turning away from Inaashi/elves/magic and collecting blood, is doing so in a Special Bowl, as is part of their culture (collecting it in the hands, or just in a normal vessel would be disrespectful, they have Specific Bowls which is the only thing blood can be kept in, etc.).

The figure that represents Jhevona (and thus, a closer connection to magic, celestial imagery, etc.) is in weird ugly teal, which is not necessarily a color or design associated with them, as I don't have much common culture (like clothing) worked out for Northern Jhevona (who the avirre'thel would have come into contact with) yet, BUT everyone else is in more Typical colors (a northern elf in green, Inaashi in lavender + white + blue, an Avirre'thel in darker purples and reds).

Some things, like the four figures in the corners, and the two people + fish in the stream, do not currently have a meaning, but in-world they would.. Like, I could make up lore for how they're culturally significant and it would be true because I am god of the world, but I don't have anything currently. But just know.. they DO mean something, I just haven't decided it yet, maybe kind of fill in as I go, come up with a meaning later lol. Probably along the lines of an old myth from the ancient elven religion, a story, etc.

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I don't know, probably other stuff, but that's my Trying To Keep It Short rambling for now lol. I'm just glad I finally finished this! For how vaguely sloppy it is up close (everything being completely freehanded, only used rulers once when doing the initial sketch and lining where the border should be + my hands are shaky + the canvas is bumpy + my handwriting is scratchy and terrible + etc. etc.) it still took a REALLY long time, even when not trying to make it all perfect. Especially if including the text translation + writing, which took like 3+ hours itself.

Maybe all the asymmetry/lack of things being centered is NOT because I was too lazy to measure anything, but is actually because in-universe, it's a practice illustration made by some young apprentice who has to work on little canvases for years before he can be trusted will a full sized mural or tapestry. It's his first week on the job! of course he's uncoordinated! don't laugh at him!!! lol

[chasingfictions]

2x04, Old Wounds

[royalreef]

@infernalpursuit inquired: how does your muse react when they're scared? does it change, depending on what is currenly scaring them?

(( Oh, absolutely it depends on what's currently scaring her!

The thing you have to understand about Miranda is that she's less of a person, in the sense that her personality and reactions are organic and naturally occurring, and moreso that she's someone who has been so intensely groomed and micro-managed and pushed in such a specific direction that a lot of the way that she is is entirely on purpose.

Her personality isn't really a natural product of her birth nor her circumstance in the same way someone else's personality might be. It's more like... There's no way that people can go through something like what she had gone through and not turn out in a very similar way to her. It's a designed process in this way, something that very intentionally obliterates any other chance to be anything else, and makes becoming this highly specific mold of a person into a life-or-death matter, something that you can't will or whim or nature your way out of. Miranda is the way that she is because she's been intentionally ground down and shredded into the person that she is. She doesn't really have a concrete sense of self. She doesn't even really know who she is. She's not supposed to, she's just supposed to be a means to serve a singular purpose and a singular end, and all she even can comprehend doing is that purpose.

Fear is a major part of this process, this total obliteration of any other mere possibility, but I also feel like it's a little disingenuous to call it fear in the same way most people would relate to it. It's the kind of fear that's so big and bone-deep and constant that it stops really feeling like fear at all, the kind of thing that Miranda herself has a very hard time of realizing that she's feeling even when it's particularly bad.

It might be more accurate to call it getting locked into a constant state of flight-or-fight. It's a constant existential threat where Miranda is sincerely and totally convinced that she could die at any moment and anyone could hurt her as much as they wanted, constantly living solely in the very present and unable to think of what even a short distance ahead in time would be like, because she just never feels comfortable or secure enough to stop thinking of the right now. She's what happens when the fear has been intensified strongly enough that it never dips below what would be debilitating for anyone else, and thus has become wildly detached to her own body, physical harm to her body, threats to her own life, or any escalation of fear.

This is, in fact, one of the things that I worry about disappointing roleplay partners with at times! Because their muse will act scary or try to frighten Miranda, and it just doesn't work. She just doesn't respond to the situation in a measurably different way than how she normally does, because she's under so much constant stress and strain and terror that it's not really any different to her than how everything else already is.

The only real times when she starts to show it, in fact, are places where her aversion and fear of them have been specifically cultivated. Miranda is a tool, and a tool doesn't break under expected strain, but you do have to be able to sharpen it and make sure it remains useful. You do have to take it apart to do maintenance on it, make sure it's working. The points where Miranda starts to actually, sincerely, show her genuine fear and terror, are during these points and in these situations where her aversion of them can be used to punish her and make sure she's being redirected in the proper direction.

In which case, Miranda's fear response is also highly specific and the only real option that other people who have gone through it come out with.

Mostly, she freezes up. She starts fawning hard. She lets it happen, over and over and over again until the object of her fear goes away, because it's going to be easier if she doesn't fight back or resist. She starts disassociating, disconnecting from her body and her thoughts, forgetting where she is or what's happening to her, because then she doesn't have to be present to register it and the memories are easier to repress later. She starts to people-please, trying to make the object of her fear happy and content them, because doing what they tell her to do and making them happy makes it not last as long. If she just does what they want her to, then they won't hurt her as much. If she just listens when she's told, then she won't get punished as much.

The end result is that she's very... robotic, in a sense. She does what she is told, to the letter. She will do what she is told, and she will not fuss or cry or cause any further problems if it also hurts her as well. She will be good, because the only choice other than being good is total obliteration. They should tell her what to do. They should make her do what they want her to do. It's okay that she's not there, or it's hurting her. It's even better if that happens, in fact, because then it's not as bad. She will not mention it after the fact, she will not hold it against them, she will not upset them again. She will be good. She was designed to be good.

Which, again, is part of why Miranda's fear response can be so inappropriate sometimes... Because she's been cultivated this way, because other people punishing her is so ingrained into her mind as a fundamental way of being, very often she will pick the seemingly much scarier or painful option over that cultivated social fear. She will happily hurt herself for someone else, and she will not be afraid of it, or be very upset at all. She will happily do many frightening things and deal with things that anyone else wouldn't be able to, because she's already locked into a permanent state of terror, and the only exception would be what happens if she doesn't do this. She's a tool. The only thing a tool has to fear is not fulfilling its purpose.

It's why she keeps doing increasingly dangerous things, too, seemingly without regard to her own life or death. Fear is an adaptation which allowed living things to avoid situations and things that were dangerous to them. Because Miranda's fear is constant and always at its peak, she doesn't register minor fluctuations to it, nor does she have it to try and get her to avoid things that might or will hurt her. It's also why her pain response is so bizarre and detached, and doesn't take very many efforts to avoid pain in general.

It also means, too, is that the potential for other people accidentally setting off or triggering this particular type of cultivated fear is very high, basically intentionally so. She has to be easy to control and redirect as needed, after all. If someone else gets close to her, gets her in an intimate situation similar to how she was cultivated to respond to punishment, then she can very easily get locked into a loop that they didn't know they were setting off. She's not in the state of mind to notice contradictions or try and correct herself, let alone notice if something is wrong, so nothing she can do can stop this from happening beyond general discouragement from those situations.

It just also means that it can be rather upsetting for other people when they notice that Miranda's immediate fear response, in wholly out-of-proportion situations, is to just sit there and take it without protest, even to the point of seemingly not reacting to someone nearly killing her if they do it in the right way.

[rare-prism-s]

i miss him so fucking much !!!! aaaaagggggghhGGGG