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Good Omens season 3 ending concept!

I know this probably won’t have much recognition, but I need to let it out this idea I had after the comment on David Tennant of reading the scripts.

Now imagine: the first shot after everything happened in the season, it’s on a nightingale. He’s singing on a branch, some leaves are on it.

The scene is quite, but for the bird singing. We see some green grass, some bushes with flowers.

After a couple of seconds, we hear footsteps coming closer. The shoes show up and they’re Aziraphale and Crowley’s. We also hear some soft chatters and laughters. The scene concludes with the voice of God saying: “and it all finished, where it all started, in a garden”

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picture this. you're michael sheen, beloved queer-friendly welsh actor and recent twilight saga vampire. you want your favorite book to become a tv show, and you want to be the lead. so what do you do? you befriend the author. he wines and dines you, you become a confidant in the scriptwriting phase. and in the process of the GO script you decide you don't want to be crowley, actually, you want to be aziraphale. you put in the work for months to influence the author to the same conclusion. so when neil gaiman comes to you one day saying, "i know you joined on to be crowley... but how would you feel about playing aziraphale?" you say, what a novel idea! i was feeling the same way, i just didn't want to say anything! let's do it.

you're michael sheen, the lead in the adaptation of your favorite book. you meet david tennant as your leading man, a rising star (and vocal fan of yours) you've had a few vague interactions with in the past. on set you immediately find the closest friend you have ever and will ever find in your life, and you know this. the romance you have in your (yes, your) show is ambiguous, but you're michael sheen. you think that romance needs to be explicit. so what do you do? you become a nightmare on set. you get really hands-on; you make costume choices, you make story decisions, you tell your author friend at the very end of filming: aziraphale is in love with crowley and realizes it in 1941. now go do it again.

so the author goes and does it again. you get a season 2. you get 1941 part 2. you're michael sheen, and you are the lead of the adaptation of your favorite book, and the romance you littered into the character you built from the ground up has become unambiguous. everything goes according to plan. but, you see, you have a problem: the author you have baby trapped is acting a FIEND on twitter and tumblr. he's saying everything he can to imply aziraphale and crowley aren't sexually attracted to each other. he's getting a bit too bold with his character assumptions, is all i'm saying. so here's what you're going to do: you play it up with your pal david tennant. you made a show with him during lockdown. you're going to depict your lives as even more intertwined and homoerotically codependent as previously possible. you grow even closer. your wives become best friends, too, because how could they not? this has been the plan since the beginning, too. your lockdown show ends. it wasn't enough.

so you, michael sheen, of course you put in the work. if david tennant's there, you're damn sure you're there physically, spiritually, biblically, in whatever capacity you can be. it's not hard. david tennant is a big fan of yours, after all, so he MAKES SURE you're always in the conversation. you have him wrapped around your little finger, this lovely little boy, and so you know what you do next? you become neighbors. you make your directorial debut casting your best friend's wife watching her husband and male neighbor initiate sex with each other. you play into the swinging rumors (that you, michael sheen, had started). you create a narrative that you and david tennant are two homoerotic besties, and is there more going on in the background there? any deeper conspiracy? who really knows, but what you do know is that the world is talking about it.

and you, michael sheen, your entire acting career has led to this moment, your gay quips, your oscar wilde sex scene (and the interviews following), all of your queer roles, EVERYTHING has brought us to this conclusion. you have created the lab perfect conditions where season 3 must have an explicit gay sex scene. i'm sorry neil, my hands are tied! the people are clamoring for me and david tennant to have sex-- i mean aziraphale and crowley to have sex, the public decided this all on their own! i really don't think you have much choice. but of course, i would never deign to tell an author how to practice his veritable craft. i concede to whatever version of series 3 you create, and i will happy to bring this beloved character to his deserved ending.

and why do you say this? because you're michael sheen. you're just an actor who incidentally stumbled his way into leading the queer romance adaptation of your favorite book that wasn't a romance, and you just read the script the way that it was given to you. and if series 3 means an explicit sex scene between you and your best friend david tennant, then what a lovely coincidence that you had absolutely no part in making happen. because what power do you really have?

This is my favorite book I’ve read so far this year. A rare occasion where the author pulls off use of the second person pov. I really felt like I was a beloved welsh actor crossed with Machiavelli when I read this

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Good omens and the lost angel: triple lunch date

The girl Gabriel saved last time comes back to Lux to invite him for lunch. Seemingly a spontaneous date, or is it? 👀😂

Next chapter

Previous chapter

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Good omens, the lost angel, chap 1.

So, when a Neil dropped the hint that ss2 would involve someone who lost their memory, for some reason I thought of Gabriel.

After the almost Armageddon, Aziraphale and Crowley set up a cottage somewhere outside the city and they decided to go to LA for a vacation (mostly because Crowley got bored of the simple and peaceful life in the countryside and the garden work).

And they ran into Gabriel.

Also if you enjoy my comics, consider supporting me on Patreon for early access and concept arts, sketches and more comics ^^ it would mean a great deal. Thank you for reading my story

Chap 2

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I knew that manifesting in my WhatsApp bio would’ve worked

Ineffable Fandom manifesting S3 :D.

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We are ineffably elated to confirm that Good Omens will return for a third season! This calls for a round of hot chocolate and sweet treats!

@neil-gaiman

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here is some odd stuff that i think may support loni's body swap theory let's start here. nina and maggie confront crowley, and his reaction? "but you were crying"

except it was aziraphale who saw maggie crying. he told crowley she had a "pash" for nina; would he have mentioned the crying? i don't know. but it's ODD.

but there's also this way crowley says "bla bla bla" to nina and maggie -- it's *ridiculously* overdone when compared to when he says it to muriel

and then later when later, the metatron asks crowley if he knows him and says he was a big floating giant head. except when crowley last see the metatron?

when he was in heaven with muriel, in the recording, as one of several enlarged heads on screens.

but somebody else DID see the metatron last as a big floating giant head just a few years ago....

well. ift hey swapped WHEN was it? i LOVE loni's fabulous theory where they posit at "no nightingales but could it have been earlier than that? so i've watched and watched and watched the last episode, and i'm thinking maybe it was when gabriel was having his flashbacks.

i am pretty certain the scene before this was them as themselves. here they are before beez gets the fly and gives it to jim. crowley's got his usual mobile face with his forehead creases and expressive mouth... and he talks to beelzebub the way he had earlier (vs how aziraphale had when he was facing hell in s1e6)

this is the first shot of them after gabriel's flashbacks conclude. look at crowley's face.

it stays blank for the time that gabriel recognises aziraphale, sees the angels, says "eesh" at the demons, brightens when he sees beez, and when beez tells him aziraphale took better care of him than they could've done.

we've seen his face with the closed lips and smoother forehead before:

also, this is subtle and it's entirely possible it only means that this scene was shot over multiple days, but check out the right edge (viewer's right, a's left) of aziraphale's bowtie in each picture here. he's been standing fairly still, yet his tie isn't tied quite the same before the fly and after. you can see an extra stripe at the far right edge in the pic that says "true love" the collar of his jacket has moved; more of the left (our left) side of his waistcoat is visible in the 2nd pic. and again, yes, this absolutely could be different takes, probably not immediately after one another if the bowtie had to be retied. except... didn't they use pre-tied bowties this time around? is this an "everything is meant"???

i had to look at crowley too, of course. pre-fly, immediate post fly, starting to look normal, then aziraphale gives him a shake and he looks up. there ARE subtle changes. the collar button of his shirt changes position and so does his neck noodle. it's hard to see his tattoo until he's outside (although it's clear before beez gives jim the fly), but that may just be lighting. or maybe it takes a moment to settle in? I DONT KNOW (also, beez keeps looking over at aziraphale & crowley and i want to know WHY/what they see!) and oh, have you noticed that the top of aziraphale's right ear SWIVELS when michael is threatening him with being erased fromthe book of life? it starts at teh end of 33:50 and goes into 33:51. and about 15 frames later, the metatron appears at the door. i don't have a way to make it into a gif, but here's the first and last of his ear moving. it's not him turning his head, because that wisp of hair doesn't move, nor does his lobe. just... the top. o.O

and ooho, just today i noticed THIS: here's aziraphale's bowtie when he's telling crowley about the offer to go to heaven. LOOK AT THE TARTAN ON HIS TIE.

previously looking at the tie as the viewer, the vertical stripe pattern of dark stripes is thin dark line, narrow gap, group of medium/dark/medium lines, widish gap, repeat. here it's med/dark/med lines, narrow gap, thin dark line, wider gap, repeat. the fabric is upside down from earlier. (and yes, again, this could be an error by costuming/continuity. but i'm hoping it means something bc everything is meant) if you haven't read loni's theory, go check it out!

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Body-swap theory!!

okay, just putting this all together for ease of access, since it's been spread out across several posts now--

The day after it aired I watched the ending like actually 30 times and I became fully 99.999999% certain they switched places. I was initially thinking during the kiss, cuz of how the camera angle changes, but after watching an additional 20 times a few days later, I'm personally leaning much more towards them stopping time in the instance after "no nightingales".

Before the kiss, Aziraphale is saying "nice" things about the Metatron, but his face and voice keep switching to broadcasting distress, and they make it a point to show in ep 1 that Crowley can read him just from tone of voice

As they're pulling away after the kiss, they lock eyes and "Aziraphale's" expression shifts in the teeniest tiniest way, like a confirmation glance, before they shift back (and Michael Sheen is a master, so no chance it's not on purpose)

---(Like really, go back and watch how Aziraphale's expression shifts literally *a second* before "I forgive you" cuz the change is SO minute, but entirely different emotionally.)

Also the way he moves his jaw right after he pulls his hand away from his lips, is a bit from MS's Crowley (you can see it in the very last two seconds of this vid- link)

Aziraphale's hands -stay by his sides- after that, he doesn't clasp them at all, and it's particularly noticeable while he's walking to the elevator with Metatron. The way he walks is very stiff and precise, similar to after the swap in S1.

We don't see the underside of Crowley's jacket collar after the kiss, at any point (it is for sure red at the beginning of the ep, you can see it right before he changes in Heaven)

The Bentley drives away SLOWLY, which is how Aziraphale drives, and we're specifically shown that it only plays other music for Aziraphale

the seats in the Bentley are black as it drives away. They're usually brown, and the only other time they're shown to be black is when Aziraphale drives (@picturesque-about-it broke down the times so you can see-link)

---extra pic for anyone saying it's "cuz Aziraphale is lighter"-- the seats are still brown behind Crowley when he wears white

there's people wearing yellow in -every- part of the scene showing the Bentley both before and while it drives away! (link for pics/credit)

Aziraphale's smile in the elevator looks more like MS's Crowley. It's very similar to the trial during S1, but also (link)

This also explains why they're on opposite sides than they're usually shown while the end credits roll

Extra points--

many good points made by other folks here, about cues and snakes in beehives and swap motifs throughout the season-- link

The clock! Someone mentioned how the scene is so quiet you can hear it ticking, so I watched the ending a further 50 times to double check----I need to preface this by stating, I don't think this is a working clock, mainly cuz the hands aren't 100% where they should be between the minutes and the hours, like -a person- moved them to that time manually

When they're talking, the clock is at approximately 9:25 (?, again the hour hand isn't precisely set), then they walk across the room, and kiss, and immediately after that the clock is set about 15-ish minutes later (link to timestamps)

thanks to these bts shots, we can see that the clock on the opposite side of the room registers the SAME time difference before and after the kiss (link)

the first time Aziraphale looks "towards the window", I'm petty sure he actually looks further back towards the clock, *focuses on it* as Metatron walks up to him, and then spends the ENTIRE REST OF THE EXCHANGE blocking the Metatron's view of the clock

we're shown earlier in the season that Crowley can localize his time-stopping to a certain extent, like when he stopped the doctor and the rest of the room kept going, so it is possible he only stopped everything -outside- of the bookshop

---I KNOW Neil said it's a continuity error, but he also fully said "No" about there being a season 2 just days before they announced it was already written and in production, so. Take him at his word if that's what you wanna do.

---also I DID go back and look it over, and the clock IS consistently specifically set the entire rest of the episode as far as I can see. From the shots when you have a clear view of the clock, the angels and demons enter the shop at around 6, Maggie and Nina leave at around 7, the Metatron comes in at 8-ish, Aziraphale comes back in at that approximately 9:25

(insight from someone who works in production- link)

the music right before the kiss scene is the same leitmotif (Life After Death) used when they originally started formulating the swap in season 1! (link)

the movie Stairway to Heaven (1946) is featured as a poster in both the opening credits and in Maggie's shop (link)

the climax of the film has one of the leads willing to "take the place" of the other in heaven

(they also used a time-stopping mechanic, and the chess book Gabriel tests gravity with also plays a key role in the film)

and one last mention, extra food for thought--- the season's focus on their trusting one another, their history of performing "death (and heaven/hell) defying" feats together, and how they always get the trick right when it truly counts the most

that's what I've got so far!

If I'm right, they're apart now, but are actually more together then ever, and I find that terribly exciting. (And if I'm wrong, that's okay too! I'm just here to have fun.)

I'm not particularly concerned with very specific reasoning (that's for season 3 to tell us!), but I do think this theory is extra fun cuz pretty much any of the others could be the "why" driving it.

I'm not trying to convince anyone, or put down any of the other theories, so if you're not feeling it, that's okay! I'm just sharing what clues I'm seeing, so you can check if you see them too. 💕

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OHMYGOD

all I'm saying is, this is 100% Crowley

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some grimwalker headcanons